Songs like Mu Asapru by Theodore Bikel
Based on a tempo of (+/- 10%) and a similar genre
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Samovar Russian Folk Music Ensemble
Korobushka (Little Peddler Box)
132 bpm • A min • 02:26 • -6.24db
27% Popularity • 50% Danceability • 48% Energy • 13% Liveness
56% Instrumentalness • 94% Positiveness
27% Popularity • 50% Danceability • 48% Energy • 13% Liveness
56% Instrumentalness • 94% Positiveness
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Gruppo Folk Internazionale '75-'79
Daloy Politzei
132 bpm • C min • 02:35 • -11.17db
11% Popularity • 63% Danceability • 33% Energy • 21% Liveness
0% Instrumentalness • 92% Positiveness
11% Popularity • 63% Danceability • 33% Energy • 21% Liveness
0% Instrumentalness • 92% Positiveness
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Matvey Blanter
Chernoglazaya kazachka (Dark-eyed Cossac...
132 bpm • D min • 03:07 • -11.87db
10% Popularity • 40% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
10% Popularity • 40% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Theodore Bikel
Di Mame Iz Gegangen
132 bpm • G min • 01:05 • -17.23db
15% Popularity • 68% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
15% Popularity • 68% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Zupfgeigenhansel
Di mesinke - Live
132 bpm • E min • 02:38 • -14.78db
16% Popularity • 62% Danceability • 52% Energy • 67% Liveness
0% Instrumentalness • 94% Positiveness
16% Popularity • 62% Danceability • 52% Energy • 67% Liveness
0% Instrumentalness • 94% Positiveness
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Talila
Kinder yorn
132 bpm • C min • 02:41 • -15.15db
13% Popularity • 48% Danceability • 4% Energy • 16% Liveness
0% Instrumentalness • 22% Positiveness
13% Popularity • 48% Danceability • 4% Energy • 16% Liveness
0% Instrumentalness • 22% Positiveness
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Effi Netzer Singers
Sisu Et Yerushalayim
132 bpm • C min • 02:55 • -12db
20% Popularity • 63% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 98% Positiveness
20% Popularity • 63% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 98% Positiveness
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Isabel Frey
Di Grine Kuzine
132 bpm • C min • 02:22 • -8.92db
14% Popularity • 68% Danceability • 35% Energy • 25% Liveness
0% Instrumentalness • 62% Positiveness
14% Popularity • 68% Danceability • 35% Energy • 25% Liveness
0% Instrumentalness • 62% Positiveness
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Джаз-оркестр под управлением Дмитрия Покрасс
Если завтра война
133 bpm • F# min • 02:41 • -10.58db
12% Popularity • 73% Danceability • 36% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
12% Popularity • 73% Danceability • 36% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
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Theodore Bikel
Mu Asapru
132 bpm • F# min • 02:22 • -10.94db
9% Popularity • 67% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 87% Positiveness
9% Popularity • 67% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 87% Positiveness
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Zalmen Mlotek
In Ale Gasn (In Every Street)
131 bpm • D min • 02:38 • -15.11db
14% Popularity • 64% Danceability • 24% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
14% Popularity • 64% Danceability • 24% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
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Stars Of St. Petersburg
Katioucha Trad
133 bpm • A min • 01:46 • -12.07db
38% Popularity • 57% Danceability • 32% Energy • 24% Liveness
39% Instrumentalness • 90% Positiveness
38% Popularity • 57% Danceability • 32% Energy • 24% Liveness
39% Instrumentalness • 90% Positiveness
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The klezmer festival band
Bucimis - A dance from Bulgaria
131 bpm • F Maj • 02:08 • -9db
28% Popularity • 62% Danceability • 37% Energy • 10% Liveness
94% Instrumentalness • 77% Positiveness
28% Popularity • 62% Danceability • 37% Energy • 10% Liveness
94% Instrumentalness • 77% Positiveness
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The Russian Folk Ensemble
Little Apple
133 bpm • A min • 02:40 • -21db
19% Popularity • 41% Danceability • 25% Energy • 12% Liveness
90% Instrumentalness • 60% Positiveness
19% Popularity • 41% Danceability • 25% Energy • 12% Liveness
90% Instrumentalness • 60% Positiveness
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Samovar Russian Folk Music Ensemble
Kazbek / Lezginka Georgian Dances
131 bpm • A min • 03:40 • -8.9db
14% Popularity • 42% Danceability • 37% Energy • 7% Liveness
4% Instrumentalness • 54% Positiveness
14% Popularity • 42% Danceability • 37% Energy • 7% Liveness
4% Instrumentalness • 54% Positiveness
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Theodore Bikel
Lomir Zich Iberbeten
132 bpm • E Maj • 01:47 • -16.33db
4% Popularity • 64% Danceability • 14% Energy • 10% Liveness
5% Instrumentalness • 72% Positiveness
4% Popularity • 64% Danceability • 14% Energy • 10% Liveness
5% Instrumentalness • 72% Positiveness
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Klezmer Juice
Ani Ole L'Yerushalayim
131 bpm • D min • 03:07 • -11.23db
15% Popularity • 70% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
15% Popularity • 70% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
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Shir
Ose Shalom
133 bpm • D min • 04:23 • -16db
18% Popularity • 50% Danceability • 12% Energy • 8% Liveness
39% Instrumentalness • 45% Positiveness
18% Popularity • 50% Danceability • 12% Energy • 8% Liveness
39% Instrumentalness • 45% Positiveness
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Zupfgeigenhansel
Huljet, huljet, kinderlech
134 bpm • E min • 02:25 • -14db
17% Popularity • 61% Danceability • 38% Energy • 31% Liveness
0% Instrumentalness • 96% Positiveness
17% Popularity • 61% Danceability • 38% Energy • 31% Liveness
0% Instrumentalness • 96% Positiveness
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Ural Cossacks Choir
Mountain Ash of the Ural
134 bpm • F min • 05:01 • -16.55db
21% Popularity • 24% Danceability • 32% Energy • 14% Liveness
42% Instrumentalness • 22% Positiveness
21% Popularity • 24% Danceability • 32% Energy • 14% Liveness
42% Instrumentalness • 22% Positiveness
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Samovar Russian Folk Music Ensemble
Ukhar Kupyets (Dashing Merchant)
134 bpm • F min • 01:58 • -6.69db
20% Popularity • 63% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
20% Popularity • 63% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
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Theodore Bikel
Yossel Der Klezmer
134 bpm • G Maj • 03:04 • -9.92db
3% Popularity • 69% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
3% Popularity • 69% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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The Barry Sisters
Yuh Mein Tiere Tochter
134 bpm • C min • 02:39 • -14.63db
10% Popularity • 59% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
10% Popularity • 59% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
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Shir
Shibolet - LaMidbar
133 bpm • G min • 02:30 • -15db
26% Popularity • 55% Danceability • 21% Energy • 6% Liveness
73% Instrumentalness • 87% Positiveness
26% Popularity • 55% Danceability • 21% Energy • 6% Liveness
73% Instrumentalness • 87% Positiveness
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Хор Сретенского монастыря
Ой, то не вечер
130 bpm • E Maj • 04:34 • -14.67db
20% Popularity • 19% Danceability • 24% Energy • 10% Liveness
18% Instrumentalness • 7% Positiveness
20% Popularity • 19% Danceability • 24% Energy • 10% Liveness
18% Instrumentalness • 7% Positiveness
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Zhanna Bichevskaya
Я в садочке была
134 bpm • G# Maj • 02:37 • -13db
15% Popularity • 42% Danceability • 32% Energy • 13% Liveness
2% Instrumentalness • 40% Positiveness
15% Popularity • 42% Danceability • 32% Energy • 13% Liveness
2% Instrumentalness • 40% Positiveness
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Lucie Skeaping
Hey! Zhankoye!
134 bpm • E min • 02:52 • -7.27db
14% Popularity • 70% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
14% Popularity • 70% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
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Theodore Bikel
Di Mezinke
131 bpm • F Maj • 01:50 • -11.98db
4% Popularity • 72% Danceability • 67% Energy • 25% Liveness
0% Instrumentalness • 90% Positiveness
4% Popularity • 72% Danceability • 67% Energy • 25% Liveness
0% Instrumentalness • 90% Positiveness
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Daniel Kahn
Blues for Leon Trotsky / Lev Davidovich
130 bpm • F Maj • 01:02 • -12.88db
9% Popularity • 62% Danceability • 28% Energy • 12% Liveness
2% Instrumentalness • 50% Positiveness
9% Popularity • 62% Danceability • 28% Energy • 12% Liveness
2% Instrumentalness • 50% Positiveness
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Raasche
Rebbe Elimelech; Moldovanke
134 bpm • A min • 02:04 • -12db
15% Popularity • 64% Danceability • 30% Energy • 9% Liveness
21% Instrumentalness • 80% Positiveness
15% Popularity • 64% Danceability • 30% Energy • 9% Liveness
21% Instrumentalness • 80% Positiveness
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Dave Tarras
Unzer Toirele
134 bpm • C# min • 03:06 • -5.4db
19% Popularity • 84% Danceability • 52% Energy • 9% Liveness
89% Instrumentalness • 95% Positiveness
19% Popularity • 84% Danceability • 52% Energy • 9% Liveness
89% Instrumentalness • 95% Positiveness
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Stars Of St. Petersburg
Poliouchka Polie
130 bpm • D min • 02:08 • -13.01db
40% Popularity • 50% Danceability • 52% Energy • 6% Liveness
67% Instrumentalness • 87% Positiveness
40% Popularity • 50% Danceability • 52% Energy • 6% Liveness
67% Instrumentalness • 87% Positiveness
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![Dear Dlinoju [Dorogoj dlinnoju] cover art](https://i.scdn.co/image/ab67616d00001e0228fcaeb698e977142a33765c)
Alexander Vertinsky
Dear Dlinoju [Dorogoj dlinnoju]
130 bpm • A# min • 02:52 • -9db
11% Popularity • 54% Danceability • 36% Energy • 18% Liveness
30% Instrumentalness • 55% Positiveness
11% Popularity • 54% Danceability • 36% Energy • 18% Liveness
30% Instrumentalness • 55% Positiveness
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Theodore Bikel
Di Grine Kuzine
133 bpm • A min • 02:14 • -8.33db
12% Popularity • 76% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 94% Positiveness
12% Popularity • 76% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 94% Positiveness
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Burning Bush
Yidl mitn Fidl (Arr. R. Skeaping)
130 bpm • D min • 03:45 • -9.15db
14% Popularity • 64% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
14% Popularity • 64% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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Джаз-ансамбль под управлением Александра Мурина
Гадам нет пощады
130 bpm • C Maj • 03:23 • -10.03db
10% Popularity • 60% Danceability • 56% Energy • 38% Liveness
0% Instrumentalness • 85% Positiveness
10% Popularity • 60% Danceability • 56% Energy • 38% Liveness
0% Instrumentalness • 85% Positiveness
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Nikitov
Mayn Rue Plats
134 bpm • F# min • 03:41 • -13.63db
13% Popularity • 48% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
13% Popularity • 48% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Lehakat Ha Nodedim
Dona, Dona
130 bpm • A min • 01:50 • -19.53db
18% Popularity • 44% Danceability • 14% Energy • 14% Liveness
61% Instrumentalness • 64% Positiveness
18% Popularity • 44% Danceability • 14% Energy • 14% Liveness
61% Instrumentalness • 64% Positiveness
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Yulya
Katiusha
134 bpm • A min • 01:45 • -12.65db
15% Popularity • 61% Danceability • 15% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
15% Popularity • 61% Danceability • 15% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
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Theodore Bikel
Mayn Shtetele Belz
133 bpm • C min • 03:18 • -10.6db
13% Popularity • 62% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
13% Popularity • 62% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Klezmer Juice
Caramba: Eli Eli
134 bpm • D min • 02:34 • -12.63db
12% Popularity • 30% Danceability • 14% Energy • 13% Liveness
88% Instrumentalness • 18% Positiveness
12% Popularity • 30% Danceability • 14% Energy • 13% Liveness
88% Instrumentalness • 18% Positiveness
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Eugen Doga
Carriage
129 bpm • D min • 02:35 • -14.13db
8% Popularity • 45% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 37% Positiveness
8% Popularity • 45% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 37% Positiveness
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Effi Netzer
Lashana Hazot Biyerushalaim
129 bpm • D min • 01:31 • -7.04db
16% Popularity • 60% Danceability • 80% Energy • 24% Liveness
0% Instrumentalness • 73% Positiveness
16% Popularity • 60% Danceability • 80% Energy • 24% Liveness
0% Instrumentalness • 73% Positiveness
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Zupfgeigenhansel
Lomir sich iberbetn
135 bpm • G Maj • 03:30 • -13.59db
18% Popularity • 61% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 98% Positiveness
18% Popularity • 61% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 98% Positiveness
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Samovar Russian Folk Music Ensemble
Yablochko (Little Apple)
129 bpm • A min • 02:02 • -8.94db
29% Popularity • 53% Danceability • 55% Energy • 10% Liveness
71% Instrumentalness • 92% Positiveness
29% Popularity • 53% Danceability • 55% Energy • 10% Liveness
71% Instrumentalness • 92% Positiveness
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Theodore Bikel
Shabes Shabes
133 bpm • G Maj • 02:50 • -12.5db
11% Popularity • 63% Danceability • 32% Energy • 39% Liveness
0% Instrumentalness • 74% Positiveness
11% Popularity • 63% Danceability • 32% Energy • 39% Liveness
0% Instrumentalness • 74% Positiveness
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Gerry Buikman and His Orchestra
Arbetlose Marsch
129 bpm • G min • 02:22 • -17.53db
18% Popularity • 48% Danceability • 11% Energy • 7% Liveness
75% Instrumentalness • 21% Positiveness
18% Popularity • 48% Danceability • 11% Energy • 7% Liveness
75% Instrumentalness • 21% Positiveness
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Nikolay Timchenko
Vyydu na ulitsu ...
135 bpm • D min • 02:11 • -8db
10% Popularity • 42% Danceability • 55% Energy • 28% Liveness
11% Instrumentalness • 60% Positiveness
10% Popularity • 42% Danceability • 55% Energy • 28% Liveness
11% Instrumentalness • 60% Positiveness
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Dave Tarras
Branas Hassene
135 bpm • F Maj • 02:38 • -9.11db
9% Popularity • 86% Danceability • 67% Energy • 6% Liveness
53% Instrumentalness • 98% Positiveness
9% Popularity • 86% Danceability • 67% Energy • 6% Liveness
53% Instrumentalness • 98% Positiveness
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Burning Bush
Terkisher Bulgar
135 bpm • C Maj • 01:58 • -5.71db
15% Popularity • 63% Danceability • 35% Energy • 6% Liveness
9% Instrumentalness • 83% Positiveness
15% Popularity • 63% Danceability • 35% Energy • 6% Liveness
9% Instrumentalness • 83% Positiveness
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Samovar Russian Folk Music Ensemble
Russian Polka
129 bpm • D Maj • 01:22 • -6.88db
8% Popularity • 59% Danceability • 80% Energy • 16% Liveness
86% Instrumentalness • 96% Positiveness
8% Popularity • 59% Danceability • 80% Energy • 16% Liveness
86% Instrumentalness • 96% Positiveness
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Theodore Bikel
Hulyet, Hulyet Kinderlech
135 bpm • G Maj • 02:09 • -15.63db
3% Popularity • 58% Danceability • 21% Energy • 19% Liveness
0% Instrumentalness • 96% Positiveness
3% Popularity • 58% Danceability • 21% Energy • 19% Liveness
0% Instrumentalness • 96% Positiveness
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The Barry Sisters
To Life
136 bpm • D# Maj • 02:47 • -9.33db
14% Popularity • 61% Danceability • 59% Energy • 57% Liveness
0% Instrumentalness • 70% Positiveness
14% Popularity • 61% Danceability • 59% Energy • 57% Liveness
0% Instrumentalness • 70% Positiveness
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Joel Rubin Jewish Music Ensemble
Russian Sher
136 bpm • D min • 06:36 • -13.69db
18% Popularity • 51% Danceability • 30% Energy • 8% Liveness
86% Instrumentalness • 75% Positiveness
18% Popularity • 51% Danceability • 30% Energy • 8% Liveness
86% Instrumentalness • 75% Positiveness
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Isabel Frey
Di Sapozhkelekh
129 bpm • B min • 02:39 • -12db
10% Popularity • 55% Danceability • 13% Energy • 21% Liveness
0% Instrumentalness • 52% Positiveness
10% Popularity • 55% Danceability • 13% Energy • 21% Liveness
0% Instrumentalness • 52% Positiveness
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Olivier Daviaud
Mazel Tov !
128 bpm • E min • 02:19 • -9.54db
14% Popularity • 47% Danceability • 32% Energy • 26% Liveness
0% Instrumentalness • 28% Positiveness
14% Popularity • 47% Danceability • 32% Energy • 26% Liveness
0% Instrumentalness • 28% Positiveness
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Dave Tarras
Israeli Dances
136 bpm • D min • 04:57 • -7.52db
10% Popularity • 66% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
10% Popularity • 66% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
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Theodore Bikel
Sha Shtil
133 bpm • D Maj • 01:40 • -16.26db
9% Popularity • 67% Danceability • 14% Energy • 20% Liveness
0% Instrumentalness • 73% Positiveness
9% Popularity • 67% Danceability • 14% Energy • 20% Liveness
0% Instrumentalness • 73% Positiveness
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Pyotr Leshchenko
Katja, Katja
128 bpm • C min • 02:34 • -13db
27% Popularity • 70% Danceability • 42% Energy • 13% Liveness
30% Instrumentalness • 86% Positiveness
27% Popularity • 70% Danceability • 42% Energy • 13% Liveness
30% Instrumentalness • 86% Positiveness
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Ural Cossacks Choir
Marusha
127 bpm • F min • 03:29 • -11db
40% Popularity • 52% Danceability • 54% Energy • 15% Liveness
0% Instrumentalness • 77% Positiveness
40% Popularity • 52% Danceability • 54% Energy • 15% Liveness
0% Instrumentalness • 77% Positiveness
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Isabel Frey
Dire Gelt
127 bpm • C# min • 03:01 • -10.92db
10% Popularity • 62% Danceability • 22% Energy • 26% Liveness
0% Instrumentalness • 52% Positiveness
10% Popularity • 62% Danceability • 22% Energy • 26% Liveness
0% Instrumentalness • 52% Positiveness
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Paul Zim
Mezinke Tantz
137 bpm • G min • 02:04 • -6.7db
12% Popularity • 50% Danceability • 92% Energy • 5% Liveness
2% Instrumentalness • 90% Positiveness
12% Popularity • 50% Danceability • 92% Energy • 5% Liveness
2% Instrumentalness • 90% Positiveness
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Раиса Гончарова
Там на Кубани
137 bpm • C Maj • 03:46 • -12.93db
9% Popularity • 28% Danceability • 41% Energy • 26% Liveness
0% Instrumentalness • 18% Positiveness
9% Popularity • 28% Danceability • 41% Energy • 26% Liveness
0% Instrumentalness • 18% Positiveness
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Theodore Bikel
Partizaner-Marsh (March of the Partisans...
134 bpm • G# Maj • 02:18 • -13.26db
10% Popularity • 72% Danceability • 20% Energy • 7% Liveness
0% Instrumentalness • 52% Positiveness
10% Popularity • 72% Danceability • 20% Energy • 7% Liveness
0% Instrumentalness • 52% Positiveness
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Kuban Cossack Chorus
Why Am I Sad Today
127 bpm • A min • 03:37 • -20.89db
9% Popularity • 49% Danceability • 26% Energy • 74% Liveness
0% Instrumentalness • 89% Positiveness
9% Popularity • 49% Danceability • 26% Energy • 74% Liveness
0% Instrumentalness • 89% Positiveness
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The Barry Sisters
Shein Vi Di Levone
127 bpm • D# min • 02:22 • -7.64db
14% Popularity • 47% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
14% Popularity • 47% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
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Lehakat Ha Nodedim
Rita
137 bpm • E min • 01:33 • -18.07db
8% Popularity • 35% Danceability • 15% Energy • 10% Liveness
97% Instrumentalness • 48% Positiveness
8% Popularity • 35% Danceability • 15% Energy • 10% Liveness
97% Instrumentalness • 48% Positiveness
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Effi Netzer Band
Hora Chadera
137 bpm • C min • 02:15 • -17.85db
19% Popularity • 59% Danceability • 27% Energy • 12% Liveness
85% Instrumentalness • 97% Positiveness
19% Popularity • 59% Danceability • 27% Energy • 12% Liveness
85% Instrumentalness • 97% Positiveness
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Zoya Yashchenko
Генералы Гражданской ...
127 bpm • D min • 03:35 • -14.04db
40% Popularity • 64% Danceability • 34% Energy • 20% Liveness
0% Instrumentalness • 88% Positiveness
40% Popularity • 64% Danceability • 34% Energy • 20% Liveness
0% Instrumentalness • 88% Positiveness
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Theodore Bikel
Katiusha
128 bpm • D min • 01:58 • -10db
11% Popularity • 66% Danceability • 33% Energy • 7% Liveness
0% Instrumentalness • 73% Positiveness
11% Popularity • 66% Danceability • 33% Energy • 7% Liveness
0% Instrumentalness • 73% Positiveness
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Rajtaraj
Daloy politsey
138 bpm • B min • 03:00 • -7.41db
19% Popularity • 76% Danceability • 52% Energy • 3% Liveness
0% Instrumentalness • 80% Positiveness
19% Popularity • 76% Danceability • 52% Energy • 3% Liveness
0% Instrumentalness • 80% Positiveness
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Effi Netzer Singers
Echad Arbaa Oushnaim Shlosha
138 bpm • C min • 03:19 • -15db
14% Popularity • 54% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
14% Popularity • 54% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Burning Bush
Noladeti la shalom (I was born for peace...
138 bpm • F Maj • 03:30 • -11.82db
11% Popularity • 70% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 85% Positiveness
11% Popularity • 70% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 85% Positiveness
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Zupfgeigenhansel
Sog nischt kejnmol
126 bpm • E min • 02:20 • -14.11db
21% Popularity • 55% Danceability • 34% Energy • 6% Liveness
0% Instrumentalness • 76% Positiveness
21% Popularity • 55% Danceability • 34% Energy • 6% Liveness
0% Instrumentalness • 76% Positiveness
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Valentina Ponomareva
Kalitka (Wicket-gate)
138 bpm • A Maj • 04:09 • -15db
8% Popularity • 30% Danceability • 19% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
8% Popularity • 30% Danceability • 19% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
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Theodore Bikel
Sudarinya
138 bpm • A min • 02:49 • -15db
19% Popularity • 51% Danceability • 44% Energy • 11% Liveness
91% Instrumentalness • 96% Positiveness
19% Popularity • 51% Danceability • 44% Energy • 11% Liveness
91% Instrumentalness • 96% Positiveness
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Psoy Korolenko
The Number
126 bpm • C Maj • 02:21 • -10db
10% Popularity • 68% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
10% Popularity • 68% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
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Samovar Russian Folk Music Ensemble
Kolomeykas (Ukrainian Circle Dances)
139 bpm • G min • 02:17 • -9db
17% Popularity • 58% Danceability • 48% Energy • 22% Liveness
7% Instrumentalness • 83% Positiveness
17% Popularity • 58% Danceability • 48% Energy • 22% Liveness
7% Instrumentalness • 83% Positiveness
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Yiddish Glory
Kazakhstan
126 bpm • A min • 06:30 • -9db
7% Popularity • 40% Danceability • 35% Energy • 35% Liveness
0% Instrumentalness • 32% Positiveness
7% Popularity • 40% Danceability • 35% Energy • 35% Liveness
0% Instrumentalness • 32% Positiveness
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Zupfgeigenhansel
Di grine kusine
126 bpm • D min • 02:37 • -13db
21% Popularity • 60% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
21% Popularity • 60% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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Burning Bush
Hassidic Melody No. 6
126 bpm • G Maj • 04:51 • -7db
13% Popularity • 35% Danceability • 40% Energy • 11% Liveness
2% Instrumentalness • 17% Positiveness
13% Popularity • 35% Danceability • 40% Energy • 11% Liveness
2% Instrumentalness • 17% Positiveness
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Klezmer Juice
Zemer Atik (Nigun Atik)
125 bpm • D min • 02:53 • -8.23db
20% Popularity • 54% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
20% Popularity • 54% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
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Theodore Bikel
Der Rebe Elimelech
139 bpm • C min • 02:57 • -14.8db
9% Popularity • 51% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
9% Popularity • 51% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
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Dire Gelt
Dzhankoye
125 bpm • B min • 03:15 • -12db
7% Popularity • 56% Danceability • 45% Energy • 6% Liveness
0% Instrumentalness • 53% Positiveness
7% Popularity • 56% Danceability • 45% Energy • 6% Liveness
0% Instrumentalness • 53% Positiveness
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Daniel Kahn
Moskve
139 bpm • D min • 03:59 • -9.76db
13% Popularity • 58% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
13% Popularity • 58% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
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Zupfgeigenhansel
Dire-gelt
125 bpm • E min • 02:12 • -15.55db
24% Popularity • 54% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
24% Popularity • 54% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
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Isabel Frey
Daloy Politsey
125 bpm • C min • 04:01 • -8.66db
19% Popularity • 64% Danceability • 30% Energy • 69% Liveness
0% Instrumentalness • 64% Positiveness
19% Popularity • 64% Danceability • 30% Energy • 69% Liveness
0% Instrumentalness • 64% Positiveness
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Kapelye
Oy, Tate S'iz Git
125 bpm • C min • 03:16 • -8.73db
10% Popularity • 82% Danceability • 44% Energy • 16% Liveness
4% Instrumentalness • 97% Positiveness
10% Popularity • 82% Danceability • 44% Energy • 16% Liveness
4% Instrumentalness • 97% Positiveness
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Theodore Bikel
Hinei Ma Tov
139 bpm • E min • 01:43 • -11.99db
8% Popularity • 53% Danceability • 36% Energy • 25% Liveness
0% Instrumentalness • 68% Positiveness
8% Popularity • 53% Danceability • 36% Energy • 25% Liveness
0% Instrumentalness • 68% Positiveness
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Talila
Lomir zich iberbeten
125 bpm • G Maj • 02:28 • -8.74db
20% Popularity • 75% Danceability • 40% Energy • 19% Liveness
0% Instrumentalness • 78% Positiveness
20% Popularity • 75% Danceability • 40% Energy • 19% Liveness
0% Instrumentalness • 78% Positiveness
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Dudu Fisher
Bay Mir Bistu Shein
140 bpm • A# min • 03:01 • -8.49db
7% Popularity • 66% Danceability • 50% Energy • 29% Liveness
0% Instrumentalness • 69% Positiveness
7% Popularity • 66% Danceability • 50% Energy • 29% Liveness
0% Instrumentalness • 69% Positiveness
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Zupfgeigenhansel
Schtil, die Nachts is ojsgeschternt
125 bpm • C Maj • 03:36 • -15.98db
15% Popularity • 35% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
15% Popularity • 35% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Gerry Buikman and His Orchestra
A nakht in gan eydn
140 bpm • F Maj • 02:46 • -12.95db
19% Popularity • 71% Danceability • 56% Energy • 20% Liveness
78% Instrumentalness • 92% Positiveness
19% Popularity • 71% Danceability • 56% Energy • 20% Liveness
78% Instrumentalness • 92% Positiveness
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Isabel Frey
Sholem Lid
140 bpm • C min • 03:56 • -14.72db
9% Popularity • 54% Danceability • 7% Energy • 22% Liveness
0% Instrumentalness • 50% Positiveness
9% Popularity • 54% Danceability • 7% Energy • 22% Liveness
0% Instrumentalness • 50% Positiveness
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The Flying Bulgar Klezmer Band
Der Yiddisher Soldat In Die Trenches
140 bpm • D Maj • 03:18 • -18.85db
10% Popularity • 42% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
10% Popularity • 42% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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The Klezmorim
Hora Lui Damian
140 bpm • G Maj • 02:12 • -16.8db
19% Popularity • 72% Danceability • 39% Energy • 9% Liveness
57% Instrumentalness • 87% Positiveness
19% Popularity • 72% Danceability • 39% Energy • 9% Liveness
57% Instrumentalness • 87% Positiveness
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The Klezmatics
A Glezele Vayn
141 bpm • D min • 03:59 • -15.85db
16% Popularity • 66% Danceability • 39% Energy • 18% Liveness
84% Instrumentalness • 93% Positiveness
16% Popularity • 66% Danceability • 39% Energy • 18% Liveness
84% Instrumentalness • 93% Positiveness
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Zupfgeigenhansel
Moischele - Live
140 bpm • D min • 05:18 • -17.19db
11% Popularity • 36% Danceability • 30% Energy • 69% Liveness
0% Instrumentalness • 33% Positiveness
11% Popularity • 36% Danceability • 30% Energy • 69% Liveness
0% Instrumentalness • 33% Positiveness
