Songs like Muka Ghevun Gela - Machchharchi Lavani by Uttara Kelkar
Based on a tempo of (+/- 10%) and a similar genre
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Manohar Golambre
Majha Dev Kuni Pahila
138 bpm • A min • 05:00 • -5.74db
26% Popularity • 40% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 49% Positiveness
26% Popularity • 40% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 49% Positiveness
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Rahul Deshpande
Surat Piya Ki
137 bpm • C Maj • 03:16 • -7db
37% Popularity • 36% Danceability • 80% Energy • 25% Liveness
0% Instrumentalness • 79% Positiveness
37% Popularity • 36% Danceability • 80% Energy • 25% Liveness
0% Instrumentalness • 79% Positiveness
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Uttara Kelkar
Chala Makadachay Lagnala
138 bpm • F Maj • 06:09 • -11.31db
7% Popularity • 71% Danceability • 55% Energy • 69% Liveness
61% Instrumentalness • 96% Positiveness
7% Popularity • 71% Danceability • 55% Energy • 69% Liveness
61% Instrumentalness • 96% Positiveness
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Yashwant Deo
Shree Ganpati Atharvashirsha
139 bpm • F# Maj • 04:06 • -15.54db
6% Popularity • 61% Danceability • 14% Energy • 37% Liveness
0% Instrumentalness • 33% Positiveness
6% Popularity • 61% Danceability • 14% Energy • 37% Liveness
0% Instrumentalness • 33% Positiveness
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Arati Ankalikar Tikekar
Mi Radhika
137 bpm • F min • 05:32 • -12.5db
23% Popularity • 44% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
23% Popularity • 44% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Madhavas Rock Band
Kanhaiya Kanhaiya Pukara Karenge
140 bpm • D# Maj • 07:46 • -7.97db
47% Popularity • 42% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
47% Popularity • 42% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
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Shradhey Gaurav Krishna Goswami Ji
Mere man hey gayo lata pata
136 bpm • C# Maj • 10:01 • -3.42db
34% Popularity • 67% Danceability • 93% Energy • 68% Liveness
0% Instrumentalness • 86% Positiveness
34% Popularity • 67% Danceability • 93% Energy • 68% Liveness
0% Instrumentalness • 86% Positiveness
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Varsha Shrivastava
Ek Dantaya Vakratundaya
140 bpm • C# Maj • 05:25 • -4.15db
42% Popularity • 64% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
42% Popularity • 64% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Uttara Kelkar
Gavran Thaska
140 bpm • A# Maj • 06:14 • -7.06db
3% Popularity • 70% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 49% Positiveness
3% Popularity • 70% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 49% Positiveness
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Ajit Kadkade
Tarak Mantra
136 bpm • C min • 03:53 • -8.09db
46% Popularity • 60% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
46% Popularity • 60% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Urmila Dhangar
Mala Pirtichya Jhulyat Jhulwa
140 bpm • C Maj • 05:56 • -4.85db
44% Popularity • 68% Danceability • 82% Energy • 5% Liveness
0% Instrumentalness • 60% Positiveness
44% Popularity • 68% Danceability • 82% Energy • 5% Liveness
0% Instrumentalness • 60% Positiveness
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Prahlad Shinde
Vithalachya Paayi Veet Zali Bhagyawant
136 bpm • G# min • 02:59 • -13.59db
7% Popularity • 39% Danceability • 42% Energy • 36% Liveness
0% Instrumentalness • 80% Positiveness
7% Popularity • 39% Danceability • 42% Energy • 36% Liveness
0% Instrumentalness • 80% Positiveness
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Mukesh
Jane Kahan Gaye Woh Din
141 bpm • F min • 04:26 • -8.62db
29% Popularity • 34% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 27% Positiveness
29% Popularity • 34% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 27% Positiveness
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Milind Ingle
Gaarva - Version 1
141 bpm • A min • 04:38 • -11.23db
40% Popularity • 50% Danceability • 40% Energy • 50% Liveness
0% Instrumentalness • 51% Positiveness
40% Popularity • 50% Danceability • 40% Energy • 50% Liveness
0% Instrumentalness • 51% Positiveness
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Uttara Kelkar
Are Radata Radata
140 bpm • F# Maj • 05:17 • -10.07db
2% Popularity • 49% Danceability • 37% Energy • 17% Liveness
0% Instrumentalness • 41% Positiveness
2% Popularity • 49% Danceability • 37% Energy • 17% Liveness
0% Instrumentalness • 41% Positiveness
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Parmesh Mali
Odh Lagli Mala G Mauli
135 bpm • C Maj • 05:22 • -3db
40% Popularity • 69% Danceability • 90% Energy • 20% Liveness
0% Instrumentalness • 67% Positiveness
40% Popularity • 69% Danceability • 90% Energy • 20% Liveness
0% Instrumentalness • 67% Positiveness
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Anand Shinde
Kombdi Palali
135 bpm • G# min • 05:06 • -3db
50% Popularity • 52% Danceability • 99% Energy • 17% Liveness
0% Instrumentalness • 58% Positiveness
50% Popularity • 52% Danceability • 99% Energy • 17% Liveness
0% Instrumentalness • 58% Positiveness
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Salil Kulkarni
Durdeshi Gela Baba
141 bpm • F Maj • 05:15 • -13.17db
25% Popularity • 47% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
25% Popularity • 47% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Salma Agha
Kehna Na Tum Yeh Kisi Se
134 bpm • F min • 06:05 • -8.76db
45% Popularity • 30% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 63% Positiveness
45% Popularity • 30% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 63% Positiveness
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Tirpti Shakya
Bhaye Pragat Kripala
134 bpm • D# Maj • 10:39 • -3.97db
35% Popularity • 70% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
35% Popularity • 70% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
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Uttara Kelkar
Gomu Tuji Por Maje Porala
135 bpm • A# min • 05:22 • -7.6db
2% Popularity • 85% Danceability • 82% Energy • 3% Liveness
0% Instrumentalness • 74% Positiveness
2% Popularity • 85% Danceability • 82% Energy • 3% Liveness
0% Instrumentalness • 74% Positiveness
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Manik Varma
Amrutahuni God
134 bpm • D min • 05:19 • -8db
37% Popularity • 39% Danceability • 45% Energy • 39% Liveness
0% Instrumentalness • 53% Positiveness
37% Popularity • 39% Danceability • 45% Energy • 39% Liveness
0% Instrumentalness • 53% Positiveness
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Arun Date
Shukratara Mand Vara
142 bpm • A Maj • 06:44 • -16db
12% Popularity • 52% Danceability • 25% Energy • 35% Liveness
52% Instrumentalness • 72% Positiveness
12% Popularity • 52% Danceability • 25% Energy • 35% Liveness
52% Instrumentalness • 72% Positiveness
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K. J. Yesudas
Madhuban Khushboo Deta Hai - Male Vocals
134 bpm • D Maj • 03:17 • -7.97db
23% Popularity • 47% Danceability • 43% Energy • 6% Liveness
0% Instrumentalness • 44% Positiveness
23% Popularity • 47% Danceability • 43% Energy • 6% Liveness
0% Instrumentalness • 44% Positiveness
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Salma Agha
Faza Bhi Hai Jawan, Pt. 3
142 bpm • A Maj • 05:49 • -9db
12% Popularity • 34% Danceability • 32% Energy • 16% Liveness
40% Instrumentalness • 53% Positiveness
12% Popularity • 34% Danceability • 32% Energy • 16% Liveness
40% Instrumentalness • 53% Positiveness
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Javed Ali
Aisi Laagi Lagan Meera Ho Gayi Magan
142 bpm • C min • 04:32 • -10.42db
54% Popularity • 59% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
54% Popularity • 59% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Pankaj Udhas
Aadmi Khilona Hai, Pt. 1
143 bpm • A# Maj • 01:35 • -12db
51% Popularity • 40% Danceability • 58% Energy • 20% Liveness
0% Instrumentalness • 78% Positiveness
51% Popularity • 40% Danceability • 58% Energy • 20% Liveness
0% Instrumentalness • 78% Positiveness
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Chandrani Mukherjee
Rupa Nai Kule Eka Chhota
143 bpm • A# min • 04:39 • -0.94db
7% Popularity • 57% Danceability • 79% Energy • 17% Liveness
0% Instrumentalness • 73% Positiveness
7% Popularity • 57% Danceability • 79% Energy • 17% Liveness
0% Instrumentalness • 73% Positiveness
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Uttara Kelkar
Majhi Mai Sarosati
144 bpm • C Maj • 04:55 • -8.5db
2% Popularity • 44% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
2% Popularity • 44% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Usha Mangeshkar
Ganpati Raya Padate Mi Paya
133 bpm • D min • 05:24 • -8db
34% Popularity • 81% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 95% Positiveness
34% Popularity • 81% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 95% Positiveness
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Sudhir Phadke
Dehachi Tijori, Pt. 1
132 bpm • D Maj • 03:15 • -21db
20% Popularity • 49% Danceability • 18% Energy • 8% Liveness
91% Instrumentalness • 63% Positiveness
20% Popularity • 49% Danceability • 18% Energy • 8% Liveness
91% Instrumentalness • 63% Positiveness
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Shalini Sharma
Shyam Stuti
144 bpm • G Maj • 04:17 • -4.01db
21% Popularity • 71% Danceability • 76% Energy • 15% Liveness
0% Instrumentalness • 69% Positiveness
21% Popularity • 71% Danceability • 76% Energy • 15% Liveness
0% Instrumentalness • 69% Positiveness
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Mridul Krishna Sastri Ji
Radhey Radhey Japa Karo
132 bpm • C# Maj • 09:59 • -7.91db
19% Popularity • 59% Danceability • 80% Energy • 29% Liveness
0% Instrumentalness • 92% Positiveness
19% Popularity • 59% Danceability • 80% Energy • 29% Liveness
0% Instrumentalness • 92% Positiveness
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Jagjit Singh
Ek Purana Mausam Lauta
144 bpm • A Maj • 06:16 • -17.45db
42% Popularity • 56% Danceability • 26% Energy • 24% Liveness
0% Instrumentalness • 47% Positiveness
42% Popularity • 56% Danceability • 26% Energy • 24% Liveness
0% Instrumentalness • 47% Positiveness
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Mohammed Rafi
Badi Der Bhai Nandlala, Pt. 2
132 bpm • F Maj • 03:53 • -10db
14% Popularity • 43% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
14% Popularity • 43% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
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Ajay Gogavale
Mazi Pandhari Chi Maay
132 bpm • G# Maj • 07:16 • -15.15db
44% Popularity • 55% Danceability • 36% Energy • 32% Liveness
0% Instrumentalness • 24% Positiveness
44% Popularity • 55% Danceability • 36% Energy • 32% Liveness
0% Instrumentalness • 24% Positiveness
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Geeta Dutt
Sun Sun Sun Sun Zalima
132 bpm • F# min • 02:52 • -5.22db
21% Popularity • 72% Danceability • 45% Energy • 27% Liveness
0% Instrumentalness • 81% Positiveness
21% Popularity • 72% Danceability • 45% Energy • 27% Liveness
0% Instrumentalness • 81% Positiveness
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Ravindra Sathe
Utha Utha Ho Sakalik
131 bpm • A Maj • 03:11 • -2.98db
33% Popularity • 58% Danceability • 60% Energy • 35% Liveness
0% Instrumentalness • 56% Positiveness
33% Popularity • 58% Danceability • 60% Energy • 35% Liveness
0% Instrumentalness • 56% Positiveness
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Nidhi Dholakia
Arji Amari Suno Shreenathji
145 bpm • G# Maj • 07:47 • -13.19db
28% Popularity • 55% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
28% Popularity • 55% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
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Pankaj Udhas
Deewaron Se Milkar Rona
131 bpm • G min • 05:46 • -13.04db
32% Popularity • 54% Danceability • 33% Energy • 19% Liveness
0% Instrumentalness • 54% Positiveness
32% Popularity • 54% Danceability • 33% Energy • 19% Liveness
0% Instrumentalness • 54% Positiveness
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Usha Mangeshkar
Kunya Gavach Aala Pakharu
131 bpm • F min • 05:23 • -14.68db
2% Popularity • 58% Danceability • 47% Energy • 36% Liveness
87% Instrumentalness • 74% Positiveness
2% Popularity • 58% Danceability • 47% Energy • 36% Liveness
87% Instrumentalness • 74% Positiveness
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Uttara Kelkar
Jiv Devan Dhadla
146 bpm • G# min • 06:26 • -9.18db
2% Popularity • 52% Danceability • 43% Energy • 31% Liveness
0% Instrumentalness • 59% Positiveness
2% Popularity • 52% Danceability • 43% Energy • 31% Liveness
0% Instrumentalness • 59% Positiveness
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Pujya Prembhushanji Maharaj
Shri Ram Ko Dekhkar Shri Janak Nandini
130 bpm • D# Maj • 04:51 • -7.8db
47% Popularity • 55% Danceability • 70% Energy • 20% Liveness
0% Instrumentalness • 94% Positiveness
47% Popularity • 55% Danceability • 70% Energy • 20% Liveness
0% Instrumentalness • 94% Positiveness
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Shakuntala Jadhav
Kawdhi Kaakdi Todu Nako
146 bpm • A min • 04:11 • -6.28db
1% Popularity • 64% Danceability • 71% Energy • 33% Liveness
0% Instrumentalness • 88% Positiveness
1% Popularity • 64% Danceability • 71% Energy • 33% Liveness
0% Instrumentalness • 88% Positiveness
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Rahul Deshpande
Mai Patiya
130 bpm • A# Maj • 03:24 • -5.21db
25% Popularity • 47% Danceability • 71% Energy • 23% Liveness
0% Instrumentalness • 66% Positiveness
25% Popularity • 47% Danceability • 71% Energy • 23% Liveness
0% Instrumentalness • 66% Positiveness
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Pandit. Shaunak Abhisheki
He Surano Chandra Wha
146 bpm • E min • 06:31 • -17db
30% Popularity • 45% Danceability • 28% Energy • 6% Liveness
0% Instrumentalness • 39% Positiveness
30% Popularity • 45% Danceability • 28% Energy • 6% Liveness
0% Instrumentalness • 39% Positiveness
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Ajay-Atul
Goryaa Goryaa
130 bpm • F min • 03:52 • -8.83db
45% Popularity • 53% Danceability • 49% Energy • 10% Liveness
1% Instrumentalness • 23% Positiveness
45% Popularity • 53% Danceability • 49% Energy • 10% Liveness
1% Instrumentalness • 23% Positiveness
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Uttara Kelkar
Sada Jagachya Kaarni
147 bpm • C# Maj • 06:27 • -8.19db
2% Popularity • 60% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
2% Popularity • 60% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
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Devendra Pathak
Teri Mand Mand Muskan Pe
130 bpm • A# min • 07:41 • -4db
36% Popularity • 70% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
36% Popularity • 70% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
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Ajit Kadkade
Sukhkarta Dukhaharta
147 bpm • G# Maj • 04:09 • -2.11db
27% Popularity • 51% Danceability • 81% Energy • 6% Liveness
0% Instrumentalness • 62% Positiveness
27% Popularity • 51% Danceability • 81% Energy • 6% Liveness
0% Instrumentalness • 62% Positiveness
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Hridaynath Mangeshkar
Laajun Hasane
147 bpm • C# Maj • 05:51 • -14db
14% Popularity • 37% Danceability • 43% Energy • 14% Liveness
93% Instrumentalness • 65% Positiveness
14% Popularity • 37% Danceability • 43% Energy • 14% Liveness
93% Instrumentalness • 65% Positiveness
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Suman Kalyanpur
Jithe Sagra Dharni Milte
129 bpm • G min • 03:27 • -14.36db
11% Popularity • 45% Danceability • 29% Energy • 23% Liveness
2% Instrumentalness • 69% Positiveness
11% Popularity • 45% Danceability • 29% Energy • 23% Liveness
2% Instrumentalness • 69% Positiveness
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Sudhir Phadke
Mandirat Antarat
129 bpm • D# Maj • 03:56 • -6.83db
36% Popularity • 55% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
36% Popularity • 55% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
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Manik Varma
Koushalyecha Ram Bai
128 bpm • G Maj • 05:29 • -6.56db
35% Popularity • 44% Danceability • 50% Energy • 45% Liveness
0% Instrumentalness • 51% Positiveness
35% Popularity • 44% Danceability • 50% Energy • 45% Liveness
0% Instrumentalness • 51% Positiveness
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Uttara Kelkar
Ishkachi Bank
128 bpm • G Maj • 05:15 • -9.74db
4% Popularity • 63% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
4% Popularity • 63% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
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Tukaram Gosavi
Kaaya Hi Pandhari
148 bpm • D# min • 06:23 • -13.99db
1% Popularity • 37% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
1% Popularity • 37% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
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Jiya Wadkar
Ranguni Jau Ata
128 bpm • F min • 03:52 • -5.94db
2% Popularity • 77% Danceability • 70% Energy • 19% Liveness
0% Instrumentalness • 58% Positiveness
2% Popularity • 77% Danceability • 70% Energy • 19% Liveness
0% Instrumentalness • 58% Positiveness
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Kumar Vishu
Nand Ghar Anand Bhaye Jai Kanhaiya Lal K...
150 bpm • F Maj • 09:55 • -11.66db
39% Popularity • 40% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
39% Popularity • 40% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
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Manoj Sharma Gwalior
Kanha Ki Deewani Ban Jaungi
127 bpm • E min • 05:13 • 0.23db
32% Popularity • 60% Danceability • 90% Energy • 24% Liveness
0% Instrumentalness • 84% Positiveness
32% Popularity • 60% Danceability • 90% Energy • 24% Liveness
0% Instrumentalness • 84% Positiveness
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Bappi Lahiri
Olaa Olaa Oley
127 bpm • F# Maj • 05:04 • -8.78db
1% Popularity • 72% Danceability • 81% Energy • 6% Liveness
0% Instrumentalness • 63% Positiveness
1% Popularity • 72% Danceability • 81% Energy • 6% Liveness
0% Instrumentalness • 63% Positiveness
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Uttara Kelkar
Mata Ramai
150 bpm • C Maj • 06:25 • -5.72db
0% Popularity • 68% Danceability • 73% Energy • 39% Liveness
0% Instrumentalness • 78% Positiveness
0% Popularity • 68% Danceability • 73% Energy • 39% Liveness
0% Instrumentalness • 78% Positiveness
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Pujya Prembhushanji Maharaj
Aate Hai Raghunandan Sajwa Do Dwar Dwar
151 bpm • G Maj • 04:16 • -7.2db
45% Popularity • 36% Danceability • 78% Energy • 30% Liveness
0% Instrumentalness • 77% Positiveness
45% Popularity • 36% Danceability • 78% Energy • 30% Liveness
0% Instrumentalness • 77% Positiveness
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O. P. Nayyar
Jata Kahan Hai Diwane
127 bpm • C Maj • 03:14 • -6.35db
14% Popularity • 57% Danceability • 60% Energy • 9% Liveness
2% Instrumentalness • 77% Positiveness
14% Popularity • 57% Danceability • 60% Energy • 9% Liveness
2% Instrumentalness • 77% Positiveness
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Pushpa Paagdharey
Itni Shakti Hamein Dena Data
126 bpm • C# min • 04:59 • -10.28db
42% Popularity • 51% Danceability • 42% Energy • 43% Liveness
0% Instrumentalness • 33% Positiveness
42% Popularity • 51% Danceability • 42% Energy • 43% Liveness
0% Instrumentalness • 33% Positiveness
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Mohammed Rafi
Din Dhal Jaye Haye
126 bpm • F# Maj • 04:53 • -15db
27% Popularity • 50% Danceability • 20% Energy • 13% Liveness
87% Instrumentalness • 40% Positiveness
27% Popularity • 50% Danceability • 20% Energy • 13% Liveness
87% Instrumentalness • 40% Positiveness
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Bharat Sharma Vyas
Nimiya Ke Darhi Maiya
152 bpm • D min • 07:18 • -10.88db
31% Popularity • 57% Danceability • 70% Energy • 16% Liveness
0% Instrumentalness • 77% Positiveness
31% Popularity • 57% Danceability • 70% Energy • 16% Liveness
0% Instrumentalness • 77% Positiveness
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Udit Narayan
Tum Mere Ho
152 bpm • G min • 08:36 • -16.72db
33% Popularity • 29% Danceability • 44% Energy • 6% Liveness
0% Instrumentalness • 57% Positiveness
33% Popularity • 29% Danceability • 44% Energy • 6% Liveness
0% Instrumentalness • 57% Positiveness
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Pujya Prembhushanji Maharaj
Pata Nahi Kis Roop Main Aakar
125 bpm • D min • 03:24 • -9.41db
37% Popularity • 66% Danceability • 56% Energy • 24% Liveness
0% Instrumentalness • 68% Positiveness
37% Popularity • 66% Danceability • 56% Energy • 24% Liveness
0% Instrumentalness • 68% Positiveness
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Uttara Kelkar
Thasala Manat Thasala
124 bpm • G# Maj • 04:07 • -12.63db
2% Popularity • 37% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
2% Popularity • 37% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
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Anuradha Paudwal
Kunitari Yenar
124 bpm • G min • 04:42 • -9.33db
26% Popularity • 44% Danceability • 74% Energy • 10% Liveness
6% Instrumentalness • 83% Positiveness
26% Popularity • 44% Danceability • 74% Energy • 10% Liveness
6% Instrumentalness • 83% Positiveness
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Kumar Sanu
Tui Naki Ma Dayamoyee
154 bpm • C Maj • 04:34 • -15.14db
11% Popularity • 39% Danceability • 29% Energy • 34% Liveness
0% Instrumentalness • 51% Positiveness
11% Popularity • 39% Danceability • 29% Energy • 34% Liveness
0% Instrumentalness • 51% Positiveness
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Ravindra Jain
Jin Par Kirpa Ram Kare Vo Paththar Bhi T...
155 bpm • F# min • 03:01 • -8.3db
40% Popularity • 35% Danceability • 62% Energy • 59% Liveness
0% Instrumentalness • 76% Positiveness
40% Popularity • 35% Danceability • 62% Energy • 59% Liveness
0% Instrumentalness • 76% Positiveness
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Amitraj
Kashyala Lavato
155 bpm • A# Maj • 03:58 • -12.84db
41% Popularity • 75% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
41% Popularity • 75% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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Pujya Prembhushanji Maharaj
Kailash Ke Nivasi Namo Bar Bar Hu
124 bpm • G Maj • 05:27 • -7.7db
35% Popularity • 43% Danceability • 72% Energy • 38% Liveness
0% Instrumentalness • 60% Positiveness
35% Popularity • 43% Danceability • 72% Energy • 38% Liveness
0% Instrumentalness • 60% Positiveness
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Aadarsh Buddy
Raam Ko Dekh Kar Shri Janak Nandni
122 bpm • E min • 07:06 • -6db
44% Popularity • 47% Danceability • 64% Energy • 47% Liveness
0% Instrumentalness • 71% Positiveness
44% Popularity • 47% Danceability • 64% Energy • 47% Liveness
0% Instrumentalness • 71% Positiveness
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Adarsh Shinde
Shri Swami Samartha
122 bpm • D Maj • 05:30 • -8.41db
25% Popularity • 52% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
25% Popularity • 52% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Satish Dehra
Shiv Rudrashtakam
121 bpm • B Maj • 05:19 • -6db
55% Popularity • 68% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
55% Popularity • 68% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
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Nitin Mukesh
Jaisi Karni Waisi Bharni
158 bpm • F min • 05:27 • -7.75db
52% Popularity • 35% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 73% Positiveness
52% Popularity • 35% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 73% Positiveness
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Vinay Mandke
Don Rupe, Don Rupe De Re Mala
121 bpm • G Maj • 05:39 • -13.68db
19% Popularity • 51% Danceability • 48% Energy • 51% Liveness
0% Instrumentalness • 96% Positiveness
19% Popularity • 51% Danceability • 48% Energy • 51% Liveness
0% Instrumentalness • 96% Positiveness
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Ravindra Jain
Kanha Re Thoda Sa Pyaar De - 1
120 bpm • G Maj • 05:03 • -11.5db
35% Popularity • 49% Danceability • 69% Energy • 29% Liveness
2% Instrumentalness • 79% Positiveness
35% Popularity • 49% Danceability • 69% Energy • 29% Liveness
2% Instrumentalness • 79% Positiveness
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Prahlad Shinde
Shree Satyanarayanchi Katha
158 bpm • C# min • 06:44 • -11.66db
2% Popularity • 59% Danceability • 50% Energy • 72% Liveness
0% Instrumentalness • 81% Positiveness
2% Popularity • 59% Danceability • 50% Energy • 72% Liveness
0% Instrumentalness • 81% Positiveness
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Praful Dave
He Jagne Jadva Krishna Govaliya
120 bpm • E Maj • 03:45 • -17db
24% Popularity • 51% Danceability • 22% Energy • 67% Liveness
0% Instrumentalness • 44% Positiveness
24% Popularity • 51% Danceability • 22% Energy • 67% Liveness
0% Instrumentalness • 44% Positiveness
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Vaishali Samant
Rupaan Dekhani
120 bpm • G Maj • 05:03 • -4.04db
27% Popularity • 87% Danceability • 83% Energy • 64% Liveness
0% Instrumentalness • 74% Positiveness
27% Popularity • 87% Danceability • 83% Energy • 64% Liveness
0% Instrumentalness • 74% Positiveness
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Rahul Deshpande
Kaivalya Gaan
120 bpm • A# Maj • 05:50 • -3.89db
31% Popularity • 39% Danceability • 77% Energy • 33% Liveness
0% Instrumentalness • 38% Positiveness
31% Popularity • 39% Danceability • 77% Energy • 33% Liveness
0% Instrumentalness • 38% Positiveness
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Sudhir Phadke
Tochi Khara Sadhu
117 bpm • C# Maj • 05:43 • -16db
2% Popularity • 33% Danceability • 46% Energy • 67% Liveness
0% Instrumentalness • 48% Positiveness
2% Popularity • 33% Danceability • 46% Energy • 67% Liveness
0% Instrumentalness • 48% Positiveness
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Kavita Krishnamurthy
Allam Gallam Sajana
164 bpm • G Maj • 06:15 • -7db
15% Popularity • 27% Danceability • 86% Energy • 28% Liveness
0% Instrumentalness • 84% Positiveness
15% Popularity • 27% Danceability • 86% Energy • 28% Liveness
0% Instrumentalness • 84% Positiveness
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Shakuntala Jadhav
Aho Aaba Sarkoon Basa
167 bpm • E Maj • 05:14 • -7.05db
5% Popularity • 51% Danceability • 62% Energy • 37% Liveness
0% Instrumentalness • 73% Positiveness
5% Popularity • 51% Danceability • 62% Energy • 37% Liveness
0% Instrumentalness • 73% Positiveness
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Sandeep Khare
Sariwar Sar
167 bpm • C Maj • 04:13 • -14.35db
24% Popularity • 55% Danceability • 36% Energy • 10% Liveness
24% Instrumentalness • 75% Positiveness
24% Popularity • 55% Danceability • 36% Energy • 10% Liveness
24% Instrumentalness • 75% Positiveness
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Vaishali Samant
Chik Motyachi Maal Hoti Ga Tis Tolyachi ...
166 bpm • D# min • 06:24 • -11.91db
38% Popularity • 52% Danceability • 56% Energy • 28% Liveness
0% Instrumentalness • 95% Positiveness
38% Popularity • 52% Danceability • 56% Energy • 28% Liveness
0% Instrumentalness • 95% Positiveness
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Niranjan Pandya
Agad Bam Daak Vage Damru
168 bpm • G# Maj • 07:39 • -7.98db
35% Popularity • 38% Danceability • 63% Energy • 19% Liveness
0% Instrumentalness • 79% Positiveness
35% Popularity • 38% Danceability • 63% Energy • 19% Liveness
0% Instrumentalness • 79% Positiveness
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Vishnu Shinde
Asa Hota Nau Kotincha Bap
168 bpm • G# Maj • 05:59 • -10.52db
1% Popularity • 43% Danceability • 54% Energy • 25% Liveness
75% Instrumentalness • 91% Positiveness
1% Popularity • 43% Danceability • 54% Energy • 25% Liveness
75% Instrumentalness • 91% Positiveness
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Shrikant Narayan
Farki Naaylanchi
169 bpm • F# min • 05:10 • -6.85db
1% Popularity • 65% Danceability • 75% Energy • 34% Liveness
0% Instrumentalness • 82% Positiveness
1% Popularity • 65% Danceability • 75% Energy • 34% Liveness
0% Instrumentalness • 82% Positiveness
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Jagjit Singh
Tera Chehra Hai Aaeene Jaisa
168 bpm • G Maj • 04:53 • -15.82db
33% Popularity • 59% Danceability • 30% Energy • 4% Liveness
0% Instrumentalness • 64% Positiveness
33% Popularity • 59% Danceability • 30% Energy • 4% Liveness
0% Instrumentalness • 64% Positiveness
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Abhijit Bhattacharya
Pyaar Ke Kagaz Pe
169 bpm • C Maj • 07:04 • -10.29db
47% Popularity • 31% Danceability • 73% Energy • 6% Liveness
0% Instrumentalness • 68% Positiveness
47% Popularity • 31% Danceability • 73% Energy • 6% Liveness
0% Instrumentalness • 68% Positiveness
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Usha Mangeshkar
Malyachya Malya Madhi Kon Ga Ubhi
169 bpm • F Maj • 03:44 • -14.01db
7% Popularity • 52% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
7% Popularity • 52% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
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Veena Bamne
Ghe Bayani Ghe Kara
170 bpm • G Maj • 05:38 • -10.03db
18% Popularity • 45% Danceability • 63% Energy • 43% Liveness
0% Instrumentalness • 55% Positiveness
18% Popularity • 45% Danceability • 63% Energy • 43% Liveness
0% Instrumentalness • 55% Positiveness
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Mahesh Hiremath
Datta Digambara Ya Ho
170 bpm • C# Maj • 02:31 • -6.07db
45% Popularity • 65% Danceability • 66% Energy • 45% Liveness
0% Instrumentalness • 96% Positiveness
45% Popularity • 65% Danceability • 66% Energy • 45% Liveness
0% Instrumentalness • 96% Positiveness
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Yogesh Agravkar
Aai Tuz Deul
170 bpm • F min • 05:49 • -3.64db
41% Popularity • 63% Danceability • 77% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
41% Popularity • 63% Danceability • 77% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness