Songs like Multani Fast Tintal by Nikhil Banerjee
Based on a tempo of (+/- 10%) and a similar genre
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Nikhil Banerjee
Multani Fast Tintal
93 bpm • A Maj • 04:25 • -25db
14% Popularity • 32% Danceability • 32% Energy • 9% Liveness
8% Instrumentalness • 41% Positiveness
14% Popularity • 32% Danceability • 32% Energy • 9% Liveness
8% Instrumentalness • 41% Positiveness
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Alam Khan
Closing
93 bpm • C Maj • 03:38 • -12.84db
22% Popularity • 51% Danceability • 22% Energy • 9% Liveness
90% Instrumentalness • 7% Positiveness
22% Popularity • 51% Danceability • 22% Energy • 9% Liveness
90% Instrumentalness • 7% Positiveness
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Re-Orient
The Way I Feel
93 bpm • D Maj • 06:28 • -8.7db
15% Popularity • 63% Danceability • 49% Energy • 5% Liveness
0% Instrumentalness • 43% Positiveness
15% Popularity • 63% Danceability • 49% Energy • 5% Liveness
0% Instrumentalness • 43% Positiveness
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T. N. Krishnan
Mridangam Solo
93 bpm • C Maj • 07:39 • -22db
9% Popularity • 43% Danceability • 45% Energy • 8% Liveness
88% Instrumentalness • 35% Positiveness
9% Popularity • 43% Danceability • 45% Energy • 8% Liveness
88% Instrumentalness • 35% Positiveness
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Rakesh Chaurasia
Raga Bhimpalasi - Gat in Rupak Tala
94 bpm • B min • 13:54 • -12.45db
18% Popularity • 52% Danceability • 37% Energy • 9% Liveness
91% Instrumentalness • 49% Positiveness
18% Popularity • 52% Danceability • 37% Energy • 9% Liveness
91% Instrumentalness • 49% Positiveness
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Mukti
Song of the Mountain
93 bpm • D Maj • 06:16 • -15.52db
8% Popularity • 65% Danceability • 26% Energy • 11% Liveness
43% Instrumentalness • 43% Positiveness
8% Popularity • 65% Danceability • 26% Energy • 11% Liveness
43% Instrumentalness • 43% Positiveness
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Nikhil Banerjee
Bhimpalasri Slow Rupak Tal
94 bpm • D Maj • 15:30 • -21.04db
14% Popularity • 33% Danceability • 45% Energy • 22% Liveness
40% Instrumentalness • 65% Positiveness
14% Popularity • 33% Danceability • 45% Energy • 22% Liveness
40% Instrumentalness • 65% Positiveness
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Alam Khan
Through the Dark
93 bpm • F Maj • 05:15 • -12db
13% Popularity • 52% Danceability • 45% Energy • 13% Liveness
90% Instrumentalness • 27% Positiveness
13% Popularity • 52% Danceability • 45% Energy • 13% Liveness
90% Instrumentalness • 27% Positiveness
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Shivkumar Sharma
Himalayan Dawn
92 bpm • G Maj • 05:31 • -17.43db
15% Popularity • 33% Danceability • 20% Energy • 10% Liveness
45% Instrumentalness • 4% Positiveness
15% Popularity • 33% Danceability • 20% Energy • 10% Liveness
45% Instrumentalness • 4% Positiveness
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U. Srinivas
Gajavadhana
94 bpm • G Maj • 08:04 • -13.54db
17% Popularity • 50% Danceability • 58% Energy • 7% Liveness
88% Instrumentalness • 81% Positiveness
17% Popularity • 50% Danceability • 58% Energy • 7% Liveness
88% Instrumentalness • 81% Positiveness
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Shujaat Khan
Chaap Tilak
92 bpm • D Maj • 12:02 • -10.04db
22% Popularity • 40% Danceability • 70% Energy • 9% Liveness
9% Instrumentalness • 80% Positiveness
22% Popularity • 40% Danceability • 70% Energy • 9% Liveness
9% Instrumentalness • 80% Positiveness
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Raghunath Seth
Suddh Sarang
94 bpm • B Maj • 06:26 • -12db
20% Popularity • 33% Danceability • 70% Energy • 16% Liveness
82% Instrumentalness • 54% Positiveness
20% Popularity • 33% Danceability • 70% Energy • 16% Liveness
82% Instrumentalness • 54% Positiveness
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Buddhadev DasGupta
Brindabani Sarang
92 bpm • G min • 05:28 • -22db
14% Popularity • 41% Danceability • 48% Energy • 18% Liveness
82% Instrumentalness • 40% Positiveness
14% Popularity • 41% Danceability • 48% Energy • 18% Liveness
82% Instrumentalness • 40% Positiveness
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Lakshmi Shankar
Raga khafi
94 bpm • F min • 06:38 • -18.6db
25% Popularity • 32% Danceability • 7% Energy • 37% Liveness
0% Instrumentalness • 28% Positiveness
25% Popularity • 32% Danceability • 7% Energy • 37% Liveness
0% Instrumentalness • 28% Positiveness
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Shahid Parvez
Raga Pilu - Taal Dadra
94 bpm • C# Maj • 08:39 • -15db
15% Popularity • 36% Danceability • 28% Energy • 21% Liveness
44% Instrumentalness • 12% Positiveness
15% Popularity • 36% Danceability • 28% Energy • 21% Liveness
44% Instrumentalness • 12% Positiveness
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U. Srinivas
Ranjani Niranjani - Mandolin
92 bpm • G min • 05:16 • -8.72db
14% Popularity • 39% Danceability • 85% Energy • 29% Liveness
81% Instrumentalness • 60% Positiveness
14% Popularity • 39% Danceability • 85% Energy • 29% Liveness
81% Instrumentalness • 60% Positiveness
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L. Shankar
Raga Aberi Track 07
92 bpm • A# min • 03:14 • -13.05db
9% Popularity • 46% Danceability • 62% Energy • 39% Liveness
91% Instrumentalness • 67% Positiveness
9% Popularity • 46% Danceability • 62% Energy • 39% Liveness
91% Instrumentalness • 67% Positiveness
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Vilayat Khan
Jenny's Theme (2)
94 bpm • F# Maj • 01:02 • -20.79db
29% Popularity • 29% Danceability • 9% Energy • 10% Liveness
1% Instrumentalness • 43% Positiveness
29% Popularity • 29% Danceability • 9% Energy • 10% Liveness
1% Instrumentalness • 43% Positiveness
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Rajhesh Vaidhya
Jagajjanani - Rathipathi Priya - Adi
92 bpm • D min • 02:32 • -8.29db
24% Popularity • 57% Danceability • 58% Energy • 8% Liveness
79% Instrumentalness • 69% Positiveness
24% Popularity • 57% Danceability • 58% Energy • 8% Liveness
79% Instrumentalness • 69% Positiveness
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Hiralal and party
Dhun on the Shahnai
94 bpm • A# Maj • 09:44 • -16.97db
8% Popularity • 41% Danceability • 32% Energy • 7% Liveness
87% Instrumentalness • 27% Positiveness
8% Popularity • 41% Danceability • 32% Energy • 7% Liveness
87% Instrumentalness • 27% Positiveness
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![Rajasthani Folk Melody in Raga Mand cover art]()
Santosh Nahar
Rajasthani Folk Melody in Raga Mand
94 bpm • E min • 11:10 • -10.49db
12% Popularity • 35% Danceability • 60% Energy • 36% Liveness
81% Instrumentalness • 67% Positiveness
12% Popularity • 35% Danceability • 60% Energy • 36% Liveness
81% Instrumentalness • 67% Positiveness
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Rakesh Chaurasia
Chants-Raag Bhatiyar, Pt. 3
92 bpm • D Maj • 02:22 • -16.67db
15% Popularity • 20% Danceability • 6% Energy • 16% Liveness
1% Instrumentalness • 6% Positiveness
15% Popularity • 20% Danceability • 6% Energy • 16% Liveness
1% Instrumentalness • 6% Positiveness
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Abhijit Pohankar
Raga Rageshree (Keyboard)
91 bpm • A Maj • 02:40 • -8db
21% Popularity • 36% Danceability • 67% Energy • 13% Liveness
88% Instrumentalness • 34% Positiveness
21% Popularity • 36% Danceability • 67% Energy • 13% Liveness
88% Instrumentalness • 34% Positiveness
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Shujaat Khan
Jis Sheh Pe Nazar
95 bpm • C# min • 07:00 • -10.61db
10% Popularity • 60% Danceability • 51% Energy • 9% Liveness
3% Instrumentalness • 92% Positiveness
10% Popularity • 60% Danceability • 51% Energy • 9% Liveness
3% Instrumentalness • 92% Positiveness
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Shakti
Lotus Feet
95 bpm • D min • 04:43 • -28db
23% Popularity • 37% Danceability • 7% Energy • 9% Liveness
67% Instrumentalness • 14% Positiveness
23% Popularity • 37% Danceability • 7% Energy • 9% Liveness
67% Instrumentalness • 14% Positiveness
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Ustad Bismillahkhan
Ahir Bhairab - Instrumental
91 bpm • D# Maj • 03:23 • -14db
10% Popularity • 25% Danceability • 46% Energy • 13% Liveness
96% Instrumentalness • 31% Positiveness
10% Popularity • 25% Danceability • 46% Energy • 13% Liveness
96% Instrumentalness • 31% Positiveness
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Spiritual Players
Raga Chandrakauns
95 bpm • C# Maj • 10:02 • -18.86db
19% Popularity • 48% Danceability • 17% Energy • 17% Liveness
93% Instrumentalness • 42% Positiveness
19% Popularity • 48% Danceability • 17% Energy • 17% Liveness
93% Instrumentalness • 42% Positiveness
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U. Srinivas
Vilaiyada Idhu Neerama
91 bpm • G# Maj • 02:13 • -11.14db
21% Popularity • 65% Danceability • 46% Energy • 21% Liveness
86% Instrumentalness • 62% Positiveness
21% Popularity • 65% Danceability • 46% Energy • 21% Liveness
86% Instrumentalness • 62% Positiveness
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Kishori Amonkar
Shri Vishnu Dhyanam
90 bpm • B Maj • 01:47 • -19db
25% Popularity • 18% Danceability • 5% Energy • 36% Liveness
0% Instrumentalness • 12% Positiveness
25% Popularity • 18% Danceability • 5% Energy • 36% Liveness
0% Instrumentalness • 12% Positiveness
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Lakshmi Shankar
Jadoo Bharey Torey Nain - Raga Bhairavi ...
90 bpm • E Maj • 12:44 • -13db
8% Popularity • 33% Danceability • 39% Energy • 33% Liveness
5% Instrumentalness • 28% Positiveness
8% Popularity • 33% Danceability • 39% Energy • 33% Liveness
5% Instrumentalness • 28% Positiveness
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L. Shankar
Raga Aberi Track 06
90 bpm • A# min • 06:23 • -13.19db
8% Popularity • 57% Danceability • 57% Energy • 13% Liveness
65% Instrumentalness • 64% Positiveness
8% Popularity • 57% Danceability • 57% Energy • 13% Liveness
65% Instrumentalness • 64% Positiveness
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Vilayat Khan
Marwa
90 bpm • C# Maj • 07:26 • -15.39db
15% Popularity • 50% Danceability • 50% Energy • 10% Liveness
83% Instrumentalness • 60% Positiveness
15% Popularity • 50% Danceability • 50% Energy • 10% Liveness
83% Instrumentalness • 60% Positiveness
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Jayanthi Kumaresh
Mysterious Duality
90 bpm • B Maj • 08:16 • -8.77db
10% Popularity • 49% Danceability • 33% Energy • 10% Liveness
69% Instrumentalness • 17% Positiveness
10% Popularity • 49% Danceability • 33% Energy • 10% Liveness
69% Instrumentalness • 17% Positiveness
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Baluji Shrivastav
Nartaki
90 bpm • D Maj • 03:18 • -15.54db
29% Popularity • 45% Danceability • 38% Energy • 8% Liveness
6% Instrumentalness • 4% Positiveness
29% Popularity • 45% Danceability • 38% Energy • 8% Liveness
6% Instrumentalness • 4% Positiveness
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Shivkumar Sharma & Zakir Hussain
Raga Kamod, Gat In Jhaptaal
90 bpm • D Maj • 05:34 • -18.67db
14% Popularity • 36% Danceability • 24% Energy • 7% Liveness
7% Instrumentalness • 10% Positiveness
14% Popularity • 36% Danceability • 24% Energy • 7% Liveness
7% Instrumentalness • 10% Positiveness
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Sur - Sudha
Resham Phiriri (Flute)
90 bpm • B min • 03:02 • -11.09db
12% Popularity • 42% Danceability • 40% Energy • 43% Liveness
82% Instrumentalness • 18% Positiveness
12% Popularity • 42% Danceability • 40% Energy • 43% Liveness
82% Instrumentalness • 18% Positiveness
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Traditional
Raag Jan Sammohini
97 bpm • D# min • 10:10 • -15.82db
28% Popularity • 31% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
28% Popularity • 31% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
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Kamalesh Maitra
Raag Bhupal Todi
97 bpm • D# min • 09:48 • -17.99db
12% Popularity • 49% Danceability • 32% Energy • 16% Liveness
93% Instrumentalness • 20% Positiveness
12% Popularity • 49% Danceability • 32% Energy • 16% Liveness
93% Instrumentalness • 20% Positiveness
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Chitti Babu
Raghuvamsa Sudha (Raga: Kathanakuthuhala...
97 bpm • B Maj • 09:11 • -15db
17% Popularity • 59% Danceability • 38% Energy • 24% Liveness
72% Instrumentalness • 81% Positiveness
17% Popularity • 59% Danceability • 38% Energy • 24% Liveness
72% Instrumentalness • 81% Positiveness
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Vilayat Khan
Piloo
97 bpm • G# min • 08:16 • -19.74db
20% Popularity • 40% Danceability • 28% Energy • 6% Liveness
87% Instrumentalness • 50% Positiveness
20% Popularity • 40% Danceability • 28% Energy • 6% Liveness
87% Instrumentalness • 50% Positiveness
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Shivkumar Sharma & Zakir Hussain
Raga Kaushik Dhwani, Gat In Matta Taal
97 bpm • D Maj • 11:03 • -15.81db
12% Popularity • 38% Danceability • 35% Energy • 24% Liveness
25% Instrumentalness • 19% Positiveness
12% Popularity • 38% Danceability • 35% Energy • 24% Liveness
25% Instrumentalness • 19% Positiveness
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Rajhesh Vaidhya
Bhagyada - Madiyamavathi - Adi
97 bpm • G min • 02:52 • -7db
25% Popularity • 49% Danceability • 76% Energy • 18% Liveness
93% Instrumentalness • 93% Positiveness
25% Popularity • 49% Danceability • 76% Energy • 18% Liveness
93% Instrumentalness • 93% Positiveness
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Shujaat Khan
Piya Ghar Aaye Ji
89 bpm • D Maj • 09:56 • -9db
15% Popularity • 32% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
15% Popularity • 32% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Nikhil Banerjee
Medium Tintal
89 bpm • A min • 05:49 • -23.12db
4% Popularity • 34% Danceability • 41% Energy • 12% Liveness
92% Instrumentalness • 63% Positiveness
4% Popularity • 34% Danceability • 41% Energy • 12% Liveness
92% Instrumentalness • 63% Positiveness
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Pandit Shivkumar Sharma & Pandit Hariprasad Chaurasia
Peace (alap)
89 bpm • C Maj • 08:14 • -24.72db
21% Popularity • 31% Danceability • 7% Energy • 11% Liveness
30% Instrumentalness • 7% Positiveness
21% Popularity • 31% Danceability • 7% Energy • 11% Liveness
30% Instrumentalness • 7% Positiveness
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Downing And Mayer
Kulfi
97 bpm • F# Maj • 04:04 • -15.82db
30% Popularity • 52% Danceability • 28% Energy • 8% Liveness
44% Instrumentalness • 17% Positiveness
30% Popularity • 52% Danceability • 28% Energy • 8% Liveness
44% Instrumentalness • 17% Positiveness
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Shivkumar Sharma
Raga Des - Alap in Madhyalay Teentaal - ...
98 bpm • D Maj • 27:59 • -14.87db
21% Popularity • 34% Danceability • 52% Energy • 67% Liveness
87% Instrumentalness • 36% Positiveness
21% Popularity • 34% Danceability • 52% Energy • 67% Liveness
87% Instrumentalness • 36% Positiveness
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Satish Vyas
Raga Jhinjhoti - Alap
88 bpm • G Maj • 05:57 • -23.02db
24% Popularity • 31% Danceability • 11% Energy • 19% Liveness
1% Instrumentalness • 5% Positiveness
24% Popularity • 31% Danceability • 11% Energy • 19% Liveness
1% Instrumentalness • 5% Positiveness
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L. Shankar
Raga Aberi Track 05
89 bpm • A# min • 06:23 • -12.86db
9% Popularity • 63% Danceability • 53% Energy • 28% Liveness
62% Instrumentalness • 73% Positiveness
9% Popularity • 63% Danceability • 53% Energy • 28% Liveness
62% Instrumentalness • 73% Positiveness
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Nikhil Banerjee
Bhimpalasri Jhala
97 bpm • A min • 02:51 • -20.64db
25% Popularity • 31% Danceability • 57% Energy • 68% Liveness
62% Instrumentalness • 62% Positiveness
25% Popularity • 31% Danceability • 57% Energy • 68% Liveness
62% Instrumentalness • 62% Positiveness
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Purbayan Chatterjee
Raga Shree - Dhamar Taal
99 bpm • A Maj • 06:13 • -4.17db
13% Popularity • 32% Danceability • 86% Energy • 15% Liveness
81% Instrumentalness • 62% Positiveness
13% Popularity • 32% Danceability • 86% Energy • 15% Liveness
81% Instrumentalness • 62% Positiveness
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Traditional
Raag Bhairavi
99 bpm • B min • 09:13 • -18db
39% Popularity • 55% Danceability • 25% Energy • 14% Liveness
48% Instrumentalness • 17% Positiveness
39% Popularity • 55% Danceability • 25% Energy • 14% Liveness
48% Instrumentalness • 17% Positiveness
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Ronkini Gupta
Taaron Bhari Raat - Raga Malkauns - Raga...
99 bpm • A# min • 10:25 • -6.52db
19% Popularity • 39% Danceability • 66% Energy • 24% Liveness
1% Instrumentalness • 52% Positiveness
19% Popularity • 39% Danceability • 66% Energy • 24% Liveness
1% Instrumentalness • 52% Positiveness
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Shivkumar Sharma
Thumri - Mishra Pilu
88 bpm • D Maj • 15:50 • -16.12db
18% Popularity • 32% Danceability • 33% Energy • 32% Liveness
81% Instrumentalness • 14% Positiveness
18% Popularity • 32% Danceability • 33% Energy • 32% Liveness
81% Instrumentalness • 14% Positiveness
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L. Shankar
Raga Aberi Track 04
88 bpm • A# min • 05:09 • -14.92db
9% Popularity • 58% Danceability • 38% Energy • 14% Liveness
35% Instrumentalness • 59% Positiveness
9% Popularity • 58% Danceability • 38% Energy • 14% Liveness
35% Instrumentalness • 59% Positiveness
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Veena Sahasrabuddhe
Shri Vedasar Shivastotra - Pashunam Pati...
99 bpm • F# Maj • 01:26 • -6.79db
22% Popularity • 52% Danceability • 50% Energy • 28% Liveness
0% Instrumentalness • 51% Positiveness
22% Popularity • 52% Danceability • 50% Energy • 28% Liveness
0% Instrumentalness • 51% Positiveness
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Rakesh Chaurasia
Raag Durga - Jod
87 bpm • C# min • 08:57 • -10.8db
24% Popularity • 45% Danceability • 34% Energy • 34% Liveness
82% Instrumentalness • 20% Positiveness
24% Popularity • 45% Danceability • 34% Energy • 34% Liveness
82% Instrumentalness • 20% Positiveness
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Shahid Parvez
Raga Hansadhwani
99 bpm • C# Maj • 14:40 • -19.64db
16% Popularity • 27% Danceability • 34% Energy • 4% Liveness
81% Instrumentalness • 28% Positiveness
16% Popularity • 27% Danceability • 34% Energy • 4% Liveness
81% Instrumentalness • 28% Positiveness
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U. Srinivas
Saranambhava Karuna
87 bpm • C Maj • 09:51 • -16.51db
8% Popularity • 38% Danceability • 24% Energy • 10% Liveness
91% Instrumentalness • 27% Positiveness
8% Popularity • 38% Danceability • 24% Energy • 10% Liveness
91% Instrumentalness • 27% Positiveness
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Bismillah Khan
Raga Mian Ki Malhar
99 bpm • D Maj • 08:11 • -18.27db
15% Popularity • 41% Danceability • 38% Energy • 21% Liveness
81% Instrumentalness • 50% Positiveness
15% Popularity • 41% Danceability • 38% Energy • 21% Liveness
81% Instrumentalness • 50% Positiveness
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L. Shankar
Raga Aberi Track 03
88 bpm • A# min • 04:13 • -12.17db
10% Popularity • 39% Danceability • 61% Energy • 20% Liveness
89% Instrumentalness • 52% Positiveness
10% Popularity • 39% Danceability • 61% Energy • 20% Liveness
89% Instrumentalness • 52% Positiveness
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Shivkumar Sharma
Mishra Bhairavi
100 bpm • A# Maj • 13:00 • -19.06db
19% Popularity • 35% Danceability • 43% Energy • 19% Liveness
80% Instrumentalness • 35% Positiveness
19% Popularity • 35% Danceability • 43% Energy • 19% Liveness
80% Instrumentalness • 35% Positiveness
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Shivkumar Sharma & Zakir Hussain
Raga Marwa, Jor
100 bpm • F# min • 09:46 • -17.14db
13% Popularity • 32% Danceability • 23% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
13% Popularity • 32% Danceability • 23% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
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L. Subramaniam
Raga kirvani : Tânam
87 bpm • E Maj • 07:15 • -14.25db
18% Popularity • 28% Danceability • 24% Energy • 12% Liveness
90% Instrumentalness • 27% Positiveness
18% Popularity • 28% Danceability • 24% Energy • 12% Liveness
90% Instrumentalness • 27% Positiveness
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U. Srinivas
Maryaadakadaya
87 bpm • C Maj • 06:12 • -14.41db
7% Popularity • 45% Danceability • 48% Energy • 11% Liveness
91% Instrumentalness • 40% Positiveness
7% Popularity • 45% Danceability • 48% Energy • 11% Liveness
91% Instrumentalness • 40% Positiveness
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Shruti Sadolikar
Raga Bhairavii: Baju Band Khul Khul Jani
100 bpm • C# Maj • 13:43 • -23.45db
14% Popularity • 24% Danceability • 25% Energy • 16% Liveness
1% Instrumentalness • 23% Positiveness
14% Popularity • 24% Danceability • 25% Energy • 16% Liveness
1% Instrumentalness • 23% Positiveness
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Bhimsen Joshi, Umakant & Ramakant Gundecha
Rama, Rama, Rama Bhajo
100 bpm • F# min • 06:49 • -12.13db
10% Popularity • 57% Danceability • 43% Energy • 5% Liveness
0% Instrumentalness • 56% Positiveness
10% Popularity • 57% Danceability • 43% Energy • 5% Liveness
0% Instrumentalness • 56% Positiveness
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K. Shruthi Raj
Tabla Solo, Pt. 1
100 bpm • A Maj • 02:33 • -9.8db
10% Popularity • 76% Danceability • 99% Energy • 8% Liveness
93% Instrumentalness • 69% Positiveness
10% Popularity • 76% Danceability • 99% Energy • 8% Liveness
93% Instrumentalness • 69% Positiveness
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Bickram Ghosh
The Last Poem
86 bpm • D# min • 01:56 • -12.98db
21% Popularity • 15% Danceability • 28% Energy • 10% Liveness
76% Instrumentalness • 9% Positiveness
21% Popularity • 15% Danceability • 28% Energy • 10% Liveness
76% Instrumentalness • 9% Positiveness
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Shivkumar Sharma & Zakir Hussain
Raga Marwa, Jhala
100 bpm • B min • 05:02 • -13db
14% Popularity • 18% Danceability • 39% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
14% Popularity • 18% Danceability • 39% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
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U. Srinivas
Pallavi Contd
86 bpm • F# Maj • 02:51 • -9.38db
10% Popularity • 53% Danceability • 52% Energy • 8% Liveness
84% Instrumentalness • 29% Positiveness
10% Popularity • 53% Danceability • 52% Energy • 8% Liveness
84% Instrumentalness • 29% Positiveness
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Pandit Shivkumar Sharma & Pandit Hariprasad Chaurasia
Harmony (alap)
86 bpm • D Maj • 09:00 • -22.66db
35% Popularity • 36% Danceability • 7% Energy • 13% Liveness
16% Instrumentalness • 17% Positiveness
35% Popularity • 36% Danceability • 7% Energy • 13% Liveness
16% Instrumentalness • 17% Positiveness
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Dhruv Nath Mishra
Raga Puriya Kalyan
100 bpm • A Maj • 06:03 • -8.44db
17% Popularity • 40% Danceability • 56% Energy • 10% Liveness
56% Instrumentalness • 14% Positiveness
17% Popularity • 40% Danceability • 56% Energy • 10% Liveness
56% Instrumentalness • 14% Positiveness
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Rajhesh Vaidhya
Rahuvamsa - Kadana Kuthukalam - Adi
100 bpm • G Maj • 06:54 • -6db
17% Popularity • 40% Danceability • 75% Energy • 5% Liveness
85% Instrumentalness • 87% Positiveness
17% Popularity • 40% Danceability • 75% Energy • 5% Liveness
85% Instrumentalness • 87% Positiveness
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Vilayat Khan
The Begum's Lament
100 bpm • F min • 01:03 • -23db
35% Popularity • 20% Danceability • 13% Energy • 18% Liveness
83% Instrumentalness • 15% Positiveness
35% Popularity • 20% Danceability • 13% Energy • 18% Liveness
83% Instrumentalness • 15% Positiveness
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Vidyadhar Vyas
Chandrakauns
100 bpm • D# Maj • 04:33 • -25.7db
11% Popularity • 34% Danceability • 22% Energy • 9% Liveness
2% Instrumentalness • 40% Positiveness
11% Popularity • 34% Danceability • 22% Energy • 9% Liveness
2% Instrumentalness • 40% Positiveness
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Paritosh Seal
Raga Ahir Bhairi
100 bpm • G# Maj • 03:20 • -15.95db
17% Popularity • 36% Danceability • 36% Energy • 36% Liveness
82% Instrumentalness • 43% Positiveness
17% Popularity • 36% Danceability • 36% Energy • 36% Liveness
82% Instrumentalness • 43% Positiveness
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U. Srinivas
Vathapi: Hamsadhwani - Aadi - Dikshitar
101 bpm • G Maj • 09:01 • -13.16db
19% Popularity • 52% Danceability • 62% Energy • 24% Liveness
90% Instrumentalness • 85% Positiveness
19% Popularity • 52% Danceability • 62% Energy • 24% Liveness
90% Instrumentalness • 85% Positiveness
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Shivkumar Sharma & Zakir Hussain
Raga Kedar, Gat In Ektaal
101 bpm • D Maj • 05:06 • -18db
24% Popularity • 32% Danceability • 41% Energy • 7% Liveness
12% Instrumentalness • 22% Positiveness
24% Popularity • 32% Danceability • 41% Energy • 7% Liveness
12% Instrumentalness • 22% Positiveness
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Tejendra Majumdar
Dhun in Madhyam se Gara - Studio
101 bpm • F Maj • 05:59 • -15.63db
22% Popularity • 54% Danceability • 24% Energy • 7% Liveness
92% Instrumentalness • 31% Positiveness
22% Popularity • 54% Danceability • 24% Energy • 7% Liveness
92% Instrumentalness • 31% Positiveness
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Niladri Kumar
Liplocked
86 bpm • A# Maj • 01:23 • -11.94db
29% Popularity • 43% Danceability • 34% Energy • 11% Liveness
89% Instrumentalness • 8% Positiveness
29% Popularity • 43% Danceability • 34% Energy • 11% Liveness
89% Instrumentalness • 8% Positiveness
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Ustad Bismillahkhan
Jhunpuri - Instrumental
101 bpm • D Maj • 03:09 • -15.77db
9% Popularity • 27% Danceability • 42% Energy • 11% Liveness
82% Instrumentalness • 47% Positiveness
9% Popularity • 27% Danceability • 42% Energy • 11% Liveness
82% Instrumentalness • 47% Positiveness
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Satish Vyas
Inner Resolve (Part One)
101 bpm • A min • 04:47 • -19.29db
16% Popularity • 27% Danceability • 27% Energy • 12% Liveness
74% Instrumentalness • 7% Positiveness
16% Popularity • 27% Danceability • 27% Energy • 12% Liveness
74% Instrumentalness • 7% Positiveness
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U. Srinivas
Thatwamaria - Reeti Gowla - Adi
101 bpm • F min • 07:37 • -8.65db
16% Popularity • 50% Danceability • 68% Energy • 38% Liveness
91% Instrumentalness • 63% Positiveness
16% Popularity • 50% Danceability • 68% Energy • 38% Liveness
91% Instrumentalness • 63% Positiveness
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Vilayat Khan
Raga Mand Bhairav
85 bpm • C# Maj • 09:19 • -10db
22% Popularity • 48% Danceability • 44% Energy • 8% Liveness
58% Instrumentalness • 29% Positiveness
22% Popularity • 48% Danceability • 44% Energy • 8% Liveness
58% Instrumentalness • 29% Positiveness
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Pandit Jasraj
Shri Shiva Dhyanam
101 bpm • C# Maj • 02:30 • -17db
24% Popularity • 20% Danceability • 8% Energy • 9% Liveness
2% Instrumentalness • 4% Positiveness
24% Popularity • 20% Danceability • 8% Energy • 9% Liveness
2% Instrumentalness • 4% Positiveness
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Kumar Gandharva
Raga Bhoopali
101 bpm • C# Maj • 09:52 • -11.64db
16% Popularity • 50% Danceability • 42% Energy • 19% Liveness
57% Instrumentalness • 39% Positiveness
16% Popularity • 50% Danceability • 42% Energy • 19% Liveness
57% Instrumentalness • 39% Positiveness
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Rakesh Chaurasia
Raag Bhairavi - Dhun
101 bpm • E min • 07:38 • -11.13db
34% Popularity • 40% Danceability • 50% Energy • 24% Liveness
89% Instrumentalness • 36% Positiveness
34% Popularity • 40% Danceability • 50% Energy • 24% Liveness
89% Instrumentalness • 36% Positiveness
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Shruti Sadolikar
Deshi
102 bpm • G# Maj • 03:43 • -18.34db
11% Popularity • 29% Danceability • 36% Energy • 10% Liveness
48% Instrumentalness • 57% Positiveness
11% Popularity • 29% Danceability • 36% Energy • 10% Liveness
48% Instrumentalness • 57% Positiveness
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U. Srinivas
Maha Ganapathim - Mandolin
101 bpm • F min • 09:06 • -9.46db
20% Popularity • 45% Danceability • 90% Energy • 33% Liveness
86% Instrumentalness • 82% Positiveness
20% Popularity • 45% Danceability • 90% Energy • 33% Liveness
86% Instrumentalness • 82% Positiveness
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Bismillah Khan
Chaiti - Dhun In Raga Khamaj
102 bpm • G Maj • 05:52 • -20.42db
16% Popularity • 49% Danceability • 36% Energy • 9% Liveness
72% Instrumentalness • 39% Positiveness
16% Popularity • 49% Danceability • 36% Energy • 9% Liveness
72% Instrumentalness • 39% Positiveness
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Kishori Amonkar
Alap, 1
85 bpm • C# Maj • 01:28 • -17.83db
27% Popularity • 26% Danceability • 15% Energy • 21% Liveness
92% Instrumentalness • 6% Positiveness
27% Popularity • 26% Danceability • 15% Energy • 21% Liveness
92% Instrumentalness • 6% Positiveness
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Vilayat Khan
Madhoushi
102 bpm • D Maj • 09:36 • -9.79db
14% Popularity • 26% Danceability • 49% Energy • 4% Liveness
7% Instrumentalness • 18% Positiveness
14% Popularity • 26% Danceability • 49% Energy • 4% Liveness
7% Instrumentalness • 18% Positiveness
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Béla Fleck
Radha Krsna Lila
102 bpm • B min • 06:42 • -30.71db
12% Popularity • 36% Danceability • 7% Energy • 25% Liveness
87% Instrumentalness • 21% Positiveness
12% Popularity • 36% Danceability • 7% Energy • 25% Liveness
87% Instrumentalness • 21% Positiveness
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Nikhil Banerjee
Bengal Folk Tune
102 bpm • C# min • 09:42 • -16.91db
2% Popularity • 43% Danceability • 18% Energy • 19% Liveness
8% Instrumentalness • 10% Positiveness
2% Popularity • 43% Danceability • 18% Energy • 19% Liveness
8% Instrumentalness • 10% Positiveness
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Vilayat Khan, Bismillah Khan
Yamani
102 bpm • C# Maj • 10:00 • -23.45db
14% Popularity • 39% Danceability • 18% Energy • 9% Liveness
76% Instrumentalness • 32% Positiveness
14% Popularity • 39% Danceability • 18% Energy • 9% Liveness
76% Instrumentalness • 32% Positiveness
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![Raga Bhairav - Dhrupad in Sadara (10 beats) cover art]()
Sayeeduddin Dagar
Raga Bhairav - Dhrupad in Sadara (10 bea...
103 bpm • B min • 08:13 • -9.59db
17% Popularity • 29% Danceability • 44% Energy • 23% Liveness
7% Instrumentalness • 11% Positiveness
17% Popularity • 29% Danceability • 44% Energy • 23% Liveness
7% Instrumentalness • 11% Positiveness
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Buddhadev DasGupta
Gaud Malhar
103 bpm • C Maj • 04:31 • -26db
12% Popularity • 49% Danceability • 20% Energy • 7% Liveness
93% Instrumentalness • 16% Positiveness
12% Popularity • 49% Danceability • 20% Energy • 7% Liveness
93% Instrumentalness • 16% Positiveness
