Songs like Mumbles by Oscar Peterson
Based on a tempo of (+/- 10%) and a similar genre
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Artie Shaw
The Grabtown Grapple
94 bpm • C min • 02:58 • -4.69db
23% Popularity • 74% Danceability • 56% Energy • 19% Liveness
83% Instrumentalness • 75% Positiveness
23% Popularity • 74% Danceability • 56% Energy • 19% Liveness
83% Instrumentalness • 75% Positiveness
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Red Garland Trio
Rain
94 bpm • G# Maj • 04:14 • -13.33db
40% Popularity • 59% Danceability • 38% Energy • 14% Liveness
55% Instrumentalness • 62% Positiveness
40% Popularity • 59% Danceability • 38% Energy • 14% Liveness
55% Instrumentalness • 62% Positiveness
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Sonny Clark
Deep Night - Rudy Van Gelder Edition/199...
94 bpm • F min • 09:34 • -7db
24% Popularity • 63% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 73% Positiveness
24% Popularity • 63% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 73% Positiveness
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Teddy Wilson
When You're Smiling (01-06-38)
94 bpm • D# Maj • 02:52 • -12db
34% Popularity • 70% Danceability • 25% Energy • 16% Liveness
25% Instrumentalness • 72% Positiveness
34% Popularity • 70% Danceability • 25% Energy • 16% Liveness
25% Instrumentalness • 72% Positiveness
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Hank Mobley
A Dab Of This And That
94 bpm • F min • 05:12 • -10.5db
42% Popularity • 59% Danceability • 56% Energy • 6% Liveness
0% Instrumentalness • 55% Positiveness
42% Popularity • 59% Danceability • 56% Energy • 6% Liveness
0% Instrumentalness • 55% Positiveness
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Jimmy Heath
Big P
94 bpm • D min • 03:56 • -16.29db
27% Popularity • 50% Danceability • 28% Energy • 10% Liveness
11% Instrumentalness • 52% Positiveness
27% Popularity • 50% Danceability • 28% Energy • 10% Liveness
11% Instrumentalness • 52% Positiveness
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Betty Carter
It's A Big Wide Wonderful World
94 bpm • F Maj • 01:50 • -13.19db
44% Popularity • 70% Danceability • 27% Energy • 7% Liveness
0% Instrumentalness • 87% Positiveness
44% Popularity • 70% Danceability • 27% Energy • 7% Liveness
0% Instrumentalness • 87% Positiveness
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Oscar Peterson
Blue Moon
94 bpm • F# Maj • 02:44 • -22.63db
48% Popularity • 70% Danceability • 16% Energy • 11% Liveness
87% Instrumentalness • 60% Positiveness
48% Popularity • 70% Danceability • 16% Energy • 11% Liveness
87% Instrumentalness • 60% Positiveness
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Louis Armstrong
How Long Has This Been Going On?
94 bpm • G Maj • 05:58 • -19.56db
31% Popularity • 44% Danceability • 7% Energy • 16% Liveness
0% Instrumentalness • 15% Positiveness
31% Popularity • 44% Danceability • 7% Energy • 16% Liveness
0% Instrumentalness • 15% Positiveness
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Teddy Wilson
Foolin' Myself (06-01-37)
94 bpm • A# Maj • 03:02 • -14.55db
22% Popularity • 69% Danceability • 13% Energy • 16% Liveness
1% Instrumentalness • 50% Positiveness
22% Popularity • 69% Danceability • 13% Energy • 16% Liveness
1% Instrumentalness • 50% Positiveness
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Don Byron
Wondering Where
95 bpm • G# Maj • 02:52 • -11.06db
10% Popularity • 72% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
10% Popularity • 72% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
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Charles Lloyd
Ramblin'
95 bpm • D Maj • 04:58 • -10.78db
24% Popularity • 58% Danceability • 49% Energy • 11% Liveness
38% Instrumentalness • 61% Positiveness
24% Popularity • 58% Danceability • 49% Energy • 11% Liveness
38% Instrumentalness • 61% Positiveness
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Bobby Timmons Trio
From The Bottom
93 bpm • C# Maj • 04:59 • -13.54db
27% Popularity • 56% Danceability • 60% Energy • 35% Liveness
56% Instrumentalness • 79% Positiveness
27% Popularity • 56% Danceability • 60% Energy • 35% Liveness
56% Instrumentalness • 79% Positiveness
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Oscar Peterson
Mumbles
94 bpm • D# Maj • 02:01 • -12.18db
48% Popularity • 66% Danceability • 37% Energy • 19% Liveness
0% Instrumentalness • 72% Positiveness
48% Popularity • 66% Danceability • 37% Energy • 19% Liveness
0% Instrumentalness • 72% Positiveness
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Hampton Hawes
Hip
92 bpm • C# Maj • 06:15 • -18db
13% Popularity • 63% Danceability • 26% Energy • 20% Liveness
4% Instrumentalness • 57% Positiveness
13% Popularity • 63% Danceability • 26% Energy • 20% Liveness
4% Instrumentalness • 57% Positiveness
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Teddy Wilson
All Of Me
96 bpm • A Maj • 02:57 • -14.86db
40% Popularity • 54% Danceability • 38% Energy • 12% Liveness
90% Instrumentalness • 64% Positiveness
40% Popularity • 54% Danceability • 38% Energy • 12% Liveness
90% Instrumentalness • 64% Positiveness
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Dakota Staton
I Hear Music
96 bpm • F min • 02:33 • -6.8db
34% Popularity • 73% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 73% Positiveness
34% Popularity • 73% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 73% Positiveness
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Sonny Clark
Dancing In The Dark
96 bpm • D# Maj • 03:29 • -14db
39% Popularity • 58% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
39% Popularity • 58% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
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Oliver Nelson
The Critic's Choice
96 bpm • F min • 02:19 • -9.65db
35% Popularity • 58% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
35% Popularity • 58% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
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Oscar Peterson
Rockin' In Rhythm
93 bpm • A# Maj • 02:15 • -15.68db
28% Popularity • 55% Danceability • 30% Energy • 12% Liveness
9% Instrumentalness • 70% Positiveness
28% Popularity • 55% Danceability • 30% Energy • 12% Liveness
9% Instrumentalness • 70% Positiveness
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Oscar Peterson Trio
Brotherhood Of Man
92 bpm • D# Maj • 03:34 • -8db
29% Popularity • 55% Danceability • 35% Energy • 5% Liveness
0% Instrumentalness • 78% Positiveness
29% Popularity • 55% Danceability • 35% Energy • 5% Liveness
0% Instrumentalness • 78% Positiveness
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Ike Quebec
Nature Boy - Remastered 2004/Rudy Van Ge...
96 bpm • F min • 02:44 • -15.6db
44% Popularity • 35% Danceability • 2% Energy • 26% Liveness
44% Instrumentalness • 32% Positiveness
44% Popularity • 35% Danceability • 2% Energy • 26% Liveness
44% Instrumentalness • 32% Positiveness
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Charlie Parker Quartet
Chi Chi
96 bpm • G# Maj • 03:02 • -10db
46% Popularity • 48% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
46% Popularity • 48% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
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Milt Jackson
Work Song
92 bpm • D min • 07:31 • -16.42db
16% Popularity • 51% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
16% Popularity • 51% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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Dakota Staton
When Lights Are Low
96 bpm • C min • 01:56 • -9db
47% Popularity • 75% Danceability • 45% Energy • 4% Liveness
0% Instrumentalness • 85% Positiveness
47% Popularity • 75% Danceability • 45% Energy • 4% Liveness
0% Instrumentalness • 85% Positiveness
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Oscar Peterson
Broadway
95 bpm • B Maj • 04:27 • -16.34db
22% Popularity • 60% Danceability • 38% Energy • 12% Liveness
88% Instrumentalness • 70% Positiveness
22% Popularity • 60% Danceability • 38% Energy • 12% Liveness
88% Instrumentalness • 70% Positiveness
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Gerry Mulligan
Fall Out
96 bpm • G# Maj • 05:45 • -15db
35% Popularity • 79% Danceability • 20% Energy • 11% Liveness
12% Instrumentalness • 67% Positiveness
35% Popularity • 79% Danceability • 20% Energy • 11% Liveness
12% Instrumentalness • 67% Positiveness
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John Coltrane Quartet
All Or Nothing At All
92 bpm • G Maj • 03:35 • -11.89db
37% Popularity • 48% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
37% Popularity • 48% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
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Sonny Criss
Black Coffee - Remastered 2008/Rudy Van ...
96 bpm • F min • 07:48 • -14.04db
14% Popularity • 58% Danceability • 16% Energy • 10% Liveness
76% Instrumentalness • 27% Positiveness
14% Popularity • 58% Danceability • 16% Energy • 10% Liveness
76% Instrumentalness • 27% Positiveness
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Oscar Peterson Trio
Mack The Knife
96 bpm • D# Maj • 05:15 • -13db
38% Popularity • 70% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
38% Popularity • 70% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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Bud Powell
Blues In The Closet
97 bpm • C Maj • 03:00 • -19.99db
42% Popularity • 70% Danceability • 13% Energy • 10% Liveness
94% Instrumentalness • 42% Positiveness
42% Popularity • 70% Danceability • 13% Energy • 10% Liveness
94% Instrumentalness • 42% Positiveness
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Eartha Kitt
Let's Do It
97 bpm • G# Maj • 03:05 • -20db
51% Popularity • 65% Danceability • 5% Energy • 24% Liveness
0% Instrumentalness • 43% Positiveness
51% Popularity • 65% Danceability • 5% Energy • 24% Liveness
0% Instrumentalness • 43% Positiveness
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Herlin Riley
Tootie Ma
97 bpm • G# Maj • 04:34 • -7.15db
12% Popularity • 76% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
12% Popularity • 76% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
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Dakota Staton
Willow Weep For Me
97 bpm • C Maj • 02:30 • -12db
44% Popularity • 46% Danceability • 25% Energy • 16% Liveness
0% Instrumentalness • 49% Positiveness
44% Popularity • 46% Danceability • 25% Energy • 16% Liveness
0% Instrumentalness • 49% Positiveness
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Stan Getz Quartet
Blues For Mary Jane
91 bpm • C Maj • 07:53 • -14.02db
16% Popularity • 60% Danceability • 25% Energy • 12% Liveness
1% Instrumentalness • 62% Positiveness
16% Popularity • 60% Danceability • 25% Energy • 12% Liveness
1% Instrumentalness • 62% Positiveness
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Oscar Peterson Trio
Incoherent Blues
97 bpm • F Maj • 02:42 • -11.47db
16% Popularity • 49% Danceability • 20% Energy • 62% Liveness
0% Instrumentalness • 67% Positiveness
16% Popularity • 49% Danceability • 20% Energy • 62% Liveness
0% Instrumentalness • 67% Positiveness
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George Shearing
Lullaby Of Birdland
97 bpm • F# Maj • 02:40 • -19.36db
37% Popularity • 66% Danceability • 26% Energy • 17% Liveness
0% Instrumentalness • 89% Positiveness
37% Popularity • 66% Danceability • 26% Energy • 17% Liveness
0% Instrumentalness • 89% Positiveness
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Oscar Peterson
Little Girl Blue
91 bpm • F Maj • 02:38 • -22.57db
22% Popularity • 55% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
22% Popularity • 55% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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Teddy Wilson
As Times Goes By
91 bpm • G# Maj • 03:07 • -16db
44% Popularity • 44% Danceability • 27% Energy • 28% Liveness
90% Instrumentalness • 29% Positiveness
44% Popularity • 44% Danceability • 27% Energy • 28% Liveness
90% Instrumentalness • 29% Positiveness
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John Coltrane Quartet
Bessie's Blues
91 bpm • F min • 03:35 • -10db
41% Popularity • 59% Danceability • 37% Energy • 36% Liveness
0% Instrumentalness • 60% Positiveness
41% Popularity • 59% Danceability • 37% Energy • 36% Liveness
0% Instrumentalness • 60% Positiveness
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Dakota Staton
Say It Ain't So, Joe
91 bpm • A# min • 02:16 • -10.44db
38% Popularity • 67% Danceability • 32% Energy • 18% Liveness
0% Instrumentalness • 46% Positiveness
38% Popularity • 67% Danceability • 32% Energy • 18% Liveness
0% Instrumentalness • 46% Positiveness
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Dave Brubeck Trio
Let's Fall In Love
97 bpm • C Maj • 02:41 • -19db
46% Popularity • 60% Danceability • 26% Energy • 9% Liveness
89% Instrumentalness • 52% Positiveness
46% Popularity • 60% Danceability • 26% Energy • 9% Liveness
89% Instrumentalness • 52% Positiveness
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Ike Quebec
Blues For Charlie - Remastered 2007/Rudy...
97 bpm • C Maj • 06:48 • -8.12db
20% Popularity • 70% Danceability • 37% Energy • 11% Liveness
10% Instrumentalness • 34% Positiveness
20% Popularity • 70% Danceability • 37% Energy • 11% Liveness
10% Instrumentalness • 34% Positiveness
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Oscar Peterson
They All Laughed
91 bpm • A# min • 02:31 • -17.42db
35% Popularity • 66% Danceability • 27% Energy • 11% Liveness
92% Instrumentalness • 63% Positiveness
35% Popularity • 66% Danceability • 27% Energy • 11% Liveness
92% Instrumentalness • 63% Positiveness
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Billy Strayhorn
Take The "A" Train
91 bpm • C Maj • 03:16 • -19db
27% Popularity • 46% Danceability • 9% Energy • 8% Liveness
91% Instrumentalness • 11% Positiveness
27% Popularity • 46% Danceability • 9% Energy • 8% Liveness
91% Instrumentalness • 11% Positiveness
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Clark Terry
Angelitos Negros
90 bpm • C min • 02:38 • -9db
29% Popularity • 39% Danceability • 40% Energy • 27% Liveness
85% Instrumentalness • 68% Positiveness
29% Popularity • 39% Danceability • 40% Energy • 27% Liveness
85% Instrumentalness • 68% Positiveness
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Louis Armstrong
I Was Doing All Right
90 bpm • A min • 03:21 • -12.28db
25% Popularity • 63% Danceability • 21% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
25% Popularity • 63% Danceability • 21% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
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Oscar Peterson Trio
Jim
90 bpm • A min • 03:00 • -11.58db
27% Popularity • 75% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
27% Popularity • 75% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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Jimmy Giuffre
Gotta Dance
90 bpm • G# min • 02:35 • -21db
35% Popularity • 68% Danceability • 4% Energy • 11% Liveness
89% Instrumentalness • 71% Positiveness
35% Popularity • 68% Danceability • 4% Energy • 11% Liveness
89% Instrumentalness • 71% Positiveness
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Ike Quebec
Heavy Soul - Remastered 2004/Rudy Van Ge...
90 bpm • F min • 06:51 • -12db
32% Popularity • 50% Danceability • 16% Energy • 12% Liveness
17% Instrumentalness • 36% Positiveness
32% Popularity • 50% Danceability • 16% Energy • 12% Liveness
17% Instrumentalness • 36% Positiveness
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Oscar Peterson
9:20 Special
90 bpm • C Maj • 03:39 • -18.28db
31% Popularity • 66% Danceability • 30% Energy • 15% Liveness
66% Instrumentalness • 56% Positiveness
31% Popularity • 66% Danceability • 30% Energy • 15% Liveness
66% Instrumentalness • 56% Positiveness
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Art Blakey
Cubano Chant (Art Blakey & the Jazz Mess...
98 bpm • A# min • 04:00 • -13.89db
16% Popularity • 59% Danceability • 60% Energy • 7% Liveness
9% Instrumentalness • 96% Positiveness
16% Popularity • 59% Danceability • 60% Energy • 7% Liveness
9% Instrumentalness • 96% Positiveness
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Red Garland Trio
September In The Rain - Instrumental
98 bpm • D# Maj • 04:45 • -16db
29% Popularity • 66% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
29% Popularity • 66% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
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Lee Morgan
Candy - Rudy Van Gelder Edition / 2007 /...
99 bpm • G min • 07:06 • -7.69db
28% Popularity • 65% Danceability • 64% Energy • 7% Liveness
62% Instrumentalness • 65% Positiveness
28% Popularity • 65% Danceability • 64% Energy • 7% Liveness
62% Instrumentalness • 65% Positiveness
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Paul Desmond
For All We Know
99 bpm • F# Maj • 05:31 • -18.71db
44% Popularity • 54% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
44% Popularity • 54% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Johnny Hodges & His Orchestra
Things Ain't What They Used To Be - 1995...
89 bpm • C# Maj • 03:37 • -17.04db
28% Popularity • 65% Danceability • 13% Energy • 11% Liveness
90% Instrumentalness • 53% Positiveness
28% Popularity • 65% Danceability • 13% Energy • 11% Liveness
90% Instrumentalness • 53% Positiveness
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Oscar Peterson
A Foggy Day
99 bpm • C Maj • 02:54 • -28.29db
49% Popularity • 43% Danceability • 7% Energy • 10% Liveness
90% Instrumentalness • 23% Positiveness
49% Popularity • 43% Danceability • 7% Energy • 10% Liveness
90% Instrumentalness • 23% Positiveness
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Charlie Christian
Solo Flight
89 bpm • C Maj • 02:45 • -12.85db
22% Popularity • 74% Danceability • 32% Energy • 7% Liveness
81% Instrumentalness • 86% Positiveness
22% Popularity • 74% Danceability • 32% Energy • 7% Liveness
81% Instrumentalness • 86% Positiveness
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Kenny Dorham
K.D.'s Motion - Rudy Van Gelder Edition/...
89 bpm • G# Maj • 05:28 • -7.16db
32% Popularity • 61% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
32% Popularity • 61% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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Bill Evans Trio
Waltz For Debby - Live At The Village Va...
89 bpm • F Maj • 06:49 • -22db
52% Popularity • 58% Danceability • 22% Energy • 10% Liveness
85% Instrumentalness • 53% Positiveness
52% Popularity • 58% Danceability • 22% Energy • 10% Liveness
85% Instrumentalness • 53% Positiveness
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Sonny Clark
All Of You
89 bpm • F min • 03:53 • -15.28db
39% Popularity • 63% Danceability • 25% Energy • 12% Liveness
3% Instrumentalness • 59% Positiveness
39% Popularity • 63% Danceability • 25% Energy • 12% Liveness
3% Instrumentalness • 59% Positiveness
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Jo Jones Trio
Jive at Five
89 bpm • F min • 04:07 • -10.71db
17% Popularity • 67% Danceability • 48% Energy • 36% Liveness
81% Instrumentalness • 57% Positiveness
17% Popularity • 67% Danceability • 48% Energy • 36% Liveness
81% Instrumentalness • 57% Positiveness
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Oscar Peterson
Fascinating Rhythm
99 bpm • C Maj • 02:54 • -19.29db
12% Popularity • 57% Danceability • 25% Energy • 13% Liveness
93% Instrumentalness • 74% Positiveness
12% Popularity • 57% Danceability • 25% Energy • 13% Liveness
93% Instrumentalness • 74% Positiveness
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Benny Carter
A Foggy Day
100 bpm • C Maj • 03:40 • -14.36db
45% Popularity • 54% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
45% Popularity • 54% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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Johnny Dodds
Melancholy - 21/01/1938
100 bpm • C Maj • 02:43 • -12.71db
33% Popularity • 82% Danceability • 40% Energy • 6% Liveness
92% Instrumentalness • 87% Positiveness
33% Popularity • 82% Danceability • 40% Energy • 6% Liveness
92% Instrumentalness • 87% Positiveness
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Bud Powell
Ornithology
88 bpm • G min • 02:22 • -14db
29% Popularity • 50% Danceability • 31% Energy • 16% Liveness
1% Instrumentalness • 70% Positiveness
29% Popularity • 50% Danceability • 31% Energy • 16% Liveness
1% Instrumentalness • 70% Positiveness
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Charlie Parker Quartet
Now's The Time
100 bpm • F Maj • 03:01 • -10db
52% Popularity • 48% Danceability • 53% Energy • 19% Liveness
0% Instrumentalness • 67% Positiveness
52% Popularity • 48% Danceability • 53% Energy • 19% Liveness
0% Instrumentalness • 67% Positiveness
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Junior Mance
Jubilation
100 bpm • C Maj • 03:29 • -18.09db
41% Popularity • 63% Danceability • 23% Energy • 12% Liveness
87% Instrumentalness • 69% Positiveness
41% Popularity • 63% Danceability • 23% Energy • 12% Liveness
87% Instrumentalness • 69% Positiveness
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Oscar Peterson
Sweet Lorraine
100 bpm • A min • 02:55 • -24.17db
32% Popularity • 67% Danceability • 11% Energy • 11% Liveness
90% Instrumentalness • 49% Positiveness
32% Popularity • 67% Danceability • 11% Energy • 11% Liveness
90% Instrumentalness • 49% Positiveness
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Jelly Roll Morton
Doctor Jazz
100 bpm • B Maj • 03:28 • -7.99db
24% Popularity • 74% Danceability • 47% Energy • 7% Liveness
68% Instrumentalness • 92% Positiveness
24% Popularity • 74% Danceability • 47% Energy • 7% Liveness
68% Instrumentalness • 92% Positiveness
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Miles Davis Quartet
Old Devil Moon
88 bpm • F min • 03:22 • -13.6db
25% Popularity • 47% Danceability • 36% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
25% Popularity • 47% Danceability • 36% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
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Lee Morgan
The Lion And The Wolf
88 bpm • C# Maj • 09:40 • -14.54db
16% Popularity • 64% Danceability • 36% Energy • 10% Liveness
53% Instrumentalness • 50% Positiveness
16% Popularity • 64% Danceability • 36% Energy • 10% Liveness
53% Instrumentalness • 50% Positiveness
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Bud Powell
Polka Dots And Moonbeams - 1994 Remaster
101 bpm • D min • 04:03 • -17.63db
46% Popularity • 56% Danceability • 9% Energy • 10% Liveness
92% Instrumentalness • 13% Positiveness
46% Popularity • 56% Danceability • 9% Energy • 10% Liveness
92% Instrumentalness • 13% Positiveness
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Earl Hines
Frankie and Johnnie
88 bpm • D min • 02:31 • -10db
28% Popularity • 52% Danceability • 56% Energy • 20% Liveness
25% Instrumentalness • 81% Positiveness
28% Popularity • 52% Danceability • 56% Energy • 20% Liveness
25% Instrumentalness • 81% Positiveness
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Musicmusicmusic
Dakar
101 bpm • A# min • 08:02 • -11.99db
43% Popularity • 48% Danceability • 57% Energy • 9% Liveness
85% Instrumentalness • 82% Positiveness
43% Popularity • 48% Danceability • 57% Energy • 9% Liveness
85% Instrumentalness • 82% Positiveness
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Charlie Christian
Grand Slam
101 bpm • F Maj • 02:49 • -14.12db
24% Popularity • 60% Danceability • 36% Energy • 12% Liveness
65% Instrumentalness • 92% Positiveness
24% Popularity • 60% Danceability • 36% Energy • 12% Liveness
65% Instrumentalness • 92% Positiveness
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Oscar Peterson
Night And Day
88 bpm • F# Maj • 02:30 • -20.27db
40% Popularity • 63% Danceability • 21% Energy • 11% Liveness
90% Instrumentalness • 37% Positiveness
40% Popularity • 63% Danceability • 21% Energy • 11% Liveness
90% Instrumentalness • 37% Positiveness
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Tommy Flanagan Trio
Delarna
101 bpm • D Maj • 04:43 • -14.83db
32% Popularity • 46% Danceability • 29% Energy • 10% Liveness
33% Instrumentalness • 36% Positiveness
32% Popularity • 46% Danceability • 29% Energy • 10% Liveness
33% Instrumentalness • 36% Positiveness
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Johnny Hartman
I Just Dropped By To Say Hello
101 bpm • F min • 04:05 • -23.07db
43% Popularity • 45% Danceability • 5% Energy • 11% Liveness
12% Instrumentalness • 33% Positiveness
43% Popularity • 45% Danceability • 5% Energy • 11% Liveness
12% Instrumentalness • 33% Positiveness
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Coleman Hawkins Quartet
Put On Your Old Grey Bonnet
101 bpm • D# Maj • 09:50 • -12.48db
26% Popularity • 54% Danceability • 35% Energy • 10% Liveness
1% Instrumentalness • 33% Positiveness
26% Popularity • 54% Danceability • 35% Energy • 10% Liveness
1% Instrumentalness • 33% Positiveness
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Ike Quebec
Blue And Sentimental - Remastered 2007/R...
101 bpm • D# Maj • 07:28 • -10db
42% Popularity • 54% Danceability • 18% Energy • 12% Liveness
20% Instrumentalness • 33% Positiveness
42% Popularity • 54% Danceability • 18% Energy • 12% Liveness
20% Instrumentalness • 33% Positiveness
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Hank Mobley
Soul Station - Remastered 1999/Rudy Van ...
102 bpm • G# Maj • 09:07 • -9.3db
37% Popularity • 74% Danceability • 37% Energy • 19% Liveness
0% Instrumentalness • 45% Positiveness
37% Popularity • 74% Danceability • 37% Energy • 19% Liveness
0% Instrumentalness • 45% Positiveness
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Oscar Peterson
Oh Lady Be Good
101 bpm • C Maj • 03:01 • -18.63db
37% Popularity • 72% Danceability • 14% Energy • 8% Liveness
85% Instrumentalness • 22% Positiveness
37% Popularity • 72% Danceability • 14% Energy • 8% Liveness
85% Instrumentalness • 22% Positiveness
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Gerry Mulligan
Here I'll Stay
87 bpm • A# Maj • 05:00 • -16.4db
33% Popularity • 60% Danceability • 22% Energy • 11% Liveness
2% Instrumentalness • 73% Positiveness
33% Popularity • 60% Danceability • 22% Energy • 11% Liveness
2% Instrumentalness • 73% Positiveness
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Johnny Hartman
Charade
87 bpm • B min • 02:35 • -18db
33% Popularity • 39% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
33% Popularity • 39% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Carmell Jones
Hip Trolley
102 bpm • D# Maj • 05:25 • -6.71db
39% Popularity • 50% Danceability • 68% Energy • 7% Liveness
3% Instrumentalness • 77% Positiveness
39% Popularity • 50% Danceability • 68% Energy • 7% Liveness
3% Instrumentalness • 77% Positiveness
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Paul Desmond
Mrs. Robinson
102 bpm • C# Maj • 02:40 • -15.24db
49% Popularity • 53% Danceability • 37% Energy • 14% Liveness
53% Instrumentalness • 72% Positiveness
49% Popularity • 53% Danceability • 37% Energy • 14% Liveness
53% Instrumentalness • 72% Positiveness
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Teddy Wilson
Say It Isn't So
102 bpm • F Maj • 02:41 • -14.92db
51% Popularity • 69% Danceability • 26% Energy • 27% Liveness
94% Instrumentalness • 51% Positiveness
51% Popularity • 69% Danceability • 26% Energy • 27% Liveness
94% Instrumentalness • 51% Positiveness
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Duke Pearson
Big Bertha
102 bpm • F# Maj • 05:57 • -8.44db
12% Popularity • 56% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
12% Popularity • 56% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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Bill Evans
Autumn Leaves
102 bpm • G min • 06:00 • -16.53db
46% Popularity • 61% Danceability • 24% Energy • 8% Liveness
77% Instrumentalness • 59% Positiveness
46% Popularity • 61% Danceability • 24% Energy • 8% Liveness
77% Instrumentalness • 59% Positiveness
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Lee Morgan
Ca-Lee-So
102 bpm • A# Maj • 05:33 • -10.92db
24% Popularity • 63% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 95% Positiveness
24% Popularity • 63% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 95% Positiveness
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Muggsy Spanier
Relaxin' At the Touro
86 bpm • C Maj • 03:14 • -11db
21% Popularity • 69% Danceability • 20% Energy • 10% Liveness
94% Instrumentalness • 43% Positiveness
21% Popularity • 69% Danceability • 20% Energy • 10% Liveness
94% Instrumentalness • 43% Positiveness
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Ella Fitzgerald
On The Sunny Side Of The Street
102 bpm • G Maj • 03:05 • -10.46db
34% Popularity • 62% Danceability • 30% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
34% Popularity • 62% Danceability • 30% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
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Hank Mobley
Recado Bossa Nova - Remastered 2005/Rudy...
103 bpm • C min • 08:11 • -7.86db
45% Popularity • 65% Danceability • 67% Energy • 24% Liveness
0% Instrumentalness • 83% Positiveness
45% Popularity • 65% Danceability • 67% Energy • 24% Liveness
0% Instrumentalness • 83% Positiveness
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Bud Powell
Un Poco Loco - Remastered 1998/Rudy Van ...
86 bpm • G Maj • 04:46 • -9.12db
33% Popularity • 43% Danceability • 70% Energy • 19% Liveness
4% Instrumentalness • 76% Positiveness
33% Popularity • 43% Danceability • 70% Energy • 19% Liveness
4% Instrumentalness • 76% Positiveness
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Jelly Roll Morton
I Thought I Heard Buddy Bolden Say
86 bpm • F Maj • 03:13 • -11db
17% Popularity • 64% Danceability • 19% Energy • 22% Liveness
1% Instrumentalness • 67% Positiveness
17% Popularity • 64% Danceability • 19% Energy • 22% Liveness
1% Instrumentalness • 67% Positiveness
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Oscar Peterson
Easy To Love
103 bpm • C Maj • 02:34 • -26.1db
39% Popularity • 62% Danceability • 7% Energy • 11% Liveness
89% Instrumentalness • 31% Positiveness
39% Popularity • 62% Danceability • 7% Energy • 11% Liveness
89% Instrumentalness • 31% Positiveness
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Morgana King
It's Only A Paper Moon
103 bpm • D# Maj • 02:42 • -12db
42% Popularity • 61% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
42% Popularity • 61% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
