Songs like Murder In The Skies - Live From Harpo's, Detroit, U.S.A.,1984 / Remastered 2002 by Gary Moore
Based on a tempo of (+/- 10%) and a similar genre
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Jimmy Page
Blues Anthem
144 bpm • E Maj • 03:22 • -12.76db
22% Popularity • 37% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
22% Popularity • 37% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
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Dave Meniketti
Loan Me A Dime
144 bpm • D min • 09:32 • -5db
34% Popularity • 43% Danceability • 75% Energy • 7% Liveness
1% Instrumentalness • 48% Positiveness
34% Popularity • 43% Danceability • 75% Energy • 7% Liveness
1% Instrumentalness • 48% Positiveness
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Tony Joe White
Bayou Woman
144 bpm • B min • 04:38 • -9.38db
41% Popularity • 61% Danceability • 74% Energy • 9% Liveness
9% Instrumentalness • 91% Positiveness
41% Popularity • 61% Danceability • 74% Energy • 9% Liveness
9% Instrumentalness • 91% Positiveness
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ZZ Top
Cover Your Rig
144 bpm • A Maj • 05:49 • -8.9db
19% Popularity • 51% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
19% Popularity • 51% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Mr. Big
Wild World - 2009 Remastered Version
144 bpm • F Maj • 03:28 • -6.52db
62% Popularity • 57% Danceability • 72% Energy • 29% Liveness
0% Instrumentalness • 59% Positiveness
62% Popularity • 57% Danceability • 72% Energy • 29% Liveness
0% Instrumentalness • 59% Positiveness
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Paul Gilbert
Blues For Rabbit
144 bpm • D Maj • 05:18 • -7db
22% Popularity • 39% Danceability • 86% Energy • 7% Liveness
84% Instrumentalness • 70% Positiveness
22% Popularity • 39% Danceability • 86% Energy • 7% Liveness
84% Instrumentalness • 70% Positiveness
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Joe Bonamassa
Blues Deluxe
145 bpm • F Maj • 07:20 • -9.57db
53% Popularity • 50% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
53% Popularity • 50% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Thin Lizzy
Dancing In The Moonlight (It's Caught Me...
145 bpm • E min • 03:24 • -13.87db
62% Popularity • 67% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
62% Popularity • 67% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
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Roy Buchanan
Baby, Baby, Baby
144 bpm • G Maj • 04:27 • -10db
34% Popularity • 55% Danceability • 44% Energy • 17% Liveness
0% Instrumentalness • 50% Positiveness
34% Popularity • 55% Danceability • 44% Energy • 17% Liveness
0% Instrumentalness • 50% Positiveness
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ZZ Top
Tush (2006 Remaster)
145 bpm • C Maj • 02:13 • -6.08db
71% Popularity • 51% Danceability • 91% Energy • 64% Liveness
3% Instrumentalness • 72% Positiveness
71% Popularity • 51% Danceability • 91% Energy • 64% Liveness
3% Instrumentalness • 72% Positiveness
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Gary Moore
Story Of The Blues - 2002 Digital Remast...
143 bpm • A min • 06:42 • -9db
35% Popularity • 40% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
35% Popularity • 40% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Coco Montoya
Good Days, Bad Days
145 bpm • E min • 05:04 • -7db
34% Popularity • 55% Danceability • 49% Energy • 25% Liveness
0% Instrumentalness • 33% Positiveness
34% Popularity • 55% Danceability • 49% Energy • 25% Liveness
0% Instrumentalness • 33% Positiveness
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Metallica
Nothing Else Matters
142 bpm • E min • 06:28 • -11.22db
80% Popularity • 55% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
80% Popularity • 55% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
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Buddy Guy
Damn Right, I've Got the Blues
146 bpm • D Maj • 04:31 • -5.64db
54% Popularity • 35% Danceability • 92% Energy • 31% Liveness
6% Instrumentalness • 53% Positiveness
54% Popularity • 35% Danceability • 92% Energy • 31% Liveness
6% Instrumentalness • 53% Positiveness
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Graham Bonnet
I'm A Lover
142 bpm • A min • 03:46 • -6.93db
13% Popularity • 42% Danceability • 76% Energy • 23% Liveness
0% Instrumentalness • 72% Positiveness
13% Popularity • 42% Danceability • 76% Energy • 23% Liveness
0% Instrumentalness • 72% Positiveness
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Marillion
Easter - 1997 Remaster
146 bpm • G Maj • 05:58 • -10db
43% Popularity • 24% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
43% Popularity • 24% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Gary Moore
Too Tired
146 bpm • D Maj • 02:50 • -13.58db
33% Popularity • 36% Danceability • 58% Energy • 30% Liveness
0% Instrumentalness • 68% Positiveness
33% Popularity • 36% Danceability • 58% Energy • 30% Liveness
0% Instrumentalness • 68% Positiveness
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Steppenwolf
Born To Be Wild
146 bpm • D Maj • 03:30 • -12.41db
74% Popularity • 44% Danceability • 71% Energy • 22% Liveness
54% Instrumentalness • 53% Positiveness
74% Popularity • 44% Danceability • 71% Energy • 22% Liveness
54% Instrumentalness • 53% Positiveness
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Black Country Communion
One Last Soul
142 bpm • D Maj • 03:52 • -8db
38% Popularity • 55% Danceability • 86% Energy • 5% Liveness
70% Instrumentalness • 77% Positiveness
38% Popularity • 55% Danceability • 86% Energy • 5% Liveness
70% Instrumentalness • 77% Positiveness
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King King
Rush Hour
146 bpm • C Maj • 05:17 • -7.1db
33% Popularity • 49% Danceability • 59% Energy • 30% Liveness
0% Instrumentalness • 37% Positiveness
33% Popularity • 49% Danceability • 59% Energy • 30% Liveness
0% Instrumentalness • 37% Positiveness
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Beth Hart, Joe Bonamassa
Black Coffee
142 bpm • G Maj • 04:16 • -7.4db
35% Popularity • 49% Danceability • 81% Energy • 29% Liveness
0% Instrumentalness • 39% Positiveness
35% Popularity • 49% Danceability • 81% Energy • 29% Liveness
0% Instrumentalness • 39% Positiveness
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Yngwie Malmsteen
Black Star
146 bpm • B Maj • 04:51 • -14.02db
45% Popularity • 32% Danceability • 73% Energy • 7% Liveness
17% Instrumentalness • 47% Positiveness
45% Popularity • 32% Danceability • 73% Energy • 7% Liveness
17% Instrumentalness • 47% Positiveness
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Aynsley Lister
Need Her So Bad
146 bpm • G# Maj • 07:00 • -9.9db
48% Popularity • 39% Danceability • 42% Energy • 19% Liveness
13% Instrumentalness • 35% Positiveness
48% Popularity • 39% Danceability • 42% Energy • 19% Liveness
13% Instrumentalness • 35% Positiveness
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Joe Bonamassa
So Many Roads
146 bpm • F min • 07:05 • -5.41db
45% Popularity • 29% Danceability • 76% Energy • 9% Liveness
15% Instrumentalness • 55% Positiveness
45% Popularity • 29% Danceability • 76% Energy • 9% Liveness
15% Instrumentalness • 55% Positiveness
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Gary Moore
As The Years Go Passing By
142 bpm • F min • 07:44 • -19.81db
43% Popularity • 40% Danceability • 10% Energy • 36% Liveness
19% Instrumentalness • 19% Positiveness
43% Popularity • 40% Danceability • 10% Energy • 36% Liveness
19% Instrumentalness • 19% Positiveness
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Livin' Blues
Shylina
147 bpm • C min • 05:37 • -13.9db
12% Popularity • 38% Danceability • 47% Energy • 6% Liveness
0% Instrumentalness • 10% Positiveness
12% Popularity • 38% Danceability • 47% Energy • 6% Liveness
0% Instrumentalness • 10% Positiveness
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Brian Kirksey
Watching You
147 bpm • F min • 07:56 • -10.09db
13% Popularity • 50% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
13% Popularity • 50% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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David Knopfler
Madonna's Daughter
147 bpm • F# min • 04:20 • -14db
27% Popularity • 67% Danceability • 49% Energy • 5% Liveness
0% Instrumentalness • 60% Positiveness
27% Popularity • 67% Danceability • 49% Energy • 5% Liveness
0% Instrumentalness • 60% Positiveness
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Tony Joe White
Lake Placid Blues
147 bpm • A min • 05:21 • -11db
41% Popularity • 61% Danceability • 68% Energy • 7% Liveness
13% Instrumentalness • 64% Positiveness
41% Popularity • 61% Danceability • 68% Energy • 7% Liveness
13% Instrumentalness • 64% Positiveness
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Greg Lake
It Hurts
147 bpm • A min • 04:29 • -8.61db
20% Popularity • 33% Danceability • 78% Energy • 28% Liveness
0% Instrumentalness • 32% Positiveness
20% Popularity • 33% Danceability • 78% Energy • 28% Liveness
0% Instrumentalness • 32% Positiveness
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Kingdom Come
Twilight Cruiser
147 bpm • F# min • 06:38 • -6.13db
37% Popularity • 42% Danceability • 75% Energy • 19% Liveness
10% Instrumentalness • 36% Positiveness
37% Popularity • 42% Danceability • 75% Energy • 19% Liveness
10% Instrumentalness • 36% Positiveness
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Procol Harum
A Whiter Shade of Pale - 50th Anniversar...
148 bpm • C Maj • 05:54 • -13.24db
45% Popularity • 29% Danceability • 44% Energy • 9% Liveness
2% Instrumentalness • 16% Positiveness
45% Popularity • 29% Danceability • 44% Energy • 9% Liveness
2% Instrumentalness • 16% Positiveness
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Thin Lizzy
Don't Believe A Word
141 bpm • G# min • 02:17 • -9.65db
49% Popularity • 45% Danceability • 66% Energy • 15% Liveness
0% Instrumentalness • 90% Positiveness
49% Popularity • 45% Danceability • 66% Energy • 15% Liveness
0% Instrumentalness • 90% Positiveness
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Queensrÿche
Silent Lucidity - Remastered 2003
140 bpm • G Maj • 05:47 • -5.66db
61% Popularity • 46% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
61% Popularity • 46% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
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Guns N' Roses
Civil War
140 bpm • A# min • 07:42 • -8.8db
69% Popularity • 34% Danceability • 79% Energy • 32% Liveness
6% Instrumentalness • 38% Positiveness
69% Popularity • 34% Danceability • 79% Energy • 32% Liveness
6% Instrumentalness • 38% Positiveness
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Albert Collins
Cold, Cold Feeling
148 bpm • D# min • 05:18 • -11db
54% Popularity • 71% Danceability • 28% Energy • 11% Liveness
3% Instrumentalness • 40% Positiveness
54% Popularity • 71% Danceability • 28% Energy • 11% Liveness
3% Instrumentalness • 40% Positiveness
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Aynsley Lister
Won't Be Taken Down
140 bpm • A# min • 05:57 • -5db
28% Popularity • 40% Danceability • 71% Energy • 11% Liveness
3% Instrumentalness • 27% Positiveness
28% Popularity • 40% Danceability • 71% Energy • 11% Liveness
3% Instrumentalness • 27% Positiveness
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Gary Moore
Jumpin' At Shadows - 2002 Digital Remast...
140 bpm • A Maj • 04:20 • -14.58db
25% Popularity • 58% Danceability • 13% Energy • 8% Liveness
2% Instrumentalness • 15% Positiveness
25% Popularity • 58% Danceability • 13% Energy • 8% Liveness
2% Instrumentalness • 15% Positiveness
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Jeff Healey
I'm Torn Down
140 bpm • F min • 05:27 • -10.09db
28% Popularity • 34% Danceability • 82% Energy • 98% Liveness
0% Instrumentalness • 74% Positiveness
28% Popularity • 34% Danceability • 82% Energy • 98% Liveness
0% Instrumentalness • 74% Positiveness
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David Knopfler
Easy Street
139 bpm • A Maj • 03:44 • -8.62db
23% Popularity • 53% Danceability • 64% Energy • 26% Liveness
13% Instrumentalness • 60% Positiveness
23% Popularity • 53% Danceability • 64% Energy • 26% Liveness
13% Instrumentalness • 60% Positiveness
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Aerosmith
Amazing
139 bpm • C Maj • 05:55 • -5db
66% Popularity • 30% Danceability • 80% Energy • 33% Liveness
0% Instrumentalness • 28% Positiveness
66% Popularity • 30% Danceability • 80% Energy • 33% Liveness
0% Instrumentalness • 28% Positiveness
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Van Halen
Ain't Talkin' 'Bout Love - 2015 Remaster
139 bpm • G# min • 03:47 • -5.96db
69% Popularity • 52% Danceability • 94% Energy • 29% Liveness
0% Instrumentalness • 71% Positiveness
69% Popularity • 52% Danceability • 94% Energy • 29% Liveness
0% Instrumentalness • 71% Positiveness
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Jimmy Page
Hummingbird
139 bpm • E min • 05:22 • -13.75db
20% Popularity • 40% Danceability • 36% Energy • 17% Liveness
0% Instrumentalness • 27% Positiveness
20% Popularity • 40% Danceability • 36% Energy • 17% Liveness
0% Instrumentalness • 27% Positiveness
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Kingdom Come
Can't Let Go - Director's Cut
139 bpm • A min • 02:39 • -16.28db
30% Popularity • 64% Danceability • 15% Energy • 16% Liveness
0% Instrumentalness • 27% Positiveness
30% Popularity • 64% Danceability • 15% Energy • 16% Liveness
0% Instrumentalness • 27% Positiveness
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Gary Moore
The Prophet
139 bpm • G Maj • 06:19 • -5.9db
42% Popularity • 25% Danceability • 28% Energy • 20% Liveness
67% Instrumentalness • 4% Positiveness
42% Popularity • 25% Danceability • 28% Energy • 20% Liveness
67% Instrumentalness • 4% Positiveness
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Michael Schenker Group
On and On - 2009 Remaster
139 bpm • F min • 04:45 • -10db
40% Popularity • 34% Danceability • 80% Energy • 48% Liveness
0% Instrumentalness • 26% Positiveness
40% Popularity • 34% Danceability • 80% Energy • 48% Liveness
0% Instrumentalness • 26% Positiveness
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Procol Harum
A Whiter Shade of Pale - Original Single...
150 bpm • C Maj • 04:08 • -6.9db
67% Popularity • 25% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
67% Popularity • 25% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
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Jeff Fetterman
Bottle Full of Blues
150 bpm • A# min • 06:46 • -7.76db
31% Popularity • 56% Danceability • 50% Energy • 34% Liveness
0% Instrumentalness • 37% Positiveness
31% Popularity • 56% Danceability • 50% Energy • 34% Liveness
0% Instrumentalness • 37% Positiveness
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Albany Down
You Ain't Coming Home
150 bpm • C min • 06:36 • -3.7db
24% Popularity • 48% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
24% Popularity • 48% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Richie Sambora
Father Time
138 bpm • C min • 06:05 • -10.22db
40% Popularity • 28% Danceability • 63% Energy • 21% Liveness
0% Instrumentalness • 11% Positiveness
40% Popularity • 28% Danceability • 63% Energy • 21% Liveness
0% Instrumentalness • 11% Positiveness
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Gary Moore
Stormy Monday
150 bpm • C Maj • 06:53 • -4.13db
26% Popularity • 47% Danceability • 58% Energy • 18% Liveness
26% Instrumentalness • 35% Positiveness
26% Popularity • 47% Danceability • 58% Energy • 18% Liveness
26% Instrumentalness • 35% Positiveness
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Europe
In My Time
138 bpm • A min • 06:15 • -4.84db
22% Popularity • 42% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
22% Popularity • 42% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
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Marillion
Lavender
138 bpm • A Maj • 03:44 • -6db
48% Popularity • 33% Danceability • 55% Energy • 9% Liveness
10% Instrumentalness • 23% Positiveness
48% Popularity • 33% Danceability • 55% Energy • 9% Liveness
10% Instrumentalness • 23% Positiveness
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Joe Bonamassa
Sloe Gin
138 bpm • A min • 08:12 • -8.37db
47% Popularity • 39% Danceability • 60% Energy • 8% Liveness
3% Instrumentalness • 30% Positiveness
47% Popularity • 39% Danceability • 60% Energy • 8% Liveness
3% Instrumentalness • 30% Positiveness
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Henrik Freischlader
The Prophet
138 bpm • G min • 06:28 • -10.41db
33% Popularity • 32% Danceability • 20% Energy • 29% Liveness
84% Instrumentalness • 4% Positiveness
33% Popularity • 32% Danceability • 20% Energy • 29% Liveness
84% Instrumentalness • 4% Positiveness
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Jimmy Page
Prison Blues
138 bpm • A Maj • 07:08 • -13.09db
40% Popularity • 39% Danceability • 51% Energy • 45% Liveness
0% Instrumentalness • 50% Positiveness
40% Popularity • 39% Danceability • 51% Energy • 45% Liveness
0% Instrumentalness • 50% Positiveness
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Jethro Tull
She Said She Was a Dancer - 2005 Remaste...
138 bpm • C Maj • 03:41 • -10db
37% Popularity • 62% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 37% Positiveness
37% Popularity • 62% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 37% Positiveness
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Phil Lynott
King's Call
138 bpm • E Maj • 03:38 • -16.77db
41% Popularity • 74% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
41% Popularity • 74% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
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Michael Burks
Empty Promises
138 bpm • D min • 06:15 • -3.11db
42% Popularity • 37% Danceability • 60% Energy • 9% Liveness
2% Instrumentalness • 40% Positiveness
42% Popularity • 37% Danceability • 60% Energy • 9% Liveness
2% Instrumentalness • 40% Positiveness
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Tony Joe White
Steamy Windows
138 bpm • A Maj • 04:01 • -13.08db
45% Popularity • 69% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
45% Popularity • 69% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
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Danny Bryant's Redeyeband
Always With Me
138 bpm • F# min • 06:44 • -4db
20% Popularity • 26% Danceability • 78% Energy • 25% Liveness
0% Instrumentalness • 50% Positiveness
20% Popularity • 26% Danceability • 78% Energy • 25% Liveness
0% Instrumentalness • 50% Positiveness
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Coco Montoya
Nothing But Love
137 bpm • A Maj • 05:02 • -7.71db
32% Popularity • 42% Danceability • 54% Energy • 22% Liveness
0% Instrumentalness • 33% Positiveness
32% Popularity • 42% Danceability • 54% Energy • 22% Liveness
0% Instrumentalness • 33% Positiveness
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Europe
Carrie
136 bpm • G Maj • 04:32 • -7.11db
70% Popularity • 46% Danceability • 49% Energy • 36% Liveness
0% Instrumentalness • 14% Positiveness
70% Popularity • 46% Danceability • 49% Energy • 36% Liveness
0% Instrumentalness • 14% Positiveness
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Beth Hart, Joe Bonamassa
Nutbush City Limits (Live)
152 bpm • D Maj • 03:49 • -6db
30% Popularity • 55% Danceability • 93% Energy • 95% Liveness
0% Instrumentalness • 85% Positiveness
30% Popularity • 55% Danceability • 93% Energy • 95% Liveness
0% Instrumentalness • 85% Positiveness
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ZZ Top
2000 Blues
152 bpm • D Maj • 04:43 • -10.33db
27% Popularity • 51% Danceability • 54% Energy • 5% Liveness
10% Instrumentalness • 43% Positiveness
27% Popularity • 51% Danceability • 54% Energy • 5% Liveness
10% Instrumentalness • 43% Positiveness
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Tony Joe White
Tunica Motel
137 bpm • F# min • 04:22 • -11.77db
44% Popularity • 73% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 76% Positiveness
44% Popularity • 73% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 76% Positiveness
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The Rolling Stones
Angie - Remastered 2009
136 bpm • A min • 04:32 • -6.13db
73% Popularity • 43% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
73% Popularity • 43% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Julian Sas
Blues for the Lost and Found
152 bpm • F Maj • 06:55 • -6db
26% Popularity • 28% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
26% Popularity • 28% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
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Thin Lizzy
Chinatown
152 bpm • E min • 04:43 • -10.78db
40% Popularity • 23% Danceability • 85% Energy • 73% Liveness
73% Instrumentalness • 57% Positiveness
40% Popularity • 23% Danceability • 85% Energy • 73% Liveness
73% Instrumentalness • 57% Positiveness
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Jimmy Page
Thank You
153 bpm • G Maj • 05:48 • -13.18db
38% Popularity • 28% Danceability • 51% Energy • 75% Liveness
0% Instrumentalness • 43% Positiveness
38% Popularity • 28% Danceability • 51% Energy • 75% Liveness
0% Instrumentalness • 43% Positiveness
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ZZ Top
Goin' So Good
136 bpm • F Maj • 05:34 • -6.82db
19% Popularity • 61% Danceability • 40% Energy • 8% Liveness
23% Instrumentalness • 16% Positiveness
19% Popularity • 61% Danceability • 40% Energy • 8% Liveness
23% Instrumentalness • 16% Positiveness
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Gary Moore
Picture of the Moon
136 bpm • A min • 07:11 • -7.92db
36% Popularity • 51% Danceability • 34% Energy • 4% Liveness
4% Instrumentalness • 21% Positiveness
36% Popularity • 51% Danceability • 34% Energy • 4% Liveness
4% Instrumentalness • 21% Positiveness
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Bas Paardekooper and the Blew Crew
Broken Heart for Sale
136 bpm • B min • 09:30 • -6.43db
8% Popularity • 33% Danceability • 59% Energy • 34% Liveness
0% Instrumentalness • 20% Positiveness
8% Popularity • 33% Danceability • 59% Energy • 34% Liveness
0% Instrumentalness • 20% Positiveness
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Rory Gallagher
A Million Miles Away
136 bpm • D min • 06:55 • -10.4db
47% Popularity • 50% Danceability • 65% Energy • 42% Liveness
1% Instrumentalness • 61% Positiveness
47% Popularity • 50% Danceability • 65% Energy • 42% Liveness
1% Instrumentalness • 61% Positiveness
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David Gogo
This Is A Man's World
153 bpm • D min • 07:18 • -8.71db
33% Popularity • 46% Danceability • 49% Energy • 20% Liveness
6% Instrumentalness • 37% Positiveness
33% Popularity • 46% Danceability • 49% Energy • 20% Liveness
6% Instrumentalness • 37% Positiveness
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Omar and The Howlers
Full Moon On Main Street
153 bpm • A min • 04:52 • -11db
27% Popularity • 36% Danceability • 34% Energy • 25% Liveness
0% Instrumentalness • 14% Positiveness
27% Popularity • 36% Danceability • 34% Energy • 25% Liveness
0% Instrumentalness • 14% Positiveness
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Metallica
Mama Said
135 bpm • G# min • 05:19 • -7.75db
59% Popularity • 45% Danceability • 50% Energy • 38% Liveness
0% Instrumentalness • 39% Positiveness
59% Popularity • 45% Danceability • 50% Energy • 38% Liveness
0% Instrumentalness • 39% Positiveness
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Joe Bonamassa
Driving Towards the Daylight
153 bpm • G# Maj • 04:49 • -5.1db
49% Popularity • 53% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
49% Popularity • 53% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Jeff Healey
While My Guitar Gently Weeps
135 bpm • D Maj • 05:13 • -8.05db
24% Popularity • 35% Danceability • 68% Energy • 95% Liveness
0% Instrumentalness • 48% Positiveness
24% Popularity • 35% Danceability • 68% Energy • 95% Liveness
0% Instrumentalness • 48% Positiveness
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Jimmy Page
Nobody's Fault But Mine
135 bpm • C Maj • 04:06 • -13db
32% Popularity • 58% Danceability • 49% Energy • 8% Liveness
22% Instrumentalness • 30% Positiveness
32% Popularity • 58% Danceability • 49% Energy • 8% Liveness
22% Instrumentalness • 30% Positiveness
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Queen
Tie Your Mother Down - Remastered 2011
135 bpm • D Maj • 04:47 • -5.59db
54% Popularity • 33% Danceability • 89% Energy • 37% Liveness
0% Instrumentalness • 20% Positiveness
54% Popularity • 33% Danceability • 89% Energy • 37% Liveness
0% Instrumentalness • 20% Positiveness
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Richie Sambora
One Light Burning
154 bpm • G Maj • 05:49 • -12.62db
32% Popularity • 56% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
32% Popularity • 56% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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The Jeff Healey Band
While My Guitar Gently Weeps
135 bpm • G Maj • 05:15 • -11.14db
53% Popularity • 43% Danceability • 67% Energy • 5% Liveness
0% Instrumentalness • 62% Positiveness
53% Popularity • 43% Danceability • 67% Energy • 5% Liveness
0% Instrumentalness • 62% Positiveness
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BBM
Why Does Love (Have To Go Wrong)
135 bpm • G Maj • 08:27 • -8db
15% Popularity • 28% Danceability • 60% Energy • 18% Liveness
0% Instrumentalness • 23% Positiveness
15% Popularity • 28% Danceability • 60% Energy • 18% Liveness
0% Instrumentalness • 23% Positiveness
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Rick Derringer
Sorry for Your Heartache
154 bpm • C# Maj • 09:48 • -10.08db
11% Popularity • 30% Danceability • 54% Energy • 11% Liveness
28% Instrumentalness • 37% Positiveness
11% Popularity • 30% Danceability • 54% Energy • 11% Liveness
28% Instrumentalness • 37% Positiveness
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Tony Joe White
Love M.D.
134 bpm • A Maj • 03:42 • -15.1db
37% Popularity • 72% Danceability • 44% Energy • 12% Liveness
15% Instrumentalness • 41% Positiveness
37% Popularity • 72% Danceability • 44% Energy • 12% Liveness
15% Instrumentalness • 41% Positiveness
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King King
Old Love
134 bpm • A min • 09:51 • -8.39db
23% Popularity • 55% Danceability • 34% Energy • 14% Liveness
14% Instrumentalness • 37% Positiveness
23% Popularity • 55% Danceability • 34% Energy • 14% Liveness
14% Instrumentalness • 37% Positiveness
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Don Airey
Adagio
134 bpm • C min • 05:23 • -4.77db
27% Popularity • 16% Danceability • 65% Energy • 14% Liveness
67% Instrumentalness • 11% Positiveness
27% Popularity • 16% Danceability • 65% Energy • 14% Liveness
67% Instrumentalness • 11% Positiveness
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Tinsley Ellis
Your Love's Like Heroin
155 bpm • D min • 07:07 • -9db
26% Popularity • 40% Danceability • 27% Energy • 11% Liveness
2% Instrumentalness • 11% Positiveness
26% Popularity • 40% Danceability • 27% Energy • 11% Liveness
2% Instrumentalness • 11% Positiveness
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Marillion
Lavender - 2017 Remaster
134 bpm • A Maj • 02:26 • -9db
44% Popularity • 37% Danceability • 45% Energy • 36% Liveness
1% Instrumentalness • 21% Positiveness
44% Popularity • 37% Danceability • 45% Energy • 36% Liveness
1% Instrumentalness • 21% Positiveness
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Gary Moore
Still Got The Blues - Live from the Blue...
155 bpm • A min • 06:40 • -11.59db
37% Popularity • 22% Danceability • 38% Energy • 95% Liveness
1% Instrumentalness • 17% Positiveness
37% Popularity • 22% Danceability • 38% Energy • 95% Liveness
1% Instrumentalness • 17% Positiveness
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Axe
Battles
134 bpm • D min • 06:13 • -10db
22% Popularity • 32% Danceability • 47% Energy • 34% Liveness
0% Instrumentalness • 27% Positiveness
22% Popularity • 32% Danceability • 47% Energy • 34% Liveness
0% Instrumentalness • 27% Positiveness
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Richie Sambora
Mr. Bluesman
156 bpm • A Maj • 05:15 • -9.3db
22% Popularity • 28% Danceability • 55% Energy • 25% Liveness
0% Instrumentalness • 34% Positiveness
22% Popularity • 28% Danceability • 55% Energy • 25% Liveness
0% Instrumentalness • 34% Positiveness
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Henrik Freischlader
The Memory of Our Love
156 bpm • C min • 07:44 • -11db
45% Popularity • 33% Danceability • 42% Energy • 9% Liveness
3% Instrumentalness • 29% Positiveness
45% Popularity • 33% Danceability • 42% Energy • 9% Liveness
3% Instrumentalness • 29% Positiveness
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Robben Ford
Talk to Your Daughter
133 bpm • C Maj • 04:10 • -13db
34% Popularity • 66% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
34% Popularity • 66% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Black Country Communion
Song Of Yesterday
156 bpm • A min • 08:32 • -8.05db
39% Popularity • 36% Danceability • 71% Energy • 30% Liveness
52% Instrumentalness • 29% Positiveness
39% Popularity • 36% Danceability • 71% Energy • 30% Liveness
52% Instrumentalness • 29% Positiveness
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Gregg Bissonette
Dream On
156 bpm • F min • 04:30 • -7db
46% Popularity • 28% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
46% Popularity • 28% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Dio
Don't Talk To Strangers
133 bpm • D min • 04:51 • -8db
54% Popularity • 35% Danceability • 89% Energy • 13% Liveness
18% Instrumentalness • 28% Positiveness
54% Popularity • 35% Danceability • 89% Energy • 13% Liveness
18% Instrumentalness • 28% Positiveness
