Songs like Music For 18 Musicians by Steve Reich
Based on a tempo of (+/- 10%) and a similar genre
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Steve Reich
Music for 18 Musicians: Section IIIA
107 bpm • D Maj • 03:55 • -18db
22% Popularity • 40% Danceability • 26% Energy • 16% Liveness
91% Instrumentalness • 30% Positiveness
22% Popularity • 40% Danceability • 26% Energy • 16% Liveness
91% Instrumentalness • 30% Positiveness
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Nico Muhly
The Revd Mustard his Installation Prelud...
108 bpm • D Maj • 03:34 • -25db
21% Popularity • 25% Danceability • 9% Energy • 10% Liveness
78% Instrumentalness • 9% Positiveness
21% Popularity • 25% Danceability • 9% Energy • 10% Liveness
78% Instrumentalness • 9% Positiveness
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Jürg Frey
Extended Circular Music No. 2
107 bpm • G# min • 03:45 • -39.86db
17% Popularity • 45% Danceability • 0% Energy • 9% Liveness
94% Instrumentalness • 6% Positiveness
17% Popularity • 45% Danceability • 0% Energy • 9% Liveness
94% Instrumentalness • 6% Positiveness
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Iannis Xenakis
6 Chansons: No. 1. Ca sent le musc… (I...
108 bpm • A min • 01:07 • -29.64db
23% Popularity • 35% Danceability • 8% Energy • 8% Liveness
88% Instrumentalness • 20% Positiveness
23% Popularity • 35% Danceability • 8% Energy • 8% Liveness
88% Instrumentalness • 20% Positiveness
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Fennesz
Before I Leave
106 bpm • B Maj • 04:08 • -20.1db
30% Popularity • 23% Danceability • 63% Energy • 9% Liveness
98% Instrumentalness • 3% Positiveness
30% Popularity • 23% Danceability • 63% Energy • 9% Liveness
98% Instrumentalness • 3% Positiveness
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Sufjan Stevens
The Human Plague
108 bpm • C# Maj • 04:15 • -18.02db
15% Popularity • 87% Danceability • 30% Energy • 7% Liveness
88% Instrumentalness • 13% Positiveness
15% Popularity • 87% Danceability • 30% Energy • 7% Liveness
88% Instrumentalness • 13% Positiveness
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Steve Reich
Music for 18 Musicians (modular version)...
107 bpm • A Maj • 04:32 • -22db
10% Popularity • 61% Danceability • 42% Energy • 9% Liveness
96% Instrumentalness • 26% Positiveness
10% Popularity • 61% Danceability • 42% Energy • 9% Liveness
96% Instrumentalness • 26% Positiveness
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Colin Stetson
Judges
106 bpm • C# Maj • 05:13 • -16.62db
23% Popularity • 28% Danceability • 31% Energy • 12% Liveness
95% Instrumentalness • 19% Positiveness
23% Popularity • 28% Danceability • 31% Energy • 12% Liveness
95% Instrumentalness • 19% Positiveness
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Jon Hassell
Chemistry
108 bpm • E min • 06:54 • -29db
22% Popularity • 62% Danceability • 18% Energy • 13% Liveness
88% Instrumentalness • 29% Positiveness
22% Popularity • 62% Danceability • 18% Energy • 13% Liveness
88% Instrumentalness • 29% Positiveness
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Krzysztof Penderecki
Penderecki: Anaklasis, for 42 Strings an...
108 bpm • G# Maj • 06:01 • -21.9db
6% Popularity • 21% Danceability • 29% Energy • 7% Liveness
48% Instrumentalness • 4% Positiveness
6% Popularity • 21% Danceability • 29% Energy • 7% Liveness
48% Instrumentalness • 4% Positiveness
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Vladimir Ussachevsky
Sonic Contours
106 bpm • C Maj • 01:13 • -48db
15% Popularity • 22% Danceability • 2% Energy • 30% Liveness
0% Instrumentalness • 7% Positiveness
15% Popularity • 22% Danceability • 2% Energy • 30% Liveness
0% Instrumentalness • 7% Positiveness
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Terry Riley
Sunrise of the Planetary Dream Collector
109 bpm • E min • 12:32 • -19db
19% Popularity • 42% Danceability • 22% Energy • 10% Liveness
86% Instrumentalness • 38% Positiveness
19% Popularity • 42% Danceability • 22% Energy • 10% Liveness
86% Instrumentalness • 38% Positiveness
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Steve Reich
Music for 18 Musicians (modular version)...
107 bpm • A Maj • 05:22 • -22db
19% Popularity • 62% Danceability • 39% Energy • 9% Liveness
95% Instrumentalness • 26% Positiveness
19% Popularity • 62% Danceability • 39% Energy • 9% Liveness
95% Instrumentalness • 26% Positiveness
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Mort Garson
Ode to an African Violet
109 bpm • F min • 04:02 • -21.32db
44% Popularity • 55% Danceability • 18% Energy • 11% Liveness
89% Instrumentalness • 24% Positiveness
44% Popularity • 55% Danceability • 18% Energy • 11% Liveness
89% Instrumentalness • 24% Positiveness
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Jon Hassell
Dreaming
108 bpm • F min • 06:09 • -13.29db
25% Popularity • 28% Danceability • 48% Energy • 8% Liveness
94% Instrumentalness • 25% Positiveness
25% Popularity • 28% Danceability • 48% Energy • 8% Liveness
94% Instrumentalness • 25% Positiveness
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Cluster
Schöne Hände
105 bpm • B Maj • 03:05 • -24db
40% Popularity • 62% Danceability • 23% Energy • 7% Liveness
91% Instrumentalness • 5% Positiveness
40% Popularity • 62% Danceability • 23% Energy • 7% Liveness
91% Instrumentalness • 5% Positiveness
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Penguin Cafe Orchestra
Hugebaby - 2008 Digital Remaster
105 bpm • D Maj • 04:52 • -17.7db
20% Popularity • 32% Danceability • 13% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
20% Popularity • 32% Danceability • 13% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
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Terry Riley
G Song
109 bpm • G min • 09:39 • -20.98db
22% Popularity • 31% Danceability • 22% Energy • 34% Liveness
87% Instrumentalness • 45% Positiveness
22% Popularity • 31% Danceability • 22% Energy • 34% Liveness
87% Instrumentalness • 45% Positiveness
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Steve Reich
Music for 18 Musicians: Section VIII
105 bpm • C# min • 03:34 • -15.74db
15% Popularity • 57% Danceability • 40% Energy • 11% Liveness
86% Instrumentalness • 64% Positiveness
15% Popularity • 57% Danceability • 40% Energy • 11% Liveness
86% Instrumentalness • 64% Positiveness
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Alarm Will Sound
Jynweythek ylow (arr. J. Orfe)
109 bpm • F# Maj • 02:29 • -24.26db
15% Popularity • 73% Danceability • 2% Energy • 11% Liveness
91% Instrumentalness • 30% Positiveness
15% Popularity • 73% Danceability • 2% Energy • 11% Liveness
91% Instrumentalness • 30% Positiveness
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Popol Vuh
Kyrie
110 bpm • A# Maj • 05:23 • -14.74db
25% Popularity • 25% Danceability • 24% Energy • 9% Liveness
75% Instrumentalness • 6% Positiveness
25% Popularity • 25% Danceability • 24% Energy • 9% Liveness
75% Instrumentalness • 6% Positiveness
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Supersilent
6.2
110 bpm • C min • 09:57 • -17.47db
12% Popularity • 29% Danceability • 19% Energy • 11% Liveness
83% Instrumentalness • 13% Positiveness
12% Popularity • 29% Danceability • 19% Energy • 11% Liveness
83% Instrumentalness • 13% Positiveness
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Jon Hassell
Blues Nile
104 bpm • G min • 09:54 • -12.86db
27% Popularity • 16% Danceability • 34% Energy • 16% Liveness
89% Instrumentalness • 3% Positiveness
27% Popularity • 16% Danceability • 34% Energy • 16% Liveness
89% Instrumentalness • 3% Positiveness
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Terry Riley
G-Song
109 bpm • G min • 09:46 • -21db
19% Popularity • 31% Danceability • 22% Energy • 33% Liveness
86% Instrumentalness • 44% Positiveness
19% Popularity • 31% Danceability • 22% Energy • 33% Liveness
86% Instrumentalness • 44% Positiveness
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Steve Reich
Music for 18 Musicians: Section II
105 bpm • D Maj • 05:13 • -11db
22% Popularity • 62% Danceability • 63% Energy • 12% Liveness
92% Instrumentalness • 35% Positiveness
22% Popularity • 62% Danceability • 63% Energy • 12% Liveness
92% Instrumentalness • 35% Positiveness
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Harold Budd
Not Yet Remembered - Remastered 2004
103 bpm • C# min • 03:50 • -23.49db
38% Popularity • 26% Danceability • 6% Energy • 12% Liveness
94% Instrumentalness • 3% Positiveness
38% Popularity • 26% Danceability • 6% Energy • 12% Liveness
94% Instrumentalness • 3% Positiveness
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Karlheinz Stockhausen
Tierkreis, Work No. 41 1/2: No. 7. Leo
111 bpm • E Maj • 01:58 • -25db
16% Popularity • 57% Danceability • 3% Energy • 9% Liveness
87% Instrumentalness • 30% Positiveness
16% Popularity • 57% Danceability • 3% Energy • 9% Liveness
87% Instrumentalness • 30% Positiveness
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Meredith Monk
Monk: Railroad (Travel Song)
111 bpm • E min • 02:06 • -21.31db
27% Popularity • 33% Danceability • 12% Energy • 7% Liveness
89% Instrumentalness • 4% Positiveness
27% Popularity • 33% Danceability • 12% Energy • 7% Liveness
89% Instrumentalness • 4% Positiveness
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Louis Hardin
Theme - Instrumental
102 bpm • G Maj • 02:59 • -14.87db
29% Popularity • 54% Danceability • 56% Energy • 13% Liveness
82% Instrumentalness • 82% Positiveness
29% Popularity • 54% Danceability • 56% Energy • 13% Liveness
82% Instrumentalness • 82% Positiveness
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Terry Riley
Francesco en Paraiso
103 bpm • A min • 05:06 • -13db
20% Popularity • 41% Danceability • 29% Energy • 14% Liveness
88% Instrumentalness • 40% Positiveness
20% Popularity • 41% Danceability • 29% Energy • 14% Liveness
88% Instrumentalness • 40% Positiveness
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Steve Reich
Music for 18 Musicians: Pulses II
103 bpm • F# min • 06:10 • -21.14db
12% Popularity • 58% Danceability • 46% Energy • 11% Liveness
95% Instrumentalness • 34% Positiveness
12% Popularity • 58% Danceability • 46% Energy • 11% Liveness
95% Instrumentalness • 34% Positiveness
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Brian Eno
Spirits Drifting - 2004 Remaster
102 bpm • A min • 02:36 • -22.72db
32% Popularity • 24% Danceability • 13% Energy • 9% Liveness
93% Instrumentalness • 5% Positiveness
32% Popularity • 24% Danceability • 13% Energy • 9% Liveness
93% Instrumentalness • 5% Positiveness
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Raymond Scott
Sleepy Time
101 bpm • C Maj • 04:27 • -20.89db
23% Popularity • 35% Danceability • 28% Energy • 8% Liveness
86% Instrumentalness • 57% Positiveness
23% Popularity • 35% Danceability • 28% Energy • 8% Liveness
86% Instrumentalness • 57% Positiveness
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Krzysztof Penderecki
Threnody to the Victims of Hiroshima (19...
101 bpm • G min • 10:03 • -15.32db
11% Popularity • 14% Danceability • 46% Energy • 25% Liveness
75% Instrumentalness • 3% Positiveness
11% Popularity • 14% Danceability • 46% Energy • 25% Liveness
75% Instrumentalness • 3% Positiveness
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Louis Hardin
Fujiyama 1 - Instrumental
102 bpm • G min • 04:43 • -22.75db
8% Popularity • 20% Danceability • 8% Energy • 9% Liveness
99% Instrumentalness • 6% Positiveness
8% Popularity • 20% Danceability • 8% Energy • 9% Liveness
99% Instrumentalness • 6% Positiveness
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Iannis Xenakis
6 Chansons: No. 5. Aujourd'hui le ciel e...
101 bpm • C# Maj • 02:20 • -28.29db
22% Popularity • 58% Danceability • 1% Energy • 10% Liveness
94% Instrumentalness • 36% Positiveness
22% Popularity • 58% Danceability • 1% Energy • 10% Liveness
94% Instrumentalness • 36% Positiveness
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Steve Reich
Different Trains: America, Before the Wa...
107 bpm • C# Maj • 08:58 • -14.07db
30% Popularity • 40% Danceability • 37% Energy • 12% Liveness
19% Instrumentalness • 61% Positiveness
30% Popularity • 40% Danceability • 37% Energy • 12% Liveness
19% Instrumentalness • 61% Positiveness
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Alice Coltrane
Shiva-Loka
114 bpm • F Maj • 06:33 • -12.26db
36% Popularity • 21% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
36% Popularity • 21% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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Karlheinz Stockhausen
Fische
114 bpm • F min • 01:50 • -27.03db
22% Popularity • 23% Danceability • 7% Energy • 7% Liveness
27% Instrumentalness • 4% Positiveness
22% Popularity • 23% Danceability • 7% Energy • 7% Liveness
27% Instrumentalness • 4% Positiveness
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Harry Partch
Eleven Intrusions I: Study on Olympos' P...
100 bpm • D# Maj • 01:20 • -19db
28% Popularity • 65% Danceability • 18% Energy • 35% Liveness
72% Instrumentalness • 34% Positiveness
28% Popularity • 65% Danceability • 18% Energy • 35% Liveness
72% Instrumentalness • 34% Positiveness
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Terry Riley
Riley: Keyboard Study 2 - Brubaker Versi...
100 bpm • D# Maj • 01:13 • -28.68db
23% Popularity • 17% Danceability • 19% Energy • 11% Liveness
89% Instrumentalness • 93% Positiveness
23% Popularity • 17% Danceability • 19% Energy • 11% Liveness
89% Instrumentalness • 93% Positiveness
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Tim Hecker
The Piano Drop
114 bpm • C# min • 02:53 • -12db
36% Popularity • 58% Danceability • 85% Energy • 14% Liveness
96% Instrumentalness • 3% Positiveness
36% Popularity • 58% Danceability • 85% Energy • 14% Liveness
96% Instrumentalness • 3% Positiveness
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Steve Reich
Music For 18 Musicians
107 bpm • A Maj • 56:31 • -14.82db
23% Popularity • 51% Danceability • 54% Energy • 8% Liveness
92% Instrumentalness • 38% Positiveness
23% Popularity • 51% Danceability • 54% Energy • 8% Liveness
92% Instrumentalness • 38% Positiveness
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Iannis Xenakis
Pithoprakta
100 bpm • C Maj • 10:40 • -25db
8% Popularity • 37% Danceability • 36% Energy • 8% Liveness
75% Instrumentalness • 12% Positiveness
8% Popularity • 37% Danceability • 36% Energy • 8% Liveness
75% Instrumentalness • 12% Positiveness
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Julia Holter
Voce Simul
100 bpm • D min • 06:34 • -17.17db
24% Popularity • 42% Danceability • 11% Energy • 10% Liveness
2% Instrumentalness • 17% Positiveness
24% Popularity • 42% Danceability • 11% Energy • 10% Liveness
2% Instrumentalness • 17% Positiveness
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Bryce Dessner
Haven
100 bpm • C min • 08:02 • -15.69db
11% Popularity • 58% Danceability • 37% Energy • 11% Liveness
84% Instrumentalness • 57% Positiveness
11% Popularity • 58% Danceability • 37% Energy • 11% Liveness
84% Instrumentalness • 57% Positiveness
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Jonny Greenwood
Sandalwood I
100 bpm • C Maj • 02:39 • -16.17db
34% Popularity • 50% Danceability • 28% Energy • 22% Liveness
80% Instrumentalness • 32% Positiveness
34% Popularity • 50% Danceability • 28% Energy • 22% Liveness
80% Instrumentalness • 32% Positiveness
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Roedelius
Wenn der Südwind weht
115 bpm • D Maj • 04:13 • -16db
30% Popularity • 45% Danceability • 18% Energy • 10% Liveness
86% Instrumentalness • 23% Positiveness
30% Popularity • 45% Danceability • 18% Energy • 10% Liveness
86% Instrumentalness • 23% Positiveness
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Steve Reich
Music for 18 Musicians (modular version)...
108 bpm • D Maj • 04:18 • -18db
15% Popularity • 68% Danceability • 30% Energy • 12% Liveness
86% Instrumentalness • 41% Positiveness
15% Popularity • 68% Danceability • 30% Energy • 12% Liveness
86% Instrumentalness • 41% Positiveness
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Terry Riley
Cadenza on the Night Plain: Captain Jack...
115 bpm • C# Maj • 01:44 • -31db
29% Popularity • 53% Danceability • 7% Energy • 11% Liveness
85% Instrumentalness • 89% Positiveness
29% Popularity • 53% Danceability • 7% Energy • 11% Liveness
85% Instrumentalness • 89% Positiveness
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Colin Stetson
A dream of water
115 bpm • A# min • 03:35 • -13.7db
21% Popularity • 37% Danceability • 52% Energy • 63% Liveness
10% Instrumentalness • 16% Positiveness
21% Popularity • 37% Danceability • 52% Energy • 63% Liveness
10% Instrumentalness • 16% Positiveness
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Harry Partch
Delusion of the Fury: Exordium: The Begi...
99 bpm • A min • 10:45 • -16db
12% Popularity • 39% Danceability • 49% Energy • 38% Liveness
34% Instrumentalness • 7% Positiveness
12% Popularity • 39% Danceability • 49% Energy • 38% Liveness
34% Instrumentalness • 7% Positiveness
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Philip Glass Ensemble
Knee 5
99 bpm • G Maj • 08:04 • -25db
39% Popularity • 35% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 3% Positiveness
39% Popularity • 35% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 3% Positiveness
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George Crumb
Black Angels: II. Absence
115 bpm • G min • 05:25 • -23.13db
9% Popularity • 29% Danceability • 5% Energy • 8% Liveness
34% Instrumentalness • 4% Positiveness
9% Popularity • 29% Danceability • 5% Energy • 8% Liveness
34% Instrumentalness • 4% Positiveness
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Steve Reich
Section IIIA
108 bpm • A Maj • 03:46 • -15.01db
19% Popularity • 57% Danceability • 58% Energy • 17% Liveness
87% Instrumentalness • 66% Positiveness
19% Popularity • 57% Danceability • 58% Energy • 17% Liveness
87% Instrumentalness • 66% Positiveness
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John Adams
Hallelujah Junction
115 bpm • D# Maj • 02:09 • -20.78db
28% Popularity • 37% Danceability • 30% Energy • 18% Liveness
93% Instrumentalness • 50% Positiveness
28% Popularity • 37% Danceability • 30% Energy • 18% Liveness
93% Instrumentalness • 50% Positiveness
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Nils Frahm
Unter - Machinefabriek Remix
115 bpm • F min • 02:21 • -29.47db
17% Popularity • 38% Danceability • 27% Energy • 12% Liveness
78% Instrumentalness • 39% Positiveness
17% Popularity • 38% Danceability • 27% Energy • 12% Liveness
78% Instrumentalness • 39% Positiveness
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Fennesz
Rivers of Sand
115 bpm • D Maj • 04:42 • -14.34db
28% Popularity • 19% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
28% Popularity • 19% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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John Cage
Music for Marcel Duchamp (1947) - Instru...
99 bpm • A# Maj • 06:34 • -28.81db
9% Popularity • 57% Danceability • 3% Energy • 13% Liveness
96% Instrumentalness • 4% Positiveness
9% Popularity • 57% Danceability • 3% Energy • 13% Liveness
96% Instrumentalness • 4% Positiveness
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Giacinto Scelsi
Ohoi
116 bpm • A# Maj • 08:33 • -21.71db
8% Popularity • 17% Danceability • 13% Energy • 15% Liveness
95% Instrumentalness • 2% Positiveness
8% Popularity • 17% Danceability • 13% Energy • 15% Liveness
95% Instrumentalness • 2% Positiveness
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Steve Reich
Section II
108 bpm • A Maj • 04:03 • -14.27db
21% Popularity • 42% Danceability • 56% Energy • 20% Liveness
91% Instrumentalness • 73% Positiveness
21% Popularity • 42% Danceability • 56% Energy • 20% Liveness
91% Instrumentalness • 73% Positiveness
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Carolina Eyck
Oakunar Lynntuja (Strange Birds)
99 bpm • D Maj • 03:36 • -15.83db
12% Popularity • 32% Danceability • 37% Energy • 35% Liveness
4% Instrumentalness • 53% Positiveness
12% Popularity • 32% Danceability • 37% Energy • 35% Liveness
4% Instrumentalness • 53% Positiveness
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Popol Vuh
Aguirre II
99 bpm • D# Maj • 06:15 • -16.02db
20% Popularity • 27% Danceability • 16% Energy • 10% Liveness
19% Instrumentalness • 4% Positiveness
20% Popularity • 27% Danceability • 16% Energy • 10% Liveness
19% Instrumentalness • 4% Positiveness
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Edgard Varèse
Ionisation
116 bpm • A Maj • 05:21 • -18.74db
16% Popularity • 44% Danceability • 60% Energy • 12% Liveness
58% Instrumentalness • 4% Positiveness
16% Popularity • 44% Danceability • 60% Energy • 12% Liveness
58% Instrumentalness • 4% Positiveness
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Ernst Reijseger
Longing for a Frozen Sky
117 bpm • C min • 02:08 • -18.47db
29% Popularity • 55% Danceability • 24% Energy • 60% Liveness
61% Instrumentalness • 18% Positiveness
29% Popularity • 55% Danceability • 24% Energy • 60% Liveness
61% Instrumentalness • 18% Positiveness
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William Basinski
dlp 2.1
117 bpm • F min • 10:50 • -24.31db
28% Popularity • 22% Danceability • 27% Energy • 7% Liveness
84% Instrumentalness • 17% Positiveness
28% Popularity • 22% Danceability • 27% Energy • 7% Liveness
84% Instrumentalness • 17% Positiveness
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Steve Reich
Music for 18 Musicians
108 bpm • F# min • 01:09 • -8.96db
15% Popularity • 56% Danceability • 71% Energy • 67% Liveness
87% Instrumentalness • 32% Positiveness
15% Popularity • 56% Danceability • 71% Energy • 67% Liveness
87% Instrumentalness • 32% Positiveness
► Preview
Kaija Saariaho
7 Papillons: No. 2. —
117 bpm • D Maj • 01:30 • -25db
30% Popularity • 36% Danceability • 8% Energy • 5% Liveness
88% Instrumentalness • 24% Positiveness
30% Popularity • 36% Danceability • 8% Energy • 5% Liveness
88% Instrumentalness • 24% Positiveness
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Pauline Oliveros
Trio For Trumpet, Accordion, and String ...
98 bpm • D Maj • 01:06 • -13.52db
21% Popularity • 19% Danceability • 24% Energy • 15% Liveness
86% Instrumentalness • 3% Positiveness
21% Popularity • 19% Danceability • 24% Energy • 15% Liveness
86% Instrumentalness • 3% Positiveness
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Jonny Greenwood
Iiko Dakara Damattete
97 bpm • C min • 02:22 • -21.75db
21% Popularity • 58% Danceability • 1% Energy • 10% Liveness
78% Instrumentalness • 8% Positiveness
21% Popularity • 58% Danceability • 1% Energy • 10% Liveness
78% Instrumentalness • 8% Positiveness
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Cluster
Es war einmal
117 bpm • G Maj • 05:25 • -20.07db
21% Popularity • 64% Danceability • 16% Energy • 10% Liveness
98% Instrumentalness • 31% Positiveness
21% Popularity • 64% Danceability • 16% Energy • 10% Liveness
98% Instrumentalness • 31% Positiveness
► Preview
Laraaji
The Dance No. 1
118 bpm • F# min • 09:15 • -10db
33% Popularity • 35% Danceability • 87% Energy • 9% Liveness
94% Instrumentalness • 27% Positiveness
33% Popularity • 35% Danceability • 87% Energy • 9% Liveness
94% Instrumentalness • 27% Positiveness
► Preview
Steve Reich
Music for 18 Musicians: Section IX
109 bpm • C# min • 05:23 • -14.53db
13% Popularity • 55% Danceability • 65% Energy • 21% Liveness
92% Instrumentalness • 76% Positiveness
13% Popularity • 55% Danceability • 65% Energy • 21% Liveness
92% Instrumentalness • 76% Positiveness
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Robert Fripp
Evening Star
97 bpm • D Maj • 07:50 • -16.48db
33% Popularity • 27% Danceability • 13% Energy • 7% Liveness
7% Instrumentalness • 4% Positiveness
33% Popularity • 27% Danceability • 13% Energy • 7% Liveness
7% Instrumentalness • 4% Positiveness
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La Monte Young
Sarabande (Arr. J. Schneider for Guitar ...
97 bpm • G Maj • 01:37 • -25.94db
13% Popularity • 66% Danceability • 0% Energy • 10% Liveness
96% Instrumentalness • 9% Positiveness
13% Popularity • 66% Danceability • 0% Energy • 10% Liveness
96% Instrumentalness • 9% Positiveness
► Preview
Meredith Monk
Winter Variation
96 bpm • A min • 01:51 • -32db
36% Popularity • 14% Danceability • 1% Energy • 6% Liveness
62% Instrumentalness • 16% Positiveness
36% Popularity • 14% Danceability • 1% Energy • 6% Liveness
62% Instrumentalness • 16% Positiveness
► Preview
John Cage
Sonata and Interludes for Prepared Piano...
119 bpm • E min • 01:28 • -31db
35% Popularity • 37% Danceability • 12% Energy • 9% Liveness
93% Instrumentalness • 54% Positiveness
35% Popularity • 37% Danceability • 12% Energy • 9% Liveness
93% Instrumentalness • 54% Positiveness
► Preview
Terry Riley
The Heaven Ladder, Book 7: Simone's Lull...
96 bpm • B min • 05:43 • -39.06db
29% Popularity • 37% Danceability • 0% Energy • 7% Liveness
55% Instrumentalness • 13% Positiveness
29% Popularity • 37% Danceability • 0% Energy • 7% Liveness
55% Instrumentalness • 13% Positiveness
► Preview
Steve Reich
Music for 18 Musicians: Section IV
105 bpm • A Maj • 06:36 • -23db
15% Popularity • 49% Danceability • 32% Energy • 27% Liveness
99% Instrumentalness • 40% Positiveness
15% Popularity • 49% Danceability • 32% Energy • 27% Liveness
99% Instrumentalness • 40% Positiveness
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Jóhann Jóhannsson
Part 1/ IBM 1401 Processing Unit
96 bpm • G Maj • 08:32 • -18db
15% Popularity • 12% Danceability • 22% Energy • 9% Liveness
84% Instrumentalness • 4% Positiveness
15% Popularity • 12% Danceability • 22% Energy • 9% Liveness
84% Instrumentalness • 4% Positiveness
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Toru Takemitsu
Piano Pieces for Children: No. 2. Clouds
96 bpm • A Maj • 01:39 • -33db
37% Popularity • 43% Danceability • 1% Energy • 11% Liveness
79% Instrumentalness • 28% Positiveness
37% Popularity • 43% Danceability • 1% Energy • 11% Liveness
79% Instrumentalness • 28% Positiveness
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Brian Eno
Becalmed - 2004 Remaster
119 bpm • F# min • 03:56 • -26.3db
35% Popularity • 18% Danceability • 4% Energy • 34% Liveness
89% Instrumentalness • 5% Positiveness
35% Popularity • 18% Danceability • 4% Energy • 34% Liveness
89% Instrumentalness • 5% Positiveness
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Julius Eastman
Femenine: No. 9, Can Melt
120 bpm • D# Maj • 06:56 • -12.31db
10% Popularity • 33% Danceability • 41% Energy • 20% Liveness
88% Instrumentalness • 14% Positiveness
10% Popularity • 33% Danceability • 41% Energy • 20% Liveness
88% Instrumentalness • 14% Positiveness
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Moondog
To A Sea Horse
120 bpm • D Maj • 01:43 • -23db
36% Popularity • 61% Danceability • 10% Energy • 12% Liveness
90% Instrumentalness • 47% Positiveness
36% Popularity • 61% Danceability • 10% Energy • 12% Liveness
90% Instrumentalness • 47% Positiveness
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Steve Reich
Music for 18 Musicians (modular version)...
110 bpm • A Maj • 04:26 • -14.65db
14% Popularity • 65% Danceability • 52% Energy • 13% Liveness
80% Instrumentalness • 68% Positiveness
14% Popularity • 65% Danceability • 52% Energy • 13% Liveness
80% Instrumentalness • 68% Positiveness
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Marcos Balter
Bladed Stance
120 bpm • B min • 05:47 • -21db
13% Popularity • 50% Danceability • 16% Energy • 19% Liveness
84% Instrumentalness • 14% Positiveness
13% Popularity • 50% Danceability • 16% Energy • 19% Liveness
84% Instrumentalness • 14% Positiveness
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David Skidmore
Aliens with Extraordinary Abilities: Agr...
120 bpm • G# Maj • 04:27 • -13.33db
8% Popularity • 64% Danceability • 71% Energy • 11% Liveness
86% Instrumentalness • 22% Positiveness
8% Popularity • 64% Danceability • 71% Energy • 11% Liveness
86% Instrumentalness • 22% Positiveness
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Aphex Twin
Jynweythek
120 bpm • D# min • 02:23 • -20db
48% Popularity • 72% Danceability • 25% Energy • 10% Liveness
89% Instrumentalness • 12% Positiveness
48% Popularity • 72% Danceability • 25% Energy • 10% Liveness
89% Instrumentalness • 12% Positiveness
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George Crumb
Black Angels: I. Departure
120 bpm • A# min • 05:37 • -17.43db
14% Popularity • 41% Danceability • 22% Energy • 26% Liveness
7% Instrumentalness • 16% Positiveness
14% Popularity • 41% Danceability • 22% Energy • 26% Liveness
7% Instrumentalness • 16% Positiveness
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Sō Percussion
Water
95 bpm • C# min • 07:00 • -8.98db
7% Popularity • 60% Danceability • 46% Energy • 13% Liveness
21% Instrumentalness • 32% Positiveness
7% Popularity • 60% Danceability • 46% Energy • 13% Liveness
21% Instrumentalness • 32% Positiveness
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Steve Reich
Music for 18 Musicians (1976): Pulses 1
110 bpm • A Maj • 04:36 • -22.93db
23% Popularity • 55% Danceability • 36% Energy • 9% Liveness
95% Instrumentalness • 43% Positiveness
23% Popularity • 55% Danceability • 36% Energy • 9% Liveness
95% Instrumentalness • 43% Positiveness
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Karlheinz Stockhausen
Klavierstück V, Work No. 4: Klavierstuc...
95 bpm • C# Maj • 05:11 • -20db
4% Popularity • 51% Danceability • 1% Energy • 10% Liveness
44% Instrumentalness • 22% Positiveness
4% Popularity • 51% Danceability • 1% Energy • 10% Liveness
44% Instrumentalness • 22% Positiveness
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Penguin Cafe Orchestra
Zopf: Coronation - 2008 Digital Remaster
95 bpm • G Maj • 01:32 • -17.96db
22% Popularity • 18% Danceability • 12% Energy • 33% Liveness
13% Instrumentalness • 7% Positiveness
22% Popularity • 18% Danceability • 12% Energy • 33% Liveness
13% Instrumentalness • 7% Positiveness
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Prefab Sprout
Esprit de Corps
121 bpm • C min • 04:51 • -9.9db
18% Popularity • 57% Danceability • 56% Energy • 13% Liveness
88% Instrumentalness • 52% Positiveness
18% Popularity • 57% Danceability • 56% Energy • 13% Liveness
88% Instrumentalness • 52% Positiveness
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Brian Eno
2/1 - Remastered 2004
95 bpm • G# Maj • 08:54 • -24db
45% Popularity • 12% Danceability • 8% Energy • 5% Liveness
97% Instrumentalness • 3% Positiveness
45% Popularity • 12% Danceability • 8% Energy • 5% Liveness
97% Instrumentalness • 3% Positiveness
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Colin Stetson
Clothed in the skin of the dead
95 bpm • B Maj • 03:40 • -14.17db
20% Popularity • 40% Danceability • 33% Energy • 27% Liveness
81% Instrumentalness • 34% Positiveness
20% Popularity • 40% Danceability • 33% Energy • 27% Liveness
81% Instrumentalness • 34% Positiveness
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Steve Reich
Music for 18 Musicians: Section V
104 bpm • C# min • 06:48 • -16.44db
14% Popularity • 51% Danceability • 58% Energy • 20% Liveness
93% Instrumentalness • 93% Positiveness
14% Popularity • 51% Danceability • 58% Energy • 20% Liveness
93% Instrumentalness • 93% Positiveness
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Bernard Parmegiani
L'espace-temps
94 bpm • C# Maj • 04:21 • -12db
12% Popularity • 30% Danceability • 51% Energy • 14% Liveness
96% Instrumentalness • 12% Positiveness
12% Popularity • 30% Danceability • 51% Energy • 14% Liveness
96% Instrumentalness • 12% Positiveness
