Songs like Music For Prague 1968: Introduction And Fanfare by Karel Husa
Based on a tempo of (+/- 10%) and a similar genre
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Erich Kunzel
Dorinda Solo Flight
69 bpm • D# Maj • 03:43 • -24.57db
1% Popularity • 11% Danceability • 4% Energy • 12% Liveness
75% Instrumentalness • 5% Positiveness
1% Popularity • 11% Danceability • 4% Energy • 12% Liveness
75% Instrumentalness • 5% Positiveness
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César Guerra-Peixe
Symphonic Suite No. 2 "Pernambucana": IV...
69 bpm • F# Maj • 03:01 • -16db
10% Popularity • 37% Danceability • 41% Energy • 12% Liveness
33% Instrumentalness • 38% Positiveness
10% Popularity • 37% Danceability • 41% Energy • 12% Liveness
33% Instrumentalness • 38% Positiveness
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Paule Maurice
Tableaux de Provence: V. Lou Cabridan
69 bpm • G Maj • 03:44 • -22.74db
7% Popularity • 36% Danceability • 16% Energy • 22% Liveness
81% Instrumentalness • 20% Positiveness
7% Popularity • 36% Danceability • 16% Energy • 22% Liveness
81% Instrumentalness • 20% Positiveness
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Igor Stravinsky
Stravinsky: Petrouchka, Tableau I "La fo...
69 bpm • C min • 01:45 • -34.73db
16% Popularity • 15% Danceability • 2% Energy • 43% Liveness
0% Instrumentalness • 7% Positiveness
16% Popularity • 15% Danceability • 2% Energy • 43% Liveness
0% Instrumentalness • 7% Positiveness
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Karel Husa
Music For Prague 1968: Introduction And ...
69 bpm • G Maj • 06:53 • -22.98db
1% Popularity • 16% Danceability • 5% Energy • 10% Liveness
13% Instrumentalness • 4% Positiveness
1% Popularity • 16% Danceability • 5% Energy • 10% Liveness
13% Instrumentalness • 4% Positiveness
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Heitor Villa-Lobos
Fantasia for Cello & Orchestra, W454: I....
69 bpm • A# min • 08:09 • -25.75db
9% Popularity • 9% Danceability • 7% Energy • 10% Liveness
93% Instrumentalness • 6% Positiveness
9% Popularity • 9% Danceability • 7% Energy • 10% Liveness
93% Instrumentalness • 6% Positiveness
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Olivier Messiaen
Messiaen: Éclairs sur l'au-delà...: II...
69 bpm • G Maj • 05:52 • -26.17db
13% Popularity • 20% Danceability • 9% Energy • 9% Liveness
61% Instrumentalness • 3% Positiveness
13% Popularity • 20% Danceability • 9% Energy • 9% Liveness
61% Instrumentalness • 3% Positiveness
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David Maslanka
Give Us This Day: I. Moderately slow
69 bpm • A# Maj • 07:26 • -23db
11% Popularity • 15% Danceability • 6% Energy • 6% Liveness
62% Instrumentalness • 4% Positiveness
11% Popularity • 15% Danceability • 6% Energy • 6% Liveness
62% Instrumentalness • 4% Positiveness
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Ron Nelson
Sonoran Desert Holiday
69 bpm • D Maj • 09:39 • -20db
11% Popularity • 12% Danceability • 8% Energy • 7% Liveness
27% Instrumentalness • 4% Positiveness
11% Popularity • 12% Danceability • 8% Energy • 7% Liveness
27% Instrumentalness • 4% Positiveness
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Modest Mussorgsky
Pictures at an Exhibition (Orch. Ravel):...
69 bpm • F# min • 04:21 • -34.81db
14% Popularity • 6% Danceability • 0% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
14% Popularity • 6% Danceability • 0% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
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Karel Husa
Symphony No. 2: No. 1, Moderato
69 bpm • C Maj • 07:18 • -22.35db
0% Popularity • 10% Danceability • 11% Energy • 15% Liveness
86% Instrumentalness • 3% Positiveness
0% Popularity • 10% Danceability • 11% Energy • 15% Liveness
86% Instrumentalness • 3% Positiveness
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Juan J. Colomer
Symphonic Genesis: I. The Germ
68 bpm • G min • 04:52 • -12.76db
9% Popularity • 12% Danceability • 31% Energy • 4% Liveness
88% Instrumentalness • 8% Positiveness
9% Popularity • 12% Danceability • 31% Energy • 4% Liveness
88% Instrumentalness • 8% Positiveness
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John Mackey
Redline Tango
68 bpm • C Maj • 08:32 • -14.2db
13% Popularity • 19% Danceability • 39% Energy • 8% Liveness
70% Instrumentalness • 7% Positiveness
13% Popularity • 19% Danceability • 39% Energy • 8% Liveness
70% Instrumentalness • 7% Positiveness
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Eugène Bozza
Ballade Op.62
70 bpm • F Maj • 07:54 • -24.25db
11% Popularity • 37% Danceability • 2% Energy • 11% Liveness
91% Instrumentalness • 7% Positiveness
11% Popularity • 37% Danceability • 2% Energy • 11% Liveness
91% Instrumentalness • 7% Positiveness
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Maya Badian
Concerto for Marimba and Vibraphone, "Mi...
68 bpm • F min • 03:47 • -30db
10% Popularity • 30% Danceability • 2% Energy • 12% Liveness
32% Instrumentalness • 4% Positiveness
10% Popularity • 30% Danceability • 2% Energy • 12% Liveness
32% Instrumentalness • 4% Positiveness
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Modest Mussorgsky
Pictures at an Exhibition (Orch. Ravel):...
70 bpm • F# min • 02:06 • -21.65db
13% Popularity • 32% Danceability • 10% Energy • 15% Liveness
85% Instrumentalness • 4% Positiveness
13% Popularity • 32% Danceability • 10% Energy • 15% Liveness
85% Instrumentalness • 4% Positiveness
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Karel Husa
Divertimento for Brass & Percussion: III...
68 bpm • D min • 02:35 • -42.29db
0% Popularity • 14% Danceability • 0% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
0% Popularity • 14% Danceability • 0% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
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Vincent Persichetti
Serenade No. 12, Op. 88: III. Mascherata
71 bpm • A Maj • 01:17 • -33.24db
8% Popularity • 42% Danceability • 0% Energy • 11% Liveness
96% Instrumentalness • 44% Positiveness
8% Popularity • 42% Danceability • 0% Energy • 11% Liveness
96% Instrumentalness • 44% Positiveness
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John Krance
Carmina Burana Suite, "Cantiones profana...
71 bpm • C Maj • 00:55 • -12.43db
20% Popularity • 29% Danceability • 26% Energy • 21% Liveness
78% Instrumentalness • 56% Positiveness
20% Popularity • 29% Danceability • 26% Energy • 21% Liveness
78% Instrumentalness • 56% Positiveness
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Edward Gregson
Tuba Concerto: II. Lento e mesto
67 bpm • D# min • 05:59 • -22db
11% Popularity • 6% Danceability • 2% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
11% Popularity • 6% Danceability • 2% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Andrew Skaggs
Over the Whale's Acre
71 bpm • G Maj • 03:37 • -16.57db
14% Popularity • 33% Danceability • 18% Energy • 36% Liveness
93% Instrumentalness • 4% Positiveness
14% Popularity • 33% Danceability • 18% Energy • 36% Liveness
93% Instrumentalness • 4% Positiveness
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Jan van der Roost
Canterbury Chorale
67 bpm • C# Maj • 06:10 • -27.24db
9% Popularity • 16% Danceability • 2% Energy • 70% Liveness
89% Instrumentalness • 4% Positiveness
9% Popularity • 16% Danceability • 2% Energy • 70% Liveness
89% Instrumentalness • 4% Positiveness
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Igor Stravinsky
Petrushka, K012 (1947 Version), Pt. 4, "...
67 bpm • C Maj • 01:26 • -23.84db
7% Popularity • 31% Danceability • 3% Energy • 37% Liveness
92% Instrumentalness • 4% Positiveness
7% Popularity • 31% Danceability • 3% Energy • 37% Liveness
92% Instrumentalness • 4% Positiveness
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Karel Husa
Apotheosis of this Earth: I. Apotheosis
71 bpm • A Maj • 11:40 • -22.21db
1% Popularity • 11% Danceability • 9% Energy • 32% Liveness
77% Instrumentalness • 3% Positiveness
1% Popularity • 11% Danceability • 9% Energy • 32% Liveness
77% Instrumentalness • 3% Positiveness
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Ralph Vaughan Williams
English Folk Song Suite: II. Intermezzo ...
71 bpm • C min • 03:52 • -25.3db
25% Popularity • 7% Danceability • 6% Energy • 9% Liveness
87% Instrumentalness • 10% Positiveness
25% Popularity • 7% Danceability • 6% Energy • 9% Liveness
87% Instrumentalness • 10% Positiveness
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Vladimir Cosma
Euphonium Concerto: II. Andantino
67 bpm • G# Maj • 07:17 • -29.79db
8% Popularity • 6% Danceability • 2% Energy • 12% Liveness
93% Instrumentalness • 8% Positiveness
8% Popularity • 6% Danceability • 2% Energy • 12% Liveness
93% Instrumentalness • 8% Positiveness
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Frank Bridge
The Sea: No. 2 Sea-foam
71 bpm • D# Maj • 02:34 • -29.08db
13% Popularity • 30% Danceability • 8% Energy • 11% Liveness
92% Instrumentalness • 14% Positiveness
13% Popularity • 30% Danceability • 8% Energy • 11% Liveness
92% Instrumentalness • 14% Positiveness
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Steven Bryant
Dusk
72 bpm • D# Maj • 04:20 • -19.74db
23% Popularity • 6% Danceability • 2% Energy • 8% Liveness
37% Instrumentalness • 3% Positiveness
23% Popularity • 6% Danceability • 2% Energy • 8% Liveness
37% Instrumentalness • 3% Positiveness
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Igor Stravinsky
Stravinsky: The Rite of Spring, Pt. 1 "A...
67 bpm • A# min • 04:06 • -23.66db
11% Popularity • 21% Danceability • 2% Energy • 11% Liveness
86% Instrumentalness • 6% Positiveness
11% Popularity • 21% Danceability • 2% Energy • 11% Liveness
86% Instrumentalness • 6% Positiveness
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Darius Milhaud
Suite française: II. Bretagne
72 bpm • D Maj • 04:34 • -30.62db
9% Popularity • 6% Danceability • 1% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
9% Popularity • 6% Danceability • 1% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Ralph Vaughan Williams
Dona Nobis Pacem: Dirge for 2 Veterans
71 bpm • A min • 10:06 • -22db
15% Popularity • 7% Danceability • 6% Energy • 6% Liveness
97% Instrumentalness • 5% Positiveness
15% Popularity • 7% Danceability • 6% Energy • 6% Liveness
97% Instrumentalness • 5% Positiveness
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Malcolm Arnold
4 Scottish Dances, Op. 59: No. 2, Vivace
72 bpm • A# Maj • 02:23 • -29db
16% Popularity • 29% Danceability • 4% Energy • 12% Liveness
95% Instrumentalness • 24% Positiveness
16% Popularity • 29% Danceability • 4% Energy • 12% Liveness
95% Instrumentalness • 24% Positiveness
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Launy Grøndahl
Concerto pour trombone et orchestre: II....
66 bpm • A# min • 05:31 • -24.62db
2% Popularity • 9% Danceability • 0% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
2% Popularity • 9% Danceability • 0% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
► Preview
Edward Gregson
Tuba Concerto: III. Allegro giocoso
66 bpm • G min • 06:26 • -20.33db
12% Popularity • 28% Danceability • 18% Energy • 7% Liveness
92% Instrumentalness • 4% Positiveness
12% Popularity • 28% Danceability • 18% Energy • 7% Liveness
92% Instrumentalness • 4% Positiveness
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Karel Husa
Intradas and Interludes: Interlude II
66 bpm • A# Maj • 04:12 • -27.71db
0% Popularity • 15% Danceability • 2% Energy • 7% Liveness
74% Instrumentalness • 3% Positiveness
0% Popularity • 15% Danceability • 2% Energy • 7% Liveness
74% Instrumentalness • 3% Positiveness
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Air Combat Command Heritage Of America Band
II. Song (Divertimento for Band)
73 bpm • A min • 02:17 • -34db
8% Popularity • 18% Danceability • 1% Energy • 8% Liveness
96% Instrumentalness • 4% Positiveness
8% Popularity • 18% Danceability • 1% Energy • 8% Liveness
96% Instrumentalness • 4% Positiveness
► Preview
Percy Grainger
Lincolnshire Posy: II. Horkstow Grange
66 bpm • C# Maj • 03:24 • -21.67db
29% Popularity • 15% Danceability • 4% Energy • 12% Liveness
94% Instrumentalness • 4% Positiveness
29% Popularity • 15% Danceability • 4% Energy • 12% Liveness
94% Instrumentalness • 4% Positiveness
► Preview
Don Haddad
Tuba Suite: II. Andante espressivo
66 bpm • A# min • 03:21 • -35.27db
12% Popularity • 16% Danceability • 0% Energy • 11% Liveness
91% Instrumentalness • 35% Positiveness
12% Popularity • 16% Danceability • 0% Energy • 11% Liveness
91% Instrumentalness • 35% Positiveness
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Christian Lindberg
Symphony No. 2: Introduction
73 bpm • G min • 01:03 • -21.96db
9% Popularity • 30% Danceability • 0% Energy • 13% Liveness
65% Instrumentalness • 8% Positiveness
9% Popularity • 30% Danceability • 0% Energy • 13% Liveness
65% Instrumentalness • 8% Positiveness
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Aaron Copland
Music for Movies: 2. Barley Wagons
73 bpm • C# Maj • 02:13 • -28.43db
7% Popularity • 9% Danceability • 3% Energy • 9% Liveness
96% Instrumentalness • 10% Positiveness
7% Popularity • 9% Danceability • 3% Energy • 9% Liveness
96% Instrumentalness • 10% Positiveness
► Preview
Richard Strauss
Eine Alpensinfonie, Op. 64: II. Sonnenau...
66 bpm • D# Maj • 01:48 • -11.55db
8% Popularity • 29% Danceability • 42% Energy • 52% Liveness
90% Instrumentalness • 32% Positiveness
8% Popularity • 29% Danceability • 42% Energy • 52% Liveness
90% Instrumentalness • 32% Positiveness
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Karel Husa
Apotheosis of this Earth: II. Tragedy of...
73 bpm • A# Maj • 08:21 • -15.16db
1% Popularity • 15% Danceability • 52% Energy • 14% Liveness
88% Instrumentalness • 10% Positiveness
1% Popularity • 15% Danceability • 52% Energy • 14% Liveness
88% Instrumentalness • 10% Positiveness
► Preview
Johannes Brahms
Symphony No. 3 in F Major, Op. 90: II. A...
73 bpm • C Maj • 01:59 • -26.68db
13% Popularity • 17% Danceability • 1% Energy • 33% Liveness
92% Instrumentalness • 7% Positiveness
13% Popularity • 17% Danceability • 1% Energy • 33% Liveness
92% Instrumentalness • 7% Positiveness
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RTE Concert Orchestra
Coastal Command Suite: The Hebrides
65 bpm • D min • 01:41 • -37.62db
13% Popularity • 19% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
13% Popularity • 19% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
► Preview
Columbus State University Wind Ensemble
John Mackey: Fanfare for Full Fathom Fiv...
73 bpm • D# Maj • 03:08 • -19.61db
12% Popularity • 9% Danceability • 41% Energy • 13% Liveness
91% Instrumentalness • 7% Positiveness
12% Popularity • 9% Danceability • 41% Energy • 13% Liveness
91% Instrumentalness • 7% Positiveness
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Aaron Copland
Music for a Great City: IV. Toward the B...
73 bpm • F# min • 06:47 • -12.73db
0% Popularity • 14% Danceability • 27% Energy • 12% Liveness
60% Instrumentalness • 4% Positiveness
0% Popularity • 14% Danceability • 27% Energy • 12% Liveness
60% Instrumentalness • 4% Positiveness
► Preview
William Schuman
Chester Overture
73 bpm • F min • 06:28 • -17.86db
13% Popularity • 22% Danceability • 17% Energy • 7% Liveness
92% Instrumentalness • 11% Positiveness
13% Popularity • 22% Danceability • 17% Energy • 7% Liveness
92% Instrumentalness • 11% Positiveness
► Preview
Karel Husa
Three Frescoes: No. 2, Aria. Moderato - ...
73 bpm • D Maj • 06:48 • -20.85db
0% Popularity • 7% Danceability • 11% Energy • 13% Liveness
84% Instrumentalness • 4% Positiveness
0% Popularity • 7% Danceability • 11% Energy • 13% Liveness
84% Instrumentalness • 4% Positiveness
► Preview
Henri Dutilleux
Dutilleux: The Shadows of Time: I. Les h...
74 bpm • C# min • 03:13 • -21.18db
4% Popularity • 17% Danceability • 15% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
4% Popularity • 17% Danceability • 15% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
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Gustav Holst
Second Suite for Military Band, Op. 28 N...
65 bpm • C min • 02:32 • -36db
13% Popularity • 14% Danceability • 0% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
13% Popularity • 14% Danceability • 0% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
► Preview
Václav Nelhýbel
Trittico: I. Allegro maestoso
74 bpm • G min • 02:51 • -16.72db
14% Popularity • 40% Danceability • 25% Energy • 8% Liveness
82% Instrumentalness • 18% Positiveness
14% Popularity • 40% Danceability • 25% Energy • 8% Liveness
82% Instrumentalness • 18% Positiveness
► Preview
Launy Grøndahl
Trombone Concerto: I. Moderato assai ma ...
65 bpm • C# Maj • 04:32 • -16.64db
15% Popularity • 19% Danceability • 14% Energy • 10% Liveness
94% Instrumentalness • 11% Positiveness
15% Popularity • 19% Danceability • 14% Energy • 10% Liveness
94% Instrumentalness • 11% Positiveness
► Preview
Kent Kennan
Sonata for trumpet and piano
65 bpm • G Maj • 04:22 • -28.95db
9% Popularity • 18% Danceability • 1% Energy • 8% Liveness
54% Instrumentalness • 5% Positiveness
9% Popularity • 18% Danceability • 1% Energy • 8% Liveness
54% Instrumentalness • 5% Positiveness
► Preview
Sir Adrian Boult
First Movement Molto Moderato
74 bpm • D Maj • 09:41 • -19.09db
11% Popularity • 7% Danceability • 18% Energy • 10% Liveness
83% Instrumentalness • 4% Positiveness
11% Popularity • 7% Danceability • 18% Energy • 10% Liveness
83% Instrumentalness • 4% Positiveness
► Preview
Ottorino Respighi
Fountains of Rome, P. 106: III. The Trev...
74 bpm • F# min • 03:39 • -14.71db
7% Popularity • 7% Danceability • 28% Energy • 29% Liveness
96% Instrumentalness • 3% Positiveness
7% Popularity • 7% Danceability • 28% Energy • 29% Liveness
96% Instrumentalness • 3% Positiveness
► Preview
Alexandra Pakhmutova
Concerto for Trumpet and Symphonic Orche...
64 bpm • A# min • 06:15 • -17.04db
7% Popularity • 26% Danceability • 11% Energy • 7% Liveness
85% Instrumentalness • 4% Positiveness
7% Popularity • 26% Danceability • 11% Energy • 7% Liveness
85% Instrumentalness • 4% Positiveness
► Preview
Karel Husa
Symphony No. 2: No. 3, Slow
74 bpm • A Maj • 06:30 • -21.9db
0% Popularity • 7% Danceability • 13% Energy • 9% Liveness
91% Instrumentalness • 3% Positiveness
0% Popularity • 7% Danceability • 13% Energy • 9% Liveness
91% Instrumentalness • 3% Positiveness
► Preview
Václav Nelhýbel
Trittico: II. Adagio
74 bpm • F Maj • 05:23 • -21db
10% Popularity • 21% Danceability • 8% Energy • 13% Liveness
68% Instrumentalness • 5% Positiveness
10% Popularity • 21% Danceability • 8% Energy • 13% Liveness
68% Instrumentalness • 5% Positiveness
► Preview
John Mackey
Soprano Saxophone Concerto: IV. Wood
64 bpm • F min • 04:01 • -21db
10% Popularity • 26% Danceability • 5% Energy • 10% Liveness
88% Instrumentalness • 12% Positiveness
10% Popularity • 26% Danceability • 5% Energy • 10% Liveness
88% Instrumentalness • 12% Positiveness
► Preview
Paul Hindemith
Die Harmonie der Welt Symphony: II. Musi...
74 bpm • C# Maj • 09:47 • -30.41db
21% Popularity • 7% Danceability • 3% Energy • 11% Liveness
76% Instrumentalness • 3% Positiveness
21% Popularity • 7% Danceability • 3% Energy • 11% Liveness
76% Instrumentalness • 3% Positiveness
► Preview
Northwestern University Symphonic Wind Ensemble
O Magnum Mysterium
64 bpm • D# Maj • 06:00 • -27.25db
26% Popularity • 16% Danceability • 0% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
26% Popularity • 16% Danceability • 0% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
► Preview
Arthur Benjamin
2 Jamaican Pieces: Jamaican Song
75 bpm • D# Maj • 02:21 • -34.39db
9% Popularity • 20% Danceability • 1% Energy • 16% Liveness
83% Instrumentalness • 7% Positiveness
9% Popularity • 20% Danceability • 1% Energy • 16% Liveness
83% Instrumentalness • 7% Positiveness
► Preview
Alexander Scriabin
Symphony No. 3, Op. 43: Introduction
64 bpm • A# min • 01:02 • -19db
15% Popularity • 24% Danceability • 4% Energy • 10% Liveness
90% Instrumentalness • 3% Positiveness
15% Popularity • 24% Danceability • 4% Energy • 10% Liveness
90% Instrumentalness • 3% Positiveness
► Preview
Jean Sibelius
Karelia Suite, Op. 11: II. Ballade. Temp...
64 bpm • A min • 08:10 • -31.46db
14% Popularity • 6% Danceability • 3% Energy • 8% Liveness
85% Instrumentalness • 4% Positiveness
14% Popularity • 6% Danceability • 3% Energy • 8% Liveness
85% Instrumentalness • 4% Positiveness
► Preview
Karel Husa
Music For Prague 1968: I. Introduction a...
75 bpm • C min • 05:56 • -15.95db
0% Popularity • 22% Danceability • 28% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
0% Popularity • 22% Danceability • 28% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
► Preview
Yasuhide Ito
Gloriosa: I. Oratio
75 bpm • A min • 07:33 • -22db
9% Popularity • 23% Danceability • 12% Energy • 12% Liveness
57% Instrumentalness • 6% Positiveness
9% Popularity • 23% Danceability • 12% Energy • 12% Liveness
57% Instrumentalness • 6% Positiveness
► Preview
Donald Grantham
Southern Harmony: II. Wondrous Love
63 bpm • F min • 04:07 • -22.64db
15% Popularity • 18% Danceability • 3% Energy • 10% Liveness
87% Instrumentalness • 5% Positiveness
15% Popularity • 18% Danceability • 3% Energy • 10% Liveness
87% Instrumentalness • 5% Positiveness
► Preview
Swen Fettermann
Tunnel Collapse
75 bpm • F Maj • 01:32 • -17.35db
7% Popularity • 44% Danceability • 8% Energy • 12% Liveness
79% Instrumentalness • 4% Positiveness
7% Popularity • 44% Danceability • 8% Energy • 12% Liveness
79% Instrumentalness • 4% Positiveness
► Preview
Igor Stravinsky
Stravinsky: Petrouchka, Tableau IV "La f...
75 bpm • C Maj • 01:12 • -25.8db
13% Popularity • 15% Danceability • 3% Energy • 18% Liveness
82% Instrumentalness • 5% Positiveness
13% Popularity • 15% Danceability • 3% Energy • 18% Liveness
82% Instrumentalness • 5% Positiveness
► Preview
Ralph Vaughan Williams
Tuba Concerto in F Minor: III. Finale: R...
75 bpm • F min • 03:13 • -17db
12% Popularity • 31% Danceability • 33% Energy • 10% Liveness
92% Instrumentalness • 15% Positiveness
12% Popularity • 31% Danceability • 33% Energy • 10% Liveness
92% Instrumentalness • 15% Positiveness
► Preview
Karel Husa
Intradas and Interludes: Interlude I
75 bpm • D Maj • 04:07 • -29.85db
0% Popularity • 13% Danceability • 1% Energy • 12% Liveness
69% Instrumentalness • 4% Positiveness
0% Popularity • 13% Danceability • 1% Energy • 12% Liveness
69% Instrumentalness • 4% Positiveness
► Preview
Gustav Mahler
Symphony No. 8 in E Flat Major "Symphony...
75 bpm • C# Maj • 01:23 • -29.62db
11% Popularity • 24% Danceability • 7% Energy • 24% Liveness
94% Instrumentalness • 4% Positiveness
11% Popularity • 24% Danceability • 7% Energy • 24% Liveness
94% Instrumentalness • 4% Positiveness
► Preview
John Krance
Carmina Burana Suite, "Cantiones profana...
75 bpm • F Maj • 02:53 • -17db
8% Popularity • 38% Danceability • 12% Energy • 10% Liveness
84% Instrumentalness • 14% Positiveness
8% Popularity • 38% Danceability • 12% Energy • 10% Liveness
84% Instrumentalness • 14% Positiveness
► Preview
Oscar Navarro
El Olimpo de los Dioses: III. Hades
76 bpm • C min • 05:17 • -17.54db
10% Popularity • 27% Danceability • 15% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
10% Popularity • 27% Danceability • 15% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
► Preview
Ingolf Dahl
Concerto for Alto Saxophone and Wind Orc...
63 bpm • F Maj • 05:06 • -18.69db
7% Popularity • 28% Danceability • 17% Energy • 15% Liveness
76% Instrumentalness • 12% Positiveness
7% Popularity • 28% Danceability • 17% Energy • 15% Liveness
76% Instrumentalness • 12% Positiveness
► Preview
Vagn Holmboe
Trombone Concerto No. 12, Op. 52: Allegr...
76 bpm • E min • 05:29 • -23.38db
8% Popularity • 20% Danceability • 5% Energy • 8% Liveness
73% Instrumentalness • 10% Positiveness
8% Popularity • 20% Danceability • 5% Energy • 8% Liveness
73% Instrumentalness • 10% Positiveness
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Karel Husa
Five Poems: Birds Flying High Above
75 bpm • G Maj • 03:37 • -23.54db
0% Popularity • 7% Danceability • 1% Energy • 5% Liveness
97% Instrumentalness • 4% Positiveness
0% Popularity • 7% Danceability • 1% Energy • 5% Liveness
97% Instrumentalness • 4% Positiveness
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Øystein Baadsvik
Bass Tuba Concerto in F Minor: III. Fina...
76 bpm • C# Maj • 03:11 • -20.71db
5% Popularity • 21% Danceability • 21% Energy • 14% Liveness
86% Instrumentalness • 15% Positiveness
5% Popularity • 21% Danceability • 21% Energy • 14% Liveness
86% Instrumentalness • 15% Positiveness
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Leonard Bernstein
Candide: IV. Glitter and Be Gay
76 bpm • G# Maj • 03:05 • -18db
17% Popularity • 25% Danceability • 12% Energy • 13% Liveness
82% Instrumentalness • 17% Positiveness
17% Popularity • 25% Danceability • 12% Energy • 13% Liveness
82% Instrumentalness • 17% Positiveness
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Rolf Wallin
Whirld: III. Citrinitas
76 bpm • G Maj • 05:34 • -30.18db
7% Popularity • 16% Danceability • 3% Energy • 63% Liveness
4% Instrumentalness • 4% Positiveness
7% Popularity • 16% Danceability • 3% Energy • 63% Liveness
4% Instrumentalness • 4% Positiveness
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Jacques Ibert
Concertino da camera: II. Larghetto, poi...
76 bpm • C Maj • 08:03 • -29db
11% Popularity • 15% Danceability • 6% Energy • 15% Liveness
83% Instrumentalness • 5% Positiveness
11% Popularity • 15% Danceability • 6% Energy • 15% Liveness
83% Instrumentalness • 5% Positiveness
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Steven Bryant
In This Broad Earth
76 bpm • G# Maj • 03:57 • -18db
9% Popularity • 35% Danceability • 20% Energy • 9% Liveness
96% Instrumentalness • 14% Positiveness
9% Popularity • 35% Danceability • 20% Energy • 9% Liveness
96% Instrumentalness • 14% Positiveness
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Karel Husa
Music for Prague 1968: No. 2, Aria
63 bpm • C Maj • 05:43 • -20.57db
0% Popularity • 7% Danceability • 10% Energy • 16% Liveness
90% Instrumentalness • 3% Positiveness
0% Popularity • 7% Danceability • 10% Energy • 16% Liveness
90% Instrumentalness • 3% Positiveness
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Magne Amdahl
Astrognosia: Interludium I
77 bpm • G# Maj • 01:04 • -36.79db
11% Popularity • 10% Danceability • 1% Energy • 12% Liveness
69% Instrumentalness • 7% Positiveness
11% Popularity • 10% Danceability • 1% Energy • 12% Liveness
69% Instrumentalness • 7% Positiveness
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Dmitri Shostakovich
Folk Dances
77 bpm • G Maj • 04:20 • -7db
10% Popularity • 42% Danceability • 80% Energy • 3% Liveness
94% Instrumentalness • 43% Positiveness
10% Popularity • 42% Danceability • 80% Energy • 3% Liveness
94% Instrumentalness • 43% Positiveness
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Alfred Reed
Armenian Dances: Part II: III. Lorva Hor...
77 bpm • A# min • 09:10 • -22db
9% Popularity • 13% Danceability • 20% Energy • 5% Liveness
23% Instrumentalness • 5% Positiveness
9% Popularity • 13% Danceability • 20% Energy • 5% Liveness
23% Instrumentalness • 5% Positiveness
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John Mackey
Wine-Dark Sea (Symphony for Band): II. I...
77 bpm • A# min • 11:45 • -30db
20% Popularity • 7% Danceability • 0% Energy • 10% Liveness
84% Instrumentalness • 3% Positiveness
20% Popularity • 7% Danceability • 0% Energy • 10% Liveness
84% Instrumentalness • 3% Positiveness
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Paul Hindemith
Symphonic Metamorphoses on Themes of Car...
77 bpm • A# Maj • 04:41 • -18.94db
17% Popularity • 34% Danceability • 26% Energy • 24% Liveness
85% Instrumentalness • 25% Positiveness
17% Popularity • 34% Danceability • 26% Energy • 24% Liveness
85% Instrumentalness • 25% Positiveness
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Karel Husa
Apotheosis of this Earth: III. Postscipt
76 bpm • A# Maj • 05:37 • -33.97db
0% Popularity • 7% Danceability • 1% Energy • 14% Liveness
75% Instrumentalness • 3% Positiveness
0% Popularity • 7% Danceability • 1% Energy • 14% Liveness
75% Instrumentalness • 3% Positiveness
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Johan de Meij
The Wind in the Willows: III. Mister Toa...
77 bpm • F Maj • 03:46 • -22db
8% Popularity • 19% Danceability • 6% Energy • 8% Liveness
41% Instrumentalness • 4% Positiveness
8% Popularity • 19% Danceability • 6% Energy • 8% Liveness
41% Instrumentalness • 4% Positiveness
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Malcolm Arnold
4 Scottish Dances, Op. 59: No. 1, Pesant...
78 bpm • A min • 02:29 • -15.56db
15% Popularity • 32% Danceability • 27% Energy • 13% Liveness
91% Instrumentalness • 50% Positiveness
15% Popularity • 32% Danceability • 27% Energy • 13% Liveness
91% Instrumentalness • 50% Positiveness
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Tokyo Kosei Wind Orchestra
Fantasy Variations on a Theme by Niccolo...
77 bpm • G min • 00:56 • -16.74db
7% Popularity • 26% Danceability • 8% Energy • 43% Liveness
93% Instrumentalness • 19% Positiveness
7% Popularity • 26% Danceability • 8% Energy • 43% Liveness
93% Instrumentalness • 19% Positiveness
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Yasuhide Ito
Gloriosa: III. Dies Festus
78 bpm • F Maj • 06:23 • -17db
10% Popularity • 22% Danceability • 22% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
10% Popularity • 22% Danceability • 22% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
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Stephen Melillo
Godspeed!
78 bpm • D# Maj • 06:02 • -20.09db
14% Popularity • 10% Danceability • 14% Energy • 33% Liveness
64% Instrumentalness • 4% Positiveness
14% Popularity • 10% Danceability • 14% Energy • 33% Liveness
64% Instrumentalness • 4% Positiveness
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Karel Husa
Five Poems: Interlude...With a Dead Bird
63 bpm • C Maj • 04:39 • -24.69db
0% Popularity • 13% Danceability • 0% Energy • 8% Liveness
69% Instrumentalness • 5% Positiveness
0% Popularity • 13% Danceability • 0% Energy • 8% Liveness
69% Instrumentalness • 5% Positiveness
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Ferdinand David
Trombone Concertino in E-flat Major, Op....
61 bpm • C Maj • 01:13 • -19.68db
11% Popularity • 19% Danceability • 4% Energy • 10% Liveness
71% Instrumentalness • 4% Positiveness
11% Popularity • 19% Danceability • 4% Energy • 10% Liveness
71% Instrumentalness • 4% Positiveness
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Andre Caplet
Children's Corner (arr. A. Caplet for or...
78 bpm • D Maj • 02:59 • -34db
21% Popularity • 22% Danceability • 2% Energy • 13% Liveness
57% Instrumentalness • 4% Positiveness
21% Popularity • 22% Danceability • 2% Energy • 13% Liveness
57% Instrumentalness • 4% Positiveness
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Leonard Bernstein
Symphony No. 1 "Jeremiah": I. Prophecy
78 bpm • E Maj • 07:38 • -19db
4% Popularity • 18% Danceability • 12% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
4% Popularity • 18% Danceability • 12% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
