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Music for the Funeral of a Queen Mary
Songs like
Music for the Funeral of a Queen Mary
by
Steven Stucky
Based on a tempo of (+/- 10%) and a similar genre
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Steven Stucky
Music for the Funeral of a Queen Mary
139 bpm • C min • 08:27 • -19.69db
0% Popularity • 20% Danceability • 5% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
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James MacMillan
Seven Last Words from the Cross: II. Wom...
139 bpm • B min • 05:11 • -15.11db
7% Popularity • 19% Danceability • 39% Energy • 11% Liveness
7% Instrumentalness • 4% Positiveness
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Arnold Rosner
Variations on a Theme by Frank Martin, O...
138 bpm • A min • 02:16 • -23.84db
14% Popularity • 19% Danceability • 4% Energy • 17% Liveness
79% Instrumentalness • 4% Positiveness
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Francis Poulenc
Trois mouvements perpétuels, FP 14b: I....
138 bpm • A# Maj • 01:29 • -25.68db
20% Popularity • 41% Danceability • 2% Energy • 10% Liveness
89% Instrumentalness • 40% Positiveness
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Christian Lindberg
Frustration
138 bpm • G min • 01:48 • -28.75db
16% Popularity • 15% Danceability • 8% Energy • 34% Liveness
95% Instrumentalness • 3% Positiveness
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Karsten Masch
Opus No. 5 Karsten Masch - Tubae Spei - ...
140 bpm • C# min • 03:12 • -16.48db
30% Popularity • 37% Danceability • 24% Energy • 12% Liveness
85% Instrumentalness • 14% Positiveness
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Steven Stucky
Serenade for Wind Quintet: Calmo, conten...
139 bpm • G Maj • 04:32 • -28.94db
0% Popularity • 19% Danceability • 0% Energy • 7% Liveness
70% Instrumentalness • 3% Positiveness
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Alberto Ginastera
Estancia, Op. 8: Scene 5, El Amanecer - ...
140 bpm • A# Maj • 01:14 • -23.23db
11% Popularity • 20% Danceability • 6% Energy • 11% Liveness
66% Instrumentalness • 8% Positiveness
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Benjamin Britten
Six Metamorphoses after Ovid for Solo Ob...
138 bpm • E min • 02:31 • -30.02db
7% Popularity • 30% Danceability • 1% Energy • 5% Liveness
82% Instrumentalness • 20% Positiveness
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Charles Koechlin
Pelleas et Melisande, Op. 80 (arr. C. Ko...
137 bpm • A min • 00:59 • -38.07db
33% Popularity • 18% Danceability • 1% Energy • 9% Liveness
1% Instrumentalness • 17% Positiveness
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Charlotte Seither
Gran passo (2006) for Piano: Gran passo ...
137 bpm • C Maj • 10:21 • -34.63db
7% Popularity • 30% Danceability • 1% Energy • 9% Liveness
57% Instrumentalness • 4% Positiveness
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Christian Lindberg
Burning Chaos
137 bpm • F# Maj • 02:22 • -16.87db
16% Popularity • 35% Danceability • 63% Energy • 62% Liveness
81% Instrumentalness • 36% Positiveness
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Steven Stucky
Concerto for Orchestra No. 2: III. Final...
138 bpm • F# Maj • 06:59 • -18.85db
0% Popularity • 24% Danceability • 27% Energy • 25% Liveness
90% Instrumentalness • 4% Positiveness
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Robert Parsons
A Songe Called Trumpetts
142 bpm • F# Maj • 01:39 • -39.92db
10% Popularity • 39% Danceability • 1% Energy • 12% Liveness
92% Instrumentalness • 69% Positiveness
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Igor Stravinsky
Petrushka, K12 (1947 Version): IVd. The ...
136 bpm • C Maj • 01:12 • -20.35db
14% Popularity • 41% Danceability • 27% Energy • 30% Liveness
94% Instrumentalness • 35% Positiveness
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Sergei Prokofiev
Prokofiev: Violin Concerto No. 1 in D Ma...
137 bpm • A min • 03:57 • -26.75db
17% Popularity • 52% Danceability • 19% Energy • 6% Liveness
32% Instrumentalness • 47% Positiveness
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Arnold Rosner
Variations on a Theme by Frank Martin, O...
136 bpm • A Maj • 01:57 • -32.98db
14% Popularity • 15% Danceability • 2% Energy • 15% Liveness
90% Instrumentalness • 3% Positiveness
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Jórunn Viðar
Ólafur Liljurós: [Crotchet = c. 96]
136 bpm • C Maj • 01:19 • -24.57db
8% Popularity • 18% Danceability • 3% Energy • 11% Liveness
80% Instrumentalness • 4% Positiveness
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Benjamin Britten
Sinfonia da Requiem, Op. 20: III. Requie...
136 bpm • G Maj • 06:06 • -28.19db
38% Popularity • 15% Danceability • 4% Energy • 12% Liveness
89% Instrumentalness • 4% Positiveness
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Claude Debussy
Préludes, Book 1, L. 117: No. 11, La da...
143 bpm • F min • 03:04 • -27.62db
10% Popularity • 29% Danceability • 1% Energy • 13% Liveness
86% Instrumentalness • 4% Positiveness
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Imogen Holst
Fall of the Leaf: II. Vivace
142 bpm • F Maj • 01:38 • -29.19db
18% Popularity • 47% Danceability • 14% Energy • 11% Liveness
90% Instrumentalness • 27% Positiveness
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Steven Stucky
Threnos
135 bpm • C Maj • 08:26 • -27.89db
0% Popularity • 16% Danceability • 5% Energy • 13% Liveness
91% Instrumentalness • 3% Positiveness
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Mieczysław Weinberg
Piano Trio in A Minor, Op. 24: I. Prelud...
135 bpm • D Maj • 05:07 • -21.24db
7% Popularity • 29% Danceability • 6% Energy • 10% Liveness
13% Instrumentalness • 9% Positiveness
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Milo Paulus
Proving the Existence of Folkloric Creat...
135 bpm • A min • 03:17 • -21.72db
10% Popularity • 38% Danceability • 13% Energy • 9% Liveness
45% Instrumentalness • 10% Positiveness
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Per Egland
Un Diablo Dormido: II Paladomp
143 bpm • A Maj • 04:56 • -18.47db
1% Popularity • 18% Danceability • 14% Energy • 12% Liveness
82% Instrumentalness • 4% Positiveness
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Jean Sibelius
Lemminkäinen, Op. 22: IV. Lemminkäinen...
144 bpm • C min • 06:36 • -24.5db
10% Popularity • 29% Danceability • 20% Energy • 7% Liveness
86% Instrumentalness • 12% Positiveness
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Rolf Wallin
Whirld: IV. Rubedo
135 bpm • G Maj • 05:57 • -26.01db
14% Popularity • 33% Danceability • 16% Energy • 46% Liveness
21% Instrumentalness • 10% Positiveness
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Steven Stucky
3 New Motets "in memoriam Thomas Tallis"...
135 bpm • A min • 02:52 • -25.24db
1% Popularity • 18% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 3% Positiveness
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Igor Stravinsky
Petrushka, K12 (1947 Version): IVh. Deat...
134 bpm • G Maj • 00:56 • -41db
13% Popularity • 16% Danceability • 1% Energy • 45% Liveness
0% Instrumentalness • 3% Positiveness
► Preview
Mieczysław Weinberg
Trumpet Concerto in B-Flat Major, Op. 94...
144 bpm • F Maj • 01:01 • -14.16db
18% Popularity • 54% Danceability • 35% Energy • 46% Liveness
90% Instrumentalness • 62% Positiveness
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VMF!
Gå och lägg dig klockan är mycket
134 bpm • C# min • 01:08 • -54.82db
10% Popularity • 18% Danceability • 0% Energy • 9% Liveness
82% Instrumentalness • 4% Positiveness
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Béla Bartók
Violin Rhapsody No. 1, Sz. 87 (Version f...
134 bpm • G Maj • 10:06 • -11.2db
21% Popularity • 44% Danceability • 30% Energy • 8% Liveness
3% Instrumentalness • 26% Positiveness
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Aigars Raumanis
The Closed Courtyard
144 bpm • C min • 09:18 • -21.57db
12% Popularity • 44% Danceability • 14% Energy • 14% Liveness
60% Instrumentalness • 7% Positiveness
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Steven Stucky
August 4, 1964: Historians (Johnson, Cho...
143 bpm • A Maj • 06:59 • -31.5db
0% Popularity • 23% Danceability • 2% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Sergei Prokofiev
Prokofiev: Violin Concerto No. 1 in D Ma...
134 bpm • G Maj • 10:09 • -30.33db
13% Popularity • 32% Danceability • 7% Energy • 6% Liveness
8% Instrumentalness • 7% Positiveness
► Preview
Radoslaw Pallarz
Ephesiaka V (Live)
133 bpm • E Maj • 02:13 • -28.7db
7% Popularity • 27% Danceability • 0% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
► Preview
Taipei New Dynasty Philharmonic & Chorus
Transcendental Symphony Part IV. Finale ...
133 bpm • G# Maj • 08:56 • -20.78db
7% Popularity • 20% Danceability • 22% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
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Pierre Max Dubois
Sonatine Tango for Bassoon and Piano: I....
133 bpm • A min • 01:08 • -22.11db
8% Popularity • 50% Danceability • 10% Energy • 14% Liveness
84% Instrumentalness • 45% Positiveness
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Christian Lindberg
Final Ride
133 bpm • A# Maj • 01:47 • -17.08db
15% Popularity • 32% Danceability • 82% Energy • 66% Liveness
82% Instrumentalness • 7% Positiveness
► Preview
Steven Stucky
Silent Spring: II. The Lost Woods
135 bpm • B min • 05:23 • -22.24db
0% Popularity • 15% Danceability • 5% Energy • 16% Liveness
86% Instrumentalness • 3% Positiveness
► Preview
Heitor Villa-Lobos
Fantasia for Cello & Orchestra, W454: II...
133 bpm • D# Maj • 07:00 • -26.09db
9% Popularity • 26% Danceability • 10% Energy • 12% Liveness
85% Instrumentalness • 23% Positiveness
► Preview
Olivier Messiaen
Messiaen: Éclairs sur l'au-delà ...: V....
146 bpm • A# Maj • 10:10 • -38.01db
14% Popularity • 13% Danceability • 1% Energy • 8% Liveness
10% Instrumentalness • 2% Positiveness
► Preview
Darius Milhaud
Scaramouche, Op. 165d: I. Vif
132 bpm • C Maj • 02:59 • -17.21db
10% Popularity • 46% Danceability • 25% Energy • 18% Liveness
70% Instrumentalness • 36% Positiveness
► Preview
Soeui Lee
Three Bagatelles: No. 2, Divertimenti in...
132 bpm • A# min • 03:57 • -18.35db
19% Popularity • 27% Danceability • 8% Energy • 13% Liveness
91% Instrumentalness • 10% Positiveness
► Preview
Christian Lindberg
Devils Train
133 bpm • F# Maj • 01:26 • -19.15db
18% Popularity • 41% Danceability • 48% Energy • 40% Liveness
92% Instrumentalness • 46% Positiveness
► Preview
Steven Stucky
Serenade for Wind Quintet: Giocoso
145 bpm • C min • 02:49 • -23.15db
0% Popularity • 57% Danceability • 1% Energy • 23% Liveness
71% Instrumentalness • 9% Positiveness
► Preview
Peter Eötvös
DoReMi, Violin Concerto No. 2: I. First ...
132 bpm • D Maj • 07:19 • -18db
8% Popularity • 37% Danceability • 22% Energy • 36% Liveness
14% Instrumentalness • 9% Positiveness
► Preview
Arnold Rosner
Concerto Grosso No. 2, Op. 74: III. Alle...
132 bpm • F Maj • 08:07 • -21.65db
8% Popularity • 21% Danceability • 8% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
► Preview
Radoslaw Pallarz
Ephesiaka: Ephesiaka
131 bpm • E min • 01:56 • -32.91db
8% Popularity • 27% Danceability • 0% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
► Preview
Andrzej Korzyński
Zaklęcie doktora Paj-Chi-Wo • The Spe...
131 bpm • E min • 03:12 • -21.86db
7% Popularity • 35% Danceability • 26% Energy • 83% Liveness
3% Instrumentalness • 27% Positiveness
► Preview
György Ligeti
String Quartet No. 1 "Métamorphoses noc...
132 bpm • G Maj • 02:11 • -23.08db
11% Popularity • 58% Danceability • 22% Energy • 48% Liveness
48% Instrumentalness • 70% Positiveness
► Preview
Steven Stucky
Three New Motets: II. O sacrum convivium
133 bpm • C# Maj • 03:03 • -24.44db
0% Popularity • 22% Danceability • 8% Energy • 17% Liveness
0% Instrumentalness • 3% Positiveness
► Preview
Igor Stravinsky
Petrushka, K12 (1947 Version): Ia. The S...
131 bpm • A# Maj • 07:36 • -18.03db
18% Popularity • 40% Danceability • 25% Energy • 20% Liveness
65% Instrumentalness • 5% Positiveness
► Preview
Olivier Messiaen
Turangalîla-Symphony: I. Introduction. ...
148 bpm • A# min • 06:08 • -19.2db
17% Popularity • 26% Danceability • 42% Energy • 38% Liveness
65% Instrumentalness • 8% Positiveness
► Preview
Ottorino Respighi
Trittico botticelliano, P. 151: I. La pr...
130 bpm • A Maj • 06:05 • -21.8db
9% Popularity • 38% Danceability • 6% Energy • 13% Liveness
94% Instrumentalness • 15% Positiveness
► Preview
Elizabeth Alexander
My Aunt Gives Me a Clarinet Lesson
130 bpm • C Maj • 10:58 • -25.49db
9% Popularity • 36% Danceability • 4% Energy • 21% Liveness
23% Instrumentalness • 4% Positiveness
► Preview
George Crumb
Sea Theme Vox Balaenae
130 bpm • C# Maj • 01:23 • -39db
17% Popularity • 18% Danceability • 1% Energy • 23% Liveness
90% Instrumentalness • 6% Positiveness
► Preview
Steven Stucky
Drop, Drop, Slow Tears
132 bpm • F Maj • 04:36 • -32.58db
0% Popularity • 16% Danceability • 1% Energy • 9% Liveness
36% Instrumentalness • 3% Positiveness
► Preview
LeoRoads
Harmony of Angels
130 bpm • E min • 02:19 • -16.85db
9% Popularity • 48% Danceability • 18% Energy • 14% Liveness
95% Instrumentalness • 4% Positiveness
► Preview
Upside Down Upright Bass
Bending the bars
130 bpm • A min • 01:18 • -33.61db
22% Popularity • 30% Danceability • 3% Energy • 5% Liveness
94% Instrumentalness • 16% Positiveness
► Preview
Jean-Jacques Charles
Les points cardinaux: II.
130 bpm • A min • 01:11 • -18.23db
13% Popularity • 41% Danceability • 13% Energy • 11% Liveness
86% Instrumentalness • 11% Positiveness
► Preview
Alexandre Tansman
Sonatine pour basson et piano: III. Sche...
149 bpm • A min • 02:27 • -23.33db
12% Popularity • 47% Danceability • 25% Energy • 9% Liveness
93% Instrumentalness • 58% Positiveness
► Preview
Henryk Górecki
Symphony No. 3 "Symphony of Sorrowful So...
149 bpm • A# min • 03:32 • -19.61db
13% Popularity • 14% Danceability • 6% Energy • 13% Liveness
94% Instrumentalness • 3% Positiveness
► Preview
Steven Stucky
August 4, 1964: Had We Known (Johnson)
148 bpm • C Maj • 02:33 • -31.68db
0% Popularity • 23% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Ferruccio Busoni
Concerto in D Major, Op. 35a: III. Alleg...
149 bpm • G Maj • 06:49 • -24.5db
15% Popularity • 37% Danceability • 14% Energy • 10% Liveness
64% Instrumentalness • 29% Positiveness
► Preview
Christopher Jessup
Suite for Viola and Piano: II. Interlude
129 bpm • F Maj • 01:02 • -29db
8% Popularity • 22% Danceability • 1% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
► Preview
Sanseti Sabaru
Mystic Raga Serenity
149 bpm • G min • 02:22 • -34.22db
11% Popularity • 13% Danceability • 2% Energy • 5% Liveness
94% Instrumentalness • 5% Positiveness
► Preview
Jean Sibelius
Symphony No. 5 in E-flat major, Op. 82: ...
129 bpm • G Maj • 09:26 • -26.97db
14% Popularity • 22% Danceability • 3% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
► Preview
Erwin Schulhoff
5 Pieces for String Quartet: No. 2, Alla...
129 bpm • C Maj • 03:02 • -25.02db
17% Popularity • 45% Danceability • 9% Energy • 8% Liveness
41% Instrumentalness • 10% Positiveness
► Preview
Steven Stucky
Concerto for Orchestra No. 2: III. Final...
131 bpm • A min • 07:38 • -22.22db
0% Popularity • 23% Danceability • 19% Energy • 16% Liveness
65% Instrumentalness • 4% Positiveness
► Preview
David Lang
Are You Experienced?: VI. On Hearing the...
129 bpm • C# min • 04:02 • -22.48db
0% Popularity • 29% Danceability • 1% Energy • 10% Liveness
5% Instrumentalness • 4% Positiveness
► Preview
Aaron Copland
Statements for Orchestra: III. Dogmatic
129 bpm • D# Maj • 01:50 • -13.47db
7% Popularity • 41% Danceability • 18% Energy • 23% Liveness
77% Instrumentalness • 12% Positiveness
► Preview
Igor Stravinsky
Requiem canticles: I. Praeludium
129 bpm • C# Maj • 01:10 • -26.79db
19% Popularity • 64% Danceability • 10% Energy • 11% Liveness
58% Instrumentalness • 20% Positiveness
► Preview
Colin Brumby
Danza
129 bpm • F Maj • 01:56 • -20.93db
11% Popularity • 28% Danceability • 4% Energy • 27% Liveness
74% Instrumentalness • 26% Positiveness
► Preview
Sanseti Sabaru
Samsara
128 bpm • C min • 02:12 • -32.51db
9% Popularity • 18% Danceability • 2% Energy • 11% Liveness
69% Instrumentalness • 9% Positiveness
► Preview
Steven Stucky
Whispers
130 bpm • G min • 07:20 • -30.72db
0% Popularity • 16% Danceability • 3% Energy • 11% Liveness
47% Instrumentalness • 2% Positiveness
► Preview
David Lang
Are You Experienced?: II. Dance
129 bpm • A Maj • 06:37 • -13.58db
0% Popularity • 45% Danceability • 28% Energy • 9% Liveness
62% Instrumentalness • 19% Positiveness
► Preview
Christian Lindberg
Tromsö 2018 I
128 bpm • C Maj • 01:11 • -11db
14% Popularity • 54% Danceability • 41% Energy • 61% Liveness
80% Instrumentalness • 52% Positiveness
► Preview
Samuel Pellman
Crane Songs: No. 2. —
151 bpm • F Maj • 01:16 • -31.07db
0% Popularity • 39% Danceability • 3% Energy • 64% Liveness
0% Instrumentalness • 8% Positiveness
► Preview
Juan Pablo Fernández Ramos
Las tres culturas: 3. Los pasos de Jehov...
127 bpm • D min • 04:08 • -33.21db
13% Popularity • 21% Danceability • 1% Energy • 8% Liveness
58% Instrumentalness • 7% Positiveness
► Preview
Agneta Krilova
The Rose Petal Waltz
126 bpm • C# Maj • 04:00 • -21.86db
17% Popularity • 30% Danceability • 11% Energy • 8% Liveness
91% Instrumentalness • 5% Positiveness
► Preview
Steven Stucky
Concerto for Orchestra No. 2: I. Overtur...
129 bpm • F Maj • 04:49 • -20.65db
0% Popularity • 27% Danceability • 23% Energy • 61% Liveness
89% Instrumentalness • 8% Positiveness
► Preview
David Lang
Are You Experienced?: V. Drop
129 bpm • C# min • 06:09 • -17.46db
0% Popularity • 21% Danceability • 4% Energy • 7% Liveness
96% Instrumentalness • 4% Positiveness
► Preview
Johannes Brahms
Six Canonic Studies, Op. 56: No. 1, Con ...
126 bpm • C Maj • 03:04 • -32.3db
17% Popularity • 17% Danceability • 1% Energy • 9% Liveness
74% Instrumentalness • 7% Positiveness
► Preview
Oliver Knussen
The Sword in the Stone Suite (Arr. O. Kn...
126 bpm • F min • 01:10 • -20.99db
17% Popularity • 68% Danceability • 25% Energy • 24% Liveness
96% Instrumentalness • 12% Positiveness
► Preview
Paolo Spoladore
Shir
126 bpm • G# Maj • 01:08 • -18db
19% Popularity • 17% Danceability • 8% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
► Preview
Dmitri Shostakovich
Cello Concerto No. 1 in E-Flat Major, Op...
125 bpm • F min • 06:09 • -17.56db
7% Popularity • 52% Danceability • 30% Energy • 9% Liveness
86% Instrumentalness • 39% Positiveness
► Preview
Steven Stucky
Etudes: No. 3. Arpeggios
126 bpm • C min • 04:11 • -24.51db
0% Popularity • 42% Danceability • 18% Energy • 60% Liveness
54% Instrumentalness • 34% Positiveness
► Preview
Gerard Pastor
Femina Feminae VI. L'ecole Buissonière
125 bpm • D Maj • 01:44 • -27.59db
9% Popularity • 50% Danceability • 1% Energy • 10% Liveness
90% Instrumentalness • 28% Positiveness
► Preview
Maurice Ravel
Sonata For Violin and Violoncello: Alleg...
125 bpm • A min • 04:51 • -24.19db
8% Popularity • 27% Danceability • 5% Energy • 22% Liveness
26% Instrumentalness • 44% Positiveness
► Preview
Christian Lindberg
Tromsö 2018 IV
124 bpm • C# Maj • 01:01 • -8db
18% Popularity • 59% Danceability • 51% Energy • 39% Liveness
96% Instrumentalness • 45% Positiveness
► Preview
Mieczysław Weinberg
The Passenger, Op. 97: Vorspiel
125 bpm • F# min • 02:46 • -23.06db
12% Popularity • 38% Danceability • 18% Energy • 11% Liveness
88% Instrumentalness • 22% Positiveness
► Preview
Rolf Wallin
Whirld: II. Albedo
124 bpm • C Maj • 03:44 • -20.76db
8% Popularity • 35% Danceability • 28% Energy • 13% Liveness
87% Instrumentalness • 20% Positiveness
► Preview
Steven Stucky
Dust Devil
126 bpm • F Maj • 02:53 • -24.87db
0% Popularity • 34% Danceability • 5% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
► Preview
Erik Satie
Mercure: VII. Bain des Grâces
124 bpm • G# Maj • 01:13 • -52.51db
4% Popularity • 17% Danceability • 0% Energy • 10% Liveness
90% Instrumentalness • 43% Positiveness
► Preview
George Lloyd
A Symphonic Mass for Chorus & Orchestra:...
123 bpm • D# min • 07:52 • -20.39db
11% Popularity • 19% Danceability • 19% Energy • 13% Liveness
83% Instrumentalness • 5% Positiveness
► Preview
Alberto Ginastera
String Quartet No. 1, Op. 20: I. Allegro...
157 bpm • G Maj • 04:32 • -18.36db
9% Popularity • 44% Danceability • 33% Energy • 18% Liveness
73% Instrumentalness • 63% Positiveness
► Preview
Witold Lutosławski
Jeux vénitiens, Pt. 1
123 bpm • F# min • 02:24 • -23db
10% Popularity • 38% Danceability • 9% Energy • 34% Liveness
9% Instrumentalness • 15% Positiveness
► Preview
Claude Debussy
6 Épigraphes antiques, L. 131: VI. Pour...
123 bpm • G# Maj • 02:13 • -26.72db
8% Popularity • 20% Danceability • 6% Energy • 21% Liveness
88% Instrumentalness • 4% Positiveness
► Preview
Steven Stucky
August 4, 1964: Oval Office III (McNamar...
124 bpm • D Maj • 05:25 • -23.54db
0% Popularity • 42% Danceability • 19% Energy • 17% Liveness
0% Instrumentalness • 10% Positiveness
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Music for the Funeral of a Queen Mary