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Music Of The Night
Songs like
Music Of The Night
by
Michael Ball
Based on a tempo of (+/- 10%) and a similar genre
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Matthew Morrison
What You Mean To Me - Original Broadway ...
72 bpm • G# Maj • 03:34 • -10.23db
36% Popularity • 41% Danceability • 29% Energy • 15% Liveness
0% Instrumentalness • 31% Positiveness
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Tracy Shayne
Every Day (Marius and Cosette)
72 bpm • C Maj • 02:14 • -15.48db
14% Popularity • 34% Danceability • 20% Energy • 21% Liveness
0% Instrumentalness • 15% Positiveness
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Alfie Boe
The Impossible Dream
72 bpm • A# Maj • 02:53 • -11.27db
23% Popularity • 39% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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"Les Misérables Original London Cast" Ensemble
Wedding Chorale / Beggars At the Feast
73 bpm • E min • 02:16 • -8.18db
30% Popularity • 43% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
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Michael Ball
Music Of The Night
72 bpm • D Maj • 04:57 • -12.8db
27% Popularity • 17% Danceability • 30% Energy • 19% Liveness
1% Instrumentalness • 14% Positiveness
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Julia Deakin
Where Is Love?
71 bpm • C Maj • 03:35 • -23.78db
28% Popularity • 13% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 6% Positiveness
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The Celtic Tenors
Forever Young
71 bpm • D Maj • 04:07 • -6.41db
30% Popularity • 33% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Heather Headley
Can You Feel The Love Tonight
71 bpm • F# Maj • 04:59 • -13db
41% Popularity • 19% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
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Barbara Dickson
I Don't Know How to Love Him
71 bpm • F# Maj • 03:57 • -18.01db
14% Popularity • 33% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Judy Kuhn
Rue Plumet / In My Life - Live
73 bpm • C# Maj • 03:22 • -20.23db
34% Popularity • 31% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Rhydian
Per Sempre
71 bpm • C Maj • 03:52 • -3.73db
18% Popularity • 23% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Antonio Banderas
Goodnight and Thank You
74 bpm • F Maj • 04:18 • -9.63db
32% Popularity • 39% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
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Luke Brady
No Place Like London
74 bpm • C# min • 05:35 • -12.75db
15% Popularity • 33% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Alfie Boe
In My Daughter's Eyes
74 bpm • C Maj • 03:22 • -13.29db
16% Popularity • 17% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Killian Donnelly
Memphis Lives in Me
70 bpm • A Maj • 03:58 • -8.21db
17% Popularity • 58% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 17% Positiveness
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Beau Dermott
Someone Like You
70 bpm • F Maj • 04:02 • -9.3db
22% Popularity • 32% Danceability • 15% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
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Original London Cast
Bring On Tomorrow
74 bpm • F Maj • 04:44 • -13db
23% Popularity • 25% Danceability • 36% Energy • 49% Liveness
0% Instrumentalness • 32% Positiveness
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Russell Crowe
Stars
70 bpm • C# Maj • 02:45 • -15.86db
45% Popularity • 26% Danceability • 12% Energy • 47% Liveness
0% Instrumentalness • 23% Positiveness
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Michael Ball
Sunrise, Sunset
69 bpm • F min • 04:54 • -13.63db
15% Popularity • 17% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Matt Lucas
Ich Bin Kunst
75 bpm • F# Maj • 03:50 • -8.41db
8% Popularity • 20% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 15% Positiveness
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Sherie Rene Scott
I Know The Truth
75 bpm • G Maj • 03:36 • -12.42db
30% Popularity • 33% Danceability • 16% Energy • 34% Liveness
0% Instrumentalness • 11% Positiveness
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Original Cast of Billy Elliot
The Letter - Reprise
75 bpm • A min • 02:52 • -14db
26% Popularity • 44% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Emma
Once Upon a Dream
75 bpm • B Maj • 02:49 • -17db
29% Popularity • 27% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
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Military Wives
Eternal Father
75 bpm • F# Maj • 03:24 • -15.24db
26% Popularity • 14% Danceability • 21% Energy • 14% Liveness
57% Instrumentalness • 6% Positiveness
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Janis Kelly
Can't Help Lovin' Dat Man
76 bpm • D# Maj • 05:08 • -11db
8% Popularity • 28% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
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David Burt
Red & Black
76 bpm • B Maj • 04:29 • -9.56db
36% Popularity • 43% Danceability • 34% Energy • 22% Liveness
0% Instrumentalness • 24% Positiveness
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Miss Saigon Original Cast
Why God Why? - Live
76 bpm • A min • 04:14 • -12db
38% Popularity • 32% Danceability • 45% Energy • 91% Liveness
0% Instrumentalness • 17% Positiveness
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Original Cast of Billy Elliot
He Could Be A Star
76 bpm • C min • 04:50 • -12db
27% Popularity • 37% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Steven Pasquale
One Second and a Million Miles
68 bpm • D Maj • 06:50 • -6.96db
30% Popularity • 26% Danceability • 41% Energy • 23% Liveness
0% Instrumentalness • 7% Positiveness
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Amanda Holden
Over The Rainbow
68 bpm • A# Maj • 03:09 • -10.28db
18% Popularity • 20% Danceability • 28% Energy • 19% Liveness
0% Instrumentalness • 22% Positiveness
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Michael Ball
My Way
76 bpm • D Maj • 04:42 • -10.74db
21% Popularity • 40% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Rex Harrison
I've Grown Accustomed To Her Face - Voic...
77 bpm • F Maj • 05:57 • -16db
22% Popularity • 46% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Philip Quast
Stars - Live
67 bpm • G Maj • 02:05 • -18.78db
10% Popularity • 19% Danceability • 19% Energy • 91% Liveness
0% Instrumentalness • 13% Positiveness
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Rob Houchen
Selma
77 bpm • A# Maj • 03:36 • -9.39db
7% Popularity • 31% Danceability • 31% Energy • 23% Liveness
0% Instrumentalness • 22% Positiveness
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Shirley Jones
Goodnight My Someone
77 bpm • B Maj • 02:51 • -14.31db
29% Popularity • 23% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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Amanda Holden
Somewhere
77 bpm • C# Maj • 02:51 • -4.97db
20% Popularity • 26% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 7% Positiveness
► Preview
Shirley Bassey
The Last Man in My Life
78 bpm • A# Maj • 03:38 • -19.75db
17% Popularity • 18% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Military Wives
Make You Feel My Love
77 bpm • A# Maj • 03:07 • -15db
40% Popularity • 46% Danceability • 18% Energy • 10% Liveness
6% Instrumentalness • 9% Positiveness
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Joanna Ampil
Sun And Moon
78 bpm • A Maj • 03:06 • -23db
18% Popularity • 22% Danceability • 5% Energy • 12% Liveness
1% Instrumentalness • 6% Positiveness
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Miss Saigon Original Cast
I Still Believe - Live
78 bpm • D min • 04:16 • -14.55db
36% Popularity • 27% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
► Preview
The 'Les Misérables 2010' Company
Epilogue - Live
78 bpm • D# Maj • 08:54 • -19db
29% Popularity • 19% Danceability • 16% Energy • 72% Liveness
0% Instrumentalness • 13% Positiveness
► Preview
Kelli O'Hara
So in Love
78 bpm • A Maj • 04:21 • -9.39db
24% Popularity • 14% Danceability • 27% Energy • 5% Liveness
0% Instrumentalness • 7% Positiveness
► Preview
Rebecca Caine
Love Montage: I Saw Him Once / In My Lif...
78 bpm • A# Maj • 05:17 • -11.39db
35% Popularity • 19% Danceability • 26% Energy • 35% Liveness
4% Instrumentalness • 10% Positiveness
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Gregory Bradley
Who Will Buy?
79 bpm • C min • 04:30 • -19.47db
29% Popularity • 27% Danceability • 8% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
► Preview
Les Misérables Cast
Epilogue
79 bpm • E Maj • 08:24 • -20.45db
38% Popularity • 27% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
► Preview
Renée Fleming
You'll Never Walk Alone
79 bpm • C Maj • 02:53 • -10.91db
32% Popularity • 27% Danceability • 24% Energy • 15% Liveness
28% Instrumentalness • 4% Positiveness
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Michael Ball
Queen Medley
79 bpm • F# min • 05:56 • -8.53db
17% Popularity • 17% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 15% Positiveness
► Preview
Paul Nicholas
Could We Start Again Please?
79 bpm • G# Maj • 03:48 • -10.16db
13% Popularity • 46% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 19% Positiveness
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Frances Ruffelle
A Little Fall Of Rain
79 bpm • C# Maj • 03:20 • -16.52db
34% Popularity • 36% Danceability • 12% Energy • 16% Liveness
0% Instrumentalness • 16% Positiveness
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Yvonne Elliman
Could We Start Again, Please?
79 bpm • D Maj • 02:46 • -14.41db
42% Popularity • 35% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Robbie Fairchild
Old Deuteronomy
79 bpm • C Maj • 03:08 • -14.34db
25% Popularity • 22% Danceability • 16% Energy • 7% Liveness
0% Instrumentalness • 11% Positiveness
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Frances Nero
If Ever I Would Leave You - Love Montage
66 bpm • A# Maj • 05:54 • -15db
20% Popularity • 11% Danceability • 18% Energy • 19% Liveness
0% Instrumentalness • 5% Positiveness
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Miss Saigon Original Cast
Bui Doi - Live
79 bpm • G# Maj • 03:52 • -11db
36% Popularity • 32% Danceability • 33% Energy • 78% Liveness
0% Instrumentalness • 33% Positiveness
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Gary Morris
Valjean's Soliloquy (What Have I Done?)
79 bpm • A# Maj • 03:22 • -13.55db
19% Popularity • 43% Danceability • 31% Energy • 38% Liveness
0% Instrumentalness • 21% Positiveness
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"Les Misérables Original London Cast" Ensemble
One Day More
79 bpm • A Maj • 03:36 • -7db
48% Popularity • 23% Danceability • 48% Energy • 17% Liveness
0% Instrumentalness • 26% Positiveness
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Stephanie Lawrence
Marilyn Monroe
79 bpm • D Maj • 02:43 • -18.38db
30% Popularity • 39% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Michael Ball
Stairway To Paradise
79 bpm • G# Maj • 03:24 • -9.35db
13% Popularity • 34% Danceability • 39% Energy • 31% Liveness
0% Instrumentalness • 26% Positiveness
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Gordon Macrae
The Surrey with the Fringe on Top (Excer...
79 bpm • D Maj • 04:55 • -17db
22% Popularity • 45% Danceability • 10% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
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Gareth Gates
Empty Chairs at Empty Tables - Live
79 bpm • A# min • 02:55 • -13.98db
28% Popularity • 35% Danceability • 18% Energy • 71% Liveness
0% Instrumentalness • 11% Positiveness
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Jordan Donica
On the Street Where You Live
80 bpm • C Maj • 03:53 • -8db
25% Popularity • 35% Danceability • 43% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
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Roger Allam
Javert's Suicide: Soliloquy
79 bpm • F Maj • 03:39 • -10.31db
34% Popularity • 33% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Original Cast of Billy Elliot
Electricity
80 bpm • D min • 05:53 • -10.9db
41% Popularity • 40% Danceability • 43% Energy • 34% Liveness
0% Instrumentalness • 7% Positiveness
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Michael Ball
Brothers In Arms
79 bpm • G# min • 05:07 • -11.21db
16% Popularity • 25% Danceability • 40% Energy • 9% Liveness
8% Instrumentalness • 17% Positiveness
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Ted Neeley
Hosanna
80 bpm • G Maj • 02:54 • -8.88db
43% Popularity • 31% Danceability • 48% Energy • 32% Liveness
0% Instrumentalness • 35% Positiveness
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Matthew Morrison
Neverland - Original Broadway Cast Recor...
80 bpm • F Maj • 03:01 • -9.77db
34% Popularity • 27% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Richard Harris
How to Handle a Woman - King Arthur
80 bpm • D Maj • 04:15 • -17.41db
17% Popularity • 35% Danceability • 13% Energy • 32% Liveness
0% Instrumentalness • 27% Positiveness
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Marni Nixon
Hello Young Lovers
80 bpm • C Maj • 03:28 • -17db
10% Popularity • 26% Danceability • 11% Energy • 7% Liveness
0% Instrumentalness • 12% Positiveness
► Preview
Miss Saigon Original Cast
Sun And Moon - Live
64 bpm • A Maj • 03:21 • -16db
33% Popularity • 21% Danceability • 15% Energy • 20% Liveness
0% Instrumentalness • 8% Positiveness
► Preview
Michael Ball
Tell Me It's Not True
80 bpm • G# Maj • 04:30 • -11.08db
37% Popularity • 14% Danceability • 32% Energy • 7% Liveness
5% Instrumentalness • 14% Positiveness
► Preview
Ronan Hardiman
So Far Away
64 bpm • C Maj • 04:24 • -9db
41% Popularity • 11% Danceability • 39% Energy • 11% Liveness
6% Instrumentalness • 4% Positiveness
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Matt Rawle
Martin Guerre
81 bpm • D Maj • 02:55 • -15.12db
14% Popularity • 47% Danceability • 29% Energy • 20% Liveness
0% Instrumentalness • 44% Positiveness
► Preview
The 2020 Les Misérables Staged Concert Company
Epilogue - Live
81 bpm • F Maj • 09:02 • -17.69db
27% Popularity • 24% Danceability • 10% Energy • 71% Liveness
0% Instrumentalness • 8% Positiveness
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Julia Sutton as Bird Woman
Feed The Birds - London Cast Recording
64 bpm • F# Maj • 03:39 • -17.27db
26% Popularity • 33% Danceability • 7% Energy • 23% Liveness
0% Instrumentalness • 13% Positiveness
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Debbie Byrne
I Dreamed A Dream
81 bpm • D# Maj • 04:14 • -17.73db
21% Popularity • 18% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
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Michael Ball
Wishing You Were Somehow Here Again
80 bpm • G min • 03:52 • -11.74db
22% Popularity • 23% Danceability • 23% Energy • 34% Liveness
0% Instrumentalness • 13% Positiveness
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Military Wives
Sing
81 bpm • G Maj • 04:02 • -8.22db
28% Popularity • 44% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Finbar Wright
Whatever You Believe
81 bpm • C Maj • 04:32 • -14.7db
14% Popularity • 30% Danceability • 19% Energy • 7% Liveness
0% Instrumentalness • 19% Positiveness
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Sierra Boggess
Make Believe
64 bpm • D Maj • 03:41 • -10.68db
11% Popularity • 18% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 15% Positiveness
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Bill Shirley
On The Street Where You Live
81 bpm • C Maj • 02:56 • -17db
31% Popularity • 31% Danceability • 25% Energy • 27% Liveness
0% Instrumentalness • 35% Positiveness
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The 'Les Misérables 2010' Company
One Day More - Live
82 bpm • D Maj • 03:40 • -8.94db
37% Popularity • 26% Danceability • 46% Energy • 74% Liveness
0% Instrumentalness • 12% Positiveness
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Michael Ball
Incurably Romantic
81 bpm • F Maj • 04:19 • -15.09db
13% Popularity • 30% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
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Matt Lucas
Master of the House - Live
82 bpm • E Maj • 05:14 • -12.13db
32% Popularity • 58% Danceability • 41% Energy • 98% Liveness
0% Instrumentalness • 79% Positiveness
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Paulo Szot
Some Enchanted Evening
82 bpm • C Maj • 02:57 • -18.14db
31% Popularity • 22% Danceability • 13% Energy • 8% Liveness
50% Instrumentalness • 22% Positiveness
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Amanda Holden
I Dreamed A Dream
82 bpm • A# Maj • 04:18 • -6.41db
20% Popularity • 19% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
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Alfie Boe
On The Street Where You Live
82 bpm • C Maj • 03:22 • -12.76db
22% Popularity • 32% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
► Preview
Military Wives
One Voice
82 bpm • A# Maj • 03:13 • -11.73db
28% Popularity • 14% Danceability • 30% Energy • 5% Liveness
7% Instrumentalness • 16% Positiveness
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Michael Ball
Anthem
81 bpm • D Maj • 03:25 • -10.83db
24% Popularity • 24% Danceability • 29% Energy • 9% Liveness
8% Instrumentalness • 13% Positiveness
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Lily Kerhoas
A Heart Full of Love (Reprise) - Live
82 bpm • F Maj • 02:05 • -20.09db
23% Popularity • 27% Danceability • 20% Energy • 39% Liveness
0% Instrumentalness • 15% Positiveness
► Preview
"Les Misérables Original London Cast" Ensemble
At The End Of The Day
63 bpm • F min • 04:51 • -12.15db
39% Popularity • 57% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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Jonathan Antoine
Hallelujah
82 bpm • D# Maj • 04:03 • -12.41db
26% Popularity • 16% Danceability • 23% Energy • 9% Liveness
69% Instrumentalness • 11% Positiveness
► Preview
Gianluca Cucchiara
The Man She Once Saw In Me
82 bpm • A# Maj • 02:58 • -5.51db
9% Popularity • 42% Danceability • 71% Energy • 19% Liveness
0% Instrumentalness • 31% Positiveness
► Preview
Military Wives
Rule The World
82 bpm • F Maj • 03:56 • -9.29db
27% Popularity • 43% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
► Preview
Michael Ball
Some Enchanted Evening
82 bpm • C# Maj • 03:57 • -16.23db
14% Popularity • 17% Danceability • 22% Energy • 10% Liveness
4% Instrumentalness • 12% Positiveness
► Preview
Tsidii Le Loka
Circle of Life with Nants' Ingonyama
82 bpm • D Maj • 04:29 • -11db
49% Popularity • 30% Danceability • 39% Energy • 50% Liveness
0% Instrumentalness • 30% Positiveness
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Marisha Wallace
The Show Must Go On
82 bpm • B min • 04:00 • -6.52db
14% Popularity • 38% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Rebecca Luker
Come to My Garden / Lift Me Up
83 bpm • D# Maj • 02:51 • -19.81db
22% Popularity • 24% Danceability • 13% Energy • 23% Liveness
0% Instrumentalness • 9% Positiveness
► Preview
Sierra Boggess
Tonight
83 bpm • C min • 04:22 • -10.55db
12% Popularity • 22% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 10% Positiveness
► Preview
Ian Tucker
Look Down
83 bpm • C Maj • 02:33 • -7.11db
35% Popularity • 54% Danceability • 32% Energy • 22% Liveness
0% Instrumentalness • 25% Positiveness
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Michael Ball
Somewhere
82 bpm • C# Maj • 03:15 • -13.12db
43% Popularity • 25% Danceability • 27% Energy • 12% Liveness
7% Instrumentalness • 11% Positiveness
► Preview
Sally Dexter
I'd Do Anything
83 bpm • D min • 02:43 • -15db
35% Popularity • 73% Danceability • 16% Energy • 20% Liveness
0% Instrumentalness • 80% Positiveness
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Music Of The Night