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Songs like
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The Beautiful Girls
Based on a tempo of (+/- 10%) and a similar genre
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Barefoot Truth
Ok
97 bpm • G Maj • 03:30 • -6db
14% Popularity • 54% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Cas Haley
Feel It Shining Down
97 bpm • A# Maj • 02:54 • -8.52db
28% Popularity • 74% Danceability • 49% Energy • 25% Liveness
0% Instrumentalness • 58% Positiveness
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The Wave Machine
Ocean's Brew
97 bpm • C# min • 02:39 • -9.45db
46% Popularity • 81% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
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The Boom Booms
Dry Your Tears
97 bpm • D# Maj • 03:24 • -9.69db
34% Popularity • 82% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
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Paul Izak
Yonder Break
97 bpm • C Maj • 04:55 • -8.61db
11% Popularity • 69% Danceability • 69% Energy • 6% Liveness
0% Instrumentalness • 83% Positiveness
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Forest Sun
Trampoline
97 bpm • G Maj • 03:17 • -9.19db
36% Popularity • 69% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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The Kava Kings
Happy Days
97 bpm • G Maj • 03:41 • -7.62db
27% Popularity • 56% Danceability • 55% Energy • 26% Liveness
0% Instrumentalness • 47% Positiveness
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The Beautiful Girls
Music
97 bpm • F Maj • 03:31 • -7db
40% Popularity • 62% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 79% Positiveness
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Timmy Curran
Daylights Coming
97 bpm • C Maj • 03:25 • -9.46db
21% Popularity • 50% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Frankie Chavez
Airport Blues
98 bpm • E Maj • 02:50 • -7.46db
28% Popularity • 45% Danceability • 62% Energy • 57% Liveness
12% Instrumentalness • 48% Positiveness
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Long Beach Dub Allstars
Sunny Hours Reprise
96 bpm • A Maj • 03:30 • -4db
30% Popularity • 78% Danceability • 73% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
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The Movement
Set Sail
96 bpm • G Maj • 03:36 • -5.99db
58% Popularity • 75% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
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Bob Evans
Don't You Think It's Time
96 bpm • G Maj • 03:18 • -11db
37% Popularity • 46% Danceability • 33% Energy • 41% Liveness
0% Instrumentalness • 57% Positiveness
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The Beautiful Girls
So It Seems
98 bpm • G# Maj • 04:22 • -5.57db
23% Popularity • 58% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
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Current Swell
Stomach
98 bpm • C# min • 03:40 • -8db
39% Popularity • 75% Danceability • 66% Energy • 29% Liveness
1% Instrumentalness • 40% Positiveness
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Cas Haley
How Soon Is Now?
98 bpm • C# Maj • 03:40 • -9.09db
15% Popularity • 85% Danceability • 43% Energy • 25% Liveness
6% Instrumentalness • 53% Positiveness
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Long Beach Dub Allstars
It Ain't Easy
98 bpm • B Maj • 03:23 • -2.85db
35% Popularity • 64% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Colin Hay
Down Under - Acoustic Version
98 bpm • G Maj • 03:33 • -10.13db
47% Popularity • 77% Danceability • 70% Energy • 8% Liveness
37% Instrumentalness • 92% Positiveness
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Satsang
Beautiful Days
98 bpm • E Maj • 03:46 • -7.07db
38% Popularity • 85% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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The Beautiful Girls
Learn Yourself
98 bpm • G min • 03:18 • -8.62db
43% Popularity • 84% Danceability • 38% Energy • 11% Liveness
32% Instrumentalness • 59% Positiveness
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Michael Franti
Closer To The Sky
98 bpm • C Maj • 04:12 • -11.05db
26% Popularity • 84% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Frankie Chavez
December 21st 2012
98 bpm • G Maj • 03:18 • -6.55db
25% Popularity • 34% Danceability • 64% Energy • 21% Liveness
0% Instrumentalness • 20% Positiveness
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Charlie Mars
Listen to the Darkside
98 bpm • B Maj • 03:31 • -9db
39% Popularity • 82% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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The Nick Hexum Quintet
Once in Your Life
98 bpm • C Maj • 04:23 • -7.95db
34% Popularity • 73% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
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Long Beach Dub Allstars
Sunny Hours
96 bpm • A Maj • 03:58 • -4db
42% Popularity • 64% Danceability • 90% Energy • 34% Liveness
0% Instrumentalness • 42% Positiveness
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Dusty Boots
Make It a Good Go
96 bpm • G Maj • 02:55 • -8.46db
42% Popularity • 86% Danceability • 60% Energy • 16% Liveness
0% Instrumentalness • 78% Positiveness
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Sashamon
Malia
98 bpm • A Maj • 03:12 • -7db
35% Popularity • 86% Danceability • 44% Energy • 15% Liveness
3% Instrumentalness • 33% Positiveness
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Bobby Alu
All the Way
96 bpm • F Maj • 04:25 • -11.65db
37% Popularity • 89% Danceability • 32% Energy • 9% Liveness
2% Instrumentalness • 93% Positiveness
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Mat McHugh
Strange Days
98 bpm • D Maj • 04:12 • -8.67db
41% Popularity • 70% Danceability • 50% Energy • 8% Liveness
23% Instrumentalness • 24% Positiveness
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Slackstring
Sun Again Will Shine
96 bpm • C Maj • 03:45 • -5db
25% Popularity • 62% Danceability • 85% Energy • 15% Liveness
0% Instrumentalness • 78% Positiveness
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The Beautiful Girls
After All This Time
96 bpm • B min • 03:47 • -10db
42% Popularity • 84% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Still Time
9 to 5
99 bpm • F# min • 04:58 • -5.69db
30% Popularity • 72% Danceability • 76% Energy • 20% Liveness
0% Instrumentalness • 85% Positiveness
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State Radio
Calling All Crows
99 bpm • A min • 03:40 • -7.24db
33% Popularity • 73% Danceability • 64% Energy • 4% Liveness
0% Instrumentalness • 71% Positiveness
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Bobby Alu
One to Wait
98 bpm • B min • 05:03 • -6.67db
39% Popularity • 82% Danceability • 77% Energy • 14% Liveness
1% Instrumentalness • 69% Positiveness
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Blue King Brown
Moment of Truth
99 bpm • D Maj • 03:53 • -4.55db
15% Popularity • 74% Danceability • 88% Energy • 3% Liveness
0% Instrumentalness • 33% Positiveness
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Slackstring
Stranded
95 bpm • A Maj • 03:27 • -5.17db
28% Popularity • 62% Danceability • 80% Energy • 15% Liveness
0% Instrumentalness • 87% Positiveness
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The Beautiful Girls
Good Times
99 bpm • C Maj • 02:51 • -7.57db
20% Popularity • 55% Danceability • 54% Energy • 26% Liveness
0% Instrumentalness • 80% Positiveness
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Orange Grove
White Daisy
99 bpm • A Maj • 03:21 • -5.42db
33% Popularity • 78% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
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Ziggy Marley
True To Myself
99 bpm • C# Maj • 03:45 • -6.43db
65% Popularity • 88% Danceability • 56% Energy • 6% Liveness
0% Instrumentalness • 83% Positiveness
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Bobby Alu
It’s Time
96 bpm • G Maj • 03:46 • -10.73db
57% Popularity • 92% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
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Bag of Toys
Surf Song
95 bpm • D Maj • 03:34 • -7.53db
39% Popularity • 70% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
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Slackstring
Place to Be
95 bpm • A Maj • 03:36 • -5.47db
15% Popularity • 71% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
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The Beautiful Girls
Cash Money
96 bpm • E Maj • 02:51 • -8.79db
43% Popularity • 67% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Orange Grove
The Surf Song
95 bpm • G Maj • 03:17 • -6.04db
29% Popularity • 75% Danceability • 87% Energy • 53% Liveness
2% Instrumentalness • 65% Positiveness
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Benjalu
Way to the Coast
95 bpm • G Maj • 03:37 • -9db
26% Popularity • 62% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Chadwick Stokes
All My Possessions (Ode To Troy)
99 bpm • D min • 04:32 • -8.06db
18% Popularity • 68% Danceability • 69% Energy • 13% Liveness
0% Instrumentalness • 86% Positiveness
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Good Morning Mr. Jones
Lean On
95 bpm • F Maj • 03:06 • -10.46db
31% Popularity • 66% Danceability • 74% Energy • 26% Liveness
0% Instrumentalness • 74% Positiveness
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Jack and the Weatherman
The Years
100 bpm • B Maj • 04:18 • -7db
25% Popularity • 77% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
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Eagle-Eye Cherry
Falling In Love Again
100 bpm • G Maj • 03:30 • -8.14db
48% Popularity • 65% Danceability • 78% Energy • 17% Liveness
0% Instrumentalness • 67% Positiveness
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Du Braga
Freedom
100 bpm • C Maj • 03:14 • -7.06db
25% Popularity • 72% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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The Beautiful Girls
Morning Sun
100 bpm • F min • 04:55 • -7db
41% Popularity • 52% Danceability • 73% Energy • 17% Liveness
0% Instrumentalness • 69% Positiveness
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Orange Grove
You Decide It
100 bpm • A min • 03:24 • -4.25db
21% Popularity • 76% Danceability • 81% Energy • 21% Liveness
0% Instrumentalness • 82% Positiveness
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Pressing Strings
Something Strong
100 bpm • C# min • 03:59 • -8.17db
30% Popularity • 74% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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Still Time
High Tide
100 bpm • A# min • 05:15 • -6.68db
19% Popularity • 63% Danceability • 77% Energy • 4% Liveness
0% Instrumentalness • 58% Positiveness
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Bag of Toys
Smile Like That
100 bpm • G Maj • 03:39 • -7db
36% Popularity • 71% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
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Matt Costa
Sweet Rose
94 bpm • A# Maj • 02:39 • -6.57db
26% Popularity • 66% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 94% Positiveness
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Timmy Curran
Selfish Ways
94 bpm • D Maj • 03:03 • -11.28db
22% Popularity • 61% Danceability • 60% Energy • 28% Liveness
0% Instrumentalness • 48% Positiveness
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Kayavibe
Living Single
100 bpm • A Maj • 03:22 • -4.19db
26% Popularity • 67% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
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Mat McHugh
(We Will All Be) Together Someday
94 bpm • E Maj • 03:24 • -8.49db
35% Popularity • 64% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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The Boom Booms
Rock Slow
94 bpm • A Maj • 04:26 • -9.02db
21% Popularity • 83% Danceability • 62% Energy • 28% Liveness
0% Instrumentalness • 82% Positiveness
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State Radio
Man In The Hall
94 bpm • A min • 03:49 • -6db
35% Popularity • 62% Danceability • 81% Energy • 20% Liveness
0% Instrumentalness • 64% Positiveness
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The Beautiful Girls
Periscopes
94 bpm • C Maj • 03:33 • -6.61db
46% Popularity • 65% Danceability • 79% Energy • 26% Liveness
0% Instrumentalness • 80% Positiveness
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Matt Costa
Yellow Taxi
100 bpm • D Maj • 03:41 • -10.85db
21% Popularity • 65% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Barefoot Truth
Changes in the Weather
100 bpm • D Maj • 04:31 • -7.51db
19% Popularity • 58% Danceability • 66% Energy • 26% Liveness
0% Instrumentalness • 51% Positiveness
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Ryan Montbleau
Dead Set
93 bpm • G Maj • 04:26 • -10.14db
20% Popularity • 74% Danceability • 38% Energy • 15% Liveness
0% Instrumentalness • 72% Positiveness
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Sean Hayes
Soul Shaker
101 bpm • A Maj • 05:05 • -10.46db
24% Popularity • 78% Danceability • 42% Energy • 15% Liveness
12% Instrumentalness • 82% Positiveness
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State Radio
Gunship Politico
94 bpm • G# Maj • 05:43 • -6db
29% Popularity • 55% Danceability • 74% Energy • 29% Liveness
0% Instrumentalness • 62% Positiveness
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Brett Dennen
Stand Up for It
93 bpm • G Maj • 03:59 • -9.35db
25% Popularity • 79% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
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Andrew Winton
Walk On The Wild Side
101 bpm • D Maj • 03:59 • -12.66db
12% Popularity • 77% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Barefoot Truth
Roland
101 bpm • D Maj • 04:53 • -8.85db
13% Popularity • 70% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
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Ben Harper And The Innocent Criminals
Steal My Kisses
101 bpm • G Maj • 04:05 • -11.4db
56% Popularity • 91% Danceability • 56% Energy • 22% Liveness
2% Instrumentalness • 87% Positiveness
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Paul Izak
Timeless Melody
93 bpm • G Maj • 06:15 • -10.06db
10% Popularity • 74% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
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Zach Deputy
Two Steps
101 bpm • G Maj • 04:19 • -9db
15% Popularity • 80% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 95% Positiveness
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Wheeland Brothers
Tanlines
93 bpm • D Maj • 03:42 • -8.82db
36% Popularity • 71% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Brett Dennen
Darlin' Do Not Fear
101 bpm • G# Maj • 05:11 • -8db
31% Popularity • 69% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 83% Positiveness
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Barefoot Truth
I Prefer
101 bpm • A Maj • 05:24 • -8.16db
28% Popularity • 70% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 73% Positiveness
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dDub
Since I Made a Stand
93 bpm • D Maj • 03:06 • -8.35db
11% Popularity • 56% Danceability • 52% Energy • 17% Liveness
0% Instrumentalness • 23% Positiveness
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Ziggy Marley
Dragonfly
102 bpm • F Maj • 04:14 • -8db
47% Popularity • 77% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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The Beautiful Girls
Weight of the World
92 bpm • F min • 03:13 • -8.19db
18% Popularity • 57% Danceability • 52% Energy • 30% Liveness
6% Instrumentalness • 71% Positiveness
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Bobby Alu
Fire
102 bpm • C Maj • 03:50 • -8db
42% Popularity • 86% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
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Ben Lee
We're All In This Together
102 bpm • C# min • 04:39 • -8.94db
35% Popularity • 78% Danceability • 58% Energy • 71% Liveness
0% Instrumentalness • 66% Positiveness
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Barefoot Truth
Found My Way
102 bpm • E min • 06:33 • -8.24db
11% Popularity • 63% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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Donavon Frankenreiter
Make You Mine
102 bpm • B min • 02:52 • -5.73db
40% Popularity • 73% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
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The Boom Booms
Lonely
102 bpm • A Maj • 04:29 • -8.5db
22% Popularity • 71% Danceability • 66% Energy • 27% Liveness
0% Instrumentalness • 75% Positiveness
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The Beautiful Girls
La Mar (The Ocean)
92 bpm • G# Maj • 03:57 • -9.64db
52% Popularity • 84% Danceability • 34% Energy • 11% Liveness
2% Instrumentalness • 36% Positiveness
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Zach Gill
Solstice 2016
92 bpm • F Maj • 04:54 • -8.67db
32% Popularity • 82% Danceability • 68% Energy • 10% Liveness
48% Instrumentalness • 90% Positiveness
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Braddigan
Pura Vida
92 bpm • A Maj • 03:51 • -8.11db
28% Popularity • 47% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
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Forest Sun
Lose Your Mind Rag
92 bpm • C Maj • 01:16 • -12.26db
46% Popularity • 72% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 84% Positiveness
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Colin Hay
Don't Be Afraid - Previously Unreleased
92 bpm • A Maj • 02:56 • -7.62db
22% Popularity • 68% Danceability • 67% Energy • 16% Liveness
1% Instrumentalness • 71% Positiveness
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Donavon Frankenreiter
Beautiful Day
102 bpm • A Maj • 03:26 • -12.96db
50% Popularity • 80% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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The Beautiful Girls
Sir, Your Fashion Has The Cold Heart Of ...
92 bpm • B min • 05:34 • -7.34db
14% Popularity • 64% Danceability • 70% Energy • 46% Liveness
0% Instrumentalness • 73% Positiveness
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G. Love & Special Sauce
Ain't That Right
92 bpm • A Maj • 03:54 • -7.25db
36% Popularity • 81% Danceability • 64% Energy • 5% Liveness
0% Instrumentalness • 90% Positiveness
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Current Swell
Short Stories
103 bpm • G Maj • 02:53 • -12.18db
32% Popularity • 66% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
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Blue King Brown
Come and Check Your Head
103 bpm • C min • 04:01 • -4.9db
23% Popularity • 61% Danceability • 91% Energy • 5% Liveness
0% Instrumentalness • 88% Positiveness
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DISPATCH
Bang Bang
91 bpm • E Maj • 05:58 • -12.38db
13% Popularity • 68% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Passafire
Ghost Man
103 bpm • C min • 03:24 • -5.17db
50% Popularity • 86% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 88% Positiveness
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The Beautiful Girls
Big Mamas Door
103 bpm • C# min • 03:44 • -6.11db
23% Popularity • 61% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
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State Radio
Diner Song
91 bpm • F Maj • 03:29 • -6.67db
35% Popularity • 45% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
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Current Swell
Money Riff (Say What You Want)
103 bpm • G Maj • 03:27 • -9.5db
32% Popularity • 61% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Bernard Fanning
The Strangest Thing
91 bpm • G Maj • 03:14 • -7db
38% Popularity • 76% Danceability • 52% Energy • 11% Liveness
1% Instrumentalness • 80% Positiveness
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