Songs like Musicales 1 (2 guitarras) by Antonio Chover Salom
Based on a tempo of (+/- 10%) and a similar genre
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Boris Tesic
Oh Dadi Blue
96 bpm • D Maj • 01:56 • -20.22db
12% Popularity • 35% Danceability • 14% Energy • 9% Liveness
91% Instrumentalness • 49% Positiveness
12% Popularity • 35% Danceability • 14% Energy • 9% Liveness
91% Instrumentalness • 49% Positiveness
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Mikael Máni
Closing the Book
96 bpm • G Maj • 01:40 • -12.72db
17% Popularity • 59% Danceability • 13% Energy • 12% Liveness
97% Instrumentalness • 26% Positiveness
17% Popularity • 59% Danceability • 13% Energy • 12% Liveness
97% Instrumentalness • 26% Positiveness
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Antonio Chover Salom
Musicales 1 (2 guitarras)
96 bpm • C Maj • 01:39 • -22.19db
20% Popularity • 70% Danceability • 11% Energy • 11% Liveness
95% Instrumentalness • 50% Positiveness
20% Popularity • 70% Danceability • 11% Energy • 11% Liveness
95% Instrumentalness • 50% Positiveness
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Carlos Blanco Ruiz
Mariposa De Sombra
96 bpm • D Maj • 01:10 • -21.58db
0% Popularity • 61% Danceability • 4% Energy • 10% Liveness
95% Instrumentalness • 49% Positiveness
0% Popularity • 61% Danceability • 4% Energy • 10% Liveness
95% Instrumentalness • 49% Positiveness
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Antonio Garcia Isaac
Despedida en Buenos Aires
96 bpm • D min • 02:37 • -17.97db
15% Popularity • 38% Danceability • 12% Energy • 11% Liveness
94% Instrumentalness • 13% Positiveness
15% Popularity • 38% Danceability • 12% Energy • 11% Liveness
94% Instrumentalness • 13% Positiveness
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Matthew John Small
Waxing Gibbous
95 bpm • A Maj • 02:31 • -13.61db
10% Popularity • 72% Danceability • 50% Energy • 10% Liveness
84% Instrumentalness • 43% Positiveness
10% Popularity • 72% Danceability • 50% Energy • 10% Liveness
84% Instrumentalness • 43% Positiveness
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Damien Erwin
Sonnet
97 bpm • A Maj • 01:03 • -20.18db
13% Popularity • 51% Danceability • 9% Energy • 10% Liveness
96% Instrumentalness • 43% Positiveness
13% Popularity • 51% Danceability • 9% Energy • 10% Liveness
96% Instrumentalness • 43% Positiveness
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Jake Eddy
For Teran
97 bpm • F# min • 01:41 • -14.97db
12% Popularity • 45% Danceability • 22% Energy • 11% Liveness
89% Instrumentalness • 50% Positiveness
12% Popularity • 45% Danceability • 22% Energy • 11% Liveness
89% Instrumentalness • 50% Positiveness
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Johannes Grill
Warm Colors
95 bpm • E Maj • 01:32 • -21db
21% Popularity • 46% Danceability • 14% Energy • 11% Liveness
93% Instrumentalness • 58% Positiveness
21% Popularity • 46% Danceability • 14% Energy • 11% Liveness
93% Instrumentalness • 58% Positiveness
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Domenico Cimarosa
Sonata No. 9 in D Minor
97 bpm • D min • 01:58 • -32.16db
12% Popularity • 37% Danceability • 2% Energy • 10% Liveness
87% Instrumentalness • 31% Positiveness
12% Popularity • 37% Danceability • 2% Energy • 10% Liveness
87% Instrumentalness • 31% Positiveness
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Toni Barella
Monero
95 bpm • C# Maj • 02:33 • -21.74db
21% Popularity • 51% Danceability • 7% Energy • 10% Liveness
95% Instrumentalness • 37% Positiveness
21% Popularity • 51% Danceability • 7% Energy • 10% Liveness
95% Instrumentalness • 37% Positiveness
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Kevin Callahan
Men In Grief
95 bpm • A min • 02:30 • -22.58db
11% Popularity • 47% Danceability • 7% Energy • 10% Liveness
94% Instrumentalness • 33% Positiveness
11% Popularity • 47% Danceability • 7% Energy • 10% Liveness
94% Instrumentalness • 33% Positiveness
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Maria Linnemann
A song for Thomas
97 bpm • D Maj • 01:31 • -25.57db
14% Popularity • 47% Danceability • 4% Energy • 11% Liveness
96% Instrumentalness • 54% Positiveness
14% Popularity • 47% Danceability • 4% Energy • 11% Liveness
96% Instrumentalness • 54% Positiveness
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Marek Pasieczny
Little Sonata, Pt. II. Lento Religioso
97 bpm • B min • 01:40 • -19.86db
9% Popularity • 67% Danceability • 0% Energy • 26% Liveness
73% Instrumentalness • 45% Positiveness
9% Popularity • 67% Danceability • 0% Energy • 26% Liveness
73% Instrumentalness • 45% Positiveness
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Arash Ahmadi
Sonata Life
97 bpm • B min • 08:12 • -23.09db
9% Popularity • 48% Danceability • 9% Energy • 28% Liveness
90% Instrumentalness • 14% Positiveness
9% Popularity • 48% Danceability • 9% Energy • 28% Liveness
90% Instrumentalness • 14% Positiveness
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Vadah Olcott-Bickford
Under The Greenwood Tree
97 bpm • E min • 01:06 • -20.46db
19% Popularity • 43% Danceability • 13% Energy • 8% Liveness
94% Instrumentalness • 87% Positiveness
19% Popularity • 43% Danceability • 13% Energy • 8% Liveness
94% Instrumentalness • 87% Positiveness
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Maximo Diego Pujol
Suite del Plata No.1: II. Tango
94 bpm • A min • 02:57 • -16.45db
10% Popularity • 40% Danceability • 12% Energy • 15% Liveness
92% Instrumentalness • 20% Positiveness
10% Popularity • 40% Danceability • 12% Energy • 15% Liveness
92% Instrumentalness • 20% Positiveness
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Jose Luis Merlin
Cinco Canciones De Amor: II. Canción De...
94 bpm • C Maj • 01:49 • -19.45db
9% Popularity • 46% Danceability • 10% Energy • 12% Liveness
93% Instrumentalness • 52% Positiveness
9% Popularity • 46% Danceability • 10% Energy • 12% Liveness
93% Instrumentalness • 52% Positiveness
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José Pierri Sapere
Gato
94 bpm • E min • 01:47 • -20.91db
14% Popularity • 29% Danceability • 32% Energy • 11% Liveness
92% Instrumentalness • 34% Positiveness
14% Popularity • 29% Danceability • 32% Energy • 11% Liveness
92% Instrumentalness • 34% Positiveness
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Eduardo Rodríguez
Azahar
98 bpm • D Maj • 02:51 • -21.36db
13% Popularity • 65% Danceability • 8% Energy • 11% Liveness
94% Instrumentalness • 16% Positiveness
13% Popularity • 65% Danceability • 8% Energy • 11% Liveness
94% Instrumentalness • 16% Positiveness
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Tsuki
Garden of lotus
98 bpm • A min • 01:26 • -19.13db
24% Popularity • 59% Danceability • 23% Energy • 10% Liveness
96% Instrumentalness • 61% Positiveness
24% Popularity • 59% Danceability • 23% Energy • 10% Liveness
96% Instrumentalness • 61% Positiveness
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Giannis Venizelos
Inner silence
98 bpm • E min • 02:44 • -14.85db
28% Popularity • 68% Danceability • 17% Energy • 9% Liveness
86% Instrumentalness • 29% Positiveness
28% Popularity • 68% Danceability • 17% Energy • 9% Liveness
86% Instrumentalness • 29% Positiveness
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Maximo Diego Pujol
Suite del Plata No. 1: IV. Murga
98 bpm • E min • 01:46 • -12.99db
10% Popularity • 49% Danceability • 26% Energy • 11% Liveness
92% Instrumentalness • 41% Positiveness
10% Popularity • 49% Danceability • 26% Energy • 11% Liveness
92% Instrumentalness • 41% Positiveness
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Hermann Ambrosius
Spielmusik: III. Serenade
98 bpm • A Maj • 00:47 • -13.93db
28% Popularity • 66% Danceability • 46% Energy • 11% Liveness
89% Instrumentalness • 72% Positiveness
28% Popularity • 66% Danceability • 46% Energy • 11% Liveness
89% Instrumentalness • 72% Positiveness
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Pablo Briceño
Adiós Maripositas
94 bpm • E Maj • 01:56 • -18.28db
12% Popularity • 52% Danceability • 12% Energy • 10% Liveness
92% Instrumentalness • 31% Positiveness
12% Popularity • 52% Danceability • 12% Energy • 10% Liveness
92% Instrumentalness • 31% Positiveness
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Antonio Chover Salom
Improvisación 1
98 bpm • D Maj • 00:46 • -22.23db
12% Popularity • 44% Danceability • 7% Energy • 10% Liveness
97% Instrumentalness • 33% Positiveness
12% Popularity • 44% Danceability • 7% Energy • 10% Liveness
97% Instrumentalness • 33% Positiveness
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Eulogio Dávalos
Tonada Sin Retorno
98 bpm • G Maj • 03:20 • -26.13db
11% Popularity • 54% Danceability • 2% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
11% Popularity • 54% Danceability • 2% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Dr. B.A. Ferguson
Sand Storm
98 bpm • G Maj • 02:30 • -18.93db
11% Popularity • 56% Danceability • 10% Energy • 11% Liveness
87% Instrumentalness • 22% Positiveness
11% Popularity • 56% Danceability • 10% Energy • 11% Liveness
87% Instrumentalness • 22% Positiveness
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Leandro Bastos
Chorinho do Rian
93 bpm • A min • 02:52 • -11.25db
14% Popularity • 54% Danceability • 32% Energy • 10% Liveness
80% Instrumentalness • 80% Positiveness
14% Popularity • 54% Danceability • 32% Energy • 10% Liveness
80% Instrumentalness • 80% Positiveness
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Robert D Boman
Into the Sun
93 bpm • E Maj • 01:58 • -21.53db
36% Popularity • 61% Danceability • 10% Energy • 7% Liveness
90% Instrumentalness • 33% Positiveness
36% Popularity • 61% Danceability • 10% Energy • 7% Liveness
90% Instrumentalness • 33% Positiveness
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Toni Barella
City Gate
93 bpm • E Maj • 02:59 • -21.85db
12% Popularity • 49% Danceability • 8% Energy • 11% Liveness
95% Instrumentalness • 19% Positiveness
12% Popularity • 49% Danceability • 8% Energy • 11% Liveness
95% Instrumentalness • 19% Positiveness
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Renato Grandin
Studio semplice n. 4 in D Major - for Gu...
93 bpm • D Maj • 01:10 • -25db
21% Popularity • 54% Danceability • 8% Energy • 11% Liveness
85% Instrumentalness • 18% Positiveness
21% Popularity • 54% Danceability • 8% Energy • 11% Liveness
85% Instrumentalness • 18% Positiveness
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Ochtendmuziek
Glimmend (Maandagmorgen)
99 bpm • F min • 01:46 • -13.3db
23% Popularity • 80% Danceability • 23% Energy • 11% Liveness
89% Instrumentalness • 71% Positiveness
23% Popularity • 80% Danceability • 23% Energy • 11% Liveness
89% Instrumentalness • 71% Positiveness
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Antonio Chover Salom
Minidanza del siglo XX - Nº 1
99 bpm • A min • 02:28 • -18db
14% Popularity • 41% Danceability • 19% Energy • 8% Liveness
94% Instrumentalness • 9% Positiveness
14% Popularity • 41% Danceability • 19% Energy • 8% Liveness
94% Instrumentalness • 9% Positiveness
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Tomaz Lima
Jesus Alegria dos Homens
93 bpm • A Maj • 02:19 • -20.1db
9% Popularity • 59% Danceability • 17% Energy • 11% Liveness
92% Instrumentalness • 86% Positiveness
9% Popularity • 59% Danceability • 17% Energy • 11% Liveness
92% Instrumentalness • 86% Positiveness
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Mauro Giuliani
Le Papillon, Op. 50: No. 15, Allegretto
99 bpm • A min • 00:51 • -30.61db
19% Popularity • 43% Danceability • 3% Energy • 11% Liveness
86% Instrumentalness • 16% Positiveness
19% Popularity • 43% Danceability • 3% Energy • 11% Liveness
86% Instrumentalness • 16% Positiveness
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Bastian Inostroza
El adiós, en forma de cueca
99 bpm • B min • 01:49 • -16.31db
14% Popularity • 50% Danceability • 19% Energy • 10% Liveness
95% Instrumentalness • 45% Positiveness
14% Popularity • 50% Danceability • 19% Energy • 10% Liveness
95% Instrumentalness • 45% Positiveness
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Hucky Eichelmann
Branles de village
93 bpm • D Maj • 01:38 • -16.34db
17% Popularity • 45% Danceability • 38% Energy • 12% Liveness
93% Instrumentalness • 46% Positiveness
17% Popularity • 45% Danceability • 38% Energy • 12% Liveness
93% Instrumentalness • 46% Positiveness
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Ariel Gololobov
Raining Leaves
93 bpm • A Maj • 03:44 • -19.32db
10% Popularity • 46% Danceability • 14% Energy • 11% Liveness
92% Instrumentalness • 14% Positiveness
10% Popularity • 46% Danceability • 14% Energy • 11% Liveness
92% Instrumentalness • 14% Positiveness
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Phillip Lester
Oriental Fantasy
92 bpm • A Maj • 03:20 • -21.65db
15% Popularity • 38% Danceability • 10% Energy • 9% Liveness
92% Instrumentalness • 18% Positiveness
15% Popularity • 38% Danceability • 10% Energy • 9% Liveness
92% Instrumentalness • 18% Positiveness
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Branko Galoić
Memories part two
100 bpm • G Maj • 01:04 • -16.99db
13% Popularity • 57% Danceability • 12% Energy • 11% Liveness
87% Instrumentalness • 70% Positiveness
13% Popularity • 57% Danceability • 12% Energy • 11% Liveness
87% Instrumentalness • 70% Positiveness
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Maurizio Baudino
Ninna nanna: Pensando a Ravel
92 bpm • B min • 02:13 • -22.19db
13% Popularity • 56% Danceability • 1% Energy • 9% Liveness
60% Instrumentalness • 8% Positiveness
13% Popularity • 56% Danceability • 1% Energy • 9% Liveness
60% Instrumentalness • 8% Positiveness
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Jesper Sivebæk
Susan himmelblå
92 bpm • A Maj • 03:32 • -20.9db
9% Popularity • 56% Danceability • 25% Energy • 9% Liveness
96% Instrumentalness • 31% Positiveness
9% Popularity • 56% Danceability • 25% Energy • 9% Liveness
96% Instrumentalness • 31% Positiveness
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Carlos Blanco Ruiz
Seis Variaciones in D Major: III. Un poc...
100 bpm • G Maj • 01:40 • -21.88db
0% Popularity • 58% Danceability • 15% Energy • 36% Liveness
98% Instrumentalness • 62% Positiveness
0% Popularity • 58% Danceability • 15% Energy • 36% Liveness
98% Instrumentalness • 62% Positiveness
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Rosa García Ascot
Española
100 bpm • D Maj • 03:15 • -18.6db
3% Popularity • 62% Danceability • 23% Energy • 11% Liveness
87% Instrumentalness • 80% Positiveness
3% Popularity • 62% Danceability • 23% Energy • 11% Liveness
87% Instrumentalness • 80% Positiveness
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Pom Guitarist
Franchaise
100 bpm • E min • 02:01 • -13.18db
21% Popularity • 82% Danceability • 26% Energy • 10% Liveness
90% Instrumentalness • 50% Positiveness
21% Popularity • 82% Danceability • 26% Energy • 10% Liveness
90% Instrumentalness • 50% Positiveness
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Yorgos Karagiannis
Intro (The Story Teller)
100 bpm • D min • 02:13 • -18.15db
19% Popularity • 33% Danceability • 14% Energy • 11% Liveness
93% Instrumentalness • 24% Positiveness
19% Popularity • 33% Danceability • 14% Energy • 11% Liveness
93% Instrumentalness • 24% Positiveness
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José Méndez
Piel Morena
92 bpm • D min • 01:27 • -12.1db
21% Popularity • 49% Danceability • 20% Energy • 12% Liveness
85% Instrumentalness • 30% Positiveness
21% Popularity • 49% Danceability • 20% Energy • 12% Liveness
85% Instrumentalness • 30% Positiveness
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Jan Tariq Rui Rahman
Hamar, Elegi for Andreas Pedersensgate 2...
100 bpm • G# min • 01:31 • -24.88db
12% Popularity • 52% Danceability • 6% Energy • 10% Liveness
95% Instrumentalness • 45% Positiveness
12% Popularity • 52% Danceability • 6% Energy • 10% Liveness
95% Instrumentalness • 45% Positiveness
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Hermann Ambrosius
Spielmusik: IX. Scherzo
100 bpm • A min • 01:02 • -14.54db
22% Popularity • 70% Danceability • 28% Energy • 9% Liveness
82% Instrumentalness • 63% Positiveness
22% Popularity • 70% Danceability • 28% Energy • 9% Liveness
82% Instrumentalness • 63% Positiveness
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Michael Kolmstetter
Spanish Melody in "A"
100 bpm • D Maj • 01:35 • -18.87db
12% Popularity • 46% Danceability • 13% Energy • 11% Liveness
97% Instrumentalness • 62% Positiveness
12% Popularity • 46% Danceability • 13% Energy • 11% Liveness
97% Instrumentalness • 62% Positiveness
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Fly Brokati
Waves
100 bpm • E min • 01:36 • -12.83db
17% Popularity • 51% Danceability • 33% Energy • 10% Liveness
94% Instrumentalness • 25% Positiveness
17% Popularity • 51% Danceability • 33% Energy • 10% Liveness
94% Instrumentalness • 25% Positiveness
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Carlos Blanco Ruiz
Tu Nombre Con Letras De Humo
101 bpm • E Maj • 03:30 • -21.74db
0% Popularity • 51% Danceability • 3% Energy • 12% Liveness
92% Instrumentalness • 38% Positiveness
0% Popularity • 51% Danceability • 3% Energy • 12% Liveness
92% Instrumentalness • 38% Positiveness
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Alexander Wurzler
Morgenstund
92 bpm • A Maj • 02:46 • -15.57db
13% Popularity • 59% Danceability • 6% Energy • 11% Liveness
87% Instrumentalness • 24% Positiveness
13% Popularity • 59% Danceability • 6% Energy • 11% Liveness
87% Instrumentalness • 24% Positiveness
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Martin Romberg
Varangian Lied, fantasi over eget tema
101 bpm • E min • 05:31 • -23.25db
11% Popularity • 51% Danceability • 5% Energy • 10% Liveness
87% Instrumentalness • 37% Positiveness
11% Popularity • 51% Danceability • 5% Energy • 10% Liveness
87% Instrumentalness • 37% Positiveness
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Hermann Ambrosius
Suite Galante (Arr. for 2 Guitars by Ano...
101 bpm • G Maj • 01:40 • -18.21db
13% Popularity • 64% Danceability • 18% Energy • 10% Liveness
97% Instrumentalness • 61% Positiveness
13% Popularity • 64% Danceability • 18% Energy • 10% Liveness
97% Instrumentalness • 61% Positiveness
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早上喝咖啡
樂的學習和工作
92 bpm • G Maj • 02:53 • -23.4db
15% Popularity • 66% Danceability • 11% Energy • 12% Liveness
92% Instrumentalness • 27% Positiveness
15% Popularity • 66% Danceability • 11% Energy • 12% Liveness
92% Instrumentalness • 27% Positiveness
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Satoshi Gogo
Beside The Window
91 bpm • E Maj • 03:31 • -17.01db
15% Popularity • 58% Danceability • 11% Energy • 10% Liveness
94% Instrumentalness • 18% Positiveness
15% Popularity • 58% Danceability • 11% Energy • 10% Liveness
94% Instrumentalness • 18% Positiveness
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Komitas
Akh, Maral Jan / Ervum Em (Arr. by João...
91 bpm • E Maj • 04:08 • -21.09db
17% Popularity • 45% Danceability • 2% Energy • 8% Liveness
82% Instrumentalness • 21% Positiveness
17% Popularity • 45% Danceability • 2% Energy • 8% Liveness
82% Instrumentalness • 21% Positiveness
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Moderno Musica de Verano
Hermoso (Hoteles)
91 bpm • C Maj • 01:56 • -17.45db
19% Popularity • 76% Danceability • 20% Energy • 12% Liveness
82% Instrumentalness • 36% Positiveness
19% Popularity • 76% Danceability • 20% Energy • 12% Liveness
82% Instrumentalness • 36% Positiveness
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Mauro Giuliani
Larghetto, Op. 50, No. 17
91 bpm • G Maj • 01:03 • -14.9db
13% Popularity • 54% Danceability • 11% Energy • 11% Liveness
94% Instrumentalness • 28% Positiveness
13% Popularity • 54% Danceability • 11% Energy • 11% Liveness
94% Instrumentalness • 28% Positiveness
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Alonso Mudarra
Fantasia X
101 bpm • E Maj • 01:56 • -16.01db
13% Popularity • 42% Danceability • 21% Energy • 10% Liveness
92% Instrumentalness • 79% Positiveness
13% Popularity • 42% Danceability • 21% Energy • 10% Liveness
92% Instrumentalness • 79% Positiveness
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Vincent Beer-Demander
La Fanciulla in A Minor: II. Lacrime du ...
101 bpm • F Maj • 02:57 • -18.7db
0% Popularity • 39% Danceability • 23% Energy • 10% Liveness
90% Instrumentalness • 20% Positiveness
0% Popularity • 39% Danceability • 23% Energy • 10% Liveness
90% Instrumentalness • 20% Positiveness
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Heitor Villa-Lobos
Suite populaire bresilienne: I. Mazurka ...
91 bpm • A Maj • 03:13 • -21.2db
14% Popularity • 48% Danceability • 11% Energy • 11% Liveness
90% Instrumentalness • 19% Positiveness
14% Popularity • 48% Danceability • 11% Energy • 11% Liveness
90% Instrumentalness • 19% Positiveness
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Antonio Chover Salom
Preludio - Coral
101 bpm • D# Maj • 01:51 • -21.76db
14% Popularity • 56% Danceability • 4% Energy • 13% Liveness
96% Instrumentalness • 15% Positiveness
14% Popularity • 56% Danceability • 4% Energy • 13% Liveness
96% Instrumentalness • 15% Positiveness
► Preview
Federico Moreno Torroba
Estampas: Amanecer
102 bpm • B min • 01:45 • -21.7db
14% Popularity • 57% Danceability • 3% Energy • 9% Liveness
97% Instrumentalness • 37% Positiveness
14% Popularity • 57% Danceability • 3% Energy • 9% Liveness
97% Instrumentalness • 37% Positiveness
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Gerson Lizama
Colibrí
102 bpm • A Maj • 03:47 • -20.09db
26% Popularity • 54% Danceability • 5% Energy • 9% Liveness
91% Instrumentalness • 12% Positiveness
26% Popularity • 54% Danceability • 5% Energy • 9% Liveness
91% Instrumentalness • 12% Positiveness
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榊原長紀
夢はひそかに 「シンデレラ」...
91 bpm • D Maj • 03:14 • -16.66db
12% Popularity • 49% Danceability • 13% Energy • 10% Liveness
92% Instrumentalness • 16% Positiveness
12% Popularity • 49% Danceability • 13% Energy • 10% Liveness
92% Instrumentalness • 16% Positiveness
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José Méndez
Andalusia
90 bpm • A min • 01:09 • -10.41db
35% Popularity • 56% Danceability • 36% Energy • 10% Liveness
94% Instrumentalness • 27% Positiveness
35% Popularity • 56% Danceability • 36% Energy • 10% Liveness
94% Instrumentalness • 27% Positiveness
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Carlos Blanco Ruiz
La Puerta Del Viento
103 bpm • C Maj • 02:19 • -25.02db
0% Popularity • 58% Danceability • 1% Energy • 10% Liveness
91% Instrumentalness • 11% Positiveness
0% Popularity • 58% Danceability • 1% Energy • 10% Liveness
91% Instrumentalness • 11% Positiveness
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Florian Forestino
Bruno
90 bpm • C Maj • 01:20 • -31.18db
20% Popularity • 50% Danceability • 1% Energy • 11% Liveness
88% Instrumentalness • 6% Positiveness
20% Popularity • 50% Danceability • 1% Energy • 11% Liveness
88% Instrumentalness • 6% Positiveness
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Pirlo Rossi
La Negra
90 bpm • G Maj • 02:17 • -12.88db
29% Popularity • 37% Danceability • 31% Energy • 11% Liveness
93% Instrumentalness • 49% Positiveness
29% Popularity • 37% Danceability • 31% Energy • 11% Liveness
93% Instrumentalness • 49% Positiveness
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Alfred Humphreys Pease
Antoinette Polka Mazurka (Arr. J. Hollan...
103 bpm • D Maj • 06:00 • -16db
8% Popularity • 54% Danceability • 11% Energy • 12% Liveness
89% Instrumentalness • 24% Positiveness
8% Popularity • 54% Danceability • 11% Energy • 12% Liveness
89% Instrumentalness • 24% Positiveness
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Alberto Nepomuceno
Melodia
103 bpm • E min • 02:39 • -14.87db
18% Popularity • 63% Danceability • 11% Energy • 10% Liveness
92% Instrumentalness • 43% Positiveness
18% Popularity • 63% Danceability • 11% Energy • 10% Liveness
92% Instrumentalness • 43% Positiveness
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榊原長紀
右から2番目の星 「ピーター�...
90 bpm • D Maj • 02:18 • -18.32db
20% Popularity • 40% Danceability • 14% Energy • 10% Liveness
92% Instrumentalness • 26% Positiveness
20% Popularity • 40% Danceability • 14% Energy • 10% Liveness
92% Instrumentalness • 26% Positiveness
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Xuefei Yang
Lantern Song (Arr. for Guitar)
90 bpm • G Maj • 01:45 • -24.15db
10% Popularity • 38% Danceability • 10% Energy • 14% Liveness
92% Instrumentalness • 23% Positiveness
10% Popularity • 38% Danceability • 10% Energy • 14% Liveness
92% Instrumentalness • 23% Positiveness
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BAND ONLY ME
To the sound of love
90 bpm • E Maj • 01:05 • -19.29db
30% Popularity • 63% Danceability • 9% Energy • 11% Liveness
91% Instrumentalness • 70% Positiveness
30% Popularity • 63% Danceability • 9% Energy • 11% Liveness
91% Instrumentalness • 70% Positiveness
► Preview
Nonato Luiz
Oração de São Francisco
89 bpm • D min • 03:43 • -17.34db
9% Popularity • 54% Danceability • 28% Energy • 11% Liveness
92% Instrumentalness • 14% Positiveness
9% Popularity • 54% Danceability • 28% Energy • 11% Liveness
92% Instrumentalness • 14% Positiveness
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Jesús Martínez Torres
Adiós
103 bpm • E min • 01:15 • -24.37db
8% Popularity • 30% Danceability • 5% Energy • 10% Liveness
93% Instrumentalness • 12% Positiveness
8% Popularity • 30% Danceability • 5% Energy • 10% Liveness
93% Instrumentalness • 12% Positiveness
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Dominik Luke Marsden Johnson
The Nightingale
89 bpm • D Maj • 01:23 • -15.84db
18% Popularity • 40% Danceability • 12% Energy • 10% Liveness
92% Instrumentalness • 38% Positiveness
18% Popularity • 40% Danceability • 12% Energy • 10% Liveness
92% Instrumentalness • 38% Positiveness
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Hasan Çakırsoy
Estudio in B Minor, Op. 35, No. 22
103 bpm • B min • 01:36 • -18.7db
23% Popularity • 38% Danceability • 21% Energy • 12% Liveness
94% Instrumentalness • 67% Positiveness
23% Popularity • 38% Danceability • 21% Energy • 12% Liveness
94% Instrumentalness • 67% Positiveness
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Pieter Nanne
Letter from Home
103 bpm • E min • 02:26 • -17.94db
27% Popularity • 46% Danceability • 13% Energy • 11% Liveness
97% Instrumentalness • 22% Positiveness
27% Popularity • 46% Danceability • 13% Energy • 11% Liveness
97% Instrumentalness • 22% Positiveness
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Hermann Ambrosius
Spielmusik: II. Menuett
89 bpm • E min • 01:12 • -16.18db
14% Popularity • 60% Danceability • 14% Energy • 9% Liveness
76% Instrumentalness • 40% Positiveness
14% Popularity • 60% Danceability • 14% Energy • 9% Liveness
76% Instrumentalness • 40% Positiveness
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Ferdinando Carulli
Poco Allegretto
103 bpm • C Maj • 01:20 • -18.03db
25% Popularity • 56% Danceability • 18% Energy • 11% Liveness
90% Instrumentalness • 87% Positiveness
25% Popularity • 56% Danceability • 18% Energy • 11% Liveness
90% Instrumentalness • 87% Positiveness
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Domenico Cimarosa
Keyboard Sonata No. 42 In D Minor: Andan...
104 bpm • E min • 02:18 • -18db
10% Popularity • 65% Danceability • 8% Energy • 9% Liveness
92% Instrumentalness • 25% Positiveness
10% Popularity • 65% Danceability • 8% Energy • 9% Liveness
92% Instrumentalness • 25% Positiveness
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Klaus Rothkegel
Hommage A Carulli: Nostalgisches Lied
89 bpm • E min • 01:42 • -16db
13% Popularity • 52% Danceability • 19% Energy • 16% Liveness
82% Instrumentalness • 40% Positiveness
13% Popularity • 52% Danceability • 19% Energy • 16% Liveness
82% Instrumentalness • 40% Positiveness
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Johannes Grill
Petit Rondeau
104 bpm • C Maj • 02:20 • -17db
13% Popularity • 38% Danceability • 16% Energy • 11% Liveness
94% Instrumentalness • 49% Positiveness
13% Popularity • 38% Danceability • 16% Energy • 11% Liveness
94% Instrumentalness • 49% Positiveness
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Maurizio Baudino
Pachamama
89 bpm • F Maj • 01:47 • -11.99db
11% Popularity • 50% Danceability • 26% Energy • 20% Liveness
93% Instrumentalness • 10% Positiveness
11% Popularity • 50% Danceability • 26% Energy • 20% Liveness
93% Instrumentalness • 10% Positiveness
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José Méndez
The Gypsy's Travels
89 bpm • D min • 01:16 • -11.22db
34% Popularity • 59% Danceability • 33% Energy • 14% Liveness
91% Instrumentalness • 33% Positiveness
34% Popularity • 59% Danceability • 33% Energy • 14% Liveness
91% Instrumentalness • 33% Positiveness
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Matteo Carcassi
25 Etudes, Op.60: No.10
89 bpm • D Maj • 01:28 • -16.44db
22% Popularity • 74% Danceability • 36% Energy • 11% Liveness
87% Instrumentalness • 32% Positiveness
22% Popularity • 74% Danceability • 36% Energy • 11% Liveness
87% Instrumentalness • 32% Positiveness
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Andrew Gialanella
Uphill
104 bpm • D Maj • 02:13 • -17.49db
38% Popularity • 78% Danceability • 14% Energy • 11% Liveness
88% Instrumentalness • 23% Positiveness
38% Popularity • 78% Danceability • 14% Energy • 11% Liveness
88% Instrumentalness • 23% Positiveness
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Jack Black
Millonario
104 bpm • C Maj • 03:20 • -14.25db
12% Popularity • 34% Danceability • 31% Energy • 11% Liveness
95% Instrumentalness • 21% Positiveness
12% Popularity • 34% Danceability • 31% Energy • 11% Liveness
95% Instrumentalness • 21% Positiveness
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Rosewood
Sunlight Within Solitude
104 bpm • G# Maj • 03:05 • -15.15db
32% Popularity • 57% Danceability • 16% Energy • 14% Liveness
89% Instrumentalness • 33% Positiveness
32% Popularity • 57% Danceability • 16% Energy • 14% Liveness
89% Instrumentalness • 33% Positiveness
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Marek Pasieczny
Fanfare and Theme
88 bpm • D Maj • 01:43 • -17.72db
12% Popularity • 46% Danceability • 8% Energy • 29% Liveness
91% Instrumentalness • 14% Positiveness
12% Popularity • 46% Danceability • 8% Energy • 29% Liveness
91% Instrumentalness • 14% Positiveness
► Preview
Trần Hoài Phương
Vẫn Có Em Bên Đời
88 bpm • A min • 05:48 • -18.58db
1% Popularity • 43% Danceability • 13% Energy • 11% Liveness
94% Instrumentalness • 23% Positiveness
1% Popularity • 43% Danceability • 13% Energy • 11% Liveness
94% Instrumentalness • 23% Positiveness
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Antonio Chover Salom
III Danza en la noche (de Suite de Valen...
88 bpm • A min • 05:23 • -20db
13% Popularity • 46% Danceability • 16% Energy • 18% Liveness
94% Instrumentalness • 16% Positiveness
13% Popularity • 46% Danceability • 16% Energy • 18% Liveness
94% Instrumentalness • 16% Positiveness
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Wolfgang Vrecun
Diamonds Are a Girl's Best Friend
88 bpm • G Maj • 01:57 • -10.15db
21% Popularity • 53% Danceability • 26% Energy • 10% Liveness
89% Instrumentalness • 38% Positiveness
21% Popularity • 53% Danceability • 26% Energy • 10% Liveness
89% Instrumentalness • 38% Positiveness
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Henry Delkin
Dust In The Wind
88 bpm • A min • 03:14 • -19.04db
14% Popularity • 50% Danceability • 15% Energy • 11% Liveness
91% Instrumentalness • 34% Positiveness
14% Popularity • 50% Danceability • 15% Energy • 11% Liveness
91% Instrumentalness • 34% Positiveness
