Songs like Musikalische Ergötzung, Suite in C Major, P. 374: III. Treza by Johann Pachelbel
Based on a tempo of (+/- 10%) and a similar genre
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Johann Pachelbel
Magnificat Fugue Primi Toni XV, P271
69 bpm • D min • 03:00 • -23.94db
7% Popularity • 14% Danceability • 3% Energy • 11% Liveness
79% Instrumentalness • 10% Positiveness
7% Popularity • 14% Danceability • 3% Energy • 11% Liveness
79% Instrumentalness • 10% Positiveness
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Johannes Brahms
Sechs Klavierstücke, Op. 118: II. Inter...
69 bpm • A Maj • 06:18 • -30.92db
62% Popularity • 30% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 6% Positiveness
62% Popularity • 30% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 6% Positiveness
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Felix Mendelssohn
Songs Without Words, Book VI Opus 67: No...
69 bpm • F# min • 02:00 • -26.32db
59% Popularity • 26% Danceability • 9% Energy • 8% Liveness
90% Instrumentalness • 50% Positiveness
59% Popularity • 26% Danceability • 9% Energy • 8% Liveness
90% Instrumentalness • 50% Positiveness
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Lang Lang
Limu, limu, lima (Arr. Schindler for Pia...
69 bpm • E min • 05:35 • -27db
46% Popularity • 35% Danceability • 3% Energy • 12% Liveness
92% Instrumentalness • 6% Positiveness
46% Popularity • 35% Danceability • 3% Energy • 12% Liveness
92% Instrumentalness • 6% Positiveness
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![Franz Schubert: Schwanengesang, D. 957: IV. Ständchen (Serenade) [Arr. for Piano Solo by Franz Liszt] cover art](https://i.scdn.co/image/ab67616d00001e02c194eb4701bbe216cea16253)
Vadim Chaimovich
Franz Schubert: Schwanengesang, D. 957: ...
69 bpm • D Maj • 05:47 • -28.73db
29% Popularity • 28% Danceability • 1% Energy • 6% Liveness
86% Instrumentalness • 6% Positiveness
29% Popularity • 28% Danceability • 1% Energy • 6% Liveness
86% Instrumentalness • 6% Positiveness
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Claude Debussy
Deux Arabesques, L. 66, CD 74: I. Premi�...
69 bpm • E Maj • 04:04 • -32.34db
51% Popularity • 24% Danceability • 2% Energy • 8% Liveness
96% Instrumentalness • 8% Positiveness
51% Popularity • 24% Danceability • 2% Energy • 8% Liveness
96% Instrumentalness • 8% Positiveness
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Nora Shulman
3 Gymnopedies (Arr. For Flute And Harp):...
69 bpm • G Maj • 03:00 • -24.94db
29% Popularity • 24% Danceability • 6% Energy • 10% Liveness
78% Instrumentalness • 5% Positiveness
29% Popularity • 24% Danceability • 6% Energy • 10% Liveness
78% Instrumentalness • 5% Positiveness
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Peter Cooper
Pavanne
69 bpm • F# min • 06:31 • -16.72db
11% Popularity • 22% Danceability • 7% Energy • 8% Liveness
87% Instrumentalness • 11% Positiveness
11% Popularity • 22% Danceability • 7% Energy • 8% Liveness
87% Instrumentalness • 11% Positiveness
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Camille Saint-Saëns
Le carnaval des animaux, R. 125: XIII. T...
69 bpm • G Maj • 02:33 • -22.02db
44% Popularity • 23% Danceability • 15% Energy • 12% Liveness
86% Instrumentalness • 7% Positiveness
44% Popularity • 23% Danceability • 15% Energy • 12% Liveness
86% Instrumentalness • 7% Positiveness
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Franz Liszt
Ave Maria, S. 558 (after Schubert, D. 83...
69 bpm • A# Maj • 05:28 • -27.59db
28% Popularity • 20% Danceability • 3% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
28% Popularity • 20% Danceability • 3% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
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Johann Pachelbel
Ein feste Burg ist unser Gott, P106
69 bpm • D Maj • 05:50 • -14.78db
5% Popularity • 19% Danceability • 18% Energy • 9% Liveness
93% Instrumentalness • 13% Positiveness
5% Popularity • 19% Danceability • 18% Energy • 9% Liveness
93% Instrumentalness • 13% Positiveness
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Claude Debussy
Debussy: Suite bergamasque, CD 82, L. 75...
69 bpm • C# Maj • 04:18 • -21.73db
43% Popularity • 39% Danceability • 5% Energy • 9% Liveness
90% Instrumentalness • 6% Positiveness
43% Popularity • 39% Danceability • 5% Energy • 9% Liveness
90% Instrumentalness • 6% Positiveness
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Johannes Brahms
5 Lieder, Op. 49: No. 4, Wiegenlied (Arr...
69 bpm • D# Maj • 01:43 • -27.48db
41% Popularity • 30% Danceability • 3% Energy • 12% Liveness
91% Instrumentalness • 27% Positiveness
41% Popularity • 30% Danceability • 3% Energy • 12% Liveness
91% Instrumentalness • 27% Positiveness
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Ottorino Respighi
Siciliana
69 bpm • D# Maj • 02:54 • -31.07db
47% Popularity • 45% Danceability • 1% Energy • 8% Liveness
93% Instrumentalness • 50% Positiveness
47% Popularity • 45% Danceability • 1% Energy • 8% Liveness
93% Instrumentalness • 50% Positiveness
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Albert Sonstag
Greensleaves
70 bpm • D min • 01:57 • -24.79db
43% Popularity • 50% Danceability • 3% Energy • 15% Liveness
92% Instrumentalness • 27% Positiveness
43% Popularity • 50% Danceability • 3% Energy • 15% Liveness
92% Instrumentalness • 27% Positiveness
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Franz Liszt
6 Consolations, S. 172: No. 3 in D-Flat ...
69 bpm • C# Maj • 04:14 • -36.76db
59% Popularity • 37% Danceability • 0% Energy • 14% Liveness
92% Instrumentalness • 8% Positiveness
59% Popularity • 37% Danceability • 0% Energy • 14% Liveness
92% Instrumentalness • 8% Positiveness
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Lang Lang
Suite bergamasque, CD 82: III. Clair de ...
70 bpm • C# Maj • 06:47 • -26.82db
33% Popularity • 32% Danceability • 2% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
33% Popularity • 32% Danceability • 2% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
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Claude Debussy
Rêverie, L. 68: Rêverie
69 bpm • G min • 04:17 • -31.95db
58% Popularity • 30% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 7% Positiveness
58% Popularity • 30% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 7% Positiveness
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Johann Pachelbel
Magnificat Fugue Primi Toni XVIII, P274
68 bpm • D min • 02:26 • -39.56db
7% Popularity • 8% Danceability • 0% Energy • 11% Liveness
99% Instrumentalness • 8% Positiveness
7% Popularity • 8% Danceability • 0% Energy • 11% Liveness
99% Instrumentalness • 8% Positiveness
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![Etudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Variation 11 [arr. P.I. Tchaikovsky for orchestra] cover art](https://i.scdn.co/image/ab67616d00001e02e7b0049790088d1115f1984b)
Seattle Symphony Orchestra
Etudes symphoniques (Symphonic Etudes), ...
70 bpm • A min • 01:51 • -29db
62% Popularity • 17% Danceability • 4% Energy • 8% Liveness
95% Instrumentalness • 5% Positiveness
62% Popularity • 17% Danceability • 4% Energy • 8% Liveness
95% Instrumentalness • 5% Positiveness
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Academy of St. Martin in the Fields
Peer Gynt Suite No.1 op. 46 Morning (All...
68 bpm • E Maj • 04:19 • -23.72db
37% Popularity • 17% Danceability • 2% Energy • 12% Liveness
94% Instrumentalness • 4% Positiveness
37% Popularity • 17% Danceability • 2% Energy • 12% Liveness
94% Instrumentalness • 4% Positiveness
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George Frideric Handel
Rinaldo, HWV 7: Lascia ch'io pianga (Arr...
68 bpm • F Maj • 04:28 • -31.27db
51% Popularity • 25% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 12% Positiveness
51% Popularity • 25% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 12% Positiveness
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Christoph Willibald Gluck
Orfeo ed Euridice, Wq. 30 (Arranged by S...
70 bpm • D min • 03:01 • -36.89db
58% Popularity • 28% Danceability • 0% Energy • 6% Liveness
98% Instrumentalness • 4% Positiveness
58% Popularity • 28% Danceability • 0% Energy • 6% Liveness
98% Instrumentalness • 4% Positiveness
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Claude Debussy
Debussy: Suite bergamasque, CD 82, L. 75...
70 bpm • C# Maj • 05:27 • -26.45db
28% Popularity • 32% Danceability • 2% Energy • 8% Liveness
93% Instrumentalness • 6% Positiveness
28% Popularity • 32% Danceability • 2% Energy • 8% Liveness
93% Instrumentalness • 6% Positiveness
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Robert Schumann
No. 1, Von fremden Ländern und Menschen
70 bpm • G Maj • 01:33 • -35.55db
59% Popularity • 37% Danceability • 1% Energy • 7% Liveness
91% Instrumentalness • 39% Positiveness
59% Popularity • 37% Danceability • 1% Energy • 7% Liveness
91% Instrumentalness • 39% Positiveness
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Rachel Portman
Main Title
70 bpm • D min • 03:07 • -22db
51% Popularity • 18% Danceability • 4% Energy • 15% Liveness
1% Instrumentalness • 6% Positiveness
51% Popularity • 18% Danceability • 4% Energy • 15% Liveness
1% Instrumentalness • 6% Positiveness
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Léo Delibes
Lakmé: Flower Duet
70 bpm • C Maj • 01:46 • -31db
39% Popularity • 42% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 11% Positiveness
39% Popularity • 42% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 11% Positiveness
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Felix Mendelssohn
Lieder ohne Worte (Songs without Words),...
68 bpm • D# Maj • 04:42 • -28.66db
55% Popularity • 36% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 9% Positiveness
55% Popularity • 36% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 9% Positiveness
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Johann Pachelbel
Alle Menschen müssen sterben in D Major...
68 bpm • D# Maj • 01:04 • -18.88db
2% Popularity • 19% Danceability • 14% Energy • 30% Liveness
80% Instrumentalness • 35% Positiveness
2% Popularity • 19% Danceability • 14% Energy • 30% Liveness
80% Instrumentalness • 35% Positiveness
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Johannes Brahms
16 Waltzes, Op. 39: No. 15 In A Flat Maj...
68 bpm • G# Maj • 01:34 • -34.56db
65% Popularity • 39% Danceability • 1% Energy • 10% Liveness
89% Instrumentalness • 13% Positiveness
65% Popularity • 39% Danceability • 1% Energy • 10% Liveness
89% Instrumentalness • 13% Positiveness
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Karoly Botvay
The 4 Seasons: Violin Concerto in F mino...
68 bpm • A# Maj • 02:18 • -35.12db
44% Popularity • 7% Danceability • 2% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
44% Popularity • 7% Danceability • 2% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
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Edvard Grieg
Peer Gynt Suite No. 1, Op. 46: Morning M...
68 bpm • E Maj • 03:53 • -26.8db
41% Popularity • 31% Danceability • 5% Energy • 9% Liveness
91% Instrumentalness • 7% Positiveness
41% Popularity • 31% Danceability • 5% Energy • 9% Liveness
91% Instrumentalness • 7% Positiveness
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Léo Delibes
Flower Duet
70 bpm • B Maj • 01:15 • -17db
45% Popularity • 27% Danceability • 14% Energy • 19% Liveness
68% Instrumentalness • 4% Positiveness
45% Popularity • 27% Danceability • 14% Energy • 19% Liveness
68% Instrumentalness • 4% Positiveness
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Valentin Silvestrov
Three Postludes (1981/82): Postlude No. ...
70 bpm • D Maj • 04:15 • -40db
55% Popularity • 12% Danceability • 0% Energy • 10% Liveness
23% Instrumentalness • 4% Positiveness
55% Popularity • 12% Danceability • 0% Energy • 10% Liveness
23% Instrumentalness • 4% Positiveness
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Camille Saint-Saëns
Carnival of the Animals: Aquarium
70 bpm • A min • 02:46 • -28.43db
48% Popularity • 19% Danceability • 2% Energy • 8% Liveness
56% Instrumentalness • 4% Positiveness
48% Popularity • 19% Danceability • 2% Energy • 8% Liveness
56% Instrumentalness • 4% Positiveness
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Johannes Brahms
Lullaby (Guten Abend, gut' Nacht)
70 bpm • D# Maj • 01:48 • -33db
49% Popularity • 47% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 26% Positiveness
49% Popularity • 47% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 26% Positiveness
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George Frideric Handel
Handel / Orch. Hale: Keyboard Suite No. ...
67 bpm • D min • 03:27 • -24.04db
65% Popularity • 9% Danceability • 3% Energy • 10% Liveness
83% Instrumentalness • 5% Positiveness
65% Popularity • 9% Danceability • 3% Energy • 10% Liveness
83% Instrumentalness • 5% Positiveness
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Robert Schumann
Schumann: Kinderszenen, Op. 15: No. 1, V...
67 bpm • G Maj • 01:40 • -38.34db
45% Popularity • 28% Danceability • 1% Energy • 10% Liveness
95% Instrumentalness • 24% Positiveness
45% Popularity • 28% Danceability • 1% Energy • 10% Liveness
95% Instrumentalness • 24% Positiveness
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Martin Bloch
Brahms - Lullaby Wiegenlied
71 bpm • C Maj • 01:25 • -36.31db
52% Popularity • 57% Danceability • 1% Energy • 6% Liveness
91% Instrumentalness • 74% Positiveness
52% Popularity • 57% Danceability • 1% Energy • 6% Liveness
91% Instrumentalness • 74% Positiveness
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Claude Debussy
Suite Bergamasque, L. 75: III. Clair de ...
71 bpm • C# Maj • 05:33 • -32.9db
47% Popularity • 28% Danceability • 0% Energy • 6% Liveness
93% Instrumentalness • 4% Positiveness
47% Popularity • 28% Danceability • 0% Energy • 6% Liveness
93% Instrumentalness • 4% Positiveness
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Lang Lang
Jasmine Flower (Arr. Schindler for Piano...
67 bpm • G# Maj • 06:44 • -21.99db
21% Popularity • 28% Danceability • 9% Energy • 13% Liveness
91% Instrumentalness • 7% Positiveness
21% Popularity • 28% Danceability • 9% Energy • 13% Liveness
91% Instrumentalness • 7% Positiveness
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John Field
Nocturne No. 2 in C Minor
67 bpm • C min • 03:43 • -33.29db
57% Popularity • 35% Danceability • 1% Energy • 12% Liveness
94% Instrumentalness • 8% Positiveness
57% Popularity • 35% Danceability • 1% Energy • 12% Liveness
94% Instrumentalness • 8% Positiveness
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Johann Pachelbel
Toccata in C Major, P.456
71 bpm • C# Maj • 02:51 • -16.5db
2% Popularity • 10% Danceability • 20% Energy • 11% Liveness
79% Instrumentalness • 3% Positiveness
2% Popularity • 10% Danceability • 20% Energy • 11% Liveness
79% Instrumentalness • 3% Positiveness
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Robert Schumann
Schumann: Kinderszenen, Op. 15: No. 7, T...
67 bpm • F Maj • 02:54 • -29.35db
33% Popularity • 41% Danceability • 1% Energy • 8% Liveness
92% Instrumentalness • 28% Positiveness
33% Popularity • 41% Danceability • 1% Energy • 8% Liveness
92% Instrumentalness • 28% Positiveness
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Martin Bloch
Pachelbel - Canon D
71 bpm • D Maj • 06:33 • -23.36db
29% Popularity • 27% Danceability • 7% Energy • 11% Liveness
92% Instrumentalness • 13% Positiveness
29% Popularity • 27% Danceability • 7% Energy • 11% Liveness
92% Instrumentalness • 13% Positiveness
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Brian Crain
Butterfly Waltz
71 bpm • F Maj • 03:32 • -13db
34% Popularity • 15% Danceability • 23% Energy • 11% Liveness
88% Instrumentalness • 29% Positiveness
34% Popularity • 15% Danceability • 23% Energy • 11% Liveness
88% Instrumentalness • 29% Positiveness
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Christoph Willibald Gluck
Orpheo ed Euridice, Wq. 30, Act II: Danc...
67 bpm • D min • 03:27 • -25.5db
43% Popularity • 24% Danceability • 10% Energy • 13% Liveness
98% Instrumentalness • 7% Positiveness
43% Popularity • 24% Danceability • 10% Energy • 13% Liveness
98% Instrumentalness • 7% Positiveness
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Léo Delibes
Lakmé / Act 1: "Sous le dôme épais" (...
71 bpm • B Maj • 04:57 • -16.97db
41% Popularity • 9% Danceability • 18% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
41% Popularity • 9% Danceability • 18% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
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Dmitri Shostakovich
The Gadfly, Op. 97: III. Youth. Romance
66 bpm • C# Maj • 03:42 • -15db
27% Popularity • 16% Danceability • 15% Energy • 14% Liveness
38% Instrumentalness • 5% Positiveness
27% Popularity • 16% Danceability • 15% Energy • 14% Liveness
38% Instrumentalness • 5% Positiveness
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Robert Schumann
Träumerei (Kinderderszenen, Op. 15) - G...
71 bpm • F Maj • 02:28 • -23.5db
36% Popularity • 43% Danceability • 5% Energy • 8% Liveness
92% Instrumentalness • 25% Positiveness
36% Popularity • 43% Danceability • 5% Energy • 8% Liveness
92% Instrumentalness • 25% Positiveness
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Martin Bloch
Beethoven - Pathetique Sonata Op.13 Adag...
71 bpm • G# Maj • 05:50 • -28.53db
25% Popularity • 28% Danceability • 2% Energy • 9% Liveness
93% Instrumentalness • 13% Positiveness
25% Popularity • 28% Danceability • 2% Energy • 9% Liveness
93% Instrumentalness • 13% Positiveness
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Remo Giazotto
Adagio for Strings and Organ in G Minor
66 bpm • C min • 07:15 • -18.38db
26% Popularity • 19% Danceability • 13% Energy • 11% Liveness
92% Instrumentalness • 3% Positiveness
26% Popularity • 19% Danceability • 13% Energy • 11% Liveness
92% Instrumentalness • 3% Positiveness
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Pyotr Ilyich Tchaikovsky
Serenade for Strings in C major, Op. 48:...
66 bpm • G Maj • 03:29 • -22.41db
49% Popularity • 24% Danceability • 12% Energy • 13% Liveness
66% Instrumentalness • 19% Positiveness
49% Popularity • 24% Danceability • 12% Energy • 13% Liveness
66% Instrumentalness • 19% Positiveness
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![Schwanengesang, S. 560: Schubert - Schwanengesang, S. 560/R. 245: No. 7, Standchen (Leise flehen meine Lieder) [After F. Schubert] cover art](https://i.scdn.co/image/ab67616d00001e027de83c6c3607df60e997e186)
Franz Liszt
Schwanengesang, S. 560: Schubert - Schwa...
66 bpm • D Maj • 07:05 • -37.69db
45% Popularity • 31% Danceability • 0% Energy • 6% Liveness
91% Instrumentalness • 4% Positiveness
45% Popularity • 31% Danceability • 0% Energy • 6% Liveness
91% Instrumentalness • 4% Positiveness
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AntonÃn Dvořák
8 Humoresques, Op. 101, B. 187: No. 7, P...
72 bpm • F# Maj • 03:30 • -25.08db
47% Popularity • 12% Danceability • 6% Energy • 14% Liveness
25% Instrumentalness • 14% Positiveness
47% Popularity • 12% Danceability • 6% Energy • 14% Liveness
25% Instrumentalness • 14% Positiveness
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Robert Schumann
Kinderszenen (Scenes of Childhood), Op. ...
66 bpm • G Maj • 01:33 • -30.42db
34% Popularity • 32% Danceability • 2% Energy • 14% Liveness
92% Instrumentalness • 28% Positiveness
34% Popularity • 32% Danceability • 2% Energy • 14% Liveness
92% Instrumentalness • 28% Positiveness
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John Williams
Theme From Schindler's List (Reprise)
72 bpm • G min • 02:59 • -33db
45% Popularity • 14% Danceability • 1% Energy • 9% Liveness
93% Instrumentalness • 9% Positiveness
45% Popularity • 14% Danceability • 1% Energy • 9% Liveness
93% Instrumentalness • 9% Positiveness
► Preview
Claude Debussy
Suite bergamasque, L. 75: III. Clair de ...
66 bpm • C# Maj • 04:19 • -29db
34% Popularity • 27% Danceability • 1% Energy • 9% Liveness
90% Instrumentalness • 7% Positiveness
34% Popularity • 27% Danceability • 1% Energy • 9% Liveness
90% Instrumentalness • 7% Positiveness
► Preview
Nora Mercz
Carmen (arr. N. Mercz): Intermezzo from ...
72 bpm • D# Maj • 02:38 • -25db
48% Popularity • 30% Danceability • 5% Energy • 9% Liveness
93% Instrumentalness • 20% Positiveness
48% Popularity • 30% Danceability • 5% Energy • 9% Liveness
93% Instrumentalness • 20% Positiveness
► Preview
Edvard Grieg
Peer Gynt, Op. 23: No. 13, Morning Mood
66 bpm • E Maj • 04:19 • -23db
38% Popularity • 6% Danceability • 2% Energy • 12% Liveness
95% Instrumentalness • 3% Positiveness
38% Popularity • 6% Danceability • 2% Energy • 12% Liveness
95% Instrumentalness • 3% Positiveness
► Preview
Bedřich Smetana
6 Album Leaves, Op. 2, JB 1:51: No. 2 in...
66 bpm • A min • 01:37 • -30db
63% Popularity • 19% Danceability • 3% Energy • 6% Liveness
82% Instrumentalness • 7% Positiveness
63% Popularity • 19% Danceability • 3% Energy • 6% Liveness
82% Instrumentalness • 7% Positiveness
► Preview
Felix Mendelssohn
Lieder ohne Worte (Songs without Words),...
72 bpm • G min • 02:04 • -33.47db
60% Popularity • 39% Danceability • 4% Energy • 8% Liveness
89% Instrumentalness • 15% Positiveness
60% Popularity • 39% Danceability • 4% Energy • 8% Liveness
89% Instrumentalness • 15% Positiveness
► Preview
Johann Pachelbel
Herzlich tut mich verlangen', P.378: II....
72 bpm • C# Maj • 01:05 • -28.11db
2% Popularity • 15% Danceability • 1% Energy • 7% Liveness
91% Instrumentalness • 70% Positiveness
2% Popularity • 15% Danceability • 1% Energy • 7% Liveness
91% Instrumentalness • 70% Positiveness
► Preview
Olga Scheps
Nocturnes, Op. 9, No. 2 in E-Flat Major
66 bpm • A# Maj • 04:18 • -24db
29% Popularity • 44% Danceability • 4% Energy • 12% Liveness
92% Instrumentalness • 7% Positiveness
29% Popularity • 44% Danceability • 4% Energy • 12% Liveness
92% Instrumentalness • 7% Positiveness
► Preview
Sigvaldi Kaldalóns
Ave MarÃa (Arr. VÃkingur Ólafsson) - ...
66 bpm • D# Maj • 03:37 • -32.19db
39% Popularity • 33% Danceability • 0% Energy • 11% Liveness
92% Instrumentalness • 7% Positiveness
39% Popularity • 33% Danceability • 0% Energy • 11% Liveness
92% Instrumentalness • 7% Positiveness
► Preview
Edvard Grieg
Lyric Pieces, Book 5, Op. 54: Nocturne
72 bpm • C Maj • 03:40 • -29.73db
59% Popularity • 30% Danceability • 4% Energy • 8% Liveness
86% Instrumentalness • 3% Positiveness
59% Popularity • 30% Danceability • 4% Energy • 8% Liveness
86% Instrumentalness • 3% Positiveness
► Preview
Philippe Rombi
Hymne des fraternisés (piano)
72 bpm • D# Maj • 01:26 • -39.8db
35% Popularity • 33% Danceability • 1% Energy • 9% Liveness
90% Instrumentalness • 18% Positiveness
35% Popularity • 33% Danceability • 1% Energy • 9% Liveness
90% Instrumentalness • 18% Positiveness
► Preview
Lang Lang
6 Pieces for Piano, Vol. 2: No. 4, La va...
73 bpm • C Maj • 02:50 • -20.13db
42% Popularity • 28% Danceability • 10% Energy • 8% Liveness
90% Instrumentalness • 6% Positiveness
42% Popularity • 28% Danceability • 10% Energy • 8% Liveness
90% Instrumentalness • 6% Positiveness
► Preview
Alexis Ffrench
Wishing
73 bpm • D# Maj • 02:08 • -22.96db
56% Popularity • 51% Danceability • 13% Energy • 12% Liveness
94% Instrumentalness • 34% Positiveness
56% Popularity • 51% Danceability • 13% Energy • 12% Liveness
94% Instrumentalness • 34% Positiveness
► Preview
Jacques Offenbach
Les Contes d'Hoffmann / Act III: Barcaro...
73 bpm • D Maj • 03:21 • -22.76db
32% Popularity • 9% Danceability • 3% Energy • 10% Liveness
81% Instrumentalness • 6% Positiveness
32% Popularity • 9% Danceability • 3% Energy • 10% Liveness
81% Instrumentalness • 6% Positiveness
► Preview
Johann Pachelbel
Fugue in D Minor, P154
66 bpm • D min • 02:48 • -18.36db
7% Popularity • 21% Danceability • 8% Energy • 7% Liveness
81% Instrumentalness • 11% Positiveness
7% Popularity • 21% Danceability • 8% Energy • 7% Liveness
81% Instrumentalness • 11% Positiveness
► Preview
Emile Pandolfi
Once Upon a December
73 bpm • B min • 04:12 • -19.35db
53% Popularity • 24% Danceability • 17% Energy • 16% Liveness
93% Instrumentalness • 13% Positiveness
53% Popularity • 24% Danceability • 17% Energy • 16% Liveness
93% Instrumentalness • 13% Positiveness
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James Horner
The Ludlows
73 bpm • G Maj • 05:40 • -28db
54% Popularity • 16% Danceability • 2% Energy • 10% Liveness
85% Instrumentalness • 5% Positiveness
54% Popularity • 16% Danceability • 2% Energy • 10% Liveness
85% Instrumentalness • 5% Positiveness
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Jean Sibelius
Andante festivo for Strings and Timpani,...
65 bpm • G Maj • 05:37 • -20.05db
51% Popularity • 11% Danceability • 16% Energy • 16% Liveness
93% Instrumentalness • 4% Positiveness
51% Popularity • 11% Danceability • 16% Energy • 16% Liveness
93% Instrumentalness • 4% Positiveness
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Camille Saint-Saëns
Carnival of the Animals: The Swan
65 bpm • G Maj • 02:30 • -24.81db
62% Popularity • 21% Danceability • 7% Energy • 7% Liveness
97% Instrumentalness • 4% Positiveness
62% Popularity • 21% Danceability • 7% Energy • 7% Liveness
97% Instrumentalness • 4% Positiveness
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St. Petersburg Orchestra Harmony
Pachelbel Canon
73 bpm • D Maj • 02:59 • -16db
47% Popularity • 18% Danceability • 20% Energy • 21% Liveness
92% Instrumentalness • 16% Positiveness
47% Popularity • 18% Danceability • 20% Energy • 21% Liveness
92% Instrumentalness • 16% Positiveness
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Edvard Grieg
Peer Gynt Suite No. 1, Op. 46: I. Mornin...
65 bpm • E Maj • 03:52 • -24.52db
37% Popularity • 14% Danceability • 4% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
37% Popularity • 14% Danceability • 4% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
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Claude Debussy
Deux Arabesques, L66: No. 1: Andantino c...
73 bpm • E Maj • 04:32 • -28.85db
53% Popularity • 27% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 7% Positiveness
53% Popularity • 27% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 7% Positiveness
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Danny Wright
Pachelbel's Canon in D
73 bpm • D Maj • 03:37 • -16.45db
46% Popularity • 28% Danceability • 18% Energy • 9% Liveness
92% Instrumentalness • 14% Positiveness
46% Popularity • 28% Danceability • 18% Energy • 9% Liveness
92% Instrumentalness • 14% Positiveness
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Valentin Silvestrov
Five Pieces For Violin And Piano: I. Ele...
74 bpm • D# Maj • 02:59 • -35db
59% Popularity • 7% Danceability • 1% Energy • 7% Liveness
1% Instrumentalness • 4% Positiveness
59% Popularity • 7% Danceability • 1% Energy • 7% Liveness
1% Instrumentalness • 4% Positiveness
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Academy of St. Martin in the Fields
Adagio En Sol Mineur
74 bpm • C min • 08:52 • -12db
21% Popularity • 8% Danceability • 20% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
21% Popularity • 8% Danceability • 20% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
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Johannes Brahms
Wiegenlied, Op. 49, No. 4
74 bpm • D# Maj • 01:39 • -35.55db
44% Popularity • 17% Danceability • 1% Energy • 7% Liveness
0% Instrumentalness • 23% Positiveness
44% Popularity • 17% Danceability • 1% Energy • 7% Liveness
0% Instrumentalness • 23% Positiveness
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Fritz Kreisler
Liebesleid
74 bpm • A Maj • 03:41 • -25db
41% Popularity • 22% Danceability • 5% Energy • 19% Liveness
65% Instrumentalness • 15% Positiveness
41% Popularity • 22% Danceability • 5% Energy • 19% Liveness
65% Instrumentalness • 15% Positiveness
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Franz Liszt
Consolation No. 3 in D-Flat Major, S. 17...
74 bpm • C# Maj • 04:19 • -35.64db
53% Popularity • 20% Danceability • 0% Energy • 11% Liveness
92% Instrumentalness • 8% Positiveness
53% Popularity • 20% Danceability • 0% Energy • 11% Liveness
92% Instrumentalness • 8% Positiveness
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Fredrico Bayco
Elizabethan Masque
64 bpm • A min • 02:27 • -28db
28% Popularity • 22% Danceability • 7% Energy • 11% Liveness
81% Instrumentalness • 8% Positiveness
28% Popularity • 22% Danceability • 7% Energy • 11% Liveness
81% Instrumentalness • 8% Positiveness
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Erik Satie
3 Gymnopédies: No. 1 Lent et douloureux
74 bpm • G Maj • 03:39 • -36.5db
56% Popularity • 59% Danceability • 0% Energy • 7% Liveness
95% Instrumentalness • 18% Positiveness
56% Popularity • 59% Danceability • 0% Energy • 7% Liveness
95% Instrumentalness • 18% Positiveness
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Martin Bloch
Debussy - Claire De Lune
74 bpm • C# Maj • 05:30 • -26db
53% Popularity • 31% Danceability • 2% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
53% Popularity • 31% Danceability • 2% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Lang Lang
Arirang (Arr. Schindler for Piano)
75 bpm • G Maj • 03:59 • -19.32db
23% Popularity • 29% Danceability • 12% Energy • 16% Liveness
90% Instrumentalness • 20% Positiveness
23% Popularity • 29% Danceability • 12% Energy • 16% Liveness
90% Instrumentalness • 20% Positiveness
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John Field
Nocturne No. 1 in E Flat Major, H.24
75 bpm • D# Maj • 03:41 • -25.07db
54% Popularity • 32% Danceability • 3% Energy • 9% Liveness
92% Instrumentalness • 6% Positiveness
54% Popularity • 32% Danceability • 3% Energy • 9% Liveness
92% Instrumentalness • 6% Positiveness
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Ludovico Einaudi
I giorni (Arr. For Violin, Piano And Str...
75 bpm • D Maj • 05:36 • -18.87db
34% Popularity • 10% Danceability • 10% Energy • 17% Liveness
3% Instrumentalness • 8% Positiveness
34% Popularity • 10% Danceability • 10% Energy • 17% Liveness
3% Instrumentalness • 8% Positiveness
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Alexis Ffrench
Bluebird
75 bpm • A# Maj • 03:24 • -20.61db
59% Popularity • 45% Danceability • 11% Energy • 10% Liveness
90% Instrumentalness • 8% Positiveness
59% Popularity • 45% Danceability • 11% Energy • 10% Liveness
90% Instrumentalness • 8% Positiveness
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Camille Saint-Saëns
Saint-Saëns: Romance pour cor et orches...
75 bpm • F Maj • 04:00 • -27.13db
41% Popularity • 19% Danceability • 2% Energy • 7% Liveness
87% Instrumentalness • 7% Positiveness
41% Popularity • 19% Danceability • 2% Energy • 7% Liveness
87% Instrumentalness • 7% Positiveness
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Pietro Mascagni
Cavalleria Rusticana: Intermezzo
75 bpm • F Maj • 03:47 • -16.38db
23% Popularity • 8% Danceability • 16% Energy • 25% Liveness
92% Instrumentalness • 4% Positiveness
23% Popularity • 8% Danceability • 16% Energy • 25% Liveness
92% Instrumentalness • 4% Positiveness
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Ola Gjeilo
The Crossing
75 bpm • F Maj • 03:37 • -22.28db
29% Popularity • 12% Danceability • 5% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
29% Popularity • 12% Danceability • 5% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
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Arnold Schoenberg
Notturno for Strings and Harp
75 bpm • G# Maj • 03:12 • -19.64db
60% Popularity • 10% Danceability • 8% Energy • 12% Liveness
43% Instrumentalness • 6% Positiveness
60% Popularity • 10% Danceability • 8% Energy • 12% Liveness
43% Instrumentalness • 6% Positiveness
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Brooklyn Duo
Canon in D
75 bpm • D Maj • 04:55 • -12.04db
51% Popularity • 26% Danceability • 25% Energy • 11% Liveness
84% Instrumentalness • 18% Positiveness
51% Popularity • 26% Danceability • 25% Energy • 11% Liveness
84% Instrumentalness • 18% Positiveness
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Edvard Grieg
Lyric Pieces, Book 1, Op. 12: I. Arietta
75 bpm • A# Maj • 01:25 • -38.8db
60% Popularity • 33% Danceability • 0% Energy • 10% Liveness
87% Instrumentalness • 19% Positiveness
60% Popularity • 33% Danceability • 0% Energy • 10% Liveness
87% Instrumentalness • 19% Positiveness
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Silverwood Quartet
Vivaldi: Winter From The Four Seasons 2....
75 bpm • A# Maj • 01:55 • -17.92db
26% Popularity • 24% Danceability • 14% Energy • 14% Liveness
62% Instrumentalness • 38% Positiveness
26% Popularity • 24% Danceability • 14% Energy • 14% Liveness
62% Instrumentalness • 38% Positiveness
