Songs like Musikalische Ergötzung, Suite in E Minor, P. 373: III. Courant by Johann Pachelbel
Based on a tempo of (+/- 10%) and a similar genre
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Antonio Vivaldi
Nulla in mundo pax, RV 630: 1. Nulla in ...
99 bpm • D# Maj • 06:42 • -19.51db
49% Popularity • 29% Danceability • 8% Energy • 24% Liveness
0% Instrumentalness • 10% Positiveness
49% Popularity • 29% Danceability • 8% Energy • 24% Liveness
0% Instrumentalness • 10% Positiveness
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Sergei Prokofiev
Prokofiev: 10 Pieces from Romeo & Juliet...
99 bpm • A min • 03:58 • -19db
29% Popularity • 36% Danceability • 14% Energy • 13% Liveness
88% Instrumentalness • 8% Positiveness
29% Popularity • 36% Danceability • 14% Energy • 13% Liveness
88% Instrumentalness • 8% Positiveness
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Frédéric Chopin
Chopin: Nocturne No. 2 in E-Flat Major, ...
99 bpm • D# Maj • 04:52 • -25db
41% Popularity • 43% Danceability • 3% Energy • 14% Liveness
92% Instrumentalness • 9% Positiveness
41% Popularity • 43% Danceability • 3% Energy • 14% Liveness
92% Instrumentalness • 9% Positiveness
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Martin Bloch
Schumann - Traumerei
99 bpm • F Maj • 02:59 • -27db
34% Popularity • 52% Danceability • 3% Energy • 9% Liveness
91% Instrumentalness • 37% Positiveness
34% Popularity • 52% Danceability • 3% Energy • 9% Liveness
91% Instrumentalness • 37% Positiveness
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George Frideric Handel
Zadok the Priest (Coronation Anthem No.1...
99 bpm • D Maj • 05:40 • -16db
15% Popularity • 38% Danceability • 14% Energy • 5% Liveness
34% Instrumentalness • 10% Positiveness
15% Popularity • 38% Danceability • 14% Energy • 5% Liveness
34% Instrumentalness • 10% Positiveness
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Georg Philipp Telemann
Overture (Suite) in B-Flat Major, TWV 55...
98 bpm • A Maj • 02:32 • -23db
35% Popularity • 18% Danceability • 8% Energy • 18% Liveness
47% Instrumentalness • 16% Positiveness
35% Popularity • 18% Danceability • 8% Energy • 18% Liveness
47% Instrumentalness • 16% Positiveness
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Johann Pachelbel
Partie 5 en ut majeur: Aria
100 bpm • B Maj • 02:47 • -17.5db
20% Popularity • 44% Danceability • 21% Energy • 20% Liveness
0% Instrumentalness • 78% Positiveness
20% Popularity • 44% Danceability • 21% Energy • 20% Liveness
0% Instrumentalness • 78% Positiveness
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Alexander Borodin
String Quartet No. 2 in D Major: III. No...
100 bpm • A Maj • 06:38 • -20.69db
22% Popularity • 26% Danceability • 9% Energy • 8% Liveness
66% Instrumentalness • 10% Positiveness
22% Popularity • 26% Danceability • 9% Energy • 8% Liveness
66% Instrumentalness • 10% Positiveness
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Baroque Festival Orchestra
The Four Seasons (Concerti Op.8 Nos.1-4)...
98 bpm • E Maj • 03:26 • -22db
56% Popularity • 46% Danceability • 4% Energy • 10% Liveness
56% Instrumentalness • 39% Positiveness
56% Popularity • 46% Danceability • 4% Energy • 10% Liveness
56% Instrumentalness • 39% Positiveness
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Henry Purcell
Suite From Abdelzar: I. Rondeau
101 bpm • C# min • 01:29 • -21db
45% Popularity • 52% Danceability • 9% Energy • 11% Liveness
74% Instrumentalness • 52% Positiveness
45% Popularity • 52% Danceability • 9% Energy • 11% Liveness
74% Instrumentalness • 52% Positiveness
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Camille Saint-Saëns
Le carnaval des animaux, R. 125: XIII. L...
101 bpm • G Maj • 02:49 • -34db
30% Popularity • 15% Danceability • 5% Energy • 10% Liveness
43% Instrumentalness • 5% Positiveness
30% Popularity • 15% Danceability • 5% Energy • 10% Liveness
43% Instrumentalness • 5% Positiveness
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Finghin Collins
Nocturnes, Op. 9: No. 2 in E-Flat Major
101 bpm • A# Maj • 04:53 • -24.9db
38% Popularity • 43% Danceability • 3% Energy • 8% Liveness
88% Instrumentalness • 12% Positiveness
38% Popularity • 43% Danceability • 3% Energy • 8% Liveness
88% Instrumentalness • 12% Positiveness
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Johann Pachelbel
Canon & Gigue in D Major, P. 37: Canon
98 bpm • D Maj • 04:45 • -15.53db
35% Popularity • 19% Danceability • 14% Energy • 30% Liveness
91% Instrumentalness • 14% Positiveness
35% Popularity • 19% Danceability • 14% Energy • 30% Liveness
91% Instrumentalness • 14% Positiveness
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Léo Delibes
Sylvia: Act III: Divertissement: Variati...
97 bpm • D# Maj • 01:15 • -23db
61% Popularity • 35% Danceability • 6% Energy • 21% Liveness
93% Instrumentalness • 42% Positiveness
61% Popularity • 35% Danceability • 6% Energy • 21% Liveness
93% Instrumentalness • 42% Positiveness
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George Frideric Handel
Rinaldo, HWV 7a, Act II, Scene 4: Lascia...
97 bpm • B Maj • 05:00 • -26.68db
46% Popularity • 13% Danceability • 2% Energy • 8% Liveness
37% Instrumentalness • 6% Positiveness
46% Popularity • 13% Danceability • 2% Energy • 8% Liveness
37% Instrumentalness • 6% Positiveness
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Henry Purcell
Abdelazer, Z.570: 2. Rondeau
97 bpm • C# min • 01:38 • -20db
49% Popularity • 37% Danceability • 5% Energy • 11% Liveness
52% Instrumentalness • 48% Positiveness
49% Popularity • 37% Danceability • 5% Energy • 11% Liveness
52% Instrumentalness • 48% Positiveness
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William Boyce
Boyce: Symphony No. 1 in B flat Major - ...
97 bpm • A# Maj • 02:35 • -19db
18% Popularity • 42% Danceability • 24% Energy • 53% Liveness
92% Instrumentalness • 91% Positiveness
18% Popularity • 42% Danceability • 24% Energy • 53% Liveness
92% Instrumentalness • 91% Positiveness
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Luigi Boccherini
String Quintet in E Major, G. 275: III. ...
102 bpm • A Maj • 03:30 • -16.61db
32% Popularity • 56% Danceability • 12% Energy • 14% Liveness
25% Instrumentalness • 58% Positiveness
32% Popularity • 56% Danceability • 12% Energy • 14% Liveness
25% Instrumentalness • 58% Positiveness
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Johann Pachelbel
Canon and Gigue in D Major, P. 37: I. Ca...
100 bpm • C# Maj • 04:28 • -18.56db
24% Popularity • 23% Danceability • 14% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
24% Popularity • 23% Danceability • 14% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
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Antonín Dvořák
Songs My Mother Taught Me, Op. 55 No. 4
96 bpm • D Maj • 02:14 • -30.66db
42% Popularity • 16% Danceability • 1% Energy • 9% Liveness
72% Instrumentalness • 6% Positiveness
42% Popularity • 16% Danceability • 1% Energy • 9% Liveness
72% Instrumentalness • 6% Positiveness
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Antonio Vivaldi
I. Allegro
96 bpm • E Maj • 03:33 • -17db
37% Popularity • 38% Danceability • 11% Energy • 11% Liveness
71% Instrumentalness • 14% Positiveness
37% Popularity • 38% Danceability • 11% Energy • 11% Liveness
71% Instrumentalness • 14% Positiveness
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Henry Purcell
Purcell: Trumpet Sonata in D Major, Z. 8...
97 bpm • A# min • 01:30 • -26db
38% Popularity • 22% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
38% Popularity • 22% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
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George Frideric Handel
Zadok the Priest (Coronation Anthem No. ...
96 bpm • C# Maj • 05:23 • -15.76db
37% Popularity • 37% Danceability • 18% Energy • 8% Liveness
2% Instrumentalness • 15% Positiveness
37% Popularity • 37% Danceability • 18% Energy • 8% Liveness
2% Instrumentalness • 15% Positiveness
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Katherine Jenkins
The Flower Duet
102 bpm • B Maj • 03:50 • -12.97db
55% Popularity • 32% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
55% Popularity • 32% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Johann Pachelbel
Sanctus
98 bpm • D# Maj • 03:09 • -16.68db
39% Popularity • 18% Danceability • 17% Energy • 14% Liveness
78% Instrumentalness • 10% Positiveness
39% Popularity • 18% Danceability • 17% Energy • 14% Liveness
78% Instrumentalness • 10% Positiveness
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![6 Chants polonais, S. 480: No. 2, Frühling (Wiosna, Spring) [After Chopin's Op. 74] cover art](https://i.scdn.co/image/ab67616d00001e02b75259b5803e04a1d46dc211)
Franz Liszt
6 Chants polonais, S. 480: No. 2, Frühl...
96 bpm • G min • 02:11 • -35.91db
63% Popularity • 41% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 16% Positiveness
63% Popularity • 41% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 16% Positiveness
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Georg Philipp Telemann
Sinfonia melodica in C Major, TWV 50:2: ...
103 bpm • B Maj • 01:08 • -19db
53% Popularity • 42% Danceability • 13% Energy • 55% Liveness
60% Instrumentalness • 58% Positiveness
53% Popularity • 42% Danceability • 13% Energy • 55% Liveness
60% Instrumentalness • 58% Positiveness
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Edward Elgar
Salut d'amour, Op. 12
95 bpm • E Maj • 02:54 • -22db
51% Popularity • 17% Danceability • 13% Energy • 13% Liveness
4% Instrumentalness • 5% Positiveness
51% Popularity • 17% Danceability • 13% Energy • 13% Liveness
4% Instrumentalness • 5% Positiveness
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George Frideric Handel
Handel: Rinaldo, HWV 7, Act 2: "Lascia c...
103 bpm • E Maj • 05:32 • -22.76db
30% Popularity • 21% Danceability • 3% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
30% Popularity • 21% Danceability • 3% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
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Hollywood Symphony Orchestra
Pachelbel - Canon In D
102 bpm • D Maj • 04:51 • -22db
44% Popularity • 21% Danceability • 14% Energy • 37% Liveness
84% Instrumentalness • 16% Positiveness
44% Popularity • 21% Danceability • 14% Energy • 37% Liveness
84% Instrumentalness • 16% Positiveness
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Johann Pachelbel
Canon and Gigue in D Major, P. 37: 1. Ca...
101 bpm • D Maj • 04:53 • -18.37db
15% Popularity • 27% Danceability • 15% Energy • 9% Liveness
93% Instrumentalness • 27% Positiveness
15% Popularity • 27% Danceability • 15% Energy • 9% Liveness
93% Instrumentalness • 27% Positiveness
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Karoly Botvay
The 4 Seasons: Violin Concerto in E majo...
95 bpm • E Maj • 03:37 • -16.07db
49% Popularity • 45% Danceability • 14% Energy • 19% Liveness
87% Instrumentalness • 28% Positiveness
49% Popularity • 45% Danceability • 14% Energy • 19% Liveness
87% Instrumentalness • 28% Positiveness
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Daniel Barenboim
Bach, JS : Well-Tempered Clavier Book 1 ...
95 bpm • C Maj • 01:40 • -37db
57% Popularity • 18% Danceability • 2% Energy • 7% Liveness
90% Instrumentalness • 25% Positiveness
57% Popularity • 18% Danceability • 2% Energy • 7% Liveness
90% Instrumentalness • 25% Positiveness
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Philip Glass
The Truman Show: Truman Sleeps - Short V...
95 bpm • G# Maj • 02:40 • -29.74db
52% Popularity • 27% Danceability • 0% Energy • 7% Liveness
92% Instrumentalness • 6% Positiveness
52% Popularity • 27% Danceability • 0% Energy • 7% Liveness
92% Instrumentalness • 6% Positiveness
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Johann Strauss II
An der schönen blauen Donau, Op. 314
95 bpm • D Maj • 11:47 • -24.82db
61% Popularity • 23% Danceability • 3% Energy • 14% Liveness
60% Instrumentalness • 9% Positiveness
61% Popularity • 23% Danceability • 3% Energy • 14% Liveness
60% Instrumentalness • 9% Positiveness
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Květa Novotná
Johann Sebastian Bach: Praeludium I C-Du...
103 bpm • C Maj • 01:31 • -26.12db
37% Popularity • 19% Danceability • 8% Energy • 10% Liveness
95% Instrumentalness • 6% Positiveness
37% Popularity • 19% Danceability • 8% Energy • 10% Liveness
95% Instrumentalness • 6% Positiveness
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Johann Pachelbel
Canon and Gigue in D Major (arr. for flu...
96 bpm • G Maj • 05:01 • -16.74db
3% Popularity • 36% Danceability • 18% Energy • 8% Liveness
96% Instrumentalness • 46% Positiveness
3% Popularity • 36% Danceability • 18% Energy • 8% Liveness
96% Instrumentalness • 46% Positiveness
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Claudio Monteverdi
Pur ti Miro from 'L'incoronazione di Pop...
95 bpm • A Maj • 03:37 • -20.49db
23% Popularity • 27% Danceability • 4% Energy • 11% Liveness
23% Instrumentalness • 15% Positiveness
23% Popularity • 27% Danceability • 4% Energy • 11% Liveness
23% Instrumentalness • 15% Positiveness
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Baroque Festival Orchestra
Autumn (L'Automno) Op.8 No.3 Major: Alle...
104 bpm • F Maj • 05:06 • -24db
53% Popularity • 53% Danceability • 3% Energy • 12% Liveness
62% Instrumentalness • 22% Positiveness
53% Popularity • 53% Danceability • 3% Energy • 12% Liveness
62% Instrumentalness • 22% Positiveness
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César Franck
Violin Sonata in A major, FWV 8: IV. All...
94 bpm • A Maj • 06:04 • -18.62db
51% Popularity • 25% Danceability • 14% Energy • 5% Liveness
3% Instrumentalness • 18% Positiveness
51% Popularity • 25% Danceability • 14% Energy • 5% Liveness
3% Instrumentalness • 18% Positiveness
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Camille Saint-Saëns
Le Cygne
94 bpm • G Maj • 03:34 • -26.63db
58% Popularity • 12% Danceability • 6% Energy • 15% Liveness
91% Instrumentalness • 4% Positiveness
58% Popularity • 12% Danceability • 6% Energy • 15% Liveness
91% Instrumentalness • 4% Positiveness
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Leoš Janáček
Idyl for Strings - Adagio
105 bpm • G Maj • 05:37 • -27db
24% Popularity • 16% Danceability • 6% Energy • 13% Liveness
66% Instrumentalness • 5% Positiveness
24% Popularity • 16% Danceability • 6% Energy • 13% Liveness
66% Instrumentalness • 5% Positiveness
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Johann Pachelbel
Canon In D Major - Canon In D Major
96 bpm • D Maj • 04:48 • -29.39db
12% Popularity • 20% Danceability • 3% Energy • 35% Liveness
16% Instrumentalness • 11% Positiveness
12% Popularity • 20% Danceability • 3% Energy • 35% Liveness
16% Instrumentalness • 11% Positiveness
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Ralph Vaughan Williams
Sir John in Love: Fantasia on Greensleev...
105 bpm • C min • 05:01 • -26db
27% Popularity • 15% Danceability • 8% Energy • 9% Liveness
63% Instrumentalness • 11% Positiveness
27% Popularity • 15% Danceability • 8% Energy • 9% Liveness
63% Instrumentalness • 11% Positiveness
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Academy of St. Martin in the Fields
Peer Gynt Suite No.2 op. 55 Solveig's So...
93 bpm • A min • 05:14 • -32db
33% Popularity • 11% Danceability • 2% Energy • 6% Liveness
88% Instrumentalness • 4% Positiveness
33% Popularity • 11% Danceability • 2% Energy • 6% Liveness
88% Instrumentalness • 4% Positiveness
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The Jane Austen Era
Menuet No. 5, Op. 11
105 bpm • A Maj • 03:35 • -24.99db
36% Popularity • 46% Danceability • 6% Energy • 11% Liveness
87% Instrumentalness • 55% Positiveness
36% Popularity • 46% Danceability • 6% Energy • 11% Liveness
87% Instrumentalness • 55% Positiveness
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Antonio Vivaldi
Vivaldi: The Four Seasons, Violin Concer...
105 bpm • E Maj • 03:16 • -14db
53% Popularity • 47% Danceability • 16% Energy • 11% Liveness
97% Instrumentalness • 43% Positiveness
53% Popularity • 47% Danceability • 16% Energy • 11% Liveness
97% Instrumentalness • 43% Positiveness
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Robert Schumann
Kinderszenen, Op. 15: No. 7, Träumerei ...
93 bpm • F Maj • 02:30 • -23.05db
27% Popularity • 20% Danceability • 8% Energy • 12% Liveness
78% Instrumentalness • 6% Positiveness
27% Popularity • 20% Danceability • 8% Energy • 12% Liveness
78% Instrumentalness • 6% Positiveness
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Johann Pachelbel
Musikalische Ergötzung, Suite in C Majo...
103 bpm • B Maj • 03:15 • -13.52db
11% Popularity • 30% Danceability • 28% Energy • 12% Liveness
49% Instrumentalness • 18% Positiveness
11% Popularity • 30% Danceability • 28% Energy • 12% Liveness
49% Instrumentalness • 18% Positiveness
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Ludwig van Beethoven
Beethoven: Piano Sonata No. 14 in C-Shar...
93 bpm • C# min • 04:49 • -35db
33% Popularity • 29% Danceability • 1% Energy • 16% Liveness
82% Instrumentalness • 10% Positiveness
33% Popularity • 29% Danceability • 1% Energy • 16% Liveness
82% Instrumentalness • 10% Positiveness
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Claude Debussy
Petite suite: I. En bateau (arr. H. Buss...
93 bpm • G Maj • 03:47 • -30.82db
53% Popularity • 14% Danceability • 2% Energy • 12% Liveness
85% Instrumentalness • 7% Positiveness
53% Popularity • 14% Danceability • 2% Energy • 12% Liveness
85% Instrumentalness • 7% Positiveness
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Joseph Haydn
String Quartet No. 62 in C Major, Op. 76...
106 bpm • G Maj • 07:42 • -28db
49% Popularity • 16% Danceability • 4% Energy • 16% Liveness
76% Instrumentalness • 11% Positiveness
49% Popularity • 16% Danceability • 4% Energy • 16% Liveness
76% Instrumentalness • 11% Positiveness
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Antonio Vivaldi
Violin Concerto No. 1 in E Major, RV 269...
105 bpm • E Maj • 03:19 • -16.03db
40% Popularity • 45% Danceability • 19% Energy • 20% Liveness
66% Instrumentalness • 14% Positiveness
40% Popularity • 45% Danceability • 19% Energy • 20% Liveness
66% Instrumentalness • 14% Positiveness
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Gioachino Rossini
Il barbiere di Siviglia: Overture (Sinfo...
92 bpm • E Maj • 07:05 • -20.75db
51% Popularity • 32% Danceability • 14% Energy • 12% Liveness
76% Instrumentalness • 28% Positiveness
51% Popularity • 32% Danceability • 14% Energy • 12% Liveness
76% Instrumentalness • 28% Positiveness
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Johann Pachelbel
Partie 4 en mi mineur: Sonata adagio
103 bpm • D# min • 01:31 • -12.81db
17% Popularity • 23% Danceability • 22% Energy • 10% Liveness
7% Instrumentalness • 5% Positiveness
17% Popularity • 23% Danceability • 22% Energy • 10% Liveness
7% Instrumentalness • 5% Positiveness
► Preview
Karoly Botvay
The 4 Seasons: Violin Concerto in F majo...
107 bpm • F Maj • 05:22 • -24db
38% Popularity • 43% Danceability • 3% Energy • 15% Liveness
30% Instrumentalness • 18% Positiveness
38% Popularity • 43% Danceability • 3% Energy • 15% Liveness
30% Instrumentalness • 18% Positiveness
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Camille Saint-Saëns
Danse Macabre, Op. 40, R.171
107 bpm • G min • 07:22 • -23.9db
58% Popularity • 37% Danceability • 13% Energy • 8% Liveness
92% Instrumentalness • 7% Positiveness
58% Popularity • 37% Danceability • 13% Energy • 8% Liveness
92% Instrumentalness • 7% Positiveness
► Preview
George Frideric Handel
Messiah, HWV 56, Part I: Pastoral Sympho...
92 bpm • C Maj • 03:47 • -29db
51% Popularity • 11% Danceability • 3% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
51% Popularity • 11% Danceability • 3% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
► Preview
Antonio Vivaldi
Concerto for Strings in G Major, RV 151,...
107 bpm • D Maj • 01:19 • -17.56db
63% Popularity • 43% Danceability • 29% Energy • 37% Liveness
91% Instrumentalness • 63% Positiveness
63% Popularity • 43% Danceability • 29% Energy • 37% Liveness
91% Instrumentalness • 63% Positiveness
► Preview
Johannes Brahms
Hungarian Dance No. 5 in G Minor, WoO 1,...
107 bpm • F# min • 02:30 • -18.67db
50% Popularity • 35% Danceability • 5% Energy • 23% Liveness
15% Instrumentalness • 30% Positiveness
50% Popularity • 35% Danceability • 5% Energy • 23% Liveness
15% Instrumentalness • 30% Positiveness
► Preview
Johann Pachelbel
Canon and Gigue in D Major - Arr. Max Se...
94 bpm • D Maj • 07:02 • -16.73db
32% Popularity • 29% Danceability • 12% Energy • 19% Liveness
83% Instrumentalness • 17% Positiveness
32% Popularity • 29% Danceability • 12% Energy • 19% Liveness
83% Instrumentalness • 17% Positiveness
► Preview
Carl Philipp Emanuel Bach
Cello Concerto No. 3 in A Major, Wq. 172...
107 bpm • E Maj • 05:25 • -20.23db
39% Popularity • 44% Danceability • 25% Energy • 15% Liveness
84% Instrumentalness • 49% Positiveness
39% Popularity • 44% Danceability • 25% Energy • 15% Liveness
84% Instrumentalness • 49% Positiveness
► Preview
Antonín Dvořák
Dvořák: 4 Romantic Pieces, Op. 75, B. ...
107 bpm • A# Maj • 03:17 • -26db
32% Popularity • 16% Danceability • 5% Energy • 13% Liveness
4% Instrumentalness • 8% Positiveness
32% Popularity • 16% Danceability • 5% Energy • 13% Liveness
4% Instrumentalness • 8% Positiveness
► Preview
Muzio Clementi
Sonatina No. 1 in C Major, Op. 36: I. Sp...
108 bpm • C Maj • 01:26 • -16.41db
37% Popularity • 45% Danceability • 31% Energy • 13% Liveness
93% Instrumentalness • 96% Positiveness
37% Popularity • 45% Danceability • 31% Energy • 13% Liveness
93% Instrumentalness • 96% Positiveness
► Preview
Michael Nyman
Nyman: The Heart Asks Pleasure First
108 bpm • A min • 03:39 • -24db
32% Popularity • 17% Danceability • 7% Energy • 10% Liveness
79% Instrumentalness • 11% Positiveness
32% Popularity • 17% Danceability • 7% Energy • 10% Liveness
79% Instrumentalness • 11% Positiveness
► Preview
Brian Crain
Song for Sienna
91 bpm • G Maj • 04:04 • -15db
52% Popularity • 22% Danceability • 23% Energy • 11% Liveness
87% Instrumentalness • 17% Positiveness
52% Popularity • 22% Danceability • 23% Energy • 11% Liveness
87% Instrumentalness • 17% Positiveness
► Preview
Johann Pachelbel
Canon in D Major, P. 37
106 bpm • C Maj • 04:34 • -21.52db
19% Popularity • 32% Danceability • 8% Energy • 21% Liveness
85% Instrumentalness • 16% Positiveness
19% Popularity • 32% Danceability • 8% Energy • 21% Liveness
85% Instrumentalness • 16% Positiveness
► Preview
Léo Delibes
Le roi s'amuse: Pavane
91 bpm • A# Maj • 01:28 • -34db
63% Popularity • 20% Danceability • 1% Energy • 15% Liveness
94% Instrumentalness • 24% Positiveness
63% Popularity • 20% Danceability • 1% Energy • 15% Liveness
94% Instrumentalness • 24% Positiveness
► Preview
Antonín Dvořák
Humoresque, Op. 101, No. 7
108 bpm • F# Maj • 03:03 • -23db
32% Popularity • 45% Danceability • 4% Energy • 9% Liveness
94% Instrumentalness • 15% Positiveness
32% Popularity • 45% Danceability • 4% Energy • 9% Liveness
94% Instrumentalness • 15% Positiveness
► Preview
Camille Saint-Saëns
Saint-Saëns: Le carnaval des animaux, R...
91 bpm • G Maj • 03:25 • -28db
39% Popularity • 10% Danceability • 3% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
39% Popularity • 10% Danceability • 3% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
► Preview
Tomaso Albinoni
Oboe Concerto in G Minor, Op. 9, No. 8: ...
108 bpm • G min • 04:03 • -16.62db
34% Popularity • 57% Danceability • 26% Energy • 12% Liveness
94% Instrumentalness • 73% Positiveness
34% Popularity • 57% Danceability • 26% Energy • 12% Liveness
94% Instrumentalness • 73% Positiveness
► Preview
Frédéric Chopin
Preludes, Op. 28: No. 4, Largo
109 bpm • A min • 02:11 • -25.93db
60% Popularity • 38% Danceability • 2% Energy • 12% Liveness
87% Instrumentalness • 4% Positiveness
60% Popularity • 38% Danceability • 2% Energy • 12% Liveness
87% Instrumentalness • 4% Positiveness
► Preview
Johann Pachelbel
Partie 5 en si bémol majeur: Saraband
92 bpm • A Maj • 02:13 • -15.39db
15% Popularity • 17% Danceability • 12% Energy • 12% Liveness
10% Instrumentalness • 17% Positiveness
15% Popularity • 17% Danceability • 12% Energy • 12% Liveness
10% Instrumentalness • 17% Positiveness
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Lang Lang
Minuet No. 2 in G Minor (Formerly Attrib...
109 bpm • G min • 01:56 • -29.15db
30% Popularity • 50% Danceability • 7% Energy • 10% Liveness
88% Instrumentalness • 40% Positiveness
30% Popularity • 50% Danceability • 7% Energy • 10% Liveness
88% Instrumentalness • 40% Positiveness
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Johann Strauss II
Die Fledermaus: Overture
109 bpm • D Maj • 07:40 • -14.49db
43% Popularity • 39% Danceability • 24% Energy • 5% Liveness
78% Instrumentalness • 20% Positiveness
43% Popularity • 39% Danceability • 24% Energy • 5% Liveness
78% Instrumentalness • 20% Positiveness
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Georg Philipp Telemann
Concerto In G Major TWV 40:201, For 4 Vi...
110 bpm • F# Maj • 02:11 • -24.41db
42% Popularity • 31% Danceability • 1% Energy • 7% Liveness
7% Instrumentalness • 33% Positiveness
42% Popularity • 31% Danceability • 1% Energy • 7% Liveness
7% Instrumentalness • 33% Positiveness
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Tomaso Albinoni
Adagio in G Minor
90 bpm • G min • 04:26 • -12.94db
51% Popularity • 10% Danceability • 28% Energy • 11% Liveness
90% Instrumentalness • 5% Positiveness
51% Popularity • 10% Danceability • 28% Energy • 11% Liveness
90% Instrumentalness • 5% Positiveness
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Arash Safaian
Adagietto
89 bpm • G Maj • 02:22 • -33.27db
57% Popularity • 31% Danceability • 1% Energy • 6% Liveness
95% Instrumentalness • 11% Positiveness
57% Popularity • 31% Danceability • 1% Energy • 6% Liveness
95% Instrumentalness • 11% Positiveness
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Johann Pachelbel
Partie a 5 in G-dur
108 bpm • F# Maj • 05:23 • -18.7db
9% Popularity • 37% Danceability • 16% Energy • 12% Liveness
20% Instrumentalness • 31% Positiveness
9% Popularity • 37% Danceability • 16% Energy • 12% Liveness
20% Instrumentalness • 31% Positiveness
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Giacomo Puccini
Puccini: Gianni Schicchi, Act 1: "O mio ...
89 bpm • G# Maj • 02:01 • -14db
46% Popularity • 29% Danceability • 17% Energy • 10% Liveness
88% Instrumentalness • 12% Positiveness
46% Popularity • 29% Danceability • 17% Energy • 10% Liveness
88% Instrumentalness • 12% Positiveness
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Magnus Ericsson,violin Hans-Olov Mellqvist,piano
John Williams : Schindlers list - Violin...
89 bpm • D min • 03:33 • -22.62db
31% Popularity • 17% Danceability • 7% Energy • 6% Liveness
39% Instrumentalness • 9% Positiveness
31% Popularity • 17% Danceability • 7% Energy • 6% Liveness
39% Instrumentalness • 9% Positiveness
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Ottorino Respighi
Bach - 3 chorales, P. 167: No. 3. Andant...
110 bpm • D# Maj • 05:08 • -31.82db
52% Popularity • 16% Danceability • 1% Energy • 9% Liveness
84% Instrumentalness • 9% Positiveness
52% Popularity • 16% Danceability • 1% Energy • 9% Liveness
84% Instrumentalness • 9% Positiveness
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Tomaso Albinoni
Albinoni: Adagio in G Minor
90 bpm • C min • 05:53 • -20.28db
37% Popularity • 14% Danceability • 10% Energy • 11% Liveness
78% Instrumentalness • 4% Positiveness
37% Popularity • 14% Danceability • 10% Energy • 11% Liveness
78% Instrumentalness • 4% Positiveness
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Stanley Myers
Cavatina
89 bpm • E Maj • 03:23 • -27.4db
26% Popularity • 32% Danceability • 3% Energy • 8% Liveness
91% Instrumentalness • 39% Positiveness
26% Popularity • 32% Danceability • 3% Energy • 8% Liveness
91% Instrumentalness • 39% Positiveness
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Johann Pachelbel
Canon in D Variation
109 bpm • D Maj • 02:18 • -18.77db
41% Popularity • 30% Danceability • 8% Energy • 12% Liveness
7% Instrumentalness • 24% Positiveness
41% Popularity • 30% Danceability • 8% Energy • 12% Liveness
7% Instrumentalness • 24% Positiveness
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Luigi Boccherini
String Quintet No. 60 in C Major, Op. 30...
89 bpm • G Maj • 02:19 • -17.77db
40% Popularity • 50% Danceability • 20% Energy • 11% Liveness
92% Instrumentalness • 39% Positiveness
40% Popularity • 50% Danceability • 20% Energy • 11% Liveness
92% Instrumentalness • 39% Positiveness
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Léo Delibes
Coppelia: Act I - Valse
89 bpm • D# Maj • 02:21 • -26.69db
55% Popularity • 20% Danceability • 3% Energy • 9% Liveness
87% Instrumentalness • 19% Positiveness
55% Popularity • 20% Danceability • 3% Energy • 9% Liveness
87% Instrumentalness • 19% Positiveness
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Pablo Casals
El cant dels ocells (Song of the Birds) ...
89 bpm • A min • 03:49 • -33db
57% Popularity • 16% Danceability • 3% Energy • 11% Liveness
23% Instrumentalness • 3% Positiveness
57% Popularity • 16% Danceability • 3% Energy • 11% Liveness
23% Instrumentalness • 3% Positiveness
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Ralph Vaughan Williams
Fantasia on Greensleeves
89 bpm • C min • 04:15 • -26.89db
41% Popularity • 13% Danceability • 7% Energy • 40% Liveness
88% Instrumentalness • 12% Positiveness
41% Popularity • 13% Danceability • 7% Energy • 40% Liveness
88% Instrumentalness • 12% Positiveness
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Sergei Rachmaninoff
Rhapsody on a Theme of Paganini, Op. 43:...
88 bpm • C# Maj • 02:54 • -23.84db
55% Popularity • 20% Danceability • 5% Energy • 10% Liveness
91% Instrumentalness • 5% Positiveness
55% Popularity • 20% Danceability • 5% Energy • 10% Liveness
91% Instrumentalness • 5% Positiveness
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Johann Pachelbel
Christ lag in Todesbanden: Versus I
109 bpm • D min • 02:19 • -15.19db
16% Popularity • 26% Danceability • 26% Energy • 13% Liveness
9% Instrumentalness • 21% Positiveness
16% Popularity • 26% Danceability • 26% Energy • 13% Liveness
9% Instrumentalness • 21% Positiveness
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Luigi Boccherini
Boccherini / Arr. Paillard: String Quint...
111 bpm • A Maj • 03:03 • -19.48db
28% Popularity • 43% Danceability • 14% Energy • 13% Liveness
91% Instrumentalness • 60% Positiveness
28% Popularity • 43% Danceability • 14% Energy • 13% Liveness
91% Instrumentalness • 60% Positiveness
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Edvard Grieg
Lyric Pieces, Book 1, Op. 12: Arietta
111 bpm • D# Maj • 01:23 • -31db
63% Popularity • 43% Danceability • 2% Energy • 27% Liveness
94% Instrumentalness • 35% Positiveness
63% Popularity • 43% Danceability • 2% Energy • 27% Liveness
94% Instrumentalness • 35% Positiveness
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Franz Liszt
La campanella in G-Sharp Minor
88 bpm • G# min • 04:47 • -22.17db
52% Popularity • 28% Danceability • 29% Energy • 8% Liveness
89% Instrumentalness • 51% Positiveness
52% Popularity • 28% Danceability • 29% Energy • 8% Liveness
89% Instrumentalness • 51% Positiveness
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Joaquín Rodrigo
Fantasía para un Gentilhombre: IIa. Esp...
88 bpm • A min • 05:04 • -23.4db
40% Popularity • 33% Danceability • 5% Energy • 12% Liveness
91% Instrumentalness • 21% Positiveness
40% Popularity • 33% Danceability • 5% Energy • 12% Liveness
91% Instrumentalness • 21% Positiveness
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Slovak Philharmonic
Romance No. 2 In F Major, Op. 50
88 bpm • F Maj • 09:50 • -23db
38% Popularity • 18% Danceability • 6% Energy • 30% Liveness
28% Instrumentalness • 8% Positiveness
38% Popularity • 18% Danceability • 6% Energy • 30% Liveness
28% Instrumentalness • 8% Positiveness
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Johann Pachelbel
Gigue in D major
90 bpm • A Maj • 01:52 • -19db
20% Popularity • 56% Danceability • 12% Energy • 41% Liveness
6% Instrumentalness • 32% Positiveness
20% Popularity • 56% Danceability • 12% Energy • 41% Liveness
6% Instrumentalness • 32% Positiveness
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Luigi Boccherini
String Quintet in E Major, G. 275: III. ...
112 bpm • A Maj • 03:24 • -34db
31% Popularity • 47% Danceability • 1% Energy • 9% Liveness
3% Instrumentalness • 49% Positiveness
31% Popularity • 47% Danceability • 1% Energy • 9% Liveness
3% Instrumentalness • 49% Positiveness
