Songs like Musikalische Exequien, SWV 279-281: No. 18, Herr, ich lasse dich nicht by Heinrich Schütz
Based on a tempo of (+/- 10%) and a similar genre
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Heinrich Schütz
Wohl denen, die da wandeln, EG 295
110 bpm • G Maj • 01:55 • -19.53db
1% Popularity • 22% Danceability • 18% Energy • 29% Liveness
0% Instrumentalness • 40% Positiveness
1% Popularity • 22% Danceability • 18% Energy • 29% Liveness
0% Instrumentalness • 40% Positiveness
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Niccolò Jommelli
Missa pro Defunctis in E-Flat Major, Hoc...
110 bpm • B min • 00:55 • -14db
18% Popularity • 30% Danceability • 28% Energy • 22% Liveness
1% Instrumentalness • 61% Positiveness
18% Popularity • 30% Danceability • 28% Energy • 22% Liveness
1% Instrumentalness • 61% Positiveness
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Johann Sebastian Bach
Matthäus Passion, BWV 244, Pt. 2, Buria...
110 bpm • G Maj • 02:06 • -28.22db
7% Popularity • 20% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 5% Positiveness
7% Popularity • 20% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 5% Positiveness
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Gregorio Allegri
Miserere: XI. Tunc acceptabis sacrificiu...
110 bpm • B min • 01:12 • -21.23db
22% Popularity • 30% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
22% Popularity • 30% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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Luca Marenzio
All'imperio d'Amore: 6. La dipartita e a...
109 bpm • G min • 02:13 • -19db
14% Popularity • 24% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
14% Popularity • 24% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
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Robert Hacomplaynt
Hacomplaynt: Salve Regina: I. Salve Regi...
111 bpm • F# Maj • 03:48 • -23.11db
8% Popularity • 20% Danceability • 12% Energy • 17% Liveness
5% Instrumentalness • 6% Positiveness
8% Popularity • 20% Danceability • 12% Energy • 17% Liveness
5% Instrumentalness • 6% Positiveness
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Heinrich Schütz
Matthäus-Passion, SWV 479: XIII. Kreuzi...
110 bpm • F# Maj • 09:57 • -26.12db
3% Popularity • 35% Danceability • 4% Energy • 22% Liveness
0% Instrumentalness • 8% Positiveness
3% Popularity • 35% Danceability • 4% Energy • 22% Liveness
0% Instrumentalness • 8% Positiveness
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Michael Haydn
Missa pro Quadragesima, MH 551: Kyrie
109 bpm • E Maj • 02:10 • -24.92db
18% Popularity • 20% Danceability • 7% Energy • 9% Liveness
28% Instrumentalness • 22% Positiveness
18% Popularity • 20% Danceability • 7% Energy • 9% Liveness
28% Instrumentalness • 22% Positiveness
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Niccolò Jommelli
Missa pro Defunctis in E-Flat Major, Hoc...
111 bpm • D Maj • 01:04 • -15db
15% Popularity • 27% Danceability • 22% Energy • 10% Liveness
45% Instrumentalness • 23% Positiveness
15% Popularity • 27% Danceability • 22% Energy • 10% Liveness
45% Instrumentalness • 23% Positiveness
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Johann Sebastian Bach
Cantata "Christ lag in Todesbanden", BWV...
111 bpm • C# min • 01:31 • -27.74db
11% Popularity • 28% Danceability • 6% Energy • 15% Liveness
36% Instrumentalness • 4% Positiveness
11% Popularity • 28% Danceability • 6% Energy • 15% Liveness
36% Instrumentalness • 4% Positiveness
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Jan Dismas Zelenka
Missa Sancti Spiritus, ZWV 4: Sanctus
111 bpm • C# Maj • 01:14 • -15.73db
16% Popularity • 35% Danceability • 29% Energy • 53% Liveness
66% Instrumentalness • 22% Positiveness
16% Popularity • 35% Danceability • 29% Energy • 53% Liveness
66% Instrumentalness • 22% Positiveness
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Sigismondo D'India
Ha di serp'il velen, di tigr'il morso
109 bpm • G# Maj • 02:10 • -24db
9% Popularity • 32% Danceability • 13% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
9% Popularity • 32% Danceability • 13% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
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Heinrich Schütz
Matthäus-Passion, SWV 479: III. Salbung...
110 bpm • F# Maj • 02:10 • -27.58db
4% Popularity • 39% Danceability • 3% Energy • 22% Liveness
0% Instrumentalness • 13% Positiveness
4% Popularity • 39% Danceability • 3% Energy • 22% Liveness
0% Instrumentalness • 13% Positiveness
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Frantisek Tuma
Stabat Mater in G Minor: VII. Sancta Mat...
112 bpm • B min • 01:57 • -19.21db
10% Popularity • 26% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
10% Popularity • 26% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Claudio Monteverdi
Nisi dominus I
108 bpm • G Maj • 06:48 • -20.98db
8% Popularity • 28% Danceability • 14% Energy • 13% Liveness
0% Instrumentalness • 7% Positiveness
8% Popularity • 28% Danceability • 14% Energy • 13% Liveness
0% Instrumentalness • 7% Positiveness
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Johann Sebastian Bach
Aria
108 bpm • C Maj • 03:55 • -44.2db
18% Popularity • 31% Danceability • 0% Energy • 10% Liveness
57% Instrumentalness • 10% Positiveness
18% Popularity • 31% Danceability • 0% Energy • 10% Liveness
57% Instrumentalness • 10% Positiveness
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Jacques Arcadelt
Missa Noe Noe: I. Kyrie
108 bpm • G min • 03:15 • -25.5db
12% Popularity • 16% Danceability • 9% Energy • 15% Liveness
81% Instrumentalness • 9% Positiveness
12% Popularity • 16% Danceability • 9% Energy • 15% Liveness
81% Instrumentalness • 9% Positiveness
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Giulio Caccini
All'imperio d'Amore: 5. Ineffabile ardor...
113 bpm • A# Maj • 01:00 • -17db
37% Popularity • 17% Danceability • 25% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
37% Popularity • 17% Danceability • 25% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
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Heinrich Schütz
Il Primo Libro de Madrigali, Op. 1, SWV ...
109 bpm • G min • 03:28 • -25.44db
5% Popularity • 22% Danceability • 6% Energy • 19% Liveness
0% Instrumentalness • 5% Positiveness
5% Popularity • 22% Danceability • 6% Energy • 19% Liveness
0% Instrumentalness • 5% Positiveness
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Anónimo
Pasión: O Vos Omnes. Coro.
114 bpm • F# Maj • 02:04 • -14.8db
8% Popularity • 22% Danceability • 18% Energy • 12% Liveness
6% Instrumentalness • 9% Positiveness
8% Popularity • 22% Danceability • 18% Energy • 12% Liveness
6% Instrumentalness • 9% Positiveness
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Claudio Monteverdi
Sfogava con le stelle
113 bpm • D min • 03:34 • -22.94db
12% Popularity • 21% Danceability • 5% Energy • 36% Liveness
0% Instrumentalness • 4% Positiveness
12% Popularity • 21% Danceability • 5% Energy • 36% Liveness
0% Instrumentalness • 4% Positiveness
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Camille Saint-Saëns
2 Choeurs, Op. 68: No. 2. Les fleurs et ...
106 bpm • E Maj • 01:43 • -19.4db
11% Popularity • 24% Danceability • 16% Energy • 11% Liveness
76% Instrumentalness • 5% Positiveness
11% Popularity • 24% Danceability • 16% Energy • 11% Liveness
76% Instrumentalness • 5% Positiveness
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Antonio Vivaldi
Nisi Dominus, RV 608: VII. Gloria Patri
106 bpm • C# min • 04:39 • -22.63db
10% Popularity • 22% Danceability • 4% Energy • 11% Liveness
1% Instrumentalness • 10% Positiveness
10% Popularity • 22% Danceability • 4% Energy • 11% Liveness
1% Instrumentalness • 10% Positiveness
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George de La Hèle
Missa Praeter rerum seriem: III. Credo
106 bpm • D# min • 09:23 • -20.52db
9% Popularity • 17% Danceability • 16% Energy • 14% Liveness
10% Instrumentalness • 7% Positiveness
9% Popularity • 17% Danceability • 16% Energy • 14% Liveness
10% Instrumentalness • 7% Positiveness
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Heinrich Schütz
St. Matthew's Passion, SWV 479: IV. Was ...
109 bpm • D min • 05:24 • -25.89db
0% Popularity • 44% Danceability • 4% Energy • 28% Liveness
0% Instrumentalness • 16% Positiveness
0% Popularity • 44% Danceability • 4% Energy • 28% Liveness
0% Instrumentalness • 16% Positiveness
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Henry Purcell
Amphitryon, Z. 572, "The 2 Sosias": Celi...
115 bpm • F# min • 02:57 • -26.55db
16% Popularity • 34% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
16% Popularity • 34% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Gioachino Rossini
Petite messe solennelle: II. Kyrie. Chri...
105 bpm • F min • 02:01 • -34.68db
22% Popularity • 15% Danceability • 1% Energy • 9% Liveness
22% Instrumentalness • 4% Positiveness
22% Popularity • 15% Danceability • 1% Energy • 9% Liveness
22% Instrumentalness • 4% Positiveness
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Jean-Baptiste Lully
Exaudiat te Dominus, LWV 77 No. 15: IV. ...
105 bpm • F min • 02:38 • -18.3db
13% Popularity • 19% Danceability • 23% Energy • 61% Liveness
0% Instrumentalness • 15% Positiveness
13% Popularity • 19% Danceability • 23% Energy • 61% Liveness
0% Instrumentalness • 15% Positiveness
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Jean Richafort
Requiem in memoriam Josquin Desprez: III...
105 bpm • A min • 06:26 • -19.02db
9% Popularity • 15% Danceability • 16% Energy • 10% Liveness
1% Instrumentalness • 3% Positiveness
9% Popularity • 15% Danceability • 16% Energy • 10% Liveness
1% Instrumentalness • 3% Positiveness
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Bertrand de Bacilly
Pour une bergere infidelle
115 bpm • G min • 02:52 • -27.69db
21% Popularity • 29% Danceability • 2% Energy • 11% Liveness
12% Instrumentalness • 21% Positiveness
21% Popularity • 29% Danceability • 2% Energy • 11% Liveness
12% Instrumentalness • 21% Positiveness
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Heinrich Schütz
Matthäus-Passion, SWV 479: "Der du den ...
111 bpm • D# Maj • 03:43 • -19.34db
3% Popularity • 35% Danceability • 12% Energy • 21% Liveness
0% Instrumentalness • 16% Positiveness
3% Popularity • 35% Danceability • 12% Energy • 21% Liveness
0% Instrumentalness • 16% Positiveness
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Johann Sebastian Bach
Johannes-Passion, BWV 245.1: 30. Aria: E...
105 bpm • A# min • 04:54 • -27.76db
30% Popularity • 19% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
30% Popularity • 19% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Niccolò Jommelli
Requiem, Kyrie: III. Kyrie eleison
116 bpm • D# Maj • 01:06 • -20.68db
16% Popularity • 36% Danceability • 12% Energy • 24% Liveness
16% Instrumentalness • 22% Positiveness
16% Popularity • 36% Danceability • 12% Energy • 24% Liveness
16% Instrumentalness • 22% Positiveness
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Jean-Baptiste Lully
Exaudiat te Dominus (Psalm 19): Gloria
115 bpm • A# Maj • 01:55 • -16db
17% Popularity • 50% Danceability • 43% Energy • 9% Liveness
7% Instrumentalness • 48% Positiveness
17% Popularity • 50% Danceability • 43% Energy • 9% Liveness
7% Instrumentalness • 48% Positiveness
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Claudio Monteverdi
Laetatus sum I
116 bpm • G Maj • 06:24 • -20.87db
8% Popularity • 35% Danceability • 16% Energy • 15% Liveness
9% Instrumentalness • 30% Positiveness
8% Popularity • 35% Danceability • 16% Energy • 15% Liveness
9% Instrumentalness • 30% Positiveness
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Dietrich Buxtehude
Membra Jesu Nostri, BuxWV 75, Ad manus: ...
116 bpm • G min • 01:41 • -15db
17% Popularity • 27% Danceability • 20% Energy • 14% Liveness
32% Instrumentalness • 11% Positiveness
17% Popularity • 27% Danceability • 20% Energy • 14% Liveness
32% Instrumentalness • 11% Positiveness
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Heinrich Schütz
Der Schwanengesang, Op. 13: XI. Die Für...
109 bpm • D# min • 06:42 • -23.16db
0% Popularity • 26% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
0% Popularity • 26% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Henri Desmarets
Te Deum "de Lyon": III. Te gloriosus apo...
104 bpm • A# Maj • 01:38 • -19.35db
13% Popularity • 37% Danceability • 12% Energy • 20% Liveness
1% Instrumentalness • 53% Positiveness
13% Popularity • 37% Danceability • 12% Energy • 20% Liveness
1% Instrumentalness • 53% Positiveness
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Jan Dismas Zelenka
Missa Sancti Spiritus, ZWV 4: Kyrie elei...
116 bpm • C# Maj • 01:21 • -13.32db
17% Popularity • 28% Danceability • 35% Energy • 9% Liveness
64% Instrumentalness • 33% Positiveness
17% Popularity • 28% Danceability • 35% Energy • 9% Liveness
64% Instrumentalness • 33% Positiveness
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Gioachino Rossini
Petite messe solennelle: X. Gloria. Cum ...
104 bpm • F Maj • 05:35 • -16db
9% Popularity • 25% Danceability • 20% Energy • 11% Liveness
2% Instrumentalness • 29% Positiveness
9% Popularity • 25% Danceability • 20% Energy • 11% Liveness
2% Instrumentalness • 29% Positiveness
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Michael Haydn
Missa Quadragesimalis, MH 552: Kyrie
117 bpm • G# min • 02:06 • -19.52db
18% Popularity • 23% Danceability • 14% Energy • 16% Liveness
3% Instrumentalness • 14% Positiveness
18% Popularity • 23% Danceability • 14% Energy • 16% Liveness
3% Instrumentalness • 14% Positiveness
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Johan Helmich Roman
Then Svenska Messan, HRV 404: Herre för...
104 bpm • E Maj • 02:01 • -16db
10% Popularity • 15% Danceability • 20% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
10% Popularity • 15% Danceability • 20% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
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Heinrich Schütz
Der Schwanengesang, Op. 13: VI. Meine Se...
111 bpm • D# min • 06:07 • -22.98db
0% Popularity • 27% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
0% Popularity • 27% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Anónimo
Pasión: Omnes Vidéntes. Alto Y Bajo,...
103 bpm • A Maj • 03:29 • -14.68db
9% Popularity • 34% Danceability • 22% Energy • 17% Liveness
0% Instrumentalness • 32% Positiveness
9% Popularity • 34% Danceability • 22% Energy • 17% Liveness
0% Instrumentalness • 32% Positiveness
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Jan Dismas Zelenka
Dixit Dominus, ZWV 66: Sicut erat in pri...
117 bpm • F# Maj • 02:04 • -16.12db
22% Popularity • 31% Danceability • 32% Energy • 10% Liveness
57% Instrumentalness • 63% Positiveness
22% Popularity • 31% Danceability • 32% Energy • 10% Liveness
57% Instrumentalness • 63% Positiveness
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Crato B?er
Aria Sunamithica
103 bpm • G min • 05:19 • -18.27db
9% Popularity • 32% Danceability • 9% Energy • 16% Liveness
0% Instrumentalness • 16% Positiveness
9% Popularity • 32% Danceability • 9% Energy • 16% Liveness
0% Instrumentalness • 16% Positiveness
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Michael Haydn
Missa Quadragesimalis, MH 552: Dona nobi...
103 bpm • G# min • 02:05 • -20.05db
19% Popularity • 25% Danceability • 10% Energy • 22% Liveness
13% Instrumentalness • 19% Positiveness
19% Popularity • 25% Danceability • 10% Energy • 22% Liveness
13% Instrumentalness • 19% Positiveness
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Emilio de' Cavalieri
Prima die Lectio prima: V. Plorans plora...
103 bpm • F# Maj • 01:45 • -17.17db
15% Popularity • 25% Danceability • 4% Energy • 16% Liveness
0% Instrumentalness • 4% Positiveness
15% Popularity • 25% Danceability • 4% Energy • 16% Liveness
0% Instrumentalness • 4% Positiveness
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Heinrich Schütz
Herr, auf dich traue ich, SWV 377
112 bpm • F# Maj • 03:15 • -20db
6% Popularity • 24% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 9% Positiveness
6% Popularity • 24% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 9% Positiveness
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Dietrich Buxtehude
Jesu meines Lebens Leben, BuxWV 62: Jesu...
103 bpm • D min • 07:05 • -18.09db
10% Popularity • 21% Danceability • 12% Energy • 33% Liveness
20% Instrumentalness • 6% Positiveness
10% Popularity • 21% Danceability • 12% Energy • 33% Liveness
20% Instrumentalness • 6% Positiveness
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Peter Philips
Ecce vicit Leo
118 bpm • A# Maj • 02:24 • -18.87db
13% Popularity • 36% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
13% Popularity • 36% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Giulio Caccini
All'imperio d'Amore: 7. Ineffabile ardor...
103 bpm • A# Maj • 00:54 • -16db
21% Popularity • 18% Danceability • 26% Energy • 30% Liveness
99% Instrumentalness • 5% Positiveness
21% Popularity • 18% Danceability • 26% Energy • 30% Liveness
99% Instrumentalness • 5% Positiveness
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A5 Vocal Ensemble
Guerrero: Ambulans Iesus
118 bpm • D# min • 03:32 • -19.86db
12% Popularity • 20% Danceability • 14% Energy • 14% Liveness
0% Instrumentalness • 6% Positiveness
12% Popularity • 20% Danceability • 14% Energy • 14% Liveness
0% Instrumentalness • 6% Positiveness
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Marc-Antoine Charpentier
Te Deum, H. 146: IV. Te per orbem terrar...
118 bpm • C Maj • 03:31 • -22.21db
8% Popularity • 23% Danceability • 8% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
8% Popularity • 23% Danceability • 8% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
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Heinrich Schütz
O lieber Herre Gott, SWV 381
108 bpm • G# min • 03:34 • -19.96db
4% Popularity • 23% Danceability • 14% Energy • 9% Liveness
2% Instrumentalness • 12% Positiveness
4% Popularity • 23% Danceability • 14% Energy • 9% Liveness
2% Instrumentalness • 12% Positiveness
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Anónimo
Pasión: Vere Languóres. Alto Solo.
119 bpm • A Maj • 03:21 • -14.78db
16% Popularity • 37% Danceability • 15% Energy • 33% Liveness
0% Instrumentalness • 31% Positiveness
16% Popularity • 37% Danceability • 15% Energy • 33% Liveness
0% Instrumentalness • 31% Positiveness
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Antonio Lotti
Credo in F Major: II. Crucifixus à 8
101 bpm • B min • 03:12 • -16.82db
11% Popularity • 16% Danceability • 19% Energy • 10% Liveness
9% Instrumentalness • 4% Positiveness
11% Popularity • 16% Danceability • 19% Energy • 10% Liveness
9% Instrumentalness • 4% Positiveness
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Dietrich Buxtehude
Jesu meines Lebens Leben, BuxWV 62
121 bpm • D min • 06:31 • -21.62db
16% Popularity • 31% Danceability • 9% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
16% Popularity • 31% Danceability • 9% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
► Preview
Jan Dismas Zelenka
Missa Paschalis, ZWV 7: Kyrie. Kyrie ele...
121 bpm • C# Maj • 01:19 • -15.26db
23% Popularity • 31% Danceability • 26% Energy • 10% Liveness
74% Instrumentalness • 43% Positiveness
23% Popularity • 31% Danceability • 26% Energy • 10% Liveness
74% Instrumentalness • 43% Positiveness
► Preview
Gregorian Chants
Lamentations Of Jeremiah
100 bpm • F# Maj • 07:16 • -18.52db
13% Popularity • 16% Danceability • 23% Energy • 17% Liveness
0% Instrumentalness • 4% Positiveness
13% Popularity • 16% Danceability • 23% Energy • 17% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Heinrich Schütz
Auferstehungshistorie, SWV 50: (Der Jün...
112 bpm • F# Maj • 02:45 • -25.74db
4% Popularity • 30% Danceability • 3% Energy • 31% Liveness
0% Instrumentalness • 8% Positiveness
4% Popularity • 30% Danceability • 3% Energy • 31% Liveness
0% Instrumentalness • 8% Positiveness
► Preview
Philippe Verdelot
Igno soave
99 bpm • G# min • 01:59 • -19.29db
11% Popularity • 20% Danceability • 13% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
11% Popularity • 20% Danceability • 13% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
► Preview
Niccolò Jommelli
Libera me in C Minor, HocJ E.2: III. Dum...
98 bpm • E min • 01:10 • -20.06db
17% Popularity • 22% Danceability • 12% Energy • 11% Liveness
10% Instrumentalness • 4% Positiveness
17% Popularity • 22% Danceability • 12% Energy • 11% Liveness
10% Instrumentalness • 4% Positiveness
► Preview
Dietrich Buxtehude
Membra Jesu nostri, BuxWV 75: IVa. Ad la...
122 bpm • C# min • 02:03 • -20.1db
12% Popularity • 32% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
12% Popularity • 32% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
► Preview
Jan Dismas Zelenka
Missa Paschalis, ZWV 7: Sanctus
99 bpm • G# Maj • 01:09 • -15.91db
24% Popularity • 19% Danceability • 28% Energy • 24% Liveness
94% Instrumentalness • 20% Positiveness
24% Popularity • 19% Danceability • 28% Energy • 24% Liveness
94% Instrumentalness • 20% Positiveness
► Preview
Finn Mathiassen
Lille Almanak – Little Almanac 3
98 bpm • D# Maj • 01:34 • -31.46db
8% Popularity • 31% Danceability • 2% Energy • 9% Liveness
10% Instrumentalness • 6% Positiveness
8% Popularity • 31% Danceability • 2% Energy • 9% Liveness
10% Instrumentalness • 6% Positiveness
► Preview
Heinrich Schütz
Der Schwanengesang, Op. 13: II. Tue wohl...
112 bpm • A# min • 04:57 • -20.37db
1% Popularity • 27% Danceability • 13% Energy • 12% Liveness
1% Instrumentalness • 18% Positiveness
1% Popularity • 27% Danceability • 13% Energy • 12% Liveness
1% Instrumentalness • 18% Positiveness
► Preview
Jacques Arcadelt
Missa Noe Noe: II. Gloria
124 bpm • D min • 04:28 • -25.11db
8% Popularity • 18% Danceability • 8% Energy • 18% Liveness
84% Instrumentalness • 13% Positiveness
8% Popularity • 18% Danceability • 8% Energy • 18% Liveness
84% Instrumentalness • 13% Positiveness
► Preview
Clément Janequin
O doulx regard, o parler gratieux
98 bpm • C Maj • 03:02 • -27.33db
8% Popularity • 16% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
8% Popularity • 16% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
► Preview
Dietrich Buxtehude
Membra Jesu nostri, BuxWV 75: Cantata I....
122 bpm • B min • 01:33 • -15.96db
9% Popularity • 21% Danceability • 15% Energy • 14% Liveness
9% Instrumentalness • 5% Positiveness
9% Popularity • 21% Danceability • 15% Energy • 14% Liveness
9% Instrumentalness • 5% Positiveness
► Preview
Jan Dismas Zelenka
The Lamentations of Jeremiah the Prophet...
123 bpm • E Maj • 04:33 • -29.95db
8% Popularity • 34% Danceability • 1% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
8% Popularity • 34% Danceability • 1% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
► Preview
Johannes Ockeghem
Intemerata Dei mater: III. Aspiciat faci...
124 bpm • F Maj • 02:23 • -18.71db
8% Popularity • 17% Danceability • 20% Energy • 13% Liveness
3% Instrumentalness • 8% Positiveness
8% Popularity • 17% Danceability • 20% Energy • 13% Liveness
3% Instrumentalness • 8% Positiveness
► Preview
Heinrich Schütz
Matthäus-Passion, SWV 479: "Der rufet d...
108 bpm • D# Maj • 02:30 • -19.78db
2% Popularity • 44% Danceability • 5% Energy • 16% Liveness
0% Instrumentalness • 16% Positiveness
2% Popularity • 44% Danceability • 5% Energy • 16% Liveness
0% Instrumentalness • 16% Positiveness
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António Pereira da Costa
Concerto V in G Minor: III. Grave
97 bpm • A# Maj • 01:36 • -21.14db
8% Popularity • 22% Danceability • 7% Energy • 11% Liveness
96% Instrumentalness • 14% Positiveness
8% Popularity • 22% Danceability • 7% Energy • 11% Liveness
96% Instrumentalness • 14% Positiveness
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Antonio Lotti
Crucifixus a 8 voci
125 bpm • B min • 02:59 • -24.47db
12% Popularity • 19% Danceability • 3% Energy • 10% Liveness
1% Instrumentalness • 3% Positiveness
12% Popularity • 19% Danceability • 3% Energy • 10% Liveness
1% Instrumentalness • 3% Positiveness
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Calmus Ensemble
Jesu, Meine Freude BWV 227: Denn Das Ges...
125 bpm • E Maj • 01:02 • -22.06db
11% Popularity • 24% Danceability • 10% Energy • 12% Liveness
9% Instrumentalness • 9% Positiveness
11% Popularity • 24% Danceability • 10% Energy • 12% Liveness
9% Instrumentalness • 9% Positiveness
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Jan Dismas Zelenka
Missa Paschalis, ZWV 7: Kyrie. Kyrie ele...
121 bpm • C# Maj • 02:52 • -16db
14% Popularity • 27% Danceability • 23% Energy • 10% Liveness
91% Instrumentalness • 21% Positiveness
14% Popularity • 27% Danceability • 23% Energy • 10% Liveness
91% Instrumentalness • 21% Positiveness
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Cristobal de Morales
Officium defunctorum: Invitatorium: Anti...
125 bpm • F Maj • 03:10 • -25.36db
13% Popularity • 17% Danceability • 8% Energy • 11% Liveness
14% Instrumentalness • 5% Positiveness
13% Popularity • 17% Danceability • 8% Energy • 11% Liveness
14% Instrumentalness • 5% Positiveness
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Heinrich Schütz
Matthäus-Passion, SWV 479: "Da antworte...
108 bpm • A# Maj • 01:40 • -21.59db
3% Popularity • 46% Danceability • 6% Energy • 49% Liveness
0% Instrumentalness • 37% Positiveness
3% Popularity • 46% Danceability • 6% Energy • 49% Liveness
0% Instrumentalness • 37% Positiveness
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Orazio Benevoli
Missa Tu es Petrus: V, Agnus Dei
96 bpm • G Maj • 02:11 • -19.59db
10% Popularity • 16% Danceability • 12% Energy • 11% Liveness
91% Instrumentalness • 15% Positiveness
10% Popularity • 16% Danceability • 12% Energy • 11% Liveness
91% Instrumentalness • 15% Positiveness
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Jacobus Gallus
Mirabile mysterium
125 bpm • E Maj • 03:51 • -20.32db
12% Popularity • 21% Danceability • 10% Energy • 12% Liveness
13% Instrumentalness • 3% Positiveness
12% Popularity • 21% Danceability • 10% Energy • 12% Liveness
13% Instrumentalness • 3% Positiveness
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Johann Kuhnau
Christ lag in Todesbanden: IVf. Rittorne...
126 bpm • C# min • 01:11 • -16.9db
14% Popularity • 17% Danceability • 11% Energy • 12% Liveness
34% Instrumentalness • 8% Positiveness
14% Popularity • 17% Danceability • 11% Energy • 12% Liveness
34% Instrumentalness • 8% Positiveness
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Johannes Brahms
Warum ist das Licht gegeben dem Mühseli...
126 bpm • F Maj • 01:16 • -19.41db
15% Popularity • 23% Danceability • 19% Energy • 9% Liveness
12% Instrumentalness • 5% Positiveness
15% Popularity • 23% Danceability • 19% Energy • 9% Liveness
12% Instrumentalness • 5% Positiveness
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Marc-Antoine Charpentier
Sub tuum praesidium, H. 28
126 bpm • G min • 02:18 • -26db
11% Popularity • 24% Danceability • 6% Energy • 15% Liveness
0% Instrumentalness • 7% Positiveness
11% Popularity • 24% Danceability • 6% Energy • 15% Liveness
0% Instrumentalness • 7% Positiveness
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Heinrich Schütz
Matthäus-Passion, SWV 479: Introitus: "...
107 bpm • C Maj • 02:11 • -20.87db
9% Popularity • 37% Danceability • 8% Energy • 53% Liveness
0% Instrumentalness • 6% Positiveness
9% Popularity • 37% Danceability • 8% Energy • 53% Liveness
0% Instrumentalness • 6% Positiveness
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A5 Vocal Ensemble
Guerrero: Sabes lo que heziste
96 bpm • G# min • 05:24 • -20.33db
9% Popularity • 16% Danceability • 14% Energy • 8% Liveness
1% Instrumentalness • 5% Positiveness
9% Popularity • 16% Danceability • 14% Energy • 8% Liveness
1% Instrumentalness • 5% Positiveness
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Jacques Arcadelt
Il bianco e dolce cigno
127 bpm • E Maj • 02:11 • -14db
16% Popularity • 21% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
16% Popularity • 21% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Josef Rheinberger
Messe in Es, Op. 109 "Cantus Missae": Ky...
127 bpm • D# Maj • 04:32 • -25.66db
15% Popularity • 17% Danceability • 5% Energy • 12% Liveness
75% Instrumentalness • 4% Positiveness
15% Popularity • 17% Danceability • 5% Energy • 12% Liveness
75% Instrumentalness • 4% Positiveness
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Anónimo
Pasión: Humiliávit. Bajo Solo.
95 bpm • E Maj • 03:00 • -19.69db
12% Popularity • 43% Danceability • 11% Energy • 18% Liveness
2% Instrumentalness • 46% Positiveness
12% Popularity • 43% Danceability • 11% Energy • 18% Liveness
2% Instrumentalness • 46% Positiveness
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Alessandro Striggio
All'imperio d'Amore: 9. O Giovenil ardir...
95 bpm • G Maj • 02:16 • -16db
12% Popularity • 31% Danceability • 12% Energy • 14% Liveness
20% Instrumentalness • 10% Positiveness
12% Popularity • 31% Danceability • 12% Energy • 14% Liveness
20% Instrumentalness • 10% Positiveness
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Heinrich Schütz
Schütz: Von Gott will ich nicht lassen,...
107 bpm • G min • 05:43 • -18.45db
5% Popularity • 33% Danceability • 11% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
5% Popularity • 33% Danceability • 11% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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Loyset Compère
Quis numerare queat: I. Quis numerare qu...
128 bpm • F Maj • 01:32 • -18.87db
9% Popularity • 17% Danceability • 24% Energy • 21% Liveness
1% Instrumentalness • 10% Positiveness
9% Popularity • 17% Danceability • 24% Energy • 21% Liveness
1% Instrumentalness • 10% Positiveness
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Claudio Monteverdi
Lauda Jerusalem I
128 bpm • G min • 06:34 • -19.18db
7% Popularity • 28% Danceability • 18% Energy • 12% Liveness
3% Instrumentalness • 12% Positiveness
7% Popularity • 28% Danceability • 18% Energy • 12% Liveness
3% Instrumentalness • 12% Positiveness
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Michael Haydn
Missa Quadragesimalis, MH 552: Benedictu...
128 bpm • G# min • 00:55 • -19.55db
20% Popularity • 23% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
20% Popularity • 23% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Frank La Rocca
Mass of the Americas: II. Kyrie
95 bpm • E min • 04:15 • -23.63db
6% Popularity • 12% Danceability • 12% Energy • 11% Liveness
51% Instrumentalness • 4% Positiveness
6% Popularity • 12% Danceability • 12% Energy • 11% Liveness
51% Instrumentalness • 4% Positiveness
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Jan Dismas Zelenka
Missa Paschalis, ZWV 7: Credo. Et incarn...
128 bpm • F# Maj • 01:22 • -31.09db
9% Popularity • 17% Danceability • 1% Energy • 9% Liveness
5% Instrumentalness • 4% Positiveness
9% Popularity • 17% Danceability • 1% Energy • 9% Liveness
5% Instrumentalness • 4% Positiveness
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Heinrich Schütz
Historia der Auferstehung Jesu Christi, ...
107 bpm • A# min • 01:42 • -19.37db
4% Popularity • 25% Danceability • 8% Energy • 15% Liveness
14% Instrumentalness • 6% Positiveness
4% Popularity • 25% Danceability • 8% Energy • 15% Liveness
14% Instrumentalness • 6% Positiveness
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Philippe Verdelot
Se mai provasti donna
128 bpm • G# min • 01:33 • -18.88db
20% Popularity • 23% Danceability • 15% Energy • 14% Liveness
0% Instrumentalness • 12% Positiveness
20% Popularity • 23% Danceability • 15% Energy • 14% Liveness
0% Instrumentalness • 12% Positiveness
