Songs like Mustang Sally by The Commitments
Based on a tempo of (+/- 10%) and a similar genre
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Annie Lennox
Walking on Broken Glass
115 bpm • C Maj • 04:13 • -8.45db
66% Popularity • 75% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
66% Popularity • 75% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
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Aretha Franklin
Respect
115 bpm • C Maj • 02:27 • -5.23db
76% Popularity • 80% Danceability • 56% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
76% Popularity • 80% Danceability • 56% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
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The Commitments
Mustang Sally
115 bpm • C# Maj • 04:01 • -10.77db
57% Popularity • 74% Danceability • 74% Energy • 6% Liveness
0% Instrumentalness • 89% Positiveness
57% Popularity • 74% Danceability • 74% Energy • 6% Liveness
0% Instrumentalness • 89% Positiveness
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Traveling Wilburys
Handle With Care
115 bpm • G Maj • 03:19 • -5.98db
68% Popularity • 68% Danceability • 77% Energy • 25% Liveness
0% Instrumentalness • 71% Positiveness
68% Popularity • 68% Danceability • 77% Energy • 25% Liveness
0% Instrumentalness • 71% Positiveness
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The Georgia Satellites
Keep Your Hands to Yourself
115 bpm • D Maj • 03:25 • -9.28db
62% Popularity • 58% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
62% Popularity • 58% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
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Aerosmith
Janie's Got A Gun
115 bpm • F Maj • 05:30 • -5.79db
63% Popularity • 63% Danceability • 82% Energy • 19% Liveness
0% Instrumentalness • 44% Positiveness
63% Popularity • 63% Danceability • 82% Energy • 19% Liveness
0% Instrumentalness • 44% Positiveness
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Dr. Hook
Walk Right In
115 bpm • D Maj • 03:05 • -5.31db
37% Popularity • 81% Danceability • 94% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
37% Popularity • 81% Danceability • 94% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
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Phil Collins
Something Happened on the Way to Heaven ...
115 bpm • F min • 04:51 • -4.14db
60% Popularity • 66% Danceability • 88% Energy • 27% Liveness
1% Instrumentalness • 88% Positiveness
60% Popularity • 66% Danceability • 88% Energy • 27% Liveness
1% Instrumentalness • 88% Positiveness
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Roy Orbison
You Got It
115 bpm • A Maj • 03:30 • -10.73db
72% Popularity • 65% Danceability • 62% Energy • 19% Liveness
0% Instrumentalness • 67% Positiveness
72% Popularity • 65% Danceability • 62% Energy • 19% Liveness
0% Instrumentalness • 67% Positiveness
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INXS
New Sensation
115 bpm • A Maj • 03:40 • -4.95db
67% Popularity • 68% Danceability • 95% Energy • 5% Liveness
0% Instrumentalness • 93% Positiveness
67% Popularity • 68% Danceability • 95% Energy • 5% Liveness
0% Instrumentalness • 93% Positiveness
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Solomon Burke
Cry to Me
115 bpm • E Maj • 02:34 • -9.85db
70% Popularity • 73% Danceability • 62% Energy • 41% Liveness
0% Instrumentalness • 91% Positiveness
70% Popularity • 73% Danceability • 62% Energy • 41% Liveness
0% Instrumentalness • 91% Positiveness
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The Beach Boys
Kokomo
116 bpm • C Maj • 03:37 • -10.05db
72% Popularity • 68% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 93% Positiveness
72% Popularity • 68% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 93% Positiveness
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Prince
Cream - Without Rap Monologue
116 bpm • F min • 04:13 • -8.67db
53% Popularity • 85% Danceability • 59% Energy • 5% Liveness
42% Instrumentalness • 83% Positiveness
53% Popularity • 85% Danceability • 59% Energy • 5% Liveness
42% Instrumentalness • 83% Positiveness
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The Blues Brothers
R.E.S.P.E.C.T.
116 bpm • G# Maj • 03:00 • -3.59db
41% Popularity • 64% Danceability • 89% Energy • 42% Liveness
0% Instrumentalness • 74% Positiveness
41% Popularity • 64% Danceability • 89% Energy • 42% Liveness
0% Instrumentalness • 74% Positiveness
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The J. Geils Band
Centerfold
114 bpm • C Maj • 03:36 • -12.24db
72% Popularity • 65% Danceability • 68% Energy • 40% Liveness
0% Instrumentalness • 89% Positiveness
72% Popularity • 65% Danceability • 68% Energy • 40% Liveness
0% Instrumentalness • 89% Positiveness
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Bob Seger
Still The Same
116 bpm • C Maj • 03:23 • -6.73db
68% Popularity • 71% Danceability • 77% Energy • 6% Liveness
0% Instrumentalness • 56% Positiveness
68% Popularity • 71% Danceability • 77% Energy • 6% Liveness
0% Instrumentalness • 56% Positiveness
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Derek & The Dominos
Layla
116 bpm • C# Maj • 07:03 • -3.88db
73% Popularity • 40% Danceability • 90% Energy • 29% Liveness
30% Instrumentalness • 50% Positiveness
73% Popularity • 40% Danceability • 90% Energy • 29% Liveness
30% Instrumentalness • 50% Positiveness
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Deep Purple
Smoke On The Water - Remastered 2012
114 bpm • C Maj • 05:40 • -9.21db
73% Popularity • 60% Danceability • 68% Energy • 11% Liveness
22% Instrumentalness • 80% Positiveness
73% Popularity • 60% Danceability • 68% Energy • 11% Liveness
22% Instrumentalness • 80% Positiveness
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Tom Petty
I Won't Back Down
114 bpm • G Maj • 02:58 • -13.49db
76% Popularity • 76% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 96% Positiveness
76% Popularity • 76% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 96% Positiveness
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Santana
Smooth
116 bpm • A Maj • 04:54 • -3.91db
68% Popularity • 61% Danceability • 92% Energy • 30% Liveness
0% Instrumentalness • 96% Positiveness
68% Popularity • 61% Danceability • 92% Energy • 30% Liveness
0% Instrumentalness • 96% Positiveness
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Electric Light Orchestra
Don't Bring Me Down
116 bpm • D Maj • 04:03 • -6.47db
76% Popularity • 64% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
76% Popularity • 64% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
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The Commitments
Chain Of Fools
116 bpm • G Maj • 02:58 • -12db
35% Popularity • 73% Danceability • 58% Energy • 6% Liveness
0% Instrumentalness • 74% Positiveness
35% Popularity • 73% Danceability • 58% Energy • 6% Liveness
0% Instrumentalness • 74% Positiveness
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Andrew Strong
I Heard It Through the Grapevine Live
116 bpm • C Maj • 03:39 • -4.37db
8% Popularity • 71% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
8% Popularity • 71% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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Joe Jackson
Is She Really Going Out With Him?
116 bpm • D# Maj • 03:35 • -6.87db
58% Popularity • 87% Danceability • 32% Energy • 22% Liveness
0% Instrumentalness • 92% Positiveness
58% Popularity • 87% Danceability • 32% Energy • 22% Liveness
0% Instrumentalness • 92% Positiveness
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Queen
Under Pressure - Remastered 2011
114 bpm • D Maj • 04:08 • -7.82db
82% Popularity • 67% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
82% Popularity • 67% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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The Blues Brothers
Soul Man - Live
116 bpm • A Maj • 03:00 • -7.06db
50% Popularity • 63% Danceability • 86% Energy • 76% Liveness
0% Instrumentalness • 53% Positiveness
50% Popularity • 63% Danceability • 86% Energy • 76% Liveness
0% Instrumentalness • 53% Positiveness
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Gerry Rafferty
Baker Street
114 bpm • G Maj • 06:05 • -14db
68% Popularity • 50% Danceability • 35% Energy • 26% Liveness
3% Instrumentalness • 42% Positiveness
68% Popularity • 50% Danceability • 35% Energy • 26% Liveness
3% Instrumentalness • 42% Positiveness
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Tom Petty and the Heartbreakers
Learning To Fly
117 bpm • C Maj • 04:02 • -9.94db
71% Popularity • 65% Danceability • 77% Energy • 36% Liveness
0% Instrumentalness • 95% Positiveness
71% Popularity • 65% Danceability • 77% Energy • 36% Liveness
0% Instrumentalness • 95% Positiveness
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Andrew Strong
(She's) Some Kind Of Wonderful
116 bpm • E min • 03:18 • -9.53db
21% Popularity • 67% Danceability • 52% Energy • 20% Liveness
0% Instrumentalness • 56% Positiveness
21% Popularity • 67% Danceability • 52% Energy • 20% Liveness
0% Instrumentalness • 56% Positiveness
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The Robert Cray Band
Don't Be Afraid Of The Dark
113 bpm • G# Maj • 03:46 • -12db
47% Popularity • 71% Danceability • 50% Energy • 5% Liveness
0% Instrumentalness • 79% Positiveness
47% Popularity • 71% Danceability • 50% Energy • 5% Liveness
0% Instrumentalness • 79% Positiveness
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The Jacksons
Blame It on the Boogie
113 bpm • C# Maj • 03:34 • -10.19db
70% Popularity • 77% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
70% Popularity • 77% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
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Eagles
Heartache Tonight - 2013 Remaster
113 bpm • C Maj • 04:25 • -6db
61% Popularity • 81% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
61% Popularity • 81% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
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Prince
Purple Rain
113 bpm • A# Maj • 08:40 • -10.42db
74% Popularity • 37% Danceability • 45% Energy • 69% Liveness
0% Instrumentalness • 19% Positiveness
74% Popularity • 37% Danceability • 45% Energy • 69% Liveness
0% Instrumentalness • 19% Positiveness
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Bryan Adams
Can't Stop This Thing We Started
113 bpm • A Maj • 04:29 • -7db
54% Popularity • 54% Danceability • 88% Energy • 57% Liveness
0% Instrumentalness • 54% Positiveness
54% Popularity • 54% Danceability • 88% Energy • 57% Liveness
0% Instrumentalness • 54% Positiveness
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Cher
The Shoop Shoop Song (It's In His Kiss)
117 bpm • C Maj • 02:50 • -10.51db
69% Popularity • 68% Danceability • 61% Energy • 40% Liveness
0% Instrumentalness • 92% Positiveness
69% Popularity • 68% Danceability • 61% Energy • 40% Liveness
0% Instrumentalness • 92% Positiveness
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Billy Ocean
Get Outta My Dreams, Get Into My Car
117 bpm • E Maj • 04:44 • -6.46db
58% Popularity • 67% Danceability • 91% Energy • 34% Liveness
0% Instrumentalness • 92% Positiveness
58% Popularity • 67% Danceability • 91% Energy • 34% Liveness
0% Instrumentalness • 92% Positiveness
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Robert Palmer
I'll Be Your Baby Tonight
113 bpm • G# Maj • 03:25 • -10.35db
49% Popularity • 53% Danceability • 77% Energy • 5% Liveness
22% Instrumentalness • 97% Positiveness
49% Popularity • 53% Danceability • 77% Energy • 5% Liveness
22% Instrumentalness • 97% Positiveness
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Steve Winwood
Roll With It
117 bpm • C Maj • 05:20 • -13.35db
51% Popularity • 76% Danceability • 64% Energy • 10% Liveness
4% Instrumentalness • 95% Positiveness
51% Popularity • 76% Danceability • 64% Energy • 10% Liveness
4% Instrumentalness • 95% Positiveness
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Ram Jam
Black Betty
117 bpm • B min • 03:58 • -6.4db
72% Popularity • 46% Danceability • 91% Energy • 13% Liveness
0% Instrumentalness • 68% Positiveness
72% Popularity • 46% Danceability • 91% Energy • 13% Liveness
0% Instrumentalness • 68% Positiveness
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Soul Asylum
Runaway Train (2022 Remaster)
117 bpm • C Maj • 04:26 • -7.96db
70% Popularity • 61% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
70% Popularity • 61% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Marvin Gaye
I Heard It Through The Grapevine
117 bpm • D# min • 03:14 • -10.85db
73% Popularity • 71% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
73% Popularity • 71% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
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Beth Hart, Joe Bonamassa
I'd Rather Go Blind
113 bpm • A Maj • 08:06 • -7.34db
52% Popularity • 39% Danceability • 60% Energy • 20% Liveness
0% Instrumentalness • 34% Positiveness
52% Popularity • 39% Danceability • 60% Energy • 20% Liveness
0% Instrumentalness • 34% Positiveness
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The Doobie Brothers
Long Train Runnin'
117 bpm • G min • 03:27 • -7.28db
72% Popularity • 57% Danceability • 91% Energy • 6% Liveness
0% Instrumentalness • 84% Positiveness
72% Popularity • 57% Danceability • 91% Energy • 6% Liveness
0% Instrumentalness • 84% Positiveness
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Jonny Lang
Lie To Me
112 bpm • G# Maj • 04:11 • -8.76db
53% Popularity • 62% Danceability • 69% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
53% Popularity • 62% Danceability • 69% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
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Andrew Strong
Ain't Nothing You Can Do
118 bpm • C Maj • 06:02 • -8.48db
21% Popularity • 68% Danceability • 82% Energy • 5% Liveness
0% Instrumentalness • 92% Positiveness
21% Popularity • 68% Danceability • 82% Energy • 5% Liveness
0% Instrumentalness • 92% Positiveness
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Sam & Dave
Soul Man
112 bpm • C Maj • 02:39 • -13.24db
67% Popularity • 79% Danceability • 41% Energy • 17% Liveness
0% Instrumentalness • 82% Positiveness
67% Popularity • 79% Danceability • 41% Energy • 17% Liveness
0% Instrumentalness • 82% Positiveness
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The Commitments
Destination Anywhere
118 bpm • C Maj • 03:09 • -11.31db
33% Popularity • 73% Danceability • 67% Energy • 21% Liveness
0% Instrumentalness • 89% Positiveness
33% Popularity • 73% Danceability • 67% Energy • 21% Liveness
0% Instrumentalness • 89% Positiveness
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Wilson Pickett
In the Midnight Hour
112 bpm • E Maj • 02:37 • -8.63db
64% Popularity • 75% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
64% Popularity • 75% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
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LaBelle
Lady Marmalade
118 bpm • D min • 03:57 • -12.14db
58% Popularity • 63% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 95% Positiveness
58% Popularity • 63% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 95% Positiveness
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The Pointer Sisters
Fire
118 bpm • C# Maj • 03:30 • -9db
55% Popularity • 65% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
55% Popularity • 65% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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Andrew Strong
Ain't Nothin' You Can Do
118 bpm • C Maj • 03:49 • -8.27db
10% Popularity • 69% Danceability • 82% Energy • 13% Liveness
0% Instrumentalness • 90% Positiveness
10% Popularity • 69% Danceability • 82% Energy • 13% Liveness
0% Instrumentalness • 90% Positiveness
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Bachman-Turner Overdrive
You Ain't Seen Nothing Yet
118 bpm • B min • 03:54 • -15.04db
71% Popularity • 48% Danceability • 44% Energy • 22% Liveness
0% Instrumentalness • 76% Positiveness
71% Popularity • 48% Danceability • 44% Energy • 22% Liveness
0% Instrumentalness • 76% Positiveness
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The Commitments
Fa-Fa-Fa-Fa-Fa (Sad Song)
118 bpm • A# Maj • 02:52 • -5.03db
28% Popularity • 76% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
28% Popularity • 76% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
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Robert Palmer
Addicted To Love
112 bpm • D Maj • 06:03 • -13.42db
66% Popularity • 70% Danceability • 58% Energy • 4% Liveness
0% Instrumentalness • 98% Positiveness
66% Popularity • 70% Danceability • 58% Energy • 4% Liveness
0% Instrumentalness • 98% Positiveness
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Prince
Kiss
111 bpm • G Maj • 03:46 • -12.24db
74% Popularity • 90% Danceability • 27% Energy • 5% Liveness
0% Instrumentalness • 74% Positiveness
74% Popularity • 90% Danceability • 27% Energy • 5% Liveness
0% Instrumentalness • 74% Positiveness
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Stevie Nicks
Edge of Seventeen - 2016 Remaster
111 bpm • C Maj • 05:29 • -7.3db
73% Popularity • 59% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
73% Popularity • 59% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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Andrew Strong
Soul Man
118 bpm • A Maj • 03:18 • -4.59db
12% Popularity • 58% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
12% Popularity • 58% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Paul Simon
Late in the Evening
119 bpm • F Maj • 04:02 • -8.99db
56% Popularity • 72% Danceability • 88% Energy • 9% Liveness
2% Instrumentalness • 96% Positiveness
56% Popularity • 72% Danceability • 88% Energy • 9% Liveness
2% Instrumentalness • 96% Positiveness
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The Commitments
In The Midnight Hour
119 bpm • G# Maj • 02:23 • -9.58db
40% Popularity • 63% Danceability • 70% Energy • 16% Liveness
0% Instrumentalness • 89% Positiveness
40% Popularity • 63% Danceability • 70% Energy • 16% Liveness
0% Instrumentalness • 89% Positiveness
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Fleetwood Mac
Don't Stop - 2004 Remaster
119 bpm • A Maj • 03:13 • -7.72db
75% Popularity • 67% Danceability • 71% Energy • 4% Liveness
0% Instrumentalness • 83% Positiveness
75% Popularity • 67% Danceability • 71% Energy • 4% Liveness
0% Instrumentalness • 83% Positiveness
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Huey Lewis & The News
The Power Of Love
119 bpm • F Maj • 03:54 • -5.11db
76% Popularity • 77% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
76% Popularity • 77% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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Bryan Adams
The Only Thing That Looks Good On Me Is ...
119 bpm • G Maj • 03:37 • -4.45db
49% Popularity • 64% Danceability • 93% Energy • 46% Liveness
0% Instrumentalness • 96% Positiveness
49% Popularity • 64% Danceability • 93% Energy • 46% Liveness
0% Instrumentalness • 96% Positiveness
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Sister Sledge
We Are Family - 1995 Remaster
119 bpm • G min • 03:36 • -5.15db
70% Popularity • 78% Danceability • 89% Energy • 27% Liveness
0% Instrumentalness • 82% Positiveness
70% Popularity • 78% Danceability • 89% Energy • 27% Liveness
0% Instrumentalness • 82% Positiveness
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Billy Idol
Hot In The City
111 bpm • F Maj • 03:39 • -5.56db
59% Popularity • 66% Danceability • 90% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
59% Popularity • 66% Danceability • 90% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
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The Proclaimers
I'm on My Way
119 bpm • G# Maj • 03:45 • -10db
62% Popularity • 82% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
62% Popularity • 82% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
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Canned Heat
Let's Work Together
119 bpm • C Maj • 03:13 • -12db
56% Popularity • 75% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 87% Positiveness
56% Popularity • 75% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 87% Positiveness
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Muddy Waters
Mannish Boy
111 bpm • D Maj • 05:21 • -10.88db
62% Popularity • 60% Danceability • 74% Energy • 68% Liveness
0% Instrumentalness • 62% Positiveness
62% Popularity • 60% Danceability • 74% Energy • 68% Liveness
0% Instrumentalness • 62% Positiveness
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Bruce Hornsby
The Way It Is
111 bpm • G Maj • 04:57 • -12.2db
68% Popularity • 58% Danceability • 69% Energy • 14% Liveness
6% Instrumentalness • 53% Positiveness
68% Popularity • 58% Danceability • 69% Energy • 14% Liveness
6% Instrumentalness • 53% Positiveness
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John Parr
St Elmo's Fire (Anniversary Edition)
111 bpm • A Maj • 04:15 • -5.71db
64% Popularity • 57% Danceability • 83% Energy • 26% Liveness
22% Instrumentalness • 54% Positiveness
64% Popularity • 57% Danceability • 83% Energy • 26% Liveness
22% Instrumentalness • 54% Positiveness
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Journey
Don't Stop Believin' (2022 Remaster)
119 bpm • E Maj • 04:09 • -7.44db
83% Popularity • 50% Danceability • 75% Energy • 20% Liveness
0% Instrumentalness • 51% Positiveness
83% Popularity • 50% Danceability • 75% Energy • 20% Liveness
0% Instrumentalness • 51% Positiveness
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The Commitments
Grits Ain't Groceries
119 bpm • C# Maj • 03:44 • -4.56db
29% Popularity • 63% Danceability • 93% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
29% Popularity • 63% Danceability • 93% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
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Eagle-Eye Cherry
Save Tonight
120 bpm • C Maj • 04:02 • -8.74db
74% Popularity • 55% Danceability • 71% Energy • 28% Liveness
0% Instrumentalness • 65% Positiveness
74% Popularity • 55% Danceability • 71% Energy • 28% Liveness
0% Instrumentalness • 65% Positiveness
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Sonny & Cher
I Got You Babe
111 bpm • F# Maj • 03:10 • -6.02db
65% Popularity • 63% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
65% Popularity • 63% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
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Eagles
Tequila Sunrise - 2013 Remaster
111 bpm • G Maj • 02:53 • -12.86db
70% Popularity • 63% Danceability • 40% Energy • 11% Liveness
4% Instrumentalness • 73% Positiveness
70% Popularity • 63% Danceability • 40% Energy • 11% Liveness
4% Instrumentalness • 73% Positiveness
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Dolly Parton
Jolene
111 bpm • C# min • 02:41 • -10.97db
77% Popularity • 67% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 81% Positiveness
77% Popularity • 67% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 81% Positiveness
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Andrew Strong
Out of Time
120 bpm • G Maj • 04:23 • -6.34db
20% Popularity • 55% Danceability • 62% Energy • 16% Liveness
0% Instrumentalness • 67% Positiveness
20% Popularity • 55% Danceability • 62% Energy • 16% Liveness
0% Instrumentalness • 67% Positiveness
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Traveling Wilburys
Tweeter And The Monkey Man
111 bpm • A min • 05:27 • -5.39db
56% Popularity • 80% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
56% Popularity • 80% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
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Wilson Pickett
Mustang Sally
110 bpm • C Maj • 03:07 • -17.71db
58% Popularity • 72% Danceability • 33% Energy • 21% Liveness
33% Instrumentalness • 69% Positiveness
58% Popularity • 72% Danceability • 33% Energy • 21% Liveness
33% Instrumentalness • 69% Positiveness
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Deep Blue Something
Breakfast At Tiffany's
110 bpm • D Maj • 04:17 • -5.55db
72% Popularity • 62% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
72% Popularity • 62% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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The Lovin' Spoonful
Summer in the City - Remastered
110 bpm • A# Maj • 02:40 • -9.76db
65% Popularity • 42% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
65% Popularity • 42% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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The Commitments
That's The Way Love Is
110 bpm • A# min • 04:08 • -8.35db
29% Popularity • 82% Danceability • 44% Energy • 11% Liveness
1% Instrumentalness • 52% Positiveness
29% Popularity • 82% Danceability • 44% Energy • 11% Liveness
1% Instrumentalness • 52% Positiveness
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Bachman-Turner Overdrive
You Ain't Seen Nothing Yet - Single Vers...
120 bpm • D Maj • 03:38 • -12.04db
47% Popularity • 51% Danceability • 53% Energy • 31% Liveness
0% Instrumentalness • 79% Positiveness
47% Popularity • 51% Danceability • 53% Energy • 31% Liveness
0% Instrumentalness • 79% Positiveness
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INXS
Suicide Blonde
120 bpm • E min • 03:52 • -5.36db
63% Popularity • 61% Danceability • 96% Energy • 12% Liveness
1% Instrumentalness • 69% Positiveness
63% Popularity • 61% Danceability • 96% Energy • 12% Liveness
1% Instrumentalness • 69% Positiveness
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Dire Straits
Calling Elvis
120 bpm • E Maj • 06:24 • -11.72db
55% Popularity • 61% Danceability • 57% Energy • 16% Liveness
79% Instrumentalness • 39% Positiveness
55% Popularity • 61% Danceability • 57% Energy • 16% Liveness
79% Instrumentalness • 39% Positiveness
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ZZ Top
Gimme All Your Lovin'
120 bpm • F Maj • 04:01 • -6.7db
70% Popularity • 63% Danceability • 79% Energy • 9% Liveness
2% Instrumentalness • 63% Positiveness
70% Popularity • 63% Danceability • 79% Energy • 9% Liveness
2% Instrumentalness • 63% Positiveness
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Sheryl Crow
All I Wanna Do
120 bpm • A Maj • 04:32 • -11.18db
72% Popularity • 82% Danceability • 53% Energy • 26% Liveness
2% Instrumentalness • 93% Positiveness
72% Popularity • 82% Danceability • 53% Energy • 26% Liveness
2% Instrumentalness • 93% Positiveness
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Bryan Ferry
Let's Stick Together
120 bpm • A Maj • 02:59 • -4.71db
56% Popularity • 78% Danceability • 89% Energy • 11% Liveness
0% Instrumentalness • 97% Positiveness
56% Popularity • 78% Danceability • 89% Energy • 11% Liveness
0% Instrumentalness • 97% Positiveness
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Aretha Franklin
Think
110 bpm • F# Maj • 02:19 • -10.82db
66% Popularity • 69% Danceability • 63% Energy • 22% Liveness
0% Instrumentalness • 93% Positiveness
66% Popularity • 69% Danceability • 63% Energy • 22% Liveness
0% Instrumentalness • 93% Positiveness
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The Commitments
Slip Away
110 bpm • G Maj • 04:30 • -14.41db
23% Popularity • 64% Danceability • 45% Energy • 17% Liveness
0% Instrumentalness • 64% Positiveness
23% Popularity • 64% Danceability • 45% Energy • 17% Liveness
0% Instrumentalness • 64% Positiveness
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Katrina & The Waves
Walking On Sunshine
110 bpm • A# Maj • 03:58 • -11.97db
79% Popularity • 60% Danceability • 87% Energy • 7% Liveness
17% Instrumentalness • 94% Positiveness
79% Popularity • 60% Danceability • 87% Energy • 7% Liveness
17% Instrumentalness • 94% Positiveness
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Eric Carmen
Hungry Eyes
110 bpm • F Maj • 04:11 • -9db
75% Popularity • 71% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
75% Popularity • 71% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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Texas
I Don't Want a Lover
120 bpm • G Maj • 05:00 • -13db
55% Popularity • 76% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
55% Popularity • 76% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
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Bob Seger
Against The Wind
110 bpm • G Maj • 05:33 • -5.61db
65% Popularity • 67% Danceability • 77% Energy • 13% Liveness
3% Instrumentalness • 72% Positiveness
65% Popularity • 67% Danceability • 77% Energy • 13% Liveness
3% Instrumentalness • 72% Positiveness
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Dr. Hook
When You're In Love With A Beautiful Wom...
110 bpm • G# Maj • 02:58 • -9.54db
66% Popularity • 68% Danceability • 73% Energy • 5% Liveness
0% Instrumentalness • 85% Positiveness
66% Popularity • 68% Danceability • 73% Energy • 5% Liveness
0% Instrumentalness • 85% Positiveness
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The Commitments
I Thank You
120 bpm • C Maj • 03:37 • -4.74db
28% Popularity • 72% Danceability • 78% Energy • 4% Liveness
0% Instrumentalness • 65% Positiveness
28% Popularity • 72% Danceability • 78% Energy • 4% Liveness
0% Instrumentalness • 65% Positiveness
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Huey Lewis & The News
Stuck With You
121 bpm • E min • 04:29 • -11.4db
64% Popularity • 70% Danceability • 54% Energy • 4% Liveness
0% Instrumentalness • 63% Positiveness
64% Popularity • 70% Danceability • 54% Energy • 4% Liveness
0% Instrumentalness • 63% Positiveness
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George Thorogood & The Destroyers
Get A Haircut
121 bpm • G Maj • 04:12 • -8.46db
48% Popularity • 61% Danceability • 71% Energy • 6% Liveness
0% Instrumentalness • 85% Positiveness
48% Popularity • 61% Danceability • 71% Energy • 6% Liveness
0% Instrumentalness • 85% Positiveness
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Eagles
Life in the Fast Lane - 2013 Remaster
110 bpm • A Maj • 04:46 • -7.25db
71% Popularity • 67% Danceability • 76% Energy • 5% Liveness
0% Instrumentalness • 88% Positiveness
71% Popularity • 67% Danceability • 76% Energy • 5% Liveness
0% Instrumentalness • 88% Positiveness
