Songs like My Angel by Irya's Playground
Based on a tempo of (+/- 10%) and a similar genre
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The Sounds
Wish You Were Here
142 bpm • E Maj • 03:08 • -14.86db
20% Popularity • 56% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
20% Popularity • 56% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Irya's Playground
My Angel
142 bpm • F min • 04:07 • -6.63db
11% Popularity • 59% Danceability • 70% Energy • 12% Liveness
45% Instrumentalness • 54% Positiveness
11% Popularity • 59% Danceability • 70% Energy • 12% Liveness
45% Instrumentalness • 54% Positiveness
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Christian Kjellvander
Oh Night
142 bpm • B min • 03:41 • -7.92db
26% Popularity • 29% Danceability • 49% Energy • 8% Liveness
4% Instrumentalness • 4% Positiveness
26% Popularity • 29% Danceability • 49% Energy • 8% Liveness
4% Instrumentalness • 4% Positiveness
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Ephemera
Girls Keep Secrets in the Strangest Ways
141 bpm • G min • 03:07 • -9db
27% Popularity • 52% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
27% Popularity • 52% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Ebbot Lundberg
Coming Down Cold
141 bpm • F Maj • 03:09 • -12.08db
20% Popularity • 54% Danceability • 31% Energy • 8% Liveness
2% Instrumentalness • 42% Positiveness
20% Popularity • 54% Danceability • 31% Energy • 8% Liveness
2% Instrumentalness • 42% Positiveness
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The Ark
Father Of A Son
143 bpm • A Maj • 03:22 • -2.93db
24% Popularity • 47% Danceability • 85% Energy • 43% Liveness
0% Instrumentalness • 64% Positiveness
24% Popularity • 47% Danceability • 85% Energy • 43% Liveness
0% Instrumentalness • 64% Positiveness
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Little Marbles
Du är på repeat
141 bpm • A min • 03:53 • -6.2db
13% Popularity • 51% Danceability • 90% Energy • 17% Liveness
0% Instrumentalness • 68% Positiveness
13% Popularity • 51% Danceability • 90% Energy • 17% Liveness
0% Instrumentalness • 68% Positiveness
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Irya's Playground
My Angel
142 bpm • F min • 03:18 • -6.6db
0% Popularity • 59% Danceability • 70% Energy • 21% Liveness
32% Instrumentalness • 62% Positiveness
0% Popularity • 59% Danceability • 70% Energy • 21% Liveness
32% Instrumentalness • 62% Positiveness
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Christian Kjellvander
Reverse Traverse Blues
141 bpm • D min • 03:37 • -10.23db
12% Popularity • 51% Danceability • 45% Energy • 14% Liveness
39% Instrumentalness • 24% Positiveness
12% Popularity • 51% Danceability • 45% Energy • 14% Liveness
39% Instrumentalness • 24% Positiveness
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Nicolai Dunger
Hunger
143 bpm • C Maj • 02:49 • -4db
10% Popularity • 39% Danceability • 89% Energy • 7% Liveness
0% Instrumentalness • 45% Positiveness
10% Popularity • 39% Danceability • 89% Energy • 7% Liveness
0% Instrumentalness • 45% Positiveness
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Deportees
Missing You , Missing Me
143 bpm • C Maj • 03:13 • -4db
15% Popularity • 62% Danceability • 82% Energy • 44% Liveness
0% Instrumentalness • 66% Positiveness
15% Popularity • 62% Danceability • 82% Energy • 44% Liveness
0% Instrumentalness • 66% Positiveness
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The Ark
Bottleneck Barbiturate
144 bpm • C# min • 04:59 • -7.12db
15% Popularity • 32% Danceability • 38% Energy • 16% Liveness
0% Instrumentalness • 24% Positiveness
15% Popularity • 32% Danceability • 38% Energy • 16% Liveness
0% Instrumentalness • 24% Positiveness
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Eskobar
Sun In My Eyes
144 bpm • C# Maj • 03:20 • -11.48db
10% Popularity • 52% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
10% Popularity • 52% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Miss Li
I Heard of a Girl
140 bpm • C Maj • 02:45 • -5db
31% Popularity • 61% Danceability • 83% Energy • 14% Liveness
1% Instrumentalness • 98% Positiveness
31% Popularity • 61% Danceability • 83% Energy • 14% Liveness
1% Instrumentalness • 98% Positiveness
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Irya's Playground
He Passes His Sentence
140 bpm • G Maj • 04:13 • -7.79db
4% Popularity • 62% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
4% Popularity • 62% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Maia Hirasawa
Still June
144 bpm • E min • 02:35 • -12.62db
14% Popularity • 50% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
14% Popularity • 50% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Savoy
Velvet - 2006 Remaster
140 bpm • B Maj • 04:35 • -10db
27% Popularity • 44% Danceability • 66% Energy • 18% Liveness
29% Instrumentalness • 34% Positiveness
27% Popularity • 44% Danceability • 66% Energy • 18% Liveness
29% Instrumentalness • 34% Positiveness
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Paola
Fine Without You
140 bpm • B min • 02:59 • -3.58db
10% Popularity • 57% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
10% Popularity • 57% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
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kent
Max 500
144 bpm • D Maj • 03:35 • -4.2db
42% Popularity • 39% Danceability • 67% Energy • 13% Liveness
69% Instrumentalness • 24% Positiveness
42% Popularity • 39% Danceability • 67% Energy • 13% Liveness
69% Instrumentalness • 24% Positiveness
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Vapnet
Ge dom våld
140 bpm • D Maj • 02:58 • -5db
9% Popularity • 49% Danceability • 91% Energy • 7% Liveness
0% Instrumentalness • 45% Positiveness
9% Popularity • 49% Danceability • 91% Energy • 7% Liveness
0% Instrumentalness • 45% Positiveness
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Amanda Jenssen
Look What They've Done To My Song - Happ...
140 bpm • A# Maj • 03:04 • -6.98db
17% Popularity • 65% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
17% Popularity • 65% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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Tiger Lou
Sam, as in Samantha
140 bpm • A Maj • 03:30 • -10db
15% Popularity • 30% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
15% Popularity • 30% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
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A Camp
Song For The Leftovers - Radio Version
140 bpm • F# Maj • 03:33 • -5db
10% Popularity • 45% Danceability • 63% Energy • 32% Liveness
0% Instrumentalness • 29% Positiveness
10% Popularity • 45% Danceability • 63% Energy • 32% Liveness
0% Instrumentalness • 29% Positiveness
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Broder Daniel
When We Were Winning
140 bpm • C Maj • 04:46 • -4db
30% Popularity • 21% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
30% Popularity • 21% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
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Weeping Willows
True to You
140 bpm • B Maj • 03:36 • -8.48db
17% Popularity • 41% Danceability • 80% Energy • 30% Liveness
0% Instrumentalness • 61% Positiveness
17% Popularity • 41% Danceability • 80% Energy • 30% Liveness
0% Instrumentalness • 61% Positiveness
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Eskobar
Even If You Know Me
140 bpm • G# Maj • 03:35 • -10.46db
12% Popularity • 64% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
12% Popularity • 64% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Amanda Jenssen
Save Me For A Day
144 bpm • A# min • 02:50 • -4.16db
16% Popularity • 50% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
16% Popularity • 50% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
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Janove Ottesen
Go Tell Her
139 bpm • C min • 04:48 • -6.97db
15% Popularity • 58% Danceability • 61% Energy • 20% Liveness
0% Instrumentalness • 55% Positiveness
15% Popularity • 58% Danceability • 61% Energy • 20% Liveness
0% Instrumentalness • 55% Positiveness
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Lars Bygdén
This Road
139 bpm • C Maj • 04:00 • -9.07db
14% Popularity • 43% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
14% Popularity • 43% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Deportees
Under The Pavement- The Beach
145 bpm • G# Maj • 03:31 • -3.19db
27% Popularity • 38% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
27% Popularity • 38% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Gaby and The Guns
Under stjärnorna
145 bpm • G Maj • 04:35 • -9.52db
7% Popularity • 39% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
7% Popularity • 39% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
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Rebekka Karijord
Wear it Like A Crown
139 bpm • D# min • 04:18 • -11.34db
32% Popularity • 45% Danceability • 38% Energy • 9% Liveness
2% Instrumentalness • 31% Positiveness
32% Popularity • 45% Danceability • 38% Energy • 9% Liveness
2% Instrumentalness • 31% Positiveness
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Susanne Sundfør
It`s all gone tomorrow
139 bpm • G Maj • 06:07 • -8db
20% Popularity • 35% Danceability • 59% Energy • 52% Liveness
1% Instrumentalness • 31% Positiveness
20% Popularity • 35% Danceability • 59% Energy • 52% Liveness
1% Instrumentalness • 31% Positiveness
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Little Marbles
Jag hoppar & trampar på ditt hjärta
139 bpm • C Maj • 03:48 • -7.69db
17% Popularity • 42% Danceability • 71% Energy • 28% Liveness
0% Instrumentalness • 61% Positiveness
17% Popularity • 42% Danceability • 71% Energy • 28% Liveness
0% Instrumentalness • 61% Positiveness
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Marit Bergman
No Party
146 bpm • F# Maj • 03:06 • -5db
18% Popularity • 72% Danceability • 58% Energy • 16% Liveness
0% Instrumentalness • 91% Positiveness
18% Popularity • 72% Danceability • 58% Energy • 16% Liveness
0% Instrumentalness • 91% Positiveness
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Britta Persson
Meet a Bear
138 bpm • E Maj • 03:14 • -5db
16% Popularity • 52% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
16% Popularity • 52% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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Minor Majority
This Time
138 bpm • C Maj • 04:11 • -11.24db
26% Popularity • 55% Danceability • 53% Energy • 12% Liveness
1% Instrumentalness • 60% Positiveness
26% Popularity • 55% Danceability • 53% Energy • 12% Liveness
1% Instrumentalness • 60% Positiveness
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Erik Faber
Yesterday's Call
146 bpm • C min • 03:36 • -5.99db
11% Popularity • 40% Danceability • 73% Energy • 37% Liveness
0% Instrumentalness • 49% Positiveness
11% Popularity • 40% Danceability • 73% Energy • 37% Liveness
0% Instrumentalness • 49% Positiveness
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Sahara Hotnights
Quite a Feeling
138 bpm • A Maj • 03:43 • -5db
18% Popularity • 52% Danceability • 87% Energy • 25% Liveness
0% Instrumentalness • 28% Positiveness
18% Popularity • 52% Danceability • 87% Energy • 25% Liveness
0% Instrumentalness • 28% Positiveness
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Andreas Johnson
Unbreakable
146 bpm • B Maj • 02:58 • -14.75db
9% Popularity • 48% Danceability • 51% Energy • 20% Liveness
0% Instrumentalness • 35% Positiveness
9% Popularity • 48% Danceability • 51% Energy • 20% Liveness
0% Instrumentalness • 35% Positiveness
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Christian Kjellvander
Broken Wheels
138 bpm • C Maj • 04:13 • -11db
12% Popularity • 61% Danceability • 44% Energy • 10% Liveness
1% Instrumentalness • 24% Positiveness
12% Popularity • 61% Danceability • 44% Energy • 10% Liveness
1% Instrumentalness • 24% Positiveness
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The Mo
The Right World
147 bpm • F# min • 03:19 • -7.3db
27% Popularity • 56% Danceability • 81% Energy • 26% Liveness
7% Instrumentalness • 76% Positiveness
27% Popularity • 56% Danceability • 81% Energy • 26% Liveness
7% Instrumentalness • 76% Positiveness
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Deportees
Come Give Me Love
137 bpm • D# Maj • 04:29 • -6.53db
26% Popularity • 54% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
26% Popularity • 54% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
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Siri Nilsen
Hodet, Hjertet Eller Magen
147 bpm • E min • 03:24 • -10.07db
20% Popularity • 71% Danceability • 55% Energy • 11% Liveness
1% Instrumentalness • 58% Positiveness
20% Popularity • 71% Danceability • 55% Energy • 11% Liveness
1% Instrumentalness • 58% Positiveness
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Rebekka Karijord
Parking Lot
147 bpm • F min • 03:36 • -8.89db
9% Popularity • 78% Danceability • 76% Energy • 6% Liveness
1% Instrumentalness • 91% Positiveness
9% Popularity • 78% Danceability • 76% Energy • 6% Liveness
1% Instrumentalness • 91% Positiveness
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Miss Li
Russian Roulette
137 bpm • D Maj • 04:08 • -6.31db
15% Popularity • 59% Danceability • 82% Energy • 17% Liveness
9% Instrumentalness • 58% Positiveness
15% Popularity • 59% Danceability • 82% Energy • 17% Liveness
9% Instrumentalness • 58% Positiveness
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Moa Lignell
Home Tonight
147 bpm • F Maj • 04:51 • -8.65db
8% Popularity • 46% Danceability • 53% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
8% Popularity • 46% Danceability • 53% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
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The Mo
Dancing Like a Heathen
147 bpm • A min • 03:22 • -6.7db
18% Popularity • 46% Danceability • 94% Energy • 38% Liveness
0% Instrumentalness • 77% Positiveness
18% Popularity • 46% Danceability • 94% Energy • 38% Liveness
0% Instrumentalness • 77% Positiveness
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Weeping Willows
Echoes of Your Breath
137 bpm • D min • 03:19 • -9.2db
13% Popularity • 38% Danceability • 50% Energy • 31% Liveness
0% Instrumentalness • 34% Positiveness
13% Popularity • 38% Danceability • 50% Energy • 31% Liveness
0% Instrumentalness • 34% Positiveness
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Deportees
Will You Talk (If I Listen)
148 bpm • F Maj • 03:51 • -4db
19% Popularity • 48% Danceability • 77% Energy • 28% Liveness
0% Instrumentalness • 70% Positiveness
19% Popularity • 48% Danceability • 77% Energy • 28% Liveness
0% Instrumentalness • 70% Positiveness
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Lissie
Stranger
137 bpm • A Maj • 03:08 • -5.95db
26% Popularity • 47% Danceability • 86% Energy • 30% Liveness
0% Instrumentalness • 55% Positiveness
26% Popularity • 47% Danceability • 86% Energy • 30% Liveness
0% Instrumentalness • 55% Positiveness
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Irya's Playground
Yours Until Tomorrow
136 bpm • F# Maj • 04:43 • -8.97db
0% Popularity • 37% Danceability • 50% Energy • 39% Liveness
1% Instrumentalness • 28% Positiveness
0% Popularity • 37% Danceability • 50% Energy • 39% Liveness
1% Instrumentalness • 28% Positiveness
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Susanne Sundfør
The Dance
148 bpm • C Maj • 03:23 • -6.03db
12% Popularity • 34% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
12% Popularity • 34% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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The Mo
Rats on the Radio
147 bpm • A Maj • 03:21 • -5.88db
18% Popularity • 53% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
18% Popularity • 53% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
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Paola
Stockcity Girl
148 bpm • C Maj • 03:20 • -3.82db
13% Popularity • 46% Danceability • 86% Energy • 26% Liveness
1% Instrumentalness • 39% Positiveness
13% Popularity • 46% Danceability • 86% Energy • 26% Liveness
1% Instrumentalness • 39% Positiveness
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Amanda Jenssen
Happyland
136 bpm • G# min • 03:32 • -4db
22% Popularity • 51% Danceability • 92% Energy • 12% Liveness
0% Instrumentalness • 73% Positiveness
22% Popularity • 51% Danceability • 92% Energy • 12% Liveness
0% Instrumentalness • 73% Positiveness
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Lissie
Look Away
136 bpm • G Maj • 04:28 • -7.46db
25% Popularity • 51% Danceability • 66% Energy • 19% Liveness
0% Instrumentalness • 24% Positiveness
25% Popularity • 51% Danceability • 66% Energy • 19% Liveness
0% Instrumentalness • 24% Positiveness
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Rasmus Kellerman
Five Years from Now
136 bpm • A min • 03:25 • -12.56db
8% Popularity • 34% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
8% Popularity • 34% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Ghost Dog
Touchdown
136 bpm • C Maj • 04:54 • -2.52db
10% Popularity • 36% Danceability • 94% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
10% Popularity • 36% Danceability • 94% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
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Timo Räisänen
You Shook Me All Night Long
136 bpm • G Maj • 04:00 • -10.91db
16% Popularity • 58% Danceability • 23% Energy • 7% Liveness
0% Instrumentalness • 12% Positiveness
16% Popularity • 58% Danceability • 23% Energy • 7% Liveness
0% Instrumentalness • 12% Positiveness
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Paola
Yours to Keep
136 bpm • C Maj • 03:15 • -4db
24% Popularity • 71% Danceability • 75% Energy • 18% Liveness
3% Instrumentalness • 94% Positiveness
24% Popularity • 71% Danceability • 75% Energy • 18% Liveness
3% Instrumentalness • 94% Positiveness
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Frida Hyvönen
See How I Came into Town
136 bpm • C Maj • 03:33 • -12.23db
9% Popularity • 27% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
9% Popularity • 27% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
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Amanda Jenssen
Thunderful Jolene
136 bpm • D min • 03:12 • -4.84db
12% Popularity • 34% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
12% Popularity • 34% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
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Laakso
Västerbron
149 bpm • C Maj • 04:10 • -4db
23% Popularity • 25% Danceability • 69% Energy • 34% Liveness
0% Instrumentalness • 31% Positiveness
23% Popularity • 25% Danceability • 69% Energy • 34% Liveness
0% Instrumentalness • 31% Positiveness
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Elin Ruth Sigvardsson
Love - Acoustic Version
135 bpm • E Maj • 03:46 • -11.46db
14% Popularity • 38% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
14% Popularity • 38% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
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Broder Daniel
Cruel Town
135 bpm • C min • 03:58 • -4db
24% Popularity • 24% Danceability • 84% Energy • 36% Liveness
0% Instrumentalness • 47% Positiveness
24% Popularity • 24% Danceability • 84% Energy • 36% Liveness
0% Instrumentalness • 47% Positiveness
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The Mo
Nostalgia Locomotive
149 bpm • E Maj • 03:58 • -8db
40% Popularity • 62% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
40% Popularity • 62% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
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Maia Hirasawa
And I Found This Boy
135 bpm • C# Maj • 03:23 • -13.59db
19% Popularity • 64% Danceability • 39% Energy • 31% Liveness
0% Instrumentalness • 61% Positiveness
19% Popularity • 64% Danceability • 39% Energy • 31% Liveness
0% Instrumentalness • 61% Positiveness
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Bigbang
Isabel
150 bpm • C min • 06:30 • -7.51db
25% Popularity • 40% Danceability • 56% Energy • 10% Liveness
1% Instrumentalness • 14% Positiveness
25% Popularity • 40% Danceability • 56% Energy • 10% Liveness
1% Instrumentalness • 14% Positiveness
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Maria Solheim
Too Many Days
135 bpm • G# min • 02:44 • -9.69db
10% Popularity • 51% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
10% Popularity • 51% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Timo Räisänen
I'm Indian
150 bpm • G# Maj • 05:54 • -7.32db
10% Popularity • 28% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
10% Popularity • 28% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
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Marit Bergman
Adios Amigos
150 bpm • D min • 02:53 • -3.82db
25% Popularity • 38% Danceability • 90% Energy • 6% Liveness
0% Instrumentalness • 60% Positiveness
25% Popularity • 38% Danceability • 90% Energy • 6% Liveness
0% Instrumentalness • 60% Positiveness
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Ingrid Olava
Only Just Begun
134 bpm • A min • 03:12 • -9.85db
19% Popularity • 67% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
19% Popularity • 67% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Minor Majority
She Gave Me Away
151 bpm • C min • 02:32 • -12db
31% Popularity • 36% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
31% Popularity • 36% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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The Soundtrack Of Our Lives
Nevermore
134 bpm • C min • 03:21 • -5db
34% Popularity • 48% Danceability • 91% Energy • 19% Liveness
3% Instrumentalness • 56% Positiveness
34% Popularity • 48% Danceability • 91% Energy • 19% Liveness
3% Instrumentalness • 56% Positiveness
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Hellsongs
Breaking the Law
133 bpm • A min • 02:57 • -8.22db
18% Popularity • 76% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
18% Popularity • 76% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Moa Lignell
Whatever They Do
133 bpm • D Maj • 03:52 • -6db
26% Popularity • 55% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
26% Popularity • 55% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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Weeping Willows
If You Know What Love Is
133 bpm • D Maj • 03:58 • -6.37db
17% Popularity • 30% Danceability • 40% Energy • 10% Liveness
16% Instrumentalness • 26% Positiveness
17% Popularity • 30% Danceability • 40% Energy • 10% Liveness
16% Instrumentalness • 26% Positiveness
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Moneybrother
I'm Not Ready For It, Jo
133 bpm • F Maj • 04:54 • -6.25db
14% Popularity • 35% Danceability • 48% Energy • 31% Liveness
0% Instrumentalness • 23% Positiveness
14% Popularity • 35% Danceability • 48% Energy • 31% Liveness
0% Instrumentalness • 23% Positiveness
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Steget
Denna GÃ¥ngen
152 bpm • F Maj • 03:52 • -7.11db
9% Popularity • 55% Danceability • 46% Energy • 11% Liveness
1% Instrumentalness • 59% Positiveness
9% Popularity • 55% Danceability • 46% Energy • 11% Liveness
1% Instrumentalness • 59% Positiveness
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Superfamily
The Radio Has Expressed Concerns About W...
152 bpm • F# Maj • 04:12 • -4db
23% Popularity • 50% Danceability • 87% Energy • 16% Liveness
1% Instrumentalness • 54% Positiveness
23% Popularity • 50% Danceability • 87% Energy • 16% Liveness
1% Instrumentalness • 54% Positiveness
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Marit Bergman
This Is the Year
152 bpm • F Maj • 03:04 • -5.71db
29% Popularity • 48% Danceability • 58% Energy • 44% Liveness
0% Instrumentalness • 54% Positiveness
29% Popularity • 48% Danceability • 58% Energy • 44% Liveness
0% Instrumentalness • 54% Positiveness
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Anna Ternheim
Let It Rain
133 bpm • D Maj • 04:54 • -7.3db
7% Popularity • 38% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
7% Popularity • 38% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Emil Jensen
Allt jag gillar upphör
133 bpm • G# min • 03:41 • -7db
14% Popularity • 52% Danceability • 55% Energy • 36% Liveness
1% Instrumentalness • 55% Positiveness
14% Popularity • 52% Danceability • 55% Energy • 36% Liveness
1% Instrumentalness • 55% Positiveness
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Deportees
Turn BackTime
133 bpm • G Maj • 03:13 • -5.54db
25% Popularity • 58% Danceability • 62% Energy • 16% Liveness
0% Instrumentalness • 20% Positiveness
25% Popularity • 58% Danceability • 62% Energy • 16% Liveness
0% Instrumentalness • 20% Positiveness
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Steget
Baby Baby Baby
132 bpm • E Maj • 03:15 • -10db
17% Popularity • 43% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
17% Popularity • 43% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Irya's Playground
With You
152 bpm • F# min • 03:36 • -11.98db
30% Popularity • 76% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
30% Popularity • 76% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
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Hello Saferide
I Don't Sleep Well
152 bpm • C# Maj • 02:45 • -14.82db
28% Popularity • 27% Danceability • 22% Energy • 6% Liveness
7% Instrumentalness • 34% Positiveness
28% Popularity • 27% Danceability • 22% Energy • 6% Liveness
7% Instrumentalness • 34% Positiveness
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Rebecka Törnqvist
Viktoriasjön
132 bpm • F min • 03:35 • -8.12db
15% Popularity • 45% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
15% Popularity • 45% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
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[ingenting]
LÃ¥t Floden Komma
152 bpm • D min • 10:21 • -7.82db
10% Popularity • 24% Danceability • 31% Energy • 68% Liveness
0% Instrumentalness • 17% Positiveness
10% Popularity • 24% Danceability • 31% Energy • 68% Liveness
0% Instrumentalness • 17% Positiveness
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Amanda Jenssen
For the Sun
132 bpm • B Maj • 03:29 • -5.23db
3% Popularity • 50% Danceability • 80% Energy • 14% Liveness
0% Instrumentalness • 80% Positiveness
3% Popularity • 50% Danceability • 80% Energy • 14% Liveness
0% Instrumentalness • 80% Positiveness
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Linnea Olsson
Ah!
132 bpm • G Maj • 03:26 • -7.84db
11% Popularity • 61% Danceability • 43% Energy • 48% Liveness
0% Instrumentalness • 66% Positiveness
11% Popularity • 61% Danceability • 43% Energy • 48% Liveness
0% Instrumentalness • 66% Positiveness
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Maia Hirasawa
South Again
153 bpm • A min • 02:15 • -6.45db
12% Popularity • 38% Danceability • 56% Energy • 31% Liveness
0% Instrumentalness • 53% Positiveness
12% Popularity • 38% Danceability • 56% Energy • 31% Liveness
0% Instrumentalness • 53% Positiveness
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Paola
Hang with Me
132 bpm • C Maj • 03:29 • -11.29db
16% Popularity • 63% Danceability • 63% Energy • 11% Liveness
12% Instrumentalness • 66% Positiveness
16% Popularity • 63% Danceability • 63% Energy • 11% Liveness
12% Instrumentalness • 66% Positiveness
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Marit Bergman
I Will Always Be Your Soldier
153 bpm • A Maj • 03:50 • -5.34db
31% Popularity • 38% Danceability • 62% Energy • 26% Liveness
0% Instrumentalness • 35% Positiveness
31% Popularity • 38% Danceability • 62% Energy • 26% Liveness
0% Instrumentalness • 35% Positiveness
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Eskobar
Someone Told Me
132 bpm • D# Maj • 03:46 • -11.29db
12% Popularity • 61% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
12% Popularity • 61% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
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Anna Ternheim
What Have I Done
131 bpm • A min • 03:22 • -7.08db
32% Popularity • 64% Danceability • 50% Energy • 33% Liveness
1% Instrumentalness • 61% Positiveness
32% Popularity • 64% Danceability • 50% Energy • 33% Liveness
1% Instrumentalness • 61% Positiveness
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Billie The Vision & The Dancers
You’d Better Watch Out, ‘Cause I Lik...
154 bpm • D Maj • 02:26 • -12db
18% Popularity • 61% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
18% Popularity • 61% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
