Songs like My apology letter by Kim Yeon Woo
Based on a tempo of (+/- 10%) and a similar genre
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Hwang In Wook
Emergency Room(2021)
142 bpm β’ F Maj β’ 04:03 β’ -6db
34% Popularity β’ 51% Danceability β’ 44% Energy β’ 12% Liveness
0% Instrumentalness β’ 17% Positiveness
34% Popularity β’ 51% Danceability β’ 44% Energy β’ 12% Liveness
0% Instrumentalness β’ 17% Positiveness
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Kim Yeon Woo
Hello My Friend
142 bpm β’ C# Maj β’ 03:56 β’ -6.35db
0% Popularity β’ 65% Danceability β’ 53% Energy β’ 8% Liveness
0% Instrumentalness β’ 70% Positiveness
0% Popularity β’ 65% Danceability β’ 53% Energy β’ 8% Liveness
0% Instrumentalness β’ 70% Positiveness
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M.C the Max
ν볡νμ§λ§μμ
142 bpm β’ D Maj β’ 05:58 β’ -7db
37% Popularity β’ 35% Danceability β’ 50% Energy β’ 10% Liveness
0% Instrumentalness β’ 22% Positiveness
37% Popularity β’ 35% Danceability β’ 50% Energy β’ 10% Liveness
0% Instrumentalness β’ 22% Positiveness
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Ha Dong Qn
I will be waiting
141 bpm β’ D Maj β’ 04:07 β’ -7db
30% Popularity β’ 36% Danceability β’ 48% Energy β’ 13% Liveness
0% Instrumentalness β’ 32% Positiveness
30% Popularity β’ 36% Danceability β’ 48% Energy β’ 13% Liveness
0% Instrumentalness β’ 32% Positiveness
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HYNN
With and Without You
143 bpm β’ C# Maj β’ 03:51 β’ -4db
20% Popularity β’ 27% Danceability β’ 47% Energy β’ 11% Liveness
0% Instrumentalness β’ 24% Positiveness
20% Popularity β’ 27% Danceability β’ 47% Energy β’ 11% Liveness
0% Instrumentalness β’ 24% Positiveness
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KIM BUMSOO
Last Love
141 bpm β’ F Maj β’ 04:11 β’ -6db
42% Popularity β’ 40% Danceability β’ 34% Energy β’ 12% Liveness
0% Instrumentalness β’ 25% Positiveness
42% Popularity β’ 40% Danceability β’ 34% Energy β’ 12% Liveness
0% Instrumentalness β’ 25% Positiveness
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Monday Kiz
νν°
141 bpm β’ B Maj β’ 03:36 β’ -4.39db
22% Popularity β’ 40% Danceability β’ 66% Energy β’ 10% Liveness
0% Instrumentalness β’ 29% Positiveness
22% Popularity β’ 40% Danceability β’ 66% Energy β’ 10% Liveness
0% Instrumentalness β’ 29% Positiveness
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Kim Yeon Woo
My apology letter
142 bpm β’ D# Maj β’ 04:03 β’ -4.62db
20% Popularity β’ 49% Danceability β’ 60% Energy β’ 33% Liveness
0% Instrumentalness β’ 17% Positiveness
20% Popularity β’ 49% Danceability β’ 60% Energy β’ 33% Liveness
0% Instrumentalness β’ 17% Positiveness
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Lee Juck
I Promise
141 bpm β’ D min β’ 04:52 β’ -4.81db
30% Popularity β’ 41% Danceability β’ 48% Energy β’ 20% Liveness
0% Instrumentalness β’ 14% Positiveness
30% Popularity β’ 41% Danceability β’ 48% Energy β’ 20% Liveness
0% Instrumentalness β’ 14% Positiveness
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Position
I Love You
140 bpm β’ A# Maj β’ 05:30 β’ -8.98db
30% Popularity β’ 40% Danceability β’ 37% Energy β’ 13% Liveness
0% Instrumentalness β’ 21% Positiveness
30% Popularity β’ 40% Danceability β’ 37% Energy β’ 13% Liveness
0% Instrumentalness β’ 21% Positiveness
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Lim Jae Beum
λμΈ
144 bpm β’ A min β’ 04:46 β’ -4db
34% Popularity β’ 38% Danceability β’ 68% Energy β’ 12% Liveness
0% Instrumentalness β’ 16% Positiveness
34% Popularity β’ 38% Danceability β’ 68% Energy β’ 12% Liveness
0% Instrumentalness β’ 16% Positiveness
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FLY TO THE SKY
It happens to be that way
140 bpm β’ G Maj β’ 03:52 β’ -3db
22% Popularity β’ 33% Danceability β’ 73% Energy β’ 19% Liveness
0% Instrumentalness β’ 33% Positiveness
22% Popularity β’ 33% Danceability β’ 73% Energy β’ 19% Liveness
0% Instrumentalness β’ 33% Positiveness
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Lim Changjung
There has never been a day I haven't lov...
144 bpm β’ F Maj β’ 04:03 β’ -3.37db
37% Popularity β’ 55% Danceability β’ 68% Energy β’ 37% Liveness
0% Instrumentalness β’ 29% Positiveness
37% Popularity β’ 55% Danceability β’ 68% Energy β’ 37% Liveness
0% Instrumentalness β’ 29% Positiveness
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Kim Yeon Woo
Withdrawal symptoms
143 bpm β’ D Maj β’ 04:29 β’ -7.87db
2% Popularity β’ 39% Danceability β’ 38% Energy β’ 12% Liveness
0% Instrumentalness β’ 17% Positiveness
2% Popularity β’ 39% Danceability β’ 38% Energy β’ 12% Liveness
0% Instrumentalness β’ 17% Positiveness
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god
Snowfall
140 bpm β’ C# Maj β’ 03:55 β’ -6.45db
17% Popularity β’ 51% Danceability β’ 54% Energy β’ 9% Liveness
0% Instrumentalness β’ 28% Positiveness
17% Popularity β’ 51% Danceability β’ 54% Energy β’ 9% Liveness
0% Instrumentalness β’ 28% Positiveness
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Monday Kiz
Turn back one's love
144 bpm β’ B Maj β’ 04:30 β’ -6.45db
26% Popularity β’ 43% Danceability β’ 57% Energy β’ 8% Liveness
0% Instrumentalness β’ 38% Positiveness
26% Popularity β’ 43% Danceability β’ 57% Energy β’ 8% Liveness
0% Instrumentalness β’ 38% Positiveness
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MAKTUB
Marry Me
140 bpm β’ A# Maj β’ 04:21 β’ -9db
38% Popularity β’ 58% Danceability β’ 31% Energy β’ 11% Liveness
0% Instrumentalness β’ 28% Positiveness
38% Popularity β’ 58% Danceability β’ 31% Energy β’ 11% Liveness
0% Instrumentalness β’ 28% Positiveness
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LEE SEUNG HWAN
μ²μΌλμ For Thousand Days
140 bpm β’ A Maj β’ 05:52 β’ -11db
31% Popularity β’ 40% Danceability β’ 38% Energy β’ 6% Liveness
0% Instrumentalness β’ 22% Positiveness
31% Popularity β’ 40% Danceability β’ 38% Energy β’ 6% Liveness
0% Instrumentalness β’ 22% Positiveness
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Yoon Jong Shin
No Schedule
144 bpm β’ A Maj β’ 04:48 β’ -6.82db
3% Popularity β’ 58% Danceability β’ 57% Energy β’ 28% Liveness
0% Instrumentalness β’ 38% Positiveness
3% Popularity β’ 58% Danceability β’ 57% Energy β’ 28% Liveness
0% Instrumentalness β’ 38% Positiveness
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Izi
μκΈμ€
140 bpm β’ D# Maj β’ 03:58 β’ -7.44db
29% Popularity β’ 56% Danceability β’ 52% Energy β’ 18% Liveness
0% Instrumentalness β’ 26% Positiveness
29% Popularity β’ 56% Danceability β’ 52% Energy β’ 18% Liveness
0% Instrumentalness β’ 26% Positiveness
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Yoon Do Hyun
μ¬λ Two
140 bpm β’ D Maj β’ 05:16 β’ -9.36db
35% Popularity β’ 54% Danceability β’ 39% Energy β’ 25% Liveness
0% Instrumentalness β’ 14% Positiveness
35% Popularity β’ 54% Danceability β’ 39% Energy β’ 25% Liveness
0% Instrumentalness β’ 14% Positiveness
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Un
μ λ¬Ό
140 bpm β’ B Maj β’ 04:25 β’ -5db
30% Popularity β’ 45% Danceability β’ 52% Energy β’ 54% Liveness
0% Instrumentalness β’ 11% Positiveness
30% Popularity β’ 45% Danceability β’ 52% Energy β’ 54% Liveness
0% Instrumentalness β’ 11% Positiveness
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Wasabii Sound
Happy Birthday To You
140 bpm β’ C# Maj β’ 03:35 β’ -5.94db
3% Popularity β’ 53% Danceability β’ 54% Energy β’ 23% Liveness
0% Instrumentalness β’ 32% Positiveness
3% Popularity β’ 53% Danceability β’ 54% Energy β’ 23% Liveness
0% Instrumentalness β’ 32% Positiveness
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Kim Jung Min
λ§μ§λ§ μ½μ
140 bpm β’ F Maj β’ 04:14 β’ -7db
30% Popularity β’ 43% Danceability β’ 49% Energy β’ 11% Liveness
0% Instrumentalness β’ 12% Positiveness
30% Popularity β’ 43% Danceability β’ 49% Energy β’ 11% Liveness
0% Instrumentalness β’ 12% Positiveness
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Kim Yeon Woo
μ¬λνλ€λ νν λ§
140 bpm β’ D Maj β’ 05:14 β’ -13.41db
27% Popularity β’ 43% Danceability β’ 18% Energy β’ 8% Liveness
0% Instrumentalness β’ 14% Positiveness
27% Popularity β’ 43% Danceability β’ 18% Energy β’ 8% Liveness
0% Instrumentalness β’ 14% Positiveness
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Lim Jae Hyun
With a smile
140 bpm β’ F Maj β’ 05:09 β’ -7.71db
31% Popularity β’ 47% Danceability β’ 47% Energy β’ 9% Liveness
0% Instrumentalness β’ 14% Positiveness
31% Popularity β’ 47% Danceability β’ 47% Energy β’ 9% Liveness
0% Instrumentalness β’ 14% Positiveness
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Lee Juck
Compass
140 bpm β’ D Maj β’ 03:45 β’ -8.4db
21% Popularity β’ 47% Danceability β’ 39% Energy β’ 10% Liveness
0% Instrumentalness β’ 14% Positiveness
21% Popularity β’ 47% Danceability β’ 39% Energy β’ 10% Liveness
0% Instrumentalness β’ 14% Positiveness
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GB9
Please Don't forget me (WEBTOON 'Discove...
140 bpm β’ D Maj β’ 04:00 β’ -4.51db
19% Popularity β’ 43% Danceability β’ 50% Energy β’ 13% Liveness
0% Instrumentalness β’ 21% Positiveness
19% Popularity β’ 43% Danceability β’ 50% Energy β’ 13% Liveness
0% Instrumentalness β’ 21% Positiveness
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Kim Dong Ryul
I say "I love you" again
140 bpm β’ D Maj β’ 04:47 β’ -9db
35% Popularity β’ 57% Danceability β’ 51% Energy β’ 23% Liveness
0% Instrumentalness β’ 26% Positiveness
35% Popularity β’ 57% Danceability β’ 51% Energy β’ 23% Liveness
0% Instrumentalness β’ 26% Positiveness
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T.P RETRO
Even Today, Only You
140 bpm β’ D# Maj β’ 04:08 β’ -5.17db
25% Popularity β’ 48% Danceability β’ 54% Energy β’ 11% Liveness
0% Instrumentalness β’ 24% Positiveness
25% Popularity β’ 48% Danceability β’ 54% Energy β’ 11% Liveness
0% Instrumentalness β’ 24% Positiveness
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Yoon Jong Shin
μ’μ
144 bpm β’ G# Maj β’ 05:09 β’ -4.61db
39% Popularity β’ 34% Danceability β’ 43% Energy β’ 12% Liveness
0% Instrumentalness β’ 32% Positiveness
39% Popularity β’ 34% Danceability β’ 43% Energy β’ 12% Liveness
0% Instrumentalness β’ 32% Positiveness
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LEE SEUNG HWAN
μ΄λ»κ² μ¬λμ΄ κ·Έλμ
140 bpm β’ D# Maj β’ 04:55 β’ -6db
33% Popularity β’ 44% Danceability β’ 52% Energy β’ 7% Liveness
0% Instrumentalness β’ 10% Positiveness
33% Popularity β’ 44% Danceability β’ 52% Energy β’ 7% Liveness
0% Instrumentalness β’ 10% Positiveness
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Yangpa
λ κ°κ±°λ
140 bpm β’ E min β’ 05:28 β’ -7.86db
19% Popularity β’ 27% Danceability β’ 38% Energy β’ 7% Liveness
0% Instrumentalness β’ 12% Positiveness
19% Popularity β’ 27% Danceability β’ 38% Energy β’ 7% Liveness
0% Instrumentalness β’ 12% Positiveness
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μΌκΈ°μ보
μΈνμ κΏ
140 bpm β’ D# Maj β’ 04:17 β’ -6.14db
34% Popularity β’ 55% Danceability β’ 46% Energy β’ 15% Liveness
0% Instrumentalness β’ 12% Positiveness
34% Popularity β’ 55% Danceability β’ 46% Energy β’ 15% Liveness
0% Instrumentalness β’ 12% Positiveness
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Kassy
True Song
140 bpm β’ C min β’ 04:30 β’ -6.98db
29% Popularity β’ 40% Danceability β’ 42% Energy β’ 12% Liveness
0% Instrumentalness β’ 36% Positiveness
29% Popularity β’ 40% Danceability β’ 42% Energy β’ 12% Liveness
0% Instrumentalness β’ 36% Positiveness
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4MEN
Baby Baby
140 bpm β’ G# Maj β’ 03:19 β’ -7db
33% Popularity β’ 52% Danceability β’ 29% Energy β’ 19% Liveness
0% Instrumentalness β’ 41% Positiveness
33% Popularity β’ 52% Danceability β’ 29% Energy β’ 19% Liveness
0% Instrumentalness β’ 41% Positiveness
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Gummy
κ°μ§ μ μλ λ
140 bpm β’ C Maj β’ 04:47 β’ -6.46db
25% Popularity β’ 32% Danceability β’ 49% Energy β’ 10% Liveness
0% Instrumentalness β’ 8% Positiveness
25% Popularity β’ 32% Danceability β’ 49% Energy β’ 10% Liveness
0% Instrumentalness β’ 8% Positiveness
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FLY TO THE SKY
Day By Day
140 bpm β’ G# Maj β’ 03:38 β’ -4db
23% Popularity β’ 46% Danceability β’ 62% Energy β’ 17% Liveness
0% Instrumentalness β’ 40% Positiveness
23% Popularity β’ 46% Danceability β’ 62% Energy β’ 17% Liveness
0% Instrumentalness β’ 40% Positiveness
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WENDY
Doll
140 bpm β’ G# Maj β’ 04:54 β’ -5db
35% Popularity β’ 43% Danceability β’ 55% Energy β’ 20% Liveness
0% Instrumentalness β’ 26% Positiveness
35% Popularity β’ 43% Danceability β’ 55% Energy β’ 20% Liveness
0% Instrumentalness β’ 26% Positiveness
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HYNN
When I tell you goodbye
140 bpm β’ C Maj β’ 03:42 β’ -4db
29% Popularity β’ 51% Danceability β’ 48% Energy β’ 13% Liveness
0% Instrumentalness β’ 12% Positiveness
29% Popularity β’ 51% Danceability β’ 48% Energy β’ 13% Liveness
0% Instrumentalness β’ 12% Positiveness
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Jin Won
I'm gonna change
140 bpm β’ A# Maj β’ 04:19 β’ -10db
24% Popularity β’ 55% Danceability β’ 31% Energy β’ 11% Liveness
0% Instrumentalness β’ 56% Positiveness
24% Popularity β’ 55% Danceability β’ 31% Energy β’ 11% Liveness
0% Instrumentalness β’ 56% Positiveness
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Lee Juck
Relieved
139 bpm β’ E Maj β’ 03:32 β’ -11.58db
33% Popularity β’ 57% Danceability β’ 22% Energy β’ 13% Liveness
0% Instrumentalness β’ 18% Positiveness
33% Popularity β’ 57% Danceability β’ 22% Energy β’ 13% Liveness
0% Instrumentalness β’ 18% Positiveness
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NC.A
Even if a memorable day comes
139 bpm β’ C Maj β’ 03:46 β’ -4.95db
34% Popularity β’ 53% Danceability β’ 46% Energy β’ 9% Liveness
0% Instrumentalness β’ 16% Positiveness
34% Popularity β’ 53% Danceability β’ 46% Energy β’ 9% Liveness
0% Instrumentalness β’ 16% Positiveness
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VIBE
I drink again
139 bpm β’ C# Maj β’ 04:05 β’ -8db
39% Popularity β’ 46% Danceability β’ 56% Energy β’ 12% Liveness
0% Instrumentalness β’ 30% Positiveness
39% Popularity β’ 46% Danceability β’ 56% Energy β’ 12% Liveness
0% Instrumentalness β’ 30% Positiveness
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FLY TO THE SKY
A Time Limit
139 bpm β’ F# Maj β’ 04:50 β’ -4.3db
22% Popularity β’ 30% Danceability β’ 66% Energy β’ 13% Liveness
0% Instrumentalness β’ 20% Positiveness
22% Popularity β’ 30% Danceability β’ 66% Energy β’ 13% Liveness
0% Instrumentalness β’ 20% Positiveness
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Lee Moon Sae
μ¬λμ λ λλ§κ°
139 bpm β’ A Maj β’ 03:55 β’ -10.6db
36% Popularity β’ 35% Danceability β’ 25% Energy β’ 10% Liveness
0% Instrumentalness β’ 19% Positiveness
36% Popularity β’ 35% Danceability β’ 25% Energy β’ 10% Liveness
0% Instrumentalness β’ 19% Positiveness
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An Nyeong
Moving Away
139 bpm β’ D# Maj β’ 04:24 β’ -4.77db
32% Popularity β’ 41% Danceability β’ 55% Energy β’ 14% Liveness
0% Instrumentalness β’ 34% Positiveness
32% Popularity β’ 41% Danceability β’ 55% Energy β’ 14% Liveness
0% Instrumentalness β’ 34% Positiveness
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Jang Deok Cheol
You Make Me Warm
139 bpm β’ C Maj β’ 04:00 β’ -4.76db
20% Popularity β’ 33% Danceability β’ 46% Energy β’ 46% Liveness
0% Instrumentalness β’ 13% Positiveness
20% Popularity β’ 33% Danceability β’ 46% Energy β’ 46% Liveness
0% Instrumentalness β’ 13% Positiveness
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Shin Seung Hun
Invisible Love
145 bpm β’ E min β’ 04:10 β’ -17.61db
20% Popularity β’ 31% Danceability β’ 20% Energy β’ 25% Liveness
0% Instrumentalness β’ 20% Positiveness
20% Popularity β’ 31% Danceability β’ 20% Energy β’ 25% Liveness
0% Instrumentalness β’ 20% Positiveness
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Ha Dong Qn
I will be waiting
139 bpm β’ D Maj β’ 04:08 β’ -5.81db
31% Popularity β’ 36% Danceability β’ 45% Energy β’ 11% Liveness
0% Instrumentalness β’ 37% Positiveness
31% Popularity β’ 36% Danceability β’ 45% Energy β’ 11% Liveness
0% Instrumentalness β’ 37% Positiveness
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Jeong Dong Won
Still Alive
146 bpm β’ F# Maj β’ 04:14 β’ -4db
29% Popularity β’ 30% Danceability β’ 57% Energy β’ 10% Liveness
0% Instrumentalness β’ 27% Positiveness
29% Popularity β’ 30% Danceability β’ 57% Energy β’ 10% Liveness
0% Instrumentalness β’ 27% Positiveness
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Zia
The Way I Am
139 bpm β’ G Maj β’ 03:44 β’ -4.24db
21% Popularity β’ 42% Danceability β’ 64% Energy β’ 24% Liveness
0% Instrumentalness β’ 43% Positiveness
21% Popularity β’ 42% Danceability β’ 64% Energy β’ 24% Liveness
0% Instrumentalness β’ 43% Positiveness
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Onestar
You Are As Pretty As A Flower
138 bpm β’ B Maj β’ 03:40 β’ -4.84db
25% Popularity β’ 36% Danceability β’ 62% Energy β’ 11% Liveness
0% Instrumentalness β’ 28% Positiveness
25% Popularity β’ 36% Danceability β’ 62% Energy β’ 11% Liveness
0% Instrumentalness β’ 28% Positiveness
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VIBE
Come back to me
138 bpm β’ D Maj β’ 04:59 β’ -5.03db
29% Popularity β’ 29% Danceability β’ 68% Energy β’ 34% Liveness
0% Instrumentalness β’ 42% Positiveness
29% Popularity β’ 29% Danceability β’ 68% Energy β’ 34% Liveness
0% Instrumentalness β’ 42% Positiveness
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Monday Kiz
λͺ¨λ₯΄μμ£
138 bpm β’ G Maj β’ 03:35 β’ -4.91db
32% Popularity β’ 39% Danceability β’ 70% Energy β’ 33% Liveness
0% Instrumentalness β’ 33% Positiveness
32% Popularity β’ 39% Danceability β’ 70% Energy β’ 33% Liveness
0% Instrumentalness β’ 33% Positiveness
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Lee Juck
Don't worry
138 bpm β’ A Maj β’ 03:51 β’ -6.65db
50% Popularity β’ 51% Danceability β’ 32% Energy β’ 15% Liveness
0% Instrumentalness β’ 18% Positiveness
50% Popularity β’ 51% Danceability β’ 32% Energy β’ 15% Liveness
0% Instrumentalness β’ 18% Positiveness
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V.O.S
맀μΌλ§€μΌ
138 bpm β’ F Maj β’ 03:52 β’ -5.27db
28% Popularity β’ 55% Danceability β’ 74% Energy β’ 6% Liveness
0% Instrumentalness β’ 60% Positiveness
28% Popularity β’ 55% Danceability β’ 74% Energy β’ 6% Liveness
0% Instrumentalness β’ 60% Positiveness
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BOOHWAL
μΉκ΅¬μΌ λλ μλ
138 bpm β’ A Maj β’ 04:22 β’ -6db
20% Popularity β’ 38% Danceability β’ 45% Energy β’ 9% Liveness
0% Instrumentalness β’ 38% Positiveness
20% Popularity β’ 38% Danceability β’ 45% Energy β’ 9% Liveness
0% Instrumentalness β’ 38% Positiveness
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Kim Yeon Woo
Antidote
146 bpm β’ F Maj β’ 04:26 β’ -7.72db
6% Popularity β’ 36% Danceability β’ 41% Energy β’ 11% Liveness
0% Instrumentalness β’ 14% Positiveness
6% Popularity β’ 36% Danceability β’ 41% Energy β’ 11% Liveness
0% Instrumentalness β’ 14% Positiveness
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M.C the Max
BLOOM
138 bpm β’ B min β’ 03:52 β’ -4.26db
30% Popularity β’ 46% Danceability β’ 56% Energy β’ 23% Liveness
0% Instrumentalness β’ 24% Positiveness
30% Popularity β’ 46% Danceability β’ 56% Energy β’ 23% Liveness
0% Instrumentalness β’ 24% Positiveness
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BROWN EYED SOUL
Home
138 bpm β’ D Maj β’ 04:43 β’ -6db
25% Popularity β’ 38% Danceability β’ 57% Energy β’ 26% Liveness
0% Instrumentalness β’ 23% Positiveness
25% Popularity β’ 38% Danceability β’ 57% Energy β’ 26% Liveness
0% Instrumentalness β’ 23% Positiveness
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Jeon Sang Geun
μ¬λμ΄λ λ©λ‘λ μμ΄
138 bpm β’ E Maj β’ 04:35 β’ -6.23db
43% Popularity β’ 42% Danceability β’ 48% Energy β’ 28% Liveness
0% Instrumentalness β’ 32% Positiveness
43% Popularity β’ 42% Danceability β’ 48% Energy β’ 28% Liveness
0% Instrumentalness β’ 32% Positiveness
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V.O.S
λΆλ
138 bpm β’ C min β’ 03:26 β’ -4.44db
31% Popularity β’ 57% Danceability β’ 72% Energy β’ 18% Liveness
0% Instrumentalness β’ 33% Positiveness
31% Popularity β’ 57% Danceability β’ 72% Energy β’ 18% Liveness
0% Instrumentalness β’ 33% Positiveness
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Tei
Why is love
138 bpm β’ C# Maj β’ 03:28 β’ -4.72db
31% Popularity β’ 49% Danceability β’ 56% Energy β’ 11% Liveness
0% Instrumentalness β’ 37% Positiveness
31% Popularity β’ 49% Danceability β’ 56% Energy β’ 11% Liveness
0% Instrumentalness β’ 37% Positiveness
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Zia
Dear. My Fool
138 bpm β’ F# Maj β’ 04:09 β’ -6.39db
24% Popularity β’ 38% Danceability β’ 48% Energy β’ 12% Liveness
0% Instrumentalness β’ 32% Positiveness
24% Popularity β’ 38% Danceability β’ 48% Energy β’ 12% Liveness
0% Instrumentalness β’ 32% Positiveness
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Kim Kyung Ho
μ¬λκ³Ό μ°μ μ¬μ΄ (νΌλ
Έν€μ€)
138 bpm β’ D# Maj β’ 04:59 β’ -5.53db
23% Popularity β’ 42% Danceability β’ 46% Energy β’ 71% Liveness
0% Instrumentalness β’ 18% Positiveness
23% Popularity β’ 42% Danceability β’ 46% Energy β’ 71% Liveness
0% Instrumentalness β’ 18% Positiveness
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Lim Changjung
Love Again
138 bpm β’ F Maj β’ 04:35 β’ -4.6db
36% Popularity β’ 42% Danceability β’ 53% Energy β’ 11% Liveness
0% Instrumentalness β’ 28% Positiveness
36% Popularity β’ 42% Danceability β’ 53% Energy β’ 11% Liveness
0% Instrumentalness β’ 28% Positiveness
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KCM
Countdown to Three like a Habit
138 bpm β’ F Maj β’ 05:40 β’ -5.25db
21% Popularity β’ 31% Danceability β’ 47% Energy β’ 19% Liveness
0% Instrumentalness β’ 26% Positiveness
21% Popularity β’ 31% Danceability β’ 47% Energy β’ 19% Liveness
0% Instrumentalness β’ 26% Positiveness
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Kim Yeon Woo
Your SNS
138 bpm β’ C Maj β’ 04:36 β’ -6.22db
3% Popularity β’ 58% Danceability β’ 45% Energy β’ 12% Liveness
0% Instrumentalness β’ 32% Positiveness
3% Popularity β’ 58% Danceability β’ 45% Energy β’ 12% Liveness
0% Instrumentalness β’ 32% Positiveness
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Lee Seok Hoon
Dear. My Fool (WEBTOON 'Discovery of Lov...
138 bpm β’ C Maj β’ 03:48 β’ -6.79db
31% Popularity β’ 37% Danceability β’ 50% Energy β’ 18% Liveness
0% Instrumentalness β’ 29% Positiveness
31% Popularity β’ 37% Danceability β’ 50% Energy β’ 18% Liveness
0% Instrumentalness β’ 29% Positiveness
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Yerin Baek
Blooming Memories
138 bpm β’ C Maj β’ 03:43 β’ -5.12db
36% Popularity β’ 54% Danceability β’ 37% Energy β’ 9% Liveness
0% Instrumentalness β’ 29% Positiveness
36% Popularity β’ 54% Danceability β’ 37% Energy β’ 9% Liveness
0% Instrumentalness β’ 29% Positiveness
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Park Hyo Shin
μ’μμ¬λ
137 bpm β’ G# Maj β’ 03:56 β’ -7.46db
33% Popularity β’ 32% Danceability β’ 41% Energy β’ 38% Liveness
0% Instrumentalness β’ 10% Positiveness
33% Popularity β’ 32% Danceability β’ 41% Energy β’ 38% Liveness
0% Instrumentalness β’ 10% Positiveness
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Lim Jae Hyun
I can only see you
137 bpm β’ A Maj β’ 03:56 β’ -5.43db
26% Popularity β’ 44% Danceability β’ 42% Energy β’ 13% Liveness
0% Instrumentalness β’ 17% Positiveness
26% Popularity β’ 44% Danceability β’ 42% Energy β’ 13% Liveness
0% Instrumentalness β’ 17% Positiveness
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JEONG HYO BEAN
How Can I Love
137 bpm β’ A Maj β’ 03:37 β’ -3.51db
32% Popularity β’ 48% Danceability β’ 49% Energy β’ 9% Liveness
0% Instrumentalness β’ 19% Positiveness
32% Popularity β’ 48% Danceability β’ 49% Energy β’ 9% Liveness
0% Instrumentalness β’ 19% Positiveness
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Kim Yeon Woo
Thank you
137 bpm β’ C Maj β’ 03:57 β’ -15.41db
1% Popularity β’ 42% Danceability β’ 12% Energy β’ 10% Liveness
0% Instrumentalness β’ 28% Positiveness
1% Popularity β’ 42% Danceability β’ 12% Energy β’ 10% Liveness
0% Instrumentalness β’ 28% Positiveness
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Lee Seok Hoon
Don`t love me (Prod. ROCOBERRY)
137 bpm β’ A# Maj β’ 03:58 β’ -5.33db
23% Popularity β’ 38% Danceability β’ 53% Energy β’ 14% Liveness
0% Instrumentalness β’ 19% Positiveness
23% Popularity β’ 38% Danceability β’ 53% Energy β’ 14% Liveness
0% Instrumentalness β’ 19% Positiveness
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Jang Deok Cheol
Good old days
137 bpm β’ D# Maj β’ 03:52 β’ -6.63db
43% Popularity β’ 51% Danceability β’ 38% Energy β’ 26% Liveness
0% Instrumentalness β’ 27% Positiveness
43% Popularity β’ 51% Danceability β’ 38% Energy β’ 26% Liveness
0% Instrumentalness β’ 27% Positiveness
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GB9
Beautiful
137 bpm β’ C Maj β’ 05:03 β’ -4db
17% Popularity β’ 26% Danceability β’ 63% Energy β’ 26% Liveness
0% Instrumentalness β’ 23% Positiveness
17% Popularity β’ 26% Danceability β’ 63% Energy β’ 26% Liveness
0% Instrumentalness β’ 23% Positiveness
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Yoon Do Hyun
λΉμ
148 bpm β’ C Maj β’ 04:21 β’ -5.41db
26% Popularity β’ 60% Danceability β’ 56% Energy β’ 7% Liveness
0% Instrumentalness β’ 62% Positiveness
26% Popularity β’ 60% Danceability β’ 56% Energy β’ 7% Liveness
0% Instrumentalness β’ 62% Positiveness
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Na Yoon Kwon
End of A Day
148 bpm β’ D# Maj β’ 03:58 β’ -6.94db
16% Popularity β’ 52% Danceability β’ 57% Energy β’ 10% Liveness
0% Instrumentalness β’ 42% Positiveness
16% Popularity β’ 52% Danceability β’ 57% Energy β’ 10% Liveness
0% Instrumentalness β’ 42% Positiveness
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Kim Yeon Woo
Sometimes I cry alone.
136 bpm β’ G min β’ 03:36 β’ -5.7db
20% Popularity β’ 48% Danceability β’ 54% Energy β’ 22% Liveness
0% Instrumentalness β’ 30% Positiveness
20% Popularity β’ 48% Danceability β’ 54% Energy β’ 22% Liveness
0% Instrumentalness β’ 30% Positiveness
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Lena Park
In dreams
136 bpm β’ A# Maj β’ 05:37 β’ -6.94db
35% Popularity β’ 38% Danceability β’ 53% Energy β’ 15% Liveness
0% Instrumentalness β’ 31% Positiveness
35% Popularity β’ 38% Danceability β’ 53% Energy β’ 15% Liveness
0% Instrumentalness β’ 31% Positiveness
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Monday Kiz
White Snow
136 bpm β’ F# Maj β’ 04:17 β’ -6.45db
31% Popularity β’ 48% Danceability β’ 50% Energy β’ 12% Liveness
0% Instrumentalness β’ 21% Positiveness
31% Popularity β’ 48% Danceability β’ 50% Energy β’ 12% Liveness
0% Instrumentalness β’ 21% Positiveness
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Kim Kyung Ho
κΈμ§λ μ¬λ
136 bpm β’ F# Maj β’ 04:31 β’ -7db
35% Popularity β’ 57% Danceability β’ 41% Energy β’ 7% Liveness
0% Instrumentalness β’ 14% Positiveness
35% Popularity β’ 57% Danceability β’ 41% Energy β’ 7% Liveness
0% Instrumentalness β’ 14% Positiveness
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Yoon Do Hyun
Autumn Outside The Post Office - 2014 Ve...
148 bpm β’ G Maj β’ 04:10 β’ -8.96db
42% Popularity β’ 47% Danceability β’ 16% Energy β’ 41% Liveness
0% Instrumentalness β’ 33% Positiveness
42% Popularity β’ 47% Danceability β’ 16% Energy β’ 41% Liveness
0% Instrumentalness β’ 33% Positiveness
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Baek Ji Young
Can I Love Again
136 bpm β’ G# Maj β’ 04:46 β’ -4db
32% Popularity β’ 36% Danceability β’ 65% Energy β’ 38% Liveness
0% Instrumentalness β’ 32% Positiveness
32% Popularity β’ 36% Danceability β’ 65% Energy β’ 38% Liveness
0% Instrumentalness β’ 32% Positiveness
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GB9
I hope It's breeze
136 bpm β’ F Maj β’ 03:52 β’ -5db
30% Popularity β’ 38% Danceability β’ 46% Energy β’ 12% Liveness
0% Instrumentalness β’ 19% Positiveness
30% Popularity β’ 38% Danceability β’ 46% Energy β’ 12% Liveness
0% Instrumentalness β’ 19% Positiveness
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FLY TO THE SKY
If I have to hate you
136 bpm β’ A Maj β’ 04:46 β’ -5.2db
18% Popularity β’ 35% Danceability β’ 49% Energy β’ 35% Liveness
0% Instrumentalness β’ 21% Positiveness
18% Popularity β’ 35% Danceability β’ 49% Energy β’ 35% Liveness
0% Instrumentalness β’ 21% Positiveness
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Hwanhee
λ΄ μ¬λ
136 bpm β’ G# Maj β’ 04:37 β’ -6db
25% Popularity β’ 42% Danceability β’ 46% Energy β’ 11% Liveness
0% Instrumentalness β’ 23% Positiveness
25% Popularity β’ 42% Danceability β’ 46% Energy β’ 11% Liveness
0% Instrumentalness β’ 23% Positiveness
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Kim Kyung Ho
Forbidden Love
136 bpm β’ F# Maj β’ 04:31 β’ -7db
36% Popularity β’ 55% Danceability β’ 42% Energy β’ 8% Liveness
0% Instrumentalness β’ 12% Positiveness
36% Popularity β’ 55% Danceability β’ 42% Energy β’ 8% Liveness
0% Instrumentalness β’ 12% Positiveness
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Jang Deok Cheol
Lateness
136 bpm β’ C min β’ 03:52 β’ -6.57db
24% Popularity β’ 58% Danceability β’ 40% Energy β’ 16% Liveness
0% Instrumentalness β’ 26% Positiveness
24% Popularity β’ 58% Danceability β’ 40% Energy β’ 16% Liveness
0% Instrumentalness β’ 26% Positiveness
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Yoon Do Hyun
The Sound Of Rain
148 bpm β’ E Maj β’ 04:27 β’ -6.1db
33% Popularity β’ 56% Danceability β’ 42% Energy β’ 18% Liveness
0% Instrumentalness β’ 30% Positiveness
33% Popularity β’ 56% Danceability β’ 42% Energy β’ 18% Liveness
0% Instrumentalness β’ 30% Positiveness
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BIG MAMA
체λ
136 bpm β’ G# Maj β’ 04:59 β’ -9db
40% Popularity β’ 60% Danceability β’ 36% Energy β’ 12% Liveness
0% Instrumentalness β’ 13% Positiveness
40% Popularity β’ 60% Danceability β’ 36% Energy β’ 12% Liveness
0% Instrumentalness β’ 13% Positiveness
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December
Sad day
136 bpm β’ E Maj β’ 03:44 β’ -3db
28% Popularity β’ 38% Danceability β’ 70% Energy β’ 10% Liveness
0% Instrumentalness β’ 30% Positiveness
28% Popularity β’ 38% Danceability β’ 70% Energy β’ 10% Liveness
0% Instrumentalness β’ 30% Positiveness
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Lim Jae Beum
λΉκ°
136 bpm β’ B min β’ 03:51 β’ -5db
27% Popularity β’ 42% Danceability β’ 63% Energy β’ 13% Liveness
0% Instrumentalness β’ 30% Positiveness
27% Popularity β’ 42% Danceability β’ 63% Energy β’ 13% Liveness
0% Instrumentalness β’ 30% Positiveness
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COOL
ν΄λ³μ μ¬μΈ
136 bpm β’ F Maj β’ 03:42 β’ -5.37db
34% Popularity β’ 68% Danceability β’ 100% Energy β’ 44% Liveness
0% Instrumentalness β’ 90% Positiveness
34% Popularity β’ 68% Danceability β’ 100% Energy β’ 44% Liveness
0% Instrumentalness β’ 90% Positiveness
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LEEWOO
we broke up anyway
136 bpm β’ D# Maj β’ 04:09 β’ -5.14db
21% Popularity β’ 43% Danceability β’ 54% Energy β’ 14% Liveness
0% Instrumentalness β’ 25% Positiveness
21% Popularity β’ 43% Danceability β’ 54% Energy β’ 14% Liveness
0% Instrumentalness β’ 25% Positiveness
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TAKE
Butterfly Grave (2015)
136 bpm β’ E Maj β’ 04:29 β’ -5db
31% Popularity β’ 57% Danceability β’ 59% Energy β’ 16% Liveness
0% Instrumentalness β’ 30% Positiveness
31% Popularity β’ 57% Danceability β’ 59% Energy β’ 16% Liveness
0% Instrumentalness β’ 30% Positiveness
