Songs like My Best Dress - Demo by Florence + The Machine
Based on a tempo of (+/- 10%) and a similar genre
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BØRNS
American Money
135 bpm • F# min • 04:20 • -5.26db
66% Popularity • 54% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
66% Popularity • 54% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Florence + The Machine
Which Witch
135 bpm • E Maj • 04:19 • -6.99db
61% Popularity • 51% Danceability • 66% Energy • 26% Liveness
0% Instrumentalness • 24% Positiveness
61% Popularity • 51% Danceability • 66% Energy • 26% Liveness
0% Instrumentalness • 24% Positiveness
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Bastille
Icarus
135 bpm • E min • 03:45 • -6.58db
60% Popularity • 58% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
60% Popularity • 58% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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Lizzy McAlpine
doomsday
135 bpm • C# Maj • 04:28 • -10db
68% Popularity • 40% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
68% Popularity • 40% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Fleetwood Mac
Go Your Own Way - 2004 Remaster
135 bpm • F Maj • 03:43 • -5.12db
80% Popularity • 58% Danceability • 95% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
80% Popularity • 58% Danceability • 95% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
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The Killers
Human
135 bpm • A# Maj • 04:05 • -8.48db
76% Popularity • 56% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
76% Popularity • 56% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Of Monsters and Men
Wolves Without Teeth
136 bpm • B min • 03:52 • -6.17db
55% Popularity • 36% Danceability • 72% Energy • 33% Liveness
0% Instrumentalness • 44% Positiveness
55% Popularity • 36% Danceability • 72% Energy • 33% Liveness
0% Instrumentalness • 44% Positiveness
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Arcade Fire
No Cars Go
136 bpm • C# Maj • 05:43 • -6.95db
60% Popularity • 32% Danceability • 77% Energy • 12% Liveness
17% Instrumentalness • 29% Positiveness
60% Popularity • 32% Danceability • 77% Energy • 12% Liveness
17% Instrumentalness • 29% Positiveness
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Bastille
Things We Lost In The Fire
134 bpm • E min • 04:00 • -4.88db
64% Popularity • 59% Danceability • 92% Energy • 27% Liveness
0% Instrumentalness • 63% Positiveness
64% Popularity • 59% Danceability • 92% Energy • 27% Liveness
0% Instrumentalness • 63% Positiveness
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Lily Allen
The Fear
134 bpm • A# Maj • 03:27 • -6.95db
59% Popularity • 66% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
59% Popularity • 66% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Woodkid
Run Boy Run
134 bpm • F min • 03:33 • -5.26db
72% Popularity • 51% Danceability • 96% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
72% Popularity • 51% Danceability • 96% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
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Tori Amos
Cornflake Girl
134 bpm • G Maj • 05:05 • -8.96db
61% Popularity • 63% Danceability • 64% Energy • 22% Liveness
0% Instrumentalness • 81% Positiveness
61% Popularity • 63% Danceability • 64% Energy • 22% Liveness
0% Instrumentalness • 81% Positiveness
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Cage The Elephant
Cold Cold Cold
136 bpm • F Maj • 03:34 • -6.07db
70% Popularity • 55% Danceability • 79% Energy • 6% Liveness
0% Instrumentalness • 72% Positiveness
70% Popularity • 55% Danceability • 79% Energy • 6% Liveness
0% Instrumentalness • 72% Positiveness
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The Head And The Heart
Rivers and Roads
136 bpm • C Maj • 04:44 • -10db
69% Popularity • 49% Danceability • 18% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
69% Popularity • 49% Danceability • 18% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
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Florence + The Machine
Girl With One Eye
133 bpm • A min • 03:38 • -6.3db
64% Popularity • 42% Danceability • 53% Energy • 15% Liveness
0% Instrumentalness • 21% Positiveness
64% Popularity • 42% Danceability • 53% Energy • 15% Liveness
0% Instrumentalness • 21% Positiveness
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Daisy Jones & The Six
Let Me Down Easy
137 bpm • A min • 03:24 • -4db
61% Popularity • 62% Danceability • 90% Energy • 18% Liveness
0% Instrumentalness • 73% Positiveness
61% Popularity • 62% Danceability • 90% Energy • 18% Liveness
0% Instrumentalness • 73% Positiveness
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Kings of Leon
Use Somebody
137 bpm • C Maj • 03:50 • -5.36db
81% Popularity • 28% Danceability • 72% Energy • 20% Liveness
0% Instrumentalness • 17% Positiveness
81% Popularity • 28% Danceability • 72% Energy • 20% Liveness
0% Instrumentalness • 17% Positiveness
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Lord Huron
Love Like Ghosts
137 bpm • A Maj • 03:44 • -7.23db
58% Popularity • 48% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
58% Popularity • 48% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Tegan and Sara
Closer
137 bpm • C Maj • 03:29 • -7.59db
60% Popularity • 59% Danceability • 75% Energy • 35% Liveness
0% Instrumentalness • 52% Positiveness
60% Popularity • 59% Danceability • 75% Energy • 35% Liveness
0% Instrumentalness • 52% Positiveness
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Agnes Obel
Familiar
137 bpm • E Maj • 03:55 • -12.25db
62% Popularity • 56% Danceability • 42% Energy • 11% Liveness
3% Instrumentalness • 23% Positiveness
62% Popularity • 56% Danceability • 42% Energy • 11% Liveness
3% Instrumentalness • 23% Positiveness
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Florence + The Machine
Make Up Your Mind
133 bpm • C min • 04:01 • -6.63db
53% Popularity • 62% Danceability • 79% Energy • 34% Liveness
0% Instrumentalness • 51% Positiveness
53% Popularity • 62% Danceability • 79% Energy • 34% Liveness
0% Instrumentalness • 51% Positiveness
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Ben Howard
Black Flies
132 bpm • G# Maj • 06:21 • -13db
52% Popularity • 58% Danceability • 36% Energy • 9% Liveness
1% Instrumentalness • 11% Positiveness
52% Popularity • 58% Danceability • 36% Energy • 9% Liveness
1% Instrumentalness • 11% Positiveness
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Bon Iver
Flume
133 bpm • B Maj • 03:39 • -17.01db
63% Popularity • 45% Danceability • 14% Energy • 11% Liveness
4% Instrumentalness • 9% Positiveness
63% Popularity • 45% Danceability • 14% Energy • 11% Liveness
4% Instrumentalness • 9% Positiveness
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Sufjan Stevens
Mystery of Love
132 bpm • E min • 04:08 • -16.53db
72% Popularity • 36% Danceability • 27% Energy • 11% Liveness
43% Instrumentalness • 24% Positiveness
72% Popularity • 36% Danceability • 27% Energy • 11% Liveness
43% Instrumentalness • 24% Positiveness
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The Killers
Read My Mind
132 bpm • C# Maj • 04:06 • -3.39db
70% Popularity • 54% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
70% Popularity • 54% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Of Monsters and Men
Crystals
132 bpm • C Maj • 04:03 • -7.21db
62% Popularity • 58% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
62% Popularity • 58% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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St. Vincent
New York
138 bpm • A# Maj • 02:34 • -11.65db
52% Popularity • 37% Danceability • 45% Energy • 18% Liveness
0% Instrumentalness • 33% Positiveness
52% Popularity • 37% Danceability • 45% Energy • 18% Liveness
0% Instrumentalness • 33% Positiveness
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Catfish and the Bottlemen
Kathleen
138 bpm • B min • 02:40 • -4.76db
69% Popularity • 49% Danceability • 89% Energy • 41% Liveness
0% Instrumentalness • 60% Positiveness
69% Popularity • 49% Danceability • 89% Energy • 41% Liveness
0% Instrumentalness • 60% Positiveness
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Olivia Rodrigo
vampire
138 bpm • F Maj • 03:39 • -5.75db
91% Popularity • 51% Danceability • 53% Energy • 29% Liveness
0% Instrumentalness • 35% Positiveness
91% Popularity • 51% Danceability • 53% Energy • 29% Liveness
0% Instrumentalness • 35% Positiveness
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Yeah Yeah Yeahs
Heads Will Roll
132 bpm • G# min • 03:41 • -4.46db
69% Popularity • 56% Danceability • 90% Energy • 30% Liveness
9% Instrumentalness • 79% Positiveness
69% Popularity • 56% Danceability • 90% Energy • 30% Liveness
9% Instrumentalness • 79% Positiveness
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The Killers
Somebody Told Me
138 bpm • A# min • 03:17 • -4.85db
83% Popularity • 50% Danceability • 97% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
83% Popularity • 50% Danceability • 97% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Peter Bjorn and John
Young Folks
138 bpm • C Maj • 04:36 • -6.01db
78% Popularity • 70% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
78% Popularity • 70% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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Mumford & Sons
I Will Wait
131 bpm • C# Maj • 04:36 • -5.14db
73% Popularity • 49% Danceability • 77% Energy • 20% Liveness
1% Instrumentalness • 39% Positiveness
73% Popularity • 49% Danceability • 77% Energy • 20% Liveness
1% Instrumentalness • 39% Positiveness
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Florence + The Machine
No Light, No Light
132 bpm • C Maj • 04:34 • -5.61db
55% Popularity • 43% Danceability • 75% Energy • 44% Liveness
0% Instrumentalness • 17% Positiveness
55% Popularity • 43% Danceability • 75% Energy • 44% Liveness
0% Instrumentalness • 17% Positiveness
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Gang of Youths
Let Me Down Easy
139 bpm • D Maj • 05:19 • -6.88db
57% Popularity • 67% Danceability • 90% Energy • 14% Liveness
30% Instrumentalness • 93% Positiveness
57% Popularity • 67% Danceability • 90% Energy • 14% Liveness
30% Instrumentalness • 93% Positiveness
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Phoebe Bridgers
Kyoto
131 bpm • B Maj • 03:04 • -6.89db
68% Popularity • 60% Danceability • 75% Energy • 9% Liveness
30% Instrumentalness • 48% Positiveness
68% Popularity • 60% Danceability • 75% Energy • 9% Liveness
30% Instrumentalness • 48% Positiveness
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Lily Allen
22
131 bpm • A# min • 03:06 • -5.93db
50% Popularity • 72% Danceability • 74% Energy • 21% Liveness
0% Instrumentalness • 94% Positiveness
50% Popularity • 72% Danceability • 74% Energy • 21% Liveness
0% Instrumentalness • 94% Positiveness
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Chappell Roan
Casual
131 bpm • C# Maj • 03:52 • -6.85db
79% Popularity • 51% Danceability • 44% Energy • 6% Liveness
0% Instrumentalness • 37% Positiveness
79% Popularity • 51% Danceability • 44% Energy • 6% Liveness
0% Instrumentalness • 37% Positiveness
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Snow Patrol
Open Your Eyes
131 bpm • G Maj • 05:41 • -6db
65% Popularity • 53% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
65% Popularity • 53% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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Sam Fender
Hypersonic Missiles
131 bpm • E Maj • 03:57 • -3.68db
68% Popularity • 55% Danceability • 81% Energy • 18% Liveness
0% Instrumentalness • 47% Positiveness
68% Popularity • 55% Danceability • 81% Energy • 18% Liveness
0% Instrumentalness • 47% Positiveness
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Arcade Fire
Wake Up
139 bpm • C Maj • 05:35 • -4.85db
64% Popularity • 25% Danceability • 80% Energy • 12% Liveness
5% Instrumentalness • 29% Positiveness
64% Popularity • 25% Danceability • 80% Energy • 12% Liveness
5% Instrumentalness • 29% Positiveness
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Paolo Nutini
Iron Sky
140 bpm • C# min • 06:13 • -7.13db
63% Popularity • 39% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
63% Popularity • 39% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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The Killers
When You Were Young
130 bpm • B Maj • 03:40 • -3.31db
78% Popularity • 47% Danceability • 99% Energy • 28% Liveness
5% Instrumentalness • 32% Positiveness
78% Popularity • 47% Danceability • 99% Energy • 28% Liveness
5% Instrumentalness • 32% Positiveness
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The Lumineers
Angela
130 bpm • E Maj • 03:21 • -8.23db
56% Popularity • 67% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
56% Popularity • 67% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Miley Cyrus
Malibu
140 bpm • G# Maj • 03:51 • -6.41db
74% Popularity • 57% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
74% Popularity • 57% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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BØRNS
10,000 Emerald Pools
140 bpm • F# Maj • 02:54 • -5.59db
66% Popularity • 57% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
66% Popularity • 57% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Future Islands
Seasons (Waiting on You)
140 bpm • A# Maj • 03:46 • -5.23db
65% Popularity • 50% Danceability • 72% Energy • 9% Liveness
70% Instrumentalness • 59% Positiveness
65% Popularity • 50% Danceability • 72% Energy • 9% Liveness
70% Instrumentalness • 59% Positiveness
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Chappell Roan
HOT TO GO!
140 bpm • F# Maj • 03:04 • -4.92db
79% Popularity • 74% Danceability • 76% Energy • 27% Liveness
0% Instrumentalness • 96% Positiveness
79% Popularity • 74% Danceability • 76% Energy • 27% Liveness
0% Instrumentalness • 96% Positiveness
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The Black Keys
Gold on the Ceiling
130 bpm • C Maj • 03:44 • -4.63db
77% Popularity • 50% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
77% Popularity • 50% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
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Wet Leg
Wet Dream
130 bpm • D Maj • 02:20 • -5.94db
69% Popularity • 72% Danceability • 70% Energy • 23% Liveness
3% Instrumentalness • 89% Positiveness
69% Popularity • 72% Danceability • 70% Energy • 23% Liveness
3% Instrumentalness • 89% Positiveness
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Taylor Swift
I Can Do It With a Broken Heart
130 bpm • C Maj • 03:38 • -8.29db
82% Popularity • 70% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
82% Popularity • 70% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
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Lily Allen
Fuck You
130 bpm • C# min • 03:39 • -4.08db
62% Popularity • 78% Danceability • 90% Energy • 6% Liveness
0% Instrumentalness • 84% Positiveness
62% Popularity • 78% Danceability • 90% Energy • 6% Liveness
0% Instrumentalness • 84% Positiveness
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Young the Giant
My Body - 2020 Remaster
130 bpm • A# Maj • 04:04 • -6.48db
60% Popularity • 49% Danceability • 90% Energy • 57% Liveness
0% Instrumentalness • 53% Positiveness
60% Popularity • 49% Danceability • 90% Energy • 57% Liveness
0% Instrumentalness • 53% Positiveness
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Florence + The Machine
Moderation
130 bpm • F Maj • 03:08 • -6.04db
52% Popularity • 64% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
52% Popularity • 64% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
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The Shins
New Slang - 2021 Remaster
130 bpm • C Maj • 03:50 • -10.62db
75% Popularity • 67% Danceability • 40% Energy • 9% Liveness
9% Instrumentalness • 62% Positiveness
75% Popularity • 67% Danceability • 40% Energy • 9% Liveness
9% Instrumentalness • 62% Positiveness
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José González
Stay Alive
130 bpm • F# Maj • 04:26 • -12.11db
69% Popularity • 71% Danceability • 31% Energy • 9% Liveness
17% Instrumentalness • 31% Positiveness
69% Popularity • 71% Danceability • 31% Energy • 9% Liveness
17% Instrumentalness • 31% Positiveness
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Olivia Rodrigo
bad idea right?
130 bpm • A Maj • 03:04 • -3.45db
85% Popularity • 63% Danceability • 88% Energy • 6% Liveness
0% Instrumentalness • 75% Positiveness
85% Popularity • 63% Danceability • 88% Energy • 6% Liveness
0% Instrumentalness • 75% Positiveness
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K.Flay
Blood In The Cut
130 bpm • D Maj • 03:08 • -5.37db
61% Popularity • 77% Danceability • 66% Energy • 12% Liveness
2% Instrumentalness • 64% Positiveness
61% Popularity • 77% Danceability • 66% Energy • 12% Liveness
2% Instrumentalness • 64% Positiveness
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Duffy
Mercy
130 bpm • C Maj • 03:39 • -3.77db
71% Popularity • 79% Danceability • 86% Energy • 13% Liveness
0% Instrumentalness • 96% Positiveness
71% Popularity • 79% Danceability • 86% Energy • 13% Liveness
0% Instrumentalness • 96% Positiveness
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Taylor Swift
my tears ricochet
130 bpm • C Maj • 04:15 • -10.63db
80% Popularity • 46% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 11% Positiveness
80% Popularity • 46% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 11% Positiveness
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Florence + The Machine
How Big, How Blue, How Beautiful
130 bpm • G Maj • 05:34 • -5db
47% Popularity • 37% Danceability • 54% Energy • 18% Liveness
0% Instrumentalness • 8% Positiveness
47% Popularity • 37% Danceability • 54% Energy • 18% Liveness
0% Instrumentalness • 8% Positiveness
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The Kooks
Seaside
129 bpm • A# min • 01:39 • -8.54db
67% Popularity • 63% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
67% Popularity • 63% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Ben Howard
Old Pine
130 bpm • F Maj • 05:28 • -10.84db
68% Popularity • 40% Danceability • 36% Energy • 16% Liveness
5% Instrumentalness • 22% Positiveness
68% Popularity • 40% Danceability • 36% Energy • 16% Liveness
5% Instrumentalness • 22% Positiveness
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Fiona Apple
Paper Bag
141 bpm • C Maj • 03:39 • -9.9db
68% Popularity • 71% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
68% Popularity • 71% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
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Agnes Obel
Fuel to Fire
129 bpm • A min • 05:29 • -14.91db
60% Popularity • 42% Danceability • 22% Energy • 10% Liveness
5% Instrumentalness • 13% Positiveness
60% Popularity • 42% Danceability • 22% Energy • 10% Liveness
5% Instrumentalness • 13% Positiveness
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BANKS
Waiting Game
129 bpm • F min • 03:27 • -10.31db
56% Popularity • 33% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
56% Popularity • 33% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
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Daisy Jones & The Six
Look At Us Now (Honeycomb)
141 bpm • G Maj • 05:32 • -6.14db
65% Popularity • 32% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
65% Popularity • 32% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
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Fleetwood Mac
Rhiannon
129 bpm • A min • 04:12 • -14.75db
75% Popularity • 72% Danceability • 49% Energy • 9% Liveness
9% Instrumentalness • 80% Positiveness
75% Popularity • 72% Danceability • 49% Energy • 9% Liveness
9% Instrumentalness • 80% Positiveness
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Young the Giant
Cough Syrup
129 bpm • B min • 04:09 • -7.31db
73% Popularity • 53% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
73% Popularity • 53% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Hozier
Take Me To Church
129 bpm • E min • 04:01 • -5.3db
85% Popularity • 57% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
85% Popularity • 57% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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The Cranberries
Dreams
129 bpm • E Maj • 04:31 • -13.09db
81% Popularity • 55% Danceability • 64% Energy • 42% Liveness
0% Instrumentalness • 51% Positiveness
81% Popularity • 55% Danceability • 64% Energy • 42% Liveness
0% Instrumentalness • 51% Positiveness
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Lorde
Green Light
129 bpm • D Maj • 03:54 • -7.81db
73% Popularity • 59% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
73% Popularity • 59% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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Olivia Rodrigo
Can’t Catch Me Now - from The Hunger G...
142 bpm • B min • 03:25 • -7.76db
80% Popularity • 52% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
80% Popularity • 52% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Florence + The Machine
Ship To Wreck
142 bpm • A min • 03:54 • -3.84db
64% Popularity • 56% Danceability • 92% Energy • 28% Liveness
0% Instrumentalness • 59% Positiveness
64% Popularity • 56% Danceability • 92% Energy • 28% Liveness
0% Instrumentalness • 59% Positiveness
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The Lumineers
Sleep On The Floor
142 bpm • G Maj • 03:31 • -8.06db
73% Popularity • 39% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
73% Popularity • 39% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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Taylor Swift
The Smallest Man Who Ever Lived
142 bpm • A# Maj • 04:05 • -9db
79% Popularity • 48% Danceability • 41% Energy • 34% Liveness
0% Instrumentalness • 30% Positiveness
79% Popularity • 48% Danceability • 41% Energy • 34% Liveness
0% Instrumentalness • 30% Positiveness
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Foals
My Number
128 bpm • F# min • 03:58 • -8.95db
68% Popularity • 64% Danceability • 72% Energy • 62% Liveness
0% Instrumentalness • 81% Positiveness
68% Popularity • 64% Danceability • 72% Energy • 62% Liveness
0% Instrumentalness • 81% Positiveness
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George Ezra
Budapest
128 bpm • F Maj • 03:20 • -8.3db
84% Popularity • 72% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
84% Popularity • 72% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Foster The People
Pumped Up Kicks
128 bpm • F min • 03:59 • -5.85db
87% Popularity • 73% Danceability • 71% Energy • 10% Liveness
12% Instrumentalness • 96% Positiveness
87% Popularity • 73% Danceability • 71% Energy • 10% Liveness
12% Instrumentalness • 96% Positiveness
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Bastille
Pompeii
127 bpm • A Maj • 03:34 • -6.38db
79% Popularity • 68% Danceability • 72% Energy • 27% Liveness
0% Instrumentalness • 57% Positiveness
79% Popularity • 68% Danceability • 72% Energy • 27% Liveness
0% Instrumentalness • 57% Positiveness
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The Lumineers
Flowers in Your Hair
127 bpm • G Maj • 01:49 • -10.09db
76% Popularity • 67% Danceability • 61% Energy • 23% Liveness
0% Instrumentalness • 57% Positiveness
76% Popularity • 67% Danceability • 61% Energy • 23% Liveness
0% Instrumentalness • 57% Positiveness
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Arcade Fire
Rebellion (Lies)
127 bpm • G# Maj • 05:10 • -5.68db
64% Popularity • 40% Danceability • 93% Energy • 32% Liveness
63% Instrumentalness • 73% Positiveness
64% Popularity • 40% Danceability • 93% Energy • 32% Liveness
63% Instrumentalness • 73% Positiveness
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Sharon Van Etten
Seventeen
127 bpm • F Maj • 04:25 • -7db
60% Popularity • 54% Danceability • 77% Energy • 7% Liveness
26% Instrumentalness • 25% Positiveness
60% Popularity • 54% Danceability • 77% Energy • 7% Liveness
26% Instrumentalness • 25% Positiveness
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MARINA
Oh No!
127 bpm • C Maj • 03:02 • -3.97db
72% Popularity • 77% Danceability • 90% Energy • 24% Liveness
0% Instrumentalness • 96% Positiveness
72% Popularity • 77% Danceability • 90% Energy • 24% Liveness
0% Instrumentalness • 96% Positiveness
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Of Monsters and Men
King And Lionheart
127 bpm • D# Maj • 04:33 • -6.52db
63% Popularity • 52% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
63% Popularity • 52% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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boygenius
Not Strong Enough
127 bpm • C# Maj • 03:54 • -5.85db
78% Popularity • 51% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
78% Popularity • 51% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Phoenix
1901
144 bpm • C Maj • 03:13 • -5.65db
74% Popularity • 59% Danceability • 83% Energy • 19% Liveness
0% Instrumentalness • 70% Positiveness
74% Popularity • 59% Danceability • 83% Energy • 19% Liveness
0% Instrumentalness • 70% Positiveness
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The National
I Need My Girl
126 bpm • C min • 04:05 • -11.51db
65% Popularity • 52% Danceability • 44% Energy • 12% Liveness
7% Instrumentalness • 11% Positiveness
65% Popularity • 52% Danceability • 44% Energy • 12% Liveness
7% Instrumentalness • 11% Positiveness
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Florence + The Machine
Queen Of Peace
126 bpm • A# min • 05:07 • -2.62db
53% Popularity • 47% Danceability • 89% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
53% Popularity • 47% Danceability • 89% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Wet Leg
Being In Love
126 bpm • A min • 02:02 • -4.94db
59% Popularity • 72% Danceability • 69% Energy • 12% Liveness
11% Instrumentalness • 34% Positiveness
59% Popularity • 72% Danceability • 69% Energy • 12% Liveness
11% Instrumentalness • 34% Positiveness
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Of Monsters and Men
Human
126 bpm • E min • 03:57 • -5.41db
52% Popularity • 52% Danceability • 73% Energy • 16% Liveness
57% Instrumentalness • 18% Positiveness
52% Popularity • 52% Danceability • 73% Energy • 16% Liveness
57% Instrumentalness • 18% Positiveness
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Radical Face
Welcome Home, Son
145 bpm • F# Maj • 04:47 • -10.76db
72% Popularity • 59% Danceability • 50% Energy • 14% Liveness
78% Instrumentalness • 40% Positiveness
72% Popularity • 59% Danceability • 50% Energy • 14% Liveness
78% Instrumentalness • 40% Positiveness
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The Kooks
Junk Of The Heart (Happy)
145 bpm • D Maj • 03:07 • -5db
64% Popularity • 60% Danceability • 89% Energy • 3% Liveness
0% Instrumentalness • 90% Positiveness
64% Popularity • 60% Danceability • 89% Energy • 3% Liveness
0% Instrumentalness • 90% Positiveness
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Paolo Nutini
Candy
125 bpm • G Maj • 04:58 • -7.81db
70% Popularity • 61% Danceability • 60% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
70% Popularity • 61% Danceability • 60% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
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Florence + The Machine
Never Let Me Go
145 bpm • A Maj • 04:30 • -3.21db
69% Popularity • 45% Danceability • 74% Energy • 38% Liveness
0% Instrumentalness • 24% Positiveness
69% Popularity • 45% Danceability • 74% Energy • 38% Liveness
0% Instrumentalness • 24% Positiveness
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Daisy Jones & The Six
The River
145 bpm • A min • 04:54 • -3db
61% Popularity • 44% Danceability • 94% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
61% Popularity • 44% Danceability • 94% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
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HAIM
If I Could Change Your Mind
125 bpm • D min • 03:50 • -5.56db
49% Popularity • 67% Danceability • 85% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
49% Popularity • 67% Danceability • 85% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
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Bastille
Of The Night
125 bpm • F min • 03:34 • -7.2db
60% Popularity • 67% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
60% Popularity • 67% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
