Songs like My Best Girl by Dave & Ansell Collins
Based on a tempo of (+/- 10%) and a similar genre
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The Slickers
Johnny To Bad
82 bpm • G Maj • 03:10 • -10.57db
20% Popularity • 73% Danceability • 61% Energy • 30% Liveness
7% Instrumentalness • 80% Positiveness
20% Popularity • 73% Danceability • 61% Energy • 30% Liveness
7% Instrumentalness • 80% Positiveness
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Scotty
Draw Your Brakes
82 bpm • F Maj • 02:55 • -11db
38% Popularity • 82% Danceability • 43% Energy • 18% Liveness
0% Instrumentalness • 66% Positiveness
38% Popularity • 82% Danceability • 43% Energy • 18% Liveness
0% Instrumentalness • 66% Positiveness
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The Melodians
Come on Little Girl
82 bpm • G Maj • 02:15 • -7.56db
24% Popularity • 88% Danceability • 35% Energy • 9% Liveness
61% Instrumentalness • 82% Positiveness
24% Popularity • 88% Danceability • 35% Energy • 9% Liveness
61% Instrumentalness • 82% Positiveness
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Dave & Ansell Collins
My Best Girl
82 bpm • F# min • 02:52 • -13.14db
5% Popularity • 79% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
5% Popularity • 79% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
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Pluto Shervington
No Joshua No
82 bpm • A Maj • 03:29 • -10.93db
7% Popularity • 81% Danceability • 40% Energy • 18% Liveness
0% Instrumentalness • 90% Positiveness
7% Popularity • 81% Danceability • 40% Energy • 18% Liveness
0% Instrumentalness • 90% Positiveness
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Winston Wright
Moonlight Groover
82 bpm • F Maj • 02:35 • -7.37db
16% Popularity • 71% Danceability • 60% Energy • 7% Liveness
9% Instrumentalness • 84% Positiveness
16% Popularity • 71% Danceability • 60% Energy • 7% Liveness
9% Instrumentalness • 84% Positiveness
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Soul Vendors
Real Rock - Skinheads on the Dancefloor
82 bpm • D# Maj • 02:28 • -8.51db
10% Popularity • 81% Danceability • 45% Energy • 12% Liveness
90% Instrumentalness • 74% Positiveness
10% Popularity • 81% Danceability • 45% Energy • 12% Liveness
90% Instrumentalness • 74% Positiveness
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Tommy McCook
Second Fiddle
82 bpm • F Maj • 02:25 • -11.67db
12% Popularity • 82% Danceability • 38% Energy • 14% Liveness
90% Instrumentalness • 85% Positiveness
12% Popularity • 82% Danceability • 38% Energy • 14% Liveness
90% Instrumentalness • 85% Positiveness
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The Melodians
Come On Little Girl
82 bpm • G Maj • 02:26 • -13.28db
29% Popularity • 88% Danceability • 26% Energy • 6% Liveness
0% Instrumentalness • 64% Positiveness
29% Popularity • 88% Danceability • 26% Energy • 6% Liveness
0% Instrumentalness • 64% Positiveness
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Dave & Ansell Collins
Only The Strong Survive
82 bpm • C# Maj • 03:46 • -13.05db
1% Popularity • 82% Danceability • 43% Energy • 8% Liveness
1% Instrumentalness • 77% Positiveness
1% Popularity • 82% Danceability • 43% Energy • 8% Liveness
1% Instrumentalness • 77% Positiveness
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Dr. Alimantado
I Killed the Barber
82 bpm • A Maj • 03:04 • -5.94db
19% Popularity • 45% Danceability • 60% Energy • 38% Liveness
0% Instrumentalness • 26% Positiveness
19% Popularity • 45% Danceability • 60% Energy • 38% Liveness
0% Instrumentalness • 26% Positiveness
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Wayne Smith
Under Me Sleng Teng
82 bpm • D Maj • 04:07 • -9db
43% Popularity • 83% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 91% Positiveness
43% Popularity • 83% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 91% Positiveness
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Nicky Thomas
Tell It Like It Is
82 bpm • G Maj • 02:38 • -11.28db
10% Popularity • 57% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 96% Positiveness
10% Popularity • 57% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 96% Positiveness
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Joya Landis
Moonlight Lover
82 bpm • F Maj • 02:20 • -11.01db
24% Popularity • 70% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
24% Popularity • 70% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
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The Tennors
Ride Your Donkey
82 bpm • C# Maj • 02:03 • -6.43db
34% Popularity • 85% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
34% Popularity • 85% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
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The Melodians
Last Train to Expo 67
81 bpm • D Maj • 02:54 • -11.04db
23% Popularity • 76% Danceability • 36% Energy • 8% Liveness
25% Instrumentalness • 57% Positiveness
23% Popularity • 76% Danceability • 36% Energy • 8% Liveness
25% Instrumentalness • 57% Positiveness
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Rudy Mills
John Jones
81 bpm • B min • 03:11 • -7.96db
17% Popularity • 75% Danceability • 78% Energy • 6% Liveness
37% Instrumentalness • 96% Positiveness
17% Popularity • 75% Danceability • 78% Energy • 6% Liveness
37% Instrumentalness • 96% Positiveness
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The Silvertones
In the Midnight Hour
81 bpm • A# min • 02:41 • -8.33db
18% Popularity • 73% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
18% Popularity • 73% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Hopeton Lewis
Rock A Shacka
81 bpm • C min • 02:30 • -8.59db
18% Popularity • 83% Danceability • 52% Energy • 11% Liveness
1% Instrumentalness • 69% Positiveness
18% Popularity • 83% Danceability • 52% Energy • 11% Liveness
1% Instrumentalness • 69% Positiveness
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The Sound Dimension
Real Rock
81 bpm • D# Maj • 02:29 • -9db
32% Popularity • 82% Danceability • 46% Energy • 6% Liveness
94% Instrumentalness • 82% Positiveness
32% Popularity • 82% Danceability • 46% Energy • 6% Liveness
94% Instrumentalness • 82% Positiveness
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Willie Williams
Armagideon Time - Disco Mix Vocal
83 bpm • D# min • 02:24 • -13db
33% Popularity • 73% Danceability • 43% Energy • 20% Liveness
0% Instrumentalness • 68% Positiveness
33% Popularity • 73% Danceability • 43% Energy • 20% Liveness
0% Instrumentalness • 68% Positiveness
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Bob & Marcia
United We Stand
81 bpm • F Maj • 02:46 • -11.35db
11% Popularity • 63% Danceability • 48% Energy • 11% Liveness
3% Instrumentalness • 88% Positiveness
11% Popularity • 63% Danceability • 48% Energy • 11% Liveness
3% Instrumentalness • 88% Positiveness
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Rudy Mills
John Jones
81 bpm • C Maj • 03:20 • -5.44db
30% Popularity • 79% Danceability • 80% Energy • 7% Liveness
7% Instrumentalness • 93% Positiveness
30% Popularity • 79% Danceability • 80% Energy • 7% Liveness
7% Instrumentalness • 93% Positiveness
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Clancy All Stars
C N Express
81 bpm • A# Maj • 02:26 • -8.15db
11% Popularity • 74% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 71% Positiveness
11% Popularity • 74% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 71% Positiveness
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Hopeton Lewis
Express Yourself
83 bpm • A# min • 02:34 • -12.85db
41% Popularity • 74% Danceability • 48% Energy • 7% Liveness
28% Instrumentalness • 94% Positiveness
41% Popularity • 74% Danceability • 48% Energy • 7% Liveness
28% Instrumentalness • 94% Positiveness
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Ken Parker
I Can't Hide
83 bpm • C Maj • 02:25 • -8.72db
17% Popularity • 75% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 94% Positiveness
17% Popularity • 75% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 94% Positiveness
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Jackie Edwards
Johnny Gunman
81 bpm • A# Maj • 02:18 • -8.56db
14% Popularity • 84% Danceability • 51% Energy • 7% Liveness
3% Instrumentalness • 51% Positiveness
14% Popularity • 84% Danceability • 51% Energy • 7% Liveness
3% Instrumentalness • 51% Positiveness
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Ansel Collins
Nuclear Weapon
81 bpm • A# Maj • 02:42 • -10.38db
9% Popularity • 80% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 85% Positiveness
9% Popularity • 80% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 85% Positiveness
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Dave & Ansell Collins
Double Barrel
81 bpm • A Maj • 03:07 • -13db
11% Popularity • 81% Danceability • 37% Energy • 9% Liveness
13% Instrumentalness • 58% Positiveness
11% Popularity • 81% Danceability • 37% Energy • 9% Liveness
13% Instrumentalness • 58% Positiveness
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Hortense Ellis
Sitting in the Park
83 bpm • G Maj • 03:06 • -7.9db
18% Popularity • 57% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 91% Positiveness
18% Popularity • 57% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 91% Positiveness
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Althea And Donna
Uptown Top Ranking
81 bpm • G Maj • 03:49 • -7db
42% Popularity • 82% Danceability • 55% Energy • 7% Liveness
6% Instrumentalness • 72% Positiveness
42% Popularity • 82% Danceability • 55% Energy • 7% Liveness
6% Instrumentalness • 72% Positiveness
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Susan Cadogan
In the Ghetto
81 bpm • A# Maj • 02:49 • -9.36db
14% Popularity • 59% Danceability • 63% Energy • 18% Liveness
0% Instrumentalness • 86% Positiveness
14% Popularity • 59% Danceability • 63% Energy • 18% Liveness
0% Instrumentalness • 86% Positiveness
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Hopeton Lewis
Tom Drunk
81 bpm • E min • 02:32 • -10.63db
22% Popularity • 84% Danceability • 73% Energy • 9% Liveness
3% Instrumentalness • 89% Positiveness
22% Popularity • 84% Danceability • 73% Energy • 9% Liveness
3% Instrumentalness • 89% Positiveness
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Pluto Shervington
I Man Bitter
81 bpm • G Maj • 03:17 • -12.56db
15% Popularity • 83% Danceability • 43% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
15% Popularity • 83% Danceability • 43% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
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Dave & Ansell Collins
Impossible Mission
81 bpm • A# Maj • 02:37 • -12.17db
6% Popularity • 82% Danceability • 43% Energy • 21% Liveness
21% Instrumentalness • 87% Positiveness
6% Popularity • 82% Danceability • 43% Energy • 21% Liveness
21% Instrumentalness • 87% Positiveness
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Niney The Observer
Blood and Fire
83 bpm • G Maj • 03:08 • -16db
42% Popularity • 85% Danceability • 27% Energy • 4% Liveness
1% Instrumentalness • 82% Positiveness
42% Popularity • 85% Danceability • 27% Energy • 4% Liveness
1% Instrumentalness • 82% Positiveness
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Brentford All-Stars
Race Track
80 bpm • G# Maj • 02:17 • -12.69db
29% Popularity • 86% Danceability • 50% Energy • 12% Liveness
46% Instrumentalness • 96% Positiveness
29% Popularity • 86% Danceability • 50% Energy • 12% Liveness
46% Instrumentalness • 96% Positiveness
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Lynn Taitt
Pressure and Slide
84 bpm • A# Maj • 02:24 • -10db
15% Popularity • 76% Danceability • 53% Energy • 8% Liveness
78% Instrumentalness • 70% Positiveness
15% Popularity • 76% Danceability • 53% Energy • 8% Liveness
78% Instrumentalness • 70% Positiveness
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Dandy
People Get Ready
84 bpm • F# Maj • 02:27 • -10.14db
11% Popularity • 46% Danceability • 61% Energy • 16% Liveness
1% Instrumentalness • 71% Positiveness
11% Popularity • 46% Danceability • 61% Energy • 16% Liveness
1% Instrumentalness • 71% Positiveness
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Dobby Dobson
Loving Pauper
84 bpm • G Maj • 03:15 • -5.42db
18% Popularity • 79% Danceability • 49% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
18% Popularity • 79% Danceability • 49% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
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Dave & Ansell Collins
On Broadway
81 bpm • B Maj • 02:57 • -11.36db
0% Popularity • 75% Danceability • 52% Energy • 32% Liveness
6% Instrumentalness • 91% Positiveness
0% Popularity • 75% Danceability • 52% Energy • 32% Liveness
6% Instrumentalness • 91% Positiveness
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Trinity
Three Piece Suit
80 bpm • G Maj • 03:04 • -4.41db
33% Popularity • 68% Danceability • 76% Energy • 18% Liveness
0% Instrumentalness • 76% Positiveness
33% Popularity • 68% Danceability • 76% Energy • 18% Liveness
0% Instrumentalness • 76% Positiveness
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Judge Dread
Nine And A Bit Skank
80 bpm • D Maj • 03:42 • -8.21db
16% Popularity • 86% Danceability • 75% Energy • 7% Liveness
84% Instrumentalness • 97% Positiveness
16% Popularity • 86% Danceability • 75% Energy • 7% Liveness
84% Instrumentalness • 97% Positiveness
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Jackie Edwards
Too Experienced
84 bpm • F# min • 02:56 • -6.09db
12% Popularity • 54% Danceability • 62% Energy • 14% Liveness
0% Instrumentalness • 79% Positiveness
12% Popularity • 54% Danceability • 62% Energy • 14% Liveness
0% Instrumentalness • 79% Positiveness
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The Kingstonians
Hold Down
84 bpm • C Maj • 02:51 • -11.69db
23% Popularity • 68% Danceability • 47% Energy • 35% Liveness
1% Instrumentalness • 53% Positiveness
23% Popularity • 68% Danceability • 47% Energy • 35% Liveness
1% Instrumentalness • 53% Positiveness
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Dobby Dobson
Loving Pauper
84 bpm • G Maj • 03:18 • -8db
19% Popularity • 74% Danceability • 45% Energy • 13% Liveness
2% Instrumentalness • 59% Positiveness
19% Popularity • 74% Danceability • 45% Energy • 13% Liveness
2% Instrumentalness • 59% Positiveness
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Dave & Ansell Collins
Double Barrel
80 bpm • D# Maj • 02:45 • -3.87db
35% Popularity • 84% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
35% Popularity • 84% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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Ken Parker
The Three Bells (Jimmy Brown)
84 bpm • G Maj • 02:27 • -10.16db
30% Popularity • 67% Danceability • 45% Energy • 30% Liveness
0% Instrumentalness • 59% Positiveness
30% Popularity • 67% Danceability • 45% Energy • 30% Liveness
0% Instrumentalness • 59% Positiveness
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Judge Dread
Big Seven
84 bpm • A# min • 03:20 • -6db
17% Popularity • 85% Danceability • 55% Energy • 24% Liveness
0% Instrumentalness • 91% Positiveness
17% Popularity • 85% Danceability • 55% Energy • 24% Liveness
0% Instrumentalness • 91% Positiveness
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The Sensations
Just One Smile
80 bpm • G Maj • 02:35 • -10.27db
9% Popularity • 71% Danceability • 51% Energy • 31% Liveness
0% Instrumentalness • 86% Positiveness
9% Popularity • 71% Danceability • 51% Energy • 31% Liveness
0% Instrumentalness • 86% Positiveness
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The Versatiles
The Time Has Come
80 bpm • E Maj • 02:04 • -9.99db
19% Popularity • 64% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
19% Popularity • 64% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
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The Versatiles
Long Long Time
80 bpm • A# Maj • 02:19 • -5.93db
24% Popularity • 80% Danceability • 71% Energy • 10% Liveness
77% Instrumentalness • 99% Positiveness
24% Popularity • 80% Danceability • 71% Energy • 10% Liveness
77% Instrumentalness • 99% Positiveness
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Susan Cadogan
I Keep On Loving You
84 bpm • G Maj • 02:49 • -9.79db
15% Popularity • 74% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 78% Positiveness
15% Popularity • 74% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 78% Positiveness
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Stranger & Gladdy (feat. Lee Perry)
Seeing Is Knowing/ Kimble
85 bpm • F# Maj • 06:17 • -10.16db
9% Popularity • 87% Danceability • 29% Energy • 11% Liveness
9% Instrumentalness • 55% Positiveness
9% Popularity • 87% Danceability • 29% Energy • 11% Liveness
9% Instrumentalness • 55% Positiveness
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Judge Dread
Big Seven
84 bpm • C# Maj • 03:21 • -6.87db
29% Popularity • 85% Danceability • 49% Energy • 20% Liveness
0% Instrumentalness • 65% Positiveness
29% Popularity • 85% Danceability • 49% Energy • 20% Liveness
0% Instrumentalness • 65% Positiveness
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Tommy McCook
Last Flight to Reggae City
85 bpm • E Maj • 02:45 • -4.44db
11% Popularity • 78% Danceability • 56% Energy • 15% Liveness
3% Instrumentalness • 95% Positiveness
11% Popularity • 78% Danceability • 56% Energy • 15% Liveness
3% Instrumentalness • 95% Positiveness
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The Ethiopians
Come On Now
79 bpm • C Maj • 03:15 • -11.84db
29% Popularity • 81% Danceability • 37% Energy • 46% Liveness
1% Instrumentalness • 60% Positiveness
29% Popularity • 81% Danceability • 37% Energy • 46% Liveness
1% Instrumentalness • 60% Positiveness
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Nicky Thomas
Don't Touch Me
79 bpm • D Maj • 03:11 • -12.43db
10% Popularity • 86% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 78% Positiveness
10% Popularity • 86% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 78% Positiveness
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Pluto Shervington
Your Honour
79 bpm • A Maj • 03:44 • -11.44db
23% Popularity • 87% Danceability • 49% Energy • 6% Liveness
0% Instrumentalness • 91% Positiveness
23% Popularity • 87% Danceability • 49% Energy • 6% Liveness
0% Instrumentalness • 91% Positiveness
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The Untouchables
Tighten Up
79 bpm • C Maj • 02:39 • -6.72db
37% Popularity • 76% Danceability • 73% Energy • 10% Liveness
26% Instrumentalness • 88% Positiveness
37% Popularity • 76% Danceability • 73% Energy • 10% Liveness
26% Instrumentalness • 88% Positiveness
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Clancy Eccles
Rod of Correction
79 bpm • F Maj • 02:24 • -7.36db
23% Popularity • 81% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
23% Popularity • 81% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
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Jim Brown
Seen Him
85 bpm • A# Maj • 02:03 • -5.92db
12% Popularity • 60% Danceability • 72% Energy • 19% Liveness
0% Instrumentalness • 90% Positiveness
12% Popularity • 60% Danceability • 72% Energy • 19% Liveness
0% Instrumentalness • 90% Positiveness
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The Jamaicans
Ba Ba Boom
79 bpm • E Maj • 02:51 • -5.93db
23% Popularity • 79% Danceability • 64% Energy • 27% Liveness
0% Instrumentalness • 56% Positiveness
23% Popularity • 79% Danceability • 64% Energy • 27% Liveness
0% Instrumentalness • 56% Positiveness
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The Ethiopians
The Whip
85 bpm • A# Maj • 03:01 • -8.75db
29% Popularity • 75% Danceability • 51% Energy • 9% Liveness
83% Instrumentalness • 90% Positiveness
29% Popularity • 75% Danceability • 51% Energy • 9% Liveness
83% Instrumentalness • 90% Positiveness
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The Uniques
My Conversation
85 bpm • C# Maj • 03:27 • -14db
36% Popularity • 65% Danceability • 35% Energy • 43% Liveness
1% Instrumentalness • 51% Positiveness
36% Popularity • 65% Danceability • 35% Energy • 43% Liveness
1% Instrumentalness • 51% Positiveness
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The Crystalites
Splash Down
79 bpm • C Maj • 02:48 • -11.82db
17% Popularity • 78% Danceability • 64% Energy • 33% Liveness
83% Instrumentalness • 97% Positiveness
17% Popularity • 78% Danceability • 64% Energy • 33% Liveness
83% Instrumentalness • 97% Positiveness
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Dandy
(People Get Ready) Let's do Rocksteady
79 bpm • F Maj • 02:49 • -10.07db
30% Popularity • 78% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
30% Popularity • 78% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
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The Gaylads
ABC Rocksteady
79 bpm • A# Maj • 02:08 • -9.71db
30% Popularity • 81% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
30% Popularity • 81% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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Bruce Ruffin
Rain
79 bpm • B min • 02:21 • -7.5db
25% Popularity • 46% Danceability • 53% Energy • 19% Liveness
0% Instrumentalness • 52% Positiveness
25% Popularity • 46% Danceability • 53% Energy • 19% Liveness
0% Instrumentalness • 52% Positiveness
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Jackie Bernard
Another Scorcher
79 bpm • C# min • 02:46 • -12.52db
18% Popularity • 78% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 94% Positiveness
18% Popularity • 78% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 94% Positiveness
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Ken Parker
True True True
79 bpm • G Maj • 02:15 • -10db
37% Popularity • 74% Danceability • 44% Energy • 5% Liveness
9% Instrumentalness • 67% Positiveness
37% Popularity • 74% Danceability • 44% Energy • 5% Liveness
9% Instrumentalness • 67% Positiveness
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Pluto Shervington
Your Honour
79 bpm • A Maj • 03:52 • -11.43db
10% Popularity • 87% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 95% Positiveness
10% Popularity • 87% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 95% Positiveness
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Shorty The President
President Mash Up the Resident
85 bpm • G# min • 02:49 • -5.46db
15% Popularity • 58% Danceability • 69% Energy • 35% Liveness
38% Instrumentalness • 74% Positiveness
15% Popularity • 58% Danceability • 69% Energy • 35% Liveness
38% Instrumentalness • 74% Positiveness
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Justin Hinds
Once A Man Twice A Child
85 bpm • D min • 02:51 • -12.89db
24% Popularity • 88% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
24% Popularity • 88% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
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Phyllis Dillon
One Life to Live, One Life to Give (aka ...
86 bpm • F Maj • 02:33 • -11.02db
35% Popularity • 77% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
35% Popularity • 77% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
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Tyrone Taylor
Delilah
78 bpm • G Maj • 02:28 • -12.73db
13% Popularity • 54% Danceability • 40% Energy • 15% Liveness
86% Instrumentalness • 50% Positiveness
13% Popularity • 54% Danceability • 40% Energy • 15% Liveness
86% Instrumentalness • 50% Positiveness
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Dave & Ansell Collins
On Broadway
78 bpm • A# Maj • 03:09 • -9.48db
10% Popularity • 80% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 97% Positiveness
10% Popularity • 80% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 97% Positiveness
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Clancy Eccles
Feel the Rhythm
86 bpm • B Maj • 02:31 • -6.75db
25% Popularity • 78% Danceability • 73% Energy • 36% Liveness
0% Instrumentalness • 82% Positiveness
25% Popularity • 78% Danceability • 73% Energy • 36% Liveness
0% Instrumentalness • 82% Positiveness
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The Gaylads
It's Hard To Confess
78 bpm • G# Maj • 02:26 • -7.79db
30% Popularity • 77% Danceability • 41% Energy • 14% Liveness
21% Instrumentalness • 56% Positiveness
30% Popularity • 77% Danceability • 41% Energy • 14% Liveness
21% Instrumentalness • 56% Positiveness
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Glen Adams
Hold Down Miss Winey
78 bpm • G Maj • 03:13 • -10.32db
12% Popularity • 81% Danceability • 40% Energy • 8% Liveness
57% Instrumentalness • 73% Positiveness
12% Popularity • 81% Danceability • 40% Energy • 8% Liveness
57% Instrumentalness • 73% Positiveness
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Bobby Ellis
Illya Kuryankin
86 bpm • G Maj • 03:30 • -8.75db
9% Popularity • 72% Danceability • 35% Energy • 18% Liveness
51% Instrumentalness • 89% Positiveness
9% Popularity • 72% Danceability • 35% Energy • 18% Liveness
51% Instrumentalness • 89% Positiveness
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The Ethiopians
Engine 54
77 bpm • A# Maj • 02:39 • -10.91db
44% Popularity • 85% Danceability • 37% Energy • 28% Liveness
0% Instrumentalness • 60% Positiveness
44% Popularity • 85% Danceability • 37% Energy • 28% Liveness
0% Instrumentalness • 60% Positiveness
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Pluto Shervington
Dat
87 bpm • D Maj • 03:56 • -13db
29% Popularity • 88% Danceability • 42% Energy • 5% Liveness
0% Instrumentalness • 94% Positiveness
29% Popularity • 88% Danceability • 42% Energy • 5% Liveness
0% Instrumentalness • 94% Positiveness
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The Hippy Boys
The Hippys Are Here
77 bpm • A# Maj • 02:27 • -9.69db
22% Popularity • 80% Danceability • 46% Energy • 18% Liveness
85% Instrumentalness • 59% Positiveness
22% Popularity • 80% Danceability • 46% Energy • 18% Liveness
85% Instrumentalness • 59% Positiveness
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Dave & Ansell Collins
Monkey Spanner
77 bpm • F min • 02:45 • -10.93db
8% Popularity • 86% Danceability • 53% Energy • 9% Liveness
86% Instrumentalness • 96% Positiveness
8% Popularity • 86% Danceability • 53% Energy • 9% Liveness
86% Instrumentalness • 96% Positiveness
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The Tennors
Hopeful Village
77 bpm • C Maj • 02:29 • -6.93db
15% Popularity • 71% Danceability • 49% Energy • 32% Liveness
0% Instrumentalness • 88% Positiveness
15% Popularity • 71% Danceability • 49% Energy • 32% Liveness
0% Instrumentalness • 88% Positiveness
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The Kingstonians
Mix It Up
87 bpm • C Maj • 02:42 • -10.49db
22% Popularity • 86% Danceability • 46% Energy • 9% Liveness
25% Instrumentalness • 84% Positiveness
22% Popularity • 86% Danceability • 46% Energy • 9% Liveness
25% Instrumentalness • 84% Positiveness
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The Ethiopians
Reggae Hit the Town
77 bpm • C Maj • 02:26 • -8.31db
25% Popularity • 72% Danceability • 46% Energy • 15% Liveness
3% Instrumentalness • 82% Positiveness
25% Popularity • 72% Danceability • 46% Energy • 15% Liveness
3% Instrumentalness • 82% Positiveness
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Clancy Eccles
Don't Brag, Don't Boast
77 bpm • G Maj • 02:31 • -9.65db
29% Popularity • 70% Danceability • 65% Energy • 41% Liveness
0% Instrumentalness • 96% Positiveness
29% Popularity • 70% Danceability • 65% Energy • 41% Liveness
0% Instrumentalness • 96% Positiveness
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Derrick Morgan
Hold Your Jack
77 bpm • F Maj • 02:44 • -12.98db
21% Popularity • 61% Danceability • 52% Energy • 45% Liveness
0% Instrumentalness • 70% Positiveness
21% Popularity • 61% Danceability • 52% Energy • 45% Liveness
0% Instrumentalness • 70% Positiveness
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Dave & Ansell Collins
My Conversation
87 bpm • D Maj • 03:54 • -9.28db
1% Popularity • 71% Danceability • 41% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
1% Popularity • 71% Danceability • 41% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
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Ernest Wilson
Private Number
87 bpm • A# min • 02:35 • -10.24db
12% Popularity • 86% Danceability • 72% Energy • 23% Liveness
60% Instrumentalness • 97% Positiveness
12% Popularity • 86% Danceability • 72% Energy • 23% Liveness
60% Instrumentalness • 97% Positiveness
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The Pioneers
Starvation (Edit)
88 bpm • A# Maj • 02:23 • -10.02db
23% Popularity • 74% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
23% Popularity • 74% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
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Johnny Nash
Cupid
88 bpm • C Maj • 03:23 • -6.86db
27% Popularity • 66% Danceability • 46% Energy • 84% Liveness
0% Instrumentalness • 66% Positiveness
27% Popularity • 66% Danceability • 46% Energy • 84% Liveness
0% Instrumentalness • 66% Positiveness
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Cimarons
We Are Not the Same
88 bpm • C Maj • 03:31 • -5.13db
17% Popularity • 56% Danceability • 81% Energy • 30% Liveness
4% Instrumentalness • 89% Positiveness
17% Popularity • 56% Danceability • 81% Energy • 30% Liveness
4% Instrumentalness • 89% Positiveness
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Ken Parker
Help Me Make It Through the Night (Shake...
88 bpm • G Maj • 02:31 • -12.03db
21% Popularity • 70% Danceability • 50% Energy • 3% Liveness
0% Instrumentalness • 89% Positiveness
21% Popularity • 70% Danceability • 50% Energy • 3% Liveness
0% Instrumentalness • 89% Positiveness
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Rupie Edwards
Leggo Skanga
88 bpm • G# Maj • 02:50 • -9.56db
21% Popularity • 83% Danceability • 63% Energy • 9% Liveness
2% Instrumentalness • 79% Positiveness
21% Popularity • 83% Danceability • 63% Energy • 9% Liveness
2% Instrumentalness • 79% Positiveness
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The Ethiopians
Train to Skaville
88 bpm • G# Maj • 02:57 • -12.53db
49% Popularity • 79% Danceability • 26% Energy • 35% Liveness
55% Instrumentalness • 56% Positiveness
49% Popularity • 79% Danceability • 26% Energy • 35% Liveness
55% Instrumentalness • 56% Positiveness
