Songs like My Child Will Forgive Me by Jessica Molaskey
Based on a tempo of (+/- 10%) and a similar genre
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Marin Mazzie
Back to Before
88 bpm • B min • 03:49 • -9db
31% Popularity • 30% Danceability • 28% Energy • 25% Liveness
0% Instrumentalness • 18% Positiveness
31% Popularity • 30% Danceability • 28% Energy • 25% Liveness
0% Instrumentalness • 18% Positiveness
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Jessica Molaskey
With Plenty of Money and You / We're in ...
88 bpm • F Maj • 03:23 • -11.72db
0% Popularity • 50% Danceability • 18% Energy • 28% Liveness
0% Instrumentalness • 56% Positiveness
0% Popularity • 50% Danceability • 18% Energy • 28% Liveness
0% Instrumentalness • 56% Positiveness
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David Aaron Baker
Man to Man Talk
88 bpm • A Maj • 04:37 • -15.9db
16% Popularity • 46% Danceability • 17% Energy • 35% Liveness
0% Instrumentalness • 35% Positiveness
16% Popularity • 46% Danceability • 17% Energy • 35% Liveness
0% Instrumentalness • 35% Positiveness
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Lindsay Mendez
Nothing Short of Wonderful
88 bpm • B Maj • 02:40 • -7.58db
32% Popularity • 45% Danceability • 54% Energy • 66% Liveness
0% Instrumentalness • 62% Positiveness
32% Popularity • 45% Danceability • 54% Energy • 66% Liveness
0% Instrumentalness • 62% Positiveness
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Maury Yeston
The Launching: Godspeed Titanic
88 bpm • F Maj • 02:03 • -12.7db
26% Popularity • 22% Danceability • 30% Energy • 25% Liveness
0% Instrumentalness • 15% Positiveness
26% Popularity • 22% Danceability • 30% Energy • 25% Liveness
0% Instrumentalness • 15% Positiveness
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Charles Keating
A Man of No Importance (Reprise) / Confu...
88 bpm • D min • 03:18 • -20.26db
8% Popularity • 43% Danceability • 11% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
8% Popularity • 43% Danceability • 11% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Marin Mazzie
When There's No One
88 bpm • C Maj • 03:16 • -9.3db
23% Popularity • 34% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
23% Popularity • 34% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
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Jessica Molaskey
My Child Will Forgive Me
88 bpm • C Maj • 02:36 • -18db
13% Popularity • 34% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
13% Popularity • 34% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Phillipa Soo
Before I Gaze at You Again
87 bpm • F Maj • 02:08 • -15.6db
22% Popularity • 29% Danceability • 18% Energy • 19% Liveness
0% Instrumentalness • 13% Positiveness
22% Popularity • 29% Danceability • 18% Energy • 19% Liveness
0% Instrumentalness • 13% Positiveness
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Original Broadway Cast Of 'Passion'
Farewell Letter
89 bpm • C# min • 03:09 • -18.49db
10% Popularity • 46% Danceability • 15% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
10% Popularity • 46% Danceability • 15% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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Brian Stokes Mitchell
Coalhouse's Soliloquy
87 bpm • G min • 01:36 • -7.31db
20% Popularity • 31% Danceability • 41% Energy • 45% Liveness
0% Instrumentalness • 37% Positiveness
20% Popularity • 31% Danceability • 41% Energy • 45% Liveness
0% Instrumentalness • 37% Positiveness
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Telly Leung
What Makes a Man
87 bpm • F Maj • 02:55 • -11.3db
7% Popularity • 46% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
7% Popularity • 46% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Megan McGinnis
When Shall We Meet?
87 bpm • A Maj • 02:19 • -13.26db
18% Popularity • 52% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
18% Popularity • 52% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
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Carolee Carmello
You Don't Know This Man
89 bpm • C min • 02:12 • -11.76db
24% Popularity • 44% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
24% Popularity • 44% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Laura Benanti
Will He Like Me?
87 bpm • C# Maj • 03:36 • -10db
24% Popularity • 37% Danceability • 24% Energy • 18% Liveness
0% Instrumentalness • 13% Positiveness
24% Popularity • 37% Danceability • 24% Energy • 18% Liveness
0% Instrumentalness • 13% Positiveness
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Original Broadway Cast Of 'Passion'
Garden Sequence
87 bpm • A# min • 05:14 • -19.79db
10% Popularity • 46% Danceability • 11% Energy • 18% Liveness
0% Instrumentalness • 42% Positiveness
10% Popularity • 46% Danceability • 11% Energy • 18% Liveness
0% Instrumentalness • 42% Positiveness
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Javier Ignacio
All in the Mind
89 bpm • E min • 02:52 • -13.53db
9% Popularity • 32% Danceability • 22% Energy • 22% Liveness
0% Instrumentalness • 24% Positiveness
9% Popularity • 32% Danceability • 22% Energy • 22% Liveness
0% Instrumentalness • 24% Positiveness
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Jessica Molaskey
A Case of You
89 bpm • B Maj • 05:16 • -8.96db
0% Popularity • 42% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
0% Popularity • 42% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
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John Bucchino
Sweet Dreams
87 bpm • G Maj • 04:08 • -15.43db
3% Popularity • 40% Danceability • 7% Energy • 6% Liveness
0% Instrumentalness • 22% Positiveness
3% Popularity • 40% Danceability • 7% Energy • 6% Liveness
0% Instrumentalness • 22% Positiveness
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Jerry Herman
Song on the Sand (Reprise)
89 bpm • G Maj • 02:06 • -15.53db
12% Popularity • 52% Danceability • 15% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
12% Popularity • 52% Danceability • 15% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
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The Mystery of Edwin Drood - The 2013 New Broadway Cast
Moonfall Quartet
87 bpm • F min • 02:01 • -17.28db
13% Popularity • 25% Danceability • 15% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
13% Popularity • 25% Danceability • 15% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
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Kay Walbye
Final Storm
90 bpm • C Maj • 02:14 • -13.89db
20% Popularity • 28% Danceability • 37% Energy • 23% Liveness
0% Instrumentalness • 9% Positiveness
20% Popularity • 28% Danceability • 37% Energy • 23% Liveness
0% Instrumentalness • 9% Positiveness
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Jerry Dixon
A Map of New York (Reprise)
86 bpm • G# Maj • 00:57 • -16.58db
13% Popularity • 39% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
13% Popularity • 39% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
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Jessica Molaskey
Hiding In Plain Sight
90 bpm • G min • 03:46 • -16.08db
1% Popularity • 76% Danceability • 14% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
1% Popularity • 76% Danceability • 14% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
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John Bucchino
When You're Home
89 bpm • G# Maj • 02:50 • -10.29db
3% Popularity • 46% Danceability • 20% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
3% Popularity • 46% Danceability • 20% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
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Hunter Foster
Something from a Dream
86 bpm • D Maj • 02:53 • -9.28db
16% Popularity • 44% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
16% Popularity • 44% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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Santino Fontana
Michael's Reprise
86 bpm • D Maj • 01:26 • -10.69db
12% Popularity • 50% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
12% Popularity • 50% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Alice Ripley
So Anyway
86 bpm • A Maj • 03:08 • -17.07db
30% Popularity • 43% Danceability • 8% Energy • 18% Liveness
0% Instrumentalness • 20% Positiveness
30% Popularity • 43% Danceability • 8% Energy • 18% Liveness
0% Instrumentalness • 20% Positiveness
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Paul Alexander Nolan
What Does She Mean by Love?
90 bpm • B min • 02:25 • -8.63db
21% Popularity • 44% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
21% Popularity • 44% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Mindi Dickstein
Astonishing
90 bpm • C# Maj • 04:35 • -7.96db
39% Popularity • 34% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 17% Positiveness
39% Popularity • 34% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 17% Positiveness
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Jessica Molaskey
Isn't He Something
86 bpm • E Maj • 03:47 • -15.62db
0% Popularity • 34% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
0% Popularity • 34% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
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Maury Yeston
Barrett's Song
86 bpm • A min • 03:23 • -16.02db
27% Popularity • 31% Danceability • 18% Energy • 7% Liveness
0% Instrumentalness • 19% Positiveness
27% Popularity • 31% Danceability • 18% Energy • 7% Liveness
0% Instrumentalness • 19% Positiveness
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Jordan Donica
C'est Moi
86 bpm • C Maj • 03:47 • -9.99db
19% Popularity • 48% Danceability • 41% Energy • 41% Liveness
0% Instrumentalness • 52% Positiveness
19% Popularity • 48% Danceability • 41% Energy • 41% Liveness
0% Instrumentalness • 52% Positiveness
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Andrea Burns
Can't We Be Friends?
90 bpm • E min • 03:23 • -15.74db
0% Popularity • 56% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
0% Popularity • 56% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Rachel Bay Jones
Kind of Woman
90 bpm • D Maj • 02:55 • -9db
32% Popularity • 36% Danceability • 36% Energy • 31% Liveness
0% Instrumentalness • 28% Positiveness
32% Popularity • 36% Danceability • 36% Energy • 31% Liveness
0% Instrumentalness • 28% Positiveness
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Marin Mazzie
What Kind of Woman
90 bpm • F min • 02:35 • -16.65db
20% Popularity • 48% Danceability • 14% Energy • 16% Liveness
0% Instrumentalness • 29% Positiveness
20% Popularity • 48% Danceability • 14% Energy • 16% Liveness
0% Instrumentalness • 29% Positiveness
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Daisy Eagan
Show Me the Key
90 bpm • A Maj • 03:35 • -21.14db
21% Popularity • 44% Danceability • 8% Energy • 61% Liveness
0% Instrumentalness • 40% Positiveness
21% Popularity • 44% Danceability • 8% Energy • 61% Liveness
0% Instrumentalness • 40% Positiveness
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Brent Carver
Leo at Work / What Am I Waiting For?
90 bpm • C min • 02:41 • -13.9db
16% Popularity • 31% Danceability • 22% Energy • 21% Liveness
0% Instrumentalness • 34% Positiveness
16% Popularity • 31% Danceability • 22% Energy • 21% Liveness
0% Instrumentalness • 34% Positiveness
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Maury Yeston
I Have Danced
91 bpm • F Maj • 01:58 • -22.7db
19% Popularity • 30% Danceability • 4% Energy • 22% Liveness
0% Instrumentalness • 22% Positiveness
19% Popularity • 30% Danceability • 4% Energy • 22% Liveness
0% Instrumentalness • 22% Positiveness
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Jessica Molaskey
Tea For Two
91 bpm • F min • 04:09 • -15.55db
2% Popularity • 51% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
2% Popularity • 51% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Jeanine Tesori
"This Is What I Have of You..."
85 bpm • A min • 01:44 • -21.9db
24% Popularity • 46% Danceability • 7% Energy • 23% Liveness
0% Instrumentalness • 18% Positiveness
24% Popularity • 46% Danceability • 7% Energy • 23% Liveness
0% Instrumentalness • 18% Positiveness
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'[title of show]' Original Cast
September Song
91 bpm • F min • 04:50 • -7.06db
13% Popularity • 59% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
13% Popularity • 59% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
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Gina Ferrall
Maria
85 bpm • C Maj • 03:07 • -15db
16% Popularity • 57% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
16% Popularity • 57% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
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Andrew Burnap
Finale Act One
91 bpm • D# Maj • 03:12 • -16.1db
15% Popularity • 41% Danceability • 21% Energy • 34% Liveness
0% Instrumentalness • 20% Positiveness
15% Popularity • 41% Danceability • 21% Energy • 34% Liveness
0% Instrumentalness • 20% Positiveness
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Maury Yeston
Lady's Maid
85 bpm • G Maj • 04:31 • -16.99db
25% Popularity • 40% Danceability • 16% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
25% Popularity • 40% Danceability • 16% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
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Jessica Molaskey
Dreamland / Carey
91 bpm • C Maj • 03:39 • -9.65db
1% Popularity • 71% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
1% Popularity • 71% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
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Jeanine Tesori
"Clueless in New York..."
91 bpm • D# min • 01:50 • -24.77db
19% Popularity • 60% Danceability • 13% Energy • 28% Liveness
0% Instrumentalness • 28% Positiveness
19% Popularity • 60% Danceability • 13% Energy • 28% Liveness
0% Instrumentalness • 28% Positiveness
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Parade Cast
Closing Statement & Verdict
85 bpm • A Maj • 02:23 • -7.57db
23% Popularity • 32% Danceability • 34% Energy • 5% Liveness
2% Instrumentalness • 18% Positiveness
23% Popularity • 32% Danceability • 34% Energy • 5% Liveness
2% Instrumentalness • 18% Positiveness
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Original Broadway Cast Of 'Passion'
Happiness
85 bpm • B Maj • 05:10 • -18.57db
18% Popularity • 31% Danceability • 20% Energy • 22% Liveness
0% Instrumentalness • 17% Positiveness
18% Popularity • 31% Danceability • 20% Energy • 22% Liveness
0% Instrumentalness • 17% Positiveness
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David De Silva
Think Of Meryl Streep
91 bpm • D Maj • 02:45 • -12.12db
13% Popularity • 45% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
13% Popularity • 45% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
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Jennifer Damiano
Hey #1
91 bpm • D# Maj • 01:39 • -13.62db
29% Popularity • 51% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
29% Popularity • 51% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Jessica Molaskey
In France They Kiss on Main Street
91 bpm • A Maj • 03:52 • -8.99db
5% Popularity • 59% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
5% Popularity • 59% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
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Walter Charles
Public Enemy Number One
85 bpm • F Maj • 01:37 • -13.41db
25% Popularity • 48% Danceability • 21% Energy • 45% Liveness
0% Instrumentalness • 80% Positiveness
25% Popularity • 48% Danceability • 21% Energy • 45% Liveness
0% Instrumentalness • 80% Positiveness
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Faith Prince
Adelaide's Lament (Reprise)
92 bpm • F# Maj • 01:26 • -19.44db
24% Popularity • 42% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
24% Popularity • 42% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
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Jeff Edgerton
Prologue: The Old Red Hills Of Home
92 bpm • A# Maj • 06:33 • -11.13db
23% Popularity • 37% Danceability • 44% Energy • 20% Liveness
0% Instrumentalness • 36% Positiveness
23% Popularity • 37% Danceability • 44% Energy • 20% Liveness
0% Instrumentalness • 36% Positiveness
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Kenita R. Miller
Ti Moune
92 bpm • A# Maj • 04:31 • -16.03db
23% Popularity • 40% Danceability • 11% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
23% Popularity • 40% Danceability • 11% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
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Alice Ripley
Better Than Before
92 bpm • C Maj • 04:28 • -13.61db
28% Popularity • 48% Danceability • 17% Energy • 29% Liveness
0% Instrumentalness • 40% Positiveness
28% Popularity • 48% Danceability • 17% Energy • 29% Liveness
0% Instrumentalness • 40% Positiveness
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Jessica Molaskey
Heart's Desire
92 bpm • F Maj • 02:48 • -16.69db
0% Popularity • 41% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
0% Popularity • 41% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Kay Walbye
A Bit of Earth (Reprise)
84 bpm • A Maj • 00:59 • -14.46db
19% Popularity • 14% Danceability • 28% Energy • 30% Liveness
0% Instrumentalness • 23% Positiveness
19% Popularity • 14% Danceability • 28% Energy • 30% Liveness
0% Instrumentalness • 23% Positiveness
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Songs for a New World Ensemble
Hear My Song
84 bpm • G Maj • 05:41 • -11.72db
17% Popularity • 22% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
17% Popularity • 22% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Jerry Herman
Look over There (Reprise)
92 bpm • F# Maj • 01:57 • -17.05db
11% Popularity • 62% Danceability • 8% Energy • 35% Liveness
0% Instrumentalness • 44% Positiveness
11% Popularity • 62% Danceability • 8% Energy • 35% Liveness
0% Instrumentalness • 44% Positiveness
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Kelli Barrett
When the Music Played
84 bpm • F Maj • 04:54 • -14.73db
16% Popularity • 26% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
16% Popularity • 26% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Mark Harelik
Let's Walk
84 bpm • D# Maj • 03:08 • -20.69db
14% Popularity • 44% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
14% Popularity • 44% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Margo Seibert
Raining - Rocky Broadway Cast Recording
92 bpm • G Maj • 04:06 • -11db
27% Popularity • 33% Danceability • 26% Energy • 23% Liveness
0% Instrumentalness • 15% Positiveness
27% Popularity • 33% Danceability • 26% Energy • 23% Liveness
0% Instrumentalness • 15% Positiveness
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Paul Alexander Nolan
Twenty Miles from Marietta
84 bpm • F min • 01:13 • -9.04db
25% Popularity • 48% Danceability • 47% Energy • 32% Liveness
0% Instrumentalness • 47% Positiveness
25% Popularity • 48% Danceability • 47% Energy • 32% Liveness
0% Instrumentalness • 47% Positiveness
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J. Robert Spencer
He's Not Here
84 bpm • D# Maj • 01:15 • -23.69db
32% Popularity • 32% Danceability • 2% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
32% Popularity • 32% Danceability • 2% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
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Katie Klaus
State Road 21
92 bpm • A Maj • 02:56 • -5.77db
18% Popularity • 54% Danceability • 77% Energy • 25% Liveness
0% Instrumentalness • 68% Positiveness
18% Popularity • 54% Danceability • 77% Energy • 25% Liveness
0% Instrumentalness • 68% Positiveness
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Brent Carver
Mama, It's Me
84 bpm • G Maj • 02:02 • -19.32db
9% Popularity • 31% Danceability • 6% Energy • 15% Liveness
4% Instrumentalness • 19% Positiveness
9% Popularity • 31% Danceability • 6% Energy • 15% Liveness
4% Instrumentalness • 19% Positiveness
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Ty Taylor
King of the World
84 bpm • C Maj • 04:16 • -11.37db
20% Popularity • 46% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
20% Popularity • 46% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
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Jake Gyllenhaal
Opening
84 bpm • D# Maj • 01:22 • -17.65db
20% Popularity • 54% Danceability • 10% Energy • 17% Liveness
0% Instrumentalness • 31% Positiveness
20% Popularity • 54% Danceability • 10% Energy • 17% Liveness
0% Instrumentalness • 31% Positiveness
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'[title of show]' Original Cast
Monkeys and Playbills
93 bpm • D Maj • 03:26 • -9.36db
15% Popularity • 61% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
15% Popularity • 61% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Alice Ripley
Maybe (Next to Normal)
84 bpm • G# Maj • 04:00 • -17.43db
29% Popularity • 33% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
29% Popularity • 33% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Maury Yeston
To the Lifeboats / Getting in the Lifebo...
93 bpm • G min • 02:38 • -17.32db
21% Popularity • 35% Danceability • 15% Energy • 61% Liveness
0% Instrumentalness • 26% Positiveness
21% Popularity • 35% Danceability • 15% Energy • 61% Liveness
0% Instrumentalness • 26% Positiveness
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Hunter Foster
You're Never Alone
93 bpm • A min • 02:56 • -7.12db
18% Popularity • 61% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
18% Popularity • 61% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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Andrea Burns
I'm Not Afraid of Anything
84 bpm • A Maj • 04:37 • -12.52db
28% Popularity • 46% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 31% Positiveness
28% Popularity • 46% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 31% Positiveness
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Mark Harelik
The Light in the Piazza
93 bpm • D Maj • 03:01 • -14.37db
30% Popularity • 29% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
30% Popularity • 29% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
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The Mystery of Edwin Drood - The 2013 New Broadway Cast
The Wages of Sin
83 bpm • G Maj • 03:12 • -11.75db
12% Popularity • 53% Danceability • 22% Energy • 24% Liveness
0% Instrumentalness • 54% Positiveness
12% Popularity • 53% Danceability • 22% Energy • 24% Liveness
0% Instrumentalness • 54% Positiveness
► Preview
Brent Carver
Leo's Statement: It's hard to speak my h...
83 bpm • A Maj • 02:44 • -15.81db
22% Popularity • 30% Danceability • 12% Energy • 9% Liveness
2% Instrumentalness • 11% Positiveness
22% Popularity • 30% Danceability • 12% Energy • 9% Liveness
2% Instrumentalness • 11% Positiveness
► Preview
Jeanine Tesori
"Thanks for the Care Package..."
83 bpm • C# Maj • 03:33 • -21.47db
20% Popularity • 68% Danceability • 17% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
20% Popularity • 68% Danceability • 17% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
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Erin Davie
Like Everyone Else
93 bpm • B Maj • 02:04 • -11db
12% Popularity • 48% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
12% Popularity • 48% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Jessica Molaskey
The Flagmaker, 1775
93 bpm • G Maj • 04:25 • -12.93db
13% Popularity • 37% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
13% Popularity • 37% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
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Original Broadway Cast Of 'Passion'
First Letter
93 bpm • G# Maj • 01:11 • -24.85db
11% Popularity • 51% Danceability • 9% Energy • 24% Liveness
0% Instrumentalness • 8% Positiveness
11% Popularity • 51% Danceability • 9% Energy • 24% Liveness
0% Instrumentalness • 8% Positiveness
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Gavin Creel
Goodbye, Georg
94 bpm • D# min • 01:58 • -10.87db
20% Popularity • 64% Danceability • 42% Energy • 39% Liveness
0% Instrumentalness • 52% Positiveness
20% Popularity • 64% Danceability • 42% Energy • 39% Liveness
0% Instrumentalness • 52% Positiveness
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Rose and Herbie
Small World
83 bpm • B Maj • 03:31 • -10.82db
15% Popularity • 36% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
15% Popularity • 36% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
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Lisa O'Hare
Poor Monty
83 bpm • F min • 03:17 • -11db
22% Popularity • 41% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
22% Popularity • 41% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Lewis Cleale
Yesterday I Loved You
83 bpm • A# Maj • 02:33 • -14.31db
19% Popularity • 24% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
19% Popularity • 24% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
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John Hickok
Pretty Music
94 bpm • G Maj • 02:16 • -10.89db
14% Popularity • 67% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 75% Positiveness
14% Popularity • 67% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 75% Positiveness
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Ron Rifkin
Married (Reprise)
82 bpm • F Maj • 01:06 • -17.25db
21% Popularity • 38% Danceability • 10% Energy • 15% Liveness
0% Instrumentalness • 71% Positiveness
21% Popularity • 38% Danceability • 10% Energy • 15% Liveness
0% Instrumentalness • 71% Positiveness
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Nicholas Barasch
Try Me
83 bpm • D Maj • 03:41 • -10.41db
23% Popularity • 49% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
23% Popularity • 49% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
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Marin Mazzie
Our Children
82 bpm • B min • 03:29 • -14.45db
20% Popularity • 31% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
20% Popularity • 31% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
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Merle Louise
You Could Never Shame Me
82 bpm • A# Maj • 02:59 • -21.48db
8% Popularity • 37% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
8% Popularity • 37% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Broadway Cast Recording
I Am Ashamed That Women Are So Simple
82 bpm • C# Maj • 02:10 • -11.69db
10% Popularity • 30% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
10% Popularity • 30% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
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Andrea Burns
No Me Diga
82 bpm • G# Maj • 02:26 • -8.08db
40% Popularity • 60% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 78% Positiveness
40% Popularity • 60% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 78% Positiveness
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Rose, Herbie, June and Louise
Small World/Momma's Talkin' Soft - Bonus...
82 bpm • B Maj • 05:00 • -11.27db
8% Popularity • 29% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
8% Popularity • 29% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Maury Yeston
The Launching: I Must Get on That Ship
94 bpm • F Maj • 02:37 • -15.51db
24% Popularity • 47% Danceability • 27% Energy • 54% Liveness
0% Instrumentalness • 47% Positiveness
24% Popularity • 47% Danceability • 27% Energy • 54% Liveness
0% Instrumentalness • 47% Positiveness
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Carolee Carmello
Finale
94 bpm • F Maj • 03:04 • -11.28db
14% Popularity • 41% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
14% Popularity • 41% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Laura Benanti
No More Candy
94 bpm • G# Maj • 01:37 • -11.75db
22% Popularity • 43% Danceability • 23% Energy • 56% Liveness
0% Instrumentalness • 34% Positiveness
22% Popularity • 43% Danceability • 23% Energy • 56% Liveness
0% Instrumentalness • 34% Positiveness
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Ricky Ian Gordon
The Way West
82 bpm • G min • 05:57 • -9.86db
0% Popularity • 40% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
0% Popularity • 40% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
