Songs like My Favourite Faded Fantasy by Damien Rice
Based on a tempo of (+/- 10%) and a similar genre
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Glen Hansard
Bird Of Sorrow
147 bpm • C# min • 05:50 • -11.31db
9% Popularity • 35% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
9% Popularity • 35% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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Denai Moore
No Light
147 bpm • F# min • 05:23 • -10.37db
17% Popularity • 37% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
17% Popularity • 37% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Volcano Choir
Comrade
146 bpm • G Maj • 04:34 • -8.96db
41% Popularity • 51% Danceability • 44% Energy • 9% Liveness
81% Instrumentalness • 34% Positiveness
41% Popularity • 51% Danceability • 44% Energy • 9% Liveness
81% Instrumentalness • 34% Positiveness
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Damien Rice
My Favourite Faded Fantasy
147 bpm • D Maj • 06:11 • -11.83db
40% Popularity • 35% Danceability • 23% Energy • 26% Liveness
0% Instrumentalness • 10% Positiveness
40% Popularity • 35% Danceability • 23% Energy • 26% Liveness
0% Instrumentalness • 10% Positiveness
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Dancing Years
Learn to Kiss
146 bpm • A Maj • 05:55 • -12.93db
16% Popularity • 43% Danceability • 39% Energy • 11% Liveness
3% Instrumentalness • 11% Positiveness
16% Popularity • 43% Danceability • 39% Energy • 11% Liveness
3% Instrumentalness • 11% Positiveness
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Sam Amidon
I Wish I Wish
148 bpm • D Maj • 02:47 • -13.4db
24% Popularity • 50% Danceability • 26% Energy • 7% Liveness
37% Instrumentalness • 40% Positiveness
24% Popularity • 50% Danceability • 26% Energy • 7% Liveness
37% Instrumentalness • 40% Positiveness
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Florence + The Machine
Never Let Me Go - MTV Unplugged, 2012
148 bpm • F# min • 04:34 • -11db
37% Popularity • 40% Danceability • 29% Energy • 69% Liveness
0% Instrumentalness • 34% Positiveness
37% Popularity • 40% Danceability • 29% Energy • 69% Liveness
0% Instrumentalness • 34% Positiveness
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Ciaran Lavery
Awful Love
148 bpm • C# min • 05:12 • -11.07db
12% Popularity • 49% Danceability • 53% Energy • 11% Liveness
1% Instrumentalness • 10% Positiveness
12% Popularity • 49% Danceability • 53% Energy • 11% Liveness
1% Instrumentalness • 10% Positiveness
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Glen Hansard
Talking With The Wolves
148 bpm • B min • 04:43 • -12.51db
4% Popularity • 69% Danceability • 48% Energy • 10% Liveness
20% Instrumentalness • 57% Positiveness
4% Popularity • 69% Danceability • 48% Energy • 10% Liveness
20% Instrumentalness • 57% Positiveness
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Damien Rice
Cannonball
148 bpm • C# Maj • 05:10 • -15.32db
58% Popularity • 64% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
58% Popularity • 64% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Annie Eve
Bodyweight
149 bpm • G min • 03:37 • -9.79db
20% Popularity • 30% Danceability • 39% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
20% Popularity • 30% Danceability • 39% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
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The Cinematic Orchestra
To Build A Home
149 bpm • A Maj • 06:11 • -15.4db
75% Popularity • 26% Danceability • 12% Energy • 9% Liveness
35% Instrumentalness • 7% Positiveness
75% Popularity • 26% Danceability • 12% Energy • 9% Liveness
35% Instrumentalness • 7% Positiveness
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Beirut
The Rip Tide
149 bpm • B Maj • 04:26 • -7.78db
43% Popularity • 39% Danceability • 56% Energy • 16% Liveness
80% Instrumentalness • 35% Positiveness
43% Popularity • 39% Danceability • 56% Energy • 16% Liveness
80% Instrumentalness • 35% Positiveness
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Band of Horses
No One's Gonna Love You
149 bpm • C# Maj • 03:37 • -3.58db
63% Popularity • 31% Danceability • 89% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
63% Popularity • 31% Danceability • 89% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Glen Hansard
Wedding Ring
149 bpm • E Maj • 04:47 • -13db
35% Popularity • 48% Danceability • 38% Energy • 11% Liveness
12% Instrumentalness • 36% Positiveness
35% Popularity • 48% Danceability • 38% Energy • 11% Liveness
12% Instrumentalness • 36% Positiveness
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Villagers
Twenty Seven Strangers
145 bpm • C Maj • 03:24 • -13db
35% Popularity • 67% Danceability • 34% Energy • 16% Liveness
2% Instrumentalness • 30% Positiveness
35% Popularity • 67% Danceability • 34% Energy • 16% Liveness
2% Instrumentalness • 30% Positiveness
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Damien Rice
Volcano - Live from Union Chapel
148 bpm • C Maj • 05:23 • -9.25db
19% Popularity • 50% Danceability • 45% Energy • 90% Liveness
0% Instrumentalness • 42% Positiveness
19% Popularity • 50% Danceability • 45% Energy • 90% Liveness
0% Instrumentalness • 42% Positiveness
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Allman Brown
Rivers
150 bpm • C min • 03:31 • -15.04db
33% Popularity • 45% Danceability • 15% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
33% Popularity • 45% Danceability • 15% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
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Noah Gundersen
First Defeat
144 bpm • F Maj • 04:03 • -11db
46% Popularity • 52% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
46% Popularity • 52% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Oren Lavie
Second Hand Lovers
145 bpm • D# Maj • 03:56 • -10.65db
25% Popularity • 29% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
25% Popularity • 29% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
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Glen Hansard
You Will Become
148 bpm • B min • 03:48 • -17.21db
6% Popularity • 41% Danceability • 23% Energy • 9% Liveness
6% Instrumentalness • 6% Positiveness
6% Popularity • 41% Danceability • 23% Energy • 9% Liveness
6% Instrumentalness • 6% Positiveness
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CLOVES
Everybody's Son
150 bpm • G Maj • 03:26 • -7db
33% Popularity • 59% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
33% Popularity • 59% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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The National
Demons
150 bpm • E min • 03:31 • -6.33db
45% Popularity • 54% Danceability • 77% Energy • 8% Liveness
86% Instrumentalness • 42% Positiveness
45% Popularity • 54% Danceability • 77% Energy • 8% Liveness
86% Instrumentalness • 42% Positiveness
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Mélanie Laurent
Everything You're Not Supposed to Be
150 bpm • C Maj • 05:31 • -11.54db
22% Popularity • 30% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
22% Popularity • 30% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Agnes Obel
Avenue
150 bpm • A min • 04:07 • -11db
36% Popularity • 54% Danceability • 27% Energy • 12% Liveness
1% Instrumentalness • 12% Positiveness
36% Popularity • 54% Danceability • 27% Energy • 12% Liveness
1% Instrumentalness • 12% Positiveness
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Keaton Henson
If I Don't Have To
144 bpm • D# min • 03:37 • -11.55db
20% Popularity • 33% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
20% Popularity • 33% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Bryan John Appleby
Honey Jars
144 bpm • C# Maj • 04:08 • -16db
37% Popularity • 52% Danceability • 29% Energy • 11% Liveness
2% Instrumentalness • 17% Positiveness
37% Popularity • 52% Danceability • 29% Energy • 11% Liveness
2% Instrumentalness • 17% Positiveness
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Bear's Den
Sophie
144 bpm • B min • 05:04 • -13db
31% Popularity • 59% Danceability • 29% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
31% Popularity • 59% Danceability • 29% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
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Damien Rice
My Favourite Faded Fantasy (Live)
150 bpm • C min • 06:02 • -7.76db
12% Popularity • 37% Danceability • 34% Energy • 70% Liveness
4% Instrumentalness • 16% Positiveness
12% Popularity • 37% Danceability • 34% Energy • 70% Liveness
4% Instrumentalness • 16% Positiveness
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Alexi Murdoch
At Your Door
151 bpm • F Maj • 02:54 • -15.31db
40% Popularity • 45% Danceability • 35% Energy • 36% Liveness
83% Instrumentalness • 43% Positiveness
40% Popularity • 45% Danceability • 35% Energy • 36% Liveness
83% Instrumentalness • 43% Positiveness
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Glen Hansard
Say It To Me Now
151 bpm • E Maj • 02:35 • -10.17db
41% Popularity • 43% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
41% Popularity • 43% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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The Frames
Song For Someone
143 bpm • A min • 05:36 • -10.72db
4% Popularity • 32% Danceability • 30% Energy • 11% Liveness
3% Instrumentalness • 19% Positiveness
4% Popularity • 32% Danceability • 30% Energy • 11% Liveness
3% Instrumentalness • 19% Positiveness
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Tired Pony
All Things All At Once
151 bpm • D# min • 03:40 • -9db
33% Popularity • 50% Danceability • 63% Energy • 15% Liveness
10% Instrumentalness • 52% Positiveness
33% Popularity • 50% Danceability • 63% Energy • 15% Liveness
10% Instrumentalness • 52% Positiveness
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Mark Kozelek
Onward
143 bpm • A# Maj • 02:10 • -19db
38% Popularity • 32% Danceability • 10% Energy • 11% Liveness
20% Instrumentalness • 29% Positiveness
38% Popularity • 32% Danceability • 10% Energy • 11% Liveness
20% Instrumentalness • 29% Positiveness
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Damien Rice
The Professor & La Fille Danse - Live
142 bpm • D# Maj • 05:08 • -12db
34% Popularity • 47% Danceability • 15% Energy • 71% Liveness
0% Instrumentalness • 32% Positiveness
34% Popularity • 47% Danceability • 15% Energy • 71% Liveness
0% Instrumentalness • 32% Positiveness
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Sufjan Stevens
To Be Alone With You
142 bpm • C min • 02:48 • -18db
61% Popularity • 52% Danceability • 16% Energy • 12% Liveness
75% Instrumentalness • 36% Positiveness
61% Popularity • 52% Danceability • 16% Energy • 12% Liveness
75% Instrumentalness • 36% Positiveness
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Rue Royale
Lunacy
152 bpm • C# Maj • 03:21 • -11.06db
27% Popularity • 48% Danceability • 47% Energy • 13% Liveness
12% Instrumentalness • 36% Positiveness
27% Popularity • 48% Danceability • 47% Energy • 13% Liveness
12% Instrumentalness • 36% Positiveness
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The Innocence Mission
Spring
142 bpm • B Maj • 03:57 • -11.31db
22% Popularity • 36% Danceability • 21% Energy • 12% Liveness
4% Instrumentalness • 9% Positiveness
22% Popularity • 36% Danceability • 21% Energy • 12% Liveness
4% Instrumentalness • 9% Positiveness
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Ben Howard
Everything
141 bpm • D# Maj • 04:45 • -16.4db
47% Popularity • 51% Danceability • 26% Energy • 5% Liveness
0% Instrumentalness • 35% Positiveness
47% Popularity • 51% Danceability • 26% Energy • 5% Liveness
0% Instrumentalness • 35% Positiveness
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S. Carey
Fire-scene
153 bpm • F Maj • 04:35 • -15db
33% Popularity • 50% Danceability • 28% Energy • 28% Liveness
11% Instrumentalness • 17% Positiveness
33% Popularity • 50% Danceability • 28% Energy • 28% Liveness
11% Instrumentalness • 17% Positiveness
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Damien Rice
I Don't Want to Change You
142 bpm • E min • 05:26 • -9.7db
46% Popularity • 41% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
46% Popularity • 41% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Bear's Den
When You Break
141 bpm • F min • 04:45 • -10.95db
45% Popularity • 51% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
45% Popularity • 51% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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The Frames
Falling Slowly
141 bpm • F Maj • 04:35 • -8.41db
15% Popularity • 35% Danceability • 42% Energy • 31% Liveness
0% Instrumentalness • 29% Positiveness
15% Popularity • 35% Danceability • 42% Energy • 31% Liveness
0% Instrumentalness • 29% Positiveness
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Woodkid
Brooklyn
154 bpm • C# min • 03:30 • -13.53db
37% Popularity • 56% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
37% Popularity • 56% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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The Civil Wars
Poison & Wine
154 bpm • C# Maj • 03:39 • -12.73db
49% Popularity • 28% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
49% Popularity • 28% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Patrick Watson
Big Bird In A Small Cage
154 bpm • C# Maj • 04:03 • -13.94db
49% Popularity • 43% Danceability • 43% Energy • 9% Liveness
19% Instrumentalness • 34% Positiveness
49% Popularity • 43% Danceability • 43% Energy • 9% Liveness
19% Instrumentalness • 34% Positiveness
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Damien Rice
Volcano
154 bpm • C Maj • 04:38 • -12.93db
49% Popularity • 51% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
49% Popularity • 51% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
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The National
Think You Can Wait
154 bpm • G# min • 04:37 • -12.4db
35% Popularity • 45% Danceability • 35% Energy • 11% Liveness
89% Instrumentalness • 40% Positiveness
35% Popularity • 45% Danceability • 35% Energy • 11% Liveness
89% Instrumentalness • 40% Positiveness
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Beta Radio
On the Frame
140 bpm • F Maj • 03:39 • -13.99db
42% Popularity • 72% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
42% Popularity • 72% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Roo Panes
Tiger Striped Sky
140 bpm • D Maj • 04:01 • -10.32db
58% Popularity • 47% Danceability • 32% Energy • 11% Liveness
1% Instrumentalness • 13% Positiveness
58% Popularity • 47% Danceability • 32% Energy • 11% Liveness
1% Instrumentalness • 13% Positiveness
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Kan Wakan
Why Don't You Save Me?
140 bpm • E min • 03:41 • -9db
24% Popularity • 45% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
24% Popularity • 45% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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Patrick Watson
Lighthouse
140 bpm • D min • 04:46 • -14db
16% Popularity • 28% Danceability • 17% Energy • 15% Liveness
38% Instrumentalness • 17% Positiveness
16% Popularity • 28% Danceability • 17% Energy • 15% Liveness
38% Instrumentalness • 17% Positiveness
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The Antlers
Kettering
140 bpm • A min • 05:11 • -13.91db
48% Popularity • 32% Danceability • 16% Energy • 9% Liveness
84% Instrumentalness • 9% Positiveness
48% Popularity • 32% Danceability • 16% Energy • 9% Liveness
84% Instrumentalness • 9% Positiveness
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The National
This is the Last Time
140 bpm • C min • 04:43 • -10db
53% Popularity • 50% Danceability • 50% Energy • 9% Liveness
37% Instrumentalness • 13% Positiveness
53% Popularity • 50% Danceability • 50% Energy • 9% Liveness
37% Instrumentalness • 13% Positiveness
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Big Fox
Shadows
140 bpm • D min • 03:29 • -12.69db
15% Popularity • 51% Danceability • 22% Energy • 10% Liveness
30% Instrumentalness • 7% Positiveness
15% Popularity • 51% Danceability • 22% Energy • 10% Liveness
30% Instrumentalness • 7% Positiveness
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Stateless
Bloodstream - Quartet Session
140 bpm • F# min • 05:01 • -12db
37% Popularity • 47% Danceability • 23% Energy • 7% Liveness
1% Instrumentalness • 20% Positiveness
37% Popularity • 47% Danceability • 23% Energy • 7% Liveness
1% Instrumentalness • 20% Positiveness
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Keaton Henson
Sarah Minor
140 bpm • F Maj • 03:25 • -9.75db
28% Popularity • 51% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
28% Popularity • 51% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Alexi Murdoch
Song For You
155 bpm • E Maj • 04:17 • -25.11db
52% Popularity • 50% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
52% Popularity • 50% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Bahamas
Can't Take You With Me
140 bpm • F Maj • 03:10 • -9db
34% Popularity • 23% Danceability • 30% Energy • 9% Liveness
24% Instrumentalness • 28% Positiveness
34% Popularity • 23% Danceability • 30% Energy • 9% Liveness
24% Instrumentalness • 28% Positiveness
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Iron & Wine
Flightless Bird, American Mouth
155 bpm • D# Maj • 04:01 • -8db
69% Popularity • 37% Danceability • 40% Energy • 11% Liveness
5% Instrumentalness • 18% Positiveness
69% Popularity • 37% Danceability • 40% Energy • 11% Liveness
5% Instrumentalness • 18% Positiveness
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The Civil Wars
Girl with the Red Balloon
155 bpm • A min • 03:49 • -12.67db
19% Popularity • 32% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
19% Popularity • 32% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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The White Birch
Breathe
139 bpm • A Maj • 05:02 • -16.39db
23% Popularity • 26% Danceability • 28% Energy • 10% Liveness
88% Instrumentalness • 7% Positiveness
23% Popularity • 26% Danceability • 28% Energy • 10% Liveness
88% Instrumentalness • 7% Positiveness
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isaac gracie
reverie
155 bpm • G# Maj • 05:43 • -11.17db
47% Popularity • 22% Danceability • 24% Energy • 11% Liveness
77% Instrumentalness • 7% Positiveness
47% Popularity • 22% Danceability • 24% Energy • 11% Liveness
77% Instrumentalness • 7% Positiveness
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Lo-Fang
When We're Fire - Cello Version
156 bpm • C Maj • 04:05 • -17db
32% Popularity • 55% Danceability • 14% Energy • 11% Liveness
3% Instrumentalness • 15% Positiveness
32% Popularity • 55% Danceability • 14% Energy • 11% Liveness
3% Instrumentalness • 15% Positiveness
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Soko
I've Been Alone Too Long
139 bpm • F# Maj • 04:44 • -14.81db
25% Popularity • 41% Danceability • 13% Energy • 20% Liveness
0% Instrumentalness • 18% Positiveness
25% Popularity • 41% Danceability • 13% Energy • 20% Liveness
0% Instrumentalness • 18% Positiveness
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Patrick Watson
Turn Into the Noise
138 bpm • A min • 06:42 • -13.2db
29% Popularity • 40% Danceability • 27% Energy • 10% Liveness
84% Instrumentalness • 18% Positiveness
29% Popularity • 40% Danceability • 27% Energy • 10% Liveness
84% Instrumentalness • 18% Positiveness
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Snow Patrol
New York
138 bpm • F Maj • 04:00 • -6.74db
48% Popularity • 38% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
48% Popularity • 38% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Bear's Den
Elysium
138 bpm • G Maj • 03:26 • -10db
18% Popularity • 30% Danceability • 43% Energy • 10% Liveness
30% Instrumentalness • 10% Positiveness
18% Popularity • 30% Danceability • 43% Energy • 10% Liveness
30% Instrumentalness • 10% Positiveness
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The Civil Wars
Dust to Dust - Acoustic
138 bpm • C# Maj • 03:43 • -17.11db
23% Popularity • 68% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
23% Popularity • 68% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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EmilÃana Torrini
Autumn Sun
157 bpm • F# min • 04:11 • -14.76db
31% Popularity • 56% Danceability • 11% Energy • 11% Liveness
1% Instrumentalness • 14% Positiveness
31% Popularity • 56% Danceability • 11% Energy • 11% Liveness
1% Instrumentalness • 14% Positiveness
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Ben Howard
Promise
157 bpm • D Maj • 06:24 • -15.74db
61% Popularity • 37% Danceability • 19% Energy • 36% Liveness
43% Instrumentalness • 18% Positiveness
61% Popularity • 37% Danceability • 19% Energy • 36% Liveness
43% Instrumentalness • 18% Positiveness
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Denison Witmer
Constant Muse
137 bpm • E Maj • 03:50 • -14.97db
17% Popularity • 50% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
17% Popularity • 50% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Glen Hansard
Maybe Not Tonight
137 bpm • E Maj • 05:30 • -13.39db
7% Popularity • 63% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
7% Popularity • 63% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Bear's Den
Agape
138 bpm • E Maj • 04:28 • -6db
42% Popularity • 62% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
42% Popularity • 62% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Sea Wolf
Young Bodies
137 bpm • F Maj • 03:29 • -16db
37% Popularity • 69% Danceability • 24% Energy • 11% Liveness
30% Instrumentalness • 33% Positiveness
37% Popularity • 69% Danceability • 24% Energy • 11% Liveness
30% Instrumentalness • 33% Positiveness
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Keaton Henson
You
158 bpm • G# min • 04:42 • -14.48db
47% Popularity • 30% Danceability • 15% Energy • 10% Liveness
1% Instrumentalness • 14% Positiveness
47% Popularity • 30% Danceability • 15% Energy • 10% Liveness
1% Instrumentalness • 14% Positiveness
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Ben Howard
Evergreen
137 bpm • A# Maj • 04:04 • -15.03db
42% Popularity • 34% Danceability • 21% Energy • 10% Liveness
69% Instrumentalness • 19% Positiveness
42% Popularity • 34% Danceability • 21% Energy • 10% Liveness
69% Instrumentalness • 19% Positiveness
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J. Tillman
Love No Less Worthy
136 bpm • A# Maj • 03:13 • -18.91db
28% Popularity • 58% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
28% Popularity • 58% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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David Beats Goliath
Maisie & Neville
136 bpm • A Maj • 03:40 • -13db
26% Popularity • 67% Danceability • 18% Energy • 10% Liveness
1% Instrumentalness • 39% Positiveness
26% Popularity • 67% Danceability • 18% Energy • 10% Liveness
1% Instrumentalness • 39% Positiveness
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Sufjan Stevens
The Only Thing
159 bpm • D# Maj • 04:44 • -19.59db
60% Popularity • 51% Danceability • 15% Energy • 11% Liveness
7% Instrumentalness • 50% Positiveness
60% Popularity • 51% Danceability • 15% Energy • 11% Liveness
7% Instrumentalness • 50% Positiveness
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Ed Harcourt
Murmur in My Heart
136 bpm • D# Maj • 04:38 • -9.81db
7% Popularity • 35% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
7% Popularity • 35% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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Rae Morris
Grow
136 bpm • E min • 04:03 • -11.76db
29% Popularity • 53% Danceability • 27% Energy • 8% Liveness
7% Instrumentalness • 18% Positiveness
29% Popularity • 53% Danceability • 27% Energy • 8% Liveness
7% Instrumentalness • 18% Positiveness
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Ben Howard
Gracious
158 bpm • B min • 04:57 • -15db
47% Popularity • 40% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
47% Popularity • 40% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Glen Hansard
Leave
135 bpm • C# min • 02:46 • -10.58db
37% Popularity • 45% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
37% Popularity • 45% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Eels
Lockdown Hurricane
136 bpm • C Maj • 03:30 • -11.55db
17% Popularity • 31% Danceability • 33% Energy • 12% Liveness
49% Instrumentalness • 7% Positiveness
17% Popularity • 31% Danceability • 33% Energy • 12% Liveness
49% Instrumentalness • 7% Positiveness
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The National
Heavenfaced
160 bpm • C Maj • 04:23 • -9.43db
42% Popularity • 50% Danceability • 50% Energy • 9% Liveness
28% Instrumentalness • 16% Positiveness
42% Popularity • 50% Danceability • 50% Energy • 9% Liveness
28% Instrumentalness • 16% Positiveness
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The xx
Brave For You
135 bpm • A# min • 04:13 • -11.05db
38% Popularity • 54% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
38% Popularity • 54% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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S. Carey
Neverending Fountain - Alt. Version
134 bpm • F# Maj • 04:34 • -17.83db
21% Popularity • 27% Danceability • 10% Energy • 11% Liveness
33% Instrumentalness • 10% Positiveness
21% Popularity • 27% Danceability • 10% Energy • 11% Liveness
33% Instrumentalness • 10% Positiveness
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Ben Howard
Small Things
136 bpm • G min • 05:43 • -9.83db
52% Popularity • 39% Danceability • 60% Energy • 12% Liveness
30% Instrumentalness • 16% Positiveness
52% Popularity • 39% Danceability • 60% Energy • 12% Liveness
30% Instrumentalness • 16% Positiveness
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Glen Hansard
What Are We Gonna Do
135 bpm • G Maj • 03:00 • -19.65db
3% Popularity • 29% Danceability • 3% Energy • 10% Liveness
5% Instrumentalness • 16% Positiveness
3% Popularity • 29% Danceability • 3% Energy • 10% Liveness
5% Instrumentalness • 16% Positiveness
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Matt Walters
I Would Die For You
134 bpm • A min • 06:26 • -13db
5% Popularity • 51% Danceability • 28% Energy • 10% Liveness
3% Instrumentalness • 13% Positiveness
5% Popularity • 51% Danceability • 28% Energy • 10% Liveness
3% Instrumentalness • 13% Positiveness
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The National
I Should Live in Salt
134 bpm • F Maj • 04:08 • -7.1db
53% Popularity • 52% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
53% Popularity • 52% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Damien Rice
The Blower's Daughter
133 bpm • E Maj • 04:46 • -13.57db
63% Popularity • 34% Danceability • 20% Energy • 34% Liveness
0% Instrumentalness • 7% Positiveness
63% Popularity • 34% Danceability • 20% Energy • 34% Liveness
0% Instrumentalness • 7% Positiveness
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Ed Harcourt
Come Into My Dreamland
134 bpm • D min • 04:35 • -13.82db
9% Popularity • 39% Danceability • 29% Energy • 8% Liveness
23% Instrumentalness • 17% Positiveness
9% Popularity • 39% Danceability • 29% Energy • 8% Liveness
23% Instrumentalness • 17% Positiveness
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Billie Marten
Ribbon
133 bpm • B min • 03:36 • -12.69db
31% Popularity • 44% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
31% Popularity • 44% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
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Glen Hansard
High Hope
133 bpm • C Maj • 03:55 • -9db
10% Popularity • 44% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
10% Popularity • 44% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Perfume Genius
Too Bright
132 bpm • A# Maj • 03:25 • -11db
27% Popularity • 24% Danceability • 15% Energy • 13% Liveness
13% Instrumentalness • 4% Positiveness
27% Popularity • 24% Danceability • 15% Energy • 13% Liveness
13% Instrumentalness • 4% Positiveness
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Ben Howard
Black Flies
132 bpm • G# Maj • 06:21 • -13db
51% Popularity • 58% Danceability • 36% Energy • 9% Liveness
1% Instrumentalness • 11% Positiveness
51% Popularity • 58% Danceability • 36% Energy • 9% Liveness
1% Instrumentalness • 11% Positiveness
