Songs like My Fire (MYFI) by G. Morrison Jr.
Based on a tempo of (+/- 10%) and a similar genre
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Mark Lean
Under Water
160 bpm • A min • 03:25 • -10.65db
3% Popularity • 70% Danceability • 49% Energy • 9% Liveness
2% Instrumentalness • 72% Positiveness
3% Popularity • 70% Danceability • 49% Energy • 9% Liveness
2% Instrumentalness • 72% Positiveness
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Luis Hermandez
Choose
160 bpm • A# min • 03:30 • -7.25db
14% Popularity • 59% Danceability • 83% Energy • 9% Liveness
2% Instrumentalness • 50% Positiveness
14% Popularity • 59% Danceability • 83% Energy • 9% Liveness
2% Instrumentalness • 50% Positiveness
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Masego
Two Sides (I’m So Gemini) - Single Ver...
160 bpm • C# Maj • 02:06 • -9db
51% Popularity • 65% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
51% Popularity • 65% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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Hyper Fenton
Pretty Girl - City Version
160 bpm • C Maj • 01:35 • -5.23db
11% Popularity • 75% Danceability • 59% Energy • 33% Liveness
0% Instrumentalness • 69% Positiveness
11% Popularity • 75% Danceability • 59% Energy • 33% Liveness
0% Instrumentalness • 69% Positiveness
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bLAck pARty
Summer Love
160 bpm • D# min • 01:14 • -7.79db
58% Popularity • 62% Danceability • 60% Energy • 33% Liveness
0% Instrumentalness • 86% Positiveness
58% Popularity • 62% Danceability • 60% Energy • 33% Liveness
0% Instrumentalness • 86% Positiveness
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Mic Kellogg
Head Up
161 bpm • D Maj • 03:37 • -9.88db
8% Popularity • 47% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
8% Popularity • 47% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Rexx Life Raj
Aura
162 bpm • C# min • 03:23 • -7db
40% Popularity • 73% Danceability • 69% Energy • 11% Liveness
7% Instrumentalness • 80% Positiveness
40% Popularity • 73% Danceability • 69% Energy • 11% Liveness
7% Instrumentalness • 80% Positiveness
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Allen Haley
Wishes
162 bpm • F min • 02:41 • -5.9db
18% Popularity • 66% Danceability • 82% Energy • 12% Liveness
4% Instrumentalness • 69% Positiveness
18% Popularity • 66% Danceability • 82% Energy • 12% Liveness
4% Instrumentalness • 69% Positiveness
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easy life
houseplants
162 bpm • F min • 03:23 • -9.53db
38% Popularity • 50% Danceability • 55% Energy • 22% Liveness
0% Instrumentalness • 65% Positiveness
38% Popularity • 50% Danceability • 55% Energy • 22% Liveness
0% Instrumentalness • 65% Positiveness
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son of Jonah
No Other
158 bpm • F min • 02:09 • -15.39db
19% Popularity • 69% Danceability • 43% Energy • 11% Liveness
46% Instrumentalness • 74% Positiveness
19% Popularity • 69% Danceability • 43% Energy • 11% Liveness
46% Instrumentalness • 74% Positiveness
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Cautious Clay
Call Me (Stripped)
157 bpm • B min • 03:20 • -9db
22% Popularity • 68% Danceability • 46% Energy • 11% Liveness
8% Instrumentalness • 35% Positiveness
22% Popularity • 68% Danceability • 46% Energy • 11% Liveness
8% Instrumentalness • 35% Positiveness
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bLAck pARty
Down 4 Me
157 bpm • B min • 03:30 • -11.87db
18% Popularity • 80% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
18% Popularity • 80% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Trace Wander
Cold Desires
164 bpm • C Maj • 02:53 • -10.5db
12% Popularity • 71% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
12% Popularity • 71% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
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The Sleepyy Drums
READ
164 bpm • F# Maj • 01:22 • -12.16db
22% Popularity • 60% Danceability • 54% Energy • 9% Liveness
4% Instrumentalness • 90% Positiveness
22% Popularity • 60% Danceability • 54% Energy • 9% Liveness
4% Instrumentalness • 90% Positiveness
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easy life
temporary love part 1
164 bpm • G# Maj • 03:22 • -5.89db
36% Popularity • 53% Danceability • 73% Energy • 19% Liveness
0% Instrumentalness • 32% Positiveness
36% Popularity • 53% Danceability • 73% Energy • 19% Liveness
0% Instrumentalness • 32% Positiveness
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Haile Supreme
Witness
156 bpm • D# min • 02:45 • -9.25db
15% Popularity • 62% Danceability • 57% Energy • 30% Liveness
0% Instrumentalness • 60% Positiveness
15% Popularity • 62% Danceability • 57% Energy • 30% Liveness
0% Instrumentalness • 60% Positiveness
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Stay Over
DIFFERENT
156 bpm • B min • 03:01 • -7.44db
38% Popularity • 75% Danceability • 70% Energy • 26% Liveness
0% Instrumentalness • 94% Positiveness
38% Popularity • 75% Danceability • 70% Energy • 26% Liveness
0% Instrumentalness • 94% Positiveness
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Mannywellz
Floating
156 bpm • F# min • 04:45 • -8db
27% Popularity • 72% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
27% Popularity • 72% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Moses Ideka
Won't Be Waiting
156 bpm • C# Maj • 02:26 • -16.36db
31% Popularity • 69% Danceability • 12% Energy • 10% Liveness
4% Instrumentalness • 53% Positiveness
31% Popularity • 69% Danceability • 12% Energy • 10% Liveness
4% Instrumentalness • 53% Positiveness
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AK!
Summertime Shawty
155 bpm • E min • 02:51 • -9.85db
8% Popularity • 67% Danceability • 49% Energy • 11% Liveness
3% Instrumentalness • 48% Positiveness
8% Popularity • 67% Danceability • 49% Energy • 11% Liveness
3% Instrumentalness • 48% Positiveness
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Folabi Nuel
How Excellent Is Your Name
165 bpm • E min • 02:18 • -6.81db
18% Popularity • 60% Danceability • 60% Energy • 21% Liveness
0% Instrumentalness • 13% Positiveness
18% Popularity • 60% Danceability • 60% Energy • 21% Liveness
0% Instrumentalness • 13% Positiveness
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K. Roosevelt
Fumbling
154 bpm • C# Maj • 03:07 • -7.52db
7% Popularity • 59% Danceability • 68% Energy • 39% Liveness
0% Instrumentalness • 65% Positiveness
7% Popularity • 59% Danceability • 68% Energy • 39% Liveness
0% Instrumentalness • 65% Positiveness
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bbygirl
paper soldier - sped up
166 bpm • C min • 03:03 • -9.11db
34% Popularity • 66% Danceability • 62% Energy • 6% Liveness
0% Instrumentalness • 54% Positiveness
34% Popularity • 66% Danceability • 62% Energy • 6% Liveness
0% Instrumentalness • 54% Positiveness
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Con DeArella
Just Another Bulls*** Interlude
154 bpm • A# min • 01:45 • -6.82db
9% Popularity • 63% Danceability • 49% Energy • 32% Liveness
0% Instrumentalness • 63% Positiveness
9% Popularity • 63% Danceability • 49% Energy • 32% Liveness
0% Instrumentalness • 63% Positiveness
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Anfa Rose
REPLACE
153 bpm • B min • 02:32 • -6.33db
29% Popularity • 70% Danceability • 63% Energy • 15% Liveness
10% Instrumentalness • 50% Positiveness
29% Popularity • 70% Danceability • 63% Energy • 15% Liveness
10% Instrumentalness • 50% Positiveness
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Croosh
Money
152 bpm • A min • 02:34 • -6.76db
21% Popularity • 61% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
21% Popularity • 61% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Derek Simpson
Open Water
168 bpm • F# Maj • 03:13 • -10db
27% Popularity • 70% Danceability • 35% Energy • 21% Liveness
4% Instrumentalness • 34% Positiveness
27% Popularity • 70% Danceability • 35% Energy • 21% Liveness
4% Instrumentalness • 34% Positiveness
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Daniel Simaz
Final Breath
152 bpm • C# min • 04:04 • -7.77db
10% Popularity • 42% Danceability • 74% Energy • 9% Liveness
8% Instrumentalness • 78% Positiveness
10% Popularity • 42% Danceability • 74% Energy • 9% Liveness
8% Instrumentalness • 78% Positiveness
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Stefanos Yowhannes
Gone
168 bpm • G# min • 02:52 • -6.34db
24% Popularity • 60% Danceability • 58% Energy • 24% Liveness
0% Instrumentalness • 65% Positiveness
24% Popularity • 60% Danceability • 58% Energy • 24% Liveness
0% Instrumentalness • 65% Positiveness
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Kid Quill
Headphones
168 bpm • F# min • 03:04 • -6db
31% Popularity • 61% Danceability • 62% Energy • 35% Liveness
1% Instrumentalness • 68% Positiveness
31% Popularity • 61% Danceability • 62% Energy • 35% Liveness
1% Instrumentalness • 68% Positiveness
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DRAM
Footprints
168 bpm • D min • 04:19 • -8.95db
22% Popularity • 41% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
22% Popularity • 41% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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Mazbou Q
Now I Know
152 bpm • F# min • 02:49 • -6.88db
10% Popularity • 82% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
10% Popularity • 82% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Carter Reeves
Alone Time
152 bpm • E Maj • 03:26 • -5.33db
32% Popularity • 83% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 67% Positiveness
32% Popularity • 83% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 67% Positiveness
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Ant Saunders
Gravitron
169 bpm • C Maj • 03:23 • -5.95db
32% Popularity • 66% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
32% Popularity • 66% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
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Zaia
JUMO
151 bpm • C# min • 03:07 • -9.94db
35% Popularity • 76% Danceability • 70% Energy • 25% Liveness
13% Instrumentalness • 98% Positiveness
35% Popularity • 76% Danceability • 70% Energy • 25% Liveness
13% Instrumentalness • 98% Positiveness
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Ruffin
Cellphone
170 bpm • A# Maj • 02:26 • -8.74db
11% Popularity • 71% Danceability • 47% Energy • 8% Liveness
3% Instrumentalness • 71% Positiveness
11% Popularity • 71% Danceability • 47% Energy • 8% Liveness
3% Instrumentalness • 71% Positiveness
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Syo
Breakfast
170 bpm • F# min • 02:06 • -8.4db
9% Popularity • 70% Danceability • 62% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
9% Popularity • 70% Danceability • 62% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
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Robotaki
Now That We've Been in Love
170 bpm • B min • 03:17 • -4.38db
24% Popularity • 58% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
24% Popularity • 58% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
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Baird
Beluga Baby
170 bpm • E min • 02:40 • -7db
35% Popularity • 74% Danceability • 70% Energy • 12% Liveness
7% Instrumentalness • 73% Positiveness
35% Popularity • 74% Danceability • 70% Energy • 12% Liveness
7% Instrumentalness • 73% Positiveness
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KHALIK
Hello
170 bpm • G# Maj • 02:54 • -10.91db
8% Popularity • 75% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
8% Popularity • 75% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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CHASE PAVES
Where It Goes
150 bpm • D min • 03:05 • -7.5db
10% Popularity • 63% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
10% Popularity • 63% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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Croosh
There She Goes
150 bpm • A# min • 01:49 • -8.35db
29% Popularity • 75% Danceability • 57% Energy • 31% Liveness
0% Instrumentalness • 54% Positiveness
29% Popularity • 75% Danceability • 57% Energy • 31% Liveness
0% Instrumentalness • 54% Positiveness
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AudeoRay
Jus Because
150 bpm • B Maj • 02:48 • -9.55db
22% Popularity • 74% Danceability • 54% Energy • 4% Liveness
0% Instrumentalness • 53% Positiveness
22% Popularity • 74% Danceability • 54% Energy • 4% Liveness
0% Instrumentalness • 53% Positiveness
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Michael Sneed
Reinvent
150 bpm • D# Maj • 04:00 • -10.66db
11% Popularity • 66% Danceability • 48% Energy • 20% Liveness
0% Instrumentalness • 60% Positiveness
11% Popularity • 66% Danceability • 48% Energy • 20% Liveness
0% Instrumentalness • 60% Positiveness
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Home Brew
Run It Back
150 bpm • E min • 03:08 • -7.06db
38% Popularity • 69% Danceability • 61% Energy • 13% Liveness
58% Instrumentalness • 66% Positiveness
38% Popularity • 69% Danceability • 61% Energy • 13% Liveness
58% Instrumentalness • 66% Positiveness
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Corey Hill
Let's Talk About It
150 bpm • A# min • 03:02 • -9.78db
15% Popularity • 70% Danceability • 64% Energy • 28% Liveness
0% Instrumentalness • 75% Positiveness
15% Popularity • 70% Danceability • 64% Energy • 28% Liveness
0% Instrumentalness • 75% Positiveness
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Deezy
WKND
150 bpm • C min • 02:41 • -11.25db
17% Popularity • 59% Danceability • 55% Energy • 16% Liveness
0% Instrumentalness • 63% Positiveness
17% Popularity • 59% Danceability • 55% Energy • 16% Liveness
0% Instrumentalness • 63% Positiveness
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Jean Carter
E
149 bpm • A# Maj • 03:00 • -9db
40% Popularity • 86% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 49% Positiveness
40% Popularity • 86% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 49% Positiveness
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Alt Bloom
Getting to Getting
172 bpm • F Maj • 02:40 • -6.31db
25% Popularity • 74% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
25% Popularity • 74% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
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FHAT
Waves
149 bpm • A# min • 02:55 • -6db
31% Popularity • 73% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
31% Popularity • 73% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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Dwain Willis
Raise Me
172 bpm • F# Maj • 03:13 • -7.2db
16% Popularity • 35% Danceability • 76% Energy • 18% Liveness
0% Instrumentalness • 70% Positiveness
16% Popularity • 35% Danceability • 76% Energy • 18% Liveness
0% Instrumentalness • 70% Positiveness
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SiR
Mood
148 bpm • G# Maj • 03:11 • -5.95db
55% Popularity • 60% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
55% Popularity • 60% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
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Manny Pinkins
Level
148 bpm • F min • 03:44 • -7.36db
40% Popularity • 73% Danceability • 78% Energy • 9% Liveness
5% Instrumentalness • 24% Positiveness
40% Popularity • 73% Danceability • 78% Energy • 9% Liveness
5% Instrumentalness • 24% Positiveness
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Keanu
O.T.N
174 bpm • D Maj • 03:45 • -7.17db
29% Popularity • 75% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
29% Popularity • 75% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
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Chiiild
Count Me Out
174 bpm • C# min • 03:27 • -8.1db
40% Popularity • 45% Danceability • 59% Energy • 21% Liveness
8% Instrumentalness • 32% Positiveness
40% Popularity • 45% Danceability • 59% Energy • 21% Liveness
8% Instrumentalness • 32% Positiveness
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Namou
Qtip
147 bpm • C# min • 02:38 • -7.42db
28% Popularity • 76% Danceability • 70% Energy • 11% Liveness
3% Instrumentalness • 63% Positiveness
28% Popularity • 76% Danceability • 70% Energy • 11% Liveness
3% Instrumentalness • 63% Positiveness
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Tragic Hero
By Your Side
147 bpm • E Maj • 04:09 • -8.85db
20% Popularity • 61% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
20% Popularity • 61% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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Steinza
Christine
175 bpm • C Maj • 02:40 • -6.11db
17% Popularity • 61% Danceability • 51% Energy • 16% Liveness
0% Instrumentalness • 63% Positiveness
17% Popularity • 61% Danceability • 51% Energy • 16% Liveness
0% Instrumentalness • 63% Positiveness
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Cherub
Where We Should Be
146 bpm • G# min • 02:24 • -7.99db
33% Popularity • 86% Danceability • 45% Energy • 6% Liveness
0% Instrumentalness • 35% Positiveness
33% Popularity • 86% Danceability • 45% Energy • 6% Liveness
0% Instrumentalness • 35% Positiveness
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Dave B.
Malibu
146 bpm • A min • 02:25 • -9.66db
14% Popularity • 75% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 76% Positiveness
14% Popularity • 75% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 76% Positiveness
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Solomon Fox
You Piss Me Off
146 bpm • C Maj • 02:27 • -7.71db
24% Popularity • 66% Danceability • 62% Energy • 59% Liveness
0% Instrumentalness • 76% Positiveness
24% Popularity • 66% Danceability • 62% Energy • 59% Liveness
0% Instrumentalness • 76% Positiveness
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Elijah Blond
Thoughts Like This
146 bpm • A min • 03:11 • -5.23db
32% Popularity • 56% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
32% Popularity • 56% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Ben Yen
watermelon ice
145 bpm • C# min • 02:33 • -10.19db
12% Popularity • 78% Danceability • 49% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
12% Popularity • 78% Danceability • 49% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
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Manana
Think About You
176 bpm • G# Maj • 03:42 • -5.65db
14% Popularity • 52% Danceability • 55% Energy • 25% Liveness
0% Instrumentalness • 66% Positiveness
14% Popularity • 52% Danceability • 55% Energy • 25% Liveness
0% Instrumentalness • 66% Positiveness
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fcj
roundabout
145 bpm • C# Maj • 02:12 • -6.78db
54% Popularity • 78% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
54% Popularity • 78% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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Kaz
Summer is Over - Mai Anna
145 bpm • A# Maj • 04:21 • -11.85db
13% Popularity • 38% Danceability • 31% Energy • 7% Liveness
0% Instrumentalness • 19% Positiveness
13% Popularity • 38% Danceability • 31% Energy • 7% Liveness
0% Instrumentalness • 19% Positiveness
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Ronis Goliath
Fly
144 bpm • F Maj • 02:23 • -6.2db
30% Popularity • 84% Danceability • 54% Energy • 6% Liveness
1% Instrumentalness • 55% Positiveness
30% Popularity • 84% Danceability • 54% Energy • 6% Liveness
1% Instrumentalness • 55% Positiveness
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Sækyi
I Still Love You
144 bpm • A# min • 02:22 • -9.6db
17% Popularity • 74% Danceability • 54% Energy • 10% Liveness
44% Instrumentalness • 60% Positiveness
17% Popularity • 74% Danceability • 54% Energy • 10% Liveness
44% Instrumentalness • 60% Positiveness
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Malachiii
a part of me
144 bpm • C Maj • 02:28 • -8.37db
22% Popularity • 62% Danceability • 40% Energy • 28% Liveness
0% Instrumentalness • 43% Positiveness
22% Popularity • 62% Danceability • 40% Energy • 28% Liveness
0% Instrumentalness • 43% Positiveness
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Anubis Finch
WATCHING YOU DIE
178 bpm • C# min • 03:29 • -12.54db
22% Popularity • 48% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
22% Popularity • 48% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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BUSDRIVER
Worlds to Run
143 bpm • E min • 05:15 • -8.03db
41% Popularity • 61% Danceability • 67% Energy • 17% Liveness
0% Instrumentalness • 21% Positiveness
41% Popularity • 61% Danceability • 67% Energy • 17% Liveness
0% Instrumentalness • 21% Positiveness
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SWIDT
KELZ GARAGE
143 bpm • G min • 03:54 • -11.84db
44% Popularity • 74% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
44% Popularity • 74% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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Quincy Mumford
Lost in Your Pleasure
143 bpm • G# Maj • 02:59 • -9.55db
21% Popularity • 69% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
21% Popularity • 69% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Suny Al'Dae
Sunrise
180 bpm • B min • 01:36 • -11.76db
16% Popularity • 48% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
16% Popularity • 48% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
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L2Mad
Capsized
180 bpm • A# Maj • 03:57 • -9.16db
12% Popularity • 62% Danceability • 48% Energy • 47% Liveness
0% Instrumentalness • 32% Positiveness
12% Popularity • 62% Danceability • 48% Energy • 47% Liveness
0% Instrumentalness • 32% Positiveness
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Juls
No Lie
180 bpm • A min • 03:55 • -7db
25% Popularity • 58% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
25% Popularity • 58% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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entropy.
PICKUPTHEPHONE
180 bpm • F# min • 03:14 • -8.36db
8% Popularity • 70% Danceability • 46% Energy • 14% Liveness
1% Instrumentalness • 76% Positiveness
8% Popularity • 70% Danceability • 46% Energy • 14% Liveness
1% Instrumentalness • 76% Positiveness
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Prometheus Brown
(East | West)
180 bpm • F min • 04:29 • -11.45db
9% Popularity • 70% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
9% Popularity • 70% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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CalledOut Music
I Could Sing of Your Love
180 bpm • D# Maj • 02:12 • -12.19db
55% Popularity • 52% Danceability • 32% Energy • 24% Liveness
0% Instrumentalness • 75% Positiveness
55% Popularity • 52% Danceability • 32% Energy • 24% Liveness
0% Instrumentalness • 75% Positiveness
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Victor Internet
PALO VERDE
180 bpm • G# Maj • 01:52 • -6.44db
28% Popularity • 55% Danceability • 64% Energy • 11% Liveness
1% Instrumentalness • 26% Positiveness
28% Popularity • 55% Danceability • 64% Energy • 11% Liveness
1% Instrumentalness • 26% Positiveness
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Chelan
HAILEY
180 bpm • D Maj • 02:11 • -7.84db
21% Popularity • 52% Danceability • 60% Energy • 21% Liveness
0% Instrumentalness • 77% Positiveness
21% Popularity • 52% Danceability • 60% Energy • 21% Liveness
0% Instrumentalness • 77% Positiveness
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Austin Arrington
Too Much
180 bpm • D Maj • 03:13 • -8.23db
20% Popularity • 62% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
20% Popularity • 62% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Rilès
MARIJUANA
142 bpm • C min • 02:39 • -8.36db
58% Popularity • 80% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
58% Popularity • 80% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
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Kadeem Tyrell
For Good
142 bpm • F# min • 03:46 • -7.56db
4% Popularity • 69% Danceability • 65% Energy • 92% Liveness
0% Instrumentalness • 80% Positiveness
4% Popularity • 69% Danceability • 65% Energy • 92% Liveness
0% Instrumentalness • 80% Positiveness
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Zanski
Threes
142 bpm • C# Maj • 04:32 • -6.85db
14% Popularity • 59% Danceability • 52% Energy • 19% Liveness
0% Instrumentalness • 18% Positiveness
14% Popularity • 59% Danceability • 52% Energy • 19% Liveness
0% Instrumentalness • 18% Positiveness
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Eyedress
High Street Drive By
140 bpm • F min • 02:23 • -11.34db
21% Popularity • 43% Danceability • 42% Energy • 56% Liveness
0% Instrumentalness • 73% Positiveness
21% Popularity • 43% Danceability • 42% Energy • 56% Liveness
0% Instrumentalness • 73% Positiveness
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Gus Glasser
a really damn long day
141 bpm • A min • 03:41 • -6db
36% Popularity • 69% Danceability • 62% Energy • 17% Liveness
0% Instrumentalness • 13% Positiveness
36% Popularity • 69% Danceability • 62% Energy • 17% Liveness
0% Instrumentalness • 13% Positiveness
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Awry Crew
Psychedelic
140 bpm • C Maj • 03:57 • -5.09db
8% Popularity • 63% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
8% Popularity • 63% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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ISAAC
Let Me Be
140 bpm • E min • 02:54 • -9.38db
9% Popularity • 61% Danceability • 40% Energy • 28% Liveness
30% Instrumentalness • 12% Positiveness
9% Popularity • 61% Danceability • 40% Energy • 28% Liveness
30% Instrumentalness • 12% Positiveness
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Samm Henshaw
Doubt
140 bpm • C# min • 03:45 • -6.21db
40% Popularity • 63% Danceability • 76% Energy • 30% Liveness
0% Instrumentalness • 59% Positiveness
40% Popularity • 63% Danceability • 76% Energy • 30% Liveness
0% Instrumentalness • 59% Positiveness
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Papa Moss
Channel Surfer
140 bpm • E min • 03:56 • -5.43db
33% Popularity • 74% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
33% Popularity • 74% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
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Oddisee
Hard to Tell
140 bpm • B Maj • 02:47 • -11.69db
21% Popularity • 78% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
21% Popularity • 78% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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James Tillman
Tokyo Love Affair
140 bpm • G Maj • 04:28 • -7.7db
8% Popularity • 67% Danceability • 53% Energy • 32% Liveness
0% Instrumentalness • 38% Positiveness
8% Popularity • 67% Danceability • 53% Energy • 32% Liveness
0% Instrumentalness • 38% Positiveness
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Eddie Rocket
Roller-Coasting With You
140 bpm • A# Maj • 04:35 • -13.19db
11% Popularity • 65% Danceability • 40% Energy • 20% Liveness
2% Instrumentalness • 20% Positiveness
11% Popularity • 65% Danceability • 40% Energy • 20% Liveness
2% Instrumentalness • 20% Positiveness
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Joseph Rutakangwa
Avani
140 bpm • F Maj • 03:15 • -6.17db
48% Popularity • 78% Danceability • 58% Energy • 9% Liveness
4% Instrumentalness • 52% Positiveness
48% Popularity • 78% Danceability • 58% Energy • 9% Liveness
4% Instrumentalness • 52% Positiveness
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Home Brew
Tears Gone Dry
140 bpm • D Maj • 05:31 • -8.54db
32% Popularity • 71% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
32% Popularity • 71% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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SUR
STRANGE
140 bpm • C Maj • 03:08 • -11.1db
30% Popularity • 71% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
30% Popularity • 71% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
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MiLES.
Beach In The Snow
140 bpm • E min • 03:32 • -7.99db
25% Popularity • 77% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
25% Popularity • 77% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
