Songs like My Friends Are Coming Over by Qwiet Type
Based on a tempo of (+/- 10%) and a similar genre
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Qwiet Type
My Friends Are Coming Over
162 bpm • G Maj • 04:14 • -6.97db
0% Popularity • 75% Danceability • 48% Energy • 60% Liveness
0% Instrumentalness • 73% Positiveness
0% Popularity • 75% Danceability • 48% Energy • 60% Liveness
0% Instrumentalness • 73% Positiveness
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Thomas Grande
Love 2 Hard
162 bpm • A Maj • 03:01 • -10.98db
12% Popularity • 79% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
12% Popularity • 79% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
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Jonny Lucas
Out of the Ordinary
163 bpm • B Maj • 03:16 • -4db
16% Popularity • 55% Danceability • 89% Energy • 26% Liveness
0% Instrumentalness • 87% Positiveness
16% Popularity • 55% Danceability • 89% Energy • 26% Liveness
0% Instrumentalness • 87% Positiveness
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LOVE LIGHTS DRIVING
Fire
164 bpm • F# Maj • 03:50 • -4.75db
19% Popularity • 32% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
19% Popularity • 32% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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Loose Buttons
99 Secrets
160 bpm • B min • 02:14 • -5.66db
17% Popularity • 47% Danceability • 95% Energy • 33% Liveness
0% Instrumentalness • 70% Positiveness
17% Popularity • 47% Danceability • 95% Energy • 33% Liveness
0% Instrumentalness • 70% Positiveness
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SondreV
Scary Dreams
160 bpm • F min • 02:36 • -12.9db
15% Popularity • 55% Danceability • 66% Energy • 27% Liveness
0% Instrumentalness • 63% Positiveness
15% Popularity • 55% Danceability • 66% Energy • 27% Liveness
0% Instrumentalness • 63% Positiveness
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Janos
Waterfall Dreams
160 bpm • A# Maj • 02:58 • -6.1db
1% Popularity • 59% Danceability • 80% Energy • 18% Liveness
0% Instrumentalness • 67% Positiveness
1% Popularity • 59% Danceability • 80% Energy • 18% Liveness
0% Instrumentalness • 67% Positiveness
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Moontower
So Good
164 bpm • G min • 03:25 • -5.99db
15% Popularity • 50% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
15% Popularity • 50% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
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GUESSROOM
The Same
160 bpm • G Maj • 02:52 • -6.43db
24% Popularity • 56% Danceability • 86% Energy • 16% Liveness
12% Instrumentalness • 44% Positiveness
24% Popularity • 56% Danceability • 86% Energy • 16% Liveness
12% Instrumentalness • 44% Positiveness
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Zach Bailey
See Ya Next Time
160 bpm • A Maj • 03:45 • -6.99db
13% Popularity • 58% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
13% Popularity • 58% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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Color Palette
Pacing Like a Lion
160 bpm • D# Maj • 03:39 • -6.46db
31% Popularity • 45% Danceability • 80% Energy • 18% Liveness
25% Instrumentalness • 76% Positiveness
31% Popularity • 45% Danceability • 80% Energy • 18% Liveness
25% Instrumentalness • 76% Positiveness
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K-riga
Chronicles
160 bpm • B min • 03:54 • -11.13db
9% Popularity • 58% Danceability • 82% Energy • 12% Liveness
5% Instrumentalness • 80% Positiveness
9% Popularity • 58% Danceability • 82% Energy • 12% Liveness
5% Instrumentalness • 80% Positiveness
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Layup
New Times
160 bpm • D min • 02:58 • -4.76db
15% Popularity • 56% Danceability • 95% Energy • 10% Liveness
62% Instrumentalness • 89% Positiveness
15% Popularity • 56% Danceability • 95% Energy • 10% Liveness
62% Instrumentalness • 89% Positiveness
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Bad Actor
Moon Palace
160 bpm • G# min • 03:01 • -6.82db
12% Popularity • 47% Danceability • 79% Energy • 38% Liveness
62% Instrumentalness • 36% Positiveness
12% Popularity • 47% Danceability • 79% Energy • 38% Liveness
62% Instrumentalness • 36% Positiveness
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STRLING
Built to Fall
165 bpm • C# Maj • 03:10 • -5.39db
16% Popularity • 53% Danceability • 93% Energy • 17% Liveness
4% Instrumentalness • 96% Positiveness
16% Popularity • 53% Danceability • 93% Energy • 17% Liveness
4% Instrumentalness • 96% Positiveness
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King Be
The Boys of Summer
165 bpm • G# Maj • 04:50 • -4.59db
31% Popularity • 52% Danceability • 90% Energy • 40% Liveness
0% Instrumentalness • 40% Positiveness
31% Popularity • 52% Danceability • 90% Energy • 40% Liveness
0% Instrumentalness • 40% Positiveness
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Mojave Grey
Fade Out
159 bpm • G# Maj • 03:26 • -7.15db
17% Popularity • 50% Danceability • 71% Energy • 34% Liveness
18% Instrumentalness • 50% Positiveness
17% Popularity • 50% Danceability • 71% Energy • 34% Liveness
18% Instrumentalness • 50% Positiveness
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TobiKa
Through Your Eyes
165 bpm • A min • 03:28 • -10.16db
20% Popularity • 63% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
20% Popularity • 63% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
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HÆCTOR
Brighton
166 bpm • G Maj • 02:43 • -4.39db
30% Popularity • 46% Danceability • 83% Energy • 31% Liveness
0% Instrumentalness • 17% Positiveness
30% Popularity • 46% Danceability • 83% Energy • 31% Liveness
0% Instrumentalness • 17% Positiveness
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Jake Kulak
Caution Tape
158 bpm • G Maj • 03:03 • -6db
10% Popularity • 40% Danceability • 75% Energy • 35% Liveness
0% Instrumentalness • 64% Positiveness
10% Popularity • 40% Danceability • 75% Energy • 35% Liveness
0% Instrumentalness • 64% Positiveness
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Will Buck
Can't Pretend
166 bpm • D min • 03:19 • -5.01db
16% Popularity • 60% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
16% Popularity • 60% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
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Bradley Denniston
What If?
168 bpm • A Maj • 02:42 • -3.94db
11% Popularity • 59% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
11% Popularity • 59% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
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Jónas Gaard
Like I Do
157 bpm • C min • 02:28 • -10.8db
15% Popularity • 63% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
15% Popularity • 63% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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RUHMER
Sticky Little Lies
168 bpm • C# min • 02:49 • -9.72db
16% Popularity • 74% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 94% Positiveness
16% Popularity • 74% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 94% Positiveness
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VEAUX
Still Awake
168 bpm • B min • 03:19 • -6.56db
17% Popularity • 53% Danceability • 77% Energy • 62% Liveness
1% Instrumentalness • 56% Positiveness
17% Popularity • 53% Danceability • 77% Energy • 62% Liveness
1% Instrumentalness • 56% Positiveness
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Visceral Design
Taken Away
155 bpm • G min • 03:15 • -8.75db
15% Popularity • 52% Danceability • 83% Energy • 21% Liveness
18% Instrumentalness • 67% Positiveness
15% Popularity • 52% Danceability • 83% Energy • 21% Liveness
18% Instrumentalness • 67% Positiveness
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Nate Highfield
Put Your Soul into It
155 bpm • G Maj • 02:50 • -7.61db
20% Popularity • 60% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
20% Popularity • 60% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
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Hadi X
The Days
155 bpm • G# min • 04:30 • -6.26db
16% Popularity • 48% Danceability • 87% Energy • 21% Liveness
27% Instrumentalness • 50% Positiveness
16% Popularity • 48% Danceability • 87% Energy • 21% Liveness
27% Instrumentalness • 50% Positiveness
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PRETTY.
In A Place (The Bends)
155 bpm • B Maj • 04:21 • -5.74db
9% Popularity • 42% Danceability • 90% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
9% Popularity • 42% Danceability • 90% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Zachariah
Hypnotized
170 bpm • G min • 03:06 • -5.72db
9% Popularity • 56% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
9% Popularity • 56% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Model Kit
Innocent Offender
155 bpm • D Maj • 02:32 • -7.56db
13% Popularity • 48% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 27% Positiveness
13% Popularity • 48% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 27% Positiveness
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Qwiet Type
Too Good To End
170 bpm • C Maj • 02:39 • -7.87db
23% Popularity • 48% Danceability • 90% Energy • 8% Liveness
80% Instrumentalness • 69% Positiveness
23% Popularity • 48% Danceability • 90% Energy • 8% Liveness
80% Instrumentalness • 69% Positiveness
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Redlands
Over My Head
170 bpm • C min • 03:09 • -10.24db
21% Popularity • 50% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
21% Popularity • 50% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
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Family of Things
Mess
170 bpm • E min • 03:43 • -6.37db
11% Popularity • 70% Danceability • 70% Energy • 5% Liveness
2% Instrumentalness • 63% Positiveness
11% Popularity • 70% Danceability • 70% Energy • 5% Liveness
2% Instrumentalness • 63% Positiveness
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iTMR
Lie to You
170 bpm • A min • 03:11 • -8.85db
9% Popularity • 53% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
9% Popularity • 53% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
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Walden
Taking It Slow
170 bpm • C# Maj • 03:40 • -7.76db
9% Popularity • 37% Danceability • 65% Energy • 20% Liveness
0% Instrumentalness • 72% Positiveness
9% Popularity • 37% Danceability • 65% Energy • 20% Liveness
0% Instrumentalness • 72% Positiveness
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Headroom Heros
Melatonin Dreams
170 bpm • F# Maj • 02:48 • -10.6db
13% Popularity • 50% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 73% Positiveness
13% Popularity • 50% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 73% Positiveness
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ENGINES
Teenage Heart
154 bpm • B min • 03:59 • -4.86db
10% Popularity • 61% Danceability • 84% Energy • 35% Liveness
0% Instrumentalness • 83% Positiveness
10% Popularity • 61% Danceability • 84% Energy • 35% Liveness
0% Instrumentalness • 83% Positiveness
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Genuine Leather
Hello Baby
171 bpm • D Maj • 04:41 • -11.76db
8% Popularity • 63% Danceability • 37% Energy • 7% Liveness
16% Instrumentalness • 78% Positiveness
8% Popularity • 63% Danceability • 37% Energy • 7% Liveness
16% Instrumentalness • 78% Positiveness
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Elias Macy
Happy I Met You
153 bpm • D Maj • 02:54 • -10.57db
17% Popularity • 55% Danceability • 65% Energy • 5% Liveness
0% Instrumentalness • 72% Positiveness
17% Popularity • 55% Danceability • 65% Energy • 5% Liveness
0% Instrumentalness • 72% Positiveness
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The Lost Hours
Rattled & Ruff
153 bpm • F# min • 02:53 • -8.17db
18% Popularity • 72% Danceability • 76% Energy • 11% Liveness
3% Instrumentalness • 77% Positiveness
18% Popularity • 72% Danceability • 76% Energy • 11% Liveness
3% Instrumentalness • 77% Positiveness
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Purr of the Jaguar
New Vibe
172 bpm • B min • 02:35 • -4.87db
3% Popularity • 59% Danceability • 93% Energy • 26% Liveness
0% Instrumentalness • 73% Positiveness
3% Popularity • 59% Danceability • 93% Energy • 26% Liveness
0% Instrumentalness • 73% Positiveness
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Inkfields
Moroccan Blue
172 bpm • E min • 03:01 • -7.01db
24% Popularity • 64% Danceability • 50% Energy • 4% Liveness
1% Instrumentalness • 71% Positiveness
24% Popularity • 64% Danceability • 50% Energy • 4% Liveness
1% Instrumentalness • 71% Positiveness
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Coastal Town
So Innocent - dolltr!ck Remix
172 bpm • C Maj • 03:27 • -6.78db
11% Popularity • 33% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
11% Popularity • 33% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Only Mitch
Love Me Raw
172 bpm • C Maj • 03:10 • -14.28db
25% Popularity • 49% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
25% Popularity • 49% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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MACEY
The River
152 bpm • C# min • 03:40 • -7.23db
12% Popularity • 55% Danceability • 83% Energy • 21% Liveness
0% Instrumentalness • 52% Positiveness
12% Popularity • 55% Danceability • 83% Energy • 21% Liveness
0% Instrumentalness • 52% Positiveness
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Connor Nelson
Out of a Dream
152 bpm • B Maj • 02:57 • -10.75db
25% Popularity • 61% Danceability • 62% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
25% Popularity • 61% Danceability • 62% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
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Jacob Bailey
Where Do I Go Now?
152 bpm • E Maj • 03:06 • -8.64db
12% Popularity • 59% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
12% Popularity • 59% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
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Tomas Chris
BUTTERFLY
174 bpm • D Maj • 03:34 • -7.93db
28% Popularity • 65% Danceability • 69% Energy • 14% Liveness
3% Instrumentalness • 54% Positiveness
28% Popularity • 65% Danceability • 69% Energy • 14% Liveness
3% Instrumentalness • 54% Positiveness
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Ana Galeli
Gold
152 bpm • A Maj • 04:47 • -8.41db
22% Popularity • 50% Danceability • 70% Energy • 32% Liveness
1% Instrumentalness • 46% Positiveness
22% Popularity • 50% Danceability • 70% Energy • 32% Liveness
1% Instrumentalness • 46% Positiveness
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Garrett Goodman
Misfit
174 bpm • G min • 03:16 • -10.99db
13% Popularity • 74% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
13% Popularity • 74% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Ethan Marc
Headlights
174 bpm • C min • 02:38 • -8.56db
20% Popularity • 49% Danceability • 80% Energy • 14% Liveness
10% Instrumentalness • 36% Positiveness
20% Popularity • 49% Danceability • 80% Energy • 14% Liveness
10% Instrumentalness • 36% Positiveness
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The Next Step
Hurts Me the Most
174 bpm • C# Maj • 02:30 • -11.84db
8% Popularity • 58% Danceability • 49% Energy • 51% Liveness
0% Instrumentalness • 44% Positiveness
8% Popularity • 58% Danceability • 49% Energy • 51% Liveness
0% Instrumentalness • 44% Positiveness
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David Coslett
Eyes of the King
150 bpm • A# min • 04:23 • -7.98db
8% Popularity • 57% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 51% Positiveness
8% Popularity • 57% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 51% Positiveness
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Surname
Fishbowl
150 bpm • C Maj • 02:14 • -6.29db
21% Popularity • 57% Danceability • 79% Energy • 38% Liveness
0% Instrumentalness • 60% Positiveness
21% Popularity • 57% Danceability • 79% Energy • 38% Liveness
0% Instrumentalness • 60% Positiveness
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The Lost Hours
Trouble Never Get No Sleep
150 bpm • A min • 03:16 • -8.58db
8% Popularity • 72% Danceability • 54% Energy • 54% Liveness
0% Instrumentalness • 81% Positiveness
8% Popularity • 72% Danceability • 54% Energy • 54% Liveness
0% Instrumentalness • 81% Positiveness
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thebandfriday
Blue Jeans
150 bpm • F Maj • 04:05 • -9.85db
18% Popularity • 68% Danceability • 87% Energy • 34% Liveness
0% Instrumentalness • 48% Positiveness
18% Popularity • 68% Danceability • 87% Energy • 34% Liveness
0% Instrumentalness • 48% Positiveness
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Sam Clines
Let Me Take You Home
150 bpm • F Maj • 03:08 • -6.01db
12% Popularity • 57% Danceability • 85% Energy • 5% Liveness
0% Instrumentalness • 83% Positiveness
12% Popularity • 57% Danceability • 85% Energy • 5% Liveness
0% Instrumentalness • 83% Positiveness
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Landon Ward
Go Back
150 bpm • A# Maj • 02:51 • -6.34db
9% Popularity • 57% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
9% Popularity • 57% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Moontower
Where Do We Go From Here?
150 bpm • C Maj • 03:50 • -7.28db
18% Popularity • 46% Danceability • 81% Energy • 35% Liveness
0% Instrumentalness • 39% Positiveness
18% Popularity • 46% Danceability • 81% Energy • 35% Liveness
0% Instrumentalness • 39% Positiveness
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Desperate Electric
What Do You Want
150 bpm • C# Maj • 03:58 • -8.23db
9% Popularity • 52% Danceability • 90% Energy • 11% Liveness
19% Instrumentalness • 62% Positiveness
9% Popularity • 52% Danceability • 90% Energy • 11% Liveness
19% Instrumentalness • 62% Positiveness
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Far West
a to z
150 bpm • G Maj • 03:13 • -8.72db
22% Popularity • 47% Danceability • 81% Energy • 34% Liveness
96% Instrumentalness • 76% Positiveness
22% Popularity • 47% Danceability • 81% Energy • 34% Liveness
96% Instrumentalness • 76% Positiveness
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Sean Varone
Say Too Much
150 bpm • D Maj • 02:56 • -6.44db
10% Popularity • 74% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
10% Popularity • 74% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
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Leonardo
Like A Champ
175 bpm • D Maj • 02:50 • -5.99db
25% Popularity • 54% Danceability • 79% Energy • 15% Liveness
24% Instrumentalness • 67% Positiveness
25% Popularity • 54% Danceability • 79% Energy • 15% Liveness
24% Instrumentalness • 67% Positiveness
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Chensla
Night into Dawn
150 bpm • F Maj • 03:22 • -3.96db
10% Popularity • 54% Danceability • 93% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
10% Popularity • 54% Danceability • 93% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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Ant Tarrant
Your Sweet Time
176 bpm • C# min • 03:28 • -7.24db
11% Popularity • 54% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 36% Positiveness
11% Popularity • 54% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 36% Positiveness
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White Noise Maker
Blow Me Away
176 bpm • D Maj • 03:58 • -8.2db
9% Popularity • 62% Danceability • 73% Energy • 18% Liveness
0% Instrumentalness • 93% Positiveness
9% Popularity • 62% Danceability • 73% Energy • 18% Liveness
0% Instrumentalness • 93% Positiveness
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Jason Masi
In Color
149 bpm • A min • 03:08 • -6.74db
11% Popularity • 65% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
11% Popularity • 65% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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Ritho
FANTASISING
149 bpm • E Maj • 03:10 • -9.13db
11% Popularity • 68% Danceability • 52% Energy • 29% Liveness
0% Instrumentalness • 75% Positiveness
11% Popularity • 68% Danceability • 52% Energy • 29% Liveness
0% Instrumentalness • 75% Positiveness
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Lastli
Favourite Colour
148 bpm • C# Maj • 03:21 • -7.77db
13% Popularity • 51% Danceability • 72% Energy • 7% Liveness
22% Instrumentalness • 54% Positiveness
13% Popularity • 51% Danceability • 72% Energy • 7% Liveness
22% Instrumentalness • 54% Positiveness
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Dax Hovius
Way Up
148 bpm • G Maj • 03:00 • -6.44db
17% Popularity • 73% Danceability • 81% Energy • 8% Liveness
19% Instrumentalness • 83% Positiveness
17% Popularity • 73% Danceability • 81% Energy • 8% Liveness
19% Instrumentalness • 83% Positiveness
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The Thing With Feathers
Lights Down Low
148 bpm • B min • 03:34 • -6.1db
29% Popularity • 54% Danceability • 93% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
29% Popularity • 54% Danceability • 93% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Nols
No Guarantee
147 bpm • A# Maj • 03:13 • -10.02db
7% Popularity • 70% Danceability • 68% Energy • 19% Liveness
0% Instrumentalness • 89% Positiveness
7% Popularity • 70% Danceability • 68% Energy • 19% Liveness
0% Instrumentalness • 89% Positiveness
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Katastrophic
Need More
178 bpm • E min • 02:25 • -8.04db
19% Popularity • 43% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
19% Popularity • 43% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
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JC Holt
sic
147 bpm • C# min • 04:17 • -5.95db
13% Popularity • 45% Danceability • 84% Energy • 5% Liveness
0% Instrumentalness • 46% Positiveness
13% Popularity • 45% Danceability • 84% Energy • 5% Liveness
0% Instrumentalness • 46% Positiveness
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Zack Calixtus
MY NOVOCAINE
146 bpm • D Maj • 02:42 • -8.98db
20% Popularity • 73% Danceability • 78% Energy • 56% Liveness
1% Instrumentalness • 75% Positiveness
20% Popularity • 73% Danceability • 78% Energy • 56% Liveness
1% Instrumentalness • 75% Positiveness
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Nicholas Petrungaro
Set Up To Lose
147 bpm • C Maj • 02:55 • -6.66db
19% Popularity • 60% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
19% Popularity • 60% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Plant Dad
Ophelia
146 bpm • A Maj • 03:46 • -7.41db
18% Popularity • 49% Danceability • 69% Energy • 9% Liveness
56% Instrumentalness • 82% Positiveness
18% Popularity • 49% Danceability • 69% Energy • 9% Liveness
56% Instrumentalness • 82% Positiveness
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Chavar Dontae
Keep My Cool
146 bpm • A Maj • 02:54 • -7.78db
19% Popularity • 59% Danceability • 64% Energy • 58% Liveness
0% Instrumentalness • 25% Positiveness
19% Popularity • 59% Danceability • 64% Energy • 58% Liveness
0% Instrumentalness • 25% Positiveness
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Rachel Mintz
Program My Heart
180 bpm • C# Maj • 04:15 • -8.48db
32% Popularity • 45% Danceability • 74% Energy • 7% Liveness
4% Instrumentalness • 72% Positiveness
32% Popularity • 45% Danceability • 74% Energy • 7% Liveness
4% Instrumentalness • 72% Positiveness
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smallboats
Method Acting
180 bpm • E Maj • 03:28 • -6.78db
21% Popularity • 52% Danceability • 76% Energy • 10% Liveness
4% Instrumentalness • 63% Positiveness
21% Popularity • 52% Danceability • 76% Energy • 10% Liveness
4% Instrumentalness • 63% Positiveness
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Mountain Head
Backseat
180 bpm • F min • 03:27 • -9.7db
12% Popularity • 67% Danceability • 65% Energy • 19% Liveness
2% Instrumentalness • 70% Positiveness
12% Popularity • 67% Danceability • 65% Energy • 19% Liveness
2% Instrumentalness • 70% Positiveness
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Cole Clark
I Can't Sleep
180 bpm • A Maj • 02:44 • -9.87db
19% Popularity • 54% Danceability • 42% Energy • 31% Liveness
0% Instrumentalness • 46% Positiveness
19% Popularity • 54% Danceability • 42% Energy • 31% Liveness
0% Instrumentalness • 46% Positiveness
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Far West
It Feels New
145 bpm • C Maj • 03:32 • -8.1db
17% Popularity • 40% Danceability • 90% Energy • 22% Liveness
91% Instrumentalness • 58% Positiveness
17% Popularity • 40% Danceability • 90% Energy • 22% Liveness
91% Instrumentalness • 58% Positiveness
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Chris Mav
Falling 4 U
145 bpm • G min • 01:48 • -8.95db
10% Popularity • 66% Danceability • 55% Energy • 15% Liveness
0% Instrumentalness • 21% Positiveness
10% Popularity • 66% Danceability • 55% Energy • 15% Liveness
0% Instrumentalness • 21% Positiveness
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Mintco
KNOW WE WILL
145 bpm • D Maj • 02:15 • -7.09db
11% Popularity • 59% Danceability • 55% Energy • 14% Liveness
15% Instrumentalness • 44% Positiveness
11% Popularity • 59% Danceability • 55% Energy • 14% Liveness
15% Instrumentalness • 44% Positiveness
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Gold Spectacles
Anywhere Else
145 bpm • A min • 04:13 • -5.18db
11% Popularity • 87% Danceability • 54% Energy • 16% Liveness
32% Instrumentalness • 95% Positiveness
11% Popularity • 87% Danceability • 54% Energy • 16% Liveness
32% Instrumentalness • 95% Positiveness
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Jakke
Waves
182 bpm • F# min • 03:40 • -6.43db
9% Popularity • 56% Danceability • 63% Energy • 24% Liveness
3% Instrumentalness • 24% Positiveness
9% Popularity • 56% Danceability • 63% Energy • 24% Liveness
3% Instrumentalness • 24% Positiveness
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Pallas Haze
Bright
144 bpm • D# min • 04:44 • -6.82db
11% Popularity • 52% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
11% Popularity • 52% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Relay Relay
Back to the Light
144 bpm • A Maj • 03:45 • -7db
8% Popularity • 68% Danceability • 70% Energy • 22% Liveness
0% Instrumentalness • 59% Positiveness
8% Popularity • 68% Danceability • 70% Energy • 22% Liveness
0% Instrumentalness • 59% Positiveness
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Zuma
Don't Stop
142 bpm • B Maj • 02:03 • -4.94db
11% Popularity • 81% Danceability • 88% Energy • 10% Liveness
57% Instrumentalness • 96% Positiveness
11% Popularity • 81% Danceability • 88% Energy • 10% Liveness
57% Instrumentalness • 96% Positiveness
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Jeremiah de Rozario
Will you be long?
142 bpm • A Maj • 02:43 • -7.26db
23% Popularity • 76% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
23% Popularity • 76% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
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VANES
i lost my mind
142 bpm • A min • 02:42 • -6.39db
11% Popularity • 78% Danceability • 90% Energy • 16% Liveness
0% Instrumentalness • 55% Positiveness
11% Popularity • 78% Danceability • 90% Energy • 16% Liveness
0% Instrumentalness • 55% Positiveness
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Waverly Drive
Darlin
142 bpm • D Maj • 02:04 • -7.11db
22% Popularity • 67% Danceability • 75% Energy • 10% Liveness
53% Instrumentalness • 17% Positiveness
22% Popularity • 67% Danceability • 75% Energy • 10% Liveness
53% Instrumentalness • 17% Positiveness
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Qwiet Type
Found You
142 bpm • C Maj • 04:21 • -10.46db
6% Popularity • 48% Danceability • 37% Energy • 15% Liveness
0% Instrumentalness • 29% Positiveness
6% Popularity • 48% Danceability • 37% Energy • 15% Liveness
0% Instrumentalness • 29% Positiveness
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Pattie Gonia
That’s God
186 bpm • D# min • 03:37 • -7.23db
26% Popularity • 50% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
26% Popularity • 50% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Bomarz
Better Strange
140 bpm • E min • 03:21 • -9.09db
25% Popularity • 65% Danceability • 55% Energy • 19% Liveness
0% Instrumentalness • 17% Positiveness
25% Popularity • 65% Danceability • 55% Energy • 19% Liveness
0% Instrumentalness • 17% Positiveness
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Manji
Stuck In My Head
140 bpm • G Maj • 02:18 • -9.13db
12% Popularity • 79% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
12% Popularity • 79% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
