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Songs like
My History
by
Liz Stringer
Based on a tempo of (+/- 10%) and a similar genre
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Niamh Regan
Worried About You
95 bpm • F Maj • 02:44 • -11.93db
22% Popularity • 59% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Liz Stringer
My History
95 bpm • E Maj • 05:12 • -14.53db
11% Popularity • 41% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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David Keenan
Beggar to Beggar
95 bpm • B Maj • 02:44 • -9.61db
14% Popularity • 60% Danceability • 60% Energy • 26% Liveness
0% Instrumentalness • 60% Positiveness
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No-No Boy
Close Your Eyes and Dream of Flowers
95 bpm • C Maj • 03:29 • -16.49db
9% Popularity • 60% Danceability • 45% Energy • 10% Liveness
18% Instrumentalness • 32% Positiveness
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Kathleen Edwards
Love
95 bpm • D Maj • 01:59 • -11.51db
9% Popularity • 32% Danceability • 15% Energy • 19% Liveness
0% Instrumentalness • 23% Positiveness
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Mimi Gilbert
Dancing in the Sun
94 bpm • D# Maj • 05:05 • -12.63db
9% Popularity • 68% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Skyscraper Stan
Flag Of Progress
96 bpm • D min • 03:30 • -9.59db
21% Popularity • 62% Danceability • 71% Energy • 23% Liveness
1% Instrumentalness • 52% Positiveness
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Annie Dressner
Nyack
94 bpm • D# Maj • 03:05 • -10.01db
11% Popularity • 55% Danceability • 35% Energy • 12% Liveness
1% Instrumentalness • 25% Positiveness
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Flo Perlin
Slowly Unfold
96 bpm • E min • 03:51 • -11.5db
14% Popularity • 51% Danceability • 26% Energy • 11% Liveness
1% Instrumentalness • 23% Positiveness
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Jordie Lane
Out of State
96 bpm • G min • 02:59 • -7.69db
24% Popularity • 56% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
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Genevieve Dawson
Carry It Slowly
96 bpm • G# Maj • 02:18 • -19.47db
13% Popularity • 50% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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The Brothers Gillespie
Albion
97 bpm • E Maj • 05:36 • -12.87db
13% Popularity • 44% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Tiddas
Anthem
93 bpm • D Maj • 03:21 • -5db
12% Popularity • 68% Danceability • 83% Energy • 13% Liveness
0% Instrumentalness • 70% Positiveness
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Jen Cloher
Protest Song
93 bpm • A min • 05:29 • -12.32db
12% Popularity • 73% Danceability • 33% Energy • 11% Liveness
2% Instrumentalness • 55% Positiveness
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Skyscraper Stan
Man Misunderstood
93 bpm • B min • 06:35 • -11.8db
11% Popularity • 66% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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Liz Stringer
Get Myself Together
97 bpm • G Maj • 06:21 • -9.91db
0% Popularity • 44% Danceability • 41% Energy • 20% Liveness
0% Instrumentalness • 22% Positiveness
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Martha Marlow
All Of My Days
92 bpm • D Maj • 03:51 • -10.09db
16% Popularity • 51% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Sweet Whirl
Weirdo
92 bpm • F Maj • 03:00 • -9.42db
28% Popularity • 73% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Fern Maddie
The Maid on the Shore
98 bpm • G Maj • 04:06 • -11.24db
8% Popularity • 70% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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Emma Donovan
Change is Coming
98 bpm • E min • 03:57 • -7.45db
24% Popularity • 68% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
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Ainslie Wills
Running Second
98 bpm • G# Maj • 04:29 • -13db
12% Popularity • 76% Danceability • 26% Energy • 19% Liveness
1% Instrumentalness • 30% Positiveness
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Liz Stringer
The Things That I Now Know
98 bpm • A# Maj • 03:44 • -14.36db
11% Popularity • 65% Danceability • 8% Energy • 27% Liveness
0% Instrumentalness • 39% Positiveness
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Jen Cloher
Harakeke
92 bpm • D Maj • 04:22 • -13.61db
18% Popularity • 67% Danceability • 37% Energy • 19% Liveness
64% Instrumentalness • 57% Positiveness
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TORRES
Making Memories of Us
92 bpm • E Maj • 04:12 • -13.73db
8% Popularity • 32% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Jessie Buckley
Footnotes On The Map
98 bpm • D Maj • 03:50 • -10.97db
16% Popularity • 56% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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William Crighton
After All (Good World)
99 bpm • C# Maj • 05:20 • -8.33db
9% Popularity • 57% Danceability • 47% Energy • 34% Liveness
33% Instrumentalness • 41% Positiveness
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Carson McHone
Spoil on the Vine
91 bpm • A Maj • 04:42 • -11.95db
7% Popularity • 55% Danceability • 33% Energy • 9% Liveness
5% Instrumentalness • 34% Positiveness
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Liz Stringer
Having Trouble Sleeping
98 bpm • C Maj • 05:31 • -11.42db
1% Popularity • 34% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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Shannon Lay
A Thread to Find
99 bpm • B Maj • 03:48 • -9.22db
29% Popularity • 41% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Cash Savage and the Last Drinks
Seahorse (I'll Be Your Rainy Day)
91 bpm • C Maj • 05:12 • -9.05db
9% Popularity • 28% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 6% Positiveness
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Lachlan Bryan And The Wildes
The Road
91 bpm • D# Maj • 02:54 • -18.3db
8% Popularity • 59% Danceability • 14% Energy • 11% Liveness
7% Instrumentalness • 30% Positiveness
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Anaïs Mitchell
Bright Star
99 bpm • C# Maj • 03:10 • -8.81db
52% Popularity • 71% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Grace Cummings
Dreams
91 bpm • C Maj • 02:29 • -10.7db
13% Popularity • 21% Danceability • 28% Energy • 15% Liveness
1% Instrumentalness • 7% Positiveness
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Liz Stringer
The Road's Inglorious End
99 bpm • B Maj • 05:01 • -6.49db
3% Popularity • 52% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
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Jen Cloher
Red Room
100 bpm • C# Maj • 03:14 • -11.9db
20% Popularity • 70% Danceability • 26% Energy • 11% Liveness
9% Instrumentalness • 40% Positiveness
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Fenn Wilson
Eye On You
99 bpm • G Maj • 03:06 • -10.61db
15% Popularity • 70% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Charm of Finches
Concentrate On Breathing
90 bpm • A# min • 03:39 • -9.12db
29% Popularity • 43% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Mia Dyson
Thank You
100 bpm • C Maj • 03:53 • -10.29db
19% Popularity • 72% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Jordie Lane
A Piece of Land
90 bpm • C# min • 04:14 • -7.98db
9% Popularity • 35% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Declan O'Rourke
Have You Not Heard the War is Over
90 bpm • D# Maj • 04:17 • -9.99db
12% Popularity • 44% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Katherine Priddy
Wolf
100 bpm • B min • 04:14 • -8.15db
29% Popularity • 42% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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The Jazz Butcher
Never Give Up
100 bpm • F Maj • 04:34 • -15.52db
7% Popularity • 37% Danceability • 28% Energy • 8% Liveness
61% Instrumentalness • 18% Positiveness
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The Bathers
Latta's Dream
90 bpm • D Maj • 03:02 • -16.9db
17% Popularity • 65% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
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Niamh Regan
Hallelujah Game
90 bpm • A Maj • 04:05 • -14.5db
18% Popularity • 47% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Emma Donovan
Muurrbay Tree
90 bpm • D Maj • 04:08 • -10.1db
8% Popularity • 49% Danceability • 55% Energy • 10% Liveness
80% Instrumentalness • 6% Positiveness
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Skyscraper Stan
I Fell Over
101 bpm • A Maj • 04:14 • -10.97db
29% Popularity • 62% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Laura Jean
Market On the Sand
101 bpm • D Maj • 03:17 • -13.38db
7% Popularity • 38% Danceability • 26% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
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John Blek
Cormorant
90 bpm • C# Maj • 03:25 • -15.36db
9% Popularity • 36% Danceability • 30% Energy • 10% Liveness
50% Instrumentalness • 35% Positiveness
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Big Scary
Devotion
89 bpm • F Maj • 04:09 • -12.8db
10% Popularity • 63% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Niamh Regan
Sweetest Drop
90 bpm • F# Maj • 04:11 • -13.66db
22% Popularity • 37% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
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Erny Belle
Hell Hole
102 bpm • A Maj • 03:38 • -11.99db
23% Popularity • 78% Danceability • 30% Energy • 11% Liveness
3% Instrumentalness • 56% Positiveness
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Anna Ash
I Was Just Your Evening
88 bpm • A# min • 03:02 • -12.24db
13% Popularity • 51% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 31% Positiveness
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Lady Nade
Complicated
102 bpm • D# Maj • 03:40 • -9.37db
11% Popularity • 64% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Grace Cummings
Heaven
102 bpm • G Maj • 04:45 • -9.69db
23% Popularity • 55% Danceability • 41% Energy • 20% Liveness
0% Instrumentalness • 16% Positiveness
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Carla Geneve
Brisbane
102 bpm • D# Maj • 03:17 • -10.78db
12% Popularity • 70% Danceability • 27% Energy • 22% Liveness
0% Instrumentalness • 30% Positiveness
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Niamh Regan
Her Eyes are a Blue Million Miles
90 bpm • G min • 04:23 • -12.6db
17% Popularity • 35% Danceability • 40% Energy • 10% Liveness
2% Instrumentalness • 10% Positiveness
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Charm of Finches
Gravity
88 bpm • D Maj • 04:16 • -10.86db
17% Popularity • 49% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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Liz Stringer
The Waning Of The Sun
103 bpm • D Maj • 05:40 • -9.86db
12% Popularity • 52% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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The Slingers
Someday Sister
103 bpm • D Maj • 04:30 • -8.84db
22% Popularity • 63% Danceability • 52% Energy • 8% Liveness
21% Instrumentalness • 46% Positiveness
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Grace Cummings
Up In Flames
103 bpm • C min • 05:24 • -9.8db
15% Popularity • 48% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Samantha Crain
An Echo
103 bpm • C# Maj • 03:48 • -9.19db
20% Popularity • 56% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Niamh Regan
Something so Good
89 bpm • C Maj • 03:23 • -15db
25% Popularity • 44% Danceability • 15% Energy • 10% Liveness
4% Instrumentalness • 15% Positiveness
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Jen Cloher
Hidden Hands
103 bpm • B min • 03:58 • -6.31db
11% Popularity • 52% Danceability • 65% Energy • 17% Liveness
0% Instrumentalness • 38% Positiveness
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Liz Stringer
Keep Keeping On
103 bpm • C# Maj • 03:10 • -3.7db
15% Popularity • 70% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
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ThornBird
Hells Backbone
103 bpm • G Maj • 05:08 • -9db
9% Popularity • 41% Danceability • 23% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
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Reg Meuross
Good Morning Mr. Colston
87 bpm • F# min • 04:56 • -5.4db
10% Popularity • 59% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
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Stephanie Cherote
Faces
87 bpm • D Maj • 04:58 • -14.79db
9% Popularity • 44% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Minor Gold
Mona Lisa
87 bpm • D Maj • 03:35 • -13.48db
18% Popularity • 60% Danceability • 33% Energy • 9% Liveness
1% Instrumentalness • 18% Positiveness
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David Keenan
Peter O'Toole's Drinking Stories
87 bpm • G# Maj • 03:29 • -10.27db
8% Popularity • 45% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
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Dyson Stringer Cloher
Can’t Take Back
87 bpm • G Maj • 05:49 • -11.31db
9% Popularity • 71% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Jordie Lane
I Could Die Looking At You (Reimagined)
87 bpm • D Maj • 04:41 • -9.35db
10% Popularity • 41% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Watty Thompson
Jenny
87 bpm • A Maj • 05:32 • -5.22db
12% Popularity • 38% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 41% Positiveness
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Jessie Buckley
Shallow The Water
104 bpm • D Maj • 05:01 • -17.08db
15% Popularity • 36% Danceability • 4% Energy • 15% Liveness
0% Instrumentalness • 19% Positiveness
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Samantha Crain
Constructive Eviction
104 bpm • F Maj • 03:20 • -7.72db
15% Popularity • 53% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Ellen Froese
I Wish I Had a Foot-Long Cigarette
86 bpm • C Maj • 03:11 • -11.52db
12% Popularity • 32% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Mia Dyson
Come To Me
86 bpm • C Maj • 03:59 • -10.08db
19% Popularity • 35% Danceability • 29% Energy • 18% Liveness
0% Instrumentalness • 40% Positiveness
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Jordie Lane
The Walls
105 bpm • D min • 03:07 • -6.83db
17% Popularity • 34% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 43% Positiveness
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Niamh Regan
Late Nights
105 bpm • D Maj • 03:38 • -13.3db
21% Popularity • 55% Danceability • 36% Energy • 9% Liveness
1% Instrumentalness • 46% Positiveness
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Jessie Buckley
For All Our Days That Tear The Heart
104 bpm • E min • 05:00 • -15.51db
20% Popularity • 34% Danceability • 6% Energy • 39% Liveness
2% Instrumentalness • 6% Positiveness
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Grace Cummings
Other Side
105 bpm • G# Maj • 02:19 • -10.3db
17% Popularity • 34% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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Emily Fairlight
Drag the Night In
105 bpm • A# Maj • 03:12 • -7.27db
25% Popularity • 62% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
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Archie Roach
Song For Elijah (Wrap Our Arms Around Yo...
105 bpm • B min • 04:29 • -7.65db
19% Popularity • 62% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Declan O'Rourke
Convict Ways
106 bpm • C Maj • 06:12 • -9.04db
7% Popularity • 35% Danceability • 37% Energy • 16% Liveness
0% Instrumentalness • 40% Positiveness
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Ruby Gill
I'm gonna die with this frown on my face
106 bpm • D Maj • 03:07 • -14.31db
14% Popularity • 62% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Curse of Lono
Steppin' Out
85 bpm • A Maj • 04:05 • -13.9db
28% Popularity • 70% Danceability • 57% Energy • 9% Liveness
89% Instrumentalness • 88% Positiveness
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ThornBird
Bullets And Heartache
106 bpm • C Maj • 04:37 • -6.03db
13% Popularity • 66% Danceability • 62% Energy • 14% Liveness
0% Instrumentalness • 79% Positiveness
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Erny Belle
Sorry Not Sorry
106 bpm • G Maj • 03:55 • -9.81db
11% Popularity • 83% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Georgia Ruth
In Luna
106 bpm • D Maj • 05:01 • -10.14db
9% Popularity • 53% Danceability • 38% Energy • 13% Liveness
2% Instrumentalness • 21% Positiveness
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Liz Stringer
Like a Roll of Thunder
85 bpm • A min • 04:54 • -15.54db
3% Popularity • 42% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Scott William Urquhart
Watching The Black River Run
85 bpm • C Maj • 02:46 • -15.99db
19% Popularity • 36% Danceability • 22% Energy • 11% Liveness
10% Instrumentalness • 36% Positiveness
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Kev Carmody
Moonstruck
85 bpm • E Maj • 04:37 • -12db
19% Popularity • 50% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Pem
grips
84 bpm • D# Maj • 02:58 • -12.88db
19% Popularity • 53% Danceability • 23% Energy • 11% Liveness
3% Instrumentalness • 19% Positiveness
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Cousin Tony's Brand New Firebird
Bluestone
107 bpm • A Maj • 03:38 • -8db
30% Popularity • 57% Danceability • 62% Energy • 10% Liveness
95% Instrumentalness • 31% Positiveness
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Folk Bitch Trio
Lost
107 bpm • D Maj • 03:50 • -8.7db
16% Popularity • 34% Danceability • 37% Energy • 12% Liveness
10% Instrumentalness • 33% Positiveness
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Rachel Sermanni
Travelled
84 bpm • E Maj • 05:58 • -16.85db
9% Popularity • 50% Danceability • 25% Energy • 35% Liveness
3% Instrumentalness • 21% Positiveness
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Liz Stringer
Children
84 bpm • D# Maj • 05:23 • -16.92db
1% Popularity • 41% Danceability • 2% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Freya Josephine Hollick
Nobody's No Better Than No One
108 bpm • F Maj • 03:58 • -8.22db
11% Popularity • 59% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Soda Blonde
I Still Have Feelings for You
108 bpm • D# Maj • 04:25 • -9.66db
21% Popularity • 70% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Josienne Clarke
The Birds
84 bpm • G Maj • 03:24 • -14.52db
9% Popularity • 51% Danceability • 26% Energy • 11% Liveness
4% Instrumentalness • 43% Positiveness
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Claire Anne Taylor
Drunken Choir
108 bpm • G Maj • 03:42 • -14.6db
16% Popularity • 75% Danceability • 33% Energy • 25% Liveness
1% Instrumentalness • 67% Positiveness
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My History