Songs like My Innermost Apocalypse by Danny Baranowsky
Based on a tempo of (+/- 10%) and a similar genre
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Yoshiya Terayama
Splitting Fool
135 bpm • D Maj • 03:10 • -5.8db
34% Popularity • 58% Danceability • 98% Energy • 35% Liveness
87% Instrumentalness • 76% Positiveness
34% Popularity • 58% Danceability • 98% Energy • 35% Liveness
87% Instrumentalness • 76% Positiveness
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Danny Baranowsky
Igneous Rock
135 bpm • G Maj • 02:44 • -5.72db
28% Popularity • 57% Danceability • 94% Energy • 30% Liveness
75% Instrumentalness • 20% Positiveness
28% Popularity • 57% Danceability • 94% Energy • 30% Liveness
75% Instrumentalness • 20% Positiveness
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Yuka Kitamura
E.S. Cinder [Soul of Cinder]
135 bpm • A# min • 04:20 • -7db
29% Popularity • 24% Danceability • 62% Energy • 16% Liveness
72% Instrumentalness • 8% Positiveness
29% Popularity • 24% Danceability • 62% Energy • 16% Liveness
72% Instrumentalness • 8% Positiveness
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Yoann Laulan
Prisoner's Awakening
135 bpm • G# Maj • 04:37 • -18.57db
39% Popularity • 56% Danceability • 52% Energy • 34% Liveness
88% Instrumentalness • 44% Positiveness
39% Popularity • 56% Danceability • 52% Energy • 34% Liveness
88% Instrumentalness • 44% Positiveness
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Jose Pavli
Falling Skies
135 bpm • A min • 02:41 • -13.6db
18% Popularity • 52% Danceability • 61% Energy • 14% Liveness
82% Instrumentalness • 32% Positiveness
18% Popularity • 52% Danceability • 61% Energy • 14% Liveness
82% Instrumentalness • 32% Positiveness
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Castlevania Sound Team
Lament of Innocence ~ Leon's Theme ~
135 bpm • C# Maj • 04:24 • -10.33db
31% Popularity • 51% Danceability • 72% Energy • 77% Liveness
87% Instrumentalness • 17% Positiveness
31% Popularity • 51% Danceability • 72% Energy • 77% Liveness
87% Instrumentalness • 17% Positiveness
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Frank Klepacki
Grinder 1 & 2 Medley - Remastered
135 bpm • G Maj • 02:53 • -3.74db
26% Popularity • 61% Danceability • 96% Energy • 30% Liveness
76% Instrumentalness • 77% Positiveness
26% Popularity • 61% Danceability • 96% Energy • 30% Liveness
76% Instrumentalness • 77% Positiveness
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Danny Baranowsky
Carmeaty Burana (Ch 6 Boss)
135 bpm • C# Maj • 04:25 • -9.31db
21% Popularity • 44% Danceability • 60% Energy • 26% Liveness
96% Instrumentalness • 35% Positiveness
21% Popularity • 44% Danceability • 60% Energy • 26% Liveness
96% Instrumentalness • 35% Positiveness
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Yuka Kitamura
E.S. Cinder 'Orchestra' [Soul of Cinder...
135 bpm • A# min • 04:20 • -7db
26% Popularity • 18% Danceability • 62% Energy • 15% Liveness
91% Instrumentalness • 13% Positiveness
26% Popularity • 18% Danceability • 62% Energy • 15% Liveness
91% Instrumentalness • 13% Positiveness
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Yoann Laulan
Clock Tower
135 bpm • G min • 04:26 • -14.21db
35% Popularity • 49% Danceability • 59% Energy • 20% Liveness
83% Instrumentalness • 50% Positiveness
35% Popularity • 49% Danceability • 59% Energy • 20% Liveness
83% Instrumentalness • 50% Positiveness
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Jukio "Kozilek" Kallio
Devil from the Deep
135 bpm • A# min • 02:49 • -5.22db
9% Popularity • 51% Danceability • 20% Energy • 14% Liveness
90% Instrumentalness • 35% Positiveness
9% Popularity • 51% Danceability • 20% Energy • 14% Liveness
90% Instrumentalness • 35% Positiveness
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Castlevania Sound Team
Dracula Castle
136 bpm • C Maj • 01:53 • -9.51db
38% Popularity • 40% Danceability • 69% Energy • 25% Liveness
48% Instrumentalness • 29% Positiveness
38% Popularity • 40% Danceability • 69% Energy • 25% Liveness
48% Instrumentalness • 29% Positiveness
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Guillaume David
Treacherous
136 bpm • A# min • 09:02 • -14.82db
35% Popularity • 27% Danceability • 51% Energy • 10% Liveness
95% Instrumentalness • 15% Positiveness
35% Popularity • 27% Danceability • 51% Energy • 10% Liveness
95% Instrumentalness • 15% Positiveness
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Frank Klepacki
Grinder 2
135 bpm • G Maj • 02:55 • -6.65db
30% Popularity • 53% Danceability • 86% Energy • 37% Liveness
6% Instrumentalness • 48% Positiveness
30% Popularity • 53% Danceability • 86% Energy • 37% Liveness
6% Instrumentalness • 48% Positiveness
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Danny Baranowsky
My Innermost Apocalypse
135 bpm • C Maj • 05:00 • -8.4db
35% Popularity • 49% Danceability • 83% Energy • 29% Liveness
73% Instrumentalness • 29% Positiveness
35% Popularity • 49% Danceability • 83% Energy • 29% Liveness
73% Instrumentalness • 29% Positiveness
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Yoshiya Terayama
Z Chaser
136 bpm • E min • 01:21 • -6.7db
32% Popularity • 46% Danceability • 95% Energy • 8% Liveness
89% Instrumentalness • 34% Positiveness
32% Popularity • 46% Danceability • 95% Energy • 8% Liveness
89% Instrumentalness • 34% Positiveness
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Yoann Laulan
The Castle
135 bpm • C min • 05:05 • -14.82db
29% Popularity • 51% Danceability • 66% Energy • 11% Liveness
91% Instrumentalness • 41% Positiveness
29% Popularity • 51% Danceability • 66% Energy • 11% Liveness
91% Instrumentalness • 41% Positiveness
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Akihiko Narita
The Invading Tyrant - Bazelgeuse
134 bpm • G Maj • 04:37 • -12.9db
34% Popularity • 47% Danceability • 51% Energy • 39% Liveness
91% Instrumentalness • 15% Positiveness
34% Popularity • 47% Danceability • 51% Energy • 39% Liveness
91% Instrumentalness • 15% Positiveness
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Manami Ogura
The March to Survive
134 bpm • A Maj • 04:44 • -13.9db
27% Popularity • 64% Danceability • 37% Energy • 35% Liveness
84% Instrumentalness • 38% Positiveness
27% Popularity • 64% Danceability • 37% Energy • 35% Liveness
84% Instrumentalness • 38% Positiveness
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Pascal Michael Stiefel
Killing Two Birds
134 bpm • C# Maj • 02:23 • -7.78db
38% Popularity • 48% Danceability • 89% Energy • 18% Liveness
92% Instrumentalness • 69% Positiveness
38% Popularity • 48% Danceability • 89% Energy • 18% Liveness
92% Instrumentalness • 69% Positiveness
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Danny Baranowsky
Enmity of the Dark Lord
135 bpm • E min • 03:06 • -9.99db
25% Popularity • 57% Danceability • 71% Energy • 15% Liveness
67% Instrumentalness • 40% Positiveness
25% Popularity • 57% Danceability • 71% Energy • 15% Liveness
67% Instrumentalness • 40% Positiveness
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Stuart Chatwood
The Final Combat
136 bpm • G# Maj • 05:21 • -8db
36% Popularity • 55% Danceability • 85% Energy • 10% Liveness
91% Instrumentalness • 13% Positiveness
36% Popularity • 55% Danceability • 85% Energy • 10% Liveness
91% Instrumentalness • 13% Positiveness
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Finishing Move Inc.
Wotan Awakens
133 bpm • C# Maj • 04:09 • -7.97db
20% Popularity • 24% Danceability • 92% Energy • 35% Liveness
96% Instrumentalness • 38% Positiveness
20% Popularity • 24% Danceability • 92% Energy • 35% Liveness
96% Instrumentalness • 38% Positiveness
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Mudeth
Foreigner in Zeal (Flooded Caves)
133 bpm • G# Maj • 04:19 • -9db
32% Popularity • 60% Danceability • 85% Energy • 12% Liveness
89% Instrumentalness • 53% Positiveness
32% Popularity • 60% Danceability • 85% Energy • 12% Liveness
89% Instrumentalness • 53% Positiveness
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SEGA SOUND TEAM
Receive You ～Tech Trance Arrange～
133 bpm • C Maj • 03:41 • -7.08db
42% Popularity • 44% Danceability • 94% Energy • 40% Liveness
84% Instrumentalness • 34% Positiveness
42% Popularity • 44% Danceability • 94% Energy • 40% Liveness
84% Instrumentalness • 34% Positiveness
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Phyrnna
Rage of the Abandoned
138 bpm • A min • 02:57 • -11.68db
15% Popularity • 51% Danceability • 70% Energy • 22% Liveness
79% Instrumentalness • 45% Positiveness
15% Popularity • 51% Danceability • 70% Energy • 22% Liveness
79% Instrumentalness • 45% Positiveness
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Celldweller
Nocturne in Blood
138 bpm • F# min • 04:28 • -4.15db
14% Popularity • 22% Danceability • 86% Energy • 39% Liveness
28% Instrumentalness • 7% Positiveness
14% Popularity • 22% Danceability • 86% Energy • 39% Liveness
28% Instrumentalness • 7% Positiveness
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Simon Viklund
Calling All Units
138 bpm • A# min • 02:43 • -12.56db
37% Popularity • 55% Danceability • 71% Energy • 18% Liveness
83% Instrumentalness • 4% Positiveness
37% Popularity • 55% Danceability • 71% Energy • 18% Liveness
83% Instrumentalness • 4% Positiveness
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Darren Korb
The King and the Bull
138 bpm • G Maj • 07:42 • -8db
36% Popularity • 32% Danceability • 82% Energy • 11% Liveness
95% Instrumentalness • 71% Positiveness
36% Popularity • 32% Danceability • 82% Energy • 11% Liveness
95% Instrumentalness • 71% Positiveness
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Doseone
The Hollow Howl
132 bpm • C# min • 02:27 • -7.65db
20% Popularity • 45% Danceability • 96% Energy • 58% Liveness
95% Instrumentalness • 61% Positiveness
20% Popularity • 45% Danceability • 96% Energy • 58% Liveness
95% Instrumentalness • 61% Positiveness
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Jukio Kallio
Reflection - Center of the Earth Mix
132 bpm • C Maj • 02:54 • -5.19db
34% Popularity • 38% Danceability • 73% Energy • 14% Liveness
82% Instrumentalness • 6% Positiveness
34% Popularity • 38% Danceability • 73% Energy • 14% Liveness
82% Instrumentalness • 6% Positiveness
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Mudeth
Non Funkible Token (Ultra Greed)
139 bpm • C Maj • 04:29 • -7.13db
30% Popularity • 38% Danceability • 94% Energy • 56% Liveness
95% Instrumentalness • 61% Positiveness
30% Popularity • 38% Danceability • 94% Energy • 56% Liveness
95% Instrumentalness • 61% Positiveness
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Yoann Laulan
Cavern
140 bpm • F min • 05:08 • -12.87db
19% Popularity • 42% Danceability • 60% Energy • 10% Liveness
80% Instrumentalness • 17% Positiveness
19% Popularity • 42% Danceability • 60% Energy • 10% Liveness
80% Instrumentalness • 17% Positiveness
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Simon Viklund
Fuse Box
132 bpm • D Maj • 03:25 • -9.11db
34% Popularity • 32% Danceability • 80% Energy • 15% Liveness
87% Instrumentalness • 38% Positiveness
34% Popularity • 32% Danceability • 80% Energy • 15% Liveness
87% Instrumentalness • 38% Positiveness
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Darren Korb
Final Expense (Payback Mix)
138 bpm • E min • 02:37 • -9db
32% Popularity • 58% Danceability • 82% Energy • 10% Liveness
93% Instrumentalness • 46% Positiveness
32% Popularity • 58% Danceability • 82% Energy • 10% Liveness
93% Instrumentalness • 46% Positiveness
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A Shell In The Pit
Trilobyte (Castle)
140 bpm • G Maj • 02:52 • -10db
25% Popularity • 55% Danceability • 71% Energy • 12% Liveness
1% Instrumentalness • 16% Positiveness
25% Popularity • 55% Danceability • 71% Energy • 12% Liveness
1% Instrumentalness • 16% Positiveness
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Tommy Tallarico
Tangerine
140 bpm • C# Maj • 02:00 • -10db
30% Popularity • 48% Danceability • 90% Energy • 17% Liveness
66% Instrumentalness • 54% Positiveness
30% Popularity • 48% Danceability • 90% Energy • 17% Liveness
66% Instrumentalness • 54% Positiveness
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Danny Baranowsky
Dead End
140 bpm • A min • 03:55 • -6.71db
22% Popularity • 62% Danceability • 60% Energy • 7% Liveness
91% Instrumentalness • 20% Positiveness
22% Popularity • 62% Danceability • 60% Energy • 7% Liveness
91% Instrumentalness • 20% Positiveness
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Yoann Laulan
I Am the Machine (Dead Cells Animated)
140 bpm • C min • 03:53 • -11.46db
27% Popularity • 61% Danceability • 59% Energy • 8% Liveness
93% Instrumentalness • 11% Positiveness
27% Popularity • 61% Danceability • 59% Energy • 8% Liveness
93% Instrumentalness • 11% Positiveness
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Simon Viklund
Time Window
131 bpm • C# Maj • 02:35 • -11.04db
41% Popularity • 59% Danceability • 55% Energy • 11% Liveness
77% Instrumentalness • 22% Positiveness
41% Popularity • 59% Danceability • 55% Energy • 11% Liveness
77% Instrumentalness • 22% Positiveness
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Thomas Happ
Trace Rising
140 bpm • F Maj • 03:33 • -8db
21% Popularity • 61% Danceability • 68% Energy • 38% Liveness
67% Instrumentalness • 44% Positiveness
21% Popularity • 61% Danceability • 68% Energy • 38% Liveness
67% Instrumentalness • 44% Positiveness
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![I Was the Sun (Before It Was Cool) [Novakid Theme] cover art](https://i.scdn.co/image/ab67616d00001e02a35e6d903c8a7dd31c206cd5)
Curtis Schweitzer
I Was the Sun (Before It Was Cool) [Nova...
140 bpm • E min • 04:58 • -13.68db
38% Popularity • 51% Danceability • 49% Energy • 12% Liveness
95% Instrumentalness • 26% Positiveness
38% Popularity • 51% Danceability • 49% Energy • 12% Liveness
95% Instrumentalness • 26% Positiveness
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Phyrnna
Acruta Lao D'nor
140 bpm • D min • 02:03 • -12.57db
19% Popularity • 56% Danceability • 88% Energy • 25% Liveness
88% Instrumentalness • 86% Positiveness
19% Popularity • 56% Danceability • 88% Energy • 25% Liveness
88% Instrumentalness • 86% Positiveness
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Bignic
Gladius
140 bpm • D Maj • 05:29 • -7.46db
33% Popularity • 71% Danceability • 78% Energy • 12% Liveness
83% Instrumentalness • 52% Positiveness
33% Popularity • 71% Danceability • 78% Energy • 12% Liveness
83% Instrumentalness • 52% Positiveness
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Pascal Michael Stiefel
Rush Hour
140 bpm • B Maj • 05:15 • -7db
35% Popularity • 65% Danceability • 92% Energy • 8% Liveness
86% Instrumentalness • 48% Positiveness
35% Popularity • 65% Danceability • 92% Energy • 8% Liveness
86% Instrumentalness • 48% Positiveness
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Mittsies
Epitomize
140 bpm • D Maj • 04:20 • -11db
35% Popularity • 76% Danceability • 44% Energy • 12% Liveness
85% Instrumentalness • 30% Positiveness
35% Popularity • 76% Danceability • 44% Energy • 12% Liveness
85% Instrumentalness • 30% Positiveness
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Yoann Laulan
Prison Rooftop
140 bpm • C min • 06:51 • -19.1db
24% Popularity • 54% Danceability • 43% Energy • 9% Liveness
80% Instrumentalness • 17% Positiveness
24% Popularity • 54% Danceability • 43% Energy • 9% Liveness
80% Instrumentalness • 17% Positiveness
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Stuart Chatwood
The Senescence
140 bpm • C# Maj • 03:48 • -11db
28% Popularity • 56% Danceability • 76% Energy • 22% Liveness
89% Instrumentalness • 67% Positiveness
28% Popularity • 56% Danceability • 76% Energy • 22% Liveness
89% Instrumentalness • 67% Positiveness
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Phyrnna
As the Shadow
140 bpm • A min • 07:32 • -7.89db
14% Popularity • 38% Danceability • 98% Energy • 34% Liveness
88% Instrumentalness • 7% Positiveness
14% Popularity • 38% Danceability • 98% Energy • 34% Liveness
88% Instrumentalness • 7% Positiveness
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Magnus PÃ¥lsson
Positive Force
140 bpm • G# min • 02:50 • -7.43db
28% Popularity • 49% Danceability • 87% Energy • 24% Liveness
87% Instrumentalness • 75% Positiveness
28% Popularity • 49% Danceability • 87% Energy • 24% Liveness
87% Instrumentalness • 75% Positiveness
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A Shell In The Pit
Trilobyte (Game Version)
140 bpm • G Maj • 02:51 • -9.16db
16% Popularity • 55% Danceability • 82% Energy • 28% Liveness
71% Instrumentalness • 21% Positiveness
16% Popularity • 55% Danceability • 82% Energy • 28% Liveness
71% Instrumentalness • 21% Positiveness
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Jose Pavli
Showdown
140 bpm • C Maj • 03:09 • -9.24db
38% Popularity • 55% Danceability • 83% Energy • 67% Liveness
95% Instrumentalness • 75% Positiveness
38% Popularity • 55% Danceability • 83% Energy • 67% Liveness
95% Instrumentalness • 75% Positiveness
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Noah Giesler
Tuba Mech Warrior Boss Theme
140 bpm • F# min • 03:37 • -11.81db
28% Popularity • 35% Danceability • 64% Energy • 70% Liveness
82% Instrumentalness • 25% Positiveness
28% Popularity • 35% Danceability • 64% Energy • 70% Liveness
82% Instrumentalness • 25% Positiveness
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Danny Baranowsky
For Whom the Knell Tolls
140 bpm • G# min • 03:15 • -6.74db
26% Popularity • 48% Danceability • 87% Energy • 6% Liveness
78% Instrumentalness • 59% Positiveness
26% Popularity • 48% Danceability • 87% Energy • 6% Liveness
78% Instrumentalness • 59% Positiveness
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Frank Klepacki
Brain Freeze - Remastered
140 bpm • A min • 04:17 • -5.01db
27% Popularity • 56% Danceability • 90% Energy • 25% Liveness
81% Instrumentalness • 57% Positiveness
27% Popularity • 56% Danceability • 90% Energy • 25% Liveness
81% Instrumentalness • 57% Positiveness
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Phyrnna
Crystalis Fantasia
140 bpm • C min • 02:20 • -11.93db
19% Popularity • 57% Danceability • 86% Energy • 10% Liveness
90% Instrumentalness • 96% Positiveness
19% Popularity • 57% Danceability • 86% Energy • 10% Liveness
90% Instrumentalness • 96% Positiveness
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Skye Lewin
The Sanctified Mind
140 bpm • C Maj • 03:43 • -12.22db
34% Popularity • 47% Danceability • 81% Energy • 13% Liveness
83% Instrumentalness • 56% Positiveness
34% Popularity • 47% Danceability • 81% Energy • 13% Liveness
83% Instrumentalness • 56% Positiveness
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Jose Pavli
Professional Execution
140 bpm • G Maj • 02:33 • -9db
26% Popularity • 65% Danceability • 96% Energy • 8% Liveness
46% Instrumentalness • 77% Positiveness
26% Popularity • 65% Danceability • 96% Energy • 8% Liveness
46% Instrumentalness • 77% Positiveness
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Stuart Chatwood
All Things Must Come
140 bpm • G# Maj • 03:48 • -11db
31% Popularity • 45% Danceability • 80% Energy • 42% Liveness
89% Instrumentalness • 36% Positiveness
31% Popularity • 45% Danceability • 80% Energy • 42% Liveness
89% Instrumentalness • 36% Positiveness
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Danny Baranowsky
Momentum Mori
140 bpm • C# Maj • 02:49 • -10.61db
28% Popularity • 49% Danceability • 66% Energy • 10% Liveness
87% Instrumentalness • 62% Positiveness
28% Popularity • 49% Danceability • 66% Energy • 10% Liveness
87% Instrumentalness • 62% Positiveness
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Joel Nielsen
Blast Pit 3
130 bpm • C min • 01:32 • -8.99db
27% Popularity • 27% Danceability • 25% Energy • 32% Liveness
86% Instrumentalness • 4% Positiveness
27% Popularity • 27% Danceability • 25% Energy • 32% Liveness
86% Instrumentalness • 4% Positiveness
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Phyrnna
M3chanical C0n-D4mnation
140 bpm • C# Maj • 06:37 • -7.86db
28% Popularity • 59% Danceability • 96% Energy • 11% Liveness
94% Instrumentalness • 77% Positiveness
28% Popularity • 59% Danceability • 96% Energy • 11% Liveness
94% Instrumentalness • 77% Positiveness
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Christopher Larkin
The Grimm Troupe
140 bpm • D min • 02:18 • -8.58db
50% Popularity • 35% Danceability • 73% Energy • 8% Liveness
83% Instrumentalness • 42% Positiveness
50% Popularity • 35% Danceability • 73% Energy • 8% Liveness
83% Instrumentalness • 42% Positiveness
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morch kovalski
We've Got Hostiles
140 bpm • C# min • 04:48 • -4.99db
39% Popularity • 37% Danceability • 84% Energy • 7% Liveness
93% Instrumentalness • 33% Positiveness
39% Popularity • 37% Danceability • 84% Energy • 7% Liveness
93% Instrumentalness • 33% Positiveness
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SIE Sound Team
Omen
130 bpm • A# Maj • 02:07 • -20.63db
44% Popularity • 25% Danceability • 7% Energy • 9% Liveness
88% Instrumentalness • 7% Positiveness
44% Popularity • 25% Danceability • 7% Energy • 9% Liveness
88% Instrumentalness • 7% Positiveness
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Danny Baranowsky
Mausoleum Mash
140 bpm • G# Maj • 02:55 • -8db
35% Popularity • 58% Danceability • 81% Energy • 21% Liveness
80% Instrumentalness • 74% Positiveness
35% Popularity • 58% Danceability • 81% Energy • 21% Liveness
80% Instrumentalness • 74% Positiveness
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Tettix
The Traitor
130 bpm • F min • 03:39 • -17.31db
16% Popularity • 52% Danceability • 48% Energy • 11% Liveness
86% Instrumentalness • 16% Positiveness
16% Popularity • 52% Danceability • 48% Energy • 11% Liveness
86% Instrumentalness • 16% Positiveness
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Phyrnna
Petals of the Blade
140 bpm • G# Maj • 05:01 • -8.78db
16% Popularity • 52% Danceability • 74% Energy • 19% Liveness
92% Instrumentalness • 38% Positiveness
16% Popularity • 52% Danceability • 74% Energy • 19% Liveness
92% Instrumentalness • 38% Positiveness
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Sophus Alf Agerbæk-Larsen
RUN!
130 bpm • C Maj • 02:28 • -10.33db
45% Popularity • 59% Danceability • 62% Energy • 8% Liveness
79% Instrumentalness • 10% Positiveness
45% Popularity • 59% Danceability • 62% Energy • 8% Liveness
79% Instrumentalness • 10% Positiveness
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Doseone
Lead Lords Keep
130 bpm • C# Maj • 02:42 • -6db
20% Popularity • 53% Danceability • 93% Energy • 79% Liveness
94% Instrumentalness • 34% Positiveness
20% Popularity • 53% Danceability • 93% Energy • 79% Liveness
94% Instrumentalness • 34% Positiveness
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SIE Sound Team
Cleric Beast
140 bpm • D Maj • 03:04 • -12.51db
48% Popularity • 37% Danceability • 54% Energy • 42% Liveness
87% Instrumentalness • 7% Positiveness
48% Popularity • 37% Danceability • 54% Energy • 42% Liveness
87% Instrumentalness • 7% Positiveness
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Christopher Larkin
Nightmare King
130 bpm • A Maj • 02:50 • -8db
49% Popularity • 48% Danceability • 81% Energy • 30% Liveness
12% Instrumentalness • 37% Positiveness
49% Popularity • 48% Danceability • 81% Energy • 30% Liveness
12% Instrumentalness • 37% Positiveness
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Danny Baranowsky
Fungal Funk
130 bpm • E min • 02:40 • -8db
30% Popularity • 59% Danceability • 70% Energy • 12% Liveness
63% Instrumentalness • 65% Positiveness
30% Popularity • 59% Danceability • 70% Energy • 12% Liveness
63% Instrumentalness • 65% Positiveness
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The Tiberian Sons
The Devil's Spear
130 bpm • G min • 07:43 • -6.6db
32% Popularity • 50% Danceability • 90% Energy • 9% Liveness
78% Instrumentalness • 17% Positiveness
32% Popularity • 50% Danceability • 90% Energy • 9% Liveness
78% Instrumentalness • 17% Positiveness
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Mudeth
Flashpoint (Burning Basement)
130 bpm • C# Maj • 03:42 • -9db
27% Popularity • 53% Danceability • 84% Energy • 13% Liveness
70% Instrumentalness • 65% Positiveness
27% Popularity • 53% Danceability • 84% Energy • 13% Liveness
70% Instrumentalness • 65% Positiveness
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Bill Kiley
Chinatown
130 bpm • A# min • 06:02 • -7db
35% Popularity • 56% Danceability • 96% Energy • 11% Liveness
80% Instrumentalness • 36% Positiveness
35% Popularity • 56% Danceability • 96% Energy • 11% Liveness
80% Instrumentalness • 36% Positiveness
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Jose Pavli
Kings
130 bpm • A min • 07:04 • -11.45db
38% Popularity • 42% Danceability • 88% Energy • 48% Liveness
45% Instrumentalness • 24% Positiveness
38% Popularity • 42% Danceability • 88% Energy • 48% Liveness
45% Instrumentalness • 24% Positiveness
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Thomas Happ
Without Place
130 bpm • D Maj • 04:19 • -9.46db
15% Popularity • 54% Danceability • 56% Energy • 13% Liveness
38% Instrumentalness • 7% Positiveness
15% Popularity • 54% Danceability • 56% Energy • 13% Liveness
38% Instrumentalness • 7% Positiveness
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Danny Baranowsky
Crypteque
130 bpm • C# Maj • 02:45 • -6.62db
44% Popularity • 55% Danceability • 85% Energy • 7% Liveness
65% Instrumentalness • 65% Positiveness
44% Popularity • 55% Danceability • 85% Energy • 7% Liveness
65% Instrumentalness • 65% Positiveness
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SEGA SOUND TEAM
Force Addiction
130 bpm • B min • 02:26 • -7.67db
37% Popularity • 42% Danceability • 98% Energy • 36% Liveness
93% Instrumentalness • 53% Positiveness
37% Popularity • 42% Danceability • 98% Energy • 36% Liveness
93% Instrumentalness • 53% Positiveness
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Andrew Hulshult
Hot Spot
130 bpm • C# min • 03:15 • -10.65db
14% Popularity • 52% Danceability • 82% Energy • 11% Liveness
60% Instrumentalness • 10% Positiveness
14% Popularity • 52% Danceability • 82% Energy • 11% Liveness
60% Instrumentalness • 10% Positiveness
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Frank Klepacki
Destroy
130 bpm • A Maj • 04:38 • -10.11db
30% Popularity • 66% Danceability • 84% Energy • 34% Liveness
72% Instrumentalness • 81% Positiveness
30% Popularity • 66% Danceability • 84% Energy • 34% Liveness
72% Instrumentalness • 81% Positiveness
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Chris Christodoulou
Lacrimosum
141 bpm • C Maj • 03:03 • -21db
37% Popularity • 21% Danceability • 21% Energy • 39% Liveness
91% Instrumentalness • 7% Positiveness
37% Popularity • 21% Danceability • 21% Energy • 39% Liveness
91% Instrumentalness • 7% Positiveness
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Castlevania Sound Team
Divine Bloodlines / from Akumajo Dracula...
140 bpm • C# Maj • 01:47 • -6.33db
39% Popularity • 44% Danceability • 96% Energy • 12% Liveness
86% Instrumentalness • 78% Positiveness
39% Popularity • 44% Danceability • 96% Energy • 12% Liveness
86% Instrumentalness • 78% Positiveness
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Danny Baranowsky
Rhythmortis
130 bpm • C Maj • 02:29 • -8.7db
33% Popularity • 79% Danceability • 65% Energy • 6% Liveness
85% Instrumentalness • 97% Positiveness
33% Popularity • 79% Danceability • 65% Energy • 6% Liveness
85% Instrumentalness • 97% Positiveness
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Yusuke Yamauchi
Battle Dance
141 bpm • B Maj • 04:19 • -6.32db
16% Popularity • 37% Danceability • 89% Energy • 35% Liveness
82% Instrumentalness • 41% Positiveness
16% Popularity • 37% Danceability • 89% Energy • 35% Liveness
82% Instrumentalness • 41% Positiveness
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Simon Viklund
Tick Tock
129 bpm • C# Maj • 02:46 • -8db
34% Popularity • 60% Danceability • 91% Energy • 26% Liveness
69% Instrumentalness • 12% Positiveness
34% Popularity • 60% Danceability • 91% Energy • 26% Liveness
69% Instrumentalness • 12% Positiveness
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Akihiko Narita
Lock & Load (ãƒ–ãƒ¬ã‚¤ãƒ‰ç™»å ´ã€œæ±Žç”¨...
129 bpm • A min • 04:08 • -4.38db
24% Popularity • 39% Danceability • 96% Energy • 18% Liveness
89% Instrumentalness • 20% Positiveness
24% Popularity • 39% Danceability • 96% Energy • 18% Liveness
89% Instrumentalness • 20% Positiveness
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Jake Kaufman
An Underlying Problem (The Lost City)
129 bpm • F# min • 03:48 • -2.64db
26% Popularity • 46% Danceability • 99% Energy • 12% Liveness
95% Instrumentalness • 92% Positiveness
26% Popularity • 46% Danceability • 99% Energy • 12% Liveness
95% Instrumentalness • 92% Positiveness
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Adam Schneider
Warlock
142 bpm • D Maj • 03:52 • -5.51db
19% Popularity • 49% Danceability • 99% Energy • 9% Liveness
80% Instrumentalness • 53% Positiveness
19% Popularity • 49% Danceability • 99% Energy • 9% Liveness
80% Instrumentalness • 53% Positiveness
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Danny Baranowsky
Betus Blues (Ch 2 Light World)
130 bpm • A# min • 03:12 • -6.17db
32% Popularity • 54% Danceability • 88% Energy • 62% Liveness
95% Instrumentalness • 66% Positiveness
32% Popularity • 54% Danceability • 88% Energy • 62% Liveness
95% Instrumentalness • 66% Positiveness
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Capcom Sound Team
LOCK & LOAD ORIGINAL
142 bpm • A Maj • 02:51 • -7.54db
29% Popularity • 53% Danceability • 97% Energy • 22% Liveness
80% Instrumentalness • 70% Positiveness
29% Popularity • 53% Danceability • 97% Energy • 22% Liveness
80% Instrumentalness • 70% Positiveness
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Castlevania Sound Team
Bloody Tears
128 bpm • A# min • 03:24 • -6.31db
43% Popularity • 44% Danceability • 94% Energy • 3% Liveness
75% Instrumentalness • 65% Positiveness
43% Popularity • 44% Danceability • 94% Energy • 3% Liveness
75% Instrumentalness • 65% Positiveness
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Doseone
Black Powder Stomp
128 bpm • G# Maj • 02:32 • -5.68db
18% Popularity • 45% Danceability • 96% Energy • 46% Liveness
98% Instrumentalness • 40% Positiveness
18% Popularity • 45% Danceability • 96% Energy • 46% Liveness
98% Instrumentalness • 40% Positiveness
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Jake Kaufman
Hidden by Night (Lich Yard)
129 bpm • C# min • 05:13 • -0.12db
29% Popularity • 42% Danceability • 100% Energy • 12% Liveness
97% Instrumentalness • 78% Positiveness
29% Popularity • 42% Danceability • 100% Energy • 12% Liveness
97% Instrumentalness • 78% Positiveness
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Phyrnna
Return of the Snow Queen
128 bpm • C min • 04:35 • -7.18db
22% Popularity • 56% Danceability • 79% Energy • 11% Liveness
88% Instrumentalness • 34% Positiveness
22% Popularity • 56% Danceability • 79% Energy • 11% Liveness
88% Instrumentalness • 34% Positiveness
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Danny Baranowsky
Styx and Stones
130 bpm • B min • 03:02 • -8.35db
27% Popularity • 52% Danceability • 86% Energy • 43% Liveness
70% Instrumentalness • 14% Positiveness
27% Popularity • 52% Danceability • 86% Energy • 43% Liveness
70% Instrumentalness • 14% Positiveness
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Pascal Michael Stiefel
Trainwreck of Electro Swing (Remix)
128 bpm • G Maj • 04:07 • -9.02db
42% Popularity • 74% Danceability • 84% Energy • 56% Liveness
67% Instrumentalness • 74% Positiveness
42% Popularity • 74% Danceability • 84% Energy • 56% Liveness
67% Instrumentalness • 74% Positiveness
