Songs like My Kinda Girl by Beres Hammond
Based on a tempo of (+/- 10%) and a similar genre
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I Wayne
Touch Her Softly
84 bpm • C# Maj • 03:42 • -11db
25% Popularity • 84% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
25% Popularity • 84% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
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Peter Hunnigale
Find A Way
84 bpm • A Maj • 03:05 • -6.62db
15% Popularity • 79% Danceability • 65% Energy • 6% Liveness
0% Instrumentalness • 84% Positiveness
15% Popularity • 79% Danceability • 65% Energy • 6% Liveness
0% Instrumentalness • 84% Positiveness
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Beres Hammond
My Kinda Girl
84 bpm • A# Maj • 04:14 • -3.57db
45% Popularity • 68% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
45% Popularity • 68% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
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Maxi Priest
I Believe in Love
84 bpm • E min • 03:35 • -11db
29% Popularity • 72% Danceability • 46% Energy • 9% Liveness
1% Instrumentalness • 55% Positiveness
29% Popularity • 72% Danceability • 46% Energy • 9% Liveness
1% Instrumentalness • 55% Positiveness
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Cocoa Tea
Come Again
84 bpm • C# Maj • 03:24 • -6db
33% Popularity • 78% Danceability • 62% Energy • 31% Liveness
0% Instrumentalness • 62% Positiveness
33% Popularity • 78% Danceability • 62% Energy • 31% Liveness
0% Instrumentalness • 62% Positiveness
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Duane Stephenson
African Woman
84 bpm • E min • 03:21 • -4.4db
20% Popularity • 62% Danceability • 60% Energy • 16% Liveness
0% Instrumentalness • 60% Positiveness
20% Popularity • 62% Danceability • 60% Energy • 16% Liveness
0% Instrumentalness • 60% Positiveness
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Singing Melody
Say What
84 bpm • B Maj • 03:33 • -3.86db
36% Popularity • 57% Danceability • 62% Energy • 18% Liveness
0% Instrumentalness • 69% Positiveness
36% Popularity • 57% Danceability • 62% Energy • 18% Liveness
0% Instrumentalness • 69% Positiveness
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Queen Ifrica
Below the Waist
84 bpm • G Maj • 03:36 • -5.16db
36% Popularity • 58% Danceability • 68% Energy • 47% Liveness
0% Instrumentalness • 43% Positiveness
36% Popularity • 58% Danceability • 68% Energy • 47% Liveness
0% Instrumentalness • 43% Positiveness
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Tanya Stephens
Handle The Ride
84 bpm • A# Maj • 03:23 • -7.29db
33% Popularity • 60% Danceability • 52% Energy • 15% Liveness
0% Instrumentalness • 82% Positiveness
33% Popularity • 60% Danceability • 52% Energy • 15% Liveness
0% Instrumentalness • 82% Positiveness
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Beres Hammond
Rock Away
84 bpm • G# Maj • 03:59 • -6db
55% Popularity • 72% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
55% Popularity • 72% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
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Loyal Flames
Break Free
84 bpm • C Maj • 04:19 • -6.97db
33% Popularity • 54% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
33% Popularity • 54% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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Exco Levi
Jah Nah Sleep
84 bpm • D min • 02:44 • -8db
32% Popularity • 67% Danceability • 56% Energy • 32% Liveness
0% Instrumentalness • 60% Positiveness
32% Popularity • 67% Danceability • 56% Energy • 32% Liveness
0% Instrumentalness • 60% Positiveness
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Peter Hunnigale
Perfect Lady
84 bpm • A# Maj • 03:42 • -13.35db
16% Popularity • 80% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
16% Popularity • 80% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
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Queen Ifrica
To See
84 bpm • C min • 03:44 • -3.5db
39% Popularity • 52% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 72% Positiveness
39% Popularity • 52% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 72% Positiveness
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Tony Rebel
Know Jah
84 bpm • B min • 03:43 • -5.32db
30% Popularity • 75% Danceability • 49% Energy • 4% Liveness
0% Instrumentalness • 66% Positiveness
30% Popularity • 75% Danceability • 49% Energy • 4% Liveness
0% Instrumentalness • 66% Positiveness
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Beres Hammond
Try if You Want
84 bpm • A min • 03:50 • -6.22db
27% Popularity • 69% Danceability • 56% Energy • 23% Liveness
0% Instrumentalness • 67% Positiveness
27% Popularity • 69% Danceability • 56% Energy • 23% Liveness
0% Instrumentalness • 67% Positiveness
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Cocoa Tea
Who She Love
84 bpm • C# min • 03:09 • -4.65db
24% Popularity • 64% Danceability • 68% Energy • 3% Liveness
0% Instrumentalness • 69% Positiveness
24% Popularity • 64% Danceability • 68% Energy • 3% Liveness
0% Instrumentalness • 69% Positiveness
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Don Campbell
Dance with My Father
84 bpm • A# Maj • 04:15 • -5.75db
24% Popularity • 74% Danceability • 52% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
24% Popularity • 74% Danceability • 52% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
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Wayne Wonder
Bonifide Love
84 bpm • G Maj • 03:49 • -5.62db
39% Popularity • 69% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
39% Popularity • 69% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Buju Banton
Little More Time
84 bpm • A# min • 03:59 • -4.52db
21% Popularity • 68% Danceability • 83% Energy • 18% Liveness
0% Instrumentalness • 57% Positiveness
21% Popularity • 68% Danceability • 83% Energy • 18% Liveness
0% Instrumentalness • 57% Positiveness
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Frankie Paul
Shub In
83 bpm • G# Maj • 03:56 • -6.75db
20% Popularity • 82% Danceability • 60% Energy • 6% Liveness
0% Instrumentalness • 73% Positiveness
20% Popularity • 82% Danceability • 60% Energy • 6% Liveness
0% Instrumentalness • 73% Positiveness
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Beres Hammond
All Love
83 bpm • G# Maj • 04:13 • -3.33db
10% Popularity • 64% Danceability • 69% Energy • 7% Liveness
0% Instrumentalness • 69% Positiveness
10% Popularity • 64% Danceability • 69% Energy • 7% Liveness
0% Instrumentalness • 69% Positiveness
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Roger Robin
For Life
85 bpm • D# min • 03:49 • -6.96db
16% Popularity • 77% Danceability • 52% Energy • 32% Liveness
0% Instrumentalness • 93% Positiveness
16% Popularity • 77% Danceability • 52% Energy • 32% Liveness
0% Instrumentalness • 93% Positiveness
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I Wayne
Drugs and Rum Vibes
85 bpm • C# Maj • 03:39 • -5.37db
23% Popularity • 64% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 78% Positiveness
23% Popularity • 64% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 78% Positiveness
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Duane Stephenson
Rasta For I
85 bpm • C# min • 03:55 • -4.02db
26% Popularity • 56% Danceability • 69% Energy • 15% Liveness
0% Instrumentalness • 71% Positiveness
26% Popularity • 56% Danceability • 69% Energy • 15% Liveness
0% Instrumentalness • 71% Positiveness
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Garnett Silk
It's Growing
83 bpm • E min • 03:39 • -12.39db
42% Popularity • 83% Danceability • 33% Energy • 6% Liveness
0% Instrumentalness • 83% Positiveness
42% Popularity • 83% Danceability • 33% Energy • 6% Liveness
0% Instrumentalness • 83% Positiveness
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Barrington Levy
She's Mine
85 bpm • F# min • 03:59 • -13.72db
16% Popularity • 81% Danceability • 35% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
16% Popularity • 81% Danceability • 35% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
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Beres Hammond
Falling in Love All over Again
85 bpm • C# Maj • 04:04 • -15.33db
31% Popularity • 74% Danceability • 30% Energy • 32% Liveness
0% Instrumentalness • 68% Positiveness
31% Popularity • 74% Danceability • 30% Energy • 32% Liveness
0% Instrumentalness • 68% Positiveness
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Iba Mahr
Great is H.I.M - Remastered
83 bpm • A min • 04:36 • -2.2db
29% Popularity • 54% Danceability • 84% Energy • 43% Liveness
0% Instrumentalness • 84% Positiveness
29% Popularity • 54% Danceability • 84% Energy • 43% Liveness
0% Instrumentalness • 84% Positiveness
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Agent Sasco (Assassin)
Winning Right Now
83 bpm • C Maj • 04:08 • -6.51db
28% Popularity • 68% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 89% Positiveness
28% Popularity • 68% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 89% Positiveness
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Kashief Lindo
You're Just Right
83 bpm • D Maj • 03:44 • -5.57db
24% Popularity • 72% Danceability • 56% Energy • 55% Liveness
0% Instrumentalness • 71% Positiveness
24% Popularity • 72% Danceability • 56% Energy • 55% Liveness
0% Instrumentalness • 71% Positiveness
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Bitty McLean
Let's Make Up
83 bpm • F# Maj • 04:51 • -6.95db
30% Popularity • 73% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 97% Positiveness
30% Popularity • 73% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 97% Positiveness
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Kelvin Dixon
Let Get It On
85 bpm • G# Maj • 03:43 • -6.76db
27% Popularity • 62% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
27% Popularity • 62% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Beres Hammond
Double Trouble
85 bpm • C# Maj • 03:32 • -12.29db
28% Popularity • 70% Danceability • 42% Energy • 26% Liveness
0% Instrumentalness • 70% Positiveness
28% Popularity • 70% Danceability • 42% Energy • 26% Liveness
0% Instrumentalness • 70% Positiveness
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Barrington Levy
She's Mine
85 bpm • A Maj • 03:54 • -6.31db
34% Popularity • 78% Danceability • 66% Energy • 19% Liveness
0% Instrumentalness • 67% Positiveness
34% Popularity • 78% Danceability • 66% Energy • 19% Liveness
0% Instrumentalness • 67% Positiveness
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Everton Blender
Blen' Dem
85 bpm • E min • 03:38 • -8db
30% Popularity • 86% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
30% Popularity • 86% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
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Fantan Mojah
Thanks and Praises
85 bpm • D min • 03:41 • -9.88db
34% Popularity • 72% Danceability • 47% Energy • 25% Liveness
0% Instrumentalness • 74% Positiveness
34% Popularity • 72% Danceability • 47% Energy • 25% Liveness
0% Instrumentalness • 74% Positiveness
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Bitty McLean
Games
83 bpm • A# min • 05:18 • -8.38db
35% Popularity • 80% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
35% Popularity • 80% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
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Jahmali
Real Issues
83 bpm • F Maj • 04:20 • -6.24db
25% Popularity • 71% Danceability • 64% Energy • 24% Liveness
0% Instrumentalness • 80% Positiveness
25% Popularity • 71% Danceability • 64% Energy • 24% Liveness
0% Instrumentalness • 80% Positiveness
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Beres Hammond
Come Back Home
83 bpm • F min • 03:35 • -9.97db
31% Popularity • 79% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 83% Positiveness
31% Popularity • 79% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 83% Positiveness
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JR Kenna
If Not Today
83 bpm • G Maj • 04:16 • -6.47db
15% Popularity • 65% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
15% Popularity • 65% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
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Samory I
With You
83 bpm • F# Maj • 05:02 • -5.57db
25% Popularity • 48% Danceability • 69% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
25% Popularity • 48% Danceability • 69% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
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Fantan Mojah
Thanks & Praise
85 bpm • D min • 03:47 • -6.06db
42% Popularity • 72% Danceability • 59% Energy • 31% Liveness
0% Instrumentalness • 79% Positiveness
42% Popularity • 72% Danceability • 59% Energy • 31% Liveness
0% Instrumentalness • 79% Positiveness
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Bushman
Your Love
85 bpm • A# Maj • 03:47 • -4.82db
26% Popularity • 73% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
26% Popularity • 73% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
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Bitty McLean
Make It With You
85 bpm • C Maj • 04:19 • -7.77db
21% Popularity • 62% Danceability • 46% Energy • 7% Liveness
3% Instrumentalness • 56% Positiveness
21% Popularity • 62% Danceability • 46% Energy • 7% Liveness
3% Instrumentalness • 56% Positiveness
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Tapper Zukie
Stress
85 bpm • B Maj • 03:33 • -5.96db
20% Popularity • 65% Danceability • 66% Energy • 34% Liveness
0% Instrumentalness • 60% Positiveness
20% Popularity • 65% Danceability • 66% Energy • 34% Liveness
0% Instrumentalness • 60% Positiveness
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Irie Souljah
Who is The Immigrant
85 bpm • F Maj • 04:05 • -7.72db
24% Popularity • 67% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 78% Positiveness
24% Popularity • 67% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 78% Positiveness
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Buju Banton
Who Say
85 bpm • C# Maj • 03:56 • -14.87db
38% Popularity • 67% Danceability • 29% Energy • 21% Liveness
0% Instrumentalness • 70% Positiveness
38% Popularity • 67% Danceability • 29% Energy • 21% Liveness
0% Instrumentalness • 70% Positiveness
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Naomi Cowan
Paradise Plum
83 bpm • F# Maj • 03:23 • -5.12db
28% Popularity • 72% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
28% Popularity • 72% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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I Wayne
Death Game
85 bpm • F# min • 03:43 • -6.52db
33% Popularity • 85% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
33% Popularity • 85% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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Natural Black
Far From Reality
85 bpm • D min • 03:02 • -6db
38% Popularity • 81% Danceability • 60% Energy • 16% Liveness
0% Instrumentalness • 70% Positiveness
38% Popularity • 81% Danceability • 60% Energy • 16% Liveness
0% Instrumentalness • 70% Positiveness
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Richie Stephens
Color of Love
85 bpm • A Maj • 03:59 • -4.49db
23% Popularity • 77% Danceability • 70% Energy • 49% Liveness
0% Instrumentalness • 63% Positiveness
23% Popularity • 77% Danceability • 70% Energy • 49% Liveness
0% Instrumentalness • 63% Positiveness
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Horace Andy
Seek Jah
85 bpm • A Maj • 04:12 • -6.13db
33% Popularity • 67% Danceability • 65% Energy • 28% Liveness
0% Instrumentalness • 72% Positiveness
33% Popularity • 67% Danceability • 65% Energy • 28% Liveness
0% Instrumentalness • 72% Positiveness
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Don Campbell
Never Burn Your Bridges
83 bpm • G Maj • 03:56 • -7db
34% Popularity • 64% Danceability • 62% Energy • 27% Liveness
0% Instrumentalness • 62% Positiveness
34% Popularity • 64% Danceability • 62% Energy • 27% Liveness
0% Instrumentalness • 62% Positiveness
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Peter Spence
All I Have
85 bpm • C Maj • 03:47 • -7.24db
14% Popularity • 59% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
14% Popularity • 59% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
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Half Pint
Winsome
83 bpm • D Maj • 03:20 • -11.68db
31% Popularity • 76% Danceability • 34% Energy • 31% Liveness
0% Instrumentalness • 68% Positiveness
31% Popularity • 76% Danceability • 34% Energy • 31% Liveness
0% Instrumentalness • 68% Positiveness
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Natural Black
In My Bed
83 bpm • A Maj • 03:12 • -3.74db
26% Popularity • 74% Danceability • 52% Energy • 20% Liveness
0% Instrumentalness • 56% Positiveness
26% Popularity • 74% Danceability • 52% Energy • 20% Liveness
0% Instrumentalness • 56% Positiveness
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Kashief Lindo
No Can Do
85 bpm • G# Maj • 03:17 • -8.7db
35% Popularity • 74% Danceability • 41% Energy • 38% Liveness
0% Instrumentalness • 75% Positiveness
35% Popularity • 74% Danceability • 41% Energy • 38% Liveness
0% Instrumentalness • 75% Positiveness
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Pressure
Reset & Restore
83 bpm • A min • 03:34 • -4db
15% Popularity • 64% Danceability • 85% Energy • 19% Liveness
0% Instrumentalness • 61% Positiveness
15% Popularity • 64% Danceability • 85% Energy • 19% Liveness
0% Instrumentalness • 61% Positiveness
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Queen Ifrica
What A Night
83 bpm • G Maj • 03:48 • -7.35db
35% Popularity • 57% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
35% Popularity • 57% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
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Tony Curtis
Sweet Lady
85 bpm • G Maj • 03:39 • -7.82db
28% Popularity • 78% Danceability • 61% Energy • 3% Liveness
0% Instrumentalness • 59% Positiveness
28% Popularity • 78% Danceability • 61% Energy • 3% Liveness
0% Instrumentalness • 59% Positiveness
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Wickerman
Dis Ya One Ya Come
83 bpm • F Maj • 03:58 • -3.69db
12% Popularity • 68% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
12% Popularity • 68% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
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Iba Mahr
Dollar Sign
83 bpm • F Maj • 03:31 • -7.1db
12% Popularity • 60% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
12% Popularity • 60% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
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Beres Hammond
I'm Alive
85 bpm • F# Maj • 03:59 • -2.33db
18% Popularity • 64% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
18% Popularity • 64% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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Samory I
Call on Jah
83 bpm • A# min • 03:44 • -5.69db
32% Popularity • 56% Danceability • 74% Energy • 30% Liveness
0% Instrumentalness • 82% Positiveness
32% Popularity • 56% Danceability • 74% Energy • 30% Liveness
0% Instrumentalness • 82% Positiveness
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Thriller U
My Love
83 bpm • F# min • 03:24 • -6db
27% Popularity • 69% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 72% Positiveness
27% Popularity • 69% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 72% Positiveness
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Don Campbell
See It In Your Eyes
83 bpm • B Maj • 03:54 • -13db
37% Popularity • 80% Danceability • 21% Energy • 29% Liveness
10% Instrumentalness • 66% Positiveness
37% Popularity • 80% Danceability • 21% Energy • 29% Liveness
10% Instrumentalness • 66% Positiveness
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Frankie Paul
When Somebody Loves You Back
83 bpm • B Maj • 03:24 • -6.55db
30% Popularity • 89% Danceability • 49% Energy • 17% Liveness
0% Instrumentalness • 72% Positiveness
30% Popularity • 89% Danceability • 49% Energy • 17% Liveness
0% Instrumentalness • 72% Positiveness
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Tyrone Taylor
Members Only
83 bpm • A Maj • 03:45 • -6db
25% Popularity • 75% Danceability • 55% Energy • 17% Liveness
0% Instrumentalness • 87% Positiveness
25% Popularity • 75% Danceability • 55% Energy • 17% Liveness
0% Instrumentalness • 87% Positiveness
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Koffee
Pressure (Remix)
83 bpm • F min • 03:58 • -3.17db
39% Popularity • 53% Danceability • 77% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
39% Popularity • 53% Danceability • 77% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
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Bitty McLean
Let Them Say
83 bpm • G Maj • 04:20 • -4.3db
24% Popularity • 59% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
24% Popularity • 59% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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Beres Hammond
Show It Off
83 bpm • D# Maj • 04:06 • -5.34db
30% Popularity • 66% Danceability • 52% Energy • 29% Liveness
0% Instrumentalness • 39% Positiveness
30% Popularity • 66% Danceability • 52% Energy • 29% Liveness
0% Instrumentalness • 39% Positiveness
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Don Campbell
See It In Your Eyes
83 bpm • B Maj • 04:03 • -6.08db
22% Popularity • 79% Danceability • 39% Energy • 34% Liveness
3% Instrumentalness • 62% Positiveness
22% Popularity • 79% Danceability • 39% Energy • 34% Liveness
3% Instrumentalness • 62% Positiveness
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I Wayne
Lava Ground
83 bpm • A Maj • 04:06 • -5.11db
36% Popularity • 68% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 65% Positiveness
36% Popularity • 68% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 65% Positiveness
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Everton Blender
Stone Love Sound
86 bpm • B min • 01:18 • -5db
37% Popularity • 44% Danceability • 86% Energy • 84% Liveness
0% Instrumentalness • 76% Positiveness
37% Popularity • 44% Danceability • 86% Energy • 84% Liveness
0% Instrumentalness • 76% Positiveness
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Junior Kelly
Baby Can We Meet
82 bpm • C# Maj • 03:50 • -6.13db
28% Popularity • 74% Danceability • 62% Energy • 28% Liveness
0% Instrumentalness • 85% Positiveness
28% Popularity • 74% Danceability • 62% Energy • 28% Liveness
0% Instrumentalness • 85% Positiveness
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Barrington Levy
Too Experienced
86 bpm • A# min • 03:21 • -10.91db
42% Popularity • 82% Danceability • 35% Energy • 4% Liveness
0% Instrumentalness • 65% Positiveness
42% Popularity • 82% Danceability • 35% Energy • 4% Liveness
0% Instrumentalness • 65% Positiveness
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D-Major
Real Know Real
86 bpm • E Maj • 03:56 • -2.04db
28% Popularity • 42% Danceability • 86% Energy • 39% Liveness
0% Instrumentalness • 78% Positiveness
28% Popularity • 42% Danceability • 86% Energy • 39% Liveness
0% Instrumentalness • 78% Positiveness
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Beres Hammond
Give It All You've Got
86 bpm • G Maj • 03:59 • -5.6db
30% Popularity • 65% Danceability • 56% Energy • 15% Liveness
0% Instrumentalness • 24% Positiveness
30% Popularity • 65% Danceability • 56% Energy • 15% Liveness
0% Instrumentalness • 24% Positiveness
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I Wayne
Need Her In I Arms
82 bpm • F min • 03:31 • -7.65db
38% Popularity • 67% Danceability • 64% Energy • 36% Liveness
0% Instrumentalness • 59% Positiveness
38% Popularity • 67% Danceability • 64% Energy • 36% Liveness
0% Instrumentalness • 59% Positiveness
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Cameal Davis
Love Means Never To Say You Are Sorry
82 bpm • E Maj • 04:43 • -4.76db
20% Popularity • 56% Danceability • 63% Energy • 21% Liveness
0% Instrumentalness • 46% Positiveness
20% Popularity • 56% Danceability • 63% Energy • 21% Liveness
0% Instrumentalness • 46% Positiveness
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Junior Kelly
Love You Like That (someone Loves You Ho...
82 bpm • G Maj • 03:47 • -4.28db
24% Popularity • 74% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
24% Popularity • 74% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
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Don Campbell
Wind Beneath My Wings
82 bpm • G Maj • 03:39 • -3.76db
21% Popularity • 81% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
21% Popularity • 81% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
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Maxi Priest
Never Meet A Woman Like You
86 bpm • G Maj • 03:50 • -5.76db
11% Popularity • 73% Danceability • 56% Energy • 4% Liveness
0% Instrumentalness • 27% Positiveness
11% Popularity • 73% Danceability • 56% Energy • 4% Liveness
0% Instrumentalness • 27% Positiveness
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Lloyd Brown
It's A Love Thing
82 bpm • C# Maj • 03:51 • -6.76db
27% Popularity • 79% Danceability • 52% Energy • 26% Liveness
0% Instrumentalness • 76% Positiveness
27% Popularity • 79% Danceability • 52% Energy • 26% Liveness
0% Instrumentalness • 76% Positiveness
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Beres Hammond
Tempted to Touch
82 bpm • C Maj • 03:48 • -16.57db
47% Popularity • 73% Danceability • 47% Energy • 3% Liveness
0% Instrumentalness • 67% Positiveness
47% Popularity • 73% Danceability • 47% Energy • 3% Liveness
0% Instrumentalness • 67% Positiveness
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Tony Tuff
Girl I've Got To Get You
82 bpm • C Maj • 03:56 • -6db
25% Popularity • 86% Danceability • 82% Energy • 5% Liveness
0% Instrumentalness • 79% Positiveness
25% Popularity • 86% Danceability • 82% Energy • 5% Liveness
0% Instrumentalness • 79% Positiveness
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Queen Ifrica
Below The Waist
82 bpm • G Maj • 03:35 • -5.37db
36% Popularity • 57% Danceability • 69% Energy • 32% Liveness
0% Instrumentalness • 32% Positiveness
36% Popularity • 57% Danceability • 69% Energy • 32% Liveness
0% Instrumentalness • 32% Positiveness
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Richie Stephens
Trying To Get To You
82 bpm • C Maj • 03:23 • -6db
36% Popularity • 75% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
36% Popularity • 75% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
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Pressure Busspipe
Once Again
82 bpm • F# Maj • 04:37 • -6.28db
16% Popularity • 56% Danceability • 59% Energy • 15% Liveness
0% Instrumentalness • 75% Positiveness
16% Popularity • 56% Danceability • 59% Energy • 15% Liveness
0% Instrumentalness • 75% Positiveness
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Tony Rebel
Fresh Vegetable
82 bpm • C Maj • 03:49 • -5db
42% Popularity • 85% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
42% Popularity • 85% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
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Beres Hammond
Love Mi Haffi Get
82 bpm • C Maj • 03:43 • -4.78db
45% Popularity • 85% Danceability • 81% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
45% Popularity • 85% Danceability • 81% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
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Bitty McLean
So in love
82 bpm • G Maj • 03:58 • -10.67db
24% Popularity • 72% Danceability • 53% Energy • 7% Liveness
0% Instrumentalness • 35% Positiveness
24% Popularity • 72% Danceability • 53% Energy • 7% Liveness
0% Instrumentalness • 35% Positiveness
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Peetah Morgan
My Makeda
82 bpm • G min • 03:22 • -5db
38% Popularity • 62% Danceability • 76% Energy • 20% Liveness
0% Instrumentalness • 96% Positiveness
38% Popularity • 62% Danceability • 76% Energy • 20% Liveness
0% Instrumentalness • 96% Positiveness
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Terry Linen
Call On A Friend
86 bpm • G Maj • 04:08 • -5.8db
21% Popularity • 60% Danceability • 53% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
21% Popularity • 60% Danceability • 53% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
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Cocoa Tea
Good Life
82 bpm • C Maj • 04:04 • -11db
38% Popularity • 82% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
38% Popularity • 82% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
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Ginjah
Never Lost My Way
82 bpm • G Maj • 03:57 • -4.47db
34% Popularity • 66% Danceability • 65% Energy • 33% Liveness
0% Instrumentalness • 56% Positiveness
34% Popularity • 66% Danceability • 65% Energy • 33% Liveness
0% Instrumentalness • 56% Positiveness
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Beres Hammond
I Will Take You There
86 bpm • A Maj • 04:03 • -5.02db
10% Popularity • 51% Danceability • 71% Energy • 20% Liveness
0% Instrumentalness • 56% Positiveness
10% Popularity • 51% Danceability • 71% Energy • 20% Liveness
0% Instrumentalness • 56% Positiveness
