Songs like My Lagan Love/She Moved Through The Fair by VOCES8
Based on a tempo of (+/- 10%) and a similar genre
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Henry Purcell
To the Hills and the Vales
139 bpm • B Maj • 02:30 • -16.49db
9% Popularity • 35% Danceability • 20% Energy • 27% Liveness
0% Instrumentalness • 58% Positiveness
9% Popularity • 35% Danceability • 20% Energy • 27% Liveness
0% Instrumentalness • 58% Positiveness
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Patrick Hawes
Quanta Qualia
139 bpm • D# Maj • 05:00 • -21.7db
12% Popularity • 14% Danceability • 5% Energy • 22% Liveness
43% Instrumentalness • 4% Positiveness
12% Popularity • 14% Danceability • 5% Energy • 22% Liveness
43% Instrumentalness • 4% Positiveness
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Ólafur Arnalds
nyepi - choir version
139 bpm • E Maj • 04:11 • -24.95db
28% Popularity • 15% Danceability • 6% Energy • 13% Liveness
98% Instrumentalness • 4% Positiveness
28% Popularity • 15% Danceability • 6% Energy • 13% Liveness
98% Instrumentalness • 4% Positiveness
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Fredrik Sjölin
Shore
139 bpm • G min • 02:50 • -21.53db
24% Popularity • 15% Danceability • 7% Energy • 12% Liveness
73% Instrumentalness • 4% Positiveness
24% Popularity • 15% Danceability • 7% Energy • 12% Liveness
73% Instrumentalness • 4% Positiveness
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Anna Lapwood
O Nata Lux
139 bpm • C Maj • 04:02 • -29.84db
14% Popularity • 15% Danceability • 2% Energy • 7% Liveness
95% Instrumentalness • 3% Positiveness
14% Popularity • 15% Danceability • 2% Energy • 7% Liveness
95% Instrumentalness • 3% Positiveness
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Vicente Lusitano
Regina caeli
139 bpm • G# Maj • 04:11 • -22.47db
30% Popularity • 18% Danceability • 13% Energy • 6% Liveness
0% Instrumentalness • 10% Positiveness
30% Popularity • 18% Danceability • 13% Energy • 6% Liveness
0% Instrumentalness • 10% Positiveness
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The Tallis Scholars
Tallis: Spem in Alium - 3. Respice
140 bpm • B min • 00:59 • -22db
40% Popularity • 14% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
40% Popularity • 14% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
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Anton Bruckner
Os justi
138 bpm • C Maj • 04:42 • -24db
29% Popularity • 16% Danceability • 4% Energy • 8% Liveness
53% Instrumentalness • 3% Positiveness
29% Popularity • 16% Danceability • 4% Energy • 8% Liveness
53% Instrumentalness • 3% Positiveness
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Paul Smith
Darkness
138 bpm • A# min • 03:32 • -26.76db
10% Popularity • 16% Danceability • 6% Energy • 11% Liveness
25% Instrumentalness • 3% Positiveness
10% Popularity • 16% Danceability • 6% Energy • 11% Liveness
25% Instrumentalness • 3% Positiveness
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Jón Leifs
Requiem, Op. 33b
140 bpm • G# Maj • 04:43 • -31.82db
12% Popularity • 18% Danceability • 4% Energy • 14% Liveness
62% Instrumentalness • 4% Positiveness
12% Popularity • 18% Danceability • 4% Energy • 14% Liveness
62% Instrumentalness • 4% Positiveness
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Christian Forshaw
In Paradisum
138 bpm • C Maj • 03:59 • -22.95db
17% Popularity • 15% Danceability • 5% Energy • 11% Liveness
82% Instrumentalness • 3% Positiveness
17% Popularity • 15% Danceability • 5% Energy • 11% Liveness
82% Instrumentalness • 3% Positiveness
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Rebecca Clarke
Ave Maria
140 bpm • A min • 02:28 • -24.77db
12% Popularity • 23% Danceability • 6% Energy • 6% Liveness
91% Instrumentalness • 4% Positiveness
12% Popularity • 23% Danceability • 6% Energy • 6% Liveness
91% Instrumentalness • 4% Positiveness
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James Whitbourn
Luminosity: I. Lux in tenebris
138 bpm • D Maj • 06:55 • -20db
15% Popularity • 16% Danceability • 7% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
15% Popularity • 16% Danceability • 7% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
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The Tallis Scholars
Tallis: Spem in Alium - 1. Spem in Alium
138 bpm • D Maj • 05:04 • -20db
34% Popularity • 15% Danceability • 14% Energy • 24% Liveness
0% Instrumentalness • 3% Positiveness
34% Popularity • 15% Danceability • 14% Energy • 24% Liveness
0% Instrumentalness • 3% Positiveness
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Benedict Sheehan
Liturgy of St. John Chrysostom: No. 4, O...
138 bpm • F min • 02:53 • -24db
18% Popularity • 17% Danceability • 11% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
18% Popularity • 17% Danceability • 11% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
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Anna Thorvaldsdottir
Heyr þú oss himnum á
138 bpm • D min • 04:22 • -27.71db
13% Popularity • 15% Danceability • 4% Energy • 10% Liveness
11% Instrumentalness • 3% Positiveness
13% Popularity • 15% Danceability • 4% Energy • 10% Liveness
11% Instrumentalness • 3% Positiveness
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Kammerkoor Head Ööd Vend
Õhtul
141 bpm • D# Maj • 03:41 • -27db
33% Popularity • 14% Danceability • 1% Energy • 12% Liveness
84% Instrumentalness • 4% Positiveness
33% Popularity • 14% Danceability • 1% Energy • 12% Liveness
84% Instrumentalness • 4% Positiveness
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Hermann Contractus
Salve Regina
137 bpm • C# Maj • 03:22 • -31.31db
29% Popularity • 20% Danceability • 1% Energy • 18% Liveness
69% Instrumentalness • 4% Positiveness
29% Popularity • 20% Danceability • 1% Energy • 18% Liveness
69% Instrumentalness • 4% Positiveness
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Rihards Dubra
Ave Maria 1
141 bpm • E Maj • 03:44 • -22.41db
24% Popularity • 17% Danceability • 7% Energy • 12% Liveness
96% Instrumentalness • 4% Positiveness
24% Popularity • 17% Danceability • 7% Energy • 12% Liveness
96% Instrumentalness • 4% Positiveness
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The Tallis Scholars
Tallis: Sancte Deus - 4. Quia Per Crucem...
137 bpm • A min • 01:26 • -23.78db
40% Popularity • 17% Danceability • 11% Energy • 11% Liveness
11% Instrumentalness • 4% Positiveness
40% Popularity • 17% Danceability • 11% Energy • 11% Liveness
11% Instrumentalness • 4% Positiveness
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Gregorio Allegri
Miserere: X. Benigne fac Domine in bona ...
137 bpm • B min • 01:08 • -31.28db
38% Popularity • 22% Danceability • 2% Energy • 9% Liveness
55% Instrumentalness • 4% Positiveness
38% Popularity • 22% Danceability • 2% Energy • 9% Liveness
55% Instrumentalness • 4% Positiveness
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Kim André Arnesen
Holy Spirit Mass: Creator Spirit: Kyrie
137 bpm • D min • 02:56 • -17.02db
14% Popularity • 15% Danceability • 10% Energy • 32% Liveness
52% Instrumentalness • 4% Positiveness
14% Popularity • 15% Danceability • 10% Energy • 32% Liveness
52% Instrumentalness • 4% Positiveness
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Eric Whitacre
The Sacred Veil: XI. You Rise, I Fall
137 bpm • C min • 09:29 • -20.15db
16% Popularity • 15% Danceability • 11% Energy • 9% Liveness
86% Instrumentalness • 3% Positiveness
16% Popularity • 15% Danceability • 11% Energy • 9% Liveness
86% Instrumentalness • 3% Positiveness
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Jonny Greenwood
Pyramid Song (Arr. Lawson)
141 bpm • B min • 04:34 • -26.04db
39% Popularity • 14% Danceability • 5% Energy • 7% Liveness
97% Instrumentalness • 4% Positiveness
39% Popularity • 14% Danceability • 5% Energy • 7% Liveness
97% Instrumentalness • 4% Positiveness
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Pérotin
Beata Viscera II (Arr. Paul Smith / Apol...
137 bpm • G Maj • 02:56 • -14db
19% Popularity • 16% Danceability • 16% Energy • 18% Liveness
15% Instrumentalness • 6% Positiveness
19% Popularity • 16% Danceability • 16% Energy • 18% Liveness
15% Instrumentalness • 6% Positiveness
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St.Petersburg Chamber Choir
Alleluia, Behold the Bridegroom
141 bpm • C Maj • 05:29 • -22.28db
32% Popularity • 16% Danceability • 18% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
32% Popularity • 16% Danceability • 18% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
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Henry Purcell
Praise the Lord, O Jerusalem
136 bpm • C# min • 07:25 • -18.67db
9% Popularity • 22% Danceability • 14% Energy • 12% Liveness
4% Instrumentalness • 14% Positiveness
9% Popularity • 22% Danceability • 14% Energy • 12% Liveness
4% Instrumentalness • 14% Positiveness
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Giovanni Pierluigi da Palestrina
Missa Papae Marcelli: Kyrie
136 bpm • A Maj • 04:30 • -21db
36% Popularity • 16% Danceability • 16% Energy • 9% Liveness
44% Instrumentalness • 4% Positiveness
36% Popularity • 16% Danceability • 16% Energy • 9% Liveness
44% Instrumentalness • 4% Positiveness
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Philip Stopford
Ave verum
142 bpm • F# min • 03:35 • -27.27db
28% Popularity • 14% Danceability • 9% Energy • 13% Liveness
2% Instrumentalness • 4% Positiveness
28% Popularity • 14% Danceability • 9% Energy • 13% Liveness
2% Instrumentalness • 4% Positiveness
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Bob Chilcott
The lily and the rose
135 bpm • A min • 03:26 • -23.65db
17% Popularity • 25% Danceability • 6% Energy • 11% Liveness
62% Instrumentalness • 7% Positiveness
17% Popularity • 25% Danceability • 6% Energy • 11% Liveness
62% Instrumentalness • 7% Positiveness
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Jonathan Dove
The Passing of the Year: No. 1. Invocati...
143 bpm • G Maj • 01:31 • -21db
28% Popularity • 21% Danceability • 7% Energy • 6% Liveness
15% Instrumentalness • 9% Positiveness
28% Popularity • 21% Danceability • 7% Energy • 6% Liveness
15% Instrumentalness • 9% Positiveness
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Howard Shore
May it be (Arr. M. Sheeran)
135 bpm • D# Maj • 03:45 • -17.26db
45% Popularity • 20% Danceability • 17% Energy • 11% Liveness
78% Instrumentalness • 8% Positiveness
45% Popularity • 20% Danceability • 17% Energy • 11% Liveness
78% Instrumentalness • 8% Positiveness
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Alonso Lobo
Versa est in luctum
135 bpm • G min • 05:32 • -22.04db
37% Popularity • 16% Danceability • 12% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
37% Popularity • 16% Danceability • 12% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
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Kerensa Briggs
Media Vita
143 bpm • B min • 03:00 • -25.74db
37% Popularity • 14% Danceability • 8% Energy • 10% Liveness
26% Instrumentalness • 4% Positiveness
37% Popularity • 14% Danceability • 8% Energy • 10% Liveness
26% Instrumentalness • 4% Positiveness
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The Tallis Scholars
Allegri: Miserere - 01. Miserere Mei, De...
135 bpm • A# Maj • 01:12 • -27db
42% Popularity • 19% Danceability • 10% Energy • 16% Liveness
39% Instrumentalness • 3% Positiveness
42% Popularity • 19% Danceability • 10% Energy • 16% Liveness
39% Instrumentalness • 3% Positiveness
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Jess Gillam
On the Nature of Daylight (Arr. Mackay)
135 bpm • A# min • 06:21 • -22db
41% Popularity • 16% Danceability • 6% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
41% Popularity • 16% Danceability • 6% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
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Jonathan Dove
The Passing of the Year: IV. Hot sun, co...
135 bpm • B Maj • 02:50 • -23.7db
9% Popularity • 17% Danceability • 4% Energy • 8% Liveness
70% Instrumentalness • 3% Positiveness
9% Popularity • 17% Danceability • 4% Energy • 8% Liveness
70% Instrumentalness • 3% Positiveness
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James MacMillan
O Radiant Dawn
135 bpm • C min • 04:54 • -24.84db
25% Popularity • 18% Danceability • 7% Energy • 11% Liveness
28% Instrumentalness • 3% Positiveness
25% Popularity • 18% Danceability • 7% Energy • 11% Liveness
28% Instrumentalness • 3% Positiveness
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Eric Whitacre
All Seems Beautiful to Me
135 bpm • C# Maj • 04:52 • -23.46db
25% Popularity • 19% Danceability • 7% Energy • 12% Liveness
3% Instrumentalness • 4% Positiveness
25% Popularity • 19% Danceability • 7% Energy • 12% Liveness
3% Instrumentalness • 4% Positiveness
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Josef Rheinberger
3 Sacred Songs, Op. 69: No. 3, Abendlied...
134 bpm • F Maj • 03:24 • -22db
16% Popularity • 17% Danceability • 20% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
16% Popularity • 17% Danceability • 20% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
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Christopher Tin
Hope Is the Thing with Feathers - Choral...
134 bpm • G Maj • 04:12 • -20.54db
22% Popularity • 18% Danceability • 10% Energy • 10% Liveness
79% Instrumentalness • 4% Positiveness
22% Popularity • 18% Danceability • 10% Energy • 10% Liveness
79% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
Vespers, Op. 37: VI. Bogoroditse Devo
134 bpm • E Maj • 03:07 • -26.88db
21% Popularity • 16% Danceability • 2% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
21% Popularity • 16% Danceability • 2% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Hildegard von Bingen
Ave generosa
134 bpm • A min • 06:32 • -28.47db
32% Popularity • 26% Danceability • 2% Energy • 8% Liveness
1% Instrumentalness • 6% Positiveness
32% Popularity • 26% Danceability • 2% Energy • 8% Liveness
1% Instrumentalness • 6% Positiveness
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Henry Purcell
Cold Song’ (What Power Art Thou...)
134 bpm • E min • 04:26 • -18.75db
30% Popularity • 77% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
30% Popularity • 77% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
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Sjaella
Christ fuhr gen Himmel
134 bpm • E min • 02:17 • -24.65db
30% Popularity • 26% Danceability • 7% Energy • 16% Liveness
92% Instrumentalness • 4% Positiveness
30% Popularity • 26% Danceability • 7% Energy • 16% Liveness
92% Instrumentalness • 4% Positiveness
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Carl Rütti
Requiem: Introitus
134 bpm • E Maj • 09:28 • -29.71db
12% Popularity • 16% Danceability • 2% Energy • 12% Liveness
35% Instrumentalness • 3% Positiveness
12% Popularity • 16% Danceability • 2% Energy • 12% Liveness
35% Instrumentalness • 3% Positiveness
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Cecilia McDowall
I Know That My Redeemer Liveth
134 bpm • D Maj • 05:28 • -25.34db
15% Popularity • 18% Danceability • 10% Energy • 8% Liveness
72% Instrumentalness • 3% Positiveness
15% Popularity • 18% Danceability • 10% Energy • 8% Liveness
72% Instrumentalness • 3% Positiveness
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Ola Gjeilo
Second Eve
134 bpm • C min • 06:03 • -19.73db
19% Popularity • 18% Danceability • 15% Energy • 11% Liveness
44% Instrumentalness • 4% Positiveness
19% Popularity • 18% Danceability • 15% Energy • 11% Liveness
44% Instrumentalness • 4% Positiveness
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Philippe Rogier
Laboravi in gemitu meo
134 bpm • G Maj • 06:35 • -25.83db
28% Popularity • 17% Danceability • 9% Energy • 7% Liveness
10% Instrumentalness • 4% Positiveness
28% Popularity • 17% Danceability • 9% Energy • 7% Liveness
10% Instrumentalness • 4% Positiveness
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Luke Howard
There Is a Solitude
145 bpm • D# Maj • 03:48 • -21.25db
37% Popularity • 16% Danceability • 7% Energy • 12% Liveness
48% Instrumentalness • 4% Positiveness
37% Popularity • 16% Danceability • 7% Energy • 12% Liveness
48% Instrumentalness • 4% Positiveness
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Nathan James Dearden
i breathe
134 bpm • G min • 05:40 • -27.45db
21% Popularity • 16% Danceability • 8% Energy • 21% Liveness
36% Instrumentalness • 3% Positiveness
21% Popularity • 16% Danceability • 8% Energy • 21% Liveness
36% Instrumentalness • 3% Positiveness
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Manuel Machado
Dos estrellas le seguen. Romance – à ...
133 bpm • E min • 03:56 • -24db
18% Popularity • 23% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
18% Popularity • 23% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
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William Harris
Faire is the Heaven
145 bpm • C# Maj • 05:12 • -20.81db
9% Popularity • 15% Danceability • 14% Energy • 10% Liveness
5% Instrumentalness • 4% Positiveness
9% Popularity • 15% Danceability • 14% Energy • 10% Liveness
5% Instrumentalness • 4% Positiveness
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Eric Whitacre
Go, Lovely Rose
133 bpm • F# Maj • 04:32 • -26.73db
25% Popularity • 18% Danceability • 5% Energy • 8% Liveness
76% Instrumentalness • 4% Positiveness
25% Popularity • 18% Danceability • 5% Energy • 8% Liveness
76% Instrumentalness • 4% Positiveness
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MÃ¥rten Jansson
Requiem Novum: II. Kyrie
133 bpm • A# min • 03:24 • -20.28db
9% Popularity • 16% Danceability • 15% Energy • 11% Liveness
86% Instrumentalness • 3% Positiveness
9% Popularity • 16% Danceability • 15% Energy • 11% Liveness
86% Instrumentalness • 3% Positiveness
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Thomas Morley
The Third Dirge Anthem: I Heard a Voice ...
133 bpm • G# min • 01:56 • -27.88db
33% Popularity • 16% Danceability • 3% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
33% Popularity • 16% Danceability • 3% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
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Benjamin Britten
A Hymn to the Virgin
133 bpm • A min • 03:55 • -22.41db
29% Popularity • 16% Danceability • 5% Energy • 8% Liveness
2% Instrumentalness • 4% Positiveness
29% Popularity • 16% Danceability • 5% Energy • 8% Liveness
2% Instrumentalness • 4% Positiveness
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Pavel Chesnokov
Spaseniye sodelal yesi posrede zemli (Sa...
133 bpm • D Maj • 03:35 • -27db
32% Popularity • 16% Danceability • 2% Energy • 6% Liveness
61% Instrumentalness • 4% Positiveness
32% Popularity • 16% Danceability • 2% Energy • 6% Liveness
61% Instrumentalness • 4% Positiveness
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Nainita Desai
My Mind is Still (Arr. Lawson)
133 bpm • C min • 05:36 • -20.47db
19% Popularity • 19% Danceability • 11% Energy • 13% Liveness
95% Instrumentalness • 4% Positiveness
19% Popularity • 19% Danceability • 11% Energy • 13% Liveness
95% Instrumentalness • 4% Positiveness
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Eric Whitacre
A Boy and a Girl
133 bpm • C Maj • 04:52 • -23.21db
25% Popularity • 16% Danceability • 4% Energy • 12% Liveness
58% Instrumentalness • 3% Positiveness
25% Popularity • 16% Danceability • 4% Energy • 12% Liveness
58% Instrumentalness • 3% Positiveness
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Giovanni Battista Martini
In monte Oliveti, IGM 4
133 bpm • G min • 01:34 • -27.54db
47% Popularity • 23% Danceability • 3% Energy • 10% Liveness
81% Instrumentalness • 4% Positiveness
47% Popularity • 23% Danceability • 3% Energy • 10% Liveness
81% Instrumentalness • 4% Positiveness
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Stephen Paulus
The Road Home
133 bpm • F Maj • 03:56 • -28.22db
43% Popularity • 20% Danceability • 5% Energy • 12% Liveness
3% Instrumentalness • 5% Positiveness
43% Popularity • 20% Danceability • 5% Energy • 12% Liveness
3% Instrumentalness • 5% Positiveness
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Henryk Górecki
Miserere, Op. 44: 8. Domine Deus noster ...
133 bpm • C Maj • 01:20 • -45.99db
33% Popularity • 16% Danceability • 0% Energy • 7% Liveness
96% Instrumentalness • 3% Positiveness
33% Popularity • 16% Danceability • 0% Energy • 7% Liveness
96% Instrumentalness • 3% Positiveness
► Preview
Hildegard von Bingen
Ancient Suite
132 bpm • E min • 03:30 • -21.35db
24% Popularity • 22% Danceability • 11% Energy • 8% Liveness
51% Instrumentalness • 4% Positiveness
24% Popularity • 22% Danceability • 11% Energy • 8% Liveness
51% Instrumentalness • 4% Positiveness
► Preview
The Wartburg Choir
Adoramus Te, Christe
131 bpm • E Maj • 02:02 • -30.19db
29% Popularity • 16% Danceability • 2% Energy • 10% Liveness
98% Instrumentalness • 3% Positiveness
29% Popularity • 16% Danceability • 2% Energy • 10% Liveness
98% Instrumentalness • 3% Positiveness
► Preview
Gabriel Fauré
Fauré: Requiem, Op. 48: VII. In Paradis...
147 bpm • D Maj • 03:27 • -29.15db
35% Popularity • 12% Danceability • 3% Energy • 9% Liveness
95% Instrumentalness • 3% Positiveness
35% Popularity • 12% Danceability • 3% Energy • 9% Liveness
95% Instrumentalness • 3% Positiveness
► Preview
Jonathan Dove
In Beauty May I Walk
130 bpm • C# Maj • 04:47 • -26.05db
11% Popularity • 22% Danceability • 4% Energy • 14% Liveness
4% Instrumentalness • 3% Positiveness
11% Popularity • 22% Danceability • 4% Energy • 14% Liveness
4% Instrumentalness • 3% Positiveness
► Preview
Giovanni Pierluigi da Palestrina
Magnificat primi toni
130 bpm • C# min • 04:24 • -22.29db
13% Popularity • 22% Danceability • 11% Energy • 9% Liveness
2% Instrumentalness • 11% Positiveness
13% Popularity • 22% Danceability • 11% Energy • 9% Liveness
2% Instrumentalness • 11% Positiveness
► Preview
James Whitbourn
Son of God Mass: Sanctus and Benedictus
131 bpm • F Maj • 03:00 • -21.5db
26% Popularity • 19% Danceability • 12% Energy • 6% Liveness
90% Instrumentalness • 4% Positiveness
26% Popularity • 19% Danceability • 12% Energy • 6% Liveness
90% Instrumentalness • 4% Positiveness
► Preview
Hildegard von Bingen
O Viridissima virga
131 bpm • C Maj • 03:48 • -26.4db
13% Popularity • 34% Danceability • 1% Energy • 7% Liveness
0% Instrumentalness • 29% Positiveness
13% Popularity • 34% Danceability • 1% Energy • 7% Liveness
0% Instrumentalness • 29% Positiveness
► Preview
Herbert Howells
Requiem: Salvator Mundi
130 bpm • G Maj • 02:19 • -30.35db
24% Popularity • 17% Danceability • 2% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
24% Popularity • 17% Danceability • 2% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
► Preview
Kim André Arnesen
Infinity
129 bpm • F Maj • 07:41 • -27db
11% Popularity • 16% Danceability • 10% Energy • 12% Liveness
96% Instrumentalness • 3% Positiveness
11% Popularity • 16% Danceability • 10% Energy • 12% Liveness
96% Instrumentalness • 3% Positiveness
► Preview
Gregorio Allegri
Miserere Mei
129 bpm • A# Maj • 02:52 • -21.31db
14% Popularity • 22% Danceability • 9% Energy • 12% Liveness
22% Instrumentalness • 3% Positiveness
14% Popularity • 22% Danceability • 9% Energy • 12% Liveness
22% Instrumentalness • 3% Positiveness
► Preview
Max Reger
Das Agnus Dei
130 bpm • C Maj • 01:58 • -23.67db
12% Popularity • 18% Danceability • 5% Energy • 8% Liveness
28% Instrumentalness • 4% Positiveness
12% Popularity • 18% Danceability • 5% Energy • 8% Liveness
28% Instrumentalness • 4% Positiveness
► Preview
Giovanni Pierluigi da Palestrina
Missa Papae Marcelli: I. Kyrie
130 bpm • A Maj • 03:33 • -25.43db
31% Popularity • 16% Danceability • 17% Energy • 9% Liveness
94% Instrumentalness • 11% Positiveness
31% Popularity • 16% Danceability • 17% Energy • 9% Liveness
94% Instrumentalness • 11% Positiveness
► Preview
Susan LaBarr
Grace Before Sleep
129 bpm • C# Maj • 03:45 • -23db
21% Popularity • 20% Danceability • 12% Energy • 13% Liveness
85% Instrumentalness • 4% Positiveness
21% Popularity • 20% Danceability • 12% Energy • 13% Liveness
85% Instrumentalness • 4% Positiveness
► Preview
Henryk Górecki
Miserere, Op. 44: 11. Miserere nobis - L...
129 bpm • A min • 02:50 • -44db
30% Popularity • 16% Danceability • 1% Energy • 11% Liveness
97% Instrumentalness • 3% Positiveness
30% Popularity • 16% Danceability • 1% Energy • 11% Liveness
97% Instrumentalness • 3% Positiveness
► Preview
Paul Reade
Suite from The Victorian Kitchen Garden:...
129 bpm • D# Maj • 02:07 • -32db
36% Popularity • 18% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 18% Positiveness
36% Popularity • 18% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 18% Positiveness
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Ola Gjeilo
Ubi Caritas
129 bpm • F# min • 03:48 • -25.64db
31% Popularity • 21% Danceability • 4% Energy • 9% Liveness
12% Instrumentalness • 3% Positiveness
31% Popularity • 21% Danceability • 4% Energy • 9% Liveness
12% Instrumentalness • 3% Positiveness
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William Byrd
Agnus Dei
129 bpm • F min • 03:57 • -28.64db
11% Popularity • 17% Danceability • 3% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
11% Popularity • 17% Danceability • 3% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
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Pavel Chesnokov
Salvation Is Created, Op. 25 No. 5
129 bpm • D Maj • 04:17 • -29.94db
34% Popularity • 16% Danceability • 2% Energy • 7% Liveness
51% Instrumentalness • 3% Positiveness
34% Popularity • 16% Danceability • 2% Energy • 7% Liveness
51% Instrumentalness • 3% Positiveness
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Kjartan Sveinsson
Teil II
129 bpm • G min • 08:21 • -23db
24% Popularity • 17% Danceability • 6% Energy • 11% Liveness
31% Instrumentalness • 4% Positiveness
24% Popularity • 17% Danceability • 6% Energy • 11% Liveness
31% Instrumentalness • 4% Positiveness
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Luke Howard
Dappled Light
129 bpm • A# min • 04:11 • -21db
49% Popularity • 22% Danceability • 5% Energy • 23% Liveness
96% Instrumentalness • 9% Positiveness
49% Popularity • 22% Danceability • 5% Energy • 23% Liveness
96% Instrumentalness • 9% Positiveness
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VOCES8
Maria
128 bpm • D# Maj • 03:53 • -12.18db
10% Popularity • 23% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
10% Popularity • 23% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Camille Saint-Saëns
Calme des nuits, Op. 68, No. 1
128 bpm • E min • 04:13 • -40.65db
26% Popularity • 17% Danceability • 1% Energy • 9% Liveness
49% Instrumentalness • 3% Positiveness
26% Popularity • 17% Danceability • 1% Energy • 9% Liveness
49% Instrumentalness • 3% Positiveness
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Hugo Alfvén
Uti vår hage
128 bpm • F min • 02:29 • -34.32db
31% Popularity • 25% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
31% Popularity • 25% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
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Thomas Tallis
O Nata Lux
128 bpm • A min • 02:58 • -24db
25% Popularity • 20% Danceability • 6% Energy • 8% Liveness
87% Instrumentalness • 4% Positiveness
25% Popularity • 20% Danceability • 6% Energy • 8% Liveness
87% Instrumentalness • 4% Positiveness
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Claudio Monteverdi
Cantate Domino
151 bpm • A# min • 01:43 • -21.99db
20% Popularity • 23% Danceability • 15% Energy • 23% Liveness
0% Instrumentalness • 25% Positiveness
20% Popularity • 23% Danceability • 15% Energy • 23% Liveness
0% Instrumentalness • 25% Positiveness
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Traditional
Danny Boy (Arr. Pacey)
128 bpm • D# Maj • 04:34 • -21.03db
26% Popularity • 22% Danceability • 11% Energy • 10% Liveness
39% Instrumentalness • 4% Positiveness
26% Popularity • 22% Danceability • 11% Energy • 10% Liveness
39% Instrumentalness • 4% Positiveness
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James Whitbourn
Eternal Rest
127 bpm • G Maj • 03:47 • -23db
27% Popularity • 18% Danceability • 13% Energy • 11% Liveness
96% Instrumentalness • 3% Positiveness
27% Popularity • 18% Danceability • 13% Energy • 11% Liveness
96% Instrumentalness • 3% Positiveness
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Nikolay Kedrov
Otche Nash (Our Father)
127 bpm • C Maj • 03:04 • -37db
15% Popularity • 17% Danceability • 3% Energy • 8% Liveness
35% Instrumentalness • 4% Positiveness
15% Popularity • 17% Danceability • 3% Energy • 8% Liveness
35% Instrumentalness • 4% Positiveness
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Sjaella
Ave Maria
127 bpm • A# min • 02:40 • -25db
29% Popularity • 24% Danceability • 6% Energy • 11% Liveness
76% Instrumentalness • 4% Positiveness
29% Popularity • 24% Danceability • 6% Energy • 11% Liveness
76% Instrumentalness • 4% Positiveness
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Portland State Chamber Choir
The Heaven's Flock
127 bpm • D# Maj • 04:28 • -20.71db
14% Popularity • 19% Danceability • 18% Energy • 20% Liveness
98% Instrumentalness • 4% Positiveness
14% Popularity • 19% Danceability • 18% Energy • 20% Liveness
98% Instrumentalness • 4% Positiveness
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Paul Mealor
Locus Iste
127 bpm • D# Maj • 04:19 • -25db
27% Popularity • 17% Danceability • 3% Energy • 11% Liveness
75% Instrumentalness • 3% Positiveness
27% Popularity • 17% Danceability • 3% Energy • 11% Liveness
75% Instrumentalness • 3% Positiveness
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Jonathan Roberts
Never Seek to Tell Thy Love
127 bpm • F Maj • 03:50 • -35.04db
23% Popularity • 17% Danceability • 1% Energy • 9% Liveness
86% Instrumentalness • 4% Positiveness
23% Popularity • 17% Danceability • 1% Energy • 9% Liveness
86% Instrumentalness • 4% Positiveness
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Eric Whitacre
The Sacred Veil: II. In a Dark and Dista...
127 bpm • F min • 02:06 • -21.84db
23% Popularity • 21% Danceability • 13% Energy • 11% Liveness
50% Instrumentalness • 7% Positiveness
23% Popularity • 21% Danceability • 13% Energy • 11% Liveness
50% Instrumentalness • 7% Positiveness
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Christopher Tin
The Saddest Noise
127 bpm • D Maj • 04:31 • -16.73db
30% Popularity • 18% Danceability • 18% Energy • 13% Liveness
91% Instrumentalness • 4% Positiveness
30% Popularity • 18% Danceability • 18% Energy • 13% Liveness
91% Instrumentalness • 4% Positiveness
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Giacomo Carissimi
Jephte: Plorate, filii Israel
127 bpm • F# Maj • 05:00 • -24db
27% Popularity • 21% Danceability • 8% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
27% Popularity • 21% Danceability • 8% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness