Songs like My Life Ain't The Same by Big Leon Brooks
Based on a tempo of (+/- 10%) and a similar genre
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Slim Harpo
Little Queen Bee (Got a Brand New King)
136 bpm • C min • 02:38 • -11.74db
25% Popularity • 57% Danceability • 38% Energy • 10% Liveness
1% Instrumentalness • 80% Positiveness
25% Popularity • 57% Danceability • 38% Energy • 10% Liveness
1% Instrumentalness • 80% Positiveness
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Rick Estrin & The Nightcats
So Long (for Jay P.)
136 bpm • F Maj • 03:23 • -6.05db
23% Popularity • 50% Danceability • 61% Energy • 7% Liveness
16% Instrumentalness • 91% Positiveness
23% Popularity • 50% Danceability • 61% Energy • 7% Liveness
16% Instrumentalness • 91% Positiveness
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Cephas & Wiggins
Screaming And Crying
136 bpm • G Maj • 02:58 • -9.12db
12% Popularity • 53% Danceability • 43% Energy • 51% Liveness
0% Instrumentalness • 69% Positiveness
12% Popularity • 53% Danceability • 43% Energy • 51% Liveness
0% Instrumentalness • 69% Positiveness
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Big Leon Brooks
My Life Ain't The Same
136 bpm • A Maj • 03:20 • -13.54db
4% Popularity • 58% Danceability • 59% Energy • 29% Liveness
0% Instrumentalness • 91% Positiveness
4% Popularity • 58% Danceability • 59% Energy • 29% Liveness
0% Instrumentalness • 91% Positiveness
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Fenton Robinson
Country Girl - Remastered
136 bpm • C Maj • 04:52 • -6.15db
34% Popularity • 63% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
34% Popularity • 63% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
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Hoochie Coochie Blues Band
Don´t Go No Further
135 bpm • B min • 02:37 • -8.78db
16% Popularity • 41% Danceability • 67% Energy • 26% Liveness
0% Instrumentalness • 87% Positiveness
16% Popularity • 41% Danceability • 67% Energy • 26% Liveness
0% Instrumentalness • 87% Positiveness
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Lazy Lester
Rooster Blues
135 bpm • A Maj • 03:02 • -7db
19% Popularity • 44% Danceability • 67% Energy • 18% Liveness
0% Instrumentalness • 88% Positiveness
19% Popularity • 44% Danceability • 67% Energy • 18% Liveness
0% Instrumentalness • 88% Positiveness
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Slim Harpo
My Little Queen Bee (Got A Brand New Kin...
137 bpm • F Maj • 02:36 • -6.03db
32% Popularity • 48% Danceability • 60% Energy • 17% Liveness
0% Instrumentalness • 84% Positiveness
32% Popularity • 48% Danceability • 60% Energy • 17% Liveness
0% Instrumentalness • 84% Positiveness
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Gary Smith
South Bay Beatdown
137 bpm • A Maj • 02:58 • -9.95db
16% Popularity • 58% Danceability • 63% Energy • 12% Liveness
94% Instrumentalness • 77% Positiveness
16% Popularity • 58% Danceability • 63% Energy • 12% Liveness
94% Instrumentalness • 77% Positiveness
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Andrew Brown
Morning, Noon And Night
136 bpm • F min • 03:43 • -11.13db
4% Popularity • 61% Danceability • 67% Energy • 32% Liveness
0% Instrumentalness • 85% Positiveness
4% Popularity • 61% Danceability • 67% Energy • 32% Liveness
0% Instrumentalness • 85% Positiveness
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Harmonica Shah
Baby, You Have Got to Change
135 bpm • C min • 04:46 • -4.09db
14% Popularity • 62% Danceability • 93% Energy • 16% Liveness
0% Instrumentalness • 87% Positiveness
14% Popularity • 62% Danceability • 93% Energy • 16% Liveness
0% Instrumentalness • 87% Positiveness
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Albert Collins
Too Tired
135 bpm • D Maj • 03:00 • -6.78db
20% Popularity • 57% Danceability • 68% Energy • 67% Liveness
0% Instrumentalness • 50% Positiveness
20% Popularity • 57% Danceability • 68% Energy • 67% Liveness
0% Instrumentalness • 50% Positiveness
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Lazy Lester
I'm Gonna Leave You Baby
137 bpm • A# Maj • 02:12 • -7.49db
26% Popularity • 62% Danceability • 60% Energy • 24% Liveness
0% Instrumentalness • 90% Positiveness
26% Popularity • 62% Danceability • 60% Energy • 24% Liveness
0% Instrumentalness • 90% Positiveness
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Hubert Sumlin
Pickin'
135 bpm • F Maj • 03:01 • -6db
18% Popularity • 70% Danceability • 88% Energy • 10% Liveness
87% Instrumentalness • 90% Positiveness
18% Popularity • 70% Danceability • 88% Energy • 10% Liveness
87% Instrumentalness • 90% Positiveness
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Katie Webster
After You Get Rid Of Me
135 bpm • C Maj • 05:34 • -13.88db
17% Popularity • 62% Danceability • 36% Energy • 19% Liveness
0% Instrumentalness • 28% Positiveness
17% Popularity • 62% Danceability • 36% Energy • 19% Liveness
0% Instrumentalness • 28% Positiveness
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Detroit Junior
Some Nerve
134 bpm • D Maj • 03:05 • -14.22db
27% Popularity • 56% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
27% Popularity • 56% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Lacy Gibson
Wish Me Well
138 bpm • C Maj • 02:57 • -15.22db
28% Popularity • 63% Danceability • 76% Energy • 7% Liveness
9% Instrumentalness • 61% Positiveness
28% Popularity • 63% Danceability • 76% Energy • 7% Liveness
9% Instrumentalness • 61% Positiveness
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Luther "Snake Boy" Johnson
They call me the snake
138 bpm • E Maj • 05:37 • -13db
32% Popularity • 60% Danceability • 32% Energy • 29% Liveness
10% Instrumentalness • 41% Positiveness
32% Popularity • 60% Danceability • 32% Energy • 29% Liveness
10% Instrumentalness • 41% Positiveness
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Lazy Lester
Alligator Shuffle
137 bpm • A Maj • 02:45 • -10.1db
30% Popularity • 46% Danceability • 88% Energy • 10% Liveness
89% Instrumentalness • 77% Positiveness
30% Popularity • 46% Danceability • 88% Energy • 10% Liveness
89% Instrumentalness • 77% Positiveness
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Hubert Sumlin
I'll Be Home On Tuesday - Take 1
134 bpm • C Maj • 04:03 • -9.11db
8% Popularity • 59% Danceability • 58% Energy • 6% Liveness
84% Instrumentalness • 83% Positiveness
8% Popularity • 59% Danceability • 58% Energy • 6% Liveness
84% Instrumentalness • 83% Positiveness
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Eddie Shaw
Out Of Bad Luck
139 bpm • G Maj • 03:21 • -11.77db
27% Popularity • 66% Danceability • 56% Energy • 30% Liveness
0% Instrumentalness • 85% Positiveness
27% Popularity • 66% Danceability • 56% Energy • 30% Liveness
0% Instrumentalness • 85% Positiveness
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Big Leon Brooks
Side Walk
139 bpm • F Maj • 03:17 • -13.55db
0% Popularity • 65% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 75% Positiveness
0% Popularity • 65% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 75% Positiveness
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Lonnie Brooks
In The Dark
139 bpm • G min • 05:22 • -17db
25% Popularity • 51% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
25% Popularity • 51% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Snooky Pryor
Headed South
139 bpm • D min • 05:43 • -7db
10% Popularity • 54% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 27% Positiveness
10% Popularity • 54% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 27% Positiveness
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Junior Wells' Chicago Blues Band
Messin' With The Kid
139 bpm • F Maj • 02:22 • -9.39db
28% Popularity • 67% Danceability • 74% Energy • 55% Liveness
0% Instrumentalness • 75% Positiveness
28% Popularity • 67% Danceability • 74% Energy • 55% Liveness
0% Instrumentalness • 75% Positiveness
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Albert Collins
Backstroke
133 bpm • B min • 02:51 • -11.71db
12% Popularity • 67% Danceability • 49% Energy • 20% Liveness
93% Instrumentalness • 75% Positiveness
12% Popularity • 67% Danceability • 49% Energy • 20% Liveness
93% Instrumentalness • 75% Positiveness
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Eddie Shaw
It's Alright
133 bpm • G Maj • 02:52 • -9.35db
27% Popularity • 68% Danceability • 63% Energy • 36% Liveness
0% Instrumentalness • 80% Positiveness
27% Popularity • 68% Danceability • 63% Energy • 36% Liveness
0% Instrumentalness • 80% Positiveness
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Homesick James
Homesick's Shuffle
139 bpm • B Maj • 04:14 • -13db
23% Popularity • 60% Danceability • 66% Energy • 31% Liveness
87% Instrumentalness • 93% Positiveness
23% Popularity • 60% Danceability • 66% Energy • 31% Liveness
87% Instrumentalness • 93% Positiveness
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Big Leon Brooks
Cryin' Over You
139 bpm • C# min • 03:54 • -14.15db
0% Popularity • 48% Danceability • 54% Energy • 20% Liveness
0% Instrumentalness • 72% Positiveness
0% Popularity • 48% Danceability • 54% Energy • 20% Liveness
0% Instrumentalness • 72% Positiveness
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John Primer
Come Back Baby
140 bpm • A Maj • 04:54 • -9db
13% Popularity • 48% Danceability • 48% Energy • 26% Liveness
0% Instrumentalness • 50% Positiveness
13% Popularity • 48% Danceability • 48% Energy • 26% Liveness
0% Instrumentalness • 50% Positiveness
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Mark Hodgson
Tequila Quicksand
140 bpm • A Maj • 03:46 • -5.51db
12% Popularity • 40% Danceability • 86% Energy • 36% Liveness
0% Instrumentalness • 88% Positiveness
12% Popularity • 40% Danceability • 86% Energy • 36% Liveness
0% Instrumentalness • 88% Positiveness
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Jimmy Reed
Boogie In The Dark
132 bpm • A# Maj • 02:36 • -10.13db
11% Popularity • 71% Danceability • 51% Energy • 8% Liveness
3% Instrumentalness • 87% Positiveness
11% Popularity • 71% Danceability • 51% Energy • 8% Liveness
3% Instrumentalness • 87% Positiveness
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Lafayette Leake
Train Boogie
140 bpm • A# Maj • 05:00 • -11.79db
11% Popularity • 61% Danceability • 71% Energy • 12% Liveness
86% Instrumentalness • 85% Positiveness
11% Popularity • 61% Danceability • 71% Energy • 12% Liveness
86% Instrumentalness • 85% Positiveness
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Byther Smith
I'm A Honey Bee
132 bpm • D Maj • 02:42 • -11db
28% Popularity • 76% Danceability • 48% Energy • 29% Liveness
2% Instrumentalness • 28% Positiveness
28% Popularity • 76% Danceability • 48% Energy • 29% Liveness
2% Instrumentalness • 28% Positiveness
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William Clarke
Saturday Night Blues
132 bpm • F Maj • 02:40 • -6.1db
28% Popularity • 57% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
28% Popularity • 57% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
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Little Arthur Duncan
44 Blues
132 bpm • A Maj • 03:46 • -11.15db
28% Popularity • 74% Danceability • 41% Energy • 75% Liveness
5% Instrumentalness • 56% Positiveness
28% Popularity • 74% Danceability • 41% Energy • 75% Liveness
5% Instrumentalness • 56% Positiveness
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Paul Butterfield's Better Days
Too Many Drivers
132 bpm • D min • 03:21 • -13db
16% Popularity • 51% Danceability • 55% Energy • 29% Liveness
27% Instrumentalness • 76% Positiveness
16% Popularity • 51% Danceability • 55% Energy • 29% Liveness
27% Instrumentalness • 76% Positiveness
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Jimmy Reed
I Ain't Got You
132 bpm • A Maj • 02:15 • -10db
31% Popularity • 74% Danceability • 40% Energy • 11% Liveness
62% Instrumentalness • 92% Positiveness
31% Popularity • 74% Danceability • 40% Energy • 11% Liveness
62% Instrumentalness • 92% Positiveness
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Luther Johnson
They Call Me the Popcorn Man
132 bpm • E Maj • 03:55 • -12.93db
26% Popularity • 79% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
26% Popularity • 79% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
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Phillip Walker
Dressin' Tasty
131 bpm • G# Maj • 03:51 • -9.15db
13% Popularity • 48% Danceability • 80% Energy • 19% Liveness
1% Instrumentalness • 94% Positiveness
13% Popularity • 48% Danceability • 80% Energy • 19% Liveness
1% Instrumentalness • 94% Positiveness
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Hubert Sumlin
I'll Be Home On Tuesday - Take 2
132 bpm • C Maj • 03:25 • -10db
37% Popularity • 69% Danceability • 49% Energy • 7% Liveness
88% Instrumentalness • 84% Positiveness
37% Popularity • 69% Danceability • 49% Energy • 7% Liveness
88% Instrumentalness • 84% Positiveness
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Snooky Pryor
Bottle It Up and Go
131 bpm • G# Maj • 03:02 • -11.63db
25% Popularity • 66% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
25% Popularity • 66% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
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William Clarke
Gambling For My Bread
130 bpm • A# Maj • 03:25 • -12.78db
22% Popularity • 70% Danceability • 55% Energy • 28% Liveness
0% Instrumentalness • 83% Positiveness
22% Popularity • 70% Danceability • 55% Energy • 28% Liveness
0% Instrumentalness • 83% Positiveness
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Son Seals
I Can't Hold Out
142 bpm • C Maj • 04:14 • -13.06db
28% Popularity • 38% Danceability • 57% Energy • 22% Liveness
1% Instrumentalness • 96% Positiveness
28% Popularity • 38% Danceability • 57% Energy • 22% Liveness
1% Instrumentalness • 96% Positiveness
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Big Walter Horton
Have Mercy
130 bpm • C Maj • 03:45 • -14db
37% Popularity • 62% Danceability • 70% Energy • 12% Liveness
70% Instrumentalness • 87% Positiveness
37% Popularity • 62% Danceability • 70% Energy • 12% Liveness
70% Instrumentalness • 87% Positiveness
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Lazy Lester
Bye Bye Baby
142 bpm • G Maj • 02:43 • -11.72db
22% Popularity • 50% Danceability • 72% Energy • 36% Liveness
10% Instrumentalness • 82% Positiveness
22% Popularity • 50% Danceability • 72% Energy • 36% Liveness
10% Instrumentalness • 82% Positiveness
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Homesick James
It Seem Like A Dream
130 bpm • C Maj • 02:40 • -6.43db
20% Popularity • 62% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
20% Popularity • 62% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
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Big Joe Williams
When I First Left Home
129 bpm • A Maj • 03:09 • -13.68db
15% Popularity • 65% Danceability • 38% Energy • 10% Liveness
4% Instrumentalness • 49% Positiveness
15% Popularity • 65% Danceability • 38% Energy • 10% Liveness
4% Instrumentalness • 49% Positiveness
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Eddie Burns
Hastings Street Special
129 bpm • F Maj • 03:34 • -7.77db
14% Popularity • 67% Danceability • 84% Energy • 31% Liveness
91% Instrumentalness • 94% Positiveness
14% Popularity • 67% Danceability • 84% Energy • 31% Liveness
91% Instrumentalness • 94% Positiveness
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Son Seals
Four Full Seasons Of Love
142 bpm • F Maj • 02:50 • -10.46db
16% Popularity • 56% Danceability • 71% Energy • 33% Liveness
50% Instrumentalness • 57% Positiveness
16% Popularity • 56% Danceability • 71% Energy • 33% Liveness
50% Instrumentalness • 57% Positiveness
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Luther Johnson
She's My Babe
129 bpm • G Maj • 03:06 • -10.97db
34% Popularity • 74% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 82% Positiveness
34% Popularity • 74% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 82% Positiveness
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Snooky Pryor
Keyhole in Your Door
129 bpm • G# Maj • 03:40 • -11.35db
13% Popularity • 60% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
13% Popularity • 60% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
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R.J. Mischo
Got My Passport
144 bpm • E Maj • 03:58 • -8.93db
11% Popularity • 65% Danceability • 74% Energy • 7% Liveness
42% Instrumentalness • 92% Positiveness
11% Popularity • 65% Danceability • 74% Energy • 7% Liveness
42% Instrumentalness • 92% Positiveness
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Big Joe Williams
She Left Me a Mule to Ride
129 bpm • G Maj • 02:35 • -11.91db
32% Popularity • 69% Danceability • 47% Energy • 8% Liveness
20% Instrumentalness • 83% Positiveness
32% Popularity • 69% Danceability • 47% Energy • 8% Liveness
20% Instrumentalness • 83% Positiveness
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Johnny Copeland
Catch Up With The Blues
128 bpm • F min • 05:01 • -8.9db
16% Popularity • 63% Danceability • 82% Energy • 11% Liveness
6% Instrumentalness • 68% Positiveness
16% Popularity • 63% Danceability • 82% Energy • 11% Liveness
6% Instrumentalness • 68% Positiveness
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Son Seals
Mother-In-Law Blues
129 bpm • E Maj • 03:15 • -12.12db
31% Popularity • 59% Danceability • 62% Energy • 69% Liveness
0% Instrumentalness • 84% Positiveness
31% Popularity • 59% Danceability • 62% Energy • 69% Liveness
0% Instrumentalness • 84% Positiveness
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Brandon Santini
Things You Putting Down
144 bpm • G Maj • 04:18 • -4.9db
11% Popularity • 59% Danceability • 68% Energy • 14% Liveness
3% Instrumentalness • 84% Positiveness
11% Popularity • 59% Danceability • 68% Energy • 14% Liveness
3% Instrumentalness • 84% Positiveness
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Jimmy Dawkins
Kold Actions
145 bpm • C Maj • 07:17 • -20.88db
35% Popularity • 62% Danceability • 8% Energy • 6% Liveness
5% Instrumentalness • 42% Positiveness
35% Popularity • 62% Danceability • 8% Energy • 6% Liveness
5% Instrumentalness • 42% Positiveness
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Buster Benton
I Must Have A Hole In My Head
128 bpm • A min • 03:31 • -6.71db
35% Popularity • 68% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 93% Positiveness
35% Popularity • 68% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 93% Positiveness
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William Clarke
Looking To The Future
145 bpm • A Maj • 04:07 • -13db
23% Popularity • 45% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 89% Positiveness
23% Popularity • 45% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 89% Positiveness
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Raful Neal
Blues On The Moon
145 bpm • A# min • 02:56 • -13db
31% Popularity • 58% Danceability • 65% Energy • 32% Liveness
72% Instrumentalness • 80% Positiveness
31% Popularity • 58% Danceability • 65% Energy • 32% Liveness
72% Instrumentalness • 80% Positiveness
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Son Seals
I Can't Hear Nothing But The Blues
144 bpm • D min • 06:35 • -9.58db
26% Popularity • 45% Danceability • 53% Energy • 28% Liveness
8% Instrumentalness • 74% Positiveness
26% Popularity • 45% Danceability • 53% Energy • 28% Liveness
8% Instrumentalness • 74% Positiveness
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Queen Sylvia Embry
Blues This Morning
127 bpm • G Maj • 02:08 • -12db
28% Popularity • 70% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
28% Popularity • 70% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
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Hubert Sumlin
Easy, Hubert, Easy
127 bpm • B Maj • 03:53 • -11.64db
15% Popularity • 72% Danceability • 46% Energy • 7% Liveness
85% Instrumentalness • 76% Positiveness
15% Popularity • 72% Danceability • 46% Energy • 7% Liveness
85% Instrumentalness • 76% Positiveness
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Kenny Neal
Hoodoo Moon
127 bpm • E Maj • 03:16 • -13.69db
21% Popularity • 65% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
21% Popularity • 65% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
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Guitar Slim
Down Through the Years
127 bpm • D# Maj • 02:25 • -13db
8% Popularity • 55% Danceability • 33% Energy • 5% Liveness
0% Instrumentalness • 33% Positiveness
8% Popularity • 55% Danceability • 33% Energy • 5% Liveness
0% Instrumentalness • 33% Positiveness
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Luther Johnson
Rock Me Slow and Easy
127 bpm • A Maj • 04:18 • -12.99db
18% Popularity • 80% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 95% Positiveness
18% Popularity • 80% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 95% Positiveness
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A.C. Reed
I Can't Go This Way
126 bpm • A min • 04:05 • -9db
29% Popularity • 73% Danceability • 65% Energy • 17% Liveness
0% Instrumentalness • 39% Positiveness
29% Popularity • 73% Danceability • 65% Energy • 17% Liveness
0% Instrumentalness • 39% Positiveness
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Mark Hodgson
Panning for Gold In the Gutter
126 bpm • E min • 02:59 • -7db
11% Popularity • 58% Danceability • 70% Energy • 26% Liveness
0% Instrumentalness • 88% Positiveness
11% Popularity • 58% Danceability • 70% Energy • 26% Liveness
0% Instrumentalness • 88% Positiveness
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Pinetop Perkins
How Much More Long
126 bpm • G Maj • 03:31 • -10.67db
18% Popularity • 73% Danceability • 62% Energy • 8% Liveness
8% Instrumentalness • 87% Positiveness
18% Popularity • 73% Danceability • 62% Energy • 8% Liveness
8% Instrumentalness • 87% Positiveness
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Lazy Lester
Sugar Coates Love
126 bpm • A Maj • 05:52 • -6.54db
12% Popularity • 65% Danceability • 85% Energy • 84% Liveness
0% Instrumentalness • 84% Positiveness
12% Popularity • 65% Danceability • 85% Energy • 84% Liveness
0% Instrumentalness • 84% Positiveness
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Big Walter Horton
Walters' Boogie - Instrumental
126 bpm • A Maj • 03:08 • -12.56db
24% Popularity • 56% Danceability • 55% Energy • 10% Liveness
2% Instrumentalness • 81% Positiveness
24% Popularity • 56% Danceability • 55% Energy • 10% Liveness
2% Instrumentalness • 81% Positiveness
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Johnny Copeland
Rain
147 bpm • A Maj • 06:03 • -7db
19% Popularity • 53% Danceability • 51% Energy • 29% Liveness
0% Instrumentalness • 37% Positiveness
19% Popularity • 53% Danceability • 51% Energy • 29% Liveness
0% Instrumentalness • 37% Positiveness
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Joe Louis Walker
Mean Old Train
148 bpm • E Maj • 03:03 • -7.55db
20% Popularity • 51% Danceability • 53% Energy • 16% Liveness
23% Instrumentalness • 71% Positiveness
20% Popularity • 51% Danceability • 53% Energy • 16% Liveness
23% Instrumentalness • 71% Positiveness
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Son Seals
Going Home Tomorrow
125 bpm • E min • 03:39 • -11.75db
26% Popularity • 56% Danceability • 61% Energy • 32% Liveness
0% Instrumentalness • 97% Positiveness
26% Popularity • 56% Danceability • 61% Energy • 32% Liveness
0% Instrumentalness • 97% Positiveness
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Johnnie Johnson
Beach Weather
125 bpm • G Maj • 04:15 • -8.05db
9% Popularity • 68% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
9% Popularity • 68% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
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J. B. Hutto
Lulu Belle's Here
148 bpm • G Maj • 03:41 • -9.19db
25% Popularity • 56% Danceability • 59% Energy • 22% Liveness
24% Instrumentalness • 62% Positiveness
25% Popularity • 56% Danceability • 59% Energy • 22% Liveness
24% Instrumentalness • 62% Positiveness
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The Fabulous Thunderbirds
Please Don't Lie To Me
148 bpm • F# Maj • 02:08 • -6.9db
15% Popularity • 61% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 80% Positiveness
15% Popularity • 61% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 80% Positiveness
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Albert Collins
Don't Go Reaching Across My Plate
125 bpm • A# min • 03:45 • -20.49db
14% Popularity • 82% Danceability • 26% Energy • 5% Liveness
0% Instrumentalness • 60% Positiveness
14% Popularity • 82% Danceability • 26% Energy • 5% Liveness
0% Instrumentalness • 60% Positiveness
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Luther Johnson
Hush Hush
125 bpm • A Maj • 04:20 • -11.38db
20% Popularity • 75% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
20% Popularity • 75% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
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Bob Margolin
Moving South
125 bpm • B min • 03:57 • -8.06db
13% Popularity • 53% Danceability • 87% Energy • 24% Liveness
19% Instrumentalness • 92% Positiveness
13% Popularity • 53% Danceability • 87% Energy • 24% Liveness
19% Instrumentalness • 92% Positiveness
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John Jackson
Red River Blues
148 bpm • E Maj • 02:45 • -10.67db
11% Popularity • 53% Danceability • 29% Energy • 10% Liveness
2% Instrumentalness • 60% Positiveness
11% Popularity • 53% Danceability • 29% Energy • 10% Liveness
2% Instrumentalness • 60% Positiveness
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Frank Frost
Crawl Back
125 bpm • A# Maj • 02:01 • -11.82db
8% Popularity • 60% Danceability • 59% Energy • 32% Liveness
85% Instrumentalness • 96% Positiveness
8% Popularity • 60% Danceability • 59% Energy • 32% Liveness
85% Instrumentalness • 96% Positiveness
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Paul Lenart
Armadillo Shuffle
125 bpm • E min • 02:01 • -6.87db
26% Popularity • 63% Danceability • 89% Energy • 7% Liveness
14% Instrumentalness • 64% Positiveness
26% Popularity • 63% Danceability • 89% Energy • 7% Liveness
14% Instrumentalness • 64% Positiveness
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Jimmy Dawkins
Ruff Times
124 bpm • G Maj • 05:32 • -16.7db
22% Popularity • 72% Danceability • 44% Energy • 14% Liveness
30% Instrumentalness • 80% Positiveness
22% Popularity • 72% Danceability • 44% Energy • 14% Liveness
30% Instrumentalness • 80% Positiveness
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Zuzu Bollin
Hey Little Girl
125 bpm • C Maj • 03:38 • -14.35db
7% Popularity • 51% Danceability • 48% Energy • 27% Liveness
0% Instrumentalness • 79% Positiveness
7% Popularity • 51% Danceability • 48% Energy • 27% Liveness
0% Instrumentalness • 79% Positiveness
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Lil Ed & The Blues Imperials
You Don't Exist Any More
124 bpm • A Maj • 04:03 • -10.96db
23% Popularity • 72% Danceability • 58% Energy • 42% Liveness
1% Instrumentalness • 64% Positiveness
23% Popularity • 72% Danceability • 58% Energy • 42% Liveness
1% Instrumentalness • 64% Positiveness
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Pat Ramsey
It's About Time
124 bpm • D Maj • 03:27 • -4.85db
12% Popularity • 53% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
12% Popularity • 53% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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Joe "Guitar" Hughes
A Blue Song
124 bpm • G Maj • 05:14 • -12db
27% Popularity • 78% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 75% Positiveness
27% Popularity • 78% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 75% Positiveness
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Big Mama Thornton
Down Home Shake-Down
124 bpm • F Maj • 03:37 • -4.4db
22% Popularity • 55% Danceability • 69% Energy • 52% Liveness
72% Instrumentalness • 82% Positiveness
22% Popularity • 55% Danceability • 69% Energy • 52% Liveness
72% Instrumentalness • 82% Positiveness
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The Siegel-Schwall Band
Going Back To Alabama
124 bpm • A# min • 03:39 • -7db
15% Popularity • 67% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 66% Positiveness
15% Popularity • 67% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 66% Positiveness
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Hubert Sumlin
It's You, My Baby
124 bpm • A Maj • 02:31 • -9db
17% Popularity • 70% Danceability • 62% Energy • 32% Liveness
2% Instrumentalness • 94% Positiveness
17% Popularity • 70% Danceability • 62% Energy • 32% Liveness
2% Instrumentalness • 94% Positiveness
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William Clarke
Sweet Angel's Gone
124 bpm • G Maj • 04:44 • -15db
20% Popularity • 58% Danceability • 49% Energy • 21% Liveness
1% Instrumentalness • 84% Positiveness
20% Popularity • 58% Danceability • 49% Energy • 21% Liveness
1% Instrumentalness • 84% Positiveness
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Big Walter Horton
Everybody's Fishin'
150 bpm • G Maj • 03:01 • -11.84db
22% Popularity • 43% Danceability • 52% Energy • 17% Liveness
0% Instrumentalness • 91% Positiveness
22% Popularity • 43% Danceability • 52% Energy • 17% Liveness
0% Instrumentalness • 91% Positiveness
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Rob Stone
Cut the Heat On
149 bpm • A Maj • 03:40 • -5.43db
11% Popularity • 41% Danceability • 81% Energy • 6% Liveness
86% Instrumentalness • 57% Positiveness
11% Popularity • 41% Danceability • 81% Energy • 6% Liveness
86% Instrumentalness • 57% Positiveness
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Fenton Robinson
You Say You're Leaving - Remastered
123 bpm • F# min • 03:16 • -3.67db
39% Popularity • 62% Danceability • 78% Energy • 17% Liveness
0% Instrumentalness • 75% Positiveness
39% Popularity • 62% Danceability • 78% Energy • 17% Liveness
0% Instrumentalness • 75% Positiveness
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Luther "Guitar Junior" Johnson
Back At the Chiken Shack
123 bpm • G Maj • 05:35 • -11db
8% Popularity • 64% Danceability • 63% Energy • 27% Liveness
90% Instrumentalness • 69% Positiveness
8% Popularity • 64% Danceability • 63% Energy • 27% Liveness
90% Instrumentalness • 69% Positiveness
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Big Leon Brooks
Young Girl
150 bpm • C Maj • 03:40 • -15.93db
1% Popularity • 72% Danceability • 40% Energy • 23% Liveness
0% Instrumentalness • 89% Positiveness
1% Popularity • 72% Danceability • 40% Energy • 23% Liveness
0% Instrumentalness • 89% Positiveness
