Songs like My Mom Is A Statistician by Krystina Alabado
Based on a tempo of (+/- 10%) and a similar genre
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Clav
Move with You
95 bpm • F min • 03:17 • -6.34db
0% Popularity • 60% Danceability • 84% Energy • 18% Liveness
3% Instrumentalness • 64% Positiveness
0% Popularity • 60% Danceability • 84% Energy • 18% Liveness
3% Instrumentalness • 64% Positiveness
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The Anima Effect
Underneath the Chestnut Tree
95 bpm • C Maj • 07:37 • -8.59db
0% Popularity • 44% Danceability • 93% Energy • 7% Liveness
84% Instrumentalness • 15% Positiveness
0% Popularity • 44% Danceability • 93% Energy • 7% Liveness
84% Instrumentalness • 15% Positiveness
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Amber Gray
How Long?
95 bpm • D min • 03:41 • -11.91db
47% Popularity • 39% Danceability • 37% Energy • 16% Liveness
0% Instrumentalness • 28% Positiveness
47% Popularity • 39% Danceability • 37% Energy • 16% Liveness
0% Instrumentalness • 28% Positiveness
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Krystina Alabado
My Mom Is A Statistician
95 bpm • D Maj • 02:34 • -9.08db
18% Popularity • 59% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
18% Popularity • 59% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
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Heidi Blickenstaff
I Got This
95 bpm • C# Maj • 04:51 • -5db
31% Popularity • 66% Danceability • 55% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
31% Popularity • 66% Danceability • 55% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
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Bring It On: The Musical - Original Broadway Cast
Something Isn't Right Here
95 bpm • F min • 02:44 • -7.06db
34% Popularity • 60% Danceability • 42% Energy • 22% Liveness
0% Instrumentalness • 42% Positiveness
34% Popularity • 60% Danceability • 42% Energy • 22% Liveness
0% Instrumentalness • 42% Positiveness
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Terrence Mann
The Story of the Man in the Yellow Suit
94 bpm • B min • 02:14 • -15.15db
22% Popularity • 61% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
22% Popularity • 61% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Zoe Jensen
Before the Breakdown (Reprise)
94 bpm • D Maj • 01:17 • -14.31db
17% Popularity • 57% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
17% Popularity • 57% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
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Q Smith
I Am Here
96 bpm • A Maj • 01:47 • -9.3db
39% Popularity • 54% Danceability • 40% Energy • 36% Liveness
0% Instrumentalness • 44% Positiveness
39% Popularity • 54% Danceability • 40% Energy • 36% Liveness
0% Instrumentalness • 44% Positiveness
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Krystina Alabado
Songus Interruptus
95 bpm • G Maj • 02:32 • -6db
6% Popularity • 40% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
6% Popularity • 40% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
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Stephanie Hsu
I Love Play Rehearsal
94 bpm • C Maj • 03:26 • -8db
25% Popularity • 54% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
25% Popularity • 54% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Stephen Flaherty
How Lucky You Are (Mayzie's Reprise) - O...
94 bpm • D# Maj • 01:36 • -15.34db
30% Popularity • 68% Danceability • 28% Energy • 25% Liveness
0% Instrumentalness • 50% Positiveness
30% Popularity • 68% Danceability • 28% Energy • 25% Liveness
0% Instrumentalness • 50% Positiveness
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Manoel Felciano
The Trial: Hammer of Justice
96 bpm • A min • 02:01 • -5.56db
26% Popularity • 64% Danceability • 68% Energy • 18% Liveness
0% Instrumentalness • 67% Positiveness
26% Popularity • 64% Danceability • 68% Energy • 18% Liveness
0% Instrumentalness • 67% Positiveness
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Denée Benton
The Ball
93 bpm • F Maj • 05:49 • -8.98db
34% Popularity • 39% Danceability • 55% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
34% Popularity • 39% Danceability • 55% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
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Megan McGinnis
Things I Didn't Know
93 bpm • F# Maj • 03:12 • -11db
21% Popularity • 49% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
21% Popularity • 49% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Katie Thompson
Why Are You Still Here
93 bpm • D min • 04:22 • -10.46db
0% Popularity • 39% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
0% Popularity • 39% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
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Premiere Cast
Why Not Me?
93 bpm • A Maj • 03:18 • -7db
25% Popularity • 41% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
25% Popularity • 41% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
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Hunter Foster
Hundred Story City
97 bpm • C Maj • 03:39 • -9.86db
20% Popularity • 54% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
20% Popularity • 54% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Jake Pedersen
The Picture Show
97 bpm • A# min • 02:00 • -9.55db
29% Popularity • 77% Danceability • 42% Energy • 41% Liveness
0% Instrumentalness • 72% Positiveness
29% Popularity • 77% Danceability • 42% Energy • 41% Liveness
0% Instrumentalness • 72% Positiveness
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Carolee Carmello
The Story of the Tucks
93 bpm • G# Maj • 02:43 • -12.96db
28% Popularity • 75% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
28% Popularity • 75% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
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Paul Lewis
Nice Things
97 bpm • G Maj • 01:43 • -10.7db
0% Popularity • 53% Danceability • 64% Energy • 16% Liveness
88% Instrumentalness • 70% Positiveness
0% Popularity • 53% Danceability • 64% Energy • 16% Liveness
88% Instrumentalness • 70% Positiveness
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Katie Thompson
Private Page
97 bpm • C Maj • 04:00 • -16.75db
0% Popularity • 44% Danceability • 11% Energy • 19% Liveness
2% Instrumentalness • 23% Positiveness
0% Popularity • 44% Danceability • 11% Energy • 19% Liveness
2% Instrumentalness • 23% Positiveness
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Hailey Kilgore
Discovering Daniel / Pray
97 bpm • E min • 06:52 • -11.76db
26% Popularity • 55% Danceability • 25% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
26% Popularity • 55% Danceability • 25% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
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Alice Ripley
Wish I Were Here
97 bpm • B min • 03:06 • -8.31db
31% Popularity • 47% Danceability • 58% Energy • 20% Liveness
0% Instrumentalness • 60% Positiveness
31% Popularity • 47% Danceability • 58% Energy • 20% Liveness
0% Instrumentalness • 60% Positiveness
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CDaniel
The King Is Born
97 bpm • A Maj • 03:42 • -6.44db
2% Popularity • 56% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
2% Popularity • 56% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
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Annaleigh Ashford
Dogfight
97 bpm • D min • 03:03 • -5.05db
35% Popularity • 63% Danceability • 63% Energy • 30% Liveness
0% Instrumentalness • 56% Positiveness
35% Popularity • 63% Danceability • 63% Energy • 30% Liveness
0% Instrumentalness • 56% Positiveness
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Bonnie Milligan
How to Wash a Check
93 bpm • C Maj • 04:30 • -7.49db
27% Popularity • 68% Danceability • 56% Energy • 3% Liveness
0% Instrumentalness • 72% Positiveness
27% Popularity • 68% Danceability • 56% Energy • 3% Liveness
0% Instrumentalness • 72% Positiveness
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Neil Bartram
Me & Ricky
98 bpm • F min • 05:54 • -11.04db
22% Popularity • 55% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
22% Popularity • 55% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
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Sarah Charles Lewis
Good Girl Winnie Foster
98 bpm • F# Maj • 02:59 • -9.39db
36% Popularity • 66% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
36% Popularity • 66% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
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The Original Broadway Cast Of School Of Rock
Give up Your Dreams
98 bpm • F Maj • 03:20 • -4db
30% Popularity • 59% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
30% Popularity • 59% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Lareun Zakrin
The Breakdown
98 bpm • G Maj • 02:45 • -8.71db
18% Popularity • 61% Danceability • 45% Energy • 31% Liveness
0% Instrumentalness • 33% Positiveness
18% Popularity • 61% Danceability • 45% Energy • 31% Liveness
0% Instrumentalness • 33% Positiveness
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Emma Hunton
No More Fear
92 bpm • A Maj • 03:04 • -6db
29% Popularity • 57% Danceability • 48% Energy • 5% Liveness
0% Instrumentalness • 57% Positiveness
29% Popularity • 57% Danceability • 48% Energy • 5% Liveness
0% Instrumentalness • 57% Positiveness
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Laura Benanti
Where's My Shoe?
98 bpm • A# Maj • 01:53 • -6.68db
25% Popularity • 65% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
25% Popularity • 65% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
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André De Shields
Wait for Me ("If you wanna walk out of h...
92 bpm • F# min • 01:36 • -14.47db
45% Popularity • 72% Danceability • 32% Energy • 23% Liveness
0% Instrumentalness • 33% Positiveness
45% Popularity • 72% Danceability • 32% Energy • 23% Liveness
0% Instrumentalness • 33% Positiveness
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Sarah Charles Lewis
Good Girl Winnie Foster - Reprise
99 bpm • G Maj • 00:59 • -11.53db
28% Popularity • 51% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
28% Popularity • 51% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Ramin Karimloo
Temporary Arrangement
99 bpm • G Maj • 02:46 • -9.03db
21% Popularity • 43% Danceability • 49% Energy • 37% Liveness
0% Instrumentalness • 61% Positiveness
21% Popularity • 43% Danceability • 49% Energy • 37% Liveness
0% Instrumentalness • 61% Positiveness
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Carolee Carmello
Waiting
91 bpm • A# Maj • 02:25 • -7.42db
37% Popularity • 34% Danceability • 49% Energy • 55% Liveness
0% Instrumentalness • 15% Positiveness
37% Popularity • 34% Danceability • 49% Energy • 55% Liveness
0% Instrumentalness • 15% Positiveness
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Original Broadway Cast of Shucked
Maybe Love - Reprise
99 bpm • F Maj • 01:46 • -8.36db
23% Popularity • 46% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
23% Popularity • 46% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Paul Lewis
Playful Things
99 bpm • G Maj • 02:01 • -9.41db
1% Popularity • 63% Danceability • 58% Energy • 12% Liveness
92% Instrumentalness • 85% Positiveness
1% Popularity • 63% Danceability • 58% Energy • 12% Liveness
92% Instrumentalness • 85% Positiveness
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'[title of show]' Original Cast
September Song
91 bpm • F min • 04:50 • -7.06db
13% Popularity • 59% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
13% Popularity • 59% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
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Erin Rose Doyle
The Factory Girls / Come Up to My Office
91 bpm • C min • 04:59 • -9db
30% Popularity • 32% Danceability • 35% Energy • 15% Liveness
0% Instrumentalness • 7% Positiveness
30% Popularity • 32% Danceability • 35% Energy • 15% Liveness
0% Instrumentalness • 7% Positiveness
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Marin Mazzie
I Remember How Those Boys Could Dance
100 bpm • D# Maj • 05:17 • -6.54db
28% Popularity • 44% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
28% Popularity • 44% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Patina Miller
Last Midnight
91 bpm • C# Maj • 03:15 • -9.21db
36% Popularity • 45% Danceability • 34% Energy • 64% Liveness
0% Instrumentalness • 38% Positiveness
36% Popularity • 45% Danceability • 34% Energy • 64% Liveness
0% Instrumentalness • 38% Positiveness
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Bonnie Milligan
How Much More
100 bpm • C# min • 02:03 • -3.02db
21% Popularity • 62% Danceability • 92% Energy • 22% Liveness
0% Instrumentalness • 48% Positiveness
21% Popularity • 62% Danceability • 92% Energy • 22% Liveness
0% Instrumentalness • 48% Positiveness
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Paul Lewis
Bounces
100 bpm • C Maj • 02:19 • -11.59db
0% Popularity • 68% Danceability • 49% Energy • 14% Liveness
92% Instrumentalness • 85% Positiveness
0% Popularity • 68% Danceability • 49% Energy • 14% Liveness
92% Instrumentalness • 85% Positiveness
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Katie Thompson
My Heart
90 bpm • G# Maj • 03:55 • -13.11db
1% Popularity • 40% Danceability • 18% Energy • 19% Liveness
0% Instrumentalness • 22% Positiveness
1% Popularity • 40% Danceability • 18% Energy • 19% Liveness
0% Instrumentalness • 22% Positiveness
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Be More Chill Original Broadway Ensemble
The Play
90 bpm • E Maj • 06:20 • -6.59db
21% Popularity • 45% Danceability • 62% Energy • 33% Liveness
0% Instrumentalness • 49% Positiveness
21% Popularity • 45% Danceability • 62% Energy • 33% Liveness
0% Instrumentalness • 49% Positiveness
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Paul Alexander Nolan
What Does She Mean by Love?
90 bpm • B min • 02:25 • -8.63db
20% Popularity • 44% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
20% Popularity • 44% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Haaz Sleiman
Put out the Light
90 bpm • G# Maj • 04:15 • -9.73db
10% Popularity • 38% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
10% Popularity • 38% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
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Robert Lenzi
Time
90 bpm • G# Maj • 03:15 • -11db
30% Popularity • 53% Danceability • 33% Energy • 32% Liveness
0% Instrumentalness • 41% Positiveness
30% Popularity • 53% Danceability • 33% Energy • 32% Liveness
0% Instrumentalness • 41% Positiveness
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Kristin Chenoweth
The Worst Brats in Town
90 bpm • F Maj • 01:24 • -8.34db
23% Popularity • 74% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 92% Positiveness
23% Popularity • 74% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 92% Positiveness
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Aaron Simon Gross
Get Me What I Need
101 bpm • C Maj • 02:56 • -5.41db
23% Popularity • 57% Danceability • 60% Energy • 6% Liveness
0% Instrumentalness • 64% Positiveness
23% Popularity • 57% Danceability • 60% Energy • 6% Liveness
0% Instrumentalness • 64% Positiveness
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Neil Bartram
I'm Allergic to Cats
101 bpm • F Maj • 03:31 • -12db
21% Popularity • 60% Danceability • 35% Energy • 19% Liveness
0% Instrumentalness • 44% Positiveness
21% Popularity • 60% Danceability • 35% Energy • 19% Liveness
0% Instrumentalness • 44% Positiveness
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Kevin Del Aguila
Poor Little Millionaire
90 bpm • F# Maj • 04:13 • -8.51db
24% Popularity • 52% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 70% Positiveness
24% Popularity • 52% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 70% Positiveness
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Alice Ripley
The Break
90 bpm • E min • 01:23 • -8.41db
29% Popularity • 54% Danceability • 61% Energy • 38% Liveness
0% Instrumentalness • 22% Positiveness
29% Popularity • 54% Danceability • 61% Energy • 38% Liveness
0% Instrumentalness • 22% Positiveness
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Krystina Alabado
The Girl Who Drove Away
90 bpm • F Maj • 02:41 • -9.66db
27% Popularity • 36% Danceability • 27% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
27% Popularity • 36% Danceability • 27% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
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Derek Klena
Come to a Party
101 bpm • C Maj • 04:33 • -8db
31% Popularity • 55% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
31% Popularity • 55% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Cat Sandison
Grow
101 bpm • G Maj • 03:59 • -8.4db
13% Popularity • 43% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
13% Popularity • 43% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
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StarKid Productions
Monsters and Men (Reprise)
89 bpm • D Maj • 01:02 • -10.59db
29% Popularity • 57% Danceability • 57% Energy • 15% Liveness
0% Instrumentalness • 71% Positiveness
29% Popularity • 57% Danceability • 57% Energy • 15% Liveness
0% Instrumentalness • 71% Positiveness
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Gavin Creel
Agony (Reprise)
101 bpm • E Maj • 02:21 • -10.19db
31% Popularity • 53% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
31% Popularity • 53% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
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Arielle Jacobs
A Whole New Story
101 bpm • G# Maj • 03:50 • -9.68db
20% Popularity • 33% Danceability • 39% Energy • 6% Liveness
0% Instrumentalness • 13% Positiveness
20% Popularity • 33% Danceability • 39% Energy • 6% Liveness
0% Instrumentalness • 13% Positiveness
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André De Shields
Wait for Me ("Hey, the big artiste...") ...
89 bpm • A min • 01:31 • -12.3db
49% Popularity • 69% Danceability • 34% Energy • 49% Liveness
0% Instrumentalness • 18% Positiveness
49% Popularity • 69% Danceability • 34% Energy • 49% Liveness
0% Instrumentalness • 18% Positiveness
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Krystina Alabado
There Was A Party
102 bpm • F# min • 02:03 • -15.98db
20% Popularity • 62% Danceability • 21% Energy • 37% Liveness
1% Instrumentalness • 21% Positiveness
20% Popularity • 62% Danceability • 21% Energy • 37% Liveness
1% Instrumentalness • 21% Positiveness
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Justin Cooley
Good Kid
89 bpm • A# Maj • 03:04 • -10.62db
25% Popularity • 48% Danceability • 21% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
25% Popularity • 48% Danceability • 21% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
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Megan McGinnis
Graduation Day
89 bpm • C# Maj • 02:37 • -12.14db
19% Popularity • 42% Danceability • 17% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
19% Popularity • 42% Danceability • 17% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
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Jefferson Mays
Looking Down the Barrel of a Gun
102 bpm • F# Maj • 02:52 • -7.93db
19% Popularity • 47% Danceability • 38% Energy • 51% Liveness
0% Instrumentalness • 52% Positiveness
19% Popularity • 47% Danceability • 38% Energy • 51% Liveness
0% Instrumentalness • 52% Positiveness
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Chris Miller
Annie's Party
88 bpm • F Maj • 03:23 • -8db
13% Popularity • 68% Danceability • 45% Energy • 6% Liveness
0% Instrumentalness • 63% Positiveness
13% Popularity • 68% Danceability • 45% Energy • 6% Liveness
0% Instrumentalness • 63% Positiveness
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Diana Original Broadway Cast
Happiness / Simply Breathe
88 bpm • G Maj • 05:44 • -11db
22% Popularity • 37% Danceability • 37% Energy • 17% Liveness
0% Instrumentalness • 21% Positiveness
22% Popularity • 37% Danceability • 37% Energy • 17% Liveness
0% Instrumentalness • 21% Positiveness
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Micaela Diamond
You Don’t Know This Man
102 bpm • C Maj • 02:21 • -9.77db
33% Popularity • 34% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
33% Popularity • 34% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Alan Zachary
The Awkward Pause
102 bpm • D min • 02:00 • -6.73db
18% Popularity • 48% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
18% Popularity • 48% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
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Alice Ripley
You Don't Know
102 bpm • C Maj • 01:30 • -6.86db
35% Popularity • 62% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 63% Positiveness
35% Popularity • 62% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 63% Positiveness
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Neil Bartram
Julie's Song
88 bpm • C Maj • 03:03 • -11db
19% Popularity • 68% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
19% Popularity • 68% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Krystina Alabado
I Didn’t Say Goodbye
88 bpm • A Maj • 02:32 • -15.56db
19% Popularity • 57% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
19% Popularity • 57% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
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Lindsay Mendez
Nothing Short of Wonderful
88 bpm • B Maj • 02:40 • -7.58db
32% Popularity • 45% Danceability • 54% Energy • 66% Liveness
0% Instrumentalness • 62% Positiveness
32% Popularity • 45% Danceability • 54% Energy • 66% Liveness
0% Instrumentalness • 62% Positiveness
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25th Annual Putnam County Spelling Bee Original Cast
Why We Like Spelling
88 bpm • F Maj • 02:51 • -8.67db
27% Popularity • 68% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
27% Popularity • 68% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
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Write Out Loud
Stone Cold Killer
88 bpm • B Maj • 03:29 • -9.04db
16% Popularity • 44% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
16% Popularity • 44% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Recode the Subliminal
In a Different Light
103 bpm • D min • 04:00 • -5.83db
3% Popularity • 55% Danceability • 90% Energy • 33% Liveness
0% Instrumentalness • 17% Positiveness
3% Popularity • 55% Danceability • 90% Energy • 33% Liveness
0% Instrumentalness • 17% Positiveness
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Audrey Brisson
The Sound Of Going Round In Circles - Or...
103 bpm • A Maj • 03:27 • -10.26db
23% Popularity • 60% Danceability • 42% Energy • 5% Liveness
0% Instrumentalness • 50% Positiveness
23% Popularity • 60% Danceability • 42% Energy • 5% Liveness
0% Instrumentalness • 50% Positiveness
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Ben Fankhauser
The Proposal
102 bpm • F Maj • 02:19 • -7.77db
17% Popularity • 48% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
17% Popularity • 48% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
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Wayne Alan Wilcox
Open Your Heart
103 bpm • F Maj • 01:54 • -6.58db
28% Popularity • 48% Danceability • 45% Energy • 6% Liveness
0% Instrumentalness • 58% Positiveness
28% Popularity • 48% Danceability • 45% Energy • 6% Liveness
0% Instrumentalness • 58% Positiveness
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Emma Hunton
Prologue
87 bpm • F Maj • 00:42 • -7.11db
23% Popularity • 57% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 84% Positiveness
23% Popularity • 57% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 84% Positiveness
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Mindi Dickstein
The Weekly Volcano Press
87 bpm • D Maj • 07:47 • -9.2db
26% Popularity • 46% Danceability • 35% Energy • 34% Liveness
0% Instrumentalness • 37% Positiveness
26% Popularity • 46% Danceability • 35% Energy • 34% Liveness
0% Instrumentalness • 37% Positiveness
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Megan McGinnis
When Shall We Meet?
87 bpm • A Maj • 02:19 • -13.26db
18% Popularity • 52% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
18% Popularity • 52% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
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Audrey Brisson
Sister's Pickle - Original London Cast R...
87 bpm • G Maj • 01:45 • -8.55db
22% Popularity • 53% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
22% Popularity • 53% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
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Danny Kornfeld
When the Year Grows Old
87 bpm • F Maj • 03:26 • -9.17db
1% Popularity • 22% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
1% Popularity • 22% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Molly Ranson
Evening Prayers
87 bpm • F Maj • 04:23 • -7.12db
28% Popularity • 36% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
28% Popularity • 36% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Jewelle Blackman
Word to the Wise
87 bpm • C min • 01:20 • -8db
45% Popularity • 59% Danceability • 35% Energy • 20% Liveness
0% Instrumentalness • 52% Positiveness
45% Popularity • 59% Danceability • 35% Energy • 20% Liveness
0% Instrumentalness • 52% Positiveness
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Krystina Alabado
Is Somebody Down There?
87 bpm • A# Maj • 00:43 • -14.92db
18% Popularity • 36% Danceability • 33% Energy • 34% Liveness
0% Instrumentalness • 24% Positiveness
18% Popularity • 36% Danceability • 33% Energy • 34% Liveness
0% Instrumentalness • 24% Positiveness
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The Year After
Afternoon
104 bpm • G Maj • 03:30 • -10.51db
2% Popularity • 56% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
2% Popularity • 56% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
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25th Annual Putnam County Spelling Bee Original Cast
Prayer of the Comfort Counselor
104 bpm • A min • 02:20 • -7.14db
30% Popularity • 49% Danceability • 39% Energy • 54% Liveness
0% Instrumentalness • 53% Positiveness
30% Popularity • 49% Danceability • 39% Energy • 54% Liveness
0% Instrumentalness • 53% Positiveness
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Bring It On: The Musical - Original Broadway Cast
Do Your Own Thing
104 bpm • A# Maj • 04:41 • -5.59db
36% Popularity • 77% Danceability • 61% Energy • 30% Liveness
0% Instrumentalness • 62% Positiveness
36% Popularity • 77% Danceability • 61% Energy • 30% Liveness
0% Instrumentalness • 62% Positiveness
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Clav
Demonstrate
104 bpm • F# min • 03:30 • -8.29db
5% Popularity • 84% Danceability • 50% Energy • 16% Liveness
0% Instrumentalness • 59% Positiveness
5% Popularity • 84% Danceability • 50% Energy • 16% Liveness
0% Instrumentalness • 59% Positiveness
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Ben Platt
Leo at Work / What Am I Waiting For?
86 bpm • C Maj • 03:06 • -9.01db
29% Popularity • 30% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
29% Popularity • 30% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Krystina Alabado
Go Tonight
104 bpm • G# Maj • 04:41 • -9.39db
35% Popularity • 64% Danceability • 37% Energy • 23% Liveness
0% Instrumentalness • 25% Positiveness
35% Popularity • 64% Danceability • 37% Energy • 23% Liveness
0% Instrumentalness • 25% Positiveness
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Nick Cordero
You Will Still Be Mine
86 bpm • D# Maj • 02:18 • -9.05db
45% Popularity • 62% Danceability • 42% Energy • 36% Liveness
0% Instrumentalness • 23% Positiveness
45% Popularity • 62% Danceability • 42% Energy • 36% Liveness
0% Instrumentalness • 23% Positiveness
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25th Annual Putnam County Spelling Bee Original Cast
My Friend, the Dictionary
87 bpm • F Maj • 02:45 • -10.23db
31% Popularity • 47% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
31% Popularity • 47% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Jonathan Raviv
Their Sign
105 bpm • E Maj • 03:00 • -9.73db
38% Popularity • 60% Danceability • 37% Energy • 24% Liveness
0% Instrumentalness • 37% Positiveness
38% Popularity • 60% Danceability • 37% Energy • 24% Liveness
0% Instrumentalness • 37% Positiveness
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Sarah Charles Lewis
The Wheel
105 bpm • D# Maj • 04:18 • -12.44db
27% Popularity • 47% Danceability • 21% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
27% Popularity • 47% Danceability • 21% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
