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My Own Soul’s Warning
Songs like
My Own Soul’s Warning
by
The Killers
Based on a tempo of (+/- 10%) and a similar genre
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The Killers
Spaceman
152 bpm • E Maj • 04:44 • -5.49db
63% Popularity • 52% Danceability • 90% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
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The Wombats
If You Ever Leave, I'm Coming With You
152 bpm • A min • 02:49 • -5.46db
39% Popularity • 52% Danceability • 88% Energy • 52% Liveness
0% Instrumentalness • 59% Positiveness
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The Fratellis
Starcrossed Losers
152 bpm • F min • 04:31 • -5db
41% Popularity • 45% Danceability • 88% Energy • 36% Liveness
0% Instrumentalness • 61% Positiveness
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Pete Yorn
Calm Down
152 bpm • E Maj • 02:55 • -7.14db
31% Popularity • 47% Danceability • 78% Energy • 16% Liveness
67% Instrumentalness • 20% Positiveness
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Greta Van Fleet
You're The One
152 bpm • D Maj • 04:26 • -5.81db
62% Popularity • 55% Danceability • 81% Energy • 30% Liveness
0% Instrumentalness • 57% Positiveness
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Neon Trees
Used To Like
152 bpm • G# Maj • 03:18 • -4.04db
39% Popularity • 54% Danceability • 93% Energy • 38% Liveness
0% Instrumentalness • 51% Positiveness
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The Killers
My Own Soul’s Warning
152 bpm • G Maj • 04:34 • -3.48db
56% Popularity • 36% Danceability • 96% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
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Morrissey
Back on the Chain Gang
152 bpm • A Maj • 03:51 • -7.45db
48% Popularity • 49% Danceability • 84% Energy • 12% Liveness
13% Instrumentalness • 72% Positiveness
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The Lathums
Fight On
152 bpm • B min • 02:48 • -4db
54% Popularity • 49% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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The Cure
Just Like Heaven
151 bpm • A Maj • 03:32 • -6.95db
73% Popularity • 44% Danceability • 94% Energy • 22% Liveness
0% Instrumentalness • 48% Positiveness
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Kings of Leon
Waste A Moment
153 bpm • D Maj • 03:03 • -4.86db
69% Popularity • 44% Danceability • 85% Energy • 13% Liveness
74% Instrumentalness • 54% Positiveness
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The Smashing Pumpkins
The Colour Of Love
151 bpm • A Maj • 04:23 • -10db
41% Popularity • 50% Danceability • 73% Energy • 12% Liveness
36% Instrumentalness • 44% Positiveness
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The Killers
Dying Breed
151 bpm • C# Maj • 04:06 • -4.74db
50% Popularity • 66% Danceability • 78% Energy • 15% Liveness
2% Instrumentalness • 61% Positiveness
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Spector
I Won't Wait
153 bpm • A Maj • 02:49 • -3.67db
25% Popularity • 54% Danceability • 92% Energy • 29% Liveness
1% Instrumentalness • 30% Positiveness
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Placebo
Loud Like Love
153 bpm • G# Maj • 04:51 • -4.68db
51% Popularity • 39% Danceability • 95% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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White Reaper
Real Long Time
153 bpm • G min • 03:17 • -4.07db
37% Popularity • 36% Danceability • 84% Energy • 17% Liveness
2% Instrumentalness • 56% Positiveness
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Phoenix
Lasso
151 bpm • B Maj • 02:47 • -7.27db
61% Popularity • 64% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 95% Positiveness
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The Strokes
Bad Decisions
153 bpm • C Maj • 04:53 • -3.4db
62% Popularity • 37% Danceability • 92% Energy • 28% Liveness
20% Instrumentalness • 39% Positiveness
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The Killers
When The Dreams Run Dry
150 bpm • F Maj • 04:42 • -4.51db
39% Popularity • 47% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
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Kings of Leon
Sex on Fire
153 bpm • A Maj • 03:23 • -5.65db
85% Popularity • 54% Danceability • 90% Energy • 14% Liveness
1% Instrumentalness • 37% Positiveness
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Gerry Cinnamon
Sometimes
150 bpm • A Maj • 03:16 • -6.74db
65% Popularity • 64% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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The National
You Had Your Soul With You
154 bpm • F Maj • 03:26 • -5.82db
39% Popularity • 52% Danceability • 78% Energy • 9% Liveness
10% Instrumentalness • 28% Positiveness
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The Wombats
Lemon to a Knife Fight
150 bpm • A min • 03:25 • -3.58db
42% Popularity • 56% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
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Manchester Orchestra
I Know How To Speak
150 bpm • B Maj • 06:00 • -8.64db
52% Popularity • 50% Danceability • 62% Energy • 9% Liveness
28% Instrumentalness • 26% Positiveness
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The Killers
In The Car Outside
150 bpm • B Maj • 05:28 • -3.75db
37% Popularity • 50% Danceability • 91% Energy • 41% Liveness
0% Instrumentalness • 27% Positiveness
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The Black Keys
Go
150 bpm • C# Maj • 02:26 • -7.77db
56% Popularity • 48% Danceability • 67% Energy • 34% Liveness
72% Instrumentalness • 72% Positiveness
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DMA'S
The Glow
150 bpm • C Maj • 02:54 • -4.09db
34% Popularity • 41% Danceability • 91% Energy • 25% Liveness
0% Instrumentalness • 76% Positiveness
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Editors
An End Has a Start
150 bpm • F# min • 03:45 • -2.43db
52% Popularity • 35% Danceability • 92% Energy • 34% Liveness
11% Instrumentalness • 54% Positiveness
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James
Tomorrow
149 bpm • C Maj • 03:42 • -6.32db
43% Popularity • 30% Danceability • 94% Energy • 17% Liveness
2% Instrumentalness • 18% Positiveness
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Catfish and the Bottlemen
7
155 bpm • A# Maj • 04:16 • -4.93db
66% Popularity • 53% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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The Killers
In The Car Outside - Abridged
150 bpm • B Maj • 04:48 • -2.66db
35% Popularity • 48% Danceability • 94% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Vampire Weekend
Bambina
149 bpm • D Maj • 01:42 • -6db
53% Popularity • 51% Danceability • 54% Energy • 20% Liveness
0% Instrumentalness • 42% Positiveness
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The Smashing Pumpkins
Tonight, Tonight - Remastered 2012
148 bpm • F# Maj • 04:14 • -9.38db
66% Popularity • 28% Danceability • 67% Energy • 24% Liveness
75% Instrumentalness • 22% Positiveness
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Editors
Munich
149 bpm • G min • 03:46 • -4.4db
36% Popularity • 19% Danceability • 88% Energy • 29% Liveness
5% Instrumentalness • 39% Positiveness
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Sam Fender
You're Not The Only One
156 bpm • B Maj • 04:35 • -3.88db
51% Popularity • 43% Danceability • 96% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Kaiser Chiefs
Never Miss A Beat
156 bpm • C Maj • 03:06 • -4db
57% Popularity • 50% Danceability • 90% Energy • 65% Liveness
17% Instrumentalness • 45% Positiveness
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The Killers
Battle Born
155 bpm • F# Maj • 05:13 • -5.64db
46% Popularity • 27% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Stereophonics
C'est La Vie
148 bpm • A# Maj • 03:40 • -2.42db
32% Popularity • 46% Danceability • 92% Energy • 13% Liveness
0% Instrumentalness • 83% Positiveness
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Spector
Half Life
148 bpm • C Maj • 03:38 • -5.41db
16% Popularity • 54% Danceability • 94% Energy • 18% Liveness
0% Instrumentalness • 94% Positiveness
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Kings of Leon
Echoing
148 bpm • C Maj • 03:37 • -5.58db
42% Popularity • 29% Danceability • 78% Energy • 10% Liveness
23% Instrumentalness • 24% Positiveness
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Biffy Clyro
Bubbles
147 bpm • D# Maj • 05:01 • -5.89db
40% Popularity • 35% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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The Struts
Wild Child
156 bpm • F# min • 03:42 • -2.64db
43% Popularity • 23% Danceability • 89% Energy • 36% Liveness
0% Instrumentalness • 27% Positiveness
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The Killers
Mr. Brightside
148 bpm • C# Maj • 03:42 • -5.23db
87% Popularity • 35% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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The National
Bloodbuzz Ohio
157 bpm • A Maj • 04:35 • -6.37db
55% Popularity • 40% Danceability • 84% Energy • 10% Liveness
18% Instrumentalness • 69% Positiveness
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Mystery Jets
A Billion Heartbeats
147 bpm • G# min • 04:56 • -5.55db
12% Popularity • 41% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Stereophonics
Dakota
147 bpm • E Maj • 04:57 • -3.5db
71% Popularity • 51% Danceability • 93% Energy • 9% Liveness
1% Instrumentalness • 30% Positiveness
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Biffy Clyro
Space
157 bpm • A# Maj • 03:55 • -5.17db
51% Popularity • 46% Danceability • 56% Energy • 19% Liveness
0% Instrumentalness • 41% Positiveness
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The Wombats
Tokyo (Vampires & Wolves)
146 bpm • C Maj • 03:45 • -5.52db
54% Popularity • 46% Danceability • 91% Energy • 37% Liveness
0% Instrumentalness • 57% Positiveness
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The Killers
Imploding The Mirage
156 bpm • C Maj • 04:07 • -4.28db
45% Popularity • 49% Danceability • 89% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Kings of Leon
Molly's Chambers
146 bpm • B Maj • 02:14 • -3.97db
65% Popularity • 60% Danceability • 91% Energy • 22% Liveness
0% Instrumentalness • 95% Positiveness
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Gerry Cinnamon
Where We're Going
158 bpm • A Maj • 04:00 • -7db
59% Popularity • 52% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
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The Strokes
Reptilia
158 bpm • A Maj • 03:39 • -5.11db
78% Popularity • 49% Danceability • 65% Energy • 10% Liveness
71% Instrumentalness • 77% Positiveness
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Sam Fender
Get You Down
158 bpm • D Maj • 04:23 • -4.91db
50% Popularity • 39% Danceability • 97% Energy • 30% Liveness
9% Instrumentalness • 39% Positiveness
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Inhaler
When It Breaks
146 bpm • D min • 03:42 • -6.19db
52% Popularity • 43% Danceability • 96% Energy • 35% Liveness
0% Instrumentalness • 23% Positiveness
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The Killers
Running Towards A Place
147 bpm • A min • 04:13 • -4.84db
40% Popularity • 50% Danceability • 90% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Stereophonics
Fly Like an Eagle
146 bpm • C Maj • 04:32 • -8.03db
41% Popularity • 52% Danceability • 41% Energy • 6% Liveness
0% Instrumentalness • 42% Positiveness
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Oasis
Little by Little
146 bpm • D Maj • 04:52 • -5db
56% Popularity • 41% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Band of Horses
Crutch
145 bpm • D Maj • 03:43 • -5.38db
46% Popularity • 46% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
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Kaiser Chiefs
I Predict A Riot
159 bpm • G# Maj • 03:53 • -3.24db
65% Popularity • 40% Danceability • 98% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Biffy Clyro
Weird Leisure
145 bpm • F Maj • 04:08 • -4db
45% Popularity • 23% Danceability • 88% Energy • 5% Liveness
0% Instrumentalness • 35% Positiveness
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The Killers
Change Your Mind
147 bpm • F Maj • 03:12 • -4db
58% Popularity • 35% Danceability • 96% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
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Spoon
The Underdog
145 bpm • G Maj • 03:42 • -6.48db
39% Popularity • 68% Danceability • 64% Energy • 69% Liveness
0% Instrumentalness • 90% Positiveness
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James
Beautiful Beaches
145 bpm • A Maj • 05:14 • -5.37db
37% Popularity • 51% Danceability • 88% Energy • 19% Liveness
34% Instrumentalness • 30% Positiveness
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Pulp
Common People - Full Length Version
145 bpm • C Maj • 05:51 • -9.03db
68% Popularity • 31% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
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Kings of Leon
The Bandit
145 bpm • C Maj • 04:10 • -5db
55% Popularity • 39% Danceability • 82% Energy • 10% Liveness
77% Instrumentalness • 38% Positiveness
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Cage The Elephant
Skin and Bones
160 bpm • A min • 03:16 • -3.23db
60% Popularity • 54% Danceability • 79% Energy • 29% Liveness
0% Instrumentalness • 36% Positiveness
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The Killers
Tyson vs Douglas
160 bpm • D Maj • 04:33 • -4db
39% Popularity • 49% Danceability • 93% Energy • 11% Liveness
11% Instrumentalness • 31% Positiveness
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Inhaler
My Honest Face
160 bpm • F Maj • 04:32 • -4.17db
58% Popularity • 42% Danceability • 97% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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Kaiser Chiefs
Everyday I Love You Less And Less
160 bpm • C# min • 03:37 • -4.56db
58% Popularity • 49% Danceability • 96% Energy • 24% Liveness
0% Instrumentalness • 58% Positiveness
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Catfish and the Bottlemen
Fluctuate
160 bpm • G# Maj • 03:12 • -4.17db
53% Popularity • 41% Danceability • 89% Energy • 27% Liveness
0% Instrumentalness • 32% Positiveness
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Phoenix
1901
144 bpm • C Maj • 03:13 • -5.65db
73% Popularity • 59% Danceability • 83% Energy • 19% Liveness
0% Instrumentalness • 70% Positiveness
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The National
Rylan
144 bpm • B Maj • 03:43 • -5.57db
47% Popularity • 61% Danceability • 79% Energy • 4% Liveness
8% Instrumentalness • 72% Positiveness
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Biffy Clyro
Tiny Indoor Fireworks
144 bpm • C Maj • 03:15 • -3.6db
42% Popularity • 52% Danceability • 88% Energy • 38% Liveness
0% Instrumentalness • 77% Positiveness
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Inhaler
We Have To Move On
160 bpm • E min • 04:12 • -5.01db
44% Popularity • 46% Danceability • 95% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
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James
Isabella
144 bpm • C Maj • 04:23 • -5.55db
28% Popularity • 60% Danceability • 87% Energy • 11% Liveness
22% Instrumentalness • 24% Positiveness
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Spector
When Did We Get So Normal?
144 bpm • F Maj • 03:34 • -4.47db
14% Popularity • 59% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
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Gerry Cinnamon
Ghost
161 bpm • A Maj • 03:27 • -6db
55% Popularity • 48% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
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Sam Fender
Getting Started
161 bpm • B Maj • 03:09 • -4.49db
61% Popularity • 47% Danceability • 90% Energy • 21% Liveness
0% Instrumentalness • 54% Positiveness
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The Killers
Be Still
144 bpm • D# Maj • 04:33 • -8.98db
52% Popularity • 55% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Kings of Leon
Find Me
162 bpm • C# min • 04:05 • -3.97db
61% Popularity • 40% Danceability • 95% Energy • 16% Liveness
85% Instrumentalness • 61% Positiveness
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Inhaler
Cheer Up Baby
143 bpm • G# Maj • 03:53 • -6.38db
49% Popularity • 46% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Everything Everything
Violent Sun
162 bpm • A min • 04:00 • -5db
40% Popularity • 40% Danceability • 90% Energy • 32% Liveness
0% Instrumentalness • 43% Positiveness
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White Lies
There Goes Our Love Again
162 bpm • C# min • 03:36 • -4.13db
46% Popularity • 36% Danceability • 90% Energy • 25% Liveness
1% Instrumentalness • 42% Positiveness
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Sam Fender
The Borders
161 bpm • G# Maj • 05:32 • -3.79db
58% Popularity • 48% Danceability • 92% Energy • 30% Liveness
0% Instrumentalness • 58% Positiveness
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Bleachers
Rollercoaster
162 bpm • A# Maj • 03:08 • -6.23db
66% Popularity • 42% Danceability • 79% Energy • 15% Liveness
0% Instrumentalness • 28% Positiveness
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Kings of Leon
Notion
143 bpm • E Maj • 03:00 • -5db
60% Popularity • 43% Danceability • 89% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Jimmy Eat World
The Middle
162 bpm • D Maj • 02:45 • -5.43db
84% Popularity • 64% Danceability • 85% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
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Local Natives
When Am I Gonna Lose You
142 bpm • B Maj • 04:24 • -4.66db
59% Popularity • 45% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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The Killers
The Getting By II
142 bpm • F min • 03:16 • -4db
44% Popularity • 44% Danceability • 98% Energy • 17% Liveness
0% Instrumentalness • 31% Positiveness
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Sam Fender
Seventeen Going Under
162 bpm • C# Maj • 04:57 • -4.79db
70% Popularity • 48% Danceability • 87% Energy • 8% Liveness
1% Instrumentalness • 58% Positiveness
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The Airborne Toxic Event
All At Once
142 bpm • G Maj • 05:16 • -7.02db
33% Popularity • 44% Danceability • 79% Energy • 12% Liveness
6% Instrumentalness • 17% Positiveness
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The Struts
Another Hit Of Showmanship
142 bpm • F# Maj • 03:42 • -1.34db
33% Popularity • 41% Danceability • 98% Energy • 33% Liveness
0% Instrumentalness • 32% Positiveness
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Cage The Elephant
Night Running
142 bpm • E min • 03:28 • -2.3db
57% Popularity • 60% Danceability • 95% Energy • 39% Liveness
0% Instrumentalness • 58% Positiveness
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Interpol
Slow Hands
142 bpm • B min • 03:04 • -2.52db
59% Popularity • 24% Danceability • 97% Energy • 36% Liveness
44% Instrumentalness • 64% Positiveness
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The Killers
Sam's Town
141 bpm • F# min • 04:06 • -4.6db
53% Popularity • 27% Danceability • 96% Energy • 73% Liveness
1% Instrumentalness • 44% Positiveness
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Phoenix
Too Young
141 bpm • A min • 03:17 • -6.37db
58% Popularity • 62% Danceability • 75% Energy • 13% Liveness
0% Instrumentalness • 90% Positiveness
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The Libertines
Can't Stand Me Now
164 bpm • E Maj • 03:23 • -3.21db
60% Popularity • 37% Danceability • 94% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Doves
Prisoners
164 bpm • A min • 04:26 • -3.4db
29% Popularity • 24% Danceability • 94% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
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Dayglow
Close To You
140 bpm • F# Maj • 03:14 • -6db
67% Popularity • 88% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 83% Positiveness
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U2
Vertigo
140 bpm • A Maj • 03:13 • -3.97db
65% Popularity • 42% Danceability • 82% Energy • 15% Liveness
0% Instrumentalness • 63% Positiveness
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My Own Soul’s Warning