Songs like My Prophecy by Theo Lawrence and The Hearts
Based on a tempo of (+/- 10%) and a similar genre
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Me and My Friends
Another Lifetime
112 bpm • B min • 03:45 • -12.03db
33% Popularity • 93% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
33% Popularity • 93% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Anwar
Lost in Babylon
112 bpm • F min • 03:58 • -9.67db
33% Popularity • 80% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 73% Positiveness
33% Popularity • 80% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 73% Positiveness
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FM LAETI
You Inspire Me
112 bpm • G# Maj • 05:13 • -8.79db
37% Popularity • 56% Danceability • 32% Energy • 38% Liveness
0% Instrumentalness • 24% Positiveness
37% Popularity • 56% Danceability • 32% Energy • 38% Liveness
0% Instrumentalness • 24% Positiveness
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Son Little
3rd eye weeping
112 bpm • G Maj • 03:12 • -9db
22% Popularity • 89% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
22% Popularity • 89% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
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Palatine
Golden Trinckets
112 bpm • F Maj • 05:12 • -9.69db
15% Popularity • 31% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
15% Popularity • 31% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
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Fraser A. Gorman
Book Of Love
112 bpm • B Maj • 03:45 • -11.12db
7% Popularity • 66% Danceability • 35% Energy • 17% Liveness
0% Instrumentalness • 75% Positiveness
7% Popularity • 66% Danceability • 35% Energy • 17% Liveness
0% Instrumentalness • 75% Positiveness
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Jesper Munk
The Everlasting Good
112 bpm • F# min • 02:59 • -8.51db
33% Popularity • 57% Danceability • 51% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
33% Popularity • 57% Danceability • 51% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
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Roseaux
You Can Discover
112 bpm • B min • 03:10 • -14db
47% Popularity • 61% Danceability • 23% Energy • 11% Liveness
2% Instrumentalness • 71% Positiveness
47% Popularity • 61% Danceability • 23% Energy • 11% Liveness
2% Instrumentalness • 71% Positiveness
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Theo Lawrence and The Hearts
My Prophecy
112 bpm • F# Maj • 03:54 • -7.07db
15% Popularity • 70% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 86% Positiveness
15% Popularity • 70% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 86% Positiveness
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Theo Lawrence
I'll Never Get Over You
112 bpm • E Maj • 03:07 • -7.31db
22% Popularity • 64% Danceability • 61% Energy • 12% Liveness
31% Instrumentalness • 57% Positiveness
22% Popularity • 64% Danceability • 61% Energy • 12% Liveness
31% Instrumentalness • 57% Positiveness
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Michael Kiwanuka
Bones
112 bpm • A# Maj • 03:45 • -9.44db
44% Popularity • 64% Danceability • 48% Energy • 28% Liveness
0% Instrumentalness • 49% Positiveness
44% Popularity • 64% Danceability • 48% Energy • 28% Liveness
0% Instrumentalness • 49% Positiveness
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Moriarty
Reverse - Anger
113 bpm • D Maj • 02:54 • -10.54db
50% Popularity • 71% Danceability • 20% Energy • 10% Liveness
2% Instrumentalness • 30% Positiveness
50% Popularity • 71% Danceability • 20% Energy • 10% Liveness
2% Instrumentalness • 30% Positiveness
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Damien Jurado
Florence-Jean
111 bpm • B min • 02:26 • -7.76db
44% Popularity • 85% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
44% Popularity • 85% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
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Marlon Williams
What's Chasing You
113 bpm • C Maj • 02:41 • -7.64db
35% Popularity • 56% Danceability • 54% Energy • 34% Liveness
0% Instrumentalness • 57% Positiveness
35% Popularity • 56% Danceability • 54% Energy • 34% Liveness
0% Instrumentalness • 57% Positiveness
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Lou Doillon
Let Me Go
112 bpm • C Maj • 03:20 • -10.63db
28% Popularity • 76% Danceability • 30% Energy • 14% Liveness
1% Instrumentalness • 40% Positiveness
28% Popularity • 76% Danceability • 30% Energy • 14% Liveness
1% Instrumentalness • 40% Positiveness
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Karl Blau
Let the World Go By
111 bpm • B min • 03:44 • -11db
25% Popularity • 58% Danceability • 45% Energy • 31% Liveness
0% Instrumentalness • 38% Positiveness
25% Popularity • 58% Danceability • 45% Energy • 31% Liveness
0% Instrumentalness • 38% Positiveness
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James Hunter
Carina
114 bpm • F Maj • 04:10 • -9.32db
43% Popularity • 87% Danceability • 35% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
43% Popularity • 87% Danceability • 35% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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Ondara
Revolution Blues
110 bpm • C# Maj • 03:05 • -8db
29% Popularity • 73% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
29% Popularity • 73% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Theo Lawrence and The Hearts
Chew Me Up
110 bpm • G Maj • 03:11 • -7.39db
23% Popularity • 84% Danceability • 70% Energy • 7% Liveness
1% Instrumentalness • 94% Positiveness
23% Popularity • 84% Danceability • 70% Energy • 7% Liveness
1% Instrumentalness • 94% Positiveness
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Frazey Ford
Done
114 bpm • B min • 04:41 • -9db
55% Popularity • 78% Danceability • 40% Energy • 8% Liveness
1% Instrumentalness • 51% Positiveness
55% Popularity • 78% Danceability • 40% Energy • 8% Liveness
1% Instrumentalness • 51% Positiveness
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Papooz
Trampoline
110 bpm • C Maj • 02:34 • -11.13db
33% Popularity • 73% Danceability • 61% Energy • 12% Liveness
1% Instrumentalness • 86% Positiveness
33% Popularity • 73% Danceability • 61% Energy • 12% Liveness
1% Instrumentalness • 86% Positiveness
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Victor Mechanick
My Days In The Sunshine
110 bpm • D Maj • 03:30 • -9.21db
22% Popularity • 66% Danceability • 68% Energy • 18% Liveness
2% Instrumentalness • 85% Positiveness
22% Popularity • 66% Danceability • 68% Energy • 18% Liveness
2% Instrumentalness • 85% Positiveness
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Villagers
Everything I Am Is Yours
110 bpm • E min • 03:30 • -11.15db
60% Popularity • 87% Danceability • 50% Energy • 14% Liveness
27% Instrumentalness • 69% Positiveness
60% Popularity • 87% Danceability • 50% Energy • 14% Liveness
27% Instrumentalness • 69% Positiveness
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Dojo Cuts
Tomorrow's Gonna Come
110 bpm • C Maj • 03:28 • -9.57db
22% Popularity • 70% Danceability • 30% Energy • 13% Liveness
22% Instrumentalness • 41% Positiveness
22% Popularity • 70% Danceability • 30% Energy • 13% Liveness
22% Instrumentalness • 41% Positiveness
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Nick Waterhouse
The Spanish Look
114 bpm • E Maj • 02:56 • -7.52db
32% Popularity • 53% Danceability • 52% Energy • 15% Liveness
0% Instrumentalness • 50% Positiveness
32% Popularity • 53% Danceability • 52% Energy • 15% Liveness
0% Instrumentalness • 50% Positiveness
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Frazey Ford
September Fields
114 bpm • C Maj • 03:27 • -10db
68% Popularity • 68% Danceability • 53% Energy • 12% Liveness
3% Instrumentalness • 70% Positiveness
68% Popularity • 68% Danceability • 53% Energy • 12% Liveness
3% Instrumentalness • 70% Positiveness
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Luca Sapio
All Around Me
110 bpm • C Maj • 03:13 • -5.34db
21% Popularity • 76% Danceability • 70% Energy • 16% Liveness
0% Instrumentalness • 52% Positiveness
21% Popularity • 76% Danceability • 70% Energy • 16% Liveness
0% Instrumentalness • 52% Positiveness
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Theo Lawrence and The Hearts
500 Dances
110 bpm • F# Maj • 03:53 • -10.02db
35% Popularity • 81% Danceability • 27% Energy • 10% Liveness
20% Instrumentalness • 34% Positiveness
35% Popularity • 81% Danceability • 27% Energy • 10% Liveness
20% Instrumentalness • 34% Positiveness
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Ondara
American Dream
110 bpm • C# Maj • 04:00 • -9db
40% Popularity • 75% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
40% Popularity • 75% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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The Meltdown
Crooked Country
114 bpm • G min • 03:36 • -10db
52% Popularity • 75% Danceability • 49% Energy • 7% Liveness
7% Instrumentalness • 88% Positiveness
52% Popularity • 75% Danceability • 49% Energy • 7% Liveness
7% Instrumentalness • 88% Positiveness
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Nick Waterhouse
By Heart
114 bpm • C Maj • 04:03 • -7.98db
19% Popularity • 53% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
19% Popularity • 53% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
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Pokey LaFarge
Lucky Sometimes
109 bpm • D# Maj • 04:43 • -7.54db
30% Popularity • 41% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
30% Popularity • 41% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Asaf Avidan
The Study On Falling
109 bpm • G# Maj • 04:06 • -11db
39% Popularity • 65% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
39% Popularity • 65% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
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The James Hunter Six
He's Your Could've Been
115 bpm • D min • 02:39 • -9.87db
44% Popularity • 90% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
44% Popularity • 90% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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Sarah McCoy
Beautiful Stranger
115 bpm • A min • 05:40 • -10.39db
36% Popularity • 42% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
36% Popularity • 42% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Marbert Rocel
Love Me
115 bpm • D# Maj • 05:26 • -11db
37% Popularity • 75% Danceability • 33% Energy • 11% Liveness
20% Instrumentalness • 39% Positiveness
37% Popularity • 75% Danceability • 33% Energy • 11% Liveness
20% Instrumentalness • 39% Positiveness
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Cocoon
Chase the Devil
115 bpm • G min • 03:11 • -11.17db
44% Popularity • 69% Danceability • 30% Energy • 17% Liveness
0% Instrumentalness • 35% Positiveness
44% Popularity • 69% Danceability • 30% Energy • 17% Liveness
0% Instrumentalness • 35% Positiveness
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Dionysos
I Follow Rivers
109 bpm • G Maj • 03:15 • -8.91db
41% Popularity • 70% Danceability • 52% Energy • 16% Liveness
13% Instrumentalness • 34% Positiveness
41% Popularity • 70% Danceability • 52% Energy • 16% Liveness
13% Instrumentalness • 34% Positiveness
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Mathieu Boogaerts
Annie
109 bpm • A# min • 02:40 • -11.56db
33% Popularity • 66% Danceability • 21% Energy • 8% Liveness
2% Instrumentalness • 41% Positiveness
33% Popularity • 66% Danceability • 21% Energy • 8% Liveness
2% Instrumentalness • 41% Positiveness
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Charles Pasi
Don’t Be Like Me
115 bpm • G Maj • 03:35 • -8.28db
14% Popularity • 86% Danceability • 65% Energy • 10% Liveness
1% Instrumentalness • 93% Positiveness
14% Popularity • 86% Danceability • 65% Energy • 10% Liveness
1% Instrumentalness • 93% Positiveness
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Max Jury
Little Jean Jacket
115 bpm • A Maj • 03:38 • -8.78db
41% Popularity • 70% Danceability • 26% Energy • 18% Liveness
0% Instrumentalness • 7% Positiveness
41% Popularity • 70% Danceability • 26% Energy • 18% Liveness
0% Instrumentalness • 7% Positiveness
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Theo Lawrence and The Hearts
Shanghai Lady
115 bpm • A Maj • 06:07 • -11.76db
13% Popularity • 60% Danceability • 30% Energy • 12% Liveness
41% Instrumentalness • 19% Positiveness
13% Popularity • 60% Danceability • 30% Energy • 12% Liveness
41% Instrumentalness • 19% Positiveness
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Ben Harper And The Innocent Criminals
Suzie Blue
115 bpm • F Maj • 04:29 • -14db
34% Popularity • 73% Danceability • 24% Energy • 34% Liveness
2% Instrumentalness • 48% Positiveness
34% Popularity • 73% Danceability • 24% Energy • 34% Liveness
2% Instrumentalness • 48% Positiveness
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Lady Wray
Get Ready
115 bpm • B min • 04:06 • -5.52db
36% Popularity • 74% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
36% Popularity • 74% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
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Sharon Jones & The Dap-Kings
Mama Don't Like My Man
109 bpm • C min • 02:30 • -7.48db
43% Popularity • 81% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
43% Popularity • 81% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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Moriarty
Long Live the (D)Evil
115 bpm • A Maj • 03:56 • -7.96db
59% Popularity • 69% Danceability • 51% Energy • 21% Liveness
0% Instrumentalness • 75% Positiveness
59% Popularity • 69% Danceability • 51% Energy • 21% Liveness
0% Instrumentalness • 75% Positiveness
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Guts
Peaceful Life
109 bpm • G min • 04:06 • -7.78db
60% Popularity • 85% Danceability • 68% Energy • 28% Liveness
4% Instrumentalness • 96% Positiveness
60% Popularity • 85% Danceability • 68% Energy • 28% Liveness
4% Instrumentalness • 96% Positiveness
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Nick Waterhouse
Stanyan Street
116 bpm • C Maj • 07:47 • -11db
34% Popularity • 69% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
34% Popularity • 69% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
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Max Jury
Ella's Moonshine
108 bpm • C Maj • 02:51 • -7.39db
19% Popularity • 77% Danceability • 62% Energy • 11% Liveness
9% Instrumentalness • 60% Positiveness
19% Popularity • 77% Danceability • 62% Energy • 11% Liveness
9% Instrumentalness • 60% Positiveness
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Eckhardt And The House
Let's Go Away
116 bpm • C Maj • 02:38 • -9db
23% Popularity • 66% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
23% Popularity • 66% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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Peder
Black Snow
108 bpm • A# min • 03:04 • -10.76db
20% Popularity • 74% Danceability • 62% Energy • 11% Liveness
12% Instrumentalness • 68% Positiveness
20% Popularity • 74% Danceability • 62% Energy • 11% Liveness
12% Instrumentalness • 68% Positiveness
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Piers Faccini
Your Name No More
116 bpm • E min • 03:24 • -11.06db
34% Popularity • 74% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
34% Popularity • 74% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
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Constance Amiot
Résonances
116 bpm • G Maj • 02:48 • -17db
55% Popularity • 84% Danceability • 32% Energy • 11% Liveness
43% Instrumentalness • 94% Positiveness
55% Popularity • 84% Danceability • 32% Energy • 11% Liveness
43% Instrumentalness • 94% Positiveness
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Roseaux
More than Material
108 bpm • F min • 03:56 • -18.46db
44% Popularity • 84% Danceability • 10% Energy • 24% Liveness
0% Instrumentalness • 53% Positiveness
44% Popularity • 84% Danceability • 10% Energy • 24% Liveness
0% Instrumentalness • 53% Positiveness
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Part Company
My Gurl
116 bpm • D Maj • 02:58 • -8.33db
18% Popularity • 72% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
18% Popularity • 72% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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M.I.L.K.
If We Want To
108 bpm • C Maj • 04:08 • -13db
44% Popularity • 78% Danceability • 50% Energy • 26% Liveness
0% Instrumentalness • 49% Positiveness
44% Popularity • 78% Danceability • 50% Energy • 26% Liveness
0% Instrumentalness • 49% Positiveness
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Theo Lawrence and The Hearts
All Along
116 bpm • F# min • 04:01 • -7.19db
11% Popularity • 52% Danceability • 66% Energy • 28% Liveness
0% Instrumentalness • 53% Positiveness
11% Popularity • 52% Danceability • 66% Energy • 28% Liveness
0% Instrumentalness • 53% Positiveness
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Twinset
Sunny
108 bpm • F min • 05:34 • -9.87db
45% Popularity • 88% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
45% Popularity • 88% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Daniel Norgren
Moonshine Got Me
108 bpm • G# Maj • 08:51 • -10db
50% Popularity • 46% Danceability • 50% Energy • 7% Liveness
16% Instrumentalness • 15% Positiveness
50% Popularity • 46% Danceability • 50% Energy • 7% Liveness
16% Instrumentalness • 15% Positiveness
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Michael Kiwanuka
One More Night
108 bpm • F# min • 03:53 • -5.34db
64% Popularity • 68% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 94% Positiveness
64% Popularity • 68% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 94% Positiveness
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The James Hunter Six
This Is Where We Come In
108 bpm • B min • 04:31 • -9db
35% Popularity • 82% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
35% Popularity • 82% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
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Lou Doillon
Worth Saying
117 bpm • C Maj • 02:32 • -11.81db
28% Popularity • 66% Danceability • 43% Energy • 11% Liveness
43% Instrumentalness • 53% Positiveness
28% Popularity • 66% Danceability • 43% Energy • 11% Liveness
43% Instrumentalness • 53% Positiveness
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Theo Lawrence and The Hearts
My Sunshine Is Dead
108 bpm • A Maj • 03:51 • -11.46db
14% Popularity • 66% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
14% Popularity • 66% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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Jesper Munk
I Love You
108 bpm • G min • 03:19 • -6db
22% Popularity • 54% Danceability • 62% Energy • 31% Liveness
0% Instrumentalness • 49% Positiveness
22% Popularity • 54% Danceability • 62% Energy • 31% Liveness
0% Instrumentalness • 49% Positiveness
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Asaf Avidan
A Man Without A Name
117 bpm • A Maj • 03:32 • -12.33db
21% Popularity • 68% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
21% Popularity • 68% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Delgres
Se Kon Sa
107 bpm • D Maj • 03:23 • -7.29db
14% Popularity • 59% Danceability • 66% Energy • 9% Liveness
2% Instrumentalness • 67% Positiveness
14% Popularity • 59% Danceability • 66% Energy • 9% Liveness
2% Instrumentalness • 67% Positiveness
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Lena Deluxe
Kill the King
107 bpm • A Maj • 04:56 • -4.88db
15% Popularity • 72% Danceability • 63% Energy • 28% Liveness
0% Instrumentalness • 48% Positiveness
15% Popularity • 72% Danceability • 63% Energy • 28% Liveness
0% Instrumentalness • 48% Positiveness
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JúnÃus Meyvant
Neon Experience
117 bpm • C Maj • 06:08 • -10db
38% Popularity • 75% Danceability • 58% Energy • 10% Liveness
10% Instrumentalness • 60% Positiveness
38% Popularity • 75% Danceability • 58% Energy • 10% Liveness
10% Instrumentalness • 60% Positiveness
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Lou Doillon
It's you
117 bpm • B Maj • 03:03 • -11.09db
41% Popularity • 57% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
41% Popularity • 57% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Mama Kin
Rescue
107 bpm • C Maj • 04:17 • -7db
28% Popularity • 66% Danceability • 61% Energy • 12% Liveness
13% Instrumentalness • 33% Positiveness
28% Popularity • 66% Danceability • 61% Energy • 12% Liveness
13% Instrumentalness • 33% Positiveness
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Charles Pasi
All The Way
107 bpm • C# Maj • 02:45 • -11db
41% Popularity • 91% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
41% Popularity • 91% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
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Nick Waterhouse
Silver Bracelet
117 bpm • A min • 02:51 • -6.81db
21% Popularity • 69% Danceability • 53% Energy • 36% Liveness
0% Instrumentalness • 72% Positiveness
21% Popularity • 69% Danceability • 53% Energy • 36% Liveness
0% Instrumentalness • 72% Positiveness
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Mezzanine
Above the Sun
107 bpm • A# Maj • 03:09 • -9.98db
36% Popularity • 80% Danceability • 50% Energy • 14% Liveness
1% Instrumentalness • 34% Positiveness
36% Popularity • 80% Danceability • 50% Energy • 14% Liveness
1% Instrumentalness • 34% Positiveness
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Moriarty
Every Night
117 bpm • C Maj • 03:13 • -8.02db
35% Popularity • 60% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
35% Popularity • 60% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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Theo Lawrence and The Hearts
Bad Feeling
107 bpm • E Maj • 03:02 • -6.66db
9% Popularity • 51% Danceability • 63% Energy • 17% Liveness
1% Instrumentalness • 74% Positiveness
9% Popularity • 51% Danceability • 63% Energy • 17% Liveness
1% Instrumentalness • 74% Positiveness
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Son Little
Lay Down
107 bpm • F Maj • 03:48 • -10db
50% Popularity • 47% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
50% Popularity • 47% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Galt MacDermot
Let The Sunshine In
107 bpm • B min • 02:39 • -10.07db
49% Popularity • 51% Danceability • 65% Energy • 8% Liveness
1% Instrumentalness • 94% Positiveness
49% Popularity • 51% Danceability • 65% Energy • 8% Liveness
1% Instrumentalness • 94% Positiveness
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Anwar
Angel
118 bpm • F# min • 02:51 • -7.51db
22% Popularity • 83% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 79% Positiveness
22% Popularity • 83% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 79% Positiveness
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The James Hunter Six
I Don't Wanna Be Without You
118 bpm • A min • 03:25 • -9db
56% Popularity • 69% Danceability • 51% Energy • 27% Liveness
0% Instrumentalness • 80% Positiveness
56% Popularity • 69% Danceability • 51% Energy • 27% Liveness
0% Instrumentalness • 80% Positiveness
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JúnÃus Meyvant
Beat Silent Need
106 bpm • E min • 03:41 • -8.68db
27% Popularity • 78% Danceability • 64% Energy • 7% Liveness
77% Instrumentalness • 78% Positiveness
27% Popularity • 78% Danceability • 64% Energy • 7% Liveness
77% Instrumentalness • 78% Positiveness
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Theo Lawrence and The Hearts
Dream Boy
106 bpm • C Maj • 02:50 • -7.27db
9% Popularity • 77% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
9% Popularity • 77% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Madeleine Peyroux
More Time
118 bpm • B min • 03:22 • -17.84db
31% Popularity • 65% Danceability • 16% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
31% Popularity • 65% Danceability • 16% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
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Tiwayo
California Dreamin
118 bpm • C min • 04:04 • -6.81db
15% Popularity • 45% Danceability • 61% Energy • 20% Liveness
0% Instrumentalness • 30% Positiveness
15% Popularity • 45% Danceability • 61% Energy • 20% Liveness
0% Instrumentalness • 30% Positiveness
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Jesper Munk
Shakespeare & Heartbreak
106 bpm • A# min • 03:51 • -6db
31% Popularity • 73% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
31% Popularity • 73% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Warhaus
Bang Bang
106 bpm • D# min • 04:16 • -8.14db
34% Popularity • 69% Danceability • 53% Energy • 7% Liveness
7% Instrumentalness • 25% Positiveness
34% Popularity • 69% Danceability • 53% Energy • 7% Liveness
7% Instrumentalness • 25% Positiveness
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Howe Gelb
A Thousand Kisses Deep
106 bpm • F min • 05:39 • -16db
29% Popularity • 76% Danceability • 27% Energy • 44% Liveness
1% Instrumentalness • 75% Positiveness
29% Popularity • 76% Danceability • 27% Energy • 44% Liveness
1% Instrumentalness • 75% Positiveness
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Nick Waterhouse
Undedicated
106 bpm • F# min • 04:08 • -7.06db
17% Popularity • 71% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 63% Positiveness
17% Popularity • 71% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 63% Positiveness
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Kevin Morby
Harlem River
119 bpm • C# min • 09:15 • -10.25db
52% Popularity • 61% Danceability • 47% Energy • 10% Liveness
40% Instrumentalness • 48% Positiveness
52% Popularity • 61% Danceability • 47% Energy • 10% Liveness
40% Instrumentalness • 48% Positiveness
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Moriarty
Diamonds Never Die
105 bpm • E min • 04:25 • -9db
45% Popularity • 73% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
45% Popularity • 73% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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The Meltdown
Better Days
119 bpm • G min • 03:57 • -10.1db
65% Popularity • 81% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
65% Popularity • 81% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
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Lisa Mitchell
Lovefool
105 bpm • F# min • 03:15 • -12.98db
24% Popularity • 72% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
24% Popularity • 72% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Octave Lissner
Silver Rain
105 bpm • G# Maj • 03:48 • -8db
49% Popularity • 72% Danceability • 70% Energy • 10% Liveness
1% Instrumentalness • 27% Positiveness
49% Popularity • 72% Danceability • 70% Energy • 10% Liveness
1% Instrumentalness • 27% Positiveness
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Nick Waterhouse
Medicine
119 bpm • G min • 03:18 • -10db
49% Popularity • 70% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
49% Popularity • 70% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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Dom La Nena
Shake Sugaree
105 bpm • F min • 03:01 • -10db
22% Popularity • 80% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
22% Popularity • 80% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
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Jon and Roy
Window
105 bpm • C Maj • 02:32 • -10.12db
43% Popularity • 85% Danceability • 42% Energy • 9% Liveness
2% Instrumentalness • 40% Positiveness
43% Popularity • 85% Danceability • 42% Energy • 9% Liveness
2% Instrumentalness • 40% Positiveness
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Awa Ly
MESMERISING
120 bpm • D# Maj • 02:59 • -13.5db
21% Popularity • 51% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
21% Popularity • 51% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Anna Ash
Righteously
105 bpm • A# Maj • 03:18 • -9db
54% Popularity • 83% Danceability • 57% Energy • 8% Liveness
9% Instrumentalness • 76% Positiveness
54% Popularity • 83% Danceability • 57% Energy • 8% Liveness
9% Instrumentalness • 76% Positiveness
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The Meltdown
Such a Fool
120 bpm • C min • 03:44 • -7.4db
49% Popularity • 80% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
49% Popularity • 80% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
