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My Pulse
Songs like
My Pulse
by
dayoff
Based on a tempo of (+/- 10%) and a similar genre
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dayoff
My Pulse
120 bpm • C Maj • 01:35 • -9.43db
9% Popularity • 77% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
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Wild Love
Tuesday Night
120 bpm • E Maj • 03:27 • -4.96db
22% Popularity • 52% Danceability • 91% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Adult Karate
Euphoria
120 bpm • G# min • 03:17 • -4.94db
9% Popularity • 73% Danceability • 89% Energy • 8% Liveness
0% Instrumentalness • 95% Positiveness
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Kahone Concept
Attention Addict
120 bpm • D Maj • 03:06 • -5.75db
14% Popularity • 89% Danceability • 63% Energy • 5% Liveness
0% Instrumentalness • 76% Positiveness
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MyKey
Technicolor Carnival
120 bpm • E Maj • 03:48 • -7.74db
14% Popularity • 78% Danceability • 57% Energy • 35% Liveness
0% Instrumentalness • 48% Positiveness
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DIVEBAR YOUTH
Sour Taste
120 bpm • D Maj • 02:12 • -2.78db
23% Popularity • 77% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
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dayoff
Got Me Feeling Lonely
120 bpm • A# Maj • 03:17 • -14.96db
0% Popularity • 72% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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Josh Mcnz
Cambridge
120 bpm • E min • 04:37 • -12.57db
10% Popularity • 96% Danceability • 32% Energy • 10% Liveness
45% Instrumentalness • 54% Positiveness
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New Parlor
Bye for Now
120 bpm • G# Maj • 03:44 • -6.38db
12% Popularity • 63% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Paddy James
Love Lost
120 bpm • G# min • 02:58 • -6.21db
12% Popularity • 70% Danceability • 55% Energy • 16% Liveness
0% Instrumentalness • 44% Positiveness
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Jack West
Forever
120 bpm • C# min • 03:19 • -8.92db
15% Popularity • 58% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Seth Power
I Do
120 bpm • F Maj • 04:01 • -11.02db
19% Popularity • 76% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Dolour
Baby You're a Faker
120 bpm • E min • 03:32 • -5.84db
15% Popularity • 66% Danceability • 73% Energy • 16% Liveness
0% Instrumentalness • 77% Positiveness
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Gio
Old Dusty Road
120 bpm • C# min • 04:26 • -6.32db
11% Popularity • 57% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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High Tropics
Is It Worth It Anymore?
120 bpm • B Maj • 03:27 • -5.41db
8% Popularity • 58% Danceability • 54% Energy • 17% Liveness
0% Instrumentalness • 62% Positiveness
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Daniel Panettieri
Hold On
120 bpm • F# Maj • 04:18 • -9.7db
15% Popularity • 66% Danceability • 79% Energy • 7% Liveness
2% Instrumentalness • 43% Positiveness
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The Crystal Casino Band
More Than Fine
120 bpm • D Maj • 03:00 • -7db
16% Popularity • 49% Danceability • 66% Energy • 19% Liveness
0% Instrumentalness • 70% Positiveness
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Manuel the Band
Casual Love
120 bpm • G# Maj • 03:26 • -5.83db
11% Popularity • 58% Danceability • 71% Energy • 15% Liveness
1% Instrumentalness • 63% Positiveness
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The Broken Fox
Lost With You
120 bpm • G Maj • 03:36 • -13.01db
10% Popularity • 69% Danceability • 34% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
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Angus Maude
Balloon Boy
120 bpm • F# Maj • 02:42 • -10.78db
11% Popularity • 76% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Bobcat Rob & the Nightly Howl
Popcorn Lung
120 bpm • C# Maj • 03:35 • -7.95db
5% Popularity • 51% Danceability • 84% Energy • 70% Liveness
1% Instrumentalness • 40% Positiveness
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Hey Mr!
Riverside
120 bpm • G Maj • 03:07 • -6.28db
11% Popularity • 79% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
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The Crystal Casino Band
Just a Memory
120 bpm • E Maj • 03:12 • -7.53db
9% Popularity • 49% Danceability • 68% Energy • 20% Liveness
0% Instrumentalness • 45% Positiveness
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Spencer Douglas
Princess Charming
120 bpm • E Maj • 03:59 • -6.81db
8% Popularity • 71% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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The March Divide
Somebody Told Me
119 bpm • E min • 02:29 • -15db
12% Popularity • 84% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Eli Lev
Anywhere We Can Go
121 bpm • E Maj • 03:11 • -9.7db
14% Popularity • 65% Danceability • 70% Energy • 27% Liveness
2% Instrumentalness • 55% Positiveness
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Redlight Blue
Misery
119 bpm • G Maj • 03:16 • -9.4db
9% Popularity • 61% Danceability • 58% Energy • 26% Liveness
0% Instrumentalness • 17% Positiveness
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Jackson Penn
Sick in the Head
121 bpm • B Maj • 02:47 • -8.74db
23% Popularity • 87% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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DIVEBAR YOUTH
Up - Demo
118 bpm • A Maj • 01:49 • -9.36db
11% Popularity • 55% Danceability • 37% Energy • 31% Liveness
23% Instrumentalness • 44% Positiveness
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All Types Of Kinds
Lucky One
122 bpm • A Maj • 04:44 • -8.97db
13% Popularity • 64% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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The March Divide
Real Life is Hard
121 bpm • E min • 02:50 • -10.76db
13% Popularity • 84% Danceability • 32% Energy • 25% Liveness
0% Instrumentalness • 48% Positiveness
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Dream Jacuzzi
Stuck in a Daze
118 bpm • C Maj • 03:42 • -10.45db
7% Popularity • 63% Danceability • 55% Energy • 5% Liveness
0% Instrumentalness • 71% Positiveness
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Common Jack
Fresh
118 bpm • E Maj • 03:45 • -15db
10% Popularity • 68% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Sonny Winnebago
Little Sun
122 bpm • G Maj • 04:21 • -8.46db
11% Popularity • 69% Danceability • 51% Energy • 15% Liveness
0% Instrumentalness • 71% Positiveness
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Red Output
The Sunday Rose Bar
118 bpm • A Maj • 04:36 • -7.54db
12% Popularity • 47% Danceability • 63% Energy • 30% Liveness
0% Instrumentalness • 48% Positiveness
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Sean Hassard
Summer Rose
122 bpm • C Maj • 03:17 • -7.96db
18% Popularity • 67% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
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Noah Chenfeld
Stuck on a Page
118 bpm • C Maj • 03:20 • -14.18db
13% Popularity • 65% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Best Breakfast
Young + Dumb
122 bpm • A min • 04:02 • -7.01db
11% Popularity • 69% Danceability • 77% Energy • 15% Liveness
22% Instrumentalness • 80% Positiveness
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Common Jack
Moral of the Story
118 bpm • A Maj • 03:25 • -9.74db
10% Popularity • 67% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
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Tucker Rivera
Paris (Dancing Alone)
118 bpm • A# Maj • 02:17 • -17.99db
8% Popularity • 34% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Sam Franklin
Nervous
118 bpm • E Maj • 03:17 • -8.02db
16% Popularity • 74% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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dayoff
Til' Tomorrow
117 bpm • B Maj • 02:11 • -9.73db
0% Popularity • 69% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Abe
Used to This
123 bpm • D Maj • 03:32 • -11.18db
10% Popularity • 86% Danceability • 57% Energy • 10% Liveness
2% Instrumentalness • 50% Positiveness
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The March Divide
Secrets
123 bpm • G# Maj • 02:54 • -10.39db
26% Popularity • 80% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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Blake Anthony Robson
Don't You Remember
122 bpm • F Maj • 03:52 • -6.85db
7% Popularity • 61% Danceability • 51% Energy • 10% Liveness
5% Instrumentalness • 36% Positiveness
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Dallas Thornton
Deja Vu
123 bpm • C Maj • 03:50 • -12.04db
4% Popularity • 70% Danceability • 54% Energy • 32% Liveness
0% Instrumentalness • 50% Positiveness
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Tipling Rock
Partly Sorry
117 bpm • F Maj • 03:07 • -9.59db
29% Popularity • 87% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 95% Positiveness
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Chill The Duo
Yesterday
123 bpm • C Maj • 04:04 • -11.74db
9% Popularity • 67% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 10% Positiveness
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William Hinson
Don't Cry
117 bpm • G Maj • 03:16 • -9.56db
8% Popularity • 59% Danceability • 61% Energy • 11% Liveness
3% Instrumentalness • 65% Positiveness
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GRMLN
Rollercoaster
117 bpm • D Maj • 02:41 • -10.57db
20% Popularity • 65% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Malingo
The Country Life
124 bpm • D Maj • 03:20 • -12.4db
16% Popularity • 61% Danceability • 44% Energy • 26% Liveness
0% Instrumentalness • 78% Positiveness
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Dallas Thornton
Ordinary Girls
124 bpm • B min • 03:30 • -6.98db
9% Popularity • 76% Danceability • 65% Energy • 38% Liveness
0% Instrumentalness • 55% Positiveness
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Straight White Teeth
Flowering
116 bpm • F# Maj • 03:00 • -11.54db
10% Popularity • 74% Danceability • 24% Energy • 11% Liveness
1% Instrumentalness • 29% Positiveness
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Tipling Rock
Love Without a Reason - Acoustic
117 bpm • B Maj • 03:01 • -11.98db
19% Popularity • 76% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
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The Vacant Shapes
What I'm Not
124 bpm • G Maj • 02:43 • -5.74db
12% Popularity • 61% Danceability • 90% Energy • 14% Liveness
1% Instrumentalness • 73% Positiveness
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dayoff
Something Worth It
116 bpm • C Maj • 03:14 • -13.6db
0% Popularity • 72% Danceability • 40% Energy • 22% Liveness
0% Instrumentalness • 53% Positiveness
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The Thing With Feathers
What You Want
116 bpm • B Maj • 03:48 • -6db
12% Popularity • 48% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Nightshifts
Breeze
124 bpm • D min • 03:52 • -10.4db
17% Popularity • 76% Danceability • 41% Energy • 7% Liveness
0% Instrumentalness • 35% Positiveness
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Genesis Ritchot
Seasons
116 bpm • D# Maj • 03:03 • -8.96db
8% Popularity • 68% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Patient Hands
The Poisoner (Radio Edit)
115 bpm • A Maj • 02:10 • -11.15db
8% Popularity • 45% Danceability • 32% Energy • 14% Liveness
97% Instrumentalness • 4% Positiveness
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LIAS
Let Me Down Easy
115 bpm • A min • 04:11 • -10.88db
11% Popularity • 62% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Malibu
Eventually
125 bpm • A Maj • 03:53 • -7.92db
2% Popularity • 52% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Hyko
Love for Real
125 bpm • C# Maj • 02:30 • -30.67db
12% Popularity • 62% Danceability • 1% Energy • 11% Liveness
1% Instrumentalness • 7% Positiveness
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Leon Rosen
Summers Edge
115 bpm • E min • 03:17 • -13.26db
7% Popularity • 59% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
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Quillo
The Wait Is Over Now
125 bpm • C# min • 02:45 • -10.87db
14% Popularity • 67% Danceability • 56% Energy • 30% Liveness
0% Instrumentalness • 72% Positiveness
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Carter Reeves
Home Stretch
125 bpm • A Maj • 03:54 • -5.73db
8% Popularity • 76% Danceability • 69% Energy • 8% Liveness
1% Instrumentalness • 89% Positiveness
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Hello Forever
Anywhere Is Everywhere
125 bpm • F Maj • 02:28 • -6.52db
15% Popularity • 41% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
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100years Apart
It's You
115 bpm • C Maj • 02:51 • -6.48db
13% Popularity • 65% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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Ariel Days
A List of Reasons Why I Miss Your Face
115 bpm • E Maj • 02:29 • -9.35db
15% Popularity • 67% Danceability • 34% Energy • 27% Liveness
0% Instrumentalness • 14% Positiveness
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Connie Danger
Finally
115 bpm • E Maj • 04:56 • -6.26db
10% Popularity • 45% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Grant Schaffer
Lil Mama
115 bpm • G Maj • 03:00 • -9.83db
8% Popularity • 70% Danceability • 51% Energy • 45% Liveness
0% Instrumentalness • 63% Positiveness
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Dead Phones & Dogs
Popcorn & Pepsi
115 bpm • F# min • 03:54 • -5.52db
13% Popularity • 42% Danceability • 86% Energy • 40% Liveness
0% Instrumentalness • 60% Positiveness
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Nolan Garrett
The Camel
115 bpm • A# Maj • 03:43 • -8.89db
11% Popularity • 54% Danceability • 56% Energy • 21% Liveness
1% Instrumentalness • 43% Positiveness
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Jaymison
Pretty Mama
115 bpm • G# Maj • 03:07 • -11.33db
29% Popularity • 89% Danceability • 45% Energy • 12% Liveness
1% Instrumentalness • 79% Positiveness
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Nightshifts
Silence
115 bpm • G min • 03:06 • -12.37db
14% Popularity • 76% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
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AJ Abdullah
Do You Hear the Thunder?
125 bpm • F Maj • 02:17 • -16.13db
20% Popularity • 71% Danceability • 7% Energy • 20% Liveness
0% Instrumentalness • 25% Positiveness
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Bumblebee Saturday
Grapefruit
115 bpm • G Maj • 04:10 • -8.43db
10% Popularity • 66% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
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dayoff
Go This Far
115 bpm • F# min • 03:08 • -10.27db
0% Popularity • 88% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
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William Hinson
Help!
115 bpm • F# Maj • 03:07 • -8.34db
8% Popularity • 82% Danceability • 67% Energy • 12% Liveness
1% Instrumentalness • 86% Positiveness
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Jaymison
Wedding Song
115 bpm • D# Maj • 03:33 • -8.51db
23% Popularity • 77% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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The Bayton Fields
Stay
115 bpm • F# min • 03:29 • -9.9db
25% Popularity • 69% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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c a n d i d !
The One to Blame
115 bpm • G Maj • 04:49 • -8db
11% Popularity • 64% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Charlie Allen
Sarcophagus
126 bpm • D# Maj • 04:30 • -9.98db
8% Popularity • 65% Danceability • 24% Energy • 24% Liveness
0% Instrumentalness • 7% Positiveness
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Michael Barrow & the Tourists
No Such Thing (As Getting Over You)
126 bpm • F# Maj • 02:41 • -9.06db
9% Popularity • 62% Danceability • 56% Energy • 9% Liveness
2% Instrumentalness • 67% Positiveness
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Leland Blue
10 PM
126 bpm • E Maj • 04:53 • -9.42db
12% Popularity • 52% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Friends of Clay
Growing Up
115 bpm • B min • 02:45 • -14.06db
14% Popularity • 51% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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Jaymison
Garden State
114 bpm • D Maj • 03:24 • -11.21db
22% Popularity • 70% Danceability • 60% Energy • 11% Liveness
82% Instrumentalness • 46% Positiveness
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dayoff
Feeding Time
114 bpm • A min • 02:54 • -13.2db
0% Popularity • 70% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Dansu
State of Mind
127 bpm • D# Maj • 03:18 • -5.11db
33% Popularity • 70% Danceability • 68% Energy • 15% Liveness
5% Instrumentalness • 86% Positiveness
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Bluf
Until It's Over
127 bpm • B min • 02:57 • -9.95db
9% Popularity • 82% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Pacific
yellow bleach
127 bpm • C Maj • 04:03 • -5.5db
13% Popularity • 64% Danceability • 81% Energy • 18% Liveness
0% Instrumentalness • 77% Positiveness
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Romantica
Lost in the Cosmos
127 bpm • D# Maj • 03:07 • -15db
15% Popularity • 63% Danceability • 26% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
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Jaymison
Robert De Niro
114 bpm • C Maj • 04:03 • -9.75db
8% Popularity • 83% Danceability • 56% Energy • 10% Liveness
2% Instrumentalness • 61% Positiveness
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dayoff
San Francisco
114 bpm • E Maj • 02:48 • -15.09db
1% Popularity • 73% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
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okaywill
Feeling Is Right
113 bpm • E Maj • 03:02 • -11.54db
10% Popularity • 86% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
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Presley River
Right Where I Want You
113 bpm • G Maj • 03:41 • -14.23db
13% Popularity • 61% Danceability • 29% Energy • 9% Liveness
6% Instrumentalness • 21% Positiveness
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Netherfriends
A Happy Song for Sad Girls
113 bpm • C Maj • 02:24 • -7.2db
12% Popularity • 85% Danceability • 65% Energy • 16% Liveness
0% Instrumentalness • 76% Positiveness
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Talkie
to be alone
113 bpm • F# Maj • 02:24 • -8.65db
10% Popularity • 69% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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As Was
Borrowed
113 bpm • D# Maj • 02:26 • -12.63db
17% Popularity • 47% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Horace Greene
Sunflower Silo
128 bpm • E Maj • 03:39 • -6.75db
22% Popularity • 54% Danceability • 49% Energy • 20% Liveness
0% Instrumentalness • 33% Positiveness
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