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My Reverie
Songs like
My Reverie
by
Helen Forrest
Based on a tempo of (+/- 10%) and a similar genre
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Jimmy Dorsey & His Orchestra
The Darktown Strutter's Ball
102 bpm • F min • 02:27 • -8db
25% Popularity • 71% Danceability • 55% Energy • 51% Liveness
3% Instrumentalness • 84% Positiveness
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Guy Mitchell
My Heart Cries For You
102 bpm • G# Maj • 02:46 • -14db
21% Popularity • 44% Danceability • 14% Energy • 25% Liveness
0% Instrumentalness • 30% Positiveness
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Annette Hanshaw
Carolina Moon
102 bpm • C Maj • 02:56 • -16.05db
21% Popularity • 67% Danceability • 12% Energy • 23% Liveness
2% Instrumentalness • 54% Positiveness
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Bea Wain
My Reverie
102 bpm • F Maj • 03:25 • -12db
17% Popularity • 35% Danceability • 15% Energy • 36% Liveness
3% Instrumentalness • 40% Positiveness
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Connee Boswell
Basin Street Blues
103 bpm • D# Maj • 03:00 • -13.75db
16% Popularity • 61% Danceability • 11% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
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Ella Mae Morse
Shoo Shoo Baby
103 bpm • A min • 03:15 • -11.81db
14% Popularity • 72% Danceability • 9% Energy • 32% Liveness
0% Instrumentalness • 50% Positiveness
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Rudy Vallee and His Connecticut Yankees
The You and Me That Used to Be
101 bpm • F Maj • 03:13 • -20db
30% Popularity • 46% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Gerhard Trede
Swinging World
101 bpm • A# Maj • 02:49 • -9.28db
23% Popularity • 51% Danceability • 37% Energy • 6% Liveness
86% Instrumentalness • 60% Positiveness
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Helen O'Connell
Green Eyes
101 bpm • G# Maj • 02:38 • -18db
30% Popularity • 57% Danceability • 23% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
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Roy Brown
Mighty Mighty Man
103 bpm • C Maj • 02:32 • -10.91db
49% Popularity • 69% Danceability • 40% Energy • 5% Liveness
1% Instrumentalness • 93% Positiveness
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Geraldo & His Orchestra
Long Ago & Far Away
103 bpm • G# min • 03:07 • -17db
19% Popularity • 28% Danceability • 13% Energy • 11% Liveness
1% Instrumentalness • 19% Positiveness
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Eddy Howard
I Married an Angel
101 bpm • F Maj • 02:27 • -9db
22% Popularity • 69% Danceability • 46% Energy • 26% Liveness
34% Instrumentalness • 82% Positiveness
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Helen Forrest
I Had The Craziest Dream
101 bpm • G# Maj • 02:41 • -12.45db
10% Popularity • 31% Danceability • 16% Energy • 28% Liveness
0% Instrumentalness • 15% Positiveness
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Bob Crosby & The Bob Cats
Can't We Be Friends?
101 bpm • D min • 02:57 • -13.15db
42% Popularity • 61% Danceability • 29% Energy • 27% Liveness
90% Instrumentalness • 60% Positiveness
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Jimmy Dorsey & His Orchestra
All Of Me
100 bpm • D min • 03:08 • -14db
22% Popularity • 44% Danceability • 11% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Bob Crosby
Let'S Go Around Together
100 bpm • C Maj • 02:28 • -13.25db
21% Popularity • 57% Danceability • 19% Energy • 32% Liveness
0% Instrumentalness • 40% Positiveness
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Erskine Hawkins
Knock Me a Kiss
100 bpm • F min • 02:47 • -9.46db
12% Popularity • 46% Danceability • 24% Energy • 25% Liveness
0% Instrumentalness • 51% Positiveness
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Sheldon Allman
Rocket to the Moon
104 bpm • D Maj • 01:31 • 1.12db
20% Popularity • 70% Danceability • 88% Energy • 16% Liveness
0% Instrumentalness • 96% Positiveness
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Larry Clinton & His Orchestra
You Go To My Head
100 bpm • D# Maj • 03:41 • -24.76db
25% Popularity • 35% Danceability • 3% Energy • 12% Liveness
1% Instrumentalness • 13% Positiveness
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Bunny Berigan
All God s Chillun Got Rhyth
105 bpm • A# Maj • 02:25 • -11db
18% Popularity • 71% Danceability • 47% Energy • 8% Liveness
63% Instrumentalness • 80% Positiveness
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Ben Selvin & His Orchestra
Love, Your Spell Is Everywhere
99 bpm • C# Maj • 02:45 • -21.7db
20% Popularity • 54% Danceability • 10% Energy • 13% Liveness
14% Instrumentalness • 73% Positiveness
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Bob Crosby
I Don'T Know Whether to Laugh or Cry ove...
104 bpm • C min • 01:48 • -11.44db
30% Popularity • 72% Danceability • 23% Energy • 12% Liveness
94% Instrumentalness • 79% Positiveness
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Gerhard Trede
Clear as Daylight
105 bpm • F Maj • 02:33 • -13.2db
19% Popularity • 44% Danceability • 33% Energy • 26% Liveness
82% Instrumentalness • 72% Positiveness
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Charlie Spivak & His Orchestra
Blue Champagne
99 bpm • F# Maj • 02:24 • -18db
24% Popularity • 36% Danceability • 14% Energy • 22% Liveness
84% Instrumentalness • 34% Positiveness
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Lee Wiley
Manhattan
105 bpm • C# Maj • 03:25 • -14db
26% Popularity • 54% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
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Rudy Vallee and His Connecticut Yankees
P.s. - I Love You
105 bpm • G min • 03:30 • -24.49db
36% Popularity • 42% Danceability • 6% Energy • 14% Liveness
3% Instrumentalness • 33% Positiveness
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Jerry Irby
Answer to Driving Nail's Ii My Coffin
105 bpm • C Maj • 02:51 • -10db
44% Popularity • 75% Danceability • 44% Energy • 37% Liveness
0% Instrumentalness • 67% Positiveness
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Bob Crosby & His Orchestra
What's New?
105 bpm • A# min • 02:57 • -25db
13% Popularity • 56% Danceability • 6% Energy • 7% Liveness
90% Instrumentalness • 35% Positiveness
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Buster Bailey
There's a House in Harlem for Sale
99 bpm • D min • 02:50 • -10db
17% Popularity • 68% Danceability • 26% Energy • 10% Liveness
85% Instrumentalness • 45% Positiveness
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Paul Whiteman
Whispering
99 bpm • D Maj • 03:16 • -21.62db
14% Popularity • 65% Danceability • 25% Energy • 48% Liveness
92% Instrumentalness • 45% Positiveness
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Joe Venuti
Beatin' the Dog
105 bpm • A# Maj • 02:38 • -13.56db
18% Popularity • 83% Danceability • 38% Energy • 10% Liveness
91% Instrumentalness • 96% Positiveness
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Roy Brown
Mighty, Mighty Man (10-?-47)
106 bpm • C min • 02:27 • -10.64db
26% Popularity • 58% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
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Anne Shelton
Coming in on a Wing & a Prayer
106 bpm • D# Maj • 02:45 • -10.75db
23% Popularity • 66% Danceability • 26% Energy • 16% Liveness
0% Instrumentalness • 69% Positiveness
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Lee Wiley
Manhattan
106 bpm • G# Maj • 03:25 • -17.66db
20% Popularity • 56% Danceability • 16% Energy • 17% Liveness
2% Instrumentalness • 49% Positiveness
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Fats Waller
Ain't Misbehavin'
98 bpm • C min • 03:57 • -16.92db
51% Popularity • 52% Danceability • 22% Energy • 19% Liveness
0% Instrumentalness • 35% Positiveness
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Tony Martin
Lilacs in the Rain
106 bpm • G Maj • 02:41 • -17db
18% Popularity • 34% Danceability • 10% Energy • 19% Liveness
0% Instrumentalness • 22% Positiveness
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Jimmy Dorsey & His Orchestra
King Porter Stomp
106 bpm • G# Maj • 02:52 • -8.64db
25% Popularity • 72% Danceability • 60% Energy • 66% Liveness
97% Instrumentalness • 89% Positiveness
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Tennessee Ernie Ford
Singin’ in the Rain
98 bpm • A Maj • 01:30 • -9.49db
16% Popularity • 83% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 79% Positiveness
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Cab Calloway & His Orchestra
Happy Feet
106 bpm • G min • 02:38 • -8.17db
20% Popularity • 78% Danceability • 62% Energy • 5% Liveness
87% Instrumentalness • 96% Positiveness
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Lynda Carter
Man Enough
106 bpm • D min • 03:23 • -14db
51% Popularity • 76% Danceability • 32% Energy • 38% Liveness
0% Instrumentalness • 42% Positiveness
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Bob Crosby
Way Back Home
106 bpm • D# Maj • 02:54 • -11db
44% Popularity • 66% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
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Eddy Howard
You're Getting To Be A Habit With Me
98 bpm • G min • 02:01 • -15.11db
9% Popularity • 57% Danceability • 23% Energy • 24% Liveness
0% Instrumentalness • 54% Positiveness
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Bennie Moten
New Moten Stomp
106 bpm • G# Maj • 02:56 • -9.34db
22% Popularity • 81% Danceability • 47% Energy • 14% Liveness
79% Instrumentalness • 90% Positiveness
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Tennessee Ernie Ford
(Did You Ever Get) That Feeling in the M...
106 bpm • A# Maj • 01:49 • -13.2db
0% Popularity • 82% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
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Rudy Vallee and His Connecticut Yankees
I'm Just a Vagabond Lover
106 bpm • A# Maj • 03:18 • -19.24db
33% Popularity • 60% Danceability • 9% Energy • 9% Liveness
12% Instrumentalness • 65% Positiveness
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Roy Brown
Mighty Mighty Man
106 bpm • C min • 02:23 • -15db
45% Popularity • 57% Danceability • 37% Energy • 58% Liveness
0% Instrumentalness • 82% Positiveness
► Preview
Bob Crosby & The Bob Cats
March Of The Bob Cats
107 bpm • E Maj • 02:38 • -10.64db
42% Popularity • 79% Danceability • 65% Energy • 4% Liveness
73% Instrumentalness • 84% Positiveness
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Bob Crosby
There'S an 'X' in the Middle of Texas
107 bpm • C min • 02:05 • -11.39db
24% Popularity • 72% Danceability • 44% Energy • 16% Liveness
96% Instrumentalness • 97% Positiveness
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Bea Wain
Heart and Soul
107 bpm • A min • 03:09 • -14db
29% Popularity • 61% Danceability • 7% Energy • 22% Liveness
0% Instrumentalness • 51% Positiveness
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Larry Clinton
Let'er Go
97 bpm • C Maj • 02:18 • -8.33db
18% Popularity • 83% Danceability • 52% Energy • 3% Liveness
0% Instrumentalness • 71% Positiveness
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Jimmy Dorsey & His Orchestra
In A Sentimental Mood
97 bpm • G min • 03:02 • -12.82db
24% Popularity • 46% Danceability • 20% Energy • 14% Liveness
13% Instrumentalness • 40% Positiveness
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Johnny Dodds
Come on and Stomp, Stomp, Stomp
107 bpm • F Maj • 02:55 • -8db
23% Popularity • 79% Danceability • 66% Energy • 11% Liveness
92% Instrumentalness • 96% Positiveness
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Bob Crosby & The Bob Cats
Big Foot Jump
106 bpm • F# Maj • 02:37 • -24.28db
23% Popularity • 69% Danceability • 26% Energy • 14% Liveness
84% Instrumentalness • 66% Positiveness
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Red McKenzie
The Trouble With Me Is You
97 bpm • D min • 02:32 • -9.18db
21% Popularity • 85% Danceability • 60% Energy • 12% Liveness
78% Instrumentalness • 82% Positiveness
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toon
nuclear hop
97 bpm • F Maj • 01:10 • -12.03db
53% Popularity • 73% Danceability • 53% Energy • 34% Liveness
83% Instrumentalness • 88% Positiveness
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Glen Gray & The Casa Loma Orchestra
Meet Me Tonight In Dreamland
97 bpm • G min • 02:47 • -11.93db
10% Popularity • 71% Danceability • 35% Energy • 12% Liveness
35% Instrumentalness • 72% Positiveness
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Annette Hanshaw
What Wouldn't I Do for That Man
97 bpm • G# min • 02:49 • -13.6db
23% Popularity • 59% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Billy Munn
Jazzy Interlude
97 bpm • D# Maj • 02:54 • -8.45db
51% Popularity • 66% Danceability • 54% Energy • 6% Liveness
68% Instrumentalness • 95% Positiveness
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Bob Crosby & The Bob Cats
Sugar Foot Stomp
107 bpm • C Maj • 03:05 • -10db
25% Popularity • 70% Danceability • 54% Energy • 9% Liveness
94% Instrumentalness • 95% Positiveness
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Frankie Carle
Cruising Down the River
97 bpm • D# Maj • 02:51 • -8.51db
10% Popularity • 62% Danceability • 33% Energy • 30% Liveness
0% Instrumentalness • 44% Positiveness
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Bert Weedon
Roundhouse Rock
97 bpm • E Maj • 02:47 • -11.81db
50% Popularity • 40% Danceability • 75% Energy • 25% Liveness
86% Instrumentalness • 76% Positiveness
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Isham Jones
Doin' the Uptown Lowdown
108 bpm • D# min • 02:38 • -13db
20% Popularity • 83% Danceability • 70% Energy • 31% Liveness
12% Instrumentalness • 59% Positiveness
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Ella Mae Morse
No Love, No Nothin’
108 bpm • A# Maj • 02:35 • -7.88db
23% Popularity • 56% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Johnny Bond
Stars of the Midnight Range
108 bpm • D# Maj • 02:53 • -11db
49% Popularity • 44% Danceability • 20% Energy • 12% Liveness
10% Instrumentalness • 38% Positiveness
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Charlie Barnet
Skyliner (Alternate Take)
108 bpm • F min • 03:01 • -6.75db
29% Popularity • 65% Danceability • 55% Energy • 11% Liveness
72% Instrumentalness • 81% Positiveness
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Paul Whiteman & His Orchestra
Whispering
96 bpm • D Maj • 03:21 • -8db
15% Popularity • 69% Danceability • 41% Energy • 11% Liveness
91% Instrumentalness • 52% Positiveness
► Preview
Bea Wain
Put Your Arms Arround Me
96 bpm • A# Maj • 01:47 • -7.38db
19% Popularity • 68% Danceability • 48% Energy • 13% Liveness
1% Instrumentalness • 86% Positiveness
► Preview
Maxine Sullivan
It Was a Lover and His Lass
108 bpm • A# Maj • 03:18 • -15.4db
19% Popularity • 73% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Lynda Carter
I'm the One You're Looking For
96 bpm • E Maj • 03:25 • -12.91db
50% Popularity • 64% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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Fletcher Henderson & His Orchestra
Sing, Sing, Sing (With a Swing)
109 bpm • E min • 02:32 • -13.33db
16% Popularity • 78% Danceability • 26% Energy • 11% Liveness
64% Instrumentalness • 88% Positiveness
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Jimmy Dorsey Orchestra, Vocals by Helen O'Connell
Wonder When My Baby's Coming Home
96 bpm • C min • 02:46 • -7db
9% Popularity • 49% Danceability • 23% Energy • 30% Liveness
1% Instrumentalness • 45% Positiveness
► Preview
Bert Weedon
Big Note Blues
109 bpm • E Maj • 02:46 • -10db
38% Popularity • 69% Danceability • 32% Energy • 11% Liveness
5% Instrumentalness • 86% Positiveness
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Bob Crosby & The Bob Cats
Don't Call Me Boy
96 bpm • D# Maj • 03:03 • -11.78db
38% Popularity • 63% Danceability • 49% Energy • 11% Liveness
40% Instrumentalness • 88% Positiveness
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Bob Crosby
Zing-A Zing-A Zing Boom
109 bpm • C Maj • 01:54 • -11.97db
25% Popularity • 75% Danceability • 34% Energy • 19% Liveness
90% Instrumentalness • 85% Positiveness
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Horace Heidt And His Orchestra
Dawn of a new day
95 bpm • F Maj • 02:30 • -10.15db
12% Popularity • 85% Danceability • 36% Energy • 8% Liveness
4% Instrumentalness • 87% Positiveness
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Glen Gray & The Casa Loma Orchestra
Blue Moon
109 bpm • D# Maj • 03:12 • -16.81db
20% Popularity • 40% Danceability • 11% Energy • 19% Liveness
79% Instrumentalness • 21% Positiveness
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Bea Wain
Two Dreams Got Together
109 bpm • A min • 03:17 • -22.78db
14% Popularity • 29% Danceability • 8% Energy • 15% Liveness
86% Instrumentalness • 24% Positiveness
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Ella Mae Morse
Cow Cow Boogie
109 bpm • G# Maj • 03:11 • -3.96db
11% Popularity • 62% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
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Glen Gray
Melancholy Mood
109 bpm • F min • 03:14 • -12.72db
14% Popularity • 59% Danceability • 18% Energy • 19% Liveness
4% Instrumentalness • 51% Positiveness
► Preview
Bunny Berigan
When I Take My Sugar to Tea
110 bpm • C Maj • 03:12 • -9.08db
20% Popularity • 86% Danceability • 31% Energy • 8% Liveness
4% Instrumentalness • 91% Positiveness
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Fats Waller
My Very Good Friend the Milkman - Remast...
110 bpm • F Maj • 03:30 • -13.78db
27% Popularity • 70% Danceability • 29% Energy • 18% Liveness
57% Instrumentalness • 55% Positiveness
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Russ Columbo
When You're In Love
110 bpm • D# Maj • 03:10 • -13.26db
26% Popularity • 48% Danceability • 20% Energy • 10% Liveness
5% Instrumentalness • 41% Positiveness
► Preview
The Merry Macs
I Got Rings on My Fingers
110 bpm • G# Maj • 02:30 • -15.32db
22% Popularity • 79% Danceability • 24% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
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Johnny Mercer & The Pied Pipers
My Sugar Is So Refined
110 bpm • F Maj • 02:40 • -11.47db
16% Popularity • 76% Danceability • 17% Energy • 22% Liveness
0% Instrumentalness • 58% Positiveness
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Helen Forrest
I Gotta Right to Sing the Blues
110 bpm • F min • 02:19 • -14.25db
1% Popularity • 42% Danceability • 15% Energy • 72% Liveness
0% Instrumentalness • 38% Positiveness
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Midge Williams
Lazy Bones
95 bpm • G min • 03:33 • -17.45db
4% Popularity • 59% Danceability • 6% Energy • 21% Liveness
0% Instrumentalness • 45% Positiveness
► Preview
4Bars
Till the Cows Come Home
110 bpm • C Maj • 02:36 • -13.65db
9% Popularity • 74% Danceability • 28% Energy • 7% Liveness
1% Instrumentalness • 77% Positiveness
► Preview
Paul Whiteman
China Boy
110 bpm • F Maj • 02:43 • -14.29db
23% Popularity • 77% Danceability • 25% Energy • 10% Liveness
90% Instrumentalness • 64% Positiveness
► Preview
The Merry Macs
Deep in the Heart of Texas
110 bpm • C# Maj • 03:10 • -14db
20% Popularity • 66% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
► Preview
Fletcher Henderson
Sing You Sinners
94 bpm • C# Maj • 02:39 • -8.16db
32% Popularity • 76% Danceability • 50% Energy • 26% Liveness
93% Instrumentalness • 94% Positiveness
► Preview
Louis Jordan
Ration Blues
94 bpm • F min • 03:09 • -10.1db
19% Popularity • 79% Danceability • 26% Energy • 37% Liveness
0% Instrumentalness • 37% Positiveness
► Preview
Frankie Carle
A Little On The Lonely Side
94 bpm • G min • 03:04 • -13.81db
11% Popularity • 50% Danceability • 12% Energy • 21% Liveness
1% Instrumentalness • 52% Positiveness
► Preview
Annette Hanshaw
I Can't Give You Anything But Love
94 bpm • A# Maj • 02:59 • -14.8db
18% Popularity • 55% Danceability • 10% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
► Preview
Paul Whiteman
The Darktown Strutters' Ball
94 bpm • B Maj • 02:58 • -4.9db
28% Popularity • 78% Danceability • 59% Energy • 6% Liveness
78% Instrumentalness • 91% Positiveness
► Preview
Anne Shelton
Lay Down Your Arms
111 bpm • C# Maj • 02:57 • -9db
25% Popularity • 69% Danceability • 47% Energy • 32% Liveness
0% Instrumentalness • 84% Positiveness
► Preview
Ben Selvin & His Orchestra
I Wonder Where My Baby Is Tonight
111 bpm • D Maj • 03:05 • -8.02db
14% Popularity • 87% Danceability • 46% Energy • 6% Liveness
70% Instrumentalness • 96% Positiveness
► Preview
Joe Loss & His Orchestra
Behind The Clouds
111 bpm • G# Maj • 03:21 • -17.36db
11% Popularity • 36% Danceability • 5% Energy • 11% Liveness
1% Instrumentalness • 12% Positiveness
► Preview
Red McKenzie
Murder in the Moonlight (It's Love in th...
94 bpm • A min • 02:59 • -11.32db
10% Popularity • 67% Danceability • 29% Energy • 18% Liveness
94% Instrumentalness • 36% Positiveness
► Preview
Clarence Williams
Crazy Blues
111 bpm • G min • 02:26 • -10.61db
28% Popularity • 79% Danceability • 37% Energy • 8% Liveness
89% Instrumentalness • 81% Positiveness
► Preview
Gerhard Trede
Jolly Days
94 bpm • D min • 01:43 • -11.53db
47% Popularity • 58% Danceability • 58% Energy • 24% Liveness
5% Instrumentalness • 87% Positiveness
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My Reverie