Songs like My True Love by Maury Yeston
Based on a tempo of (+/- 10%) and a similar genre
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Orfeh
Ireland
113 bpm • C# Maj • 03:14 • -13.76db
44% Popularity • 48% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
44% Popularity • 48% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Dirty Rotten Scoundrels Original Broadway Cast
Finale
113 bpm • F Maj • 01:31 • -10.17db
14% Popularity • 63% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
14% Popularity • 63% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Cady Huffman
When You Got It, Flaunt It
113 bpm • C# Maj • 03:32 • -9.98db
25% Popularity • 60% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 54% Positiveness
25% Popularity • 60% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 54% Positiveness
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Maury Yeston
To Be a Captain (Reprise)
113 bpm • B min • 00:57 • -38.56db
18% Popularity • 21% Danceability • 1% Energy • 11% Liveness
1% Instrumentalness • 14% Positiveness
18% Popularity • 21% Danceability • 1% Energy • 11% Liveness
1% Instrumentalness • 14% Positiveness
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Original Broadway Cast Of 'Passion'
Is This What You Call Love?
113 bpm • B min • 01:34 • -17db
13% Popularity • 46% Danceability • 35% Energy • 19% Liveness
0% Instrumentalness • 67% Positiveness
13% Popularity • 46% Danceability • 35% Energy • 19% Liveness
0% Instrumentalness • 67% Positiveness
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Douglas Sills
Into the Fire - Reprise
113 bpm • G# Maj • 00:54 • -9.51db
18% Popularity • 43% Danceability • 64% Energy • 83% Liveness
0% Instrumentalness • 86% Positiveness
18% Popularity • 43% Danceability • 64% Energy • 83% Liveness
0% Instrumentalness • 86% Positiveness
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Marin Mazzie
Nothing Like the City
113 bpm • D# Maj • 02:27 • -16.83db
20% Popularity • 61% Danceability • 11% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
20% Popularity • 61% Danceability • 11% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
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'Come From Away' Company
Lead Us Out Of The Night
112 bpm • F# Maj • 01:12 • -21.66db
39% Popularity • 57% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
39% Popularity • 57% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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James Naughton
Razzle Dazzle
112 bpm • C# Maj • 04:18 • -14db
32% Popularity • 68% Danceability • 14% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
32% Popularity • 68% Danceability • 14% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
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Maury Yeston
My True Love
113 bpm • D# Maj • 03:09 • -7.79db
2% Popularity • 30% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
2% Popularity • 30% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Sunday in the Park with George Ensemble
It's Hot Up Here
112 bpm • C Maj • 04:28 • -12.97db
22% Popularity • 66% Danceability • 27% Energy • 6% Liveness
0% Instrumentalness • 42% Positiveness
22% Popularity • 66% Danceability • 27% Energy • 6% Liveness
0% Instrumentalness • 42% Positiveness
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Mindi Dickstein
Could You?
112 bpm • G# Maj • 03:17 • -8.96db
25% Popularity • 63% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
25% Popularity • 63% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Stephanie D'Abruzzo
The Actuary Song
112 bpm • D Maj • 03:49 • -8.86db
11% Popularity • 71% Danceability • 47% Energy • 4% Liveness
0% Instrumentalness • 64% Positiveness
11% Popularity • 71% Danceability • 47% Energy • 4% Liveness
0% Instrumentalness • 64% Positiveness
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Ian Calvin
Prologue: Valjean Arrested / Valjean For...
114 bpm • C Maj • 01:44 • -15.74db
37% Popularity • 51% Danceability • 24% Energy • 15% Liveness
0% Instrumentalness • 41% Positiveness
37% Popularity • 51% Danceability • 24% Energy • 15% Liveness
0% Instrumentalness • 41% Positiveness
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Thoroughly Modern Millie Ensemble
Final Bows
114 bpm • F Maj • 02:07 • -9.34db
18% Popularity • 48% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 75% Positiveness
18% Popularity • 48% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 75% Positiveness
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Maury Yeston
Home
114 bpm • G Maj • 06:18 • -7.46db
4% Popularity • 36% Danceability • 37% Energy • 21% Liveness
0% Instrumentalness • 15% Positiveness
4% Popularity • 36% Danceability • 37% Energy • 21% Liveness
0% Instrumentalness • 15% Positiveness
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Phillipa Soo
What Do The Simple Folk Do?
115 bpm • C Maj • 05:16 • -12.32db
21% Popularity • 60% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
21% Popularity • 60% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
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Jerry Herman
Masculinity
115 bpm • F Maj • 03:19 • -8.27db
14% Popularity • 65% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
14% Popularity • 65% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
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Judy Kaye
The Night that Goldman Spoke at Union Sq...
115 bpm • G Maj • 03:24 • -9.01db
22% Popularity • 51% Danceability • 56% Energy • 50% Liveness
0% Instrumentalness • 56% Positiveness
22% Popularity • 51% Danceability • 56% Energy • 50% Liveness
0% Instrumentalness • 56% Positiveness
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Claire Greenaway
How I Got the Calling
115 bpm • C Maj • 05:24 • -9db
28% Popularity • 63% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
28% Popularity • 63% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
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Zachary Levi
Finale
111 bpm • D# Maj • 01:23 • -7.59db
21% Popularity • 46% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
21% Popularity • 46% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Maury Yeston
Folies Bergeres
112 bpm • D# Maj • 06:11 • -8.02db
14% Popularity • 54% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
14% Popularity • 54% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Harriet Harris
Muqin
115 bpm • D Maj • 02:17 • -11.84db
17% Popularity • 49% Danceability • 23% Energy • 17% Liveness
0% Instrumentalness • 40% Positiveness
17% Popularity • 49% Danceability • 23% Energy • 17% Liveness
0% Instrumentalness • 40% Positiveness
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Pia Douwes
Am Anfang der Liebe
115 bpm • A Maj • 02:15 • -9.68db
1% Popularity • 60% Danceability • 37% Energy • 6% Liveness
0% Instrumentalness • 44% Positiveness
1% Popularity • 60% Danceability • 37% Energy • 6% Liveness
0% Instrumentalness • 44% Positiveness
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Katherine Kingsley
What's Wrong with Me?
111 bpm • A# Maj • 02:44 • -12.73db
13% Popularity • 54% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
13% Popularity • 54% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
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The Original Broadway Cast Of 'Curtains'
Thinking Of Him / I Miss The Music - Rep...
111 bpm • C# Maj • 01:56 • -21.43db
17% Popularity • 32% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
17% Popularity • 32% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
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Kieran McIlroy
The Real American Folk Song (Is a Rag)
111 bpm • C# Maj • 01:49 • -14.68db
19% Popularity • 71% Danceability • 39% Energy • 45% Liveness
0% Instrumentalness • 86% Positiveness
19% Popularity • 71% Danceability • 39% Energy • 45% Liveness
0% Instrumentalness • 86% Positiveness
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Lucy May Barker
Kiss Me
115 bpm • E Maj • 01:30 • -9.87db
18% Popularity • 62% Danceability • 49% Energy • 45% Liveness
0% Instrumentalness • 72% Positiveness
18% Popularity • 62% Danceability • 49% Energy • 45% Liveness
0% Instrumentalness • 72% Positiveness
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Sheryl Lee Ralph
Long as I'm Here with You
111 bpm • D Maj • 02:24 • -9db
21% Popularity • 64% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
21% Popularity • 64% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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A Gentleman's Guide To Love And Murder Original Broadway Cast
Overture / Prologue: A Warning to the Au...
115 bpm • A Maj • 01:20 • -8db
23% Popularity • 72% Danceability • 27% Energy • 6% Liveness
0% Instrumentalness • 40% Positiveness
23% Popularity • 72% Danceability • 27% Energy • 6% Liveness
0% Instrumentalness • 40% Positiveness
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Maury Yeston
Unusual Way (Bonus Track)
115 bpm • C# min • 03:39 • -16.91db
3% Popularity • 51% Danceability • 19% Energy • 15% Liveness
0% Instrumentalness • 47% Positiveness
3% Popularity • 51% Danceability • 19% Energy • 15% Liveness
0% Instrumentalness • 47% Positiveness
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Pia Douwes
Dezemberschnee
116 bpm • A min • 03:57 • -14.29db
1% Popularity • 41% Danceability • 10% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
1% Popularity • 41% Danceability • 10% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
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2021 London Cast of Cabaret
If You Could See Her
116 bpm • F# Maj • 04:36 • -12.75db
29% Popularity • 53% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
29% Popularity • 53% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Jane Krakowski
I Want to Go to Hollywood
110 bpm • A Maj • 03:33 • -13db
21% Popularity • 56% Danceability • 39% Energy • 23% Liveness
0% Instrumentalness • 45% Positiveness
21% Popularity • 56% Danceability • 39% Energy • 23% Liveness
0% Instrumentalness • 45% Positiveness
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Harriet Harris
They Don't Know
110 bpm • G# Maj • 02:09 • -14.84db
21% Popularity • 66% Danceability • 16% Energy • 23% Liveness
0% Instrumentalness • 38% Positiveness
21% Popularity • 66% Danceability • 16% Energy • 23% Liveness
0% Instrumentalness • 38% Positiveness
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Bob Martin
Hello
110 bpm • G# Maj • 01:16 • -13.32db
23% Popularity • 71% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
23% Popularity • 71% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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Maury Yeston
The Proposal / The Night Was Alive
110 bpm • A# Maj • 04:40 • -21db
26% Popularity • 35% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
26% Popularity • 35% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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How To Succeed Company
Finale - The Company Way
117 bpm • G# min • 01:00 • -9.23db
15% Popularity • 60% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
15% Popularity • 60% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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The Pirates Of Penzance
Stop, Ladies, Pray!
109 bpm • A# min • 01:33 • -15.92db
22% Popularity • 50% Danceability • 16% Energy • 39% Liveness
0% Instrumentalness • 42% Positiveness
22% Popularity • 50% Danceability • 16% Energy • 39% Liveness
0% Instrumentalness • 42% Positiveness
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Victoria Clark
Where Are You Now?
109 bpm • E min • 01:24 • -9.49db
2% Popularity • 68% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
2% Popularity • 68% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Patina Miller
Glory
118 bpm • G# Maj • 05:54 • -8db
34% Popularity • 52% Danceability • 43% Energy • 21% Liveness
0% Instrumentalness • 49% Positiveness
34% Popularity • 52% Danceability • 43% Energy • 21% Liveness
0% Instrumentalness • 49% Positiveness
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Brian D'Arcy James
What a Party
118 bpm • F min • 03:35 • -6.6db
20% Popularity • 55% Danceability • 49% Energy • 53% Liveness
0% Instrumentalness • 36% Positiveness
20% Popularity • 55% Danceability • 49% Energy • 53% Liveness
0% Instrumentalness • 36% Positiveness
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Maury Yeston
Amor
109 bpm • G min • 03:11 • -10.92db
6% Popularity • 63% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
6% Popularity • 63% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Michael Park
A Secretary Is Not A Toy
109 bpm • F Maj • 03:21 • -11.44db
17% Popularity • 78% Danceability • 32% Energy • 25% Liveness
0% Instrumentalness • 67% Positiveness
17% Popularity • 78% Danceability • 32% Energy • 25% Liveness
0% Instrumentalness • 67% Positiveness
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Hunter Foster
Run, Freedom, Run!
108 bpm • G Maj • 02:50 • -9.18db
36% Popularity • 57% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
36% Popularity • 57% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Lauren Worsham
I've Decided to Marry You
118 bpm • E Maj • 04:03 • -9.02db
34% Popularity • 77% Danceability • 36% Energy • 16% Liveness
0% Instrumentalness • 70% Positiveness
34% Popularity • 77% Danceability • 36% Energy • 16% Liveness
0% Instrumentalness • 70% Positiveness
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Dick Latessa
(You're) Timeless to Me
118 bpm • F# min • 04:09 • -10.62db
25% Popularity • 65% Danceability • 43% Energy • 22% Liveness
0% Instrumentalness • 55% Positiveness
25% Popularity • 65% Danceability • 43% Energy • 22% Liveness
0% Instrumentalness • 55% Positiveness
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Annaleigh Ashford
Everybody Loves Louis
118 bpm • C# Maj • 03:39 • -10.74db
21% Popularity • 52% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
21% Popularity • 52% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
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Maury Yeston
Mr. Andrews Vision
108 bpm • D Maj • 03:22 • -16db
21% Popularity • 39% Danceability • 22% Energy • 24% Liveness
0% Instrumentalness • 24% Positiveness
21% Popularity • 39% Danceability • 22% Energy • 24% Liveness
0% Instrumentalness • 24% Positiveness
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William Finn
Unlikely Lovers
108 bpm • E Maj • 04:56 • -18.39db
14% Popularity • 34% Danceability • 12% Energy • 30% Liveness
0% Instrumentalness • 25% Positiveness
14% Popularity • 34% Danceability • 12% Energy • 30% Liveness
0% Instrumentalness • 25% Positiveness
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Bebe Neuwirth
When Velma Takes the Stand
118 bpm • C Maj • 02:13 • -11.97db
29% Popularity • 70% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 92% Positiveness
29% Popularity • 70% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 92% Positiveness
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The Music Man 2022 Company
Iowa Stubborn
108 bpm • D Maj • 03:25 • -11.53db
21% Popularity • 61% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
21% Popularity • 61% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
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Beth Leavel
As We Stumble Along
118 bpm • A# Maj • 03:25 • -8.2db
31% Popularity • 51% Danceability • 34% Energy • 20% Liveness
0% Instrumentalness • 40% Positiveness
31% Popularity • 51% Danceability • 34% Energy • 20% Liveness
0% Instrumentalness • 40% Positiveness
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Jessica Lee Goldyn
Dance: Ten; Looks: Three
108 bpm • C Maj • 02:54 • -9.03db
32% Popularity • 70% Danceability • 38% Energy • 23% Liveness
0% Instrumentalness • 48% Positiveness
32% Popularity • 70% Danceability • 38% Energy • 23% Liveness
0% Instrumentalness • 48% Positiveness
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Maury Yeston
Autumn / Finale
108 bpm • A min • 04:31 • -19.78db
22% Popularity • 32% Danceability • 6% Energy • 14% Liveness
0% Instrumentalness • 13% Positiveness
22% Popularity • 32% Danceability • 6% Energy • 14% Liveness
0% Instrumentalness • 13% Positiveness
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Andrew Burnap
Camelot
108 bpm • C Maj • 02:37 • -11.12db
24% Popularity • 70% Danceability • 36% Energy • 16% Liveness
0% Instrumentalness • 58% Positiveness
24% Popularity • 70% Danceability • 36% Energy • 16% Liveness
0% Instrumentalness • 58% Positiveness
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Josie de Guzman
Follow the Fold
119 bpm • C Maj • 01:16 • -16.46db
27% Popularity • 76% Danceability • 16% Energy • 39% Liveness
0% Instrumentalness • 96% Positiveness
27% Popularity • 76% Danceability • 16% Energy • 39% Liveness
0% Instrumentalness • 96% Positiveness
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Mandy Gonzalez
Everything I Know
107 bpm • G# Maj • 03:56 • -11.33db
36% Popularity • 51% Danceability • 17% Energy • 14% Liveness
0% Instrumentalness • 15% Positiveness
36% Popularity • 51% Danceability • 17% Energy • 14% Liveness
0% Instrumentalness • 15% Positiveness
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The Original Broadway Cast Of 'Curtains'
In The Same Boat #2
107 bpm • G# Maj • 01:03 • -16.27db
25% Popularity • 85% Danceability • 30% Energy • 62% Liveness
0% Instrumentalness • 81% Positiveness
25% Popularity • 85% Danceability • 30% Energy • 62% Liveness
0% Instrumentalness • 81% Positiveness
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2021 London Cast of Cabaret
Married
119 bpm • C# Maj • 04:20 • -16.42db
27% Popularity • 44% Danceability • 15% Energy • 77% Liveness
0% Instrumentalness • 38% Positiveness
27% Popularity • 44% Danceability • 15% Energy • 77% Liveness
0% Instrumentalness • 38% Positiveness
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A Gentleman's Guide To Love And Murder Original Broadway Cast
The Last One You'd Expect
119 bpm • A Maj • 06:21 • -9.62db
21% Popularity • 58% Danceability • 24% Energy • 7% Liveness
0% Instrumentalness • 51% Positiveness
21% Popularity • 58% Danceability • 24% Energy • 7% Liveness
0% Instrumentalness • 51% Positiveness
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Julia Murney
Maybe I Like It This Way
107 bpm • D# min • 02:59 • -9.77db
26% Popularity • 40% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
26% Popularity • 40% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
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Jeffrey Schecter
I Can Do That
107 bpm • D# Maj • 01:26 • -7.2db
31% Popularity • 63% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
31% Popularity • 63% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
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Peter Bartlett
Announcing the Banquet
119 bpm • D# Maj • 01:26 • -6.61db
24% Popularity • 63% Danceability • 64% Energy • 21% Liveness
0% Instrumentalness • 46% Positiveness
24% Popularity • 63% Danceability • 64% Energy • 21% Liveness
0% Instrumentalness • 46% Positiveness
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Maury Yeston
Only with You
107 bpm • D Maj • 03:08 • -18.46db
12% Popularity • 34% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
12% Popularity • 34% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Alun Armstrong
Dog Eats Dog
120 bpm • C Maj • 01:54 • -8.78db
30% Popularity • 65% Danceability • 67% Energy • 24% Liveness
1% Instrumentalness • 32% Positiveness
30% Popularity • 65% Danceability • 67% Energy • 24% Liveness
1% Instrumentalness • 32% Positiveness
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A Gentleman's Guide To Love And Murder Original Broadway Cast
Finale
119 bpm • A# Maj • 02:22 • -8.72db
18% Popularity • 64% Danceability • 26% Energy • 6% Liveness
0% Instrumentalness • 48% Positiveness
18% Popularity • 64% Danceability • 26% Energy • 6% Liveness
0% Instrumentalness • 48% Positiveness
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The Original Broadway Cast Of 'Curtains'
It's A Business
106 bpm • F min • 04:42 • -14db
20% Popularity • 68% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
20% Popularity • 68% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
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Patina Miller
Bless Our Show
120 bpm • A min • 03:04 • -8.03db
29% Popularity • 55% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
29% Popularity • 55% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Charles Strouse
Annie: You Won't Be an Orphan for Long
120 bpm • C Maj • 01:44 • -12.76db
25% Popularity • 63% Danceability • 29% Energy • 41% Liveness
0% Instrumentalness • 64% Positiveness
25% Popularity • 63% Danceability • 29% Energy • 41% Liveness
0% Instrumentalness • 64% Positiveness
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Maury Yeston
Feet
107 bpm • F Maj • 03:10 • -7.21db
0% Popularity • 65% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
0% Popularity • 65% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
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Gavin Creel
Grand Knowing You
121 bpm • A min • 02:19 • -10.04db
28% Popularity • 47% Danceability • 41% Energy • 26% Liveness
0% Instrumentalness • 41% Positiveness
28% Popularity • 47% Danceability • 41% Energy • 26% Liveness
0% Instrumentalness • 41% Positiveness
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Richard Adler
The Pajama Game: I'm Not at All in Love
106 bpm • A Maj • 03:52 • -10.8db
19% Popularity • 63% Danceability • 35% Energy • 58% Liveness
0% Instrumentalness • 53% Positiveness
19% Popularity • 63% Danceability • 35% Energy • 58% Liveness
0% Instrumentalness • 53% Positiveness
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Luke Brady
Johanna
121 bpm • F Maj • 01:58 • -10.91db
20% Popularity • 25% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
20% Popularity • 25% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
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Victoria Clark
When Your Love Is New
106 bpm • B Maj • 02:30 • -9.12db
1% Popularity • 44% Danceability • 36% Energy • 34% Liveness
0% Instrumentalness • 41% Positiveness
1% Popularity • 44% Danceability • 36% Energy • 34% Liveness
0% Instrumentalness • 41% Positiveness
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Amanda Prior
Naughty Baby
121 bpm • D Maj • 03:37 • -22db
17% Popularity • 47% Danceability • 6% Energy • 21% Liveness
0% Instrumentalness • 42% Positiveness
17% Popularity • 47% Danceability • 6% Energy • 21% Liveness
0% Instrumentalness • 42% Positiveness
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Maury Yeston
Getting Tall
107 bpm • G# Maj • 03:15 • -10.62db
6% Popularity • 29% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
6% Popularity • 29% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Laura Benanti
Dear Friend
106 bpm • C# Maj • 03:32 • -9.72db
24% Popularity • 36% Danceability • 20% Energy • 5% Liveness
0% Instrumentalness • 12% Positiveness
24% Popularity • 36% Danceability • 20% Energy • 5% Liveness
0% Instrumentalness • 12% Positiveness
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Norbert Leo Butz
If I Didn't Believe in You
121 bpm • A# Maj • 04:59 • -13.07db
29% Popularity • 48% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
29% Popularity • 48% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
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Ragtime Ensemble
Prologue: Ragtime
121 bpm • F Maj • 09:24 • -10db
28% Popularity • 56% Danceability • 45% Energy • 21% Liveness
0% Instrumentalness • 40% Positiveness
28% Popularity • 56% Danceability • 45% Energy • 21% Liveness
0% Instrumentalness • 40% Positiveness
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The Players
Entr'acte
105 bpm • C Maj • 01:54 • -7.05db
29% Popularity • 46% Danceability • 71% Energy • 39% Liveness
0% Instrumentalness • 75% Positiveness
29% Popularity • 46% Danceability • 71% Energy • 39% Liveness
0% Instrumentalness • 75% Positiveness
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The Original Broadway Cast Of 'Curtains'
He Did It
122 bpm • C# Maj • 03:07 • -18.32db
19% Popularity • 65% Danceability • 26% Energy • 21% Liveness
0% Instrumentalness • 47% Positiveness
19% Popularity • 65% Danceability • 26% Energy • 21% Liveness
0% Instrumentalness • 47% Positiveness
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Maury Yeston
Not Since Chaplin
107 bpm • A min • 02:47 • -10.03db
10% Popularity • 62% Danceability • 37% Energy • 27% Liveness
0% Instrumentalness • 54% Positiveness
10% Popularity • 62% Danceability • 37% Energy • 27% Liveness
0% Instrumentalness • 54% Positiveness
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Gavin Creel
Ilona
106 bpm • C# Maj • 03:04 • -7.74db
30% Popularity • 35% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
30% Popularity • 35% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Ken Jennings
Snuff That Girl
105 bpm • D Maj • 03:18 • -10db
30% Popularity • 64% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
30% Popularity • 64% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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James Saxon
I Shall Scream!
122 bpm • C Maj • 02:39 • -17.26db
23% Popularity • 64% Danceability • 23% Energy • 41% Liveness
0% Instrumentalness • 65% Positiveness
23% Popularity • 64% Danceability • 23% Energy • 41% Liveness
0% Instrumentalness • 65% Positiveness
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Ruth Kobart
That Dirty Old Man
104 bpm • E min • 02:13 • -17.34db
4% Popularity • 43% Danceability • 16% Energy • 35% Liveness
0% Instrumentalness • 35% Positiveness
4% Popularity • 43% Danceability • 16% Energy • 35% Liveness
0% Instrumentalness • 35% Positiveness
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Brent Carver
Dressing Them Up
105 bpm • A# min • 02:34 • -18db
18% Popularity • 64% Danceability • 26% Energy • 41% Liveness
0% Instrumentalness • 80% Positiveness
18% Popularity • 64% Danceability • 26% Energy • 41% Liveness
0% Instrumentalness • 80% Positiveness
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Maury Yeston
Hymn / Doing the Latest Rag
106 bpm • C Maj • 03:54 • -15db
23% Popularity • 50% Danceability • 36% Energy • 29% Liveness
0% Instrumentalness • 55% Positiveness
23% Popularity • 50% Danceability • 36% Energy • 29% Liveness
0% Instrumentalness • 55% Positiveness
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Laura Benanti
I Don't Know His Name
106 bpm • F# min • 03:58 • -9db
23% Popularity • 47% Danceability • 29% Energy • 17% Liveness
0% Instrumentalness • 28% Positiveness
23% Popularity • 47% Danceability • 29% Energy • 17% Liveness
0% Instrumentalness • 28% Positiveness
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James Davis
Kansas City
122 bpm • G# Maj • 02:02 • -8.91db
24% Popularity • 70% Danceability • 30% Energy • 7% Liveness
0% Instrumentalness • 81% Positiveness
24% Popularity • 70% Danceability • 30% Energy • 7% Liveness
0% Instrumentalness • 81% Positiveness
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Victoria Clark
Dividing Day
104 bpm • D min • 03:01 • -22.31db
17% Popularity • 37% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
17% Popularity • 37% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Sarah Jessica Parker
Spanish Panic
123 bpm • A min • 03:25 • -11.11db
16% Popularity • 53% Danceability • 41% Energy • 5% Liveness
23% Instrumentalness • 69% Positiveness
16% Popularity • 53% Danceability • 41% Energy • 5% Liveness
23% Instrumentalness • 69% Positiveness
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William Finn
Time and Music
104 bpm • A Maj • 01:37 • -10.77db
11% Popularity • 47% Danceability • 34% Energy • 24% Liveness
0% Instrumentalness • 28% Positiveness
11% Popularity • 47% Danceability • 34% Energy • 24% Liveness
0% Instrumentalness • 28% Positiveness
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Maury Yeston
Ti Voglio Bene/Be Italian
105 bpm • C# Maj • 04:56 • -8.24db
11% Popularity • 53% Danceability • 27% Energy • 52% Liveness
0% Instrumentalness • 54% Positiveness
11% Popularity • 53% Danceability • 27% Energy • 52% Liveness
0% Instrumentalness • 54% Positiveness
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Angela Lansbury
Miracle Song
104 bpm • D Maj • 04:27 • -8.4db
8% Popularity • 47% Danceability • 63% Energy • 76% Liveness
0% Instrumentalness • 57% Positiveness
8% Popularity • 47% Danceability • 63% Energy • 76% Liveness
0% Instrumentalness • 57% Positiveness
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25th Annual Putnam County Spelling Bee Original Cast
Prayer of the Comfort Counselor
104 bpm • A min • 02:20 • -7.14db
30% Popularity • 49% Danceability • 39% Energy • 54% Liveness
0% Instrumentalness • 53% Positiveness
30% Popularity • 49% Danceability • 39% Energy • 54% Liveness
0% Instrumentalness • 53% Positiveness
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David Hyde Pierce
It Takes a Woman
123 bpm • G Maj • 02:36 • -10db
25% Popularity • 65% Danceability • 44% Energy • 54% Liveness
0% Instrumentalness • 76% Positiveness
25% Popularity • 65% Danceability • 44% Energy • 54% Liveness
0% Instrumentalness • 76% Positiveness
