Songs like My Valentine - Remastered by DuncanC
Based on a tempo of (+/- 10%) and a similar genre
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DuncanC
My Valentine - Remastered
104 bpm • C Maj • 03:52 • -4.06db
11% Popularity • 33% Danceability • 63% Energy • 25% Liveness
61% Instrumentalness • 9% Positiveness
11% Popularity • 33% Danceability • 63% Energy • 25% Liveness
61% Instrumentalness • 9% Positiveness
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Manstett
Don't Wait on Me Now - Single Version
104 bpm • A# Maj • 03:39 • -7.15db
13% Popularity • 36% Danceability • 49% Energy • 11% Liveness
5% Instrumentalness • 57% Positiveness
13% Popularity • 36% Danceability • 49% Energy • 11% Liveness
5% Instrumentalness • 57% Positiveness
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Frederik Haag
Sit
103 bpm • D Maj • 02:44 • -6.98db
11% Popularity • 68% Danceability • 66% Energy • 16% Liveness
16% Instrumentalness • 70% Positiveness
11% Popularity • 68% Danceability • 66% Energy • 16% Liveness
16% Instrumentalness • 70% Positiveness
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Dietz
spotsylvania filmmaker
105 bpm • G Maj • 05:38 • -7.22db
7% Popularity • 57% Danceability • 80% Energy • 23% Liveness
2% Instrumentalness • 63% Positiveness
7% Popularity • 57% Danceability • 80% Energy • 23% Liveness
2% Instrumentalness • 63% Positiveness
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Georgia Miller
Feel Better
105 bpm • C Maj • 02:35 • -12.6db
18% Popularity • 61% Danceability • 48% Energy • 7% Liveness
7% Instrumentalness • 86% Positiveness
18% Popularity • 61% Danceability • 48% Energy • 7% Liveness
7% Instrumentalness • 86% Positiveness
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Fire Trail
Mango
105 bpm • E Maj • 02:56 • -13.73db
10% Popularity • 64% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
10% Popularity • 64% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
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melodramatic
This Summer
105 bpm • G Maj • 03:20 • -10.16db
7% Popularity • 72% Danceability • 51% Energy • 34% Liveness
0% Instrumentalness • 83% Positiveness
7% Popularity • 72% Danceability • 51% Energy • 34% Liveness
0% Instrumentalness • 83% Positiveness
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Xavier Dunn
nothing and that's ok
105 bpm • G Maj • 03:17 • -9.19db
20% Popularity • 74% Danceability • 36% Energy • 15% Liveness
2% Instrumentalness • 94% Positiveness
20% Popularity • 74% Danceability • 36% Energy • 15% Liveness
2% Instrumentalness • 94% Positiveness
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Bones and Jones
Oh Day
103 bpm • G Maj • 02:30 • -11.59db
8% Popularity • 41% Danceability • 52% Energy • 41% Liveness
0% Instrumentalness • 47% Positiveness
8% Popularity • 41% Danceability • 52% Energy • 41% Liveness
0% Instrumentalness • 47% Positiveness
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Catbreath?
college radio hits
103 bpm • F# Maj • 01:14 • -15.63db
17% Popularity • 55% Danceability • 24% Energy • 26% Liveness
0% Instrumentalness • 40% Positiveness
17% Popularity • 55% Danceability • 24% Energy • 26% Liveness
0% Instrumentalness • 40% Positiveness
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DuncanC
Sweet T - Remastered
105 bpm • C Maj • 03:07 • -2.23db
0% Popularity • 31% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
0% Popularity • 31% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Fire Trail
Does Not Matter
105 bpm • F Maj • 03:39 • -8.17db
9% Popularity • 50% Danceability • 75% Energy • 14% Liveness
10% Instrumentalness • 58% Positiveness
9% Popularity • 50% Danceability • 75% Energy • 14% Liveness
10% Instrumentalness • 58% Positiveness
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Yvanix
My Love That's Not Enough
106 bpm • D Maj • 02:18 • -4.52db
8% Popularity • 60% Danceability • 70% Energy • 48% Liveness
0% Instrumentalness • 56% Positiveness
8% Popularity • 60% Danceability • 70% Energy • 48% Liveness
0% Instrumentalness • 56% Positiveness
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Create Clean Slate
Hundreds of Sparrows
103 bpm • C Maj • 02:22 • -11.22db
9% Popularity • 52% Danceability • 30% Energy • 32% Liveness
93% Instrumentalness • 11% Positiveness
9% Popularity • 52% Danceability • 30% Energy • 32% Liveness
93% Instrumentalness • 11% Positiveness
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Cheyenne Marrs
Call Out
106 bpm • D# Maj • 05:55 • -11db
11% Popularity • 48% Danceability • 42% Energy • 9% Liveness
1% Instrumentalness • 25% Positiveness
11% Popularity • 48% Danceability • 42% Energy • 9% Liveness
1% Instrumentalness • 25% Positiveness
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Catbreath?
party playlist
103 bpm • G# Maj • 02:58 • -8.94db
7% Popularity • 74% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
7% Popularity • 74% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
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Misael Whitfield
Light
106 bpm • C Maj • 04:00 • -8.7db
25% Popularity • 48% Danceability • 67% Energy • 59% Liveness
61% Instrumentalness • 61% Positiveness
25% Popularity • 48% Danceability • 67% Energy • 59% Liveness
61% Instrumentalness • 61% Positiveness
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Grocer
Mating Call
106 bpm • D Maj • 03:31 • -6.41db
10% Popularity • 36% Danceability • 74% Energy • 62% Liveness
0% Instrumentalness • 29% Positiveness
10% Popularity • 36% Danceability • 74% Energy • 62% Liveness
0% Instrumentalness • 29% Positiveness
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Oscar Lindsey
No More Money
106 bpm • D Maj • 02:13 • -3.96db
11% Popularity • 58% Danceability • 62% Energy • 16% Liveness
0% Instrumentalness • 80% Positiveness
11% Popularity • 58% Danceability • 62% Energy • 16% Liveness
0% Instrumentalness • 80% Positiveness
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Ian Betty
Blur Photo
102 bpm • F# Maj • 05:34 • -9db
17% Popularity • 36% Danceability • 43% Energy • 24% Liveness
49% Instrumentalness • 7% Positiveness
17% Popularity • 36% Danceability • 43% Energy • 24% Liveness
49% Instrumentalness • 7% Positiveness
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The Band Silhouette
Dodging & Turning
106 bpm • D Maj • 05:18 • -10.52db
12% Popularity • 58% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
12% Popularity • 58% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Beatrice Ojima
I Won't Go Down
102 bpm • D# Maj • 01:37 • -17.22db
30% Popularity • 71% Danceability • 18% Energy • 14% Liveness
91% Instrumentalness • 59% Positiveness
30% Popularity • 71% Danceability • 18% Energy • 14% Liveness
91% Instrumentalness • 59% Positiveness
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Langkamer
Marathon
106 bpm • A Maj • 03:35 • -9db
9% Popularity • 56% Danceability • 46% Energy • 33% Liveness
0% Instrumentalness • 30% Positiveness
9% Popularity • 56% Danceability • 46% Energy • 33% Liveness
0% Instrumentalness • 30% Positiveness
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Cornell Rebecca
A Black Cat
106 bpm • E Maj • 02:02 • -3.92db
27% Popularity • 28% Danceability • 73% Energy • 11% Liveness
84% Instrumentalness • 34% Positiveness
27% Popularity • 28% Danceability • 73% Energy • 11% Liveness
84% Instrumentalness • 34% Positiveness
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Telyscopes
Anemoi (Long Long Winter)
102 bpm • A# min • 03:48 • -4.24db
13% Popularity • 56% Danceability • 99% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
13% Popularity • 56% Danceability • 99% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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DuncanC
Sweet T
106 bpm • C Maj • 03:07 • -9.01db
0% Popularity • 52% Danceability • 58% Energy • 26% Liveness
78% Instrumentalness • 59% Positiveness
0% Popularity • 52% Danceability • 58% Energy • 26% Liveness
78% Instrumentalness • 59% Positiveness
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Oscar Lindsey
Opal
107 bpm • C# Maj • 02:15 • -8.67db
14% Popularity • 77% Danceability • 54% Energy • 11% Liveness
33% Instrumentalness • 38% Positiveness
14% Popularity • 77% Danceability • 54% Energy • 11% Liveness
33% Instrumentalness • 38% Positiveness
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VANITY METRICS
Boxer
107 bpm • B Maj • 03:47 • -4.76db
8% Popularity • 34% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 37% Positiveness
8% Popularity • 34% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 37% Positiveness
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Jenny Walker
Kicks
101 bpm • A# Maj • 03:53 • -12.05db
26% Popularity • 59% Danceability • 52% Energy • 44% Liveness
0% Instrumentalness • 79% Positiveness
26% Popularity • 59% Danceability • 52% Energy • 44% Liveness
0% Instrumentalness • 79% Positiveness
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James Eichman
If I Leave This Old Dirtbike Behind
107 bpm • E Maj • 01:45 • -12.26db
9% Popularity • 78% Danceability • 42% Energy • 11% Liveness
87% Instrumentalness • 78% Positiveness
9% Popularity • 78% Danceability • 42% Energy • 11% Liveness
87% Instrumentalness • 78% Positiveness
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The Original Marta
Better Then
107 bpm • A Maj • 02:58 • -5.72db
8% Popularity • 47% Danceability • 65% Energy • 9% Liveness
18% Instrumentalness • 38% Positiveness
8% Popularity • 47% Danceability • 65% Energy • 9% Liveness
18% Instrumentalness • 38% Positiveness
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Frederik Haag
Belonging
101 bpm • G Maj • 02:34 • -8.78db
10% Popularity • 35% Danceability • 66% Energy • 14% Liveness
91% Instrumentalness • 57% Positiveness
10% Popularity • 35% Danceability • 66% Energy • 14% Liveness
91% Instrumentalness • 57% Positiveness
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DuncanC
My Valentine
107 bpm • C Maj • 03:51 • -9.55db
0% Popularity • 50% Danceability • 45% Energy • 8% Liveness
22% Instrumentalness • 6% Positiveness
0% Popularity • 50% Danceability • 45% Energy • 8% Liveness
22% Instrumentalness • 6% Positiveness
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Aubrey Forrest
Love Weapon
101 bpm • F# Maj • 02:29 • -13.8db
14% Popularity • 43% Danceability • 25% Energy • 11% Liveness
35% Instrumentalness • 35% Positiveness
14% Popularity • 43% Danceability • 25% Energy • 11% Liveness
35% Instrumentalness • 35% Positiveness
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Emperor X
Spieltier
107 bpm • F# Maj • 01:53 • -8.16db
9% Popularity • 50% Danceability • 54% Energy • 14% Liveness
41% Instrumentalness • 35% Positiveness
9% Popularity • 50% Danceability • 54% Energy • 14% Liveness
41% Instrumentalness • 35% Positiveness
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Sapien Joyride
Mouse of great happiness and fortune
108 bpm • E Maj • 03:00 • -10.38db
7% Popularity • 60% Danceability • 71% Energy • 19% Liveness
2% Instrumentalness • 68% Positiveness
7% Popularity • 60% Danceability • 71% Energy • 19% Liveness
2% Instrumentalness • 68% Positiveness
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Streaking in Tongues
We're Still Gonna Be All Right
100 bpm • E Maj • 03:23 • -10.84db
13% Popularity • 47% Danceability • 27% Energy • 11% Liveness
1% Instrumentalness • 20% Positiveness
13% Popularity • 47% Danceability • 27% Energy • 11% Liveness
1% Instrumentalness • 20% Positiveness
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Truda Gaskell
Dinosaur
100 bpm • A Maj • 04:26 • -15.14db
23% Popularity • 52% Danceability • 50% Energy • 11% Liveness
3% Instrumentalness • 62% Positiveness
23% Popularity • 52% Danceability • 50% Energy • 11% Liveness
3% Instrumentalness • 62% Positiveness
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Marble Teeth
out on the driveway
108 bpm • D Maj • 01:12 • -14.11db
13% Popularity • 67% Danceability • 29% Energy • 12% Liveness
9% Instrumentalness • 83% Positiveness
13% Popularity • 67% Danceability • 29% Energy • 12% Liveness
9% Instrumentalness • 83% Positiveness
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Gifted Kids
Get Going
100 bpm • B Maj • 03:35 • -7.23db
10% Popularity • 46% Danceability • 68% Energy • 67% Liveness
82% Instrumentalness • 49% Positiveness
10% Popularity • 46% Danceability • 68% Energy • 67% Liveness
82% Instrumentalness • 49% Positiveness
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J.Carmone
For a Day
100 bpm • F Maj • 02:20 • -10.49db
13% Popularity • 44% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
13% Popularity • 44% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
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Stinkus
Rodeo Mary
100 bpm • G Maj • 01:28 • -4.15db
13% Popularity • 60% Danceability • 89% Energy • 11% Liveness
2% Instrumentalness • 91% Positiveness
13% Popularity • 60% Danceability • 89% Energy • 11% Liveness
2% Instrumentalness • 91% Positiveness
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BOYO
OLD KIDS
100 bpm • F# Maj • 03:33 • -9.21db
11% Popularity • 61% Danceability • 80% Energy • 31% Liveness
0% Instrumentalness • 80% Positiveness
11% Popularity • 61% Danceability • 80% Energy • 31% Liveness
0% Instrumentalness • 80% Positiveness
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Gregg Foy
Refinery
108 bpm • D# Maj • 02:57 • -14.42db
8% Popularity • 40% Danceability • 29% Energy • 15% Liveness
0% Instrumentalness • 15% Positiveness
8% Popularity • 40% Danceability • 29% Energy • 15% Liveness
0% Instrumentalness • 15% Positiveness
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Boy Sprout
slow pour
100 bpm • D Maj • 02:51 • -16.55db
12% Popularity • 55% Danceability • 9% Energy • 9% Liveness
25% Instrumentalness • 23% Positiveness
12% Popularity • 55% Danceability • 9% Energy • 9% Liveness
25% Instrumentalness • 23% Positiveness
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Stanley Pollitt
Leave
100 bpm • A# Maj • 03:02 • -6.32db
28% Popularity • 51% Danceability • 86% Energy • 70% Liveness
73% Instrumentalness • 34% Positiveness
28% Popularity • 51% Danceability • 86% Energy • 70% Liveness
73% Instrumentalness • 34% Positiveness
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DuncanC
The Sceptic
108 bpm • G min • 03:16 • -9.3db
0% Popularity • 67% Danceability • 37% Energy • 19% Liveness
1% Instrumentalness • 39% Positiveness
0% Popularity • 67% Danceability • 37% Energy • 19% Liveness
1% Instrumentalness • 39% Positiveness
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Squints
Uncool Ghouls
100 bpm • A Maj • 01:57 • -8.66db
16% Popularity • 51% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
16% Popularity • 51% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
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Gustaf
Happy - Audiotree Live Version
99 bpm • E min • 04:16 • -11.53db
8% Popularity • 70% Danceability • 41% Energy • 18% Liveness
0% Instrumentalness • 36% Positiveness
8% Popularity • 70% Danceability • 41% Energy • 18% Liveness
0% Instrumentalness • 36% Positiveness
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Glenn Sainsbury
How Can You See It
99 bpm • A# Maj • 02:07 • -17.93db
30% Popularity • 77% Danceability • 28% Energy • 12% Liveness
43% Instrumentalness • 82% Positiveness
30% Popularity • 77% Danceability • 28% Energy • 12% Liveness
43% Instrumentalness • 82% Positiveness
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Lane
Everybody's Finding Out
109 bpm • F# min • 01:13 • -9.63db
18% Popularity • 80% Danceability • 64% Energy • 20% Liveness
0% Instrumentalness • 94% Positiveness
18% Popularity • 80% Danceability • 64% Energy • 20% Liveness
0% Instrumentalness • 94% Positiveness
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Aingell
Anna May
109 bpm • B Maj • 03:34 • -7.93db
8% Popularity • 72% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
8% Popularity • 72% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
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Ther
matthew
109 bpm • G Maj • 03:40 • -13.17db
10% Popularity • 37% Danceability • 48% Energy • 33% Liveness
36% Instrumentalness • 11% Positiveness
10% Popularity • 37% Danceability • 48% Energy • 33% Liveness
36% Instrumentalness • 11% Positiveness
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Jenny Walker
City
99 bpm • A min • 03:49 • -14db
26% Popularity • 61% Danceability • 58% Energy • 73% Liveness
1% Instrumentalness • 69% Positiveness
26% Popularity • 61% Danceability • 58% Energy • 73% Liveness
1% Instrumentalness • 69% Positiveness
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Daryl Waits
Dwab
99 bpm • G Maj • 01:28 • -17.61db
8% Popularity • 53% Danceability • 24% Energy • 17% Liveness
39% Instrumentalness • 64% Positiveness
8% Popularity • 53% Danceability • 24% Energy • 17% Liveness
39% Instrumentalness • 64% Positiveness
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Stephen L Ward
Premunition into the Ether
110 bpm • G Maj • 03:54 • -13.44db
18% Popularity • 67% Danceability • 45% Energy • 9% Liveness
91% Instrumentalness • 75% Positiveness
18% Popularity • 67% Danceability • 45% Energy • 9% Liveness
91% Instrumentalness • 75% Positiveness
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Random Dudes
Centre Pompidou
99 bpm • G# Maj • 02:41 • -10.32db
9% Popularity • 50% Danceability • 40% Energy • 11% Liveness
2% Instrumentalness • 52% Positiveness
9% Popularity • 50% Danceability • 40% Energy • 11% Liveness
2% Instrumentalness • 52% Positiveness
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Avena Enriquez
Below The Leaves
99 bpm • D Maj • 04:35 • -20.35db
18% Popularity • 64% Danceability • 5% Energy • 11% Liveness
2% Instrumentalness • 12% Positiveness
18% Popularity • 64% Danceability • 5% Energy • 11% Liveness
2% Instrumentalness • 12% Positiveness
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Blood Estate
i guess ill try
110 bpm • G Maj • 02:19 • -12.78db
8% Popularity • 34% Danceability • 76% Energy • 90% Liveness
0% Instrumentalness • 18% Positiveness
8% Popularity • 34% Danceability • 76% Energy • 90% Liveness
0% Instrumentalness • 18% Positiveness
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K-9 Cat
J.O.Y. (Joke's On You)
110 bpm • D# Maj • 03:16 • -10.3db
11% Popularity • 34% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
11% Popularity • 34% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Glass Farmhouse
Round the Corner
110 bpm • A min • 02:33 • -3.43db
10% Popularity • 76% Danceability • 71% Energy • 34% Liveness
29% Instrumentalness • 79% Positiveness
10% Popularity • 76% Danceability • 71% Energy • 34% Liveness
29% Instrumentalness • 79% Positiveness
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Zenxith
Bristol Station
110 bpm • C Maj • 02:13 • -7.29db
9% Popularity • 67% Danceability • 74% Energy • 15% Liveness
3% Instrumentalness • 36% Positiveness
9% Popularity • 67% Danceability • 74% Energy • 15% Liveness
3% Instrumentalness • 36% Positiveness
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We The Patsies
Principalities
110 bpm • E Maj • 04:30 • -4db
23% Popularity • 52% Danceability • 64% Energy • 22% Liveness
0% Instrumentalness • 36% Positiveness
23% Popularity • 52% Danceability • 64% Energy • 22% Liveness
0% Instrumentalness • 36% Positiveness
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Phil Makes
Bet On A Blue Sky
110 bpm • G Maj • 03:05 • -5.42db
18% Popularity • 58% Danceability • 88% Energy • 9% Liveness
1% Instrumentalness • 56% Positiveness
18% Popularity • 58% Danceability • 88% Energy • 9% Liveness
1% Instrumentalness • 56% Positiveness
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BOYO
DEAN
110 bpm • C# Maj • 03:57 • -9.88db
9% Popularity • 65% Danceability • 72% Energy • 26% Liveness
4% Instrumentalness • 67% Positiveness
9% Popularity • 65% Danceability • 72% Energy • 26% Liveness
4% Instrumentalness • 67% Positiveness
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Fizzy Orange
Good Time
110 bpm • D Maj • 02:18 • -9.4db
15% Popularity • 31% Danceability • 62% Energy • 77% Liveness
59% Instrumentalness • 37% Positiveness
15% Popularity • 31% Danceability • 62% Energy • 77% Liveness
59% Instrumentalness • 37% Positiveness
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Pinedust
Sea of eels
110 bpm • F# min • 02:44 • -10.25db
15% Popularity • 82% Danceability • 54% Energy • 9% Liveness
1% Instrumentalness • 66% Positiveness
15% Popularity • 82% Danceability • 54% Energy • 9% Liveness
1% Instrumentalness • 66% Positiveness
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5ht the Band
Rest
110 bpm • C Maj • 02:50 • -3.53db
9% Popularity • 62% Danceability • 82% Energy • 8% Liveness
6% Instrumentalness • 75% Positiveness
9% Popularity • 62% Danceability • 82% Energy • 8% Liveness
6% Instrumentalness • 75% Positiveness
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Worn-Tin
Big Wheels
110 bpm • E Maj • 03:17 • -9.39db
22% Popularity • 76% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
22% Popularity • 76% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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We The Patsies
This Is the Abyss
110 bpm • A Maj • 04:30 • -19.72db
23% Popularity • 77% Danceability • 33% Energy • 14% Liveness
30% Instrumentalness • 84% Positiveness
23% Popularity • 77% Danceability • 33% Energy • 14% Liveness
30% Instrumentalness • 84% Positiveness
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mammalfriend
Cry
110 bpm • D Maj • 05:31 • -18.38db
8% Popularity • 60% Danceability • 21% Energy • 13% Liveness
2% Instrumentalness • 14% Positiveness
8% Popularity • 60% Danceability • 21% Energy • 13% Liveness
2% Instrumentalness • 14% Positiveness
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Oscar Lindsey
Better At All
110 bpm • F# Maj • 01:29 • -14.89db
15% Popularity • 77% Danceability • 45% Energy • 10% Liveness
6% Instrumentalness • 73% Positiveness
15% Popularity • 77% Danceability • 45% Energy • 10% Liveness
6% Instrumentalness • 73% Positiveness
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Kennydaatari
We Fall in love - Radio Edit
110 bpm • G Maj • 04:47 • -14.45db
24% Popularity • 72% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
24% Popularity • 72% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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The Slums of Mediocrity
Hear It in the Walls
110 bpm • E Maj • 03:40 • -6.62db
7% Popularity • 54% Danceability • 53% Energy • 19% Liveness
0% Instrumentalness • 38% Positiveness
7% Popularity • 54% Danceability • 53% Energy • 19% Liveness
0% Instrumentalness • 38% Positiveness
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Jenny Walker
Gold
98 bpm • D# Maj • 04:12 • -14.68db
26% Popularity • 61% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
26% Popularity • 61% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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We The Patsies
Oh One Day
110 bpm • C Maj • 02:32 • -10db
23% Popularity • 78% Danceability • 44% Energy • 39% Liveness
0% Instrumentalness • 63% Positiveness
23% Popularity • 78% Danceability • 44% Energy • 39% Liveness
0% Instrumentalness • 63% Positiveness
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Ryland Bouchard
True Love
111 bpm • A# Maj • 02:09 • -13.88db
27% Popularity • 40% Danceability • 15% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
27% Popularity • 40% Danceability • 15% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
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Misael Whitfield
Some Children
111 bpm • A# Maj • 03:36 • -7.36db
25% Popularity • 41% Danceability • 85% Energy • 18% Liveness
38% Instrumentalness • 72% Positiveness
25% Popularity • 41% Danceability • 85% Energy • 18% Liveness
38% Instrumentalness • 72% Positiveness
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Oscar Lindsey
Susan
97 bpm • D Maj • 02:46 • -10.85db
8% Popularity • 63% Danceability • 40% Energy • 11% Liveness
90% Instrumentalness • 56% Positiveness
8% Popularity • 63% Danceability • 40% Energy • 11% Liveness
90% Instrumentalness • 56% Positiveness
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Telyscopes
Frame by Frame
97 bpm • A min • 04:51 • -6.61db
0% Popularity • 61% Danceability • 69% Energy • 21% Liveness
2% Instrumentalness • 64% Positiveness
0% Popularity • 61% Danceability • 69% Energy • 21% Liveness
2% Instrumentalness • 64% Positiveness
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Jaron Hagenes
Flat Iron
97 bpm • C Maj • 02:00 • -10.75db
24% Popularity • 60% Danceability • 41% Energy • 43% Liveness
6% Instrumentalness • 65% Positiveness
24% Popularity • 60% Danceability • 41% Energy • 43% Liveness
6% Instrumentalness • 65% Positiveness
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MacPherson Bess
Fresh Cotton Swab
97 bpm • A# Maj • 02:15 • -12.06db
23% Popularity • 49% Danceability • 40% Energy • 19% Liveness
0% Instrumentalness • 48% Positiveness
23% Popularity • 49% Danceability • 40% Energy • 19% Liveness
0% Instrumentalness • 48% Positiveness
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Manuel Schiller
Overwinter
97 bpm • A# Maj • 03:33 • -8.38db
23% Popularity • 60% Danceability • 65% Energy • 11% Liveness
14% Instrumentalness • 33% Positiveness
23% Popularity • 60% Danceability • 65% Energy • 11% Liveness
14% Instrumentalness • 33% Positiveness
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Misael Whitfield
Orange Neighbor
111 bpm • C Maj • 03:18 • -9.29db
25% Popularity • 52% Danceability • 53% Energy • 31% Liveness
30% Instrumentalness • 60% Positiveness
25% Popularity • 52% Danceability • 53% Energy • 31% Liveness
30% Instrumentalness • 60% Positiveness
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Don't Fight Fair
Ghost
97 bpm • B min • 04:27 • -8.55db
10% Popularity • 56% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
10% Popularity • 56% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Peyton Ferrell
Pegasus
112 bpm • D Maj • 02:43 • -16.51db
23% Popularity • 46% Danceability • 37% Energy • 10% Liveness
28% Instrumentalness • 18% Positiveness
23% Popularity • 46% Danceability • 37% Energy • 10% Liveness
28% Instrumentalness • 18% Positiveness
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BOYO
HALF LIFE
112 bpm • F# min • 01:48 • -9.79db
10% Popularity • 54% Danceability • 66% Energy • 29% Liveness
0% Instrumentalness • 47% Positiveness
10% Popularity • 54% Danceability • 66% Energy • 29% Liveness
0% Instrumentalness • 47% Positiveness
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Lifescout
Drunk Pirates
112 bpm • E min • 01:36 • -8.41db
16% Popularity • 44% Danceability • 87% Energy • 53% Liveness
0% Instrumentalness • 38% Positiveness
16% Popularity • 44% Danceability • 87% Energy • 53% Liveness
0% Instrumentalness • 38% Positiveness
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Missing Wiba
White Friends
112 bpm • D# Maj • 02:09 • -12.66db
13% Popularity • 64% Danceability • 46% Energy • 22% Liveness
27% Instrumentalness • 52% Positiveness
13% Popularity • 64% Danceability • 46% Energy • 22% Liveness
27% Instrumentalness • 52% Positiveness
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Emily Edrosa
Behind Yr Back
112 bpm • F# Maj • 01:52 • -7.3db
14% Popularity • 67% Danceability • 57% Energy • 10% Liveness
24% Instrumentalness • 53% Positiveness
14% Popularity • 67% Danceability • 57% Energy • 10% Liveness
24% Instrumentalness • 53% Positiveness
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Simon Felton
True and false
97 bpm • C# Maj • 03:24 • -12.5db
20% Popularity • 68% Danceability • 55% Energy • 18% Liveness
0% Instrumentalness • 76% Positiveness
20% Popularity • 68% Danceability • 55% Energy • 18% Liveness
0% Instrumentalness • 76% Positiveness
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Gareth Arnold
Never Even Shook off the Doubt
97 bpm • D# min • 02:55 • -9.05db
12% Popularity • 69% Danceability • 52% Energy • 25% Liveness
0% Instrumentalness • 58% Positiveness
12% Popularity • 69% Danceability • 52% Energy • 25% Liveness
0% Instrumentalness • 58% Positiveness
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Masks Phantoms
Rife with Letter
96 bpm • D Maj • 01:48 • -5.48db
12% Popularity • 66% Danceability • 69% Energy • 8% Liveness
4% Instrumentalness • 26% Positiveness
12% Popularity • 66% Danceability • 69% Energy • 8% Liveness
4% Instrumentalness • 26% Positiveness
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Tuff Guac
My Head Is Like a Cloud
112 bpm • G Maj • 01:16 • -8.73db
9% Popularity • 65% Danceability • 56% Energy • 16% Liveness
0% Instrumentalness • 18% Positiveness
9% Popularity • 65% Danceability • 56% Energy • 16% Liveness
0% Instrumentalness • 18% Positiveness
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Aila Fay
Cookies
112 bpm • A Maj • 01:40 • -6.1db
9% Popularity • 59% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
9% Popularity • 59% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
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bass bass bass
Blister
112 bpm • A# Maj • 01:08 • -14.81db
11% Popularity • 44% Danceability • 43% Energy • 9% Liveness
87% Instrumentalness • 50% Positiveness
11% Popularity • 44% Danceability • 43% Energy • 9% Liveness
87% Instrumentalness • 50% Positiveness
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Glenn Sainsbury
Glosover
96 bpm • F min • 02:22 • -17.5db
30% Popularity • 74% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
30% Popularity • 74% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Martin Down
The Fool (Who's Gonna Lose You)
113 bpm • G Maj • 04:35 • -20.07db
15% Popularity • 59% Danceability • 9% Energy • 11% Liveness
17% Instrumentalness • 13% Positiveness
15% Popularity • 59% Danceability • 9% Energy • 11% Liveness
17% Instrumentalness • 13% Positiveness
