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My Way Of Life
Songs like
My Way Of Life
by
Emad Sayyah
Based on a tempo of (+/- 10%) and a similar genre
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Emad Sayyah
My Way Of Life
104 bpm • A# min • 02:54 • -9.5db
5% Popularity • 78% Danceability • 99% Energy • 18% Liveness
83% Instrumentalness • 52% Positiveness
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Marcus Viana
Ya Helou Ya Zein
104 bpm • F Maj • 04:51 • -7.8db
30% Popularity • 80% Danceability • 83% Energy • 2% Liveness
0% Instrumentalness • 84% Positiveness
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Tony Mouzayek
Bastanak
104 bpm • D min • 05:00 • -4.53db
16% Popularity • 59% Danceability • 60% Energy • 31% Liveness
0% Instrumentalness • 19% Positiveness
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Cairo Orchestra
Al Atlal
104 bpm • G min • 03:30 • -9.66db
12% Popularity • 58% Danceability • 45% Energy • 11% Liveness
80% Instrumentalness • 55% Positiveness
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Sayed Balaha
Amal
104 bpm • F Maj • 05:28 • -10.94db
8% Popularity • 66% Danceability • 51% Energy • 5% Liveness
84% Instrumentalness • 56% Positiveness
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Amir Sofi
Gawharet El Fan
104 bpm • C min • 04:56 • -8.22db
16% Popularity • 47% Danceability • 91% Energy • 34% Liveness
16% Instrumentalness • 84% Positiveness
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Gizira Band
Basbousa
104 bpm • G# Maj • 05:05 • -5.98db
16% Popularity • 60% Danceability • 89% Energy • 29% Liveness
1% Instrumentalness • 82% Positiveness
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Upper Egypt Ensemble
Saidi Festival (Saidi Medley)
104 bpm • B min • 05:27 • -12.03db
15% Popularity • 57% Danceability • 80% Energy • 7% Liveness
83% Instrumentalness • 17% Positiveness
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Tony Mouzayek
Ya Helwe Ya Zein
104 bpm • A min • 05:00 • -3.01db
18% Popularity • 76% Danceability • 94% Energy • 3% Liveness
0% Instrumentalness • 78% Positiveness
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Khan El Khalili Brasil
Taht Al Shbback
104 bpm • D Maj • 05:55 • -8.5db
15% Popularity • 50% Danceability • 56% Energy • 6% Liveness
0% Instrumentalness • 72% Positiveness
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Hossam Ramzy
The Sword of Orion
103 bpm • A# min • 05:33 • -9.46db
14% Popularity • 68% Danceability • 76% Energy • 5% Liveness
32% Instrumentalness • 57% Positiveness
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Traditional
Raqset Al-Hajjalah (Dance of the Haggala...
105 bpm • G# Maj • 05:09 • -6.23db
10% Popularity • 58% Danceability • 84% Energy • 14% Liveness
73% Instrumentalness • 38% Positiveness
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Asena
Baladi (Asena)
105 bpm • F# min • 03:27 • -11.17db
24% Popularity • 86% Danceability • 95% Energy • 19% Liveness
58% Instrumentalness • 93% Positiveness
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Salatin El Tarab Orchestra
Ya Bent al-Sultan
103 bpm • G# Maj • 02:00 • -8.9db
12% Popularity • 68% Danceability • 71% Energy • 36% Liveness
55% Instrumentalness • 70% Positiveness
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Tony Mouzayek
Bahiya - Acoustic Live
103 bpm • A# min • 10:07 • -4.05db
15% Popularity • 37% Danceability • 88% Energy • 67% Liveness
0% Instrumentalness • 58% Positiveness
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Emad Sayyah
Raksa sahrawiyya
105 bpm • C# Maj • 03:30 • -6.72db
2% Popularity • 56% Danceability • 90% Energy • 3% Liveness
81% Instrumentalness • 64% Positiveness
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Hassan Abou Seoud
Hekaya
103 bpm • G min • 03:25 • -7.63db
17% Popularity • 37% Danceability • 62% Energy • 8% Liveness
85% Instrumentalness • 73% Positiveness
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Issam Houshan
Karsihlagala
102 bpm • G min • 07:20 • -5.92db
14% Popularity • 52% Danceability • 82% Energy • 6% Liveness
87% Instrumentalness • 21% Positiveness
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Mario Kirlis
Meshi
106 bpm • C Maj • 08:25 • -5.48db
21% Popularity • 68% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
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Dr Samy Farag
Ishta ( So Sweet)
106 bpm • A min • 05:25 • -5.09db
18% Popularity • 57% Danceability • 81% Energy • 28% Liveness
11% Instrumentalness • 66% Positiveness
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Tony Mouzayek
Ya Mshar Eyni
102 bpm • F min • 03:46 • -4.06db
21% Popularity • 84% Danceability • 79% Energy • 6% Liveness
0% Instrumentalness • 86% Positiveness
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Gizira Band
Basbousa
102 bpm • A# min • 03:56 • -5.84db
12% Popularity • 58% Danceability • 92% Energy • 32% Liveness
1% Instrumentalness • 82% Positiveness
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Bünyamin Olguncan
Balkan Dreams
102 bpm • D Maj • 03:47 • -6.75db
20% Popularity • 74% Danceability • 77% Energy • 6% Liveness
82% Instrumentalness • 80% Positiveness
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Khan El Khalili Brasil
Taqasim Classic
106 bpm • G# Maj • 05:40 • -9.02db
11% Popularity • 79% Danceability • 96% Energy • 8% Liveness
87% Instrumentalness • 84% Positiveness
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Al-Ahram Orchestra
Dina Tata
106 bpm • C Maj • 06:28 • -11.32db
16% Popularity • 82% Danceability • 78% Energy • 34% Liveness
77% Instrumentalness • 86% Positiveness
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Yasar Akpence
Freedom
106 bpm • C Maj • 04:00 • -7.56db
12% Popularity • 74% Danceability • 97% Energy • 5% Liveness
86% Instrumentalness • 61% Positiveness
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Tony Mouzayek
Ya Gaieb
106 bpm • A min • 05:40 • -5.4db
18% Popularity • 58% Danceability • 83% Energy • 5% Liveness
0% Instrumentalness • 57% Positiveness
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Dr Samy Farag
Gana El Hawa
106 bpm • E min • 02:20 • -7.41db
14% Popularity • 72% Danceability • 77% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
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Dr Samy Farag
El Wad Dah
106 bpm • F Maj • 03:51 • -3.89db
8% Popularity • 75% Danceability • 95% Energy • 17% Liveness
0% Instrumentalness • 88% Positiveness
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Khader Ahmad
Bos Shof
106 bpm • C Maj • 03:48 • -6.04db
11% Popularity • 57% Danceability • 97% Energy • 8% Liveness
27% Instrumentalness • 94% Positiveness
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Al-Ahram Orchestra
Dina Tata
106 bpm • C Maj • 04:13 • -10.09db
17% Popularity • 82% Danceability • 80% Energy • 34% Liveness
69% Instrumentalness • 88% Positiveness
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Yasar Akpence
Dreams
106 bpm • C Maj • 04:25 • -11.46db
23% Popularity • 81% Danceability • 96% Energy • 6% Liveness
84% Instrumentalness • 84% Positiveness
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Emad Sayyah
Sihrik saharna (Your charm has beguiled ...
102 bpm • G min • 03:56 • -10.82db
2% Popularity • 78% Danceability • 69% Energy • 12% Liveness
7% Instrumentalness • 94% Positiveness
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Tony Mouzayek
Azez Alaya
102 bpm • A# min • 04:31 • -2.32db
28% Popularity • 59% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
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Bünyamin Olguncan
Istanbul's Drummers - Solo II
102 bpm • B Maj • 03:05 • -8.36db
10% Popularity • 79% Danceability • 95% Energy • 6% Liveness
86% Instrumentalness • 84% Positiveness
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Gizira Band
Tannoura
106 bpm • C# Maj • 04:07 • -5.08db
8% Popularity • 85% Danceability • 95% Energy • 5% Liveness
24% Instrumentalness • 83% Positiveness
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Salatin Al Tarab Orchestra
Al-heyla
106 bpm • F min • 02:48 • -8db
13% Popularity • 53% Danceability • 48% Energy • 19% Liveness
48% Instrumentalness • 48% Positiveness
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Yasar Akpence
Special Harem Solo, Pt. 2
102 bpm • C# min • 02:15 • -6.26db
20% Popularity • 80% Danceability • 99% Energy • 32% Liveness
32% Instrumentalness • 47% Positiveness
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Emad Sayyah
Sibaak Ajjimaal - Instr.
106 bpm • G Maj • 03:44 • -10.18db
4% Popularity • 48% Danceability • 97% Energy • 5% Liveness
76% Instrumentalness • 66% Positiveness
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Upper Egypt Ensemble
Inta al-Amal
102 bpm • A# min • 01:51 • -13.78db
17% Popularity • 77% Danceability • 73% Energy • 14% Liveness
6% Instrumentalness • 48% Positiveness
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Gamal Goma
Cycle of Life (Malfoof)
106 bpm • C Maj • 04:37 • -8.2db
14% Popularity • 78% Danceability • 98% Energy • 3% Liveness
88% Instrumentalness • 86% Positiveness
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Eddie the Sheik Kochak
The Sensual Chifti (Rumba)
101 bpm • A min • 02:35 • -10.26db
24% Popularity • 62% Danceability • 56% Energy • 12% Liveness
91% Instrumentalness • 68% Positiveness
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Cairo Tabla All-Stars
Asabee Al-Sahri
107 bpm • G# min • 03:18 • -7.27db
15% Popularity • 91% Danceability • 98% Energy • 13% Liveness
31% Instrumentalness • 74% Positiveness
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Salatin Al Tarab Orchestra
Al-arasiyya
106 bpm • G# Maj • 01:13 • -6.75db
18% Popularity • 60% Danceability • 69% Energy • 26% Liveness
1% Instrumentalness • 67% Positiveness
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Mokhtar al Said
Rakset Mizmar
101 bpm • C min • 02:47 • -5.57db
21% Popularity • 68% Danceability • 94% Energy • 6% Liveness
70% Instrumentalness • 35% Positiveness
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Tony Mouzayek
Ya Ghaieb
107 bpm • G min • 05:20 • -4.34db
22% Popularity • 76% Danceability • 83% Energy • 30% Liveness
0% Instrumentalness • 82% Positiveness
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Issam Houshan
Shimmabulous
101 bpm • E min • 04:05 • -4.46db
16% Popularity • 54% Danceability • 94% Energy • 5% Liveness
80% Instrumentalness • 52% Positiveness
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Mario Kirlis
El Bastón
107 bpm • D min • 06:02 • -6.14db
33% Popularity • 88% Danceability • 87% Energy • 25% Liveness
42% Instrumentalness • 79% Positiveness
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Mosavo
Cedars of Lebanon (Lebanese Dabke)
107 bpm • E Maj • 03:37 • -10.26db
21% Popularity • 50% Danceability • 74% Energy • 31% Liveness
56% Instrumentalness • 93% Positiveness
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Al-Ahram Orchestra
Altablalal Ghallab
107 bpm • F# min • 02:14 • -9.15db
7% Popularity • 59% Danceability • 95% Energy • 6% Liveness
93% Instrumentalness • 62% Positiveness
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Nesma
Maksoum - Base and Variations
101 bpm • G Maj • 01:20 • -13.28db
22% Popularity • 55% Danceability • 83% Energy • 4% Liveness
95% Instrumentalness • 61% Positiveness
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Fadi El Saadi
Shahd Entrance
101 bpm • C Maj • 04:59 • -5.96db
11% Popularity • 47% Danceability • 84% Energy • 8% Liveness
29% Instrumentalness • 70% Positiveness
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Brandan Osvaldo el Beryewe
MALFÚF rápido
101 bpm • C# Maj • 03:00 • -8.59db
19% Popularity • 76% Danceability • 94% Energy • 5% Liveness
84% Instrumentalness • 96% Positiveness
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Ali Ahmad Ali
Bardawi Drum Solo
107 bpm • F min • 02:59 • -10.6db
20% Popularity • 69% Danceability • 89% Energy • 9% Liveness
84% Instrumentalness • 91% Positiveness
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Emad Sayyah
Zaar Naar
100 bpm • G# Maj • 03:17 • -11.88db
19% Popularity • 52% Danceability • 92% Energy • 8% Liveness
52% Instrumentalness • 62% Positiveness
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Bünyamin Olguncan
Ay Işığında Raks
100 bpm • C Maj • 02:21 • -10.88db
24% Popularity • 85% Danceability • 80% Energy • 8% Liveness
95% Instrumentalness • 81% Positiveness
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Khader Ahmad
Cinderella
100 bpm • C Maj • 06:06 • -6.78db
12% Popularity • 43% Danceability • 91% Energy • 26% Liveness
42% Instrumentalness • 50% Positiveness
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Saad El Soghayar
Bellydance
108 bpm • D Maj • 02:34 • -5.88db
31% Popularity • 87% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
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Raquy And The Cavemen
Very Short Belly Dance Drum Solo
100 bpm • A# min • 01:16 • -10db
25% Popularity • 73% Danceability • 46% Energy • 9% Liveness
11% Instrumentalness • 7% Positiveness
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Asena
Warda
100 bpm • D Maj • 03:51 • -9.99db
37% Popularity • 49% Danceability • 66% Energy • 42% Liveness
51% Instrumentalness • 33% Positiveness
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Emad Sayyah
That Is My Obsession - Percussion
108 bpm • G# min • 02:37 • -10.11db
12% Popularity • 80% Danceability • 97% Energy • 6% Liveness
89% Instrumentalness • 64% Positiveness
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Mizan Project
Malfouf Egyptian Rhythm
100 bpm • A Maj • 03:29 • -11.67db
12% Popularity • 79% Danceability • 93% Energy • 6% Liveness
79% Instrumentalness • 59% Positiveness
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Bünyamin Olguncan
Darbuka Solo, Pt. 1
100 bpm • B Maj • 02:48 • -14db
30% Popularity • 77% Danceability • 99% Energy • 6% Liveness
84% Instrumentalness • 80% Positiveness
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Paul Dinletir
Quest of the Oracle
100 bpm • D min • 03:28 • -7.87db
24% Popularity • 58% Danceability • 82% Energy • 11% Liveness
13% Instrumentalness • 12% Positiveness
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George Abdo
Raks Araby
100 bpm • C min • 02:57 • -12db
14% Popularity • 51% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Gencer Savas
BELLY DANCE DARBUKA 2
100 bpm • F# Maj • 02:24 • -10.19db
13% Popularity • 91% Danceability • 86% Energy • 7% Liveness
37% Instrumentalness • 78% Positiveness
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Emad Sayyah
Amina
100 bpm • C# Maj • 04:33 • -11.6db
4% Popularity • 72% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
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Mizan Project
Baladi Traditional Egypt Rhythm
100 bpm • F# min • 03:11 • -10.75db
12% Popularity • 82% Danceability • 90% Energy • 5% Liveness
60% Instrumentalness • 57% Positiveness
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Tony Anka
Baladi
100 bpm • G Maj • 04:14 • -8.41db
11% Popularity • 75% Danceability • 88% Energy • 7% Liveness
87% Instrumentalness • 63% Positiveness
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Brandan Osvaldo el Beryewe
Caderas de Fuego - Reggaetón Árabe
100 bpm • G Maj • 03:31 • -12db
13% Popularity • 91% Danceability • 77% Energy • 4% Liveness
0% Instrumentalness • 77% Positiveness
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Belly Dance
Sexy Sadie
100 bpm • F min • 04:13 • -15.83db
10% Popularity • 82% Danceability • 56% Energy • 31% Liveness
89% Instrumentalness • 75% Positiveness
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Raul Ferrando
It Takes Two
100 bpm • D min • 05:03 • -10db
15% Popularity • 73% Danceability • 44% Energy • 7% Liveness
4% Instrumentalness • 66% Positiveness
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Emad Sayyah
Ahlaami Asraar
100 bpm • C min • 06:14 • -10.72db
6% Popularity • 69% Danceability • 78% Energy • 6% Liveness
5% Instrumentalness • 85% Positiveness
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Mizan Project
Maksoum Middle Eastern Rhythm
100 bpm • A Maj • 03:13 • -12.49db
13% Popularity • 81% Danceability • 93% Energy • 6% Liveness
75% Instrumentalness • 38% Positiveness
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Tony Mouzayek
Ya Habibi Albi Mal
100 bpm • C min • 04:03 • -5db
29% Popularity • 72% Danceability • 87% Energy • 9% Liveness
0% Instrumentalness • 85% Positiveness
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Mario Kirlis
Malfuf A
100 bpm • C# Maj • 04:07 • -9.68db
18% Popularity • 78% Danceability • 96% Energy • 8% Liveness
86% Instrumentalness • 85% Positiveness
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Hakim
Talakeek
108 bpm • G# Maj • 05:12 • -9.51db
22% Popularity • 76% Danceability • 90% Energy • 14% Liveness
0% Instrumentalness • 89% Positiveness
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Arabian Tabla Dances
Baba Sargon
100 bpm • D Maj • 01:14 • -12.56db
15% Popularity • 89% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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Emad Sayyah
Jimaal Am Tourkos
100 bpm • A min • 03:38 • -10.61db
1% Popularity • 77% Danceability • 76% Energy • 8% Liveness
67% Instrumentalness • 89% Positiveness
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Ihsan Al-Mounzer
Nebtiti Minin El Hikiya - edit
100 bpm • A min • 05:10 • -7.83db
18% Popularity • 45% Danceability • 64% Energy • 9% Liveness
85% Instrumentalness • 31% Positiveness
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Hassan Abou Seoud
Nova Raks - Remastered
99 bpm • C min • 03:22 • -4db
30% Popularity • 76% Danceability • 86% Energy • 16% Liveness
58% Instrumentalness • 86% Positiveness
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Dr Samy Farag
Danza Mora Instrumental
99 bpm • F Maj • 06:09 • -8db
27% Popularity • 50% Danceability • 80% Energy • 10% Liveness
39% Instrumentalness • 49% Positiveness
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Cairo Tabla All-Stars
Basmet Al-Fatat
109 bpm • B Maj • 03:00 • -6.67db
16% Popularity • 79% Danceability • 86% Energy • 12% Liveness
91% Instrumentalness • 76% Positiveness
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Brandan Osvaldo el Beryewe
SAMÁI TAQUÍL lento
109 bpm • C# Maj • 03:00 • -11.33db
10% Popularity • 83% Danceability • 57% Energy • 5% Liveness
94% Instrumentalness • 75% Positiveness
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Emad Sayyah
Voices of the Sahara - Percussion
100 bpm • B Maj • 02:15 • -8db
20% Popularity • 77% Danceability • 1% Energy • 7% Liveness
86% Instrumentalness • 15% Positiveness
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Ihsan Al-Mounzer
Samia's Dance - edit 1
100 bpm • G Maj • 04:26 • -8.33db
16% Popularity • 34% Danceability • 64% Energy • 34% Liveness
76% Instrumentalness • 46% Positiveness
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Hassan Abou Seoud
Tabla Sahrawi - Remastered
99 bpm • C min • 03:33 • -5.9db
19% Popularity • 55% Danceability • 99% Energy • 5% Liveness
90% Instrumentalness • 62% Positiveness
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Al-Ahram Orchestra
Zarmali Tabla
110 bpm • G# min • 04:00 • -12.56db
8% Popularity • 55% Danceability • 87% Energy • 6% Liveness
94% Instrumentalness • 74% Positiveness
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Cairo Orchestra
Accordion Balady
99 bpm • C Maj • 05:23 • -8.73db
8% Popularity • 57% Danceability • 54% Energy • 30% Liveness
65% Instrumentalness • 64% Positiveness
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Raul Ferrando
Trance-Formation
98 bpm • F# min • 03:37 • -8db
10% Popularity • 53% Danceability • 89% Energy • 6% Liveness
85% Instrumentalness • 66% Positiveness
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Emad Sayyah
Raksik Balsam Li Rouhi (Your Dance is Ba...
99 bpm • G Maj • 03:42 • -4.62db
2% Popularity • 78% Danceability • 79% Energy • 19% Liveness
70% Instrumentalness • 71% Positiveness
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Sayed Balaha
Hamada
110 bpm • G# Maj • 05:16 • -12.28db
16% Popularity • 54% Danceability • 64% Energy • 10% Liveness
69% Instrumentalness • 36% Positiveness
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Hassan Abou Seoud
Boss Wa Chouf
110 bpm • C Maj • 03:02 • -10.56db
26% Popularity • 45% Danceability • 65% Energy • 6% Liveness
76% Instrumentalness • 83% Positiveness
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Al-Ahram Orchestra
Salamatha Om Hassan (Egyptian Classic)
110 bpm • C Maj • 04:29 • -6.42db
18% Popularity • 78% Danceability • 90% Energy • 5% Liveness
2% Instrumentalness • 88% Positiveness
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Issam Houshan
The Path To Goa
110 bpm • F Maj • 04:12 • -6.36db
11% Popularity • 68% Danceability • 86% Energy • 35% Liveness
84% Instrumentalness • 94% Positiveness
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Said Mrad
Esmerim
110 bpm • D Maj • 04:35 • -5.11db
8% Popularity • 79% Danceability • 98% Energy • 3% Liveness
73% Instrumentalness • 50% Positiveness
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Emad Sayyah
Dalia
110 bpm • C Maj • 03:30 • -9.72db
2% Popularity • 82% Danceability • 77% Energy • 8% Liveness
92% Instrumentalness • 96% Positiveness
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Fadi El Saadi
Set El Hosn
110 bpm • A min • 08:19 • -5.38db
13% Popularity • 49% Danceability • 87% Energy • 17% Liveness
8% Instrumentalness • 69% Positiveness
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Mokhtar al Said
Lissa Fakir
110 bpm • C Maj • 05:04 • -9.05db
29% Popularity • 54% Danceability • 45% Energy • 22% Liveness
46% Instrumentalness • 65% Positiveness
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Elissar
Nahawand
110 bpm • F# min • 04:23 • -4.09db
8% Popularity • 47% Danceability • 85% Energy • 41% Liveness
0% Instrumentalness • 67% Positiveness
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My Way Of Life