Songs like My Way - 2008 Remastered by Frank Sinatra
Based on a tempo of (+/- 10%) and a similar genre
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Frank Sinatra
Luck Be A Lady
151 bpm • G# Maj • 05:14 • -13.58db
55% Popularity • 36% Danceability • 40% Energy • 28% Liveness
0% Instrumentalness • 50% Positiveness
55% Popularity • 36% Danceability • 40% Energy • 28% Liveness
0% Instrumentalness • 50% Positiveness
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Bobby Darin
More - Remastered 2004
152 bpm • F min • 02:25 • -8.74db
63% Popularity • 50% Danceability • 48% Energy • 24% Liveness
0% Instrumentalness • 69% Positiveness
63% Popularity • 50% Danceability • 48% Energy • 24% Liveness
0% Instrumentalness • 69% Positiveness
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Anita O'Day
I Could Write A Book
148 bpm • D min • 02:09 • -11db
52% Popularity • 49% Danceability • 30% Energy • 28% Liveness
0% Instrumentalness • 78% Positiveness
52% Popularity • 49% Danceability • 30% Energy • 28% Liveness
0% Instrumentalness • 78% Positiveness
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Bobby Vinton
I Love How You Love Me
153 bpm • F Maj • 02:30 • -16.72db
47% Popularity • 19% Danceability • 16% Energy • 17% Liveness
0% Instrumentalness • 24% Positiveness
47% Popularity • 19% Danceability • 16% Energy • 17% Liveness
0% Instrumentalness • 24% Positiveness
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Astrud Gilberto
Água de Beber
148 bpm • E min • 02:18 • -17.81db
68% Popularity • 65% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
68% Popularity • 65% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
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Ricky Nelson
Poor Little Fool - Remastered
155 bpm • C Maj • 02:33 • -12db
58% Popularity • 47% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 81% Positiveness
58% Popularity • 47% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 81% Positiveness
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Frank Sinatra
Chicago - Remastered
148 bpm • F Maj • 02:14 • -10.05db
54% Popularity • 51% Danceability • 46% Energy • 40% Liveness
0% Instrumentalness • 79% Positiveness
54% Popularity • 51% Danceability • 46% Energy • 40% Liveness
0% Instrumentalness • 79% Positiveness
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Doris Day
Dream a Little Dream of Me
148 bpm • C Maj • 03:43 • -17.7db
57% Popularity • 39% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
57% Popularity • 39% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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Kay Starr
C'est Magnifique - Remastered
155 bpm • F# min • 02:19 • -10.03db
46% Popularity • 68% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
46% Popularity • 68% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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Wayne Newton
Danke Schoen
147 bpm • A min • 02:35 • -8.71db
56% Popularity • 39% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
56% Popularity • 39% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Dionne Warwick
I Say a Little Prayer
147 bpm • G Maj • 03:08 • -7.64db
52% Popularity • 51% Danceability • 42% Energy • 18% Liveness
0% Instrumentalness • 71% Positiveness
52% Popularity • 51% Danceability • 42% Energy • 18% Liveness
0% Instrumentalness • 71% Positiveness
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Sil Austin
Slow Walk
146 bpm • F Maj • 02:39 • -9db
51% Popularity • 61% Danceability • 53% Energy • 26% Liveness
82% Instrumentalness • 69% Positiveness
51% Popularity • 61% Danceability • 53% Energy • 26% Liveness
82% Instrumentalness • 69% Positiveness
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Benny Goodman
Stompin At The Savoy
156 bpm • A# min • 03:15 • -11db
56% Popularity • 52% Danceability • 22% Energy • 5% Liveness
8% Instrumentalness • 64% Positiveness
56% Popularity • 52% Danceability • 22% Energy • 5% Liveness
8% Instrumentalness • 64% Positiveness
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Nat King Cole
L-O-V-E - 2000 Remaster
157 bpm • B min • 02:33 • -14.76db
60% Popularity • 45% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
60% Popularity • 45% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
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Artie Shaw
I Can't Believe That You're In Love With...
145 bpm • F Maj • 03:07 • -8.9db
35% Popularity • 71% Danceability • 45% Energy • 14% Liveness
48% Instrumentalness • 74% Positiveness
35% Popularity • 71% Danceability • 45% Energy • 14% Liveness
48% Instrumentalness • 74% Positiveness
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Wayne Newton
Hello, Dolly! - Remastered
157 bpm • G# min • 02:12 • -12.35db
40% Popularity • 54% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
40% Popularity • 54% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
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The Beach Boys
I Get Around (Mono)
144 bpm • A min • 02:14 • -7.81db
66% Popularity • 39% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 51% Positiveness
66% Popularity • 39% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 51% Positiveness
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Tennessee Ernie Ford
Sixteen Tons
144 bpm • B Maj • 02:35 • -18.53db
61% Popularity • 67% Danceability • 25% Energy • 25% Liveness
0% Instrumentalness • 41% Positiveness
61% Popularity • 67% Danceability • 25% Energy • 25% Liveness
0% Instrumentalness • 41% Positiveness
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Frank Sinatra
I Get A Kick Out Of You - Remastered
144 bpm • A# min • 02:52 • -13db
49% Popularity • 48% Danceability • 21% Energy • 19% Liveness
0% Instrumentalness • 53% Positiveness
49% Popularity • 48% Danceability • 21% Energy • 19% Liveness
0% Instrumentalness • 53% Positiveness
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The Drifters
Save the Last Dance for Me
143 bpm • E Maj • 02:34 • -10.58db
65% Popularity • 54% Danceability • 53% Energy • 20% Liveness
0% Instrumentalness • 90% Positiveness
65% Popularity • 54% Danceability • 53% Energy • 20% Liveness
0% Instrumentalness • 90% Positiveness
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Artie Shaw
It Had To Be You
158 bpm • G Maj • 02:28 • -10.77db
40% Popularity • 62% Danceability • 30% Energy • 20% Liveness
9% Instrumentalness • 89% Positiveness
40% Popularity • 62% Danceability • 30% Energy • 20% Liveness
9% Instrumentalness • 89% Positiveness
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Robbie Williams
It Was A Very Good Year
143 bpm • D Maj • 04:28 • -13db
42% Popularity • 25% Danceability • 19% Energy • 16% Liveness
0% Instrumentalness • 14% Positiveness
42% Popularity • 25% Danceability • 19% Energy • 16% Liveness
0% Instrumentalness • 14% Positiveness
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The Andrews Sisters
In the Mood
142 bpm • G# Maj • 02:53 • -7.82db
31% Popularity • 81% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
31% Popularity • 81% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
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Benny Goodman
Chicago
161 bpm • G# Maj • 02:59 • -11.22db
41% Popularity • 59% Danceability • 28% Energy • 16% Liveness
73% Instrumentalness • 78% Positiveness
41% Popularity • 59% Danceability • 28% Energy • 16% Liveness
73% Instrumentalness • 78% Positiveness
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Frank Sinatra
Ring-A-Ding-Ding
159 bpm • A# Maj • 02:44 • -11.6db
49% Popularity • 58% Danceability • 32% Energy • 30% Liveness
0% Instrumentalness • 66% Positiveness
49% Popularity • 58% Danceability • 32% Energy • 30% Liveness
0% Instrumentalness • 66% Positiveness
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Judy Garland
Zing! Went The Strings Of My Heart
142 bpm • G Maj • 03:41 • -11.14db
44% Popularity • 49% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
44% Popularity • 49% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
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Brenda Lee
Danke Schoen
142 bpm • B min • 02:39 • -10.68db
46% Popularity • 62% Danceability • 32% Energy • 15% Liveness
0% Instrumentalness • 68% Positiveness
46% Popularity • 62% Danceability • 32% Energy • 15% Liveness
0% Instrumentalness • 68% Positiveness
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Nancy Wilson
The Boy From Ipanema
141 bpm • C min • 02:14 • -11db
49% Popularity • 60% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
49% Popularity • 60% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
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Artie Shaw
Begin the Beguine
141 bpm • G Maj • 03:16 • -15.92db
49% Popularity • 63% Danceability • 16% Energy • 45% Liveness
38% Instrumentalness • 37% Positiveness
49% Popularity • 63% Danceability • 16% Energy • 45% Liveness
38% Instrumentalness • 37% Positiveness
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Dean Martin
On An Evening In Roma (Sott'er Celo De R...
141 bpm • G Maj • 02:28 • -15.51db
61% Popularity • 52% Danceability • 12% Energy • 24% Liveness
0% Instrumentalness • 75% Positiveness
61% Popularity • 52% Danceability • 12% Energy • 24% Liveness
0% Instrumentalness • 75% Positiveness
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Frank Sinatra
Come Dance With Me - 1998 Remastered
141 bpm • A Maj • 02:31 • -13.16db
49% Popularity • 63% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
49% Popularity • 63% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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Wayne Newton
More - Remastered
141 bpm • E min • 02:36 • -13.59db
36% Popularity • 39% Danceability • 30% Energy • 23% Liveness
0% Instrumentalness • 72% Positiveness
36% Popularity • 39% Danceability • 30% Energy • 23% Liveness
0% Instrumentalness • 72% Positiveness
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Judy Garland
Zing! Went The Strings Of My Heart - Rem...
142 bpm • G Maj • 03:41 • -13.25db
30% Popularity • 46% Danceability • 33% Energy • 21% Liveness
0% Instrumentalness • 73% Positiveness
30% Popularity • 46% Danceability • 33% Energy • 21% Liveness
0% Instrumentalness • 73% Positiveness
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Ben E. King with orchestra
This Magic Moment
141 bpm • C Maj • 02:27 • -13.83db
36% Popularity • 34% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
36% Popularity • 34% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
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The Beatles
When I'm Sixty Four - Remastered 2009
140 bpm • C# Maj • 02:37 • -13.26db
64% Popularity • 70% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
64% Popularity • 70% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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Jonny Blu
I Get No Kick From Champagne
140 bpm • A# min • 03:09 • -9db
17% Popularity • 57% Danceability • 32% Energy • 20% Liveness
0% Instrumentalness • 25% Positiveness
17% Popularity • 57% Danceability • 32% Energy • 20% Liveness
0% Instrumentalness • 25% Positiveness
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Frank Sinatra
Let's Fall in Love
140 bpm • A# Maj • 02:11 • -15db
49% Popularity • 59% Danceability • 23% Energy • 24% Liveness
0% Instrumentalness • 64% Positiveness
49% Popularity • 59% Danceability • 23% Energy • 24% Liveness
0% Instrumentalness • 64% Positiveness
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Antônio Carlos Jobim
One Note Samba (Samba de Uma Nota So)
139 bpm • G Maj • 02:20 • -11db
52% Popularity • 60% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
52% Popularity • 60% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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Little Richard
Good Golly, Miss Molly
164 bpm • G Maj • 02:09 • -11.95db
63% Popularity • 56% Danceability • 74% Energy • 32% Liveness
0% Instrumentalness • 97% Positiveness
63% Popularity • 56% Danceability • 74% Energy • 32% Liveness
0% Instrumentalness • 97% Positiveness
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Billy Joel
Just the Way You Are
139 bpm • G Maj • 04:50 • -8.91db
72% Popularity • 59% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
72% Popularity • 59% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
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The Andrews Sisters
Bei Mir Bist Du Schoen - 1937 Single Ver...
164 bpm • C Maj • 03:06 • -9.79db
39% Popularity • 64% Danceability • 34% Energy • 60% Liveness
0% Instrumentalness • 80% Positiveness
39% Popularity • 64% Danceability • 34% Energy • 60% Liveness
0% Instrumentalness • 80% Positiveness
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June Christy
Give Me The Simple Life
139 bpm • F min • 02:17 • -12.51db
52% Popularity • 62% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
52% Popularity • 62% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
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The Lovin' Spoonful
Do You Believe in Magic?
139 bpm • C Maj • 02:05 • -7.96db
69% Popularity • 55% Danceability • 74% Energy • 34% Liveness
0% Instrumentalness • 76% Positiveness
69% Popularity • 55% Danceability • 74% Energy • 34% Liveness
0% Instrumentalness • 76% Positiveness
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Jack Shaindlin
Let's Go Sunning
138 bpm • C min • 01:44 • -16.02db
51% Popularity • 41% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
51% Popularity • 41% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
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Sarah Vaughan
I've Got A Crush On You
165 bpm • D# Maj • 04:06 • -14.15db
40% Popularity • 17% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
40% Popularity • 17% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Frank Sinatra
It Had To Be You
138 bpm • A# Maj • 03:54 • -18.54db
53% Popularity • 28% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
53% Popularity • 28% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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Nat King Cole Trio
Too Marvelous For Words
138 bpm • D min • 02:34 • -21db
55% Popularity • 62% Danceability • 5% Energy • 13% Liveness
2% Instrumentalness • 61% Positiveness
55% Popularity • 62% Danceability • 5% Energy • 13% Liveness
2% Instrumentalness • 61% Positiveness
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Sammy Davis Jr.
Something's Gotta Give
138 bpm • A min • 02:05 • -8.72db
58% Popularity • 54% Danceability • 34% Energy • 6% Liveness
0% Instrumentalness • 64% Positiveness
58% Popularity • 54% Danceability • 34% Energy • 6% Liveness
0% Instrumentalness • 64% Positiveness
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The Ink Spots
If I Didn't Care
137 bpm • F# min • 03:01 • -16.57db
53% Popularity • 42% Danceability • 12% Energy • 14% Liveness
1% Instrumentalness • 18% Positiveness
53% Popularity • 42% Danceability • 12% Energy • 14% Liveness
1% Instrumentalness • 18% Positiveness
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Carmen McRae
Ev'ry Time We Say Goodbye
137 bpm • G# Maj • 03:02 • -16.47db
42% Popularity • 34% Danceability • 6% Energy • 11% Liveness
1% Instrumentalness • 16% Positiveness
42% Popularity • 34% Danceability • 6% Energy • 11% Liveness
1% Instrumentalness • 16% Positiveness
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Nat King Cole
When I Fall In Love
166 bpm • C# Maj • 03:10 • -15db
64% Popularity • 15% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
64% Popularity • 15% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Frank Sinatra
Come Fly With Me - 2008 Remastered
138 bpm • C min • 03:13 • -8.66db
50% Popularity • 61% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
50% Popularity • 61% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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Lesley Gore
Cry Me A River
137 bpm • G min • 02:14 • -14.78db
54% Popularity • 60% Danceability • 31% Energy • 16% Liveness
0% Instrumentalness • 51% Positiveness
54% Popularity • 60% Danceability • 31% Energy • 16% Liveness
0% Instrumentalness • 51% Positiveness
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Connie Francis
Stupid Cupid
137 bpm • D# Maj • 02:14 • -7.02db
61% Popularity • 61% Danceability • 72% Energy • 4% Liveness
0% Instrumentalness • 96% Positiveness
61% Popularity • 61% Danceability • 72% Energy • 4% Liveness
0% Instrumentalness • 96% Positiveness
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The Ink Spots
It's All Over But The Crying
137 bpm • G min • 02:49 • -14.95db
46% Popularity • 48% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
46% Popularity • 48% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Dionne Warwick
I'll Never Fall in Love Again
137 bpm • C# Maj • 02:54 • -13.81db
60% Popularity • 68% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
60% Popularity • 68% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
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Elvis Presley
Jailhouse Rock
167 bpm • A# min • 02:26 • -10.01db
73% Popularity • 62% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
73% Popularity • 62% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
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The Andrews Sisters
Boogie Woogie Bugle Boy
167 bpm • G Maj • 02:41 • -11.55db
52% Popularity • 64% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
52% Popularity • 64% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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The Chords
Sh-Boom
137 bpm • F Maj • 02:27 • -8.89db
64% Popularity • 67% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
64% Popularity • 67% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
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Lee Wiley
Here's Love In Your Eyes
167 bpm • A min • 01:41 • -17.75db
44% Popularity • 50% Danceability • 14% Energy • 51% Liveness
1% Instrumentalness • 59% Positiveness
44% Popularity • 50% Danceability • 14% Energy • 51% Liveness
1% Instrumentalness • 59% Positiveness
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Bobby Darin
Beyond the Sea
136 bpm • D min • 02:52 • -7.46db
70% Popularity • 52% Danceability • 52% Energy • 26% Liveness
0% Instrumentalness • 57% Positiveness
70% Popularity • 52% Danceability • 52% Energy • 26% Liveness
0% Instrumentalness • 57% Positiveness
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Etta Jones
Till There Was You
136 bpm • G Maj • 02:06 • -16.49db
59% Popularity • 48% Danceability • 6% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
59% Popularity • 48% Danceability • 6% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
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Bob Howard
Easy Living
136 bpm • G# Maj • 03:02 • -16.3db
37% Popularity • 56% Danceability • 12% Energy • 22% Liveness
64% Instrumentalness • 55% Positiveness
37% Popularity • 56% Danceability • 12% Energy • 22% Liveness
64% Instrumentalness • 55% Positiveness
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Nicola Arigliano
Ain't She Sweet
136 bpm • G Maj • 02:11 • -12db
46% Popularity • 59% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
46% Popularity • 59% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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The Shirelles
Will You Love Me Tomorrow
136 bpm • C Maj • 02:40 • -11.81db
66% Popularity • 53% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
66% Popularity • 53% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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Nat King Cole
Unforgettable
136 bpm • F Maj • 03:11 • -13.51db
70% Popularity • 35% Danceability • 18% Energy • 14% Liveness
2% Instrumentalness • 18% Positiveness
70% Popularity • 35% Danceability • 18% Energy • 14% Liveness
2% Instrumentalness • 18% Positiveness
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Peggy Lee
Fever
136 bpm • E min • 03:19 • -12.61db
67% Popularity • 84% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
67% Popularity • 84% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Ella Fitzgerald
Summertime
168 bpm • B min • 04:58 • -21.3db
64% Popularity • 17% Danceability • 7% Energy • 14% Liveness
0% Instrumentalness • 10% Positiveness
64% Popularity • 17% Danceability • 7% Energy • 14% Liveness
0% Instrumentalness • 10% Positiveness
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Chuck Berry
Johnny B. Goode
168 bpm • A# Maj • 02:41 • -9.13db
79% Popularity • 53% Danceability • 80% Energy • 31% Liveness
0% Instrumentalness • 97% Positiveness
79% Popularity • 53% Danceability • 80% Energy • 31% Liveness
0% Instrumentalness • 97% Positiveness
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Buddy Holly
Everyday
136 bpm • D# Maj • 02:09 • -12.56db
66% Popularity • 75% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
66% Popularity • 75% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Sarah Vaughan
Tenderly (Remastered 2014)
135 bpm • G min • 02:33 • -13db
52% Popularity • 30% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
52% Popularity • 30% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
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Neil Sedaka
Oh! Carol
135 bpm • B Maj • 02:15 • -3.23db
61% Popularity • 73% Danceability • 73% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
61% Popularity • 73% Danceability • 73% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
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The Foundations
Build Me Up Buttercup (Mono)
134 bpm • C Maj • 03:00 • -4.73db
81% Popularity • 64% Danceability • 66% Energy • 31% Liveness
0% Instrumentalness • 88% Positiveness
81% Popularity • 64% Danceability • 66% Energy • 31% Liveness
0% Instrumentalness • 88% Positiveness
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Jim Croce
Time in a Bottle
134 bpm • D Maj • 02:28 • -16.84db
76% Popularity • 53% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
76% Popularity • 53% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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Astrud Gilberto
Fly Me To The Moon
134 bpm • G Maj • 02:22 • -14.4db
65% Popularity • 60% Danceability • 31% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
65% Popularity • 60% Danceability • 31% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
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Frank Sinatra
The Girl From Ipanema - 2008 Remastered
134 bpm • F Maj • 03:14 • -14.49db
63% Popularity • 53% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
63% Popularity • 53% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
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Sarah Vaughan
That's All
134 bpm • G# Maj • 03:31 • -13.25db
39% Popularity • 31% Danceability • 25% Energy • 19% Liveness
0% Instrumentalness • 21% Positiveness
39% Popularity • 31% Danceability • 25% Energy • 19% Liveness
0% Instrumentalness • 21% Positiveness
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The Beatles
Something - Remastered 2009
134 bpm • C Maj • 03:02 • -10.87db
75% Popularity • 40% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
75% Popularity • 40% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
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Antônio Carlos Jobim
The Girl From Ipanema
134 bpm • F Maj • 03:20 • -14.42db
65% Popularity • 54% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
65% Popularity • 54% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Fats Domino
Blueberry Hill
133 bpm • B Maj • 02:27 • -9.7db
63% Popularity • 49% Danceability • 50% Energy • 16% Liveness
0% Instrumentalness • 83% Positiveness
63% Popularity • 49% Danceability • 50% Energy • 16% Liveness
0% Instrumentalness • 83% Positiveness
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Chet Baker
My Funny Valentine
133 bpm • C min • 02:21 • -26.44db
67% Popularity • 44% Danceability • 1% Energy • 11% Liveness
1% Instrumentalness • 28% Positiveness
67% Popularity • 44% Danceability • 1% Energy • 11% Liveness
1% Instrumentalness • 28% Positiveness
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The Platters
Smoke Gets In Your Eyes
171 bpm • D# Maj • 02:40 • -11.16db
66% Popularity • 20% Danceability • 30% Energy • 17% Liveness
0% Instrumentalness • 28% Positiveness
66% Popularity • 20% Danceability • 30% Energy • 17% Liveness
0% Instrumentalness • 28% Positiveness
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Dusty Springfield
I Only Want To Be With You
133 bpm • G Maj • 02:38 • -8.02db
67% Popularity • 60% Danceability • 68% Energy • 18% Liveness
0% Instrumentalness • 96% Positiveness
67% Popularity • 60% Danceability • 68% Energy • 18% Liveness
0% Instrumentalness • 96% Positiveness
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Aretha Franklin
I Say a Little Prayer
133 bpm • A Maj • 03:36 • -14.05db
77% Popularity • 59% Danceability • 36% Energy • 6% Liveness
0% Instrumentalness • 50% Positiveness
77% Popularity • 59% Danceability • 36% Energy • 6% Liveness
0% Instrumentalness • 50% Positiveness
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Antônio Carlos Jobim
Triste
133 bpm • A Maj • 02:41 • -14.59db
47% Popularity • 60% Danceability • 34% Energy • 11% Liveness
14% Instrumentalness • 42% Positiveness
47% Popularity • 60% Danceability • 34% Energy • 11% Liveness
14% Instrumentalness • 42% Positiveness
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Gilbert O'Sullivan
Alone Again (Naturally)
172 bpm • G# min • 03:36 • -8.49db
67% Popularity • 56% Danceability • 46% Energy • 16% Liveness
0% Instrumentalness • 56% Positiveness
67% Popularity • 56% Danceability • 46% Energy • 16% Liveness
0% Instrumentalness • 56% Positiveness
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Judy Garland
Let There Be Love / You're Nobody Till S...
133 bpm • D# Maj • 02:15 • -9.12db
14% Popularity • 40% Danceability • 69% Energy • 96% Liveness
0% Instrumentalness • 60% Positiveness
14% Popularity • 40% Danceability • 69% Energy • 96% Liveness
0% Instrumentalness • 60% Positiveness
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Wayne Newton
Volare (Nel Blu Di Pinto Di Blu) - Remas...
172 bpm • F Maj • 02:04 • -11.94db
39% Popularity • 44% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 95% Positiveness
39% Popularity • 44% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 95% Positiveness
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Sarah Vaughan
Broken Hearted Melody
132 bpm • G Maj • 02:26 • -10.02db
50% Popularity • 43% Danceability • 51% Energy • 18% Liveness
0% Instrumentalness • 79% Positiveness
50% Popularity • 43% Danceability • 51% Energy • 18% Liveness
0% Instrumentalness • 79% Positiveness
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Frank Sinatra
The Way You Look Tonight
132 bpm • F min • 03:22 • -14.07db
69% Popularity • 62% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
69% Popularity • 62% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
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Antônio Carlos Jobim
I Concentrate On You
132 bpm • F Maj • 02:39 • -14.73db
46% Popularity • 45% Danceability • 33% Energy • 15% Liveness
3% Instrumentalness • 28% Positiveness
46% Popularity • 45% Danceability • 33% Energy • 15% Liveness
3% Instrumentalness • 28% Positiveness
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Elvis Presley
Loving You
173 bpm • C# Maj • 02:13 • -18.94db
48% Popularity • 25% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
48% Popularity • 25% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Sam Cooke
A Change Is Gonna Come
174 bpm • A# Maj • 03:11 • -10.07db
70% Popularity • 21% Danceability • 38% Energy • 30% Liveness
0% Instrumentalness • 45% Positiveness
70% Popularity • 21% Danceability • 38% Energy • 30% Liveness
0% Instrumentalness • 45% Positiveness
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Wayne Newton
Remember When
132 bpm • F Maj • 02:16 • -14db
46% Popularity • 59% Danceability • 36% Energy • 21% Liveness
0% Instrumentalness • 78% Positiveness
46% Popularity • 59% Danceability • 36% Energy • 21% Liveness
0% Instrumentalness • 78% Positiveness
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Francis Lai
Un homme et une femme - Instrumental
131 bpm • A Maj • 02:41 • -8.68db
57% Popularity • 45% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
57% Popularity • 45% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
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Stan Getz
The Girl From Ipanema - Single Version
131 bpm • F min • 02:47 • -16.6db
65% Popularity • 70% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
65% Popularity • 70% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Antônio Carlos Jobim
Change Partners
132 bpm • G Maj • 02:43 • -14.33db
56% Popularity • 45% Danceability • 32% Energy • 32% Liveness
0% Instrumentalness • 31% Positiveness
56% Popularity • 45% Danceability • 32% Energy • 32% Liveness
0% Instrumentalness • 31% Positiveness
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The Beatles
I Want To Hold Your Hand - Remastered 20...
131 bpm • G Maj • 02:26 • -6.91db
73% Popularity • 50% Danceability • 70% Energy • 30% Liveness
0% Instrumentalness • 94% Positiveness
73% Popularity • 50% Danceability • 70% Energy • 30% Liveness
0% Instrumentalness • 94% Positiveness
