Songs like Mystery of Love by Sufjan Stevens
Based on a tempo of (+/- 10%) and a similar genre
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Mina Tindle
Give a Little Love
132 bpm • D# Maj • 03:37 • -10.56db
22% Popularity • 56% Danceability • 26% Energy • 12% Liveness
2% Instrumentalness • 26% Positiveness
22% Popularity • 56% Danceability • 26% Energy • 12% Liveness
2% Instrumentalness • 26% Positiveness
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Lana Del Rey
Let The Light In
132 bpm • A Maj • 04:38 • -9.73db
82% Popularity • 33% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
82% Popularity • 33% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Sufjan Stevens
Mystery of Love
132 bpm • E min • 04:08 • -16.53db
71% Popularity • 36% Danceability • 27% Energy • 11% Liveness
43% Instrumentalness • 24% Positiveness
71% Popularity • 36% Danceability • 27% Energy • 11% Liveness
43% Instrumentalness • 24% Positiveness
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Strawberry Guy
Mrs Magic
133 bpm • G# Maj • 03:28 • -7.41db
80% Popularity • 47% Danceability • 63% Energy • 37% Liveness
36% Instrumentalness • 37% Positiveness
80% Popularity • 47% Danceability • 63% Energy • 37% Liveness
36% Instrumentalness • 37% Positiveness
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Weyes Blood
Andromeda
131 bpm • C# min • 04:40 • -7.94db
67% Popularity • 47% Danceability • 46% Energy • 36% Liveness
0% Instrumentalness • 19% Positiveness
67% Popularity • 47% Danceability • 46% Energy • 36% Liveness
0% Instrumentalness • 19% Positiveness
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Patrick Watson
Je te laisserai des mots
133 bpm • D Maj • 02:40 • -16.76db
85% Popularity • 30% Danceability • 19% Energy • 10% Liveness
49% Instrumentalness • 21% Positiveness
85% Popularity • 30% Danceability • 19% Energy • 10% Liveness
49% Instrumentalness • 21% Positiveness
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Mac DeMarco
Chamber Of Reflection
131 bpm • B Maj • 03:51 • -8.67db
58% Popularity • 54% Danceability • 55% Energy • 10% Liveness
90% Instrumentalness • 51% Positiveness
58% Popularity • 54% Danceability • 55% Energy • 10% Liveness
90% Instrumentalness • 51% Positiveness
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Bon Iver
Flume
133 bpm • B Maj • 03:39 • -17.01db
62% Popularity • 45% Danceability • 14% Energy • 11% Liveness
4% Instrumentalness • 9% Positiveness
62% Popularity • 45% Danceability • 14% Energy • 11% Liveness
4% Instrumentalness • 9% Positiveness
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Beirut
Nantes
131 bpm • C# Maj • 03:50 • -9.55db
60% Popularity • 43% Danceability • 53% Energy • 14% Liveness
1% Instrumentalness • 64% Positiveness
60% Popularity • 43% Danceability • 53% Energy • 14% Liveness
1% Instrumentalness • 64% Positiveness
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Big Thief
Shark Smile - Edit
131 bpm • F# min • 03:14 • -9.31db
68% Popularity • 69% Danceability • 74% Energy • 11% Liveness
63% Instrumentalness • 67% Positiveness
68% Popularity • 69% Danceability • 74% Energy • 11% Liveness
63% Instrumentalness • 67% Positiveness
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Phoebe Bridgers
Kyoto
131 bpm • B Maj • 03:04 • -6.89db
68% Popularity • 60% Danceability • 75% Energy • 9% Liveness
30% Instrumentalness • 48% Positiveness
68% Popularity • 60% Danceability • 75% Energy • 9% Liveness
30% Instrumentalness • 48% Positiveness
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girl in red
watch you sleep.
133 bpm • D Maj • 03:00 • -16.38db
61% Popularity • 46% Danceability • 22% Energy • 10% Liveness
1% Instrumentalness • 37% Positiveness
61% Popularity • 46% Danceability • 22% Energy • 10% Liveness
1% Instrumentalness • 37% Positiveness
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Damien Rice
The Blower's Daughter
133 bpm • E Maj • 04:46 • -13.57db
63% Popularity • 34% Danceability • 20% Energy • 34% Liveness
0% Instrumentalness • 7% Positiveness
63% Popularity • 34% Danceability • 20% Energy • 34% Liveness
0% Instrumentalness • 7% Positiveness
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FINNEAS
Angel
130 bpm • F Maj • 05:11 • -12.53db
54% Popularity • 54% Danceability • 24% Energy • 30% Liveness
0% Instrumentalness • 23% Positiveness
54% Popularity • 54% Danceability • 24% Energy • 30% Liveness
0% Instrumentalness • 23% Positiveness
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Chance Peña
In My Room
134 bpm • E Maj • 02:57 • -13.63db
80% Popularity • 41% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 10% Positiveness
80% Popularity • 41% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 10% Positiveness
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Sufjan Stevens
Casimir Pulaski Day
134 bpm • G# Maj • 05:53 • -14.98db
55% Popularity • 68% Danceability • 17% Energy • 29% Liveness
0% Instrumentalness • 56% Positiveness
55% Popularity • 68% Danceability • 17% Energy • 29% Liveness
0% Instrumentalness • 56% Positiveness
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Taylor Swift
cardigan
130 bpm • C min • 03:59 • -8.59db
88% Popularity • 61% Danceability • 58% Energy • 25% Liveness
0% Instrumentalness • 55% Positiveness
88% Popularity • 61% Danceability • 58% Energy • 25% Liveness
0% Instrumentalness • 55% Positiveness
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Alec Benjamin
Water Fountain
134 bpm • G# Maj • 03:38 • -5.57db
74% Popularity • 72% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
74% Popularity • 72% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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Angus & Julia Stone
Chateau
130 bpm • F Maj • 04:33 • -11.22db
56% Popularity • 66% Danceability • 59% Energy • 11% Liveness
86% Instrumentalness • 60% Positiveness
56% Popularity • 66% Danceability • 59% Energy • 11% Liveness
86% Instrumentalness • 60% Positiveness
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Ricky Montgomery
Mr. Loverman
130 bpm • C Maj • 03:36 • -6.7db
78% Popularity • 64% Danceability • 53% Energy • 25% Liveness
0% Instrumentalness • 49% Positiveness
78% Popularity • 64% Danceability • 53% Energy • 25% Liveness
0% Instrumentalness • 49% Positiveness
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José González
Stay Alive
130 bpm • F# Maj • 04:26 • -12.11db
69% Popularity • 71% Danceability • 31% Energy • 9% Liveness
17% Instrumentalness • 31% Positiveness
69% Popularity • 71% Danceability • 31% Energy • 9% Liveness
17% Instrumentalness • 31% Positiveness
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The Shins
New Slang - 2021 Remaster
130 bpm • C Maj • 03:50 • -10.62db
74% Popularity • 67% Danceability • 40% Energy • 9% Liveness
9% Instrumentalness • 62% Positiveness
74% Popularity • 67% Danceability • 40% Energy • 9% Liveness
9% Instrumentalness • 62% Positiveness
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Sufjan Stevens
Video Game
130 bpm • A min • 04:15 • -8.13db
38% Popularity • 67% Danceability • 80% Energy • 11% Liveness
1% Instrumentalness • 15% Positiveness
38% Popularity • 67% Danceability • 80% Energy • 11% Liveness
1% Instrumentalness • 15% Positiveness
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girl in red
we fell in love in october
130 bpm • G Maj • 03:04 • -12.81db
84% Popularity • 57% Danceability • 37% Energy • 16% Liveness
18% Instrumentalness • 24% Positiveness
84% Popularity • 57% Danceability • 37% Energy • 16% Liveness
18% Instrumentalness • 24% Positiveness
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Dayglow
Can I Call You Tonight?
130 bpm • A Maj • 04:38 • -7.27db
77% Popularity • 64% Danceability • 84% Energy • 42% Liveness
91% Instrumentalness • 50% Positiveness
77% Popularity • 64% Danceability • 84% Energy • 42% Liveness
91% Instrumentalness • 50% Positiveness
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Taylor Swift
my tears ricochet
130 bpm • C Maj • 04:15 • -10.63db
79% Popularity • 46% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 11% Positiveness
79% Popularity • 46% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 11% Positiveness
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Phoebe Bridgers
Waiting Room
130 bpm • D Maj • 06:33 • -10.07db
74% Popularity • 53% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
74% Popularity • 53% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
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Ben Pellow
Roslyn
134 bpm • C# Maj • 05:17 • -14db
56% Popularity • 27% Danceability • 6% Energy • 11% Liveness
1% Instrumentalness • 7% Positiveness
56% Popularity • 27% Danceability • 6% Energy • 11% Liveness
1% Instrumentalness • 7% Positiveness
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Sufjan Stevens
Wallowa Lake Monster
130 bpm • E min • 06:52 • -16.13db
38% Popularity • 38% Danceability • 30% Energy • 10% Liveness
84% Instrumentalness • 15% Positiveness
38% Popularity • 38% Danceability • 30% Energy • 10% Liveness
84% Instrumentalness • 15% Positiveness
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Billie Eilish
Your Power
130 bpm • A min • 04:05 • -14.03db
73% Popularity • 63% Danceability • 28% Energy • 23% Liveness
0% Instrumentalness • 21% Positiveness
73% Popularity • 63% Danceability • 28% Energy • 23% Liveness
0% Instrumentalness • 21% Positiveness
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girl in red
summer depression
130 bpm • A Maj • 02:31 • -15.64db
66% Popularity • 69% Danceability • 31% Energy • 13% Liveness
48% Instrumentalness • 68% Positiveness
66% Popularity • 69% Danceability • 31% Energy • 13% Liveness
48% Instrumentalness • 68% Positiveness
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Ben Howard
Old Pine
130 bpm • F Maj • 05:28 • -10.84db
67% Popularity • 40% Danceability • 36% Energy • 16% Liveness
5% Instrumentalness • 22% Positiveness
67% Popularity • 40% Danceability • 36% Energy • 16% Liveness
5% Instrumentalness • 22% Positiveness
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Agnes Obel
Fuel to Fire
129 bpm • A min • 05:29 • -14.91db
59% Popularity • 42% Danceability • 22% Energy • 10% Liveness
5% Instrumentalness • 13% Positiveness
59% Popularity • 42% Danceability • 22% Energy • 10% Liveness
5% Instrumentalness • 13% Positiveness
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Phoebe Bridgers
Scott Street
135 bpm • A# Maj • 05:05 • -9.63db
74% Popularity • 51% Danceability • 42% Energy • 9% Liveness
9% Instrumentalness • 48% Positiveness
74% Popularity • 51% Danceability • 42% Energy • 9% Liveness
9% Instrumentalness • 48% Positiveness
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Sufjan Stevens
Futile Devices - Live
134 bpm • G# Maj • 03:36 • -22.6db
27% Popularity • 50% Danceability • 18% Energy • 69% Liveness
0% Instrumentalness • 10% Positiveness
27% Popularity • 50% Danceability • 18% Energy • 69% Liveness
0% Instrumentalness • 10% Positiveness
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Seafret
Oceans
129 bpm • A min • 03:35 • -9.1db
61% Popularity • 37% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
61% Popularity • 37% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Sampha
(No One Knows Me) Like the Piano
129 bpm • A# Maj • 03:38 • -13.79db
56% Popularity • 62% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
56% Popularity • 62% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Elliott Smith
Between The Bars
135 bpm • G min • 02:21 • -23.63db
67% Popularity • 52% Danceability • 7% Energy • 11% Liveness
76% Instrumentalness • 34% Positiveness
67% Popularity • 52% Danceability • 7% Energy • 11% Liveness
76% Instrumentalness • 34% Positiveness
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The Neighbourhood
The Beach
136 bpm • D min • 04:15 • -7.43db
74% Popularity • 24% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
74% Popularity • 24% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
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Phoebe Bridgers
Savior Complex
129 bpm • E Maj • 04:01 • -11.88db
66% Popularity • 38% Danceability • 44% Energy • 10% Liveness
2% Instrumentalness • 22% Positiveness
66% Popularity • 38% Danceability • 44% Energy • 10% Liveness
2% Instrumentalness • 22% Positiveness
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Taylor Swift
this is me trying
136 bpm • A Maj • 03:15 • -9.84db
77% Popularity • 52% Danceability • 48% Energy • 17% Liveness
0% Instrumentalness • 41% Positiveness
77% Popularity • 52% Danceability • 48% Energy • 17% Liveness
0% Instrumentalness • 41% Positiveness
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Tom Rosenthal
Lights Are On
136 bpm • D# Maj • 03:13 • -16.89db
79% Popularity • 44% Danceability • 4% Energy • 11% Liveness
46% Instrumentalness • 25% Positiveness
79% Popularity • 44% Danceability • 4% Energy • 11% Liveness
46% Instrumentalness • 25% Positiveness
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The Smiths
There Is a Light That Never Goes Out - 2...
136 bpm • E Maj • 04:04 • -5.86db
81% Popularity • 52% Danceability • 77% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
81% Popularity • 52% Danceability • 77% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
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FINNEAS
Let's Fall in Love for the Night
128 bpm • F Maj • 03:10 • -7.94db
69% Popularity • 74% Danceability • 41% Energy • 17% Liveness
0% Instrumentalness • 37% Positiveness
69% Popularity • 74% Danceability • 41% Energy • 17% Liveness
0% Instrumentalness • 37% Positiveness
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Sufjan Stevens
The Dress Looks Nice on You
128 bpm • F min • 02:32 • -16.42db
49% Popularity • 70% Danceability • 27% Energy • 11% Liveness
3% Instrumentalness • 78% Positiveness
49% Popularity • 70% Danceability • 27% Energy • 11% Liveness
3% Instrumentalness • 78% Positiveness
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The Head And The Heart
Rivers and Roads
136 bpm • C Maj • 04:44 • -10db
68% Popularity • 49% Danceability • 18% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
68% Popularity • 49% Danceability • 18% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
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Coldplay
O
137 bpm • A# Maj • 05:23 • -14.73db
61% Popularity • 37% Danceability • 22% Energy • 9% Liveness
83% Instrumentalness • 6% Positiveness
61% Popularity • 37% Danceability • 22% Energy • 9% Liveness
83% Instrumentalness • 6% Positiveness
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Lord Huron
Love Like Ghosts
137 bpm • A Maj • 03:44 • -7.23db
58% Popularity • 48% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
58% Popularity • 48% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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boygenius
Not Strong Enough
127 bpm • C# Maj • 03:54 • -5.85db
78% Popularity • 51% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
78% Popularity • 51% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Sharon Van Etten
Seventeen
127 bpm • F Maj • 04:25 • -7db
59% Popularity • 54% Danceability • 77% Energy • 7% Liveness
26% Instrumentalness • 25% Positiveness
59% Popularity • 54% Danceability • 77% Energy • 7% Liveness
26% Instrumentalness • 25% Positiveness
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Syd Matters
Obstacles
127 bpm • D# Maj • 03:28 • -8.46db
58% Popularity • 40% Danceability • 42% Energy • 13% Liveness
91% Instrumentalness • 14% Positiveness
58% Popularity • 40% Danceability • 42% Energy • 13% Liveness
91% Instrumentalness • 14% Positiveness
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Liana Flores
rises the moon
137 bpm • F min • 02:41 • -20.15db
82% Popularity • 48% Danceability • 13% Energy • 11% Liveness
14% Instrumentalness • 20% Positiveness
82% Popularity • 48% Danceability • 13% Energy • 11% Liveness
14% Instrumentalness • 20% Positiveness
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Agnes Obel
Familiar
137 bpm • E Maj • 03:55 • -12.25db
61% Popularity • 56% Danceability • 42% Energy • 11% Liveness
3% Instrumentalness • 23% Positiveness
61% Popularity • 56% Danceability • 42% Energy • 11% Liveness
3% Instrumentalness • 23% Positiveness
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Novo Amor
State Lines
137 bpm • A Maj • 03:28 • -10.62db
75% Popularity • 51% Danceability • 31% Energy • 10% Liveness
23% Instrumentalness • 15% Positiveness
75% Popularity • 51% Danceability • 31% Energy • 10% Liveness
23% Instrumentalness • 15% Positiveness
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Billie Eilish
i love you
137 bpm • C Maj • 04:51 • -18.44db
79% Popularity • 42% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
79% Popularity • 42% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Taylor Swift
right where you left me - bonus track
138 bpm • A# Maj • 04:05 • -6.52db
79% Popularity • 58% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
79% Popularity • 58% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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Coldplay
Fix You
138 bpm • D# Maj • 04:55 • -8.74db
83% Popularity • 21% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
83% Popularity • 21% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Conan Gray
Fainted Love
138 bpm • F Maj • 02:50 • -5.66db
61% Popularity • 63% Danceability • 74% Energy • 35% Liveness
0% Instrumentalness • 39% Positiveness
61% Popularity • 63% Danceability • 74% Energy • 35% Liveness
0% Instrumentalness • 39% Positiveness
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Sufjan Stevens
The Hidden River of My Life
126 bpm • A Maj • 04:04 • -13db
47% Popularity • 54% Danceability • 42% Energy • 18% Liveness
30% Instrumentalness • 27% Positiveness
47% Popularity • 54% Danceability • 42% Energy • 18% Liveness
30% Instrumentalness • 27% Positiveness
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The National
I Need My Girl
126 bpm • C min • 04:05 • -11.51db
64% Popularity • 52% Danceability • 44% Energy • 12% Liveness
7% Instrumentalness • 11% Positiveness
64% Popularity • 52% Danceability • 44% Energy • 12% Liveness
7% Instrumentalness • 11% Positiveness
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Harry Styles
Satellite
139 bpm • C Maj • 03:38 • -6.47db
79% Popularity • 58% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
79% Popularity • 58% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Patrick Watson
Melody Noir
125 bpm • F# min • 03:14 • -13.78db
53% Popularity • 65% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
53% Popularity • 65% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Bon Iver
Re: Stacks
125 bpm • D Maj • 06:41 • -22.85db
64% Popularity • 68% Danceability • 8% Energy • 12% Liveness
42% Instrumentalness • 31% Positiveness
64% Popularity • 68% Danceability • 8% Energy • 12% Liveness
42% Instrumentalness • 31% Positiveness
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Conan Gray
People Watching
126 bpm • F Maj • 02:38 • -7.28db
77% Popularity • 53% Danceability • 59% Energy • 29% Liveness
0% Instrumentalness • 54% Positiveness
77% Popularity • 53% Danceability • 59% Energy • 29% Liveness
0% Instrumentalness • 54% Positiveness
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Sufjan Stevens
Chicago
125 bpm • G Maj • 06:04 • -9.66db
62% Popularity • 58% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
62% Popularity • 58% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
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Amber Run
I Found
125 bpm • G min • 04:33 • -12.48db
73% Popularity • 57% Danceability • 30% Energy • 10% Liveness
1% Instrumentalness • 25% Positiveness
73% Popularity • 57% Danceability • 30% Energy • 10% Liveness
1% Instrumentalness • 25% Positiveness
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The National
Light Years
125 bpm • E Maj • 03:33 • -11.67db
59% Popularity • 54% Danceability • 32% Energy • 10% Liveness
67% Instrumentalness • 18% Positiveness
59% Popularity • 54% Danceability • 32% Energy • 10% Liveness
67% Instrumentalness • 18% Positiveness
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The Paper Kites
Featherstone
125 bpm • G# Maj • 03:49 • -13.67db
54% Popularity • 80% Danceability • 38% Energy • 10% Liveness
2% Instrumentalness • 64% Positiveness
54% Popularity • 80% Danceability • 38% Energy • 10% Liveness
2% Instrumentalness • 64% Positiveness
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Lorde
Supercut
125 bpm • C Maj • 04:37 • -10.23db
75% Popularity • 56% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 15% Positiveness
75% Popularity • 56% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 15% Positiveness
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Bruno Major
Nothing
140 bpm • D Maj • 02:42 • -15.89db
75% Popularity • 56% Danceability • 27% Energy • 10% Liveness
54% Instrumentalness • 27% Positiveness
75% Popularity • 56% Danceability • 27% Energy • 10% Liveness
54% Instrumentalness • 27% Positiveness
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Harry Styles
Golden
140 bpm • E min • 03:28 • -5.26db
77% Popularity • 45% Danceability • 84% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
77% Popularity • 45% Danceability • 84% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
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Laura Marling
What He Wrote
140 bpm • A min • 04:07 • -16.02db
57% Popularity • 46% Danceability • 10% Energy • 11% Liveness
1% Instrumentalness • 35% Positiveness
57% Popularity • 46% Danceability • 10% Energy • 11% Liveness
1% Instrumentalness • 35% Positiveness
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beabadoobee
Tired
140 bpm • G min • 03:19 • -7.11db
71% Popularity • 63% Danceability • 42% Energy • 11% Liveness
15% Instrumentalness • 34% Positiveness
71% Popularity • 63% Danceability • 42% Energy • 11% Liveness
15% Instrumentalness • 34% Positiveness
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Sufjan Stevens
Futile Devices (Doveman Remix)
140 bpm • E Maj • 02:15 • -19.99db
66% Popularity • 46% Danceability • 19% Energy • 10% Liveness
85% Instrumentalness • 25% Positiveness
66% Popularity • 46% Danceability • 19% Energy • 10% Liveness
85% Instrumentalness • 25% Positiveness
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Billie Eilish
TV
140 bpm • E min • 04:41 • -15.16db
82% Popularity • 41% Danceability • 24% Energy • 15% Liveness
1% Instrumentalness • 12% Positiveness
82% Popularity • 41% Danceability • 24% Energy • 15% Liveness
1% Instrumentalness • 12% Positiveness
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Patrick Watson
Lighthouse
140 bpm • D min • 04:46 • -14db
16% Popularity • 28% Danceability • 17% Energy • 15% Liveness
38% Instrumentalness • 17% Positiveness
16% Popularity • 28% Danceability • 17% Energy • 15% Liveness
38% Instrumentalness • 17% Positiveness
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The Neighbourhood
Sweater Weather
124 bpm • A# Maj • 04:00 • -2.81db
89% Popularity • 61% Danceability • 81% Energy • 10% Liveness
2% Instrumentalness • 40% Positiveness
89% Popularity • 61% Danceability • 81% Energy • 10% Liveness
2% Instrumentalness • 40% Positiveness
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Jess Benko
A Soulmate Who Wasn’t Meant to Be
124 bpm • A min • 05:16 • -20.27db
65% Popularity • 57% Danceability • 3% Energy • 32% Liveness
0% Instrumentalness • 9% Positiveness
65% Popularity • 57% Danceability • 3% Energy • 32% Liveness
0% Instrumentalness • 9% Positiveness
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Matt Maltese
As the World Caves In
124 bpm • A# Maj • 03:38 • -5.36db
70% Popularity • 33% Danceability • 45% Energy • 22% Liveness
0% Instrumentalness • 18% Positiveness
70% Popularity • 33% Danceability • 45% Energy • 22% Liveness
0% Instrumentalness • 18% Positiveness
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Sufjan Stevens
Futile Devices
140 bpm • E Maj • 02:13 • -18.65db
63% Popularity • 58% Danceability • 29% Energy • 9% Liveness
91% Instrumentalness • 37% Positiveness
63% Popularity • 58% Danceability • 29% Energy • 9% Liveness
91% Instrumentalness • 37% Positiveness
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Cigarettes After Sex
John Wayne
124 bpm • D# Maj • 04:18 • -8.39db
72% Popularity • 44% Danceability • 46% Energy • 10% Liveness
88% Instrumentalness • 17% Positiveness
72% Popularity • 44% Danceability • 46% Energy • 10% Liveness
88% Instrumentalness • 17% Positiveness
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Phoebe Bridgers
Friday I’m In Love - Recorded at Spoti...
123 bpm • G Maj • 03:40 • -15.19db
58% Popularity • 45% Danceability • 12% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
58% Popularity • 45% Danceability • 12% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
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Lana Del Rey
West Coast
123 bpm • F# min • 04:16 • -7.66db
83% Popularity • 53% Danceability • 59% Energy • 9% Liveness
2% Instrumentalness • 46% Positiveness
83% Popularity • 53% Danceability • 59% Energy • 9% Liveness
2% Instrumentalness • 46% Positiveness
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Big Thief
Paul - 2023 Remaster
123 bpm • B Maj • 03:03 • -8.57db
64% Popularity • 47% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
64% Popularity • 47% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Billie Marten
Mice
123 bpm • F Maj • 04:04 • -12.57db
51% Popularity • 65% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
51% Popularity • 65% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Sufjan Stevens
Drawn to the Blood - Fingerpicking Remix
124 bpm • A# min • 02:01 • -14.88db
39% Popularity • 56% Danceability • 30% Energy • 11% Liveness
4% Instrumentalness • 68% Positiveness
39% Popularity • 56% Danceability • 30% Energy • 11% Liveness
4% Instrumentalness • 68% Positiveness
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Cigarettes After Sex
Falling In Love
141 bpm • G Maj • 04:05 • -11.65db
73% Popularity • 47% Danceability • 27% Energy • 12% Liveness
2% Instrumentalness • 37% Positiveness
73% Popularity • 47% Danceability • 27% Energy • 12% Liveness
2% Instrumentalness • 37% Positiveness
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Conan Gray
The Story
142 bpm • C Maj • 04:05 • -10.38db
63% Popularity • 54% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
63% Popularity • 54% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Olivia Rodrigo
Can’t Catch Me Now - from The Hunger G...
142 bpm • B min • 03:25 • -7.76db
80% Popularity • 52% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
80% Popularity • 52% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Beach House
Myth
142 bpm • D# Maj • 04:18 • -6.24db
45% Popularity • 45% Danceability • 72% Energy • 8% Liveness
5% Instrumentalness • 42% Positiveness
45% Popularity • 45% Danceability • 72% Energy • 8% Liveness
5% Instrumentalness • 42% Positiveness
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Harry Styles
Little Freak
142 bpm • D# Maj • 03:22 • -7.72db
75% Popularity • 56% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
75% Popularity • 56% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Sufjan Stevens
Drawn to the Blood
124 bpm • A# min • 03:18 • -22.16db
49% Popularity • 49% Danceability • 9% Energy • 11% Liveness
46% Instrumentalness • 6% Positiveness
49% Popularity • 49% Danceability • 9% Energy • 11% Liveness
46% Instrumentalness • 6% Positiveness
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The Lumineers
Sleep On The Floor
142 bpm • G Maj • 03:31 • -8.06db
71% Popularity • 39% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
71% Popularity • 39% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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Perfume Genius
Otherside
143 bpm • G# Maj • 02:40 • -11.45db
45% Popularity • 28% Danceability • 14% Energy • 22% Liveness
0% Instrumentalness • 21% Positiveness
45% Popularity • 28% Danceability • 14% Energy • 22% Liveness
0% Instrumentalness • 21% Positiveness
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Conan Gray
Lookalike
122 bpm • A# Maj • 03:40 • -10.12db
66% Popularity • 43% Danceability • 30% Energy • 15% Liveness
0% Instrumentalness • 17% Positiveness
66% Popularity • 43% Danceability • 30% Energy • 15% Liveness
0% Instrumentalness • 17% Positiveness
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Nick Cave & The Bad Seeds
O Children
122 bpm • E min • 06:49 • -7.02db
69% Popularity • 50% Danceability • 56% Energy • 6% Liveness
0% Instrumentalness • 24% Positiveness
69% Popularity • 50% Danceability • 56% Energy • 6% Liveness
0% Instrumentalness • 24% Positiveness
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Cigarettes After Sex
Cry
143 bpm • G Maj • 04:16 • -10.45db
85% Popularity • 41% Danceability • 40% Energy • 11% Liveness
68% Instrumentalness • 16% Positiveness
85% Popularity • 41% Danceability • 40% Energy • 11% Liveness
68% Instrumentalness • 16% Positiveness
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Sufjan Stevens
To Be Alone With You
142 bpm • C min • 02:48 • -18db
62% Popularity • 52% Danceability • 16% Energy • 12% Liveness
75% Instrumentalness • 36% Positiveness
62% Popularity • 52% Danceability • 16% Energy • 12% Liveness
75% Instrumentalness • 36% Positiveness
