Songs like Фокстрот - Из к/ф "За витриной универмага" by Эстрадный оркестр Всесоюзного радио
Based on a tempo of (+/- 10%) and a similar genre
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Эстрадный оркестр Всесоюзного радио
Фокстрот - Из к/ф "За ви...
117 bpm • A# Maj • 02:30 • -11.11db
0% Popularity • 29% Danceability • 46% Energy • 44% Liveness
91% Instrumentalness • 37% Positiveness
0% Popularity • 29% Danceability • 46% Energy • 44% Liveness
91% Instrumentalness • 37% Positiveness
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AMOROSA ORCHESTRA
Jalousie
117 bpm • G Maj • 03:10 • -14.23db
8% Popularity • 35% Danceability • 29% Energy • 22% Liveness
90% Instrumentalness • 43% Positiveness
8% Popularity • 35% Danceability • 29% Energy • 22% Liveness
90% Instrumentalness • 43% Positiveness
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Henry Mancini
Giovanna
117 bpm • D min • 01:58 • -15.68db
19% Popularity • 64% Danceability • 52% Energy • 35% Liveness
12% Instrumentalness • 90% Positiveness
19% Popularity • 64% Danceability • 52% Energy • 35% Liveness
12% Instrumentalness • 90% Positiveness
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Armando Trovajoli
Play Boy Club - Remastered 2022
117 bpm • G min • 02:18 • -11.37db
13% Popularity • 49% Danceability • 43% Energy • 19% Liveness
79% Instrumentalness • 42% Positiveness
13% Popularity • 49% Danceability • 43% Energy • 19% Liveness
79% Instrumentalness • 42% Positiveness
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Bebu Silvetti
Por Ser Mi Amigo
117 bpm • C Maj • 02:49 • -9db
11% Popularity • 56% Danceability • 34% Energy • 8% Liveness
54% Instrumentalness • 56% Positiveness
11% Popularity • 56% Danceability • 34% Energy • 8% Liveness
54% Instrumentalness • 56% Positiveness
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Lee Holdridge
Childhood Theme
117 bpm • E Maj • 02:10 • -18.85db
13% Popularity • 36% Danceability • 27% Energy • 21% Liveness
58% Instrumentalness • 21% Positiveness
13% Popularity • 36% Danceability • 27% Energy • 21% Liveness
58% Instrumentalness • 21% Positiveness
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Al Caiola
Apollonia
116 bpm • D min • 02:53 • -16.36db
9% Popularity • 31% Danceability • 28% Energy • 13% Liveness
87% Instrumentalness • 17% Positiveness
9% Popularity • 31% Danceability • 28% Energy • 13% Liveness
87% Instrumentalness • 17% Positiveness
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Giraffe Fuel
Your Eyes Tell the Story
118 bpm • F Maj • 02:07 • -11.11db
19% Popularity • 46% Danceability • 28% Energy • 10% Liveness
60% Instrumentalness • 46% Positiveness
19% Popularity • 46% Danceability • 28% Energy • 10% Liveness
60% Instrumentalness • 46% Positiveness
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Alfred Hause
Perlenfischer
118 bpm • A min • 03:15 • -8.43db
10% Popularity • 36% Danceability • 38% Energy • 13% Liveness
28% Instrumentalness • 30% Positiveness
10% Popularity • 36% Danceability • 38% Energy • 13% Liveness
28% Instrumentalness • 30% Positiveness
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Andrea Giuffredi
Rumba of Love (Arr. by Andrea Giuffredi)
116 bpm • F min • 02:50 • -7.45db
14% Popularity • 50% Danceability • 59% Energy • 25% Liveness
89% Instrumentalness • 44% Positiveness
14% Popularity • 50% Danceability • 59% Energy • 25% Liveness
89% Instrumentalness • 44% Positiveness
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Dick Hyman
Near You
116 bpm • G Maj • 02:52 • -15.99db
16% Popularity • 53% Danceability • 20% Energy • 36% Liveness
76% Instrumentalness • 51% Positiveness
16% Popularity • 53% Danceability • 20% Energy • 36% Liveness
76% Instrumentalness • 51% Positiveness
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Astor Piazzolla
Oda para un hippie - Buenos Aires 17/08/...
116 bpm • F# min • 06:21 • -9.54db
8% Popularity • 34% Danceability • 62% Energy • 80% Liveness
13% Instrumentalness • 46% Positiveness
8% Popularity • 34% Danceability • 62% Energy • 80% Liveness
13% Instrumentalness • 46% Positiveness
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Санкт-Петербургский Государственный детский музыкальный театр Карамболь
Сон
118 bpm • E min • 01:56 • -16.45db
18% Popularity • 27% Danceability • 18% Energy • 11% Liveness
81% Instrumentalness • 26% Positiveness
18% Popularity • 27% Danceability • 18% Energy • 11% Liveness
81% Instrumentalness • 26% Positiveness
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Henry Mancini
The Parting in Milano
116 bpm • E min • 03:31 • -17.16db
10% Popularity • 24% Danceability • 7% Energy • 10% Liveness
90% Instrumentalness • 9% Positiveness
10% Popularity • 24% Danceability • 7% Energy • 10% Liveness
90% Instrumentalness • 9% Positiveness
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Charlie Chaplin
Later That Night
118 bpm • F Maj • 02:01 • -6.06db
17% Popularity • 53% Danceability • 48% Energy • 17% Liveness
84% Instrumentalness • 63% Positiveness
17% Popularity • 53% Danceability • 48% Energy • 17% Liveness
84% Instrumentalness • 63% Positiveness
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Piero Piccioni
Tango Final
116 bpm • F min • 01:30 • -15.68db
10% Popularity • 52% Danceability • 10% Energy • 11% Liveness
70% Instrumentalness • 39% Positiveness
10% Popularity • 52% Danceability • 10% Energy • 11% Liveness
70% Instrumentalness • 39% Positiveness
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Frank Chacksfield
Majorca
116 bpm • D# Maj • 02:50 • -17.09db
14% Popularity • 45% Danceability • 24% Energy • 28% Liveness
6% Instrumentalness • 66% Positiveness
14% Popularity • 45% Danceability • 24% Energy • 28% Liveness
6% Instrumentalness • 66% Positiveness
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Románticos de Cuba
El Día Que Me Quieras - Mano a Mano
116 bpm • C min • 03:29 • -10.66db
18% Popularity • 34% Danceability • 41% Energy • 23% Liveness
96% Instrumentalness • 45% Positiveness
18% Popularity • 34% Danceability • 41% Energy • 23% Liveness
96% Instrumentalness • 45% Positiveness
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State Simphony Orchestra of Cinematography USSR
Film "Autumn Marathon" - Piece
118 bpm • C min • 03:02 • -16.3db
8% Popularity • 42% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
8% Popularity • 42% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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Vladimir Cosma
Tango des sentiments
118 bpm • A Maj • 02:05 • -7.83db
9% Popularity • 48% Danceability • 28% Energy • 17% Liveness
30% Instrumentalness • 75% Positiveness
9% Popularity • 48% Danceability • 28% Energy • 17% Liveness
30% Instrumentalness • 75% Positiveness
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Franco Pisano
Johnny Boat (Sigla Terza Puntata)
115 bpm • F min • 02:02 • -9.85db
13% Popularity • 62% Danceability • 62% Energy • 21% Liveness
0% Instrumentalness • 85% Positiveness
13% Popularity • 62% Danceability • 62% Energy • 21% Liveness
0% Instrumentalness • 85% Positiveness
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Александр Зацепин
В поисках аптеки - Из к...
115 bpm • A Maj • 01:10 • -13.89db
8% Popularity • 69% Danceability • 43% Energy • 18% Liveness
83% Instrumentalness • 86% Positiveness
8% Popularity • 69% Danceability • 43% Energy • 18% Liveness
83% Instrumentalness • 86% Positiveness
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Эстрадный оркестр Всесоюзного радио
Танго - Из к/ф "За витри...
119 bpm • F Maj • 02:57 • -13.07db
5% Popularity • 41% Danceability • 29% Energy • 10% Liveness
49% Instrumentalness • 42% Positiveness
5% Popularity • 41% Danceability • 29% Energy • 10% Liveness
49% Instrumentalness • 42% Positiveness
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Románticos de Cuba
Adiós Muchachos - Mar Negro
115 bpm • G Maj • 02:14 • -14.97db
17% Popularity • 39% Danceability • 23% Energy • 32% Liveness
95% Instrumentalness • 65% Positiveness
17% Popularity • 39% Danceability • 23% Energy • 32% Liveness
95% Instrumentalness • 65% Positiveness
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Michael Nyman
THE LAST MOVEMENT（最終楽章）
115 bpm • G Maj • 03:44 • -12.72db
11% Popularity • 42% Danceability • 34% Energy • 28% Liveness
90% Instrumentalness • 46% Positiveness
11% Popularity • 42% Danceability • 34% Energy • 28% Liveness
90% Instrumentalness • 46% Positiveness
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Ennio Morricone
Varna's Death
115 bpm • A min • 02:02 • -20.58db
20% Popularity • 24% Danceability • 6% Energy • 10% Liveness
90% Instrumentalness • 10% Positiveness
20% Popularity • 24% Danceability • 6% Energy • 10% Liveness
90% Instrumentalness • 10% Positiveness
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Fredell caparon
doubts that kill
119 bpm • C Maj • 02:20 • -22db
9% Popularity • 65% Danceability • 9% Energy • 13% Liveness
88% Instrumentalness • 52% Positiveness
9% Popularity • 65% Danceability • 9% Energy • 13% Liveness
88% Instrumentalness • 52% Positiveness
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Leopoldo Silos
Irog, Ako'y Mahalin (Darling, Please Lov...
119 bpm • D min • 03:00 • -15.1db
9% Popularity • 32% Danceability • 21% Energy • 22% Liveness
3% Instrumentalness • 18% Positiveness
9% Popularity • 32% Danceability • 21% Energy • 22% Liveness
3% Instrumentalness • 18% Positiveness
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Christian Desire Langlade
La Recontre
115 bpm • A# Maj • 03:25 • -18.53db
20% Popularity • 28% Danceability • 16% Energy • 12% Liveness
97% Instrumentalness • 11% Positiveness
20% Popularity • 28% Danceability • 16% Energy • 12% Liveness
97% Instrumentalness • 11% Positiveness
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Native Lounge
Nikki Beach
120 bpm • G Maj • 02:31 • -6.92db
12% Popularity • 31% Danceability • 42% Energy • 39% Liveness
47% Instrumentalness • 18% Positiveness
12% Popularity • 31% Danceability • 42% Energy • 39% Liveness
47% Instrumentalness • 18% Positiveness
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Pino Calvi
Papillon (Free as the Wind)
120 bpm • D min • 03:08 • -7.71db
16% Popularity • 33% Danceability • 37% Energy • 10% Liveness
87% Instrumentalness • 10% Positiveness
16% Popularity • 33% Danceability • 37% Energy • 10% Liveness
87% Instrumentalness • 10% Positiveness
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Ensemble Freesia
Theme / Polka / Finale from "Sanma no Aj...
120 bpm • C Maj • 05:25 • -12.77db
8% Popularity • 25% Danceability • 30% Energy • 12% Liveness
57% Instrumentalness • 7% Positiveness
8% Popularity • 25% Danceability • 30% Energy • 12% Liveness
57% Instrumentalness • 7% Positiveness
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山本直純
『男はつらいよ 寅次郎純情詩...
120 bpm • G Maj • 01:01 • -12.84db
13% Popularity • 20% Danceability • 26% Energy • 14% Liveness
91% Instrumentalness • 25% Positiveness
13% Popularity • 20% Danceability • 26% Energy • 14% Liveness
91% Instrumentalness • 25% Positiveness
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Fredell caparon
smooth sailing
120 bpm • G Maj • 02:27 • -18.23db
9% Popularity • 44% Danceability • 16% Energy • 48% Liveness
94% Instrumentalness • 38% Positiveness
9% Popularity • 44% Danceability • 16% Energy • 48% Liveness
94% Instrumentalness • 38% Positiveness
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Carlos Sarmiento
Conte Latino
120 bpm • G min • 02:18 • -9.85db
17% Popularity • 72% Danceability • 54% Energy • 10% Liveness
78% Instrumentalness • 94% Positiveness
17% Popularity • 72% Danceability • 54% Energy • 10% Liveness
78% Instrumentalness • 94% Positiveness
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Hermanos Ferrando
Elephant Drunk - Live
120 bpm • D Maj • 01:57 • -9.06db
23% Popularity • 48% Danceability • 26% Energy • 12% Liveness
67% Instrumentalness • 18% Positiveness
23% Popularity • 48% Danceability • 26% Energy • 12% Liveness
67% Instrumentalness • 18% Positiveness
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Lino Cannavacciuolo
Tango mamma
120 bpm • G Maj • 01:14 • -16.52db
23% Popularity • 74% Danceability • 33% Energy • 10% Liveness
7% Instrumentalness • 40% Positiveness
23% Popularity • 74% Danceability • 33% Energy • 10% Liveness
7% Instrumentalness • 40% Positiveness
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Pedro Concepcion
Luha Sa Kalipay
114 bpm • D# min • 02:56 • -25db
10% Popularity • 48% Danceability • 3% Energy • 11% Liveness
96% Instrumentalness • 27% Positiveness
10% Popularity • 48% Danceability • 3% Energy • 11% Liveness
96% Instrumentalness • 27% Positiveness
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Nana Mouskouri
Gia Sena Anthizi Oli I Gi
120 bpm • C Maj • 04:17 • -13.12db
9% Popularity • 31% Danceability • 25% Energy • 14% Liveness
0% Instrumentalness • 13% Positiveness
9% Popularity • 31% Danceability • 25% Energy • 14% Liveness
0% Instrumentalness • 13% Positiveness
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Carlo Rustichelli
La Ragazza Di Bube
120 bpm • F min • 02:57 • -10.13db
7% Popularity • 24% Danceability • 36% Energy • 11% Liveness
5% Instrumentalness • 23% Positiveness
7% Popularity • 24% Danceability • 36% Energy • 11% Liveness
5% Instrumentalness • 23% Positiveness
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張瀚中
裁員的節奏
121 bpm • G min • 01:11 • -13.59db
11% Popularity • 52% Danceability • 32% Energy • 11% Liveness
1% Instrumentalness • 10% Positiveness
11% Popularity • 52% Danceability • 32% Energy • 11% Liveness
1% Instrumentalness • 10% Positiveness
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Frank Chacksfield
Marilyn
121 bpm • C Maj • 02:23 • -22.71db
12% Popularity • 37% Danceability • 7% Energy • 20% Liveness
85% Instrumentalness • 33% Positiveness
12% Popularity • 37% Danceability • 7% Energy • 20% Liveness
85% Instrumentalness • 33% Positiveness
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Románticos de Cuba
El Enterriano - Nostalgias
121 bpm • G Maj • 03:02 • -14.77db
9% Popularity • 60% Danceability • 28% Energy • 33% Liveness
78% Instrumentalness • 61% Positiveness
9% Popularity • 60% Danceability • 28% Energy • 33% Liveness
78% Instrumentalness • 61% Positiveness
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Henry Mancini
New Home in Moscow
113 bpm • G min • 01:22 • -12.85db
14% Popularity • 75% Danceability • 62% Energy • 8% Liveness
87% Instrumentalness • 50% Positiveness
14% Popularity • 75% Danceability • 62% Energy • 8% Liveness
87% Instrumentalness • 50% Positiveness
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Christian Desire Langlade
Prelude Pour Piano
121 bpm • F min • 02:34 • -11.73db
21% Popularity • 22% Danceability • 33% Energy • 36% Liveness
51% Instrumentalness • 30% Positiveness
21% Popularity • 22% Danceability • 33% Energy • 36% Liveness
51% Instrumentalness • 30% Positiveness
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Orquesta Cuerdas Latinas
Confesión
113 bpm • A# min • 02:10 • -12.84db
12% Popularity • 64% Danceability • 22% Energy • 7% Liveness
71% Instrumentalness • 92% Positiveness
12% Popularity • 64% Danceability • 22% Energy • 7% Liveness
71% Instrumentalness • 92% Positiveness
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AMOROSA ORCHESTRA
Hernando's Hideway
121 bpm • C Maj • 02:33 • -13.48db
9% Popularity • 60% Danceability • 29% Energy • 5% Liveness
53% Instrumentalness • 34% Positiveness
9% Popularity • 60% Danceability • 29% Energy • 5% Liveness
53% Instrumentalness • 34% Positiveness
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Frank Chacksfield
The Breeze and I
122 bpm • A# Maj • 02:38 • -17.75db
13% Popularity • 39% Danceability • 21% Energy • 11% Liveness
38% Instrumentalness • 45% Positiveness
13% Popularity • 39% Danceability • 21% Energy • 11% Liveness
38% Instrumentalness • 45% Positiveness
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Valentino
Spring Caprice
113 bpm • F Maj • 01:37 • -14.53db
17% Popularity • 38% Danceability • 28% Energy • 34% Liveness
60% Instrumentalness • 55% Positiveness
17% Popularity • 38% Danceability • 28% Energy • 34% Liveness
60% Instrumentalness • 55% Positiveness
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Adam Plachetka
Bugatti Step
122 bpm • D# Maj • 02:37 • -12.29db
17% Popularity • 63% Danceability • 37% Energy • 15% Liveness
90% Instrumentalness • 85% Positiveness
17% Popularity • 63% Danceability • 37% Energy • 15% Liveness
90% Instrumentalness • 85% Positiveness
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Vico Torriani
Du Schwartzer Zigeuner
122 bpm • E Maj • 03:09 • -9.4db
11% Popularity • 39% Danceability • 42% Energy • 33% Liveness
2% Instrumentalness • 45% Positiveness
11% Popularity • 39% Danceability • 42% Energy • 33% Liveness
2% Instrumentalness • 45% Positiveness
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Frederic Botton
Tous les flots bleus
122 bpm • F min • 02:13 • -17.25db
9% Popularity • 34% Danceability • 16% Energy • 10% Liveness
37% Instrumentalness • 13% Positiveness
9% Popularity • 34% Danceability • 16% Energy • 10% Liveness
37% Instrumentalness • 13% Positiveness
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Jeri Southern
Porgy
112 bpm • F# Maj • 04:42 • -9.5db
8% Popularity • 21% Danceability • 29% Energy • 15% Liveness
77% Instrumentalness • 7% Positiveness
8% Popularity • 21% Danceability • 29% Energy • 15% Liveness
77% Instrumentalness • 7% Positiveness
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Pater Brown
Teil 1 - Folge 11: Der Kopf des Caesar
122 bpm • C Maj • 03:03 • -17.36db
13% Popularity • 50% Danceability • 56% Energy • 30% Liveness
0% Instrumentalness • 7% Positiveness
13% Popularity • 50% Danceability • 56% Energy • 30% Liveness
0% Instrumentalness • 7% Positiveness
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The David Whitaker Orchestra
Meditation - Remastered
112 bpm • G min • 05:33 • -12.11db
29% Popularity • 28% Danceability • 49% Energy • 8% Liveness
78% Instrumentalness • 72% Positiveness
29% Popularity • 28% Danceability • 49% Energy • 8% Liveness
78% Instrumentalness • 72% Positiveness
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Vladimir Cosma
Une belle aventure
122 bpm • C Maj • 02:17 • -10.27db
19% Popularity • 42% Danceability • 30% Energy • 20% Liveness
92% Instrumentalness • 22% Positiveness
19% Popularity • 42% Danceability • 30% Energy • 20% Liveness
92% Instrumentalness • 22% Positiveness
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Henry Mancini
Mr. Lucky Theme
122 bpm • D# Maj • 02:10 • -11.36db
4% Popularity • 35% Danceability • 41% Energy • 30% Liveness
79% Instrumentalness • 31% Positiveness
4% Popularity • 35% Danceability • 41% Energy • 30% Liveness
79% Instrumentalness • 31% Positiveness
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Los Violines de Pego
The Green Leaves Of Summer
112 bpm • E min • 01:16 • -10.09db
15% Popularity • 40% Danceability • 42% Energy • 19% Liveness
0% Instrumentalness • 53% Positiveness
15% Popularity • 40% Danceability • 42% Energy • 19% Liveness
0% Instrumentalness • 53% Positiveness
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木村好夫と演歌倶楽部
湖畔の宿
112 bpm • A min • 03:27 • -6db
10% Popularity • 53% Danceability • 46% Energy • 13% Liveness
11% Instrumentalness • 33% Positiveness
10% Popularity • 53% Danceability • 46% Energy • 13% Liveness
11% Instrumentalness • 33% Positiveness
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Bob Fleming Y Su Sax De Oro
Cancion de Amor Cubano
112 bpm • F Maj • 02:39 • -14.33db
12% Popularity • 78% Danceability • 34% Energy • 6% Liveness
93% Instrumentalness • 84% Positiveness
12% Popularity • 78% Danceability • 34% Energy • 6% Liveness
93% Instrumentalness • 84% Positiveness
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Mark Bernes
Песенка фронтового шо...
123 bpm • A# min • 02:42 • -13.8db
13% Popularity • 76% Danceability • 34% Energy • 17% Liveness
0% Instrumentalness • 87% Positiveness
13% Popularity • 76% Danceability • 34% Energy • 17% Liveness
0% Instrumentalness • 87% Positiveness
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Pete Fountain
Theme from "The Yearling"
123 bpm • D# min • 02:22 • -20.19db
19% Popularity • 50% Danceability • 13% Energy • 11% Liveness
91% Instrumentalness • 46% Positiveness
19% Popularity • 50% Danceability • 13% Energy • 11% Liveness
91% Instrumentalness • 46% Positiveness
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Henry Mancini
The Station
111 bpm • C Maj • 02:04 • -17.81db
10% Popularity • 16% Danceability • 13% Energy • 11% Liveness
83% Instrumentalness • 4% Positiveness
10% Popularity • 16% Danceability • 13% Energy • 11% Liveness
83% Instrumentalness • 4% Positiveness
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Luigi Seviroli
Navarra
123 bpm • C min • 01:09 • -15.61db
12% Popularity • 32% Danceability • 26% Energy • 10% Liveness
83% Instrumentalness • 38% Positiveness
12% Popularity • 32% Danceability • 26% Energy • 10% Liveness
83% Instrumentalness • 38% Positiveness
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Frank Chacksfield
Miami 747
111 bpm • A# Maj • 03:00 • -15.08db
12% Popularity • 30% Danceability • 43% Energy • 15% Liveness
86% Instrumentalness • 46% Positiveness
12% Popularity • 30% Danceability • 43% Energy • 15% Liveness
86% Instrumentalness • 46% Positiveness
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Manos Hadjidakis
Tihea Sinantisi
123 bpm • C Maj • 01:01 • -12.77db
19% Popularity • 39% Danceability • 22% Energy • 34% Liveness
0% Instrumentalness • 36% Positiveness
19% Popularity • 39% Danceability • 22% Energy • 34% Liveness
0% Instrumentalness • 36% Positiveness
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Percy Faith & His Orchestra
Scalinatella (Memory) (Stay After School...
111 bpm • C min • 03:30 • -13.15db
1% Popularity • 22% Danceability • 34% Energy • 20% Liveness
87% Instrumentalness • 25% Positiveness
1% Popularity • 22% Danceability • 34% Energy • 20% Liveness
87% Instrumentalness • 25% Positiveness
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Ted Dicks
For a Lost Friend
111 bpm • E min • 01:24 • -11.59db
11% Popularity • 55% Danceability • 33% Energy • 20% Liveness
9% Instrumentalness • 43% Positiveness
11% Popularity • 55% Danceability • 33% Energy • 20% Liveness
9% Instrumentalness • 43% Positiveness
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Meredith Willson Orchestra
The Music Man: Iowa Stubborn
123 bpm • D Maj • 02:09 • -15.03db
13% Popularity • 42% Danceability • 23% Energy • 6% Liveness
91% Instrumentalness • 49% Positiveness
13% Popularity • 42% Danceability • 23% Energy • 6% Liveness
91% Instrumentalness • 49% Positiveness
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Carmen Cavallaro
Orchids in the Moonlight
124 bpm • F Maj • 03:02 • -9db
11% Popularity • 49% Danceability • 35% Energy • 30% Liveness
35% Instrumentalness • 65% Positiveness
11% Popularity • 49% Danceability • 35% Energy • 30% Liveness
35% Instrumentalness • 65% Positiveness
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Trino Bautista
Arrabal Amargo
111 bpm • D Maj • 02:45 • -10.71db
9% Popularity • 35% Danceability • 42% Energy • 29% Liveness
86% Instrumentalness • 52% Positiveness
9% Popularity • 35% Danceability • 42% Energy • 29% Liveness
86% Instrumentalness • 52% Positiveness
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Padre GainsCone
Tiempo de sus vibraciones
110 bpm • F min • 01:48 • -16.38db
10% Popularity • 52% Danceability • 11% Energy • 14% Liveness
44% Instrumentalness • 49% Positiveness
10% Popularity • 52% Danceability • 11% Energy • 14% Liveness
44% Instrumentalness • 49% Positiveness
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木村好夫と演歌倶楽部
兄弟仁義
124 bpm • D min • 03:04 • -11.82db
8% Popularity • 53% Danceability • 29% Energy • 7% Liveness
6% Instrumentalness • 31% Positiveness
8% Popularity • 53% Danceability • 29% Energy • 7% Liveness
6% Instrumentalness • 31% Positiveness
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Orquestra Ouro Preto
October - Orquestra Ouro Preto Version
110 bpm • G Maj • 03:08 • -17.33db
18% Popularity • 57% Danceability • 24% Energy • 9% Liveness
93% Instrumentalness • 40% Positiveness
18% Popularity • 57% Danceability • 24% Energy • 9% Liveness
93% Instrumentalness • 40% Positiveness
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Ernesto Vallini
Loved by World
110 bpm • E min • 03:10 • -17.67db
8% Popularity • 51% Danceability • 14% Energy • 12% Liveness
85% Instrumentalness • 21% Positiveness
8% Popularity • 51% Danceability • 14% Energy • 12% Liveness
85% Instrumentalness • 21% Positiveness
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Aimable et son orchestre
Suspiros de España
125 bpm • A# Maj • 03:19 • -13.8db
9% Popularity • 53% Danceability • 20% Energy • 7% Liveness
25% Instrumentalness • 45% Positiveness
9% Popularity • 53% Danceability • 20% Energy • 7% Liveness
25% Instrumentalness • 45% Positiveness
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Trino Bautista
Melodia de Arrabal
109 bpm • A Maj • 03:06 • -11.56db
10% Popularity • 40% Danceability • 47% Energy • 29% Liveness
40% Instrumentalness • 57% Positiveness
10% Popularity • 40% Danceability • 47% Energy • 29% Liveness
40% Instrumentalness • 57% Positiveness
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Orquesta Casino De La Habana
Tabu
125 bpm • A min • 02:32 • -19.16db
19% Popularity • 55% Danceability • 33% Energy • 25% Liveness
40% Instrumentalness • 63% Positiveness
19% Popularity • 55% Danceability • 33% Energy • 25% Liveness
40% Instrumentalness • 63% Positiveness
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Jeff Toyne
Relentless Positivity
125 bpm • G min • 02:03 • -17.15db
16% Popularity • 43% Danceability • 30% Energy • 10% Liveness
74% Instrumentalness • 32% Positiveness
16% Popularity • 43% Danceability • 30% Energy • 10% Liveness
74% Instrumentalness • 32% Positiveness
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Piero Piccioni
Tre piccoli punti
125 bpm • G# Maj • 01:51 • -14.4db
8% Popularity • 58% Danceability • 40% Energy • 12% Liveness
1% Instrumentalness • 96% Positiveness
8% Popularity • 58% Danceability • 40% Energy • 12% Liveness
1% Instrumentalness • 96% Positiveness
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Andre Kostelanetz
Gypsy Love Waltz
109 bpm • C Maj • 02:51 • -11.38db
14% Popularity • 25% Danceability • 38% Energy • 11% Liveness
85% Instrumentalness • 23% Positiveness
14% Popularity • 25% Danceability • 38% Energy • 11% Liveness
85% Instrumentalness • 23% Positiveness
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John Barry
Goldfinger
109 bpm • F Maj • 02:16 • -13.85db
10% Popularity • 46% Danceability • 30% Energy • 19% Liveness
91% Instrumentalness • 36% Positiveness
10% Popularity • 46% Danceability • 30% Energy • 19% Liveness
91% Instrumentalness • 36% Positiveness
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Trino Bautista
Gracias Corazon
109 bpm • C min • 02:53 • -11.34db
9% Popularity • 41% Danceability • 23% Energy • 30% Liveness
4% Instrumentalness • 38% Positiveness
9% Popularity • 41% Danceability • 23% Energy • 30% Liveness
4% Instrumentalness • 38% Positiveness
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Frank Chacksfield
Make It Soon
109 bpm • G Maj • 03:19 • -21.86db
14% Popularity • 20% Danceability • 9% Energy • 7% Liveness
73% Instrumentalness • 18% Positiveness
14% Popularity • 20% Danceability • 9% Energy • 7% Liveness
73% Instrumentalness • 18% Positiveness
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Orquestra Românticos de Cuba
Mentira / Griseta
109 bpm • C min • 02:41 • -10.17db
13% Popularity • 36% Danceability • 33% Energy • 37% Liveness
50% Instrumentalness • 33% Positiveness
13% Popularity • 36% Danceability • 33% Energy • 37% Liveness
50% Instrumentalness • 33% Positiveness
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Piero Piccioni
Sante Mariuccia Tango
126 bpm • F Maj • 04:00 • -14.53db
8% Popularity • 59% Danceability • 27% Energy • 10% Liveness
88% Instrumentalness • 77% Positiveness
8% Popularity • 59% Danceability • 27% Energy • 10% Liveness
88% Instrumentalness • 77% Positiveness
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Andrea Datzman
Schmaltz of the Flowers
109 bpm • D Maj • 01:07 • -15.34db
8% Popularity • 28% Danceability • 21% Energy • 12% Liveness
80% Instrumentalness • 12% Positiveness
8% Popularity • 28% Danceability • 21% Energy • 12% Liveness
80% Instrumentalness • 12% Positiveness
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Henry Mancini
The Appointment
126 bpm • F min • 01:21 • -23.79db
16% Popularity • 29% Danceability • 3% Energy • 7% Liveness
97% Instrumentalness • 21% Positiveness
16% Popularity • 29% Danceability • 3% Energy • 7% Liveness
97% Instrumentalness • 21% Positiveness
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Andre Y Su Conjunto
Medley: La Última Curda / Ninguna
108 bpm • D min • 02:27 • -7.58db
12% Popularity • 54% Danceability • 18% Energy • 17% Liveness
61% Instrumentalness • 49% Positiveness
12% Popularity • 54% Danceability • 18% Energy • 17% Liveness
61% Instrumentalness • 49% Positiveness
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Frank Chacksfield
They Didn't Believe Me
109 bpm • G Maj • 02:34 • -22.06db
12% Popularity • 16% Danceability • 8% Energy • 42% Liveness
86% Instrumentalness • 24% Positiveness
12% Popularity • 16% Danceability • 8% Energy • 42% Liveness
86% Instrumentalness • 24% Positiveness
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Muzak Orchestra
My Way
108 bpm • C Maj • 02:53 • -11.32db
17% Popularity • 37% Danceability • 41% Energy • 37% Liveness
26% Instrumentalness • 53% Positiveness
17% Popularity • 37% Danceability • 41% Energy • 37% Liveness
26% Instrumentalness • 53% Positiveness
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第五人格
2023 Letter on a Snowy Winter Night_Indo...
108 bpm • C Maj • 01:00 • -11.95db
13% Popularity • 59% Danceability • 29% Energy • 18% Liveness
55% Instrumentalness • 21% Positiveness
13% Popularity • 59% Danceability • 29% Energy • 18% Liveness
55% Instrumentalness • 21% Positiveness
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環球管弦樂隊
相逢夕陽下
108 bpm • F min • 03:04 • -20.83db
17% Popularity • 60% Danceability • 28% Energy • 6% Liveness
82% Instrumentalness • 72% Positiveness
17% Popularity • 60% Danceability • 28% Energy • 6% Liveness
82% Instrumentalness • 72% Positiveness
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Tony Mottola
Volare
108 bpm • A min • 02:09 • -16.42db
17% Popularity • 59% Danceability • 20% Energy • 9% Liveness
43% Instrumentalness • 58% Positiveness
17% Popularity • 59% Danceability • 20% Energy • 9% Liveness
43% Instrumentalness • 58% Positiveness
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Piero Piccioni
Tango delle sirene - Version 2
127 bpm • A# min • 01:47 • -11.98db
11% Popularity • 48% Danceability • 28% Energy • 10% Liveness
91% Instrumentalness • 17% Positiveness
11% Popularity • 48% Danceability • 28% Energy • 10% Liveness
91% Instrumentalness • 17% Positiveness
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Sophia Loren
Ice Cream vs Espresso (It Started in Nap...
127 bpm • F Maj • 01:09 • -15.25db
12% Popularity • 55% Danceability • 17% Energy • 12% Liveness
41% Instrumentalness • 48% Positiveness
12% Popularity • 55% Danceability • 17% Energy • 12% Liveness
41% Instrumentalness • 48% Positiveness
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Nino Rota
Gary Cooper - Remastered 2021
108 bpm • F Maj • 01:20 • -16.29db
14% Popularity • 44% Danceability • 15% Energy • 10% Liveness
53% Instrumentalness • 35% Positiveness
14% Popularity • 44% Danceability • 15% Energy • 10% Liveness
53% Instrumentalness • 35% Positiveness
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Giuseppe Caiani
Mala Femina
108 bpm • A# Maj • 02:54 • -18.9db
9% Popularity • 32% Danceability • 24% Energy • 30% Liveness
8% Instrumentalness • 29% Positiveness
9% Popularity • 32% Danceability • 24% Energy • 30% Liveness
8% Instrumentalness • 29% Positiveness
