Songs like 另一個諾貝爾 by 陳卓賢 Ian
Based on a tempo of (+/- 10%) and a similar genre
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BOYZ
眼紅館
148 bpm • F Maj • 04:13 • -6db
38% Popularity • 63% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
38% Popularity • 63% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Panther Chan
沙門
148 bpm • E Maj • 04:44 • -5.51db
30% Popularity • 48% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
30% Popularity • 48% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Leo Ku
心跳回憶
148 bpm • F# Maj • 03:16 • -8.88db
38% Popularity • 59% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
38% Popularity • 59% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Endy Chow
逃生門 - 門外版
148 bpm • C# Maj • 04:29 • -9.87db
37% Popularity • 54% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
37% Popularity • 54% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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陳卓賢 Ian
另一個諾貝爾
148 bpm • G# Maj • 04:14 • -7.42db
45% Popularity • 45% Danceability • 51% Energy • 16% Liveness
0% Instrumentalness • 30% Positiveness
45% Popularity • 45% Danceability • 51% Energy • 16% Liveness
0% Instrumentalness • 30% Positiveness
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Kary Ng
吳哥窟
148 bpm • G# Maj • 03:43 • -6.86db
50% Popularity • 49% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
50% Popularity • 49% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Joey Yung
連續劇
148 bpm • C# min • 03:51 • -7.19db
49% Popularity • 56% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
49% Popularity • 56% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
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Jer 柳應廷
迴光物語
148 bpm • D Maj • 03:49 • -7.77db
31% Popularity • 42% Danceability • 49% Energy • 17% Liveness
0% Instrumentalness • 26% Positiveness
31% Popularity • 42% Danceability • 49% Energy • 17% Liveness
0% Instrumentalness • 26% Positiveness
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Jay Fung
地球來的人
148 bpm • F# Maj • 04:07 • -6.05db
39% Popularity • 37% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
39% Popularity • 37% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Anson Kong 江𤒹生
蝸牛
148 bpm • F# Maj • 04:17 • -11.91db
46% Popularity • 59% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
46% Popularity • 59% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Janice Vidal
街燈晚餐
149 bpm • C# Maj • 05:12 • -4.85db
47% Popularity • 49% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
47% Popularity • 49% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Keung To
鏡中鏡
147 bpm • A# min • 04:12 • -6.94db
51% Popularity • 62% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
51% Popularity • 62% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Denise Ho
明目張膽
147 bpm • F Maj • 04:35 • -6.02db
41% Popularity • 51% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
41% Popularity • 51% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Yan Ting
三生有幸
149 bpm • D# Maj • 03:37 • -8.55db
61% Popularity • 55% Danceability • 34% Energy • 20% Liveness
0% Instrumentalness • 48% Positiveness
61% Popularity • 55% Danceability • 34% Energy • 20% Liveness
0% Instrumentalness • 48% Positiveness
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陳卓賢 Ian
再見 寧靜海
147 bpm • A# Maj • 04:10 • -8.52db
59% Popularity • 47% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
59% Popularity • 47% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Anson Kong 江𤒹生
Keep Rollin'
149 bpm • F# Maj • 03:10 • -6.89db
43% Popularity • 66% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
43% Popularity • 66% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
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吳林峰
樂壇已死
150 bpm • C Maj • 03:52 • -8.06db
30% Popularity • 47% Danceability • 47% Energy • 24% Liveness
0% Instrumentalness • 39% Positiveness
30% Popularity • 47% Danceability • 47% Energy • 24% Liveness
0% Instrumentalness • 39% Positiveness
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陳健安
一吻穿越四十六億歲
147 bpm • F# Maj • 04:44 • -7.6db
25% Popularity • 34% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
25% Popularity • 34% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Leo Ku
眼睛不能沒眼淚
150 bpm • A Maj • 04:17 • -10.52db
34% Popularity • 72% Danceability • 38% Energy • 25% Liveness
0% Instrumentalness • 62% Positiveness
34% Popularity • 72% Danceability • 38% Energy • 25% Liveness
0% Instrumentalness • 62% Positiveness
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Phil Lam
有人共鳴
146 bpm • D Maj • 03:38 • -8.87db
41% Popularity • 50% Danceability • 48% Energy • 29% Liveness
0% Instrumentalness • 55% Positiveness
41% Popularity • 50% Danceability • 48% Energy • 29% Liveness
0% Instrumentalness • 55% Positiveness
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Kelly Chen
誰願放手
146 bpm • A# Maj • 03:11 • -11.21db
51% Popularity • 60% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
51% Popularity • 60% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Anson Kong 江𤒹生
蝸牛
150 bpm • F# Maj • 04:09 • -5.54db
36% Popularity • 36% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
36% Popularity • 36% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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JW
矛盾一生
150 bpm • G Maj • 04:16 • -6.51db
49% Popularity • 55% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
49% Popularity • 55% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Error
我們很帥
146 bpm • F min • 04:03 • -8.42db
32% Popularity • 66% Danceability • 60% Energy • 32% Liveness
0% Instrumentalness • 62% Positiveness
32% Popularity • 66% Danceability • 60% Energy • 32% Liveness
0% Instrumentalness • 62% Positiveness
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RubberBand
發現號
146 bpm • A Maj • 04:25 • -7db
47% Popularity • 53% Danceability • 56% Energy • 31% Liveness
0% Instrumentalness • 41% Positiveness
47% Popularity • 53% Danceability • 56% Energy • 31% Liveness
0% Instrumentalness • 41% Positiveness
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Keung To
孤獨病
150 bpm • D Maj • 04:13 • -8.7db
43% Popularity • 56% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
43% Popularity • 56% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
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Stephanie Cheng
終生學習
146 bpm • D# Maj • 03:55 • -9db
34% Popularity • 48% Danceability • 30% Energy • 39% Liveness
0% Instrumentalness • 26% Positiveness
34% Popularity • 48% Danceability • 30% Energy • 39% Liveness
0% Instrumentalness • 26% Positiveness
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Jay Fung
一步一悔過
150 bpm • B Maj • 04:25 • -9.3db
38% Popularity • 46% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 16% Positiveness
38% Popularity • 46% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 16% Positiveness
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Shiga Lin
好好過
146 bpm • A# Maj • 04:41 • -11db
40% Popularity • 54% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
40% Popularity • 54% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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陳健安
仍然是那個少年
146 bpm • E Maj • 04:24 • -4.2db
39% Popularity • 49% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
39% Popularity • 49% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Joyce Cheng
先哭為敬
146 bpm • E Maj • 04:10 • -5.69db
43% Popularity • 49% Danceability • 70% Energy • 20% Liveness
0% Instrumentalness • 30% Positiveness
43% Popularity • 49% Danceability • 70% Energy • 20% Liveness
0% Instrumentalness • 30% Positiveness
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Keung To
特務肥姜 2.0
150 bpm • G Maj • 03:16 • -3.76db
37% Popularity • 64% Danceability • 92% Energy • 22% Liveness
0% Instrumentalness • 66% Positiveness
37% Popularity • 64% Danceability • 92% Energy • 22% Liveness
0% Instrumentalness • 66% Positiveness
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Hins Cheung
酩酊天使
146 bpm • G# Maj • 04:25 • -4.81db
43% Popularity • 41% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
43% Popularity • 41% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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RubberBand
未來見
146 bpm • D Maj • 05:00 • -7.82db
47% Popularity • 52% Danceability • 57% Energy • 30% Liveness
0% Instrumentalness • 14% Positiveness
47% Popularity • 52% Danceability • 57% Energy • 30% Liveness
0% Instrumentalness • 14% Positiveness
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Endy Chow
離魂記
150 bpm • F# Maj • 03:39 • -7.39db
34% Popularity • 54% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
34% Popularity • 54% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
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Joey Yung
續集 - 《On Call 36 小時 II》 主�...
146 bpm • C# min • 05:19 • -8.91db
40% Popularity • 47% Danceability • 40% Energy • 20% Liveness
0% Instrumentalness • 34% Positiveness
40% Popularity • 47% Danceability • 40% Energy • 20% Liveness
0% Instrumentalness • 34% Positiveness
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陳健安
未知道
146 bpm • G# Maj • 04:53 • -7.71db
41% Popularity • 55% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
41% Popularity • 55% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Sita Chan
蜚蜚
146 bpm • C min • 03:36 • -8.94db
50% Popularity • 31% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
50% Popularity • 31% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Nancy Kwai
Look into my eyes
145 bpm • F# Maj • 02:58 • -7.16db
53% Popularity • 65% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
53% Popularity • 65% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
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Jeremy Lee 李駿傑
阿波羅
145 bpm • F min • 04:49 • -7db
35% Popularity • 30% Danceability • 52% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
35% Popularity • 30% Danceability • 52% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
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Wilfred Lau
二等天使
145 bpm • D Maj • 03:42 • -8db
47% Popularity • 54% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
47% Popularity • 54% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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Juno Mak
有人
151 bpm • C Maj • 03:17 • -6db
41% Popularity • 50% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
41% Popularity • 50% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Jer 柳應廷
人類群星閃耀時
152 bpm • G# Maj • 05:41 • -4.34db
35% Popularity • 19% Danceability • 82% Energy • 15% Liveness
0% Instrumentalness • 22% Positiveness
35% Popularity • 19% Danceability • 82% Energy • 15% Liveness
0% Instrumentalness • 22% Positiveness
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Gigi Leung
辣到出汁 (「闔家辣」電影主�...
145 bpm • D Maj • 02:05 • -5.28db
28% Popularity • 64% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
28% Popularity • 64% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Eason Chan
最佳損友
144 bpm • E Maj • 03:53 • -7.96db
54% Popularity • 60% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
54% Popularity • 60% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Nicholas Tse
非走不可
152 bpm • C# Maj • 04:03 • -10db
44% Popularity • 37% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
44% Popularity • 37% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Terence Lam
拼命無恙 in Bb major
152 bpm • A# Maj • 04:01 • -9.69db
43% Popularity • 53% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
43% Popularity • 53% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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ToNick
長相廝守
144 bpm • F Maj • 04:33 • -4.55db
47% Popularity • 50% Danceability • 77% Energy • 34% Liveness
0% Instrumentalness • 51% Positiveness
47% Popularity • 50% Danceability • 77% Energy • 34% Liveness
0% Instrumentalness • 51% Positiveness
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Pakho Chau
小白
144 bpm • C# Maj • 03:42 • -7.78db
41% Popularity • 63% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
41% Popularity • 63% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Jay Fung
遠在眼前
144 bpm • G# Maj • 04:05 • -7.31db
48% Popularity • 55% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
48% Popularity • 55% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Phil Lam
高山低谷
144 bpm • C Maj • 04:27 • -8.08db
52% Popularity • 60% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
52% Popularity • 60% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Sammi Cheng
不要驚動愛情
144 bpm • F# Maj • 03:49 • -9.86db
44% Popularity • 42% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
44% Popularity • 42% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Eason Chan
黃金時代
144 bpm • E Maj • 04:09 • -5db
38% Popularity • 55% Danceability • 54% Energy • 19% Liveness
0% Instrumentalness • 29% Positiveness
38% Popularity • 55% Danceability • 54% Energy • 19% Liveness
0% Instrumentalness • 29% Positiveness
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C AllStar
再不再見
144 bpm • C min • 04:15 • -5.34db
48% Popularity • 55% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
48% Popularity • 55% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Pakho Chau
百年不合
144 bpm • A Maj • 04:16 • -5.37db
44% Popularity • 55% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
44% Popularity • 55% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Raymond Lam
直到你不找我
144 bpm • G# Maj • 04:08 • -10db
40% Popularity • 47% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
40% Popularity • 47% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Terence Lam
某種老朋友
144 bpm • G# min • 04:30 • -12.85db
48% Popularity • 36% Danceability • 39% Energy • 11% Liveness
1% Instrumentalness • 41% Positiveness
48% Popularity • 36% Danceability • 39% Energy • 11% Liveness
1% Instrumentalness • 41% Positiveness
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JW
逃生門
144 bpm • F# Maj • 04:43 • -7.08db
43% Popularity • 44% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
43% Popularity • 44% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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葉巧琳
難道我還未夠難
144 bpm • G# Maj • 04:20 • -7.68db
42% Popularity • 61% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
42% Popularity • 61% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Hins Cheung
櫻花樹下
144 bpm • A Maj • 04:09 • -5.02db
56% Popularity • 42% Danceability • 50% Energy • 20% Liveness
0% Instrumentalness • 30% Positiveness
56% Popularity • 42% Danceability • 50% Energy • 20% Liveness
0% Instrumentalness • 30% Positiveness
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陳卓賢 Ian
搞不懂 acoustic version
144 bpm • A# Maj • 03:43 • -9db
37% Popularity • 59% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
37% Popularity • 59% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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Yoyo Sham
風的形狀
153 bpm • C Maj • 03:26 • -14.24db
41% Popularity • 31% Danceability • 28% Energy • 6% Liveness
1% Instrumentalness • 25% Positiveness
41% Popularity • 31% Danceability • 28% Energy • 6% Liveness
1% Instrumentalness • 25% Positiveness
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Kelly Chen
最佳位置
144 bpm • E Maj • 03:49 • -5.94db
44% Popularity • 46% Danceability • 44% Energy • 16% Liveness
0% Instrumentalness • 23% Positiveness
44% Popularity • 46% Danceability • 44% Energy • 16% Liveness
0% Instrumentalness • 23% Positiveness
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Jeffrey 魏浚笙
失約巴黎
143 bpm • B Maj • 03:42 • -6.46db
49% Popularity • 44% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
49% Popularity • 44% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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AGA
獨一無二
143 bpm • G Maj • 05:19 • -8.11db
45% Popularity • 44% Danceability • 45% Energy • 21% Liveness
0% Instrumentalness • 30% Positiveness
45% Popularity • 44% Danceability • 45% Energy • 21% Liveness
0% Instrumentalness • 30% Positiveness
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Joey Yung
煙霞
143 bpm • E Maj • 03:58 • -6.75db
41% Popularity • 58% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
41% Popularity • 58% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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Jade Kwan
Ni You Xin
154 bpm • F# Maj • 03:53 • -6.55db
40% Popularity • 50% Danceability • 50% Energy • 19% Liveness
0% Instrumentalness • 47% Positiveness
40% Popularity • 50% Danceability • 50% Energy • 19% Liveness
0% Instrumentalness • 47% Positiveness
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Twins
多謝失戀
143 bpm • G Maj • 03:10 • -4.31db
30% Popularity • 40% Danceability • 66% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
30% Popularity • 40% Danceability • 66% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
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JW
原來只因深愛著
142 bpm • F# min • 04:55 • -10db
45% Popularity • 50% Danceability • 37% Energy • 15% Liveness
0% Instrumentalness • 37% Positiveness
45% Popularity • 50% Danceability • 37% Energy • 15% Liveness
0% Instrumentalness • 37% Positiveness
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Edan 呂爵安
ChatMrE
154 bpm • D min • 03:51 • -4.78db
36% Popularity • 54% Danceability • 85% Energy • 73% Liveness
0% Instrumentalness • 52% Positiveness
36% Popularity • 54% Danceability • 85% Energy • 73% Liveness
0% Instrumentalness • 52% Positiveness
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Terence Lam
邊一個發明了ENCORE
142 bpm • C Maj • 04:46 • -10db
43% Popularity • 42% Danceability • 46% Energy • 19% Liveness
0% Instrumentalness • 51% Positiveness
43% Popularity • 42% Danceability • 46% Energy • 19% Liveness
0% Instrumentalness • 51% Positiveness
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Joey Yung
東京人壽
142 bpm • D# Maj • 04:16 • -5db
38% Popularity • 45% Danceability • 80% Energy • 32% Liveness
0% Instrumentalness • 38% Positiveness
38% Popularity • 45% Danceability • 80% Energy • 32% Liveness
0% Instrumentalness • 38% Positiveness
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Sita Chan
忘川
142 bpm • E Maj • 03:31 • -4.85db
46% Popularity • 62% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
46% Popularity • 62% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
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Eason Chan
沙龍
142 bpm • E Maj • 04:35 • -5.31db
49% Popularity • 53% Danceability • 58% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
49% Popularity • 53% Danceability • 58% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
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Kolor
時差
142 bpm • G Maj • 04:38 • -6.26db
37% Popularity • 46% Danceability • 64% Energy • 35% Liveness
0% Instrumentalness • 42% Positiveness
37% Popularity • 46% Danceability • 64% Energy • 35% Liveness
0% Instrumentalness • 42% Positiveness
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小肥
青春頌 (小肥 Modern Classic 2010-20...
154 bpm • C Maj • 04:07 • -8.35db
35% Popularity • 39% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
35% Popularity • 39% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
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Raymond Lam
如果時間來到
142 bpm • C# Maj • 03:46 • -6.29db
41% Popularity • 52% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
41% Popularity • 52% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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Ronald Cheng
閉目入神
142 bpm • C Maj • 03:36 • -7.14db
42% Popularity • 53% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
42% Popularity • 53% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Edan 呂爵安
E先生 愛人執照
142 bpm • A# Maj • 04:47 • -7.97db
53% Popularity • 50% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
53% Popularity • 50% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Endy Chow
塵世美
142 bpm • A Maj • 04:44 • -9.46db
36% Popularity • 66% Danceability • 40% Energy • 19% Liveness
0% Instrumentalness • 43% Positiveness
36% Popularity • 66% Danceability • 40% Energy • 19% Liveness
0% Instrumentalness • 43% Positiveness
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Juno Mak
念念不忘
142 bpm • C Maj • 04:31 • -6.25db
46% Popularity • 43% Danceability • 69% Energy • 30% Liveness
0% Instrumentalness • 35% Positiveness
46% Popularity • 43% Danceability • 69% Energy • 30% Liveness
0% Instrumentalness • 35% Positiveness
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Keung To
岩巉
141 bpm • G Maj • 03:44 • -9.94db
70% Popularity • 52% Danceability • 31% Energy • 21% Liveness
0% Instrumentalness • 37% Positiveness
70% Popularity • 52% Danceability • 31% Energy • 21% Liveness
0% Instrumentalness • 37% Positiveness
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陳健安
重生
155 bpm • C Maj • 05:17 • -7.39db
36% Popularity • 44% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
36% Popularity • 44% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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鍾一憲
勾手指尾
141 bpm • C# Maj • 03:41 • -5.37db
37% Popularity • 55% Danceability • 68% Energy • 36% Liveness
0% Instrumentalness • 28% Positiveness
37% Popularity • 55% Danceability • 68% Energy • 36% Liveness
0% Instrumentalness • 28% Positiveness
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Edan 呂爵安
油麻地莎士比亞
141 bpm • A Maj • 04:32 • -9.16db
56% Popularity • 38% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
56% Popularity • 38% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Jay Fung
生不逢時
141 bpm • A# Maj • 04:11 • -8.18db
31% Popularity • 42% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
31% Popularity • 42% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Juno Mak
沒有人
156 bpm • C# Maj • 03:47 • -6db
41% Popularity • 26% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
41% Popularity • 26% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Janice Vidal
It’s OK To Be Sad
156 bpm • E Maj • 03:59 • -6.93db
41% Popularity • 53% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
41% Popularity • 53% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Hins Cheung
百年樹木
140 bpm • C Maj • 05:06 • -7.96db
47% Popularity • 47% Danceability • 35% Energy • 20% Liveness
0% Instrumentalness • 34% Positiveness
47% Popularity • 47% Danceability • 35% Energy • 20% Liveness
0% Instrumentalness • 34% Positiveness
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陳卓賢 Ian
二期大樓
140 bpm • D# Maj • 03:59 • -12.36db
40% Popularity • 63% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
40% Popularity • 63% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Nicholas Tse
活著Viva
140 bpm • F min • 03:32 • -3.92db
43% Popularity • 60% Danceability • 98% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
43% Popularity • 60% Danceability • 98% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
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Eason Chan
七百年後
140 bpm • C# Maj • 04:22 • -5.24db
46% Popularity • 48% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
46% Popularity • 48% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
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Juno Mak
羅生門
140 bpm • F Maj • 04:22 • -7.16db
52% Popularity • 46% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 25% Positiveness
52% Popularity • 46% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 25% Positiveness
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Raymond Lam
幼稚未完
140 bpm • E Maj • 04:06 • -7db
45% Popularity • 49% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
45% Popularity • 49% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Jeffrey 魏浚笙
遺忘了初心的我們
140 bpm • C Maj • 04:17 • -7.73db
41% Popularity • 54% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
41% Popularity • 54% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Jay Fung
山旮旯
140 bpm • D# Maj • 04:27 • -7db
42% Popularity • 55% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
42% Popularity • 55% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Kenny Kwan
預言書
140 bpm • D Maj • 04:06 • -6db
35% Popularity • 54% Danceability • 52% Energy • 20% Liveness
0% Instrumentalness • 52% Positiveness
35% Popularity • 54% Danceability • 52% Energy • 20% Liveness
0% Instrumentalness • 52% Positiveness
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Serrini
樹木真美
140 bpm • C# Maj • 04:06 • -4.21db
41% Popularity • 59% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
41% Popularity • 59% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
