Songs like ドレミの歌 by Richard Rodgers
Based on a tempo of (+/- 10%) and a similar genre
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Sidney Livingstone
The Farmer And The Cowman
138 bpm • F Maj • 07:27 • -12.57db
21% Popularity • 59% Danceability • 52% Energy • 33% Liveness
0% Instrumentalness • 88% Positiveness
21% Popularity • 59% Danceability • 52% Energy • 33% Liveness
0% Instrumentalness • 88% Positiveness
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Richard Rodgers
Oklahoma!, Act 2: No. 27, Oklahoma
138 bpm • D Maj • 03:17 • -10.87db
8% Popularity • 49% Danceability • 42% Energy • 71% Liveness
0% Instrumentalness • 58% Positiveness
8% Popularity • 49% Danceability • 42% Energy • 71% Liveness
0% Instrumentalness • 58% Positiveness
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Emile De Becque
This Nearly Was Mine
138 bpm • C Maj • 02:09 • -13.76db
27% Popularity • 23% Danceability • 26% Energy • 16% Liveness
95% Instrumentalness • 4% Positiveness
27% Popularity • 23% Danceability • 26% Energy • 16% Liveness
95% Instrumentalness • 4% Positiveness
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Yul Brynner
A Puzzlement - Remastered 2001
137 bpm • A# Maj • 03:27 • -11.1db
18% Popularity • 62% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
18% Popularity • 62% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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Renée Fleming
June Is Bustin' Out All Over
137 bpm • F# min • 06:45 • -10.3db
25% Popularity • 51% Danceability • 38% Energy • 58% Liveness
0% Instrumentalness • 41% Positiveness
25% Popularity • 51% Danceability • 38% Energy • 58% Liveness
0% Instrumentalness • 41% Positiveness
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Meredith Willson
Finale
139 bpm • C Maj • 02:17 • -15.44db
8% Popularity • 44% Danceability • 29% Energy • 20% Liveness
0% Instrumentalness • 41% Positiveness
8% Popularity • 44% Danceability • 29% Energy • 20% Liveness
0% Instrumentalness • 41% Positiveness
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Barbara Ruick
When I Marry Mr. Snow
137 bpm • D# Maj • 03:51 • -13.79db
16% Popularity • 40% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
16% Popularity • 40% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Vanessa Redgrave
Take Me to the Fair - Guenevere and the ...
139 bpm • F# Maj • 04:58 • -16.78db
15% Popularity • 50% Danceability • 30% Energy • 30% Liveness
0% Instrumentalness • 56% Positiveness
15% Popularity • 50% Danceability • 30% Energy • 30% Liveness
0% Instrumentalness • 56% Positiveness
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Nathaniel Hackmann
They Call the Wind Maria
139 bpm • A min • 03:14 • -10.75db
9% Popularity • 39% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
9% Popularity • 39% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Richard Rodgers
Oklahoma!, Act 1: No. 3, The Surrey with...
139 bpm • A Maj • 06:04 • -22.62db
10% Popularity • 42% Danceability • 4% Energy • 19% Liveness
0% Instrumentalness • 30% Positiveness
10% Popularity • 42% Danceability • 4% Energy • 19% Liveness
0% Instrumentalness • 30% Positiveness
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Joel Grey
Give My Regards to Broadway
137 bpm • C Maj • 03:37 • -8db
20% Popularity • 45% Danceability • 54% Energy • 30% Liveness
0% Instrumentalness • 40% Positiveness
20% Popularity • 45% Danceability • 54% Energy • 30% Liveness
0% Instrumentalness • 40% Positiveness
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Cy Coleman
Sweet Charity: Overture
139 bpm • F Maj • 03:29 • -11.05db
19% Popularity • 34% Danceability • 48% Energy • 27% Liveness
91% Instrumentalness • 53% Positiveness
19% Popularity • 34% Danceability • 48% Energy • 27% Liveness
91% Instrumentalness • 53% Positiveness
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Ruthie Henshall
Don't Cry for Me Argentina
139 bpm • B Maj • 05:30 • -12.52db
8% Popularity • 26% Danceability • 20% Energy • 25% Liveness
0% Instrumentalness • 4% Positiveness
8% Popularity • 26% Danceability • 20% Energy • 25% Liveness
0% Instrumentalness • 4% Positiveness
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Richard Harris
Finale Ultimo
137 bpm • D# Maj • 02:39 • -15.13db
19% Popularity • 34% Danceability • 20% Energy • 19% Liveness
0% Instrumentalness • 37% Positiveness
19% Popularity • 34% Danceability • 20% Energy • 19% Liveness
0% Instrumentalness • 37% Positiveness
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Carol Burnett
Shy
140 bpm • D Maj • 03:45 • -21.13db
13% Popularity • 36% Danceability • 20% Energy • 46% Liveness
1% Instrumentalness • 40% Positiveness
13% Popularity • 36% Danceability • 20% Energy • 46% Liveness
1% Instrumentalness • 40% Positiveness
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Richard Rodgers
Two by Two: Put Him Away
140 bpm • A# Maj • 02:05 • -14.15db
2% Popularity • 68% Danceability • 36% Energy • 56% Liveness
0% Instrumentalness • 77% Positiveness
2% Popularity • 68% Danceability • 36% Energy • 56% Liveness
0% Instrumentalness • 77% Positiveness
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Lauren Ambrose
I Could Have Danced All Night
136 bpm • C Maj • 03:48 • -6.46db
24% Popularity • 36% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 31% Positiveness
24% Popularity • 36% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 31% Positiveness
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Betty Noyes
Would You?
140 bpm • G# Maj • 02:59 • -13db
32% Popularity • 27% Danceability • 18% Energy • 16% Liveness
0% Instrumentalness • 19% Positiveness
32% Popularity • 27% Danceability • 18% Energy • 16% Liveness
0% Instrumentalness • 19% Positiveness
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Hermione Gingold
Pick-A-Little, Talk-A-Little
140 bpm • G Maj • 02:02 • -8.54db
32% Popularity • 72% Danceability • 50% Energy • 20% Liveness
0% Instrumentalness • 92% Positiveness
32% Popularity • 72% Danceability • 50% Energy • 20% Liveness
0% Instrumentalness • 92% Positiveness
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Zero Mostel
To Life
136 bpm • F min • 04:11 • -15.81db
22% Popularity • 51% Danceability • 49% Energy • 65% Liveness
0% Instrumentalness • 66% Positiveness
22% Popularity • 51% Danceability • 49% Energy • 65% Liveness
0% Instrumentalness • 66% Positiveness
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Richard Rogers
Rogers: Oklahoma!: Oklahoma
140 bpm • D Maj • 03:12 • -16.09db
13% Popularity • 54% Danceability • 27% Energy • 22% Liveness
0% Instrumentalness • 73% Positiveness
13% Popularity • 54% Danceability • 27% Energy • 22% Liveness
0% Instrumentalness • 73% Positiveness
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Frederick Loewe
Camelot: The Seven Deadly Virtues
135 bpm • A min • 01:26 • -16.4db
20% Popularity • 64% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
20% Popularity • 64% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
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Lt. Cable
Carefully Taught
141 bpm • E Maj • 01:13 • -13.95db
27% Popularity • 54% Danceability • 22% Energy • 33% Liveness
0% Instrumentalness • 63% Positiveness
27% Popularity • 54% Danceability • 22% Energy • 33% Liveness
0% Instrumentalness • 63% Positiveness
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Richard Rodgers
Oklahoma!, Act 2: No. 20, Farmer Dance
141 bpm • C Maj • 02:10 • -11.05db
7% Popularity • 48% Danceability • 64% Energy • 95% Liveness
70% Instrumentalness • 86% Positiveness
7% Popularity • 48% Danceability • 64% Energy • 95% Liveness
70% Instrumentalness • 86% Positiveness
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Barbara Cook
This Is All Very New To Me
135 bpm • C# Maj • 02:56 • -12db
11% Popularity • 33% Danceability • 26% Energy • 38% Liveness
0% Instrumentalness • 31% Positiveness
11% Popularity • 33% Danceability • 26% Energy • 38% Liveness
0% Instrumentalness • 31% Positiveness
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Josie de Guzman
I've Never Been in Love Before
141 bpm • C# Maj • 02:06 • -15db
31% Popularity • 31% Danceability • 10% Energy • 22% Liveness
0% Instrumentalness • 37% Positiveness
31% Popularity • 31% Danceability • 10% Energy • 22% Liveness
0% Instrumentalness • 37% Positiveness
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Ansel Elgort
One Hand, One Heart
135 bpm • F# Maj • 03:45 • -22.83db
39% Popularity • 20% Danceability • 6% Energy • 17% Liveness
0% Instrumentalness • 6% Positiveness
39% Popularity • 20% Danceability • 6% Energy • 17% Liveness
0% Instrumentalness • 6% Positiveness
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Lucy
A New Life
135 bpm • E Maj • 04:40 • -12db
31% Popularity • 26% Danceability • 21% Energy • 19% Liveness
0% Instrumentalness • 9% Positiveness
31% Popularity • 26% Danceability • 21% Energy • 19% Liveness
0% Instrumentalness • 9% Positiveness
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South Pacific 1988 London Cast Recording Male Ensemble
There Is Nothing Like A Dame
141 bpm • E Maj • 03:39 • -17.6db
14% Popularity • 63% Danceability • 19% Energy • 17% Liveness
0% Instrumentalness • 59% Positiveness
14% Popularity • 63% Danceability • 19% Energy • 17% Liveness
0% Instrumentalness • 59% Positiveness
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Gypsy - Lisa Kirk
Everything's Coming up Roses - Remastere...
135 bpm • A Maj • 03:06 • -11.45db
9% Popularity • 42% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
9% Popularity • 42% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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Irwin Kostal
Laendler
135 bpm • F Maj • 02:27 • -16.23db
40% Popularity • 50% Danceability • 7% Energy • 24% Liveness
28% Instrumentalness • 63% Positiveness
40% Popularity • 50% Danceability • 7% Energy • 24% Liveness
28% Instrumentalness • 63% Positiveness
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Don Francks, Petula Clark, Fred Astaire & Chorus
If This Isn't Love
141 bpm • F Maj • 03:37 • -11.36db
12% Popularity • 55% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
12% Popularity • 55% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
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Carol Burnett
I Can't Say No
141 bpm • D# Maj • 02:23 • -8.01db
12% Popularity • 59% Danceability • 40% Energy • 19% Liveness
0% Instrumentalness • 77% Positiveness
12% Popularity • 59% Danceability • 40% Energy • 19% Liveness
0% Instrumentalness • 77% Positiveness
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Jekyll
This Is the Moment
135 bpm • D# Maj • 03:14 • -8.69db
34% Popularity • 32% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
34% Popularity • 32% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Leigh Harline
Pinocchio: When You Wish Upon A Star (ar...
134 bpm • F Maj • 03:29 • -17.78db
29% Popularity • 16% Danceability • 15% Energy • 13% Liveness
40% Instrumentalness • 6% Positiveness
29% Popularity • 16% Danceability • 15% Energy • 13% Liveness
40% Instrumentalness • 6% Positiveness
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The Light in the Piazza Orchestra
Overture
142 bpm • A min • 04:47 • -17.73db
24% Popularity • 16% Danceability • 19% Energy • 16% Liveness
64% Instrumentalness • 6% Positiveness
24% Popularity • 16% Danceability • 19% Energy • 16% Liveness
64% Instrumentalness • 6% Positiveness
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Richard Harris
I Wonder What the King Is Doing Tonight ...
134 bpm • D# Maj • 02:08 • -15db
20% Popularity • 51% Danceability • 44% Energy • 34% Liveness
0% Instrumentalness • 59% Positiveness
20% Popularity • 51% Danceability • 44% Energy • 34% Liveness
0% Instrumentalness • 59% Positiveness
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Lucie Arnaz
They're Playing Our Song (The Bows) - 19...
134 bpm • C Maj • 01:20 • -13.53db
23% Popularity • 73% Danceability • 40% Energy • 5% Liveness
0% Instrumentalness • 95% Positiveness
23% Popularity • 73% Danceability • 40% Energy • 5% Liveness
0% Instrumentalness • 95% Positiveness
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Katrina Murphy
Mister Snow
134 bpm • G Maj • 05:49 • -17.67db
11% Popularity • 43% Danceability • 15% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
11% Popularity • 43% Danceability • 15% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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Zero Mostel
If I Were a Rich Man
142 bpm • C# Maj • 04:55 • -19.7db
29% Popularity • 54% Danceability • 19% Energy • 18% Liveness
0% Instrumentalness • 54% Positiveness
29% Popularity • 54% Danceability • 19% Energy • 18% Liveness
0% Instrumentalness • 54% Positiveness
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Original 1955 Oklahoma! Studio Orchestra
Overture
134 bpm • A Maj • 02:55 • -14db
26% Popularity • 32% Danceability • 22% Energy • 19% Liveness
87% Instrumentalness • 39% Positiveness
26% Popularity • 32% Danceability • 22% Energy • 19% Liveness
87% Instrumentalness • 39% Positiveness
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Frederick Loewe
My Fair Lady: A Hymn to Him
142 bpm • G Maj • 03:15 • -14.09db
9% Popularity • 58% Danceability • 46% Energy • 36% Liveness
0% Instrumentalness • 62% Positiveness
9% Popularity • 58% Danceability • 46% Energy • 36% Liveness
0% Instrumentalness • 62% Positiveness
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Vanessa Redgrave
I Loved You Once in Silence - Guenevere ...
134 bpm • D Maj • 02:57 • -26.72db
19% Popularity • 33% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
19% Popularity • 33% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Richard Rodgers
Little Girl Blue (Live)
143 bpm • C# Maj • 10:36 • -17.52db
7% Popularity • 59% Danceability • 9% Energy • 65% Liveness
93% Instrumentalness • 45% Positiveness
7% Popularity • 59% Danceability • 9% Energy • 65% Liveness
93% Instrumentalness • 45% Positiveness
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Gordon Macrae
People Will Say We're in Love (Excerpts ...
134 bpm • G# Maj • 04:22 • -12db
22% Popularity • 29% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
22% Popularity • 29% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
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Dan Truhitte
Sixteen Going On Seventeen
133 bpm • D# Maj • 04:55 • -13db
43% Popularity • 42% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
43% Popularity • 42% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Cy Coleman
Sweet Charity: Charity's Theme
133 bpm • C# Maj • 01:29 • -20.23db
14% Popularity • 63% Danceability • 11% Energy • 7% Liveness
40% Instrumentalness • 28% Positiveness
14% Popularity • 63% Danceability • 11% Energy • 7% Liveness
40% Instrumentalness • 28% Positiveness
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Frederick Loewe
My Fair Lady: Why Can't the English?
133 bpm • F Maj • 02:46 • -14db
12% Popularity • 60% Danceability • 38% Energy • 62% Liveness
0% Instrumentalness • 70% Positiveness
12% Popularity • 60% Danceability • 38% Energy • 62% Liveness
0% Instrumentalness • 70% Positiveness
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Frances Ruffelle
On My Own
133 bpm • D min • 03:59 • -11db
46% Popularity • 32% Danceability • 17% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
46% Popularity • 32% Danceability • 17% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
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Richard Rodgers
Oklahoma!, Act 2: No. 28, Oklahoma (Enco...
143 bpm • D Maj • 01:07 • -9.96db
7% Popularity • 49% Danceability • 49% Energy • 82% Liveness
1% Instrumentalness • 63% Positiveness
7% Popularity • 49% Danceability • 49% Energy • 82% Liveness
1% Instrumentalness • 63% Positiveness
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Marvin Hamlisch
One (Reprise) / Finale
133 bpm • D# Maj • 05:04 • -8.99db
27% Popularity • 56% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
27% Popularity • 56% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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Richard M. Sherman
Chitty Chitty Bang Bang: Truly Scrumptio...
133 bpm • A min • 03:08 • -18.32db
30% Popularity • 45% Danceability • 8% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
30% Popularity • 45% Danceability • 8% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
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Danny Burstein
There Is Nothin' Like a Dame
133 bpm • E Maj • 03:54 • -16.02db
19% Popularity • 69% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
19% Popularity • 69% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Frederick Loewe
Camelot: I Wonder What the King Is Doing...
133 bpm • D# Maj • 02:01 • -15db
27% Popularity • 64% Danceability • 33% Energy • 14% Liveness
0% Instrumentalness • 82% Positiveness
27% Popularity • 64% Danceability • 33% Energy • 14% Liveness
0% Instrumentalness • 82% Positiveness
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Sierra Boggess
All I Ask Of You
133 bpm • C# Maj • 04:24 • -11.37db
20% Popularity • 25% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
20% Popularity • 25% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Betty Buckley
Memory
132 bpm • G# Maj • 03:36 • -12.33db
29% Popularity • 30% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
29% Popularity • 30% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
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New York City Opera Orchestra
The Music Man - Overture
132 bpm • C Maj • 03:12 • -16.63db
12% Popularity • 45% Danceability • 32% Energy • 5% Liveness
82% Instrumentalness • 41% Positiveness
12% Popularity • 45% Danceability • 32% Energy • 5% Liveness
82% Instrumentalness • 41% Positiveness
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The Orchestra Of 'Mack & Mabel'
Mack and Mabel Overture
144 bpm • C Maj • 04:58 • -13db
9% Popularity • 38% Danceability • 30% Energy • 12% Liveness
96% Instrumentalness • 42% Positiveness
9% Popularity • 38% Danceability • 30% Energy • 12% Liveness
96% Instrumentalness • 42% Positiveness
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South Pacific Orchestra (2008)
Overture
143 bpm • G# Maj • 05:40 • -19.96db
19% Popularity • 26% Danceability • 10% Energy • 34% Liveness
93% Instrumentalness • 13% Positiveness
19% Popularity • 26% Danceability • 10% Energy • 34% Liveness
93% Instrumentalness • 13% Positiveness
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Ann Miller
From This Moment On
144 bpm • D# min • 03:49 • -11db
14% Popularity • 43% Danceability • 35% Energy • 21% Liveness
0% Instrumentalness • 38% Positiveness
14% Popularity • 43% Danceability • 35% Energy • 21% Liveness
0% Instrumentalness • 38% Positiveness
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Original 1955 Oklahoma! Studio Orchestra
Kansas City Ballet
145 bpm • G# Maj • 02:23 • -12db
25% Popularity • 45% Danceability • 67% Energy • 29% Liveness
7% Instrumentalness • 46% Positiveness
25% Popularity • 45% Danceability • 67% Energy • 29% Liveness
7% Instrumentalness • 46% Positiveness
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Robert Preston
Ya Got Trouble / Seventy-Six Trombones
132 bpm • C min • 02:50 • -11.88db
32% Popularity • 59% Danceability • 63% Energy • 50% Liveness
0% Instrumentalness • 85% Positiveness
32% Popularity • 59% Danceability • 63% Energy • 50% Liveness
0% Instrumentalness • 85% Positiveness
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Ivor Novello
The Dancing Years - Musical play in 3 ac...
131 bpm • F Maj • 02:33 • -22db
18% Popularity • 42% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
18% Popularity • 42% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Barbara Cook
Ice Cream
131 bpm • E Maj • 03:11 • -13db
9% Popularity • 57% Danceability • 16% Energy • 17% Liveness
0% Instrumentalness • 18% Positiveness
9% Popularity • 57% Danceability • 16% Energy • 17% Liveness
0% Instrumentalness • 18% Positiveness
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Richard Rodgers
Oklahoma!, Act 2: No. 19, The Farmer and...
131 bpm • F Maj • 04:22 • -12.13db
8% Popularity • 64% Danceability • 36% Energy • 58% Liveness
0% Instrumentalness • 80% Positiveness
8% Popularity • 64% Danceability • 36% Energy • 58% Liveness
0% Instrumentalness • 80% Positiveness
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Ruthie Henshall
Someone To Watch Over Me
131 bpm • A# Maj • 03:47 • -20.97db
24% Popularity • 25% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
24% Popularity • 25% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Original 1955 Oklahoma! Studio Orchestra
Many A New Day Ballet
131 bpm • A# Maj • 03:32 • -15.27db
24% Popularity • 48% Danceability • 16% Energy • 8% Liveness
2% Instrumentalness • 42% Positiveness
24% Popularity • 48% Danceability • 16% Energy • 8% Liveness
2% Instrumentalness • 42% Positiveness
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Barbara Ruick, Shirley Jones,The 20th Century-Fox Orchestra
If I Loved You
131 bpm • F Maj • 06:20 • -13db
18% Popularity • 28% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
18% Popularity • 28% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
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Ken Darby Male Chorus
There Is Nothin' Like A Dame
131 bpm • G Maj • 03:48 • -15.77db
28% Popularity • 62% Danceability • 29% Energy • 28% Liveness
0% Instrumentalness • 59% Positiveness
28% Popularity • 62% Danceability • 29% Energy • 28% Liveness
0% Instrumentalness • 59% Positiveness
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Andrea McArdle
It Might As Well Be Spring
130 bpm • D# Maj • 03:11 • -18.08db
22% Popularity • 32% Danceability • 11% Energy • 18% Liveness
0% Instrumentalness • 25% Positiveness
22% Popularity • 32% Danceability • 11% Energy • 18% Liveness
0% Instrumentalness • 25% Positiveness
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Richard Rodgers
Cinderella (New Television Cast Recordin...
130 bpm • C Maj • 03:05 • -11.29db
11% Popularity • 60% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
11% Popularity • 60% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Charles Strouse
Bye Bye Birdie - Original Broadway Cast:...
146 bpm • C Maj • 02:40 • -12.64db
18% Popularity • 25% Danceability • 34% Energy • 44% Liveness
70% Instrumentalness • 39% Positiveness
18% Popularity • 25% Danceability • 34% Energy • 44% Liveness
70% Instrumentalness • 39% Positiveness
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Original 1955 Oklahoma! Studio Orchestra
Main Title
146 bpm • G Maj • 02:53 • -13db
26% Popularity • 43% Danceability • 31% Energy • 45% Liveness
84% Instrumentalness • 43% Positiveness
26% Popularity • 43% Danceability • 31% Energy • 45% Liveness
84% Instrumentalness • 43% Positiveness
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Gwen Verdon
Whatever Lola Wants
147 bpm • A min • 03:14 • -15db
22% Popularity • 53% Danceability • 24% Energy • 6% Liveness
0% Instrumentalness • 35% Positiveness
22% Popularity • 53% Danceability • 24% Energy • 6% Liveness
0% Instrumentalness • 35% Positiveness
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Meredith Willson
Wells Fargo Wagon
129 bpm • A Maj • 02:12 • -11db
12% Popularity • 60% Danceability • 39% Energy • 15% Liveness
0% Instrumentalness • 88% Positiveness
12% Popularity • 60% Danceability • 39% Energy • 15% Liveness
0% Instrumentalness • 88% Positiveness
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Hugh Jackman
Oklahoma
147 bpm • D Maj • 03:07 • -12.5db
30% Popularity • 51% Danceability • 41% Energy • 42% Liveness
0% Instrumentalness • 75% Positiveness
30% Popularity • 51% Danceability • 41% Energy • 42% Liveness
0% Instrumentalness • 75% Positiveness
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Richard Rodgers
Cinderella: Gavotte
130 bpm • D Maj • 03:06 • -22.6db
11% Popularity • 48% Danceability • 4% Energy • 12% Liveness
92% Instrumentalness • 41% Positiveness
11% Popularity • 48% Danceability • 4% Energy • 12% Liveness
92% Instrumentalness • 41% Positiveness
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Frederick Loewe
Camelot: March
129 bpm • A# Maj • 01:27 • -17db
20% Popularity • 63% Danceability • 26% Energy • 8% Liveness
85% Instrumentalness • 68% Positiveness
20% Popularity • 63% Danceability • 26% Energy • 8% Liveness
85% Instrumentalness • 68% Positiveness
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Stubby Kaye
Sit Down, You're Rockin' The Boat
129 bpm • F Maj • 02:11 • -21.25db
17% Popularity • 53% Danceability • 27% Energy • 71% Liveness
19% Instrumentalness • 61% Positiveness
17% Popularity • 53% Danceability • 27% Energy • 71% Liveness
19% Instrumentalness • 61% Positiveness
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Ken Darby Male Chorus
Bloody Mary
129 bpm • D# Maj • 01:54 • -10.37db
27% Popularity • 79% Danceability • 56% Energy • 22% Liveness
0% Instrumentalness • 97% Positiveness
27% Popularity • 79% Danceability • 56% Energy • 22% Liveness
0% Instrumentalness • 97% Positiveness
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Meredith Willson
Seventy-Six Trombones
128 bpm • G# Maj • 03:01 • -14.13db
19% Popularity • 60% Danceability • 47% Energy • 6% Liveness
0% Instrumentalness • 80% Positiveness
19% Popularity • 60% Danceability • 47% Energy • 6% Liveness
0% Instrumentalness • 80% Positiveness
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Charmian Carr
Sixteen Going On Seventeen
128 bpm • G# Maj • 03:20 • -15.87db
51% Popularity • 49% Danceability • 13% Energy • 6% Liveness
0% Instrumentalness • 29% Positiveness
51% Popularity • 49% Danceability • 13% Energy • 6% Liveness
0% Instrumentalness • 29% Positiveness
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Richard Rodgers
Oklahoma!, Act 1: No. 9, Many a New Day
129 bpm • D Maj • 03:06 • -20.32db
9% Popularity • 50% Danceability • 8% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
9% Popularity • 50% Danceability • 8% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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Zero Mostel
Overture
128 bpm • G# Maj • 03:14 • -13.89db
4% Popularity • 31% Danceability • 32% Energy • 3% Liveness
81% Instrumentalness • 44% Positiveness
4% Popularity • 31% Danceability • 32% Energy • 3% Liveness
81% Instrumentalness • 44% Positiveness
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Colin Donnell
It's De-Lovely
149 bpm • G min • 04:59 • -14db
32% Popularity • 46% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
32% Popularity • 46% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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Broadway Cast Recording
Another Op'nin', Another Show
149 bpm • G# Maj • 06:16 • -9.82db
21% Popularity • 43% Danceability • 39% Energy • 6% Liveness
0% Instrumentalness • 34% Positiveness
21% Popularity • 43% Danceability • 39% Energy • 6% Liveness
0% Instrumentalness • 34% Positiveness
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Van Johnson
I'll Go Home with Bonnie Jean
128 bpm • G Maj • 02:52 • -12.23db
14% Popularity • 47% Danceability • 39% Energy • 20% Liveness
0% Instrumentalness • 59% Positiveness
14% Popularity • 47% Danceability • 39% Energy • 20% Liveness
0% Instrumentalness • 59% Positiveness
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Meg Johnson
June Is Bustin' Out All Over
127 bpm • A Maj • 05:34 • -15.99db
11% Popularity • 48% Danceability • 18% Energy • 17% Liveness
0% Instrumentalness • 43% Positiveness
11% Popularity • 48% Danceability • 18% Energy • 17% Liveness
0% Instrumentalness • 43% Positiveness
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Richard Rodgers
South Pacific - Original Broadway Cast R...
129 bpm • E Maj • 03:36 • -11.52db
11% Popularity • 67% Danceability • 37% Energy • 25% Liveness
0% Instrumentalness • 41% Positiveness
11% Popularity • 67% Danceability • 37% Energy • 25% Liveness
0% Instrumentalness • 41% Positiveness
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Russ Brown
Heart
127 bpm • G# Maj • 04:41 • -14db
16% Popularity • 63% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
16% Popularity • 63% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Original Broadway Cast: Me And My Girl
Finale "Me And My Girl" - Original Cast ...
127 bpm • B Maj • 01:34 • -14.91db
15% Popularity • 43% Danceability • 48% Energy • 45% Liveness
0% Instrumentalness • 50% Positiveness
15% Popularity • 43% Danceability • 48% Energy • 45% Liveness
0% Instrumentalness • 50% Positiveness
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Virginia Gibson
June Bride
127 bpm • F Maj • 03:18 • -19db
29% Popularity • 35% Danceability • 6% Energy • 19% Liveness
0% Instrumentalness • 29% Positiveness
29% Popularity • 35% Danceability • 6% Energy • 19% Liveness
0% Instrumentalness • 29% Positiveness
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Marvin Hamlisch
One
126 bpm • D# Maj • 04:46 • -11db
31% Popularity • 57% Danceability • 35% Energy • 7% Liveness
0% Instrumentalness • 24% Positiveness
31% Popularity • 57% Danceability • 35% Energy • 7% Liveness
0% Instrumentalness • 24% Positiveness
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Jack Soo
Don't Marry Me
126 bpm • A# Maj • 03:00 • -13.7db
9% Popularity • 53% Danceability • 22% Energy • 6% Liveness
0% Instrumentalness • 75% Positiveness
9% Popularity • 53% Danceability • 22% Energy • 6% Liveness
0% Instrumentalness • 75% Positiveness
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Richard Rodgers
South Pacific - Original Broadway Cast R...
128 bpm • G Maj • 01:16 • -15.52db
9% Popularity • 48% Danceability • 10% Energy • 16% Liveness
0% Instrumentalness • 64% Positiveness
9% Popularity • 48% Danceability • 10% Energy • 16% Liveness
0% Instrumentalness • 64% Positiveness
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Charlotte Greenwood
Kansas City
125 bpm • C Maj • 02:30 • -14.43db
31% Popularity • 73% Danceability • 29% Energy • 52% Liveness
0% Instrumentalness • 86% Positiveness
31% Popularity • 73% Danceability • 29% Energy • 52% Liveness
0% Instrumentalness • 86% Positiveness
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John Davidson
Opening (Our State Fair)
125 bpm • C Maj • 02:09 • -14.39db
12% Popularity • 73% Danceability • 36% Energy • 22% Liveness
0% Instrumentalness • 85% Positiveness
12% Popularity • 73% Danceability • 36% Energy • 22% Liveness
0% Instrumentalness • 85% Positiveness
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Rodgers & Hammerstein
Pas de Deux
152 bpm • G Maj • 02:12 • -17.09db
9% Popularity • 46% Danceability • 12% Energy • 16% Liveness
84% Instrumentalness • 32% Positiveness
9% Popularity • 46% Danceability • 12% Energy • 16% Liveness
84% Instrumentalness • 32% Positiveness
