Songs like 美しきマジシャン by Naoki Sato
Based on a tempo of (+/- 10%) and a similar genre
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Joe Hisaishi
The King's Parade
96 bpm • E min • 01:46 • -12.79db
37% Popularity • 80% Danceability • 38% Energy • 7% Liveness
61% Instrumentalness • 31% Positiveness
37% Popularity • 80% Danceability • 38% Energy • 7% Liveness
61% Instrumentalness • 31% Positiveness
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Martin Phipps
Toulon
96 bpm • F# min • 03:25 • -13.37db
36% Popularity • 25% Danceability • 40% Energy • 11% Liveness
88% Instrumentalness • 15% Positiveness
36% Popularity • 25% Danceability • 40% Energy • 11% Liveness
88% Instrumentalness • 15% Positiveness
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Takayuki Hattori
MOBILE SUIT GUNDAM THE ORIGIN Main Theme
96 bpm • A# Maj • 03:22 • -9db
20% Popularity • 41% Danceability • 65% Energy • 12% Liveness
93% Instrumentalness • 22% Positiveness
20% Popularity • 41% Danceability • 65% Energy • 12% Liveness
93% Instrumentalness • 22% Positiveness
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Ramin Djawadi
The Breach
96 bpm • E Maj • 03:15 • -14.48db
27% Popularity • 46% Danceability • 41% Energy • 9% Liveness
87% Instrumentalness • 10% Positiveness
27% Popularity • 46% Danceability • 41% Energy • 9% Liveness
87% Instrumentalness • 10% Positiveness
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Naoki Sato
遭遇
96 bpm • C min • 03:26 • -17db
17% Popularity • 28% Danceability • 48% Energy • 13% Liveness
97% Instrumentalness • 4% Positiveness
17% Popularity • 28% Danceability • 48% Energy • 13% Liveness
97% Instrumentalness • 4% Positiveness
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Taro Iwashiro
儚き命の声
95 bpm • D Maj • 04:12 • -17db
15% Popularity • 12% Danceability • 22% Energy • 8% Liveness
89% Instrumentalness • 4% Positiveness
15% Popularity • 12% Danceability • 22% Energy • 8% Liveness
89% Instrumentalness • 4% Positiveness
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小六禮次郎
Godzilla Falls into Mt. Mihara
97 bpm • A min • 01:45 • -17.32db
14% Popularity • 20% Danceability • 22% Energy • 34% Liveness
85% Instrumentalness • 9% Positiveness
14% Popularity • 20% Danceability • 22% Energy • 34% Liveness
85% Instrumentalness • 9% Positiveness
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Ilan Eshkeri
The Way of the Samurai
95 bpm • G min • 03:19 • -11.75db
38% Popularity • 55% Danceability • 59% Energy • 9% Liveness
84% Instrumentalness • 26% Positiveness
38% Popularity • 55% Danceability • 59% Energy • 9% Liveness
84% Instrumentalness • 26% Positiveness
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Volker Bertelmann
Tanks
95 bpm • C# Maj • 01:46 • -15.71db
37% Popularity • 50% Danceability • 35% Energy • 11% Liveness
79% Instrumentalness • 4% Positiveness
37% Popularity • 50% Danceability • 35% Energy • 11% Liveness
79% Instrumentalness • 4% Positiveness
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Nobuo Uematsu
The Lion and the Hare - The Nysa Defile
95 bpm • D# Maj • 03:07 • -16.79db
37% Popularity • 47% Danceability • 38% Energy • 10% Liveness
74% Instrumentalness • 5% Positiveness
37% Popularity • 47% Danceability • 38% Energy • 10% Liveness
74% Instrumentalness • 5% Positiveness
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Naoki Sato
Despair
97 bpm • A# Maj • 03:24 • -13db
14% Popularity • 37% Danceability • 58% Energy • 28% Liveness
71% Instrumentalness • 6% Positiveness
14% Popularity • 37% Danceability • 58% Energy • 28% Liveness
71% Instrumentalness • 6% Positiveness
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Nick Arundel
Arkham City Main Theme
95 bpm • C# Maj • 02:47 • -13.86db
50% Popularity • 22% Danceability • 54% Energy • 9% Liveness
67% Instrumentalness • 8% Positiveness
50% Popularity • 22% Danceability • 54% Energy • 9% Liveness
67% Instrumentalness • 8% Positiveness
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Benjamin Wallfisch
Not This Time, Kid
95 bpm • D# Maj • 01:11 • -21.94db
22% Popularity • 18% Danceability • 6% Energy • 12% Liveness
78% Instrumentalness • 12% Positiveness
22% Popularity • 18% Danceability • 6% Energy • 12% Liveness
78% Instrumentalness • 12% Positiveness
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![Godzilla Appears / [Terror Of Mechagodzilla] cover art](https://i.scdn.co/image/ab67616d00001e024f5bb9a0316b9fd3a826d61e)
Akira Ifukube
Godzilla Appears / [Terror Of Mechagodzi...
95 bpm • C Maj • 01:22 • -11db
35% Popularity • 77% Danceability • 14% Energy • 12% Liveness
96% Instrumentalness • 58% Positiveness
35% Popularity • 77% Danceability • 14% Energy • 12% Liveness
96% Instrumentalness • 58% Positiveness
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Ifukube
Godzilla Vs. Destroyer: Main Title / Des...
95 bpm • F Maj • 03:20 • -13.46db
25% Popularity • 56% Danceability • 28% Energy • 10% Liveness
91% Instrumentalness • 28% Positiveness
25% Popularity • 56% Danceability • 28% Energy • 10% Liveness
91% Instrumentalness • 28% Positiveness
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Dan Levy
Sith Apprentice
98 bpm • C min • 02:43 • -18.11db
8% Popularity • 14% Danceability • 28% Energy • 11% Liveness
96% Instrumentalness • 3% Positiveness
8% Popularity • 14% Danceability • 28% Energy • 11% Liveness
96% Instrumentalness • 3% Positiveness
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Ruslan Butabayev
The Battle for the Fortress
94 bpm • A# min • 03:23 • -13.3db
12% Popularity • 61% Danceability • 76% Energy • 7% Liveness
81% Instrumentalness • 52% Positiveness
12% Popularity • 61% Danceability • 76% Energy • 7% Liveness
81% Instrumentalness • 52% Positiveness
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Sonya Belousova
Zoro vs Mihawk
98 bpm • B min • 03:02 • -9.24db
42% Popularity • 60% Danceability • 76% Energy • 19% Liveness
95% Instrumentalness • 51% Positiveness
42% Popularity • 60% Danceability • 76% Energy • 19% Liveness
95% Instrumentalness • 51% Positiveness
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Ludwig Göransson
Something More Important
98 bpm • D min • 03:25 • -25.43db
49% Popularity • 13% Danceability • 12% Energy • 12% Liveness
91% Instrumentalness • 3% Positiveness
49% Popularity • 13% Danceability • 12% Energy • 12% Liveness
91% Instrumentalness • 3% Positiveness
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Amie Doherty
Thank You For My Ember
98 bpm • F Maj • 02:27 • -19.65db
35% Popularity • 18% Danceability • 10% Energy • 9% Liveness
61% Instrumentalness • 4% Positiveness
35% Popularity • 18% Danceability • 10% Energy • 9% Liveness
61% Instrumentalness • 4% Positiveness
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J Scott Rakozy
Stuck on the Road
93 bpm • A# Maj • 01:22 • -19db
9% Popularity • 19% Danceability • 26% Energy • 12% Liveness
92% Instrumentalness • 3% Positiveness
9% Popularity • 19% Danceability • 26% Energy • 12% Liveness
92% Instrumentalness • 3% Positiveness
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Michiru Oshima
Godzilla's Theme from Godzilla vs. Megag...
98 bpm • A# min • 03:33 • -14.68db
21% Popularity • 41% Danceability • 40% Energy • 12% Liveness
87% Instrumentalness • 15% Positiveness
21% Popularity • 41% Danceability • 40% Energy • 12% Liveness
87% Instrumentalness • 15% Positiveness
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Naoki Sato
義弟
93 bpm • G# Maj • 02:23 • -17.81db
14% Popularity • 11% Danceability • 12% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
14% Popularity • 11% Danceability • 12% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
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Takayuki Hattori
最後の一人
99 bpm • D# Maj • 04:25 • -13.97db
9% Popularity • 13% Danceability • 11% Energy • 13% Liveness
89% Instrumentalness • 3% Positiveness
9% Popularity • 13% Danceability • 11% Energy • 13% Liveness
89% Instrumentalness • 3% Positiveness
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Kohei Tanaka
人々の願い～平和への祈りを�...
99 bpm • G Maj • 03:05 • -8.96db
31% Popularity • 14% Danceability • 44% Energy • 29% Liveness
94% Instrumentalness • 4% Positiveness
31% Popularity • 14% Danceability • 44% Energy • 29% Liveness
94% Instrumentalness • 4% Positiveness
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Amie Doherty
From the Embers of Edo to the New World
99 bpm • A min • 02:41 • -13.8db
33% Popularity • 33% Danceability • 22% Energy • 29% Liveness
40% Instrumentalness • 14% Positiveness
33% Popularity • 33% Danceability • 22% Energy • 29% Liveness
40% Instrumentalness • 14% Positiveness
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Leo Kaliski
Kyovashad
93 bpm • C Maj • 04:14 • -14.8db
35% Popularity • 22% Danceability • 24% Energy • 14% Liveness
88% Instrumentalness • 5% Positiveness
35% Popularity • 22% Danceability • 24% Energy • 14% Liveness
88% Instrumentalness • 5% Positiveness
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Michiru Oshima
Suite from Godzilla: Tokyo SOS (2003)
93 bpm • B Maj • 09:45 • -24.97db
14% Popularity • 16% Danceability • 10% Energy • 14% Liveness
91% Instrumentalness • 4% Positiveness
14% Popularity • 16% Danceability • 10% Energy • 14% Liveness
91% Instrumentalness • 4% Positiveness
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Nicholas Britell
Eulogy
99 bpm • G# Maj • 04:16 • -16.34db
34% Popularity • 14% Danceability • 24% Energy • 11% Liveness
80% Instrumentalness • 3% Positiveness
34% Popularity • 14% Danceability • 24% Energy • 11% Liveness
80% Instrumentalness • 3% Positiveness
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Nathan Grigg
Wu Shi Academy - Stage
99 bpm • F min • 05:12 • -11.53db
19% Popularity • 33% Danceability • 89% Energy • 8% Liveness
93% Instrumentalness • 38% Positiveness
19% Popularity • 33% Danceability • 89% Energy • 8% Liveness
93% Instrumentalness • 38% Positiveness
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Naoki Sato
交錯
92 bpm • A# Maj • 05:18 • -13.4db
6% Popularity • 26% Danceability • 36% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
6% Popularity • 26% Danceability • 36% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
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Rich Douglas
Metal Gear Solid Theme
100 bpm • A min • 02:29 • -14.61db
31% Popularity • 37% Danceability • 32% Energy • 7% Liveness
97% Instrumentalness • 4% Positiveness
31% Popularity • 37% Danceability • 32% Energy • 7% Liveness
97% Instrumentalness • 4% Positiveness
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Sonya Belousova
Wealth Fame Power
100 bpm • E min • 03:44 • -10.6db
39% Popularity • 16% Danceability • 58% Energy • 10% Liveness
96% Instrumentalness • 29% Positiveness
39% Popularity • 16% Danceability • 58% Energy • 10% Liveness
96% Instrumentalness • 29% Positiveness
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Dell Johnston
Enter the Spartan
100 bpm • F# Maj • 01:58 • -9.46db
9% Popularity • 58% Danceability • 72% Energy • 11% Liveness
90% Instrumentalness • 44% Positiveness
9% Popularity • 58% Danceability • 72% Energy • 11% Liveness
90% Instrumentalness • 44% Positiveness
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Alexandre Desplat
Godzilla!
100 bpm • D Maj • 02:08 • -11.87db
38% Popularity • 42% Danceability • 41% Energy • 7% Liveness
83% Instrumentalness • 5% Positiveness
38% Popularity • 42% Danceability • 41% Energy • 7% Liveness
83% Instrumentalness • 5% Positiveness
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Jon Opstad
After Hours
100 bpm • F min • 02:45 • -19.86db
12% Popularity • 52% Danceability • 32% Energy • 28% Liveness
77% Instrumentalness • 9% Positiveness
12% Popularity • 52% Danceability • 32% Energy • 28% Liveness
77% Instrumentalness • 9% Positiveness
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Naoki Sato
安倍晴明
92 bpm • D Maj • 03:01 • -11.77db
8% Popularity • 19% Danceability • 70% Energy • 12% Liveness
79% Instrumentalness • 4% Positiveness
8% Popularity • 19% Danceability • 70% Energy • 12% Liveness
79% Instrumentalness • 4% Positiveness
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Nathanael Lloyd
Iziz Cantina
100 bpm • C# Maj • 02:06 • -20.38db
14% Popularity • 72% Danceability • 31% Energy • 11% Liveness
87% Instrumentalness • 50% Positiveness
14% Popularity • 72% Danceability • 31% Energy • 11% Liveness
87% Instrumentalness • 50% Positiveness
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Atticus Ross
Main Title (Shōgun)
100 bpm • F# min • 01:51 • -10.01db
44% Popularity • 34% Danceability • 42% Energy • 16% Liveness
93% Instrumentalness • 3% Positiveness
44% Popularity • 34% Danceability • 42% Energy • 16% Liveness
93% Instrumentalness • 3% Positiveness
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Rei Kondoh
A Moment of Peace
100 bpm • D Maj • 03:36 • -19.83db
8% Popularity • 49% Danceability • 9% Energy • 10% Liveness
87% Instrumentalness • 6% Positiveness
8% Popularity • 49% Danceability • 9% Energy • 10% Liveness
87% Instrumentalness • 6% Positiveness
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MAYUKO
私はあなたを守れます
92 bpm • A min • 02:58 • -8.47db
9% Popularity • 52% Danceability • 69% Energy • 30% Liveness
83% Instrumentalness • 19% Positiveness
9% Popularity • 52% Danceability • 69% Energy • 30% Liveness
83% Instrumentalness • 19% Positiveness
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Benjamin Wallfisch
Worlds Collide - Superman Version
91 bpm • G# Maj • 02:31 • -11.34db
18% Popularity • 17% Danceability • 44% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
18% Popularity • 17% Danceability • 44% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
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Kenichiro Suehiro
親竜王国ルグニカ
91 bpm • G min • 02:43 • -11.48db
14% Popularity • 29% Danceability • 27% Energy • 4% Liveness
90% Instrumentalness • 4% Positiveness
14% Popularity • 29% Danceability • 27% Energy • 4% Liveness
90% Instrumentalness • 4% Positiveness
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Heitor Pereira
Make a Wish
91 bpm • D# Maj • 02:26 • -19.46db
23% Popularity • 33% Danceability • 6% Energy • 9% Liveness
94% Instrumentalness • 23% Positiveness
23% Popularity • 33% Danceability • 6% Energy • 9% Liveness
94% Instrumentalness • 23% Positiveness
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Kris Bowers
Nick Fury (Main Title Theme)
102 bpm • A# min • 02:03 • -13.67db
29% Popularity • 27% Danceability • 55% Energy • 11% Liveness
91% Instrumentalness • 16% Positiveness
29% Popularity • 27% Danceability • 55% Energy • 11% Liveness
91% Instrumentalness • 16% Positiveness
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Jeremy Zuckerman
Aang Becomes Ocean
91 bpm • G# min • 01:59 • -12.71db
39% Popularity • 13% Danceability • 51% Energy • 11% Liveness
95% Instrumentalness • 42% Positiveness
39% Popularity • 13% Danceability • 51% Energy • 11% Liveness
95% Instrumentalness • 42% Positiveness
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Nick Arundel
Evening the Odds
102 bpm • E min • 03:40 • -21.63db
33% Popularity • 49% Danceability • 46% Energy • 11% Liveness
78% Instrumentalness • 4% Positiveness
33% Popularity • 49% Danceability • 46% Energy • 11% Liveness
78% Instrumentalness • 4% Positiveness
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Benjamin Wallfisch
I Am Batman
102 bpm • C min • 02:06 • -9.23db
29% Popularity • 15% Danceability • 55% Energy • 7% Liveness
92% Instrumentalness • 4% Positiveness
29% Popularity • 15% Danceability • 55% Energy • 7% Liveness
92% Instrumentalness • 4% Positiveness
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Naoki Sato
慟哭の剣
90 bpm • C min • 01:43 • -13.48db
16% Popularity • 25% Danceability • 44% Energy • 14% Liveness
95% Instrumentalness • 4% Positiveness
16% Popularity • 25% Danceability • 44% Energy • 14% Liveness
95% Instrumentalness • 4% Positiveness
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Takashi Ohmama
GUNDAM PHARACT
102 bpm • A# min • 03:09 • -13.98db
23% Popularity • 40% Danceability • 48% Energy • 9% Liveness
83% Instrumentalness • 8% Positiveness
23% Popularity • 40% Danceability • 48% Energy • 9% Liveness
83% Instrumentalness • 8% Positiveness
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Kohei Tanaka
終結、ルフィVS.カイドウ
102 bpm • C Maj • 02:30 • -5.96db
28% Popularity • 27% Danceability • 63% Energy • 10% Liveness
95% Instrumentalness • 22% Positiveness
28% Popularity • 27% Danceability • 63% Energy • 10% Liveness
95% Instrumentalness • 22% Positiveness
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Ludwig Göransson
Gravity Swallows Light
90 bpm • D min • 03:30 • -18.24db
57% Popularity • 28% Danceability • 16% Energy • 7% Liveness
66% Instrumentalness • 4% Positiveness
57% Popularity • 28% Danceability • 16% Energy • 7% Liveness
66% Instrumentalness • 4% Positiveness
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Nick Arundel
Diana's Decision
90 bpm • A# Maj • 03:00 • -18.08db
14% Popularity • 18% Danceability • 30% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
14% Popularity • 18% Danceability • 30% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
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Ifukube
Godzilla Vs. Destroyer: Requiem
90 bpm • G# Maj • 03:02 • -16.04db
20% Popularity • 10% Danceability • 22% Energy • 37% Liveness
87% Instrumentalness • 4% Positiveness
20% Popularity • 10% Danceability • 22% Energy • 37% Liveness
87% Instrumentalness • 4% Positiveness
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Naoki Sato
上海から来た男
90 bpm • D Maj • 06:12 • -15db
16% Popularity • 14% Danceability • 32% Energy • 14% Liveness
83% Instrumentalness • 4% Positiveness
16% Popularity • 14% Danceability • 32% Energy • 14% Liveness
83% Instrumentalness • 4% Positiveness
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Yuki Hayashi
Jonetsu
90 bpm • A min • 03:10 • -14.75db
9% Popularity • 15% Danceability • 37% Energy • 20% Liveness
67% Instrumentalness • 9% Positiveness
9% Popularity • 15% Danceability • 37% Energy • 20% Liveness
67% Instrumentalness • 9% Positiveness
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Kohei Tanaka
ビッグ・マム覚醒
90 bpm • C# Maj • 02:24 • -8.2db
21% Popularity • 34% Danceability • 65% Energy • 13% Liveness
98% Instrumentalness • 13% Positiveness
21% Popularity • 34% Danceability • 65% Energy • 13% Liveness
98% Instrumentalness • 13% Positiveness
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Dario Marianelli
Cybertron Falls
103 bpm • F Maj • 01:53 • -11db
27% Popularity • 16% Danceability • 72% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
27% Popularity • 16% Danceability • 72% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
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John Paesano
Ready or Not
90 bpm • F Maj • 02:19 • -24.75db
35% Popularity • 20% Danceability • 4% Energy • 12% Liveness
90% Instrumentalness • 3% Positiveness
35% Popularity • 20% Danceability • 4% Energy • 12% Liveness
90% Instrumentalness • 3% Positiveness
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Ro'sø
Eternal Gravestone
89 bpm • C min • 01:06 • -9.86db
12% Popularity • 16% Danceability • 41% Energy • 24% Liveness
92% Instrumentalness • 35% Positiveness
12% Popularity • 16% Danceability • 41% Energy • 24% Liveness
92% Instrumentalness • 35% Positiveness
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Takashi Ohmama
Layer 33
103 bpm • C# Maj • 01:26 • -20.95db
30% Popularity • 59% Danceability • 43% Energy • 8% Liveness
95% Instrumentalness • 29% Positiveness
30% Popularity • 59% Danceability • 43% Energy • 8% Liveness
95% Instrumentalness • 29% Positiveness
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Asklepios
Socios Contrarios
104 bpm • C Maj • 02:27 • -17.45db
12% Popularity • 20% Danceability • 25% Energy • 10% Liveness
92% Instrumentalness • 28% Positiveness
12% Popularity • 20% Danceability • 25% Energy • 10% Liveness
92% Instrumentalness • 28% Positiveness
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Michiru Oshima
落陽
89 bpm • D min • 01:38 • -22.7db
25% Popularity • 48% Danceability • 3% Energy • 11% Liveness
76% Instrumentalness • 21% Positiveness
25% Popularity • 48% Danceability • 3% Energy • 11% Liveness
76% Instrumentalness • 21% Positiveness
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TATRAN
Fields of Dusk - Orchestral Version
104 bpm • C# Maj • 04:41 • -18.46db
41% Popularity • 26% Danceability • 27% Energy • 12% Liveness
95% Instrumentalness • 6% Positiveness
41% Popularity • 26% Danceability • 27% Energy • 12% Liveness
95% Instrumentalness • 6% Positiveness
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John Paesano
Healing the World
90 bpm • G# Maj • 03:07 • -15.89db
29% Popularity • 12% Danceability • 34% Energy • 12% Liveness
89% Instrumentalness • 9% Positiveness
29% Popularity • 12% Danceability • 34% Energy • 12% Liveness
89% Instrumentalness • 9% Positiveness
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Gary Schyman
Bathysphere Ride
89 bpm • A min • 04:52 • -25.77db
8% Popularity • 12% Danceability • 19% Energy • 90% Liveness
75% Instrumentalness • 4% Positiveness
8% Popularity • 12% Danceability • 19% Energy • 90% Liveness
75% Instrumentalness • 4% Positiveness
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Takashi Ohmama
Asticassia
89 bpm • E Maj • 03:37 • -14.95db
27% Popularity • 38% Danceability • 31% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
27% Popularity • 38% Danceability • 31% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Naoki Sato
交錯
104 bpm • C# min • 01:38 • -22.05db
12% Popularity • 35% Danceability • 24% Energy • 8% Liveness
96% Instrumentalness • 4% Positiveness
12% Popularity • 35% Danceability • 24% Energy • 8% Liveness
96% Instrumentalness • 4% Positiveness
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Akira Senju
March of the Moving Dolls
104 bpm • G Maj • 01:53 • -14.6db
24% Popularity • 93% Danceability • 37% Energy • 8% Liveness
98% Instrumentalness • 96% Positiveness
24% Popularity • 93% Danceability • 37% Energy • 8% Liveness
98% Instrumentalness • 96% Positiveness
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Charlie Clouser
Henry Hope
88 bpm • F Maj • 03:54 • -30.76db
13% Popularity • 10% Danceability • 2% Energy • 9% Liveness
90% Instrumentalness • 3% Positiveness
13% Popularity • 10% Danceability • 2% Energy • 9% Liveness
90% Instrumentalness • 3% Positiveness
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斎木達彦
A Fleeting Peace
88 bpm • A# Maj • 04:27 • -13.21db
11% Popularity • 12% Danceability • 17% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
11% Popularity • 12% Danceability • 17% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
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John Paesano
Behind the Mask
88 bpm • G min • 02:19 • -19.74db
35% Popularity • 18% Danceability • 7% Energy • 15% Liveness
84% Instrumentalness • 4% Positiveness
35% Popularity • 18% Danceability • 7% Energy • 15% Liveness
84% Instrumentalness • 4% Positiveness
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Amie Doherty
A Young Edo Bride
88 bpm • G# Maj • 01:59 • -27.94db
37% Popularity • 23% Danceability • 3% Energy • 13% Liveness
88% Instrumentalness • 4% Positiveness
37% Popularity • 23% Danceability • 3% Energy • 13% Liveness
88% Instrumentalness • 4% Positiveness
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Yoshihiro Ike
畜生道
105 bpm • C min • 01:18 • -13.7db
31% Popularity • 57% Danceability • 28% Energy • 8% Liveness
77% Instrumentalness • 12% Positiveness
31% Popularity • 57% Danceability • 28% Energy • 8% Liveness
77% Instrumentalness • 12% Positiveness
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Leo Pearson
Escape
88 bpm • F Maj • 03:17 • -16.66db
11% Popularity • 13% Danceability • 24% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
11% Popularity • 13% Danceability • 24% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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KOHTA YAMAMOTO
TRAITOR
105 bpm • D Maj • 04:47 • -11db
42% Popularity • 49% Danceability • 69% Energy • 11% Liveness
86% Instrumentalness • 7% Positiveness
42% Popularity • 49% Danceability • 69% Energy • 11% Liveness
86% Instrumentalness • 7% Positiveness
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VICE PICHEROY
The Moment Our Eyes First Meet
105 bpm • C# Maj • 01:01 • -23.34db
25% Popularity • 63% Danceability • 11% Energy • 10% Liveness
91% Instrumentalness • 38% Positiveness
25% Popularity • 63% Danceability • 11% Energy • 10% Liveness
91% Instrumentalness • 38% Positiveness
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John Paesano
The Golden Age
105 bpm • E min • 03:06 • -14db
38% Popularity • 44% Danceability • 44% Energy • 9% Liveness
90% Instrumentalness • 6% Positiveness
38% Popularity • 44% Danceability • 44% Energy • 9% Liveness
90% Instrumentalness • 6% Positiveness
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Johan Söderqvist
Sandstone
105 bpm • D Maj • 03:05 • -11.65db
26% Popularity • 57% Danceability • 51% Energy • 13% Liveness
89% Instrumentalness • 16% Positiveness
26% Popularity • 57% Danceability • 51% Energy • 13% Liveness
89% Instrumentalness • 16% Positiveness
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Amie Doherty
Akemi's Theme (Suite)
88 bpm • G# Maj • 04:36 • -16.54db
32% Popularity • 21% Danceability • 28% Energy • 31% Liveness
56% Instrumentalness • 6% Positiveness
32% Popularity • 21% Danceability • 28% Energy • 31% Liveness
56% Instrumentalness • 6% Positiveness
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Christopher Drake
The Night Before Christmas
88 bpm • C min • 02:07 • -15.72db
26% Popularity • 10% Danceability • 31% Energy • 10% Liveness
93% Instrumentalness • 14% Positiveness
26% Popularity • 10% Danceability • 31% Energy • 10% Liveness
93% Instrumentalness • 14% Positiveness
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KOHTA YAMAMOTO
Vanishment
106 bpm • C min • 03:20 • -16.38db
36% Popularity • 25% Danceability • 27% Energy • 10% Liveness
84% Instrumentalness • 4% Positiveness
36% Popularity • 25% Danceability • 27% Energy • 10% Liveness
84% Instrumentalness • 4% Positiveness
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Ifukube
Godzilla: Requiem
87 bpm • D min • 01:58 • -19.26db
7% Popularity • 15% Danceability • 10% Energy • 11% Liveness
68% Instrumentalness • 4% Positiveness
7% Popularity • 15% Danceability • 10% Energy • 11% Liveness
68% Instrumentalness • 4% Positiveness
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John Paesano
City of Hope
105 bpm • C Maj • 01:42 • -12db
37% Popularity • 38% Danceability • 46% Energy • 32% Liveness
88% Instrumentalness • 25% Positiveness
37% Popularity • 38% Danceability • 46% Energy • 32% Liveness
88% Instrumentalness • 25% Positiveness
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Akira Ifukube
Godzilla Comes Ashore / [Godzilla]
106 bpm • G Maj • 01:26 • -12.05db
31% Popularity • 39% Danceability • 59% Energy • 91% Liveness
91% Instrumentalness • 2% Positiveness
31% Popularity • 39% Danceability • 59% Energy • 91% Liveness
91% Instrumentalness • 2% Positiveness
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Yuka Kitamura
Dark Souls 3
106 bpm • E min • 02:46 • -12.05db
44% Popularity • 35% Danceability • 40% Energy • 22% Liveness
48% Instrumentalness • 20% Positiveness
44% Popularity • 35% Danceability • 40% Energy • 22% Liveness
48% Instrumentalness • 20% Positiveness
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Christopher Drake
Arkham Origins Main Titles
106 bpm • G min • 02:52 • -11.43db
40% Popularity • 24% Danceability • 57% Energy • 8% Liveness
83% Instrumentalness • 9% Positiveness
40% Popularity • 24% Danceability • 57% Energy • 8% Liveness
83% Instrumentalness • 9% Positiveness
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Michael Kamen
No Following
87 bpm • A min • 04:02 • -17db
24% Popularity • 10% Danceability • 9% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
24% Popularity • 10% Danceability • 9% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
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Maclaine Diemer
Secrets of the Obscure
106 bpm • G Maj • 03:10 • -18.65db
18% Popularity • 16% Danceability • 28% Energy • 8% Liveness
89% Instrumentalness • 4% Positiveness
18% Popularity • 16% Danceability • 28% Energy • 8% Liveness
89% Instrumentalness • 4% Positiveness
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Michiru Oshima
別れの曲 (piano ver.)
106 bpm • E Maj • 04:32 • -24.02db
16% Popularity • 47% Danceability • 2% Energy • 8% Liveness
89% Instrumentalness • 21% Positiveness
16% Popularity • 47% Danceability • 2% Energy • 8% Liveness
89% Instrumentalness • 21% Positiveness
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Natalie Holt
Singularity
107 bpm • A min • 02:27 • -18.86db
29% Popularity • 16% Danceability • 16% Energy • 7% Liveness
98% Instrumentalness • 3% Positiveness
29% Popularity • 16% Danceability • 16% Energy • 7% Liveness
98% Instrumentalness • 3% Positiveness
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Takashi Ohmama
The Way We Wanna Go
107 bpm • A# Maj • 03:34 • -10.8db
24% Popularity • 32% Danceability • 39% Energy • 21% Liveness
93% Instrumentalness • 7% Positiveness
24% Popularity • 32% Danceability • 39% Energy • 21% Liveness
93% Instrumentalness • 7% Positiveness
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Alexandre Desplat
Last Shot
107 bpm • C# Maj • 01:58 • -11.32db
25% Popularity • 59% Danceability • 60% Energy • 62% Liveness
94% Instrumentalness • 19% Positiveness
25% Popularity • 59% Danceability • 60% Energy • 62% Liveness
94% Instrumentalness • 19% Positiveness
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Stephen Barton
Make It So
86 bpm • F# Maj • 06:02 • -15.65db
28% Popularity • 9% Danceability • 25% Energy • 13% Liveness
94% Instrumentalness • 4% Positiveness
28% Popularity • 9% Danceability • 25% Energy • 13% Liveness
94% Instrumentalness • 4% Positiveness
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Cris Velasco
Aphotic Judgement
86 bpm • F min • 02:48 • -12.96db
20% Popularity • 18% Danceability • 44% Energy • 10% Liveness
94% Instrumentalness • 31% Positiveness
20% Popularity • 18% Danceability • 44% Energy • 10% Liveness
94% Instrumentalness • 31% Positiveness
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Takayuki Hattori
別れ
86 bpm • E min • 03:57 • -11.59db
10% Popularity • 28% Danceability • 17% Energy • 8% Liveness
88% Instrumentalness • 4% Positiveness
10% Popularity • 28% Danceability • 17% Energy • 8% Liveness
88% Instrumentalness • 4% Positiveness
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Masaru Yokoyama
Her Name Is Saki
107 bpm • C# min • 04:20 • -10.65db
15% Popularity • 31% Danceability • 44% Energy • 12% Liveness
89% Instrumentalness • 15% Positiveness
15% Popularity • 31% Danceability • 44% Energy • 12% Liveness
89% Instrumentalness • 15% Positiveness
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Yoshihiro Ike
GENESIS
86 bpm • D# Maj • 01:51 • -10.13db
10% Popularity • 20% Danceability • 47% Energy • 10% Liveness
67% Instrumentalness • 4% Positiveness
10% Popularity • 20% Danceability • 47% Energy • 10% Liveness
67% Instrumentalness • 4% Positiveness
