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Смуглянка
Songs like
Смуглянка
by
Николай Абрамов
Based on a tempo of (+/- 10%) and a similar genre
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Francis Poulenc
Poulenc: Stabat Mater, FP 148: I. Stabat...
96 bpm • A min • 04:09 • -23.73db
10% Popularity • 19% Danceability • 13% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Miguel Guerau
Sábado Santo: Vespere Autem Sabbati. 4 ...
96 bpm • A# Maj • 01:38 • -12.08db
11% Popularity • 24% Danceability • 27% Energy • 32% Liveness
0% Instrumentalness • 10% Positiveness
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Sergei Rachmaninoff
Aleko: The Young Gypsy's Romance
97 bpm • G min • 01:47 • -29db
34% Popularity • 25% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Guillaume de Machaut
Messe de Notre-Dame: VI. Credo
97 bpm • D# Maj • 09:39 • -22.87db
18% Popularity • 14% Danceability • 20% Energy • 14% Liveness
0% Instrumentalness • 10% Positiveness
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Sergei Prokofiev
Alexander Nevsky, Op. 78: II. Song About...
97 bpm • A# Maj • 03:32 • -24.92db
14% Popularity • 12% Danceability • 2% Energy • 9% Liveness
16% Instrumentalness • 12% Positiveness
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François d'Arjac
De Profundis
95 bpm • B Maj • 04:01 • -14.3db
11% Popularity • 16% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
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Francis Poulenc
Stabat Mater, FP 148: XII. Quando corpus
97 bpm • G# min • 04:05 • -18.09db
9% Popularity • 14% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Taizé
Cantate Domino
95 bpm • C min • 03:18 • -12.41db
8% Popularity • 19% Danceability • 34% Energy • 20% Liveness
72% Instrumentalness • 19% Positiveness
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Paul Robeson
Derry Air (Danny Boy)
97 bpm • F# Maj • 02:43 • -19.07db
10% Popularity • 33% Danceability • 15% Energy • 11% Liveness
2% Instrumentalness • 37% Positiveness
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The Orthodox Church Music Ensemble
Blazen Muz
97 bpm • B min • 04:34 • -25db
9% Popularity • 19% Danceability • 6% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
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Γιάννη Yang
Chanson a Boire from DonQuichotte a Dulc...
97 bpm • C Maj • 01:46 • -3.62db
13% Popularity • 42% Danceability • 60% Energy • 32% Liveness
0% Instrumentalness • 62% Positiveness
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Вольны Хор
Ваяцкі марш («Мы выйдз...
95 bpm • A min • 01:54 • -12.37db
15% Popularity • 48% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Doppelsextett Velden
Pfiat Gott liabe Alm
97 bpm • D# Maj • 02:38 • -22.35db
9% Popularity • 25% Danceability • 6% Energy • 11% Liveness
1% Instrumentalness • 12% Positiveness
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Napoleon Bonaparte
Veillons au Salut de l'Empire
98 bpm • A# Maj • 03:54 • -12.3db
13% Popularity • 39% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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Anonymous
Die Lore am Tore, "Von allen den Madchen...
98 bpm • E Maj • 02:00 • -23.47db
13% Popularity • 75% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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The Sveshknikov Choir
Alone I Stand on the Road
98 bpm • C Maj • 05:11 • -21.83db
0% Popularity • 22% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 6% Positiveness
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Teresa Berganza
Asturiana
94 bpm • F min • 02:44 • -11.5db
7% Popularity • 28% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Хор Сретенского монастыря
Амурские волны
94 bpm • A# min • 03:26 • -15.08db
14% Popularity • 30% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 27% Positiveness
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Carl Michael Bellman
Bellmans skrifter: No. 8. Gustafs skal!
98 bpm • B Maj • 01:26 • -22.52db
10% Popularity • 75% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
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Kärntner Madrigalchor Klagenfurt, Leitung: Nikolaus Fheodoroff
Wann du durchgeahst durchs Tal
94 bpm • F Maj • 03:42 • -20.82db
7% Popularity • 25% Danceability • 11% Energy • 17% Liveness
0% Instrumentalness • 22% Positiveness
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Boinas Verdes
Ó Pátria Mãe
94 bpm • D# Maj • 01:50 • -17.92db
10% Popularity • 43% Danceability • 6% Energy • 34% Liveness
0% Instrumentalness • 44% Positiveness
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Modest Mussorgsky
The Destruction of Sennacherib - Live
94 bpm • A min • 06:00 • -23db
12% Popularity • 27% Danceability • 9% Energy • 11% Liveness
73% Instrumentalness • 14% Positiveness
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Giovanni Battista Pergolesi
Tre giorni son che Nina
99 bpm • G min • 01:43 • -19db
25% Popularity • 31% Danceability • 4% Energy • 16% Liveness
0% Instrumentalness • 19% Positiveness
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The Royal Song Association Mastreechter Staar
Tebje Pojem: Tebje Pojem
99 bpm • A Maj • 03:13 • -25.46db
7% Popularity • 13% Danceability • 6% Energy • 28% Liveness
0% Instrumentalness • 4% Positiveness
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Kathleen Ferrier
Blow the Wind Southerly
99 bpm • C# min • 02:16 • -15.43db
12% Popularity • 42% Danceability • 9% Energy • 15% Liveness
0% Instrumentalness • 28% Positiveness
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New Apostolic Church of Cape Town
There Is A Glorious Land
93 bpm • G Maj • 06:36 • -19.11db
18% Popularity • 12% Danceability • 14% Energy • 9% Liveness
58% Instrumentalness • 6% Positiveness
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Coro de Jovenes Hermosa Provincia
Juventud
99 bpm • G Maj • 04:57 • -15.34db
7% Popularity • 31% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
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Ural Cossacks Choir
Volga Boatmen (Barge Hauler)
93 bpm • B min • 05:00 • -21.15db
5% Popularity • 17% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
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Felix Mendelssohn
Elijah, Op. 70, MWV A25 / Part 1: "Yet d...
99 bpm • C Maj • 04:00 • -17.7db
17% Popularity • 22% Danceability • 25% Energy • 26% Liveness
15% Instrumentalness • 4% Positiveness
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Evgeny Stetsyuk
Vot Soldaty Idut (Soldiers are Coming)
99 bpm • F min • 02:58 • -14db
11% Popularity • 38% Danceability • 22% Energy • 9% Liveness
1% Instrumentalness • 23% Positiveness
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Эдуард Хиль
Жди меня
99 bpm • D# min • 02:43 • -17.99db
0% Popularity • 41% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Karl Jenkins
Hidden Faces
93 bpm • C# Maj • 01:19 • -23.39db
10% Popularity • 33% Danceability • 16% Energy • 17% Liveness
0% Instrumentalness • 10% Positiveness
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Sapir Naomi Shemer
Yerushalaim Shel Zahav (Jerusalem of Gol...
100 bpm • C Maj • 02:16 • -26.69db
37% Popularity • 56% Danceability • 3% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
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Traditional
The Tula Accordion (arr. Afanasiev)
93 bpm • A# Maj • 02:45 • -21.2db
2% Popularity • 36% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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German Choir
Prinz Eugen
92 bpm • E Maj • 01:52 • -18.82db
26% Popularity • 60% Danceability • 42% Energy • 75% Liveness
89% Instrumentalness • 61% Positiveness
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Carl Orff
Carmina Burana: XII. Olim lacus colueram
92 bpm • D Maj • 03:46 • -25.26db
26% Popularity • 32% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Orquesta de Cámara de Berlín
La Pasión según San Mateo, BWV 244: No...
92 bpm • B min • 07:16 • -16.84db
10% Popularity • 13% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 9% Positiveness
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Coral Salvé de Laredo
Himno del Racing de Santander - Versión...
92 bpm • F Maj • 03:08 • -10.77db
11% Popularity • 21% Danceability • 30% Energy • 10% Liveness
24% Instrumentalness • 20% Positiveness
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Ana Maria Iriarte
El Año Pasado por Agua: "Introducción ...
92 bpm • C Maj • 01:02 • -11.13db
11% Popularity • 62% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Corniche Mac-Mahon Lycée Militaire d'Autun
La ligue noire
92 bpm • F Maj • 02:35 • -18db
11% Popularity • 21% Danceability • 14% Energy • 40% Liveness
0% Instrumentalness • 26% Positiveness
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MartÍn Palmeri
Misa a Buenos Aires "Misatango": Sanctus
92 bpm • G min • 03:17 • -19.38db
9% Popularity • 23% Danceability • 11% Energy • 10% Liveness
32% Instrumentalness • 10% Positiveness
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Sabelizwe Music
Susa Kengoko
100 bpm • G# Maj • 03:31 • -11.65db
8% Popularity • 46% Danceability • 54% Energy • 20% Liveness
0% Instrumentalness • 39% Positiveness
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Hinos Nacionais
Hino da Independência - Coral
100 bpm • D Maj • 03:51 • -15.33db
11% Popularity • 50% Danceability • 17% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
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Páll Ísólfsson
Brennið þið vitar (Live)
100 bpm • E min • 04:28 • -13.43db
12% Popularity • 36% Danceability • 38% Energy • 69% Liveness
5% Instrumentalness • 15% Positiveness
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James Hannigan
March of the Old Guard
100 bpm • C Maj • 02:15 • -11.06db
8% Popularity • 42% Danceability • 20% Energy • 16% Liveness
0% Instrumentalness • 17% Positiveness
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Tuna de Engenharia da Universidade do Porto
Só um Beijo
100 bpm • A Maj • 04:33 • -15.91db
9% Popularity • 33% Danceability • 24% Energy • 6% Liveness
84% Instrumentalness • 31% Positiveness
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Jose Nebra
Donde hay violencia no hay culpa, Act I:...
100 bpm • A# min • 01:25 • -15db
12% Popularity • 34% Danceability • 42% Energy • 13% Liveness
66% Instrumentalness • 48% Positiveness
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Mark Hellinger Theatre Orchestra
Processional
92 bpm • C Maj • 03:51 • -12.84db
0% Popularity • 35% Danceability • 17% Energy • 26% Liveness
0% Instrumentalness • 24% Positiveness
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Canticum Canticorum
Crucem Tuam Adoramus
92 bpm • D# min • 01:10 • -14.75db
10% Popularity • 23% Danceability • 27% Energy • 23% Liveness
0% Instrumentalness • 26% Positiveness
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Amadeo Vives
Doña Francisquita: Coro de Románticos
101 bpm • D# Maj • 05:53 • -23db
15% Popularity • 18% Danceability • 9% Energy • 8% Liveness
12% Instrumentalness • 8% Positiveness
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Chorale de la promotion Compagnons de la Libération
Hostia Sancta
92 bpm • B min • 07:06 • -14db
27% Popularity • 16% Danceability • 26% Energy • 13% Liveness
1% Instrumentalness • 11% Positiveness
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The Black Dyke Mills Band
Hallelujah Chorus from Handel's Messiah
101 bpm • C# Maj • 04:02 • -13.06db
8% Popularity • 29% Danceability • 37% Energy • 8% Liveness
14% Instrumentalness • 41% Positiveness
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Hamlet Gonashvili
Orovela
91 bpm • C Maj • 05:25 • -26db
17% Popularity • 12% Danceability • 4% Energy • 9% Liveness
88% Instrumentalness • 3% Positiveness
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Enschede's Byzantijns Kozakkenkoor
Plovi Plovi
101 bpm • G# Maj • 04:13 • -27.5db
11% Popularity • 14% Danceability • 5% Energy • 11% Liveness
4% Instrumentalness • 4% Positiveness
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N. Shchurovsky
May You Live for Many Years, Orthodox Ru...
91 bpm • A# Maj • 01:30 • -13.14db
10% Popularity • 34% Danceability • 36% Energy • 25% Liveness
0% Instrumentalness • 36% Positiveness
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Francisco Asenjo Barbieri
El Barberillo de Lavapies: Jota de los E...
101 bpm • D Maj • 05:12 • -16db
15% Popularity • 41% Danceability • 28% Energy • 22% Liveness
0% Instrumentalness • 29% Positiveness
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Traditional
See what misfortune has come upon us (ar...
101 bpm • E min • 01:12 • -23.22db
0% Popularity • 53% Danceability • 32% Energy • 22% Liveness
0% Instrumentalness • 9% Positiveness
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Tavita Te'o
Hawaii Ponoi
91 bpm • E Maj • 01:00 • -23.87db
22% Popularity • 28% Danceability • 2% Energy • 19% Liveness
0% Instrumentalness • 15% Positiveness
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Stanisław Moniuszko
Ten zegar stary (Skoluba/Maciej)
91 bpm • F# Maj • 03:35 • -20.97db
11% Popularity • 36% Danceability • 8% Energy • 10% Liveness
3% Instrumentalness • 28% Positiveness
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Théodore Dubois
Seven Last Words - Third Word - Theodore...
91 bpm • A min • 05:35 • -25.6db
10% Popularity • 12% Danceability • 4% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
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Oskar Lindberg
Jag lyfter ögat mot himmelen
101 bpm • A min • 04:03 • -20db
8% Popularity • 19% Danceability • 11% Energy • 8% Liveness
30% Instrumentalness • 4% Positiveness
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日本合唱団
The Internationale (Japanese ) 共産主...
102 bpm • A# Maj • 02:55 • -15.18db
17% Popularity • 37% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
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Ural Cossacks Choir
The Song of the Ural Cossacks
91 bpm • C Maj • 01:39 • -12db
26% Popularity • 24% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
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Robert Shaw
The Battle Hymn of the Republic
91 bpm • D# Maj • 05:29 • -16.14db
6% Popularity • 41% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
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Lee Jacobs
La Vergine Degli Angeli
102 bpm • G Maj • 03:00 • -18db
20% Popularity • 19% Danceability • 18% Energy • 13% Liveness
19% Instrumentalness • 4% Positiveness
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August Söderman
Ett bondbröllop: I. Bröllopsmarsch
102 bpm • F Maj • 02:29 • -17db
11% Popularity • 38% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Γιάννη Yang
Come Paride Vezzoso
102 bpm • F Maj • 02:45 • -4db
17% Popularity • 37% Danceability • 54% Energy • 29% Liveness
0% Instrumentalness • 40% Positiveness
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Alexandrov Red Army Choir
The Birch Tree
103 bpm • E min • 03:09 • -7.52db
16% Popularity • 40% Danceability • 45% Energy • 34% Liveness
0% Instrumentalness • 25% Positiveness
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Gryllus Vilmos
Szeretnék Szántani - Operában
103 bpm • G Maj • 01:42 • -25.67db
14% Popularity • 36% Danceability • 6% Energy • 14% Liveness
37% Instrumentalness • 15% Positiveness
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Chorale de la promotion Compagnons de la Libération
Belle qui tient ma vie
103 bpm • G Maj • 03:22 • -13.52db
14% Popularity • 23% Danceability • 23% Energy • 20% Liveness
0% Instrumentalness • 24% Positiveness
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New Apostolic Church of Cape Town
Hallelujah
103 bpm • D Maj • 03:52 • -11.48db
18% Popularity • 43% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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The Orthodox Church Music Ensemble
Kak Pajdu Ja
90 bpm • G min • 03:12 • -16.18db
8% Popularity • 13% Danceability • 21% Energy • 8% Liveness
8% Instrumentalness • 5% Positiveness
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Georgy Sviridov
Pushkinskiy venok: No. 7. Zorju bjut (Re...
90 bpm • F# Maj • 04:48 • -25.21db
8% Popularity • 16% Danceability • 1% Energy • 10% Liveness
52% Instrumentalness • 4% Positiveness
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Kaytanhousuja
Jokke-koiran surumarssi
89 bpm • D min • 01:07 • -5.89db
9% Popularity • 31% Danceability • 54% Energy • 28% Liveness
13% Instrumentalness • 40% Positiveness
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Traditional
Cold Waves Are Murmuring
103 bpm • D# min • 03:41 • -23db
0% Popularity • 26% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
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Miklós Rózsa
The Prayer of Our Lord
89 bpm • D Maj • 02:26 • -12.41db
8% Popularity • 16% Danceability • 30% Energy • 17% Liveness
35% Instrumentalness • 13% Positiveness
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Ильхам Шакиров
Эзлэдем, Бэгърем, Сине
89 bpm • F Maj • 03:15 • -14.45db
10% Popularity • 33% Danceability • 16% Energy • 11% Liveness
3% Instrumentalness • 31% Positiveness
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Modest Mussorgsky
5 Russian Folksongs: No. 2. Tï vzoydi, ...
103 bpm • C Maj • 02:21 • -18.09db
8% Popularity • 21% Danceability • 15% Energy • 34% Liveness
0% Instrumentalness • 20% Positiveness
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Miklos Paszti
Zengjuk a dalt - Egyveleg
89 bpm • D min • 09:43 • -12.08db
12% Popularity • 29% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Georgy Sviridov
Pushkin's Garland: Reveille
103 bpm • C# Maj • 05:32 • -29.8db
41% Popularity • 15% Danceability • 1% Energy • 12% Liveness
0% Instrumentalness • 3% Positiveness
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Γιάννη Yang
Schöne Fremde
89 bpm • A Maj • 01:11 • -5db
19% Popularity • 38% Danceability • 50% Energy • 12% Liveness
3% Instrumentalness • 32% Positiveness
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Orfeón de Miravalles
Laudaste Dóminum, monedas gentes (salmo...
89 bpm • C Maj • 04:32 • -12db
8% Popularity • 20% Danceability • 39% Energy • 10% Liveness
16% Instrumentalness • 10% Positiveness
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Carl Orff
Carmina Burana - III - Cours D'amour : T...
104 bpm • D Maj • 02:07 • -17db
21% Popularity • 41% Danceability • 35% Energy • 88% Liveness
0% Instrumentalness • 48% Positiveness
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Various Artists
The Internationale
89 bpm • A# Maj • 04:48 • -12.92db
6% Popularity • 34% Danceability • 37% Energy • 41% Liveness
0% Instrumentalness • 43% Positiveness
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Coro y Orquesta Reino de dios
Cantico 77 Sepamos Perdonar
104 bpm • A# Maj • 02:44 • -10.12db
15% Popularity • 27% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Chorale Saint Joseph
Papa Noël l'arrivée - Noël à la réu...
104 bpm • D Maj • 01:36 • -16.01db
10% Popularity • 64% Danceability • 45% Energy • 26% Liveness
0% Instrumentalness • 92% Positiveness
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Γιάννη Yang
Chanson Epique from DonQuichotte a Dulci...
89 bpm • F Maj • 02:35 • -4.83db
12% Popularity • 25% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 6% Positiveness
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Coro e Banda Degli Alpini
Va Pensiero
104 bpm • D# Maj • 03:20 • -7.6db
11% Popularity • 25% Danceability • 31% Energy • 11% Liveness
88% Instrumentalness • 14% Positiveness
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St. Petersburg Optina Pustyn Male Choir
Hey, You, Wide Steppe
88 bpm • G min • 03:13 • -22.42db
18% Popularity • 10% Danceability • 7% Energy • 11% Liveness
50% Instrumentalness • 4% Positiveness
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Enschede's Byzantijns Kozakkenkoor
Tebe Pojem
104 bpm • G# Maj • 03:51 • -20db
12% Popularity • 16% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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中国广播艺术团合唱团
国际歌
88 bpm • A# Maj • 04:48 • -14.61db
10% Popularity • 34% Danceability • 30% Energy • 16% Liveness
0% Instrumentalness • 47% Positiveness
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Hugh S. Roberton
All Through the Night
88 bpm • D# Maj • 02:35 • -19.64db
10% Popularity • 20% Danceability • 13% Energy • 12% Liveness
48% Instrumentalness • 10% Positiveness
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Γιάννη Yang
From DonQuichotte a Dulcinee
88 bpm • F Maj • 07:05 • -5db
17% Popularity • 25% Danceability • 50% Energy • 19% Liveness
0% Instrumentalness • 8% Positiveness
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The Red Army Choir
Tamo Daleko
105 bpm • F min • 03:03 • -14.86db
10% Popularity • 18% Danceability • 25% Energy • 10% Liveness
38% Instrumentalness • 31% Positiveness
► Preview
Dublin Welsh Male Voice Choir
All Through the Night/Ar Hyd Y Nos
105 bpm • E Maj • 02:17 • -30.46db
23% Popularity • 24% Danceability • 6% Energy • 10% Liveness
32% Instrumentalness • 15% Positiveness
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RB Chorus
Ide Tito Preko Romanije
88 bpm • F Maj • 01:45 • -11.72db
7% Popularity • 42% Danceability • 21% Energy • 40% Liveness
0% Instrumentalness • 24% Positiveness
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Puy du Fou
La procession
88 bpm • D# Maj • 02:04 • -20.94db
9% Popularity • 18% Danceability • 3% Energy • 11% Liveness
85% Instrumentalness • 8% Positiveness
► Preview
Orfeón de Miravalles
Ecce quan bonum (salmo 132)
105 bpm • F Maj • 03:25 • -11.81db
9% Popularity • 22% Danceability • 41% Energy • 19% Liveness
71% Instrumentalness • 15% Positiveness
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Alexandrov Red Army Choir
My Country
88 bpm • C Maj • 03:37 • -9db
23% Popularity • 21% Danceability • 54% Energy • 6% Liveness
58% Instrumentalness • 19% Positiveness
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The Red Army Choir
Black Raven
105 bpm • C# Maj • 05:32 • -14.22db
2% Popularity • 24% Danceability • 24% Energy • 11% Liveness
13% Instrumentalness • 9% Positiveness
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Смуглянка