Songs like Naane Bareda Nanna Kathege by Rajesh Krishnan
Based on a tempo of (+/- 10%) and a similar genre
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R. P. Patnaik
Konthakalam Kindata
100 bpm • D min • 04:54 • -8db
39% Popularity • 73% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 90% Positiveness
39% Popularity • 73% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 90% Positiveness
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V.Devanand
Enthaninne
100 bpm • E Maj • 04:06 • -5.6db
46% Popularity • 72% Danceability • 69% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
46% Popularity • 72% Danceability • 69% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
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Vijay Prakash
Hello Hello
100 bpm • A Maj • 04:19 • -7.55db
45% Popularity • 85% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
45% Popularity • 85% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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Rajesh Krishnan
Amalu Amalu
100 bpm • G Maj • 04:26 • -6.22db
40% Popularity • 75% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
40% Popularity • 75% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
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Kunal Ganjawala
Kushiyagide
100 bpm • B min • 04:37 • -6.91db
51% Popularity • 83% Danceability • 55% Energy • 31% Liveness
0% Instrumentalness • 79% Positiveness
51% Popularity • 83% Danceability • 55% Energy • 31% Liveness
0% Instrumentalness • 79% Positiveness
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Sonu Nigam, Shreya Ghoshal
Aramage
100 bpm • A# Maj • 04:53 • -10db
47% Popularity • 73% Danceability • 65% Energy • 20% Liveness
0% Instrumentalness • 47% Positiveness
47% Popularity • 73% Danceability • 65% Energy • 20% Liveness
0% Instrumentalness • 47% Positiveness
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S. P. Balasubrahmanyam
Voddura Sodhara
100 bpm • F min • 05:39 • -8.81db
50% Popularity • 84% Danceability • 86% Energy • 32% Liveness
0% Instrumentalness • 48% Positiveness
50% Popularity • 84% Danceability • 86% Energy • 32% Liveness
0% Instrumentalness • 48% Positiveness
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K.K, Shreya Ghoshal
Kanna Haniyondigey
100 bpm • G min • 05:08 • -8.34db
29% Popularity • 59% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
29% Popularity • 59% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Sathyaprakash
Chakkori
100 bpm • E Maj • 05:38 • -9.77db
49% Popularity • 71% Danceability • 52% Energy • 16% Liveness
0% Instrumentalness • 66% Positiveness
49% Popularity • 71% Danceability • 52% Energy • 16% Liveness
0% Instrumentalness • 66% Positiveness
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Hemanth
Junior Devadasa
100 bpm • F min • 04:10 • -10.12db
28% Popularity • 79% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
28% Popularity • 79% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Guru Kiran
2000 A D Ladiye
100 bpm • C# Maj • 05:39 • -11.28db
38% Popularity • 80% Danceability • 51% Energy • 17% Liveness
0% Instrumentalness • 29% Positiveness
38% Popularity • 80% Danceability • 51% Energy • 17% Liveness
0% Instrumentalness • 29% Positiveness
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Indu Nagaraj
Jilka Jilkare
100 bpm • G# Maj • 04:26 • -6db
35% Popularity • 60% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
35% Popularity • 60% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Kunal Ganjawala
Nanagu Ninagu
100 bpm • G Maj • 05:08 • -8.94db
21% Popularity • 51% Danceability • 53% Energy • 16% Liveness
0% Instrumentalness • 24% Positiveness
21% Popularity • 51% Danceability • 53% Energy • 16% Liveness
0% Instrumentalness • 24% Positiveness
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Sachin Basrur
Magariya
101 bpm • A# min • 03:04 • -9.42db
44% Popularity • 63% Danceability • 88% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
44% Popularity • 63% Danceability • 88% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
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Hariharan
O Sona
100 bpm • A min • 05:51 • -8.33db
5% Popularity • 82% Danceability • 65% Energy • 15% Liveness
0% Instrumentalness • 76% Positiveness
5% Popularity • 82% Danceability • 65% Energy • 15% Liveness
0% Instrumentalness • 76% Positiveness
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V. Harikrishna
Thraas Aakkathi
101 bpm • F min • 03:43 • -4db
49% Popularity • 94% Danceability • 74% Energy • 22% Liveness
0% Instrumentalness • 90% Positiveness
49% Popularity • 94% Danceability • 74% Energy • 22% Liveness
0% Instrumentalness • 90% Positiveness
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Puneeth Rajkumar
Edavatt Aitu
101 bpm • A min • 03:57 • -5.12db
42% Popularity • 83% Danceability • 82% Energy • 25% Liveness
0% Instrumentalness • 93% Positiveness
42% Popularity • 83% Danceability • 82% Energy • 25% Liveness
0% Instrumentalness • 93% Positiveness
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Manjula Gururaj
Engagementappo
102 bpm • G Maj • 05:32 • -11.29db
11% Popularity • 86% Danceability • 58% Energy • 21% Liveness
0% Instrumentalness • 74% Positiveness
11% Popularity • 86% Danceability • 58% Energy • 21% Liveness
0% Instrumentalness • 74% Positiveness
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Rajkumar
Jenina Holeyo
101 bpm • G Maj • 04:41 • -6.07db
41% Popularity • 40% Danceability • 59% Energy • 26% Liveness
0% Instrumentalness • 57% Positiveness
41% Popularity • 40% Danceability • 59% Energy • 26% Liveness
0% Instrumentalness • 57% Positiveness
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Haricharan
Yeno Yeno Aagide
102 bpm • A# min • 05:06 • -11.05db
49% Popularity • 77% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
49% Popularity • 77% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
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Hariharan
Yamaha Nagari
101 bpm • D Maj • 06:19 • -7.53db
50% Popularity • 75% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
50% Popularity • 75% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Udit Narayan
Oh Hrudaya
102 bpm • G min • 05:08 • -5.68db
41% Popularity • 60% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
41% Popularity • 60% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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Puneeth Rajkumar
Abhimanigale
102 bpm • B min • 04:10 • -7db
42% Popularity • 86% Danceability • 83% Energy • 3% Liveness
0% Instrumentalness • 76% Positiveness
42% Popularity • 86% Danceability • 83% Energy • 3% Liveness
0% Instrumentalness • 76% Positiveness
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Guru Kiran
Kolle
98 bpm • D min • 04:39 • -7.17db
36% Popularity • 60% Danceability • 83% Energy • 6% Liveness
0% Instrumentalness • 66% Positiveness
36% Popularity • 60% Danceability • 83% Energy • 6% Liveness
0% Instrumentalness • 66% Positiveness
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Raveendran
Manassil Midhuna (Duet)
98 bpm • F min • 04:57 • -13.91db
31% Popularity • 75% Danceability • 69% Energy • 7% Liveness
0% Instrumentalness • 59% Positiveness
31% Popularity • 75% Danceability • 69% Energy • 7% Liveness
0% Instrumentalness • 59% Positiveness
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Tippu
Neene Kane
102 bpm • A# min • 04:18 • -4.5db
35% Popularity • 80% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
35% Popularity • 80% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
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Rajesh Krishnan
Nee Naana (From "Tajmahal"}
98 bpm • C Maj • 05:20 • -8.74db
9% Popularity • 78% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
9% Popularity • 78% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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Hamsalekha
Bangarada Bombe Nanna
102 bpm • E min • 04:45 • -7.71db
46% Popularity • 63% Danceability • 70% Energy • 53% Liveness
0% Instrumentalness • 58% Positiveness
46% Popularity • 63% Danceability • 70% Energy • 53% Liveness
0% Instrumentalness • 58% Positiveness
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Vijay Yesudas
Priyanumathram
98 bpm • A min • 04:56 • -8.54db
45% Popularity • 72% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 75% Positiveness
45% Popularity • 72% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 75% Positiveness
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M. G. Sreekumar
Kadukittu Varuthuru - Duet Version
98 bpm • E min • 04:59 • -6.78db
51% Popularity • 81% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
51% Popularity • 81% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
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J. Anoop Seelin
Preethse Preethse
98 bpm • F Maj • 04:44 • -5.61db
39% Popularity • 68% Danceability • 87% Energy • 4% Liveness
0% Instrumentalness • 62% Positiveness
39% Popularity • 68% Danceability • 87% Energy • 4% Liveness
0% Instrumentalness • 62% Positiveness
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Najim Arshad
Aaro Aaro Chare
98 bpm • C Maj • 04:28 • -9.02db
49% Popularity • 76% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
49% Popularity • 76% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
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Rajesh Krishnan
Yeto Vellipoyindi
98 bpm • C Maj • 04:37 • -13.21db
54% Popularity • 66% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
54% Popularity • 66% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Hemanth
Oh Hrudaya
98 bpm • D min • 02:13 • -11db
1% Popularity • 40% Danceability • 47% Energy • 20% Liveness
0% Instrumentalness • 27% Positiveness
1% Popularity • 40% Danceability • 47% Energy • 20% Liveness
0% Instrumentalness • 27% Positiveness
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K. J. Yesudas
Pazhamthamizh
103 bpm • F Maj • 05:07 • -9.27db
47% Popularity • 50% Danceability • 38% Energy • 6% Liveness
0% Instrumentalness • 30% Positiveness
47% Popularity • 50% Danceability • 38% Energy • 6% Liveness
0% Instrumentalness • 30% Positiveness
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Jessi Gift, Chitra
College Papala
103 bpm • C Maj • 05:06 • -8.8db
49% Popularity • 68% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
49% Popularity • 68% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
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Puneeth Rajkumar
Rangeride
97 bpm • F min • 03:48 • -5.88db
46% Popularity • 82% Danceability • 64% Energy • 26% Liveness
0% Instrumentalness • 71% Positiveness
46% Popularity • 82% Danceability • 64% Energy • 26% Liveness
0% Instrumentalness • 71% Positiveness
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Ranjith, Gopika Poornima
Raarandoi Veduka Choodham
103 bpm • F Maj • 04:17 • -5.18db
36% Popularity • 75% Danceability • 85% Energy • 28% Liveness
0% Instrumentalness • 93% Positiveness
36% Popularity • 75% Danceability • 85% Energy • 28% Liveness
0% Instrumentalness • 93% Positiveness
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Darshan
Haago Heego
103 bpm • D Maj • 04:54 • -7.53db
48% Popularity • 78% Danceability • 46% Energy • 40% Liveness
0% Instrumentalness • 58% Positiveness
48% Popularity • 78% Danceability • 46% Energy • 40% Liveness
0% Instrumentalness • 58% Positiveness
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Vijay Prakash
Belageddu
97 bpm • C min • 03:37 • -7.31db
53% Popularity • 80% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
53% Popularity • 80% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
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Chandan Shetty
Sheela Susheela
97 bpm • C# min • 03:45 • -7db
37% Popularity • 78% Danceability • 76% Energy • 6% Liveness
0% Instrumentalness • 72% Positiveness
37% Popularity • 78% Danceability • 76% Energy • 6% Liveness
0% Instrumentalness • 72% Positiveness
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Srinivas
Nijana Nijana
97 bpm • D Maj • 06:00 • -14.29db
2% Popularity • 74% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
2% Popularity • 74% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
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Kunal Ganjawala
Neene Neene
97 bpm • F min • 04:31 • -6.41db
54% Popularity • 64% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
54% Popularity • 64% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
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Rajesh Krishnan
Khu Khu Khoo - Male Vocals
97 bpm • A# min • 05:06 • -14.46db
13% Popularity • 81% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
13% Popularity • 81% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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Nityasree
Kannulatho Choosevi
97 bpm • F min • 05:11 • -5db
45% Popularity • 72% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 83% Positiveness
45% Popularity • 72% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 83% Positiveness
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Manu
Urumila Urumila
97 bpm • F# Maj • 04:39 • -4.31db
6% Popularity • 72% Danceability • 81% Energy • 56% Liveness
0% Instrumentalness • 57% Positiveness
6% Popularity • 72% Danceability • 81% Energy • 56% Liveness
0% Instrumentalness • 57% Positiveness
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Sreekumar
Aavani Ponnoonjal
97 bpm • C Maj • 04:24 • -10.8db
31% Popularity • 70% Danceability • 56% Energy • 36% Liveness
0% Instrumentalness • 90% Positiveness
31% Popularity • 70% Danceability • 56% Energy • 36% Liveness
0% Instrumentalness • 90% Positiveness
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Rajkumar
Nanna Neenu Gellalare
97 bpm • C# Maj • 06:16 • -5.25db
39% Popularity • 65% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
39% Popularity • 65% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
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P. B. Sreenivas
Meriseti Puvvaa
97 bpm • E min • 06:25 • -18.05db
18% Popularity • 65% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
18% Popularity • 65% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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K. J. Yesudas
Pachani Chilukalu
104 bpm • F Maj • 05:51 • -16.23db
46% Popularity • 75% Danceability • 28% Energy • 4% Liveness
0% Instrumentalness • 80% Positiveness
46% Popularity • 75% Danceability • 28% Energy • 4% Liveness
0% Instrumentalness • 80% Positiveness
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Sanjith Hegde
Ondu Maathali
104 bpm • G Maj • 03:25 • -5.76db
50% Popularity • 57% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
50% Popularity • 57% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
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Hariharan
Ye Devi Varamo
104 bpm • C# Maj • 06:33 • -8.64db
40% Popularity • 66% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
40% Popularity • 66% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Rajesh Krishnan
Yammo Mayammamo
104 bpm • A min • 04:22 • -3.25db
26% Popularity • 83% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 85% Positiveness
26% Popularity • 83% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 85% Positiveness
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Tippu
Thithli Thithli
104 bpm • C# Maj • 04:02 • -5.41db
38% Popularity • 89% Danceability • 77% Energy • 6% Liveness
0% Instrumentalness • 69% Positiveness
38% Popularity • 89% Danceability • 77% Energy • 6% Liveness
0% Instrumentalness • 69% Positiveness
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Hemanth
Suvvi Suvalli
96 bpm • G Maj • 04:38 • -6db
10% Popularity • 66% Danceability • 95% Energy • 26% Liveness
0% Instrumentalness • 78% Positiveness
10% Popularity • 66% Danceability • 95% Energy • 26% Liveness
0% Instrumentalness • 78% Positiveness
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Armaan Malik
Sariyaagi
104 bpm • F min • 04:21 • -6.25db
55% Popularity • 66% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
55% Popularity • 66% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
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Kunal Ganjawala
Dhava Dhava
96 bpm • B min • 04:52 • -7db
24% Popularity • 77% Danceability • 88% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
24% Popularity • 77% Danceability • 88% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
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Vaani Harikrishna
Maleyalli - [Femal
105 bpm • D min • 05:13 • -7.09db
39% Popularity • 37% Danceability • 41% Energy • 28% Liveness
0% Instrumentalness • 32% Positiveness
39% Popularity • 37% Danceability • 41% Energy • 28% Liveness
0% Instrumentalness • 32% Positiveness
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Rajesh Krishnan
Janumada Jodi Neenu
96 bpm • E min • 05:02 • -13.43db
21% Popularity • 76% Danceability • 49% Energy • 32% Liveness
0% Instrumentalness • 74% Positiveness
21% Popularity • 76% Danceability • 49% Energy • 32% Liveness
0% Instrumentalness • 74% Positiveness
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Chitra, Vijay Prakash
Nuvve Nuvve Naa
105 bpm • A min • 04:21 • -6.31db
39% Popularity • 67% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
39% Popularity • 67% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
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S. P. Balasubrahmanyam
Naguva Nayana
95 bpm • B min • 04:10 • -10.89db
25% Popularity • 40% Danceability • 42% Energy • 16% Liveness
1% Instrumentalness • 58% Positiveness
25% Popularity • 40% Danceability • 42% Energy • 16% Liveness
1% Instrumentalness • 58% Positiveness
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Akash SN Jadhav
Kannale Naguvalle
105 bpm • D# Maj • 03:16 • -8.11db
8% Popularity • 58% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
8% Popularity • 58% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Santhosh Venky
Subbalakshmi
105 bpm • F min • 04:10 • -6.38db
36% Popularity • 79% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 55% Positiveness
36% Popularity • 79% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 55% Positiveness
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Hari Krishna
Thaiyya Thaiyya
105 bpm • G Maj • 04:25 • -7.65db
22% Popularity • 69% Danceability • 76% Energy • 25% Liveness
0% Instrumentalness • 80% Positiveness
22% Popularity • 69% Danceability • 76% Energy • 25% Liveness
0% Instrumentalness • 80% Positiveness
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Rajesh Krishnan
Usiraaguve
105 bpm • F min • 05:08 • -8.55db
2% Popularity • 62% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
2% Popularity • 62% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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S.A. Rajkumar
Nee Paarkindrai Ennulle
105 bpm • A# min • 05:23 • -8.45db
12% Popularity • 76% Danceability • 81% Energy • 4% Liveness
0% Instrumentalness • 59% Positiveness
12% Popularity • 76% Danceability • 81% Energy • 4% Liveness
0% Instrumentalness • 59% Positiveness
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Chakri
Ninne Ninne
105 bpm • F min • 04:37 • -5db
55% Popularity • 75% Danceability • 99% Energy • 12% Liveness
1% Instrumentalness • 43% Positiveness
55% Popularity • 75% Danceability • 99% Energy • 12% Liveness
1% Instrumentalness • 43% Positiveness
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Himesh Reshammiya
Rayini Maatram
95 bpm • C# Maj • 05:28 • -6.77db
51% Popularity • 60% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
51% Popularity • 60% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
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Puneeth Rajkumar
Yenaithu
95 bpm • G Maj • 04:44 • -9db
45% Popularity • 74% Danceability • 68% Energy • 12% Liveness
1% Instrumentalness • 88% Positiveness
45% Popularity • 74% Danceability • 68% Energy • 12% Liveness
1% Instrumentalness • 88% Positiveness
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Aishwarya Rangarajan
Meet Madana Illa Date Madana
95 bpm • G# Maj • 03:41 • -5.54db
48% Popularity • 74% Danceability • 84% Energy • 3% Liveness
0% Instrumentalness • 71% Positiveness
48% Popularity • 74% Danceability • 84% Energy • 3% Liveness
0% Instrumentalness • 71% Positiveness
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Palak Muchhal
Sum Sumne
95 bpm • B min • 03:30 • -10db
33% Popularity • 68% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
33% Popularity • 68% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
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Shankar Mahadevan
Konji Konji Chirichal
95 bpm • E Maj • 04:20 • -8db
44% Popularity • 40% Danceability • 46% Energy • 27% Liveness
0% Instrumentalness • 55% Positiveness
44% Popularity • 40% Danceability • 46% Energy • 27% Liveness
0% Instrumentalness • 55% Positiveness
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Rajesh Krishnan
Strawberry Kenne
95 bpm • C Maj • 05:06 • -7.55db
23% Popularity • 70% Danceability • 75% Energy • 21% Liveness
0% Instrumentalness • 51% Positiveness
23% Popularity • 70% Danceability • 75% Energy • 21% Liveness
0% Instrumentalness • 51% Positiveness
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Hamsalekha
Hombale Hombale
95 bpm • D# min • 04:46 • -8.67db
34% Popularity • 60% Danceability • 66% Energy • 17% Liveness
0% Instrumentalness • 61% Positiveness
34% Popularity • 60% Danceability • 66% Energy • 17% Liveness
0% Instrumentalness • 61% Positiveness
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Srinivaas
Kushalave Kshemave
95 bpm • G Maj • 04:49 • -11db
52% Popularity • 68% Danceability • 69% Energy • 19% Liveness
0% Instrumentalness • 58% Positiveness
52% Popularity • 68% Danceability • 69% Energy • 19% Liveness
0% Instrumentalness • 58% Positiveness
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Tippu
Mr. and Mrs. Ramachari
95 bpm • C# min • 03:56 • -7.14db
44% Popularity • 78% Danceability • 81% Energy • 25% Liveness
0% Instrumentalness • 57% Positiveness
44% Popularity • 78% Danceability • 81% Energy • 25% Liveness
0% Instrumentalness • 57% Positiveness
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Kunal Ganjawala
Ninna Kanda
95 bpm • F# min • 04:43 • -7.68db
51% Popularity • 68% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
51% Popularity • 68% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
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L.N. Shastri
Laali Suvvali
95 bpm • C Maj • 05:00 • -11db
32% Popularity • 75% Danceability • 42% Energy • 25% Liveness
0% Instrumentalness • 78% Positiveness
32% Popularity • 75% Danceability • 42% Energy • 25% Liveness
0% Instrumentalness • 78% Positiveness
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Vyasraj Sosale
Aakashane Adarisuva
95 bpm • G Maj • 03:35 • -4.24db
16% Popularity • 77% Danceability • 92% Energy • 36% Liveness
0% Instrumentalness • 54% Positiveness
16% Popularity • 77% Danceability • 92% Energy • 36% Liveness
0% Instrumentalness • 54% Positiveness
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Upendra
Kempegowdruralli
95 bpm • G Maj • 04:36 • -6.81db
36% Popularity • 62% Danceability • 66% Energy • 20% Liveness
0% Instrumentalness • 54% Positiveness
36% Popularity • 62% Danceability • 66% Energy • 20% Liveness
0% Instrumentalness • 54% Positiveness
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Hemanth Kumar
Preethse Preethse
95 bpm • C min • 05:21 • -5.48db
47% Popularity • 48% Danceability • 84% Energy • 18% Liveness
0% Instrumentalness • 44% Positiveness
47% Popularity • 48% Danceability • 84% Energy • 18% Liveness
0% Instrumentalness • 44% Positiveness
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Jikki
Alanati Ramachandrudu
95 bpm • G Maj • 05:21 • -7.27db
47% Popularity • 44% Danceability • 79% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
47% Popularity • 44% Danceability • 79% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
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Vijay Yesudas
Thoomanju
106 bpm • A min • 04:21 • -10db
53% Popularity • 57% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
53% Popularity • 57% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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L.N. Shastri
Yaaravva Ivalu Cheluve
95 bpm • A min • 05:12 • -7db
35% Popularity • 83% Danceability • 78% Energy • 5% Liveness
0% Instrumentalness • 85% Positiveness
35% Popularity • 83% Danceability • 78% Energy • 5% Liveness
0% Instrumentalness • 85% Positiveness
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Nakul Abhyankar
Janumagale Kaayuve
106 bpm • E Maj • 03:57 • -12.9db
47% Popularity • 60% Danceability • 38% Energy • 18% Liveness
0% Instrumentalness • 31% Positiveness
47% Popularity • 60% Danceability • 38% Energy • 18% Liveness
0% Instrumentalness • 31% Positiveness
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Shankar Mahadevan
Omkareswari
106 bpm • C Maj • 04:59 • -6.01db
40% Popularity • 70% Danceability • 88% Energy • 38% Liveness
0% Instrumentalness • 63% Positiveness
40% Popularity • 70% Danceability • 88% Energy • 38% Liveness
0% Instrumentalness • 63% Positiveness
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Asha Bhonsle, K.M.Radhakrishnan
Naalo Oohalaku
106 bpm • D Maj • 04:33 • -5.59db
50% Popularity • 62% Danceability • 78% Energy • 36% Liveness
0% Instrumentalness • 70% Positiveness
50% Popularity • 62% Danceability • 78% Energy • 36% Liveness
0% Instrumentalness • 70% Positiveness
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Rajesh Krishnan
Modalasala
106 bpm • A min • 04:41 • -9.09db
29% Popularity • 84% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
29% Popularity • 84% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
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Rajkumar
I Love You Jeeva Hoovagide
94 bpm • B min • 04:33 • -5.11db
46% Popularity • 50% Danceability • 59% Energy • 28% Liveness
0% Instrumentalness • 49% Positiveness
46% Popularity • 50% Danceability • 59% Energy • 28% Liveness
0% Instrumentalness • 49% Positiveness
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Kunal Ganjawala
Kaddalu Manasanna
106 bpm • D min • 04:54 • -5.81db
42% Popularity • 77% Danceability • 91% Energy • 34% Liveness
0% Instrumentalness • 81% Positiveness
42% Popularity • 77% Danceability • 91% Energy • 34% Liveness
0% Instrumentalness • 81% Positiveness
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Guru Kiran
Kannallu Neenene
94 bpm • D Maj • 04:44 • -7db
46% Popularity • 68% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 63% Positiveness
46% Popularity • 68% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 63% Positiveness
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V. Harikrishna
College Getalli
94 bpm • B min • 04:09 • -12.78db
51% Popularity • 77% Danceability • 57% Energy • 20% Liveness
0% Instrumentalness • 67% Positiveness
51% Popularity • 77% Danceability • 57% Energy • 20% Liveness
0% Instrumentalness • 67% Positiveness
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R. P. Patnaik
Raanu Raanu
107 bpm • B min • 04:49 • -5db
54% Popularity • 81% Danceability • 91% Energy • 6% Liveness
0% Instrumentalness • 81% Positiveness
54% Popularity • 81% Danceability • 91% Energy • 6% Liveness
0% Instrumentalness • 81% Positiveness
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Rajesh Krishnan
Nee Adada Mathu
94 bpm • C# Maj • 05:05 • -9.52db
22% Popularity • 66% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
22% Popularity • 66% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Puneeth Rajkumar
BISILE IRALI
107 bpm • E min • 03:57 • -5.25db
30% Popularity • 65% Danceability • 63% Energy • 72% Liveness
0% Instrumentalness • 76% Positiveness
30% Popularity • 65% Danceability • 63% Energy • 72% Liveness
0% Instrumentalness • 76% Positiveness
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Raghu Dixit
Preetiya Hesare Neenu
107 bpm • C# min • 04:43 • -13.36db
41% Popularity • 50% Danceability • 17% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
41% Popularity • 50% Danceability • 17% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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Rajkumar
Kannadada Kuvaranu
93 bpm • A Maj • 05:12 • -10.79db
14% Popularity • 84% Danceability • 82% Energy • 9% Liveness
1% Instrumentalness • 71% Positiveness
14% Popularity • 84% Danceability • 82% Energy • 9% Liveness
1% Instrumentalness • 71% Positiveness
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V. Harikrishna
Hegidde Naanu
107 bpm • B Maj • 04:21 • -7.06db
52% Popularity • 72% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
52% Popularity • 72% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness