Songs like Nancy From Now On by Father John Misty
Based on a tempo of (+/- 10%) and a similar genre
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Her's
Marcel
107 bpm • A Maj • 03:07 • -5.96db
65% Popularity • 62% Danceability • 64% Energy • 35% Liveness
8% Instrumentalness • 68% Positiveness
65% Popularity • 62% Danceability • 64% Energy • 35% Liveness
8% Instrumentalness • 68% Positiveness
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Phoebe Bridgers
Motion Sickness
107 bpm • C# Maj • 03:49 • -9.02db
76% Popularity • 65% Danceability • 55% Energy • 8% Liveness
4% Instrumentalness • 62% Positiveness
76% Popularity • 65% Danceability • 55% Energy • 8% Liveness
4% Instrumentalness • 62% Positiveness
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Father John Misty
Nancy From Now On
107 bpm • C Maj • 03:54 • -9.17db
65% Popularity • 53% Danceability • 64% Energy • 9% Liveness
4% Instrumentalness • 50% Positiveness
65% Popularity • 53% Danceability • 64% Energy • 9% Liveness
4% Instrumentalness • 50% Positiveness
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Band of Horses
Our Swords
107 bpm • B Maj • 02:26 • -9.29db
55% Popularity • 64% Danceability • 79% Energy • 10% Liveness
10% Instrumentalness • 35% Positiveness
55% Popularity • 64% Danceability • 79% Energy • 10% Liveness
10% Instrumentalness • 35% Positiveness
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Japanese Breakfast
Boyish
107 bpm • D Maj • 03:33 • -7.46db
54% Popularity • 23% Danceability • 46% Energy • 19% Liveness
0% Instrumentalness • 36% Positiveness
54% Popularity • 23% Danceability • 46% Energy • 19% Liveness
0% Instrumentalness • 36% Positiveness
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Big Thief
Mythological Beauty
107 bpm • A# Maj • 05:06 • -9db
57% Popularity • 63% Danceability • 58% Energy • 12% Liveness
21% Instrumentalness • 47% Positiveness
57% Popularity • 63% Danceability • 58% Energy • 12% Liveness
21% Instrumentalness • 47% Positiveness
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M. Ward
Chinese Translation
108 bpm • D Maj • 03:58 • -9db
56% Popularity • 55% Danceability • 73% Energy • 15% Liveness
0% Instrumentalness • 50% Positiveness
56% Popularity • 55% Danceability • 73% Energy • 15% Liveness
0% Instrumentalness • 50% Positiveness
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Florist
Vacation
108 bpm • C Maj • 03:47 • -13.94db
48% Popularity • 62% Danceability • 27% Energy • 8% Liveness
14% Instrumentalness • 11% Positiveness
48% Popularity • 62% Danceability • 27% Energy • 8% Liveness
14% Instrumentalness • 11% Positiveness
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Drugdealer
Suddenly
108 bpm • E Maj • 03:17 • -7.54db
54% Popularity • 65% Danceability • 46% Energy • 50% Liveness
5% Instrumentalness • 58% Positiveness
54% Popularity • 65% Danceability • 46% Energy • 50% Liveness
5% Instrumentalness • 58% Positiveness
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Sharon Van Etten
We Are Fine
108 bpm • C Maj • 03:49 • -9db
37% Popularity • 42% Danceability • 32% Energy • 10% Liveness
1% Instrumentalness • 10% Positiveness
37% Popularity • 42% Danceability • 32% Energy • 10% Liveness
1% Instrumentalness • 10% Positiveness
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Mazzy Star
Halah
106 bpm • C Maj • 03:16 • -10.71db
65% Popularity • 62% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
65% Popularity • 62% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Father John Misty
So I'm Growing Old on Magic Mountain
108 bpm • F Maj • 09:58 • -13.05db
30% Popularity • 37% Danceability • 17% Energy • 14% Liveness
0% Instrumentalness • 9% Positiveness
30% Popularity • 37% Danceability • 17% Energy • 14% Liveness
0% Instrumentalness • 9% Positiveness
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Kate Bollinger
Yards / Gardens
108 bpm • A# Maj • 02:21 • -7.52db
59% Popularity • 80% Danceability • 54% Energy • 11% Liveness
62% Instrumentalness • 74% Positiveness
59% Popularity • 80% Danceability • 54% Energy • 11% Liveness
62% Instrumentalness • 74% Positiveness
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The Velvet Underground
Sunday Morning
106 bpm • F min • 02:55 • -13.27db
67% Popularity • 51% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
67% Popularity • 51% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
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Elliott Smith
Somebody That I Used To Know
108 bpm • C# Maj • 02:09 • -14.79db
58% Popularity • 58% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
58% Popularity • 58% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
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Cass McCombs
Brighter!
109 bpm • E min • 03:56 • -11.29db
43% Popularity • 62% Danceability • 47% Energy • 12% Liveness
37% Instrumentalness • 66% Positiveness
43% Popularity • 62% Danceability • 47% Energy • 12% Liveness
37% Instrumentalness • 66% Positiveness
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Ariel Pink
Another Weekend
109 bpm • F# min • 04:14 • -5.38db
45% Popularity • 38% Danceability • 51% Energy • 24% Liveness
0% Instrumentalness • 39% Positiveness
45% Popularity • 38% Danceability • 51% Energy • 24% Liveness
0% Instrumentalness • 39% Positiveness
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Father John Misty
Nancy From Now On - Spotify Sessions Cur...
106 bpm • C Maj • 04:10 • -7.69db
20% Popularity • 41% Danceability • 74% Energy • 17% Liveness
8% Instrumentalness • 13% Positiveness
20% Popularity • 41% Danceability • 74% Energy • 17% Liveness
8% Instrumentalness • 13% Positiveness
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Bright Eyes
Lua
105 bpm • D Maj • 04:31 • -17.03db
56% Popularity • 62% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
56% Popularity • 62% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
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Big Thief
Simulation Swarm
105 bpm • C# Maj • 04:12 • -9db
66% Popularity • 70% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
66% Popularity • 70% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Bahamas
Whole Wide World
109 bpm • F Maj • 02:35 • -9.04db
58% Popularity • 73% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
58% Popularity • 73% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Nick Drake
From The Morning
109 bpm • C Maj • 02:30 • -11.06db
58% Popularity • 64% Danceability • 32% Energy • 11% Liveness
5% Instrumentalness • 37% Positiveness
58% Popularity • 64% Danceability • 32% Energy • 11% Liveness
5% Instrumentalness • 37% Positiveness
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The Velvet Underground
I'll Be Your Mirror
109 bpm • G Maj • 02:14 • -14.93db
60% Popularity • 61% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
60% Popularity • 61% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Father John Misty
A Bigger Paper Bag
109 bpm • C min • 04:41 • -8.54db
31% Popularity • 53% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
31% Popularity • 53% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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boygenius
Souvenir
109 bpm • F# min • 03:32 • -11.19db
63% Popularity • 60% Danceability • 30% Energy • 9% Liveness
47% Instrumentalness • 18% Positiveness
63% Popularity • 60% Danceability • 30% Energy • 9% Liveness
47% Instrumentalness • 18% Positiveness
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Vampire Weekend
Cape Cod Kwassa Kwassa
105 bpm • D Maj • 03:34 • -7db
48% Popularity • 85% Danceability • 52% Energy • 13% Liveness
7% Instrumentalness • 75% Positiveness
48% Popularity • 85% Danceability • 52% Energy • 13% Liveness
7% Instrumentalness • 75% Positiveness
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Rhye
The Fall
105 bpm • F Maj • 03:44 • -13db
64% Popularity • 66% Danceability • 62% Energy • 18% Liveness
70% Instrumentalness • 78% Positiveness
64% Popularity • 66% Danceability • 62% Energy • 18% Liveness
70% Instrumentalness • 78% Positiveness
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Skinshape
I Didn't Know
105 bpm • F Maj • 03:38 • -14.22db
58% Popularity • 65% Danceability • 40% Energy • 12% Liveness
28% Instrumentalness • 58% Positiveness
58% Popularity • 65% Danceability • 40% Energy • 12% Liveness
28% Instrumentalness • 58% Positiveness
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Wilco
Jesus, Etc. - 2022 Remaster
109 bpm • F Maj • 03:51 • -13db
59% Popularity • 75% Danceability • 31% Energy • 25% Liveness
1% Instrumentalness • 66% Positiveness
59% Popularity • 75% Danceability • 31% Energy • 25% Liveness
1% Instrumentalness • 66% Positiveness
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Father John Misty
Well, You Can Do It Without Me
105 bpm • C min • 02:43 • -7db
56% Popularity • 83% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
56% Popularity • 83% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
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Dr. Dog
I Saw Her for the First Time
110 bpm • C Maj • 04:17 • -8.38db
40% Popularity • 55% Danceability • 32% Energy • 45% Liveness
0% Instrumentalness • 26% Positiveness
40% Popularity • 55% Danceability • 32% Energy • 45% Liveness
0% Instrumentalness • 26% Positiveness
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The Strokes
Call It Fate, Call It Karma
109 bpm • E min • 03:24 • -14.78db
70% Popularity • 54% Danceability • 24% Energy • 10% Liveness
77% Instrumentalness • 36% Positiveness
70% Popularity • 54% Danceability • 24% Energy • 10% Liveness
77% Instrumentalness • 36% Positiveness
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Khruangbin
Mariella
110 bpm • D Maj • 05:10 • -10.33db
69% Popularity • 59% Danceability • 58% Energy • 8% Liveness
72% Instrumentalness • 56% Positiveness
69% Popularity • 59% Danceability • 58% Energy • 8% Liveness
72% Instrumentalness • 56% Positiveness
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Feist
1234
110 bpm • D Maj • 03:03 • -7.42db
62% Popularity • 71% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
62% Popularity • 71% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Destroyer
Kaputt
110 bpm • E Maj • 06:17 • -8.92db
42% Popularity • 65% Danceability • 72% Energy • 17% Liveness
12% Instrumentalness • 56% Positiveness
42% Popularity • 65% Danceability • 72% Energy • 17% Liveness
12% Instrumentalness • 56% Positiveness
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Father John Misty
Goodbye Mr. Blue
105 bpm • D Maj • 05:00 • -8.79db
53% Popularity • 51% Danceability • 47% Energy • 12% Liveness
61% Instrumentalness • 48% Positiveness
53% Popularity • 51% Danceability • 47% Energy • 12% Liveness
61% Instrumentalness • 48% Positiveness
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Villagers
Everything I Am Is Yours
110 bpm • E min • 03:30 • -11.15db
61% Popularity • 87% Danceability • 50% Energy • 14% Liveness
27% Instrumentalness • 69% Positiveness
61% Popularity • 87% Danceability • 50% Energy • 14% Liveness
27% Instrumentalness • 69% Positiveness
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Beirut
Postcards from Italy
110 bpm • D min • 04:17 • -7.32db
58% Popularity • 62% Danceability • 57% Energy • 12% Liveness
4% Instrumentalness • 40% Positiveness
58% Popularity • 62% Danceability • 57% Energy • 12% Liveness
4% Instrumentalness • 40% Positiveness
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Gregory Alan Isakov
Big Black Car
110 bpm • D# Maj • 03:37 • -15.93db
76% Popularity • 60% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
76% Popularity • 60% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Fleet Foxes
If You Need To, Keep Time on Me
104 bpm • A Maj • 03:30 • -10.2db
58% Popularity • 52% Danceability • 22% Energy • 18% Liveness
1% Instrumentalness • 14% Positiveness
58% Popularity • 52% Danceability • 22% Energy • 18% Liveness
1% Instrumentalness • 14% Positiveness
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Sylvan Esso
Funeral Singers
104 bpm • G# Maj • 03:39 • -10.82db
50% Popularity • 80% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
50% Popularity • 80% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Father John Misty
Funtimes in Babylon
105 bpm • E Maj • 03:39 • -8db
46% Popularity • 56% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
46% Popularity • 56% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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The Velvet Underground
Femme Fatale
104 bpm • C Maj • 02:39 • -15.75db
63% Popularity • 55% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
63% Popularity • 55% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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DOPE LEMON
Marinade
110 bpm • D Maj • 03:57 • -6.53db
68% Popularity • 68% Danceability • 74% Energy • 10% Liveness
1% Instrumentalness • 68% Positiveness
68% Popularity • 68% Danceability • 74% Energy • 10% Liveness
1% Instrumentalness • 68% Positiveness
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Whitney
The Falls
110 bpm • A# Maj • 02:20 • -5.7db
38% Popularity • 69% Danceability • 70% Energy • 12% Liveness
33% Instrumentalness • 73% Positiveness
38% Popularity • 69% Danceability • 70% Energy • 12% Liveness
33% Instrumentalness • 73% Positiveness
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Billy Bragg
California Stars
110 bpm • A Maj • 04:58 • -9db
61% Popularity • 62% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
61% Popularity • 62% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
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Unknown Mortal Orchestra
So Good at Being in Trouble
104 bpm • C Maj • 03:50 • -10.14db
65% Popularity • 83% Danceability • 44% Energy • 12% Liveness
88% Instrumentalness • 59% Positiveness
65% Popularity • 83% Danceability • 44% Energy • 12% Liveness
88% Instrumentalness • 59% Positiveness
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Father John Misty
The Palace
104 bpm • D Maj • 04:09 • -14.29db
29% Popularity • 42% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
29% Popularity • 42% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
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Yo La Tengo
I'll Be Around
104 bpm • G Maj • 04:47 • -12db
46% Popularity • 33% Danceability • 33% Energy • 11% Liveness
89% Instrumentalness • 7% Positiveness
46% Popularity • 33% Danceability • 33% Energy • 11% Liveness
89% Instrumentalness • 7% Positiveness
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The Shins
Pink Bullets - 2023 Remaster
111 bpm • G min • 03:52 • -8.92db
44% Popularity • 51% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
44% Popularity • 51% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Whitney
Used To Be Lonely
103 bpm • G# Maj • 03:48 • -9db
41% Popularity • 57% Danceability • 40% Energy • 9% Liveness
1% Instrumentalness • 36% Positiveness
41% Popularity • 57% Danceability • 40% Energy • 9% Liveness
1% Instrumentalness • 36% Positiveness
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Bon Iver
For Emma
111 bpm • E min • 03:40 • -11.12db
68% Popularity • 67% Danceability • 61% Energy • 13% Liveness
18% Instrumentalness • 57% Positiveness
68% Popularity • 67% Danceability • 61% Energy • 13% Liveness
18% Instrumentalness • 57% Positiveness
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Andrew Bird
Pulaski
111 bpm • G Maj • 04:02 • -8db
39% Popularity • 45% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
39% Popularity • 45% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Vashti Bunyan
Train Song
103 bpm • E min • 02:15 • -9.89db
31% Popularity • 59% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
31% Popularity • 59% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
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Fleet Foxes
Sunblind
103 bpm • G Maj • 04:13 • -8.48db
47% Popularity • 56% Danceability • 69% Energy • 12% Liveness
2% Instrumentalness • 47% Positiveness
47% Popularity • 56% Danceability • 69% Energy • 12% Liveness
2% Instrumentalness • 47% Positiveness
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Khruangbin
Texas Sun
112 bpm • G Maj • 04:12 • -10.01db
75% Popularity • 64% Danceability • 63% Energy • 10% Liveness
15% Instrumentalness • 60% Positiveness
75% Popularity • 64% Danceability • 63% Energy • 10% Liveness
15% Instrumentalness • 60% Positiveness
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Bonny Light Horseman
Deep In Love
112 bpm • F Maj • 05:09 • -8db
54% Popularity • 62% Danceability • 56% Energy • 12% Liveness
40% Instrumentalness • 34% Positiveness
54% Popularity • 62% Danceability • 56% Energy • 12% Liveness
40% Instrumentalness • 34% Positiveness
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Babe Rainbow
Peace Blossom Boogy
112 bpm • D Maj • 03:14 • -5db
56% Popularity • 66% Danceability • 82% Energy • 10% Liveness
3% Instrumentalness • 86% Positiveness
56% Popularity • 66% Danceability • 82% Energy • 10% Liveness
3% Instrumentalness • 86% Positiveness
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M. Ward
Poison Cup
112 bpm • C Maj • 02:40 • -9db
47% Popularity • 45% Danceability • 56% Energy • 11% Liveness
1% Instrumentalness • 28% Positiveness
47% Popularity • 45% Danceability • 56% Energy • 11% Liveness
1% Instrumentalness • 28% Positiveness
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Devendra Banhart
Baby
102 bpm • C# min • 03:05 • -10.09db
52% Popularity • 83% Danceability • 32% Energy • 15% Liveness
7% Instrumentalness • 86% Positiveness
52% Popularity • 83% Danceability • 32% Energy • 15% Liveness
7% Instrumentalness • 86% Positiveness
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Father John Misty
One of Us Cannot Be Wrong
112 bpm • B min • 07:32 • -3.53db
31% Popularity • 39% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
31% Popularity • 39% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Caroline Rose
Jeannie Becomes A Mom
102 bpm • F Maj • 04:21 • -4.79db
53% Popularity • 62% Danceability • 80% Energy • 25% Liveness
2% Instrumentalness • 57% Positiveness
53% Popularity • 62% Danceability • 80% Energy • 25% Liveness
2% Instrumentalness • 57% Positiveness
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Bedouine
Thirteen
102 bpm • A# Maj • 03:04 • -11db
50% Popularity • 70% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
50% Popularity • 70% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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The National
Fake Empire
102 bpm • C Maj • 03:25 • -6.79db
58% Popularity • 32% Danceability • 77% Energy • 7% Liveness
91% Instrumentalness • 31% Positiveness
58% Popularity • 32% Danceability • 77% Energy • 7% Liveness
91% Instrumentalness • 31% Positiveness
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Kurt Vile
Wakin on a Pretty Day
102 bpm • B Maj • 09:30 • -8.16db
51% Popularity • 38% Danceability • 78% Energy • 26% Liveness
75% Instrumentalness • 55% Positiveness
51% Popularity • 38% Danceability • 78% Energy • 26% Liveness
75% Instrumentalness • 55% Positiveness
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Whitney
No Woman
112 bpm • D Maj • 03:57 • -8.74db
59% Popularity • 59% Danceability • 40% Energy • 16% Liveness
58% Instrumentalness • 43% Positiveness
59% Popularity • 59% Danceability • 40% Energy • 16% Liveness
58% Instrumentalness • 43% Positiveness
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Weyes Blood
Everyday
113 bpm • D Maj • 05:07 • -7db
47% Popularity • 48% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
47% Popularity • 48% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Foxygen
No Destruction
113 bpm • D Maj • 04:56 • -8db
38% Popularity • 60% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 90% Positiveness
38% Popularity • 60% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 90% Positiveness
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Shakey Graves
Family and Genus
113 bpm • A# Maj • 05:19 • -12.33db
48% Popularity • 74% Danceability • 48% Energy • 43% Liveness
41% Instrumentalness • 37% Positiveness
48% Popularity • 74% Danceability • 48% Energy • 43% Liveness
41% Instrumentalness • 37% Positiveness
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Dr. Dog
Night
113 bpm • B Maj • 06:02 • -10db
36% Popularity • 43% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 12% Positiveness
36% Popularity • 43% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 12% Positiveness
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Pinegrove
Angelina
101 bpm • C# Maj • 01:41 • -6.53db
64% Popularity • 45% Danceability • 54% Energy • 34% Liveness
0% Instrumentalness • 44% Positiveness
64% Popularity • 45% Danceability • 54% Energy • 34% Liveness
0% Instrumentalness • 44% Positiveness
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Whitney
On My Own
113 bpm • C# Maj • 02:14 • -7.65db
46% Popularity • 67% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
46% Popularity • 67% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
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Khruangbin
So We Won't Forget
101 bpm • D Maj • 04:58 • -13.21db
64% Popularity • 64% Danceability • 41% Energy • 18% Liveness
84% Instrumentalness • 97% Positiveness
64% Popularity • 64% Danceability • 41% Energy • 18% Liveness
84% Instrumentalness • 97% Positiveness
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Dirty Projectors
Swing Lo Magellan
101 bpm • F min • 02:37 • -10db
36% Popularity • 74% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
36% Popularity • 74% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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Beck
Morning
114 bpm • E Maj • 05:19 • -10db
50% Popularity • 55% Danceability • 38% Energy • 13% Liveness
10% Instrumentalness • 26% Positiveness
50% Popularity • 55% Danceability • 38% Energy • 13% Liveness
10% Instrumentalness • 26% Positiveness
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Fruit Bats
A Lingering Love
101 bpm • D Maj • 03:36 • -9db
52% Popularity • 62% Danceability • 79% Energy • 12% Liveness
56% Instrumentalness • 36% Positiveness
52% Popularity • 62% Danceability • 79% Energy • 12% Liveness
56% Instrumentalness • 36% Positiveness
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Tennis
Origins
114 bpm • F min • 03:28 • -5db
54% Popularity • 58% Danceability • 82% Energy • 16% Liveness
2% Instrumentalness • 95% Positiveness
54% Popularity • 58% Danceability • 82% Energy • 16% Liveness
2% Instrumentalness • 95% Positiveness
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The Growlers
Black Memories
114 bpm • C Maj • 02:51 • -8db
61% Popularity • 62% Danceability • 58% Energy • 15% Liveness
0% Instrumentalness • 82% Positiveness
61% Popularity • 62% Danceability • 58% Energy • 15% Liveness
0% Instrumentalness • 82% Positiveness
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Andrew Bird
Manifest
100 bpm • C min • 05:17 • -6.4db
52% Popularity • 63% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
52% Popularity • 63% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
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Phoebe Bridgers
Garden Song
100 bpm • C Maj • 03:39 • -16.65db
66% Popularity • 43% Danceability • 27% Energy • 11% Liveness
1% Instrumentalness • 17% Positiveness
66% Popularity • 43% Danceability • 27% Energy • 11% Liveness
1% Instrumentalness • 17% Positiveness
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Spoon
I Turn My Camera On
100 bpm • A# Maj • 03:32 • -6.42db
55% Popularity • 94% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
55% Popularity • 94% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
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Drug Cabin
Steely Dad
114 bpm • D min • 03:05 • -7.94db
56% Popularity • 83% Danceability • 69% Energy • 10% Liveness
3% Instrumentalness • 96% Positiveness
56% Popularity • 83% Danceability • 69% Energy • 10% Liveness
3% Instrumentalness • 96% Positiveness
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The Shins
Gone for Good - 2023 Remaster
114 bpm • C Maj • 03:12 • -4.47db
50% Popularity • 61% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
50% Popularity • 61% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
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Talking Heads
This Must Be the Place (Naive Melody) - ...
114 bpm • G Maj • 04:56 • -10.15db
71% Popularity • 94% Danceability • 64% Energy • 3% Liveness
18% Instrumentalness • 97% Positiveness
71% Popularity • 94% Danceability • 64% Energy • 3% Liveness
18% Instrumentalness • 97% Positiveness
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Andrew Bird
Imitosis
114 bpm • A min • 04:00 • -9db
15% Popularity • 85% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 94% Positiveness
15% Popularity • 85% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 94% Positiveness
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Vampire Weekend
Pravda
100 bpm • A Maj • 04:11 • -8.13db
51% Popularity • 59% Danceability • 50% Energy • 30% Liveness
18% Instrumentalness • 37% Positiveness
51% Popularity • 59% Danceability • 50% Energy • 30% Liveness
18% Instrumentalness • 37% Positiveness
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Fruit Bats
Humbug Mountain Song
100 bpm • F# min • 03:04 • -5.36db
60% Popularity • 59% Danceability • 93% Energy • 31% Liveness
6% Instrumentalness • 94% Positiveness
60% Popularity • 59% Danceability • 93% Energy • 31% Liveness
6% Instrumentalness • 94% Positiveness
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Sylvan Esso
Coffee
100 bpm • C Maj • 04:28 • -8.18db
58% Popularity • 46% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
58% Popularity • 46% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Generationals
Put a Light On
100 bpm • C# Maj • 03:44 • -4.46db
60% Popularity • 69% Danceability • 77% Energy • 6% Liveness
0% Instrumentalness • 49% Positiveness
60% Popularity • 69% Danceability • 77% Energy • 6% Liveness
0% Instrumentalness • 49% Positiveness
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DOPE LEMON
Rose Pink Cadillac
100 bpm • C# Maj • 04:21 • -6.83db
68% Popularity • 75% Danceability • 80% Energy • 10% Liveness
1% Instrumentalness • 91% Positiveness
68% Popularity • 75% Danceability • 80% Energy • 10% Liveness
1% Instrumentalness • 91% Positiveness
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Arcade Fire
Sprawl II (Mountains Beyond Mountains)
100 bpm • G# Maj • 05:25 • -6.43db
56% Popularity • 52% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
56% Popularity • 52% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Alabama Shakes
Sound & Color
115 bpm • D Maj • 03:02 • -7.4db
51% Popularity • 55% Danceability • 43% Energy • 8% Liveness
61% Instrumentalness • 18% Positiveness
51% Popularity • 55% Danceability • 43% Energy • 8% Liveness
61% Instrumentalness • 18% Positiveness
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Andrew Bird
Are You Serious
100 bpm • C Maj • 03:38 • -8db
50% Popularity • 75% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
50% Popularity • 75% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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Haley Heynderickx
The Bug Collector
100 bpm • A# Maj • 03:48 • -9.71db
70% Popularity • 54% Danceability • 42% Energy • 10% Liveness
33% Instrumentalness • 53% Positiveness
70% Popularity • 54% Danceability • 42% Energy • 10% Liveness
33% Instrumentalness • 53% Positiveness
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The Shins
Sleeping Lessons
115 bpm • E Maj • 03:57 • -8.99db
54% Popularity • 51% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
54% Popularity • 51% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
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TOPS
Way to be Loved
116 bpm • B min • 04:23 • -9db
52% Popularity • 58% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
52% Popularity • 58% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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Sharon Van Etten
Every Time the Sun Comes Up
100 bpm • C# Maj • 04:22 • -8.74db
62% Popularity • 66% Danceability • 52% Energy • 20% Liveness
0% Instrumentalness • 30% Positiveness
62% Popularity • 66% Danceability • 52% Energy • 20% Liveness
0% Instrumentalness • 30% Positiveness
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The War On Drugs
Pain
116 bpm • G min • 05:30 • -4.37db
58% Popularity • 52% Danceability • 83% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
58% Popularity • 52% Danceability • 83% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
