Songs like Natalia's Song by Zomby
Based on a tempo of (+/- 10%) and a similar genre
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Shackleton
In the Void
120 bpm β’ B min β’ 05:03 β’ -9.61db
7% Popularity β’ 77% Danceability β’ 68% Energy β’ 10% Liveness
87% Instrumentalness β’ 28% Positiveness
7% Popularity β’ 77% Danceability β’ 68% Energy β’ 10% Liveness
87% Instrumentalness β’ 28% Positiveness
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Benga
Someone 20
120 bpm β’ C# min β’ 04:16 β’ -6.77db
12% Popularity β’ 83% Danceability β’ 86% Energy β’ 44% Liveness
88% Instrumentalness β’ 29% Positiveness
12% Popularity β’ 83% Danceability β’ 86% Energy β’ 44% Liveness
88% Instrumentalness β’ 29% Positiveness
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Lone
Lying in the Reeds
120 bpm β’ D min β’ 04:31 β’ -5db
28% Popularity β’ 67% Danceability β’ 89% Energy β’ 23% Liveness
70% Instrumentalness β’ 14% Positiveness
28% Popularity β’ 67% Danceability β’ 89% Energy β’ 23% Liveness
70% Instrumentalness β’ 14% Positiveness
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Zomby
It's Time
120 bpm β’ G Maj β’ 03:39 β’ -9.85db
8% Popularity β’ 69% Danceability β’ 68% Energy β’ 20% Liveness
6% Instrumentalness β’ 13% Positiveness
8% Popularity β’ 69% Danceability β’ 68% Energy β’ 20% Liveness
6% Instrumentalness β’ 13% Positiveness
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Pearson Sound
Everything Is Inside Out
120 bpm β’ C# Maj β’ 05:56 β’ -9.5db
22% Popularity β’ 78% Danceability β’ 85% Energy β’ 11% Liveness
90% Instrumentalness β’ 21% Positiveness
22% Popularity β’ 78% Danceability β’ 85% Energy β’ 11% Liveness
90% Instrumentalness β’ 21% Positiveness
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DJ Rashad
I Don't Give A Fuck
120 bpm β’ A Maj β’ 02:37 β’ -8.6db
4% Popularity β’ 63% Danceability β’ 76% Energy β’ 19% Liveness
41% Instrumentalness β’ 19% Positiveness
4% Popularity β’ 63% Danceability β’ 76% Energy β’ 19% Liveness
41% Instrumentalness β’ 19% Positiveness
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Shackleton
Death Is Not Final
120 bpm β’ A# min β’ 08:37 β’ -14db
20% Popularity β’ 75% Danceability β’ 63% Energy β’ 14% Liveness
88% Instrumentalness β’ 33% Positiveness
20% Popularity β’ 75% Danceability β’ 63% Energy β’ 14% Liveness
88% Instrumentalness β’ 33% Positiveness
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Objekt
Lost and Found (Lost Mix)
120 bpm β’ F# Maj β’ 02:32 β’ -12.34db
16% Popularity β’ 39% Danceability β’ 51% Energy β’ 14% Liveness
0% Instrumentalness β’ 15% Positiveness
16% Popularity β’ 39% Danceability β’ 51% Energy β’ 14% Liveness
0% Instrumentalness β’ 15% Positiveness
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Oliver Coates
Timelapse (Walrus) - Mixed
120 bpm β’ G Maj β’ 02:03 β’ -5.75db
28% Popularity β’ 74% Danceability β’ 100% Energy β’ 9% Liveness
90% Instrumentalness β’ 73% Positiveness
28% Popularity β’ 74% Danceability β’ 100% Energy β’ 9% Liveness
90% Instrumentalness β’ 73% Positiveness
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Coco Bryce
Club Tropicana
121 bpm β’ A# min β’ 04:06 β’ -8.39db
9% Popularity β’ 53% Danceability β’ 90% Energy β’ 12% Liveness
88% Instrumentalness β’ 94% Positiveness
9% Popularity β’ 53% Danceability β’ 90% Energy β’ 12% Liveness
88% Instrumentalness β’ 94% Positiveness
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Leftfield
21st Century Poem - Zomby Mix
119 bpm β’ D Maj β’ 04:52 β’ -9db
9% Popularity β’ 64% Danceability β’ 64% Energy β’ 42% Liveness
90% Instrumentalness β’ 10% Positiveness
9% Popularity β’ 64% Danceability β’ 64% Energy β’ 42% Liveness
90% Instrumentalness β’ 10% Positiveness
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DJ Rashad
I'm Too Hi
120 bpm β’ A# min β’ 02:59 β’ -9.14db
1% Popularity β’ 67% Danceability β’ 74% Energy β’ 48% Liveness
3% Instrumentalness β’ 13% Positiveness
1% Popularity β’ 67% Danceability β’ 74% Energy β’ 48% Liveness
3% Instrumentalness β’ 13% Positiveness
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Pearson Sound
Heal Me
121 bpm β’ F# min β’ 05:52 β’ -11.69db
28% Popularity β’ 79% Danceability β’ 53% Energy β’ 10% Liveness
89% Instrumentalness β’ 4% Positiveness
28% Popularity β’ 79% Danceability β’ 53% Energy β’ 10% Liveness
89% Instrumentalness β’ 4% Positiveness
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Shackleton
The Branch Is Weak
120 bpm β’ E min β’ 07:23 β’ -11.09db
7% Popularity β’ 80% Danceability β’ 46% Energy β’ 18% Liveness
90% Instrumentalness β’ 38% Positiveness
7% Popularity β’ 80% Danceability β’ 46% Energy β’ 18% Liveness
90% Instrumentalness β’ 38% Positiveness
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Zomby
Isis
121 bpm β’ F# Maj β’ 02:38 β’ -10.34db
9% Popularity β’ 92% Danceability β’ 24% Energy β’ 10% Liveness
91% Instrumentalness β’ 49% Positiveness
9% Popularity β’ 92% Danceability β’ 24% Energy β’ 10% Liveness
91% Instrumentalness β’ 49% Positiveness
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Lone
Ultramarine
121 bpm β’ C# Maj β’ 06:13 β’ -6.87db
14% Popularity β’ 46% Danceability β’ 78% Energy β’ 7% Liveness
8% Instrumentalness β’ 22% Positiveness
14% Popularity β’ 46% Danceability β’ 78% Energy β’ 7% Liveness
8% Instrumentalness β’ 22% Positiveness
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Wagon Christ
Sci-Fi Staircase
118 bpm β’ G# Maj β’ 07:00 β’ -4db
25% Popularity β’ 42% Danceability β’ 80% Energy β’ 19% Liveness
89% Instrumentalness β’ 20% Positiveness
25% Popularity β’ 42% Danceability β’ 80% Energy β’ 19% Liveness
89% Instrumentalness β’ 20% Positiveness
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Aphex Twin
CIRKLON 1
118 bpm β’ F# min β’ 07:17 β’ -10.66db
22% Popularity β’ 81% Danceability β’ 47% Energy β’ 12% Liveness
95% Instrumentalness β’ 22% Positiveness
22% Popularity β’ 81% Danceability β’ 47% Energy β’ 12% Liveness
95% Instrumentalness β’ 22% Positiveness
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Pearson Sound
Glass Eye
122 bpm β’ F# min β’ 05:06 β’ -8.72db
7% Popularity β’ 80% Danceability β’ 97% Energy β’ 18% Liveness
91% Instrumentalness β’ 65% Positiveness
7% Popularity β’ 80% Danceability β’ 97% Energy β’ 18% Liveness
91% Instrumentalness β’ 65% Positiveness
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Objekt
Cactus
118 bpm β’ C# Maj β’ 05:56 β’ -11.95db
15% Popularity β’ 66% Danceability β’ 52% Energy β’ 9% Liveness
66% Instrumentalness β’ 4% Positiveness
15% Popularity β’ 66% Danceability β’ 52% Energy β’ 9% Liveness
66% Instrumentalness β’ 4% Positiveness
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Shackleton
The Rope Tightens
120 bpm β’ G Maj β’ 08:02 β’ -12.67db
7% Popularity β’ 66% Danceability β’ 58% Energy β’ 11% Liveness
60% Instrumentalness β’ 42% Positiveness
7% Popularity β’ 66% Danceability β’ 58% Energy β’ 11% Liveness
60% Instrumentalness β’ 42% Positiveness
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Zomby
Memories
118 bpm β’ F# Maj β’ 04:03 β’ -15.13db
8% Popularity β’ 43% Danceability β’ 76% Energy β’ 23% Liveness
91% Instrumentalness β’ 37% Positiveness
8% Popularity β’ 43% Danceability β’ 76% Energy β’ 23% Liveness
91% Instrumentalness β’ 37% Positiveness
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Shed
Leave Things
117 bpm β’ D min β’ 03:51 β’ -11.32db
9% Popularity β’ 40% Danceability β’ 72% Energy β’ 16% Liveness
87% Instrumentalness β’ 22% Positiveness
9% Popularity β’ 40% Danceability β’ 72% Energy β’ 16% Liveness
87% Instrumentalness β’ 22% Positiveness
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Mount Kimbie
At Least
123 bpm β’ G Maj β’ 03:38 β’ -12.12db
9% Popularity β’ 68% Danceability β’ 23% Energy β’ 14% Liveness
7% Instrumentalness β’ 36% Positiveness
9% Popularity β’ 68% Danceability β’ 23% Energy β’ 14% Liveness
7% Instrumentalness β’ 36% Positiveness
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Lone
Moon Beam Harp
123 bpm β’ A# min β’ 04:13 β’ -5.52db
15% Popularity β’ 76% Danceability β’ 95% Energy β’ 56% Liveness
85% Instrumentalness β’ 32% Positiveness
15% Popularity β’ 76% Danceability β’ 95% Energy β’ 56% Liveness
85% Instrumentalness β’ 32% Positiveness
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HKE
This Modern Chaos
123 bpm β’ A# min β’ 06:18 β’ -15.51db
10% Popularity β’ 73% Danceability β’ 52% Energy β’ 16% Liveness
78% Instrumentalness β’ 12% Positiveness
10% Popularity β’ 73% Danceability β’ 52% Energy β’ 16% Liveness
78% Instrumentalness β’ 12% Positiveness
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Minor Science
Volumes
117 bpm β’ F# min β’ 07:14 β’ -9db
22% Popularity β’ 73% Danceability β’ 77% Energy β’ 37% Liveness
87% Instrumentalness β’ 15% Positiveness
22% Popularity β’ 73% Danceability β’ 77% Energy β’ 37% Liveness
87% Instrumentalness β’ 15% Positiveness
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Zomby
Black Orchid
123 bpm β’ D# min β’ 01:33 β’ -6.09db
8% Popularity β’ 64% Danceability β’ 82% Energy β’ 27% Liveness
0% Instrumentalness β’ 13% Positiveness
8% Popularity β’ 64% Danceability β’ 82% Energy β’ 27% Liveness
0% Instrumentalness β’ 13% Positiveness
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Aphex Twin
2X202-ST5
117 bpm β’ C# Maj β’ 04:39 β’ -11db
20% Popularity β’ 80% Danceability β’ 48% Energy β’ 9% Liveness
91% Instrumentalness β’ 14% Positiveness
20% Popularity β’ 80% Danceability β’ 48% Energy β’ 9% Liveness
91% Instrumentalness β’ 14% Positiveness
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Radiohead
Bloom - Objekt RMX
124 bpm β’ C# Maj β’ 05:21 β’ -9.1db
25% Popularity β’ 83% Danceability β’ 67% Energy β’ 9% Liveness
80% Instrumentalness β’ 24% Positiveness
25% Popularity β’ 83% Danceability β’ 67% Energy β’ 9% Liveness
80% Instrumentalness β’ 24% Positiveness
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DJ Rashad
Pass That Shit
116 bpm β’ B min β’ 04:18 β’ -10.04db
6% Popularity β’ 52% Danceability β’ 52% Energy β’ 27% Liveness
18% Instrumentalness β’ 48% Positiveness
6% Popularity β’ 52% Danceability β’ 52% Energy β’ 27% Liveness
18% Instrumentalness β’ 48% Positiveness
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HKE
Cashmere
124 bpm β’ C# Maj β’ 04:25 β’ -17.02db
8% Popularity β’ 93% Danceability β’ 24% Energy β’ 11% Liveness
89% Instrumentalness β’ 61% Positiveness
8% Popularity β’ 93% Danceability β’ 24% Energy β’ 11% Liveness
89% Instrumentalness β’ 61% Positiveness
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Special Request
Modern Warfare
125 bpm β’ B min β’ 03:20 β’ -11.38db
7% Popularity β’ 72% Danceability β’ 64% Energy β’ 6% Liveness
86% Instrumentalness β’ 10% Positiveness
7% Popularity β’ 72% Danceability β’ 64% Energy β’ 6% Liveness
86% Instrumentalness β’ 10% Positiveness
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Zomby
Daft Punk Rave
123 bpm β’ B Maj β’ 01:02 β’ -7.41db
20% Popularity β’ 84% Danceability β’ 66% Energy β’ 35% Liveness
75% Instrumentalness β’ 81% Positiveness
20% Popularity β’ 84% Danceability β’ 66% Energy β’ 35% Liveness
75% Instrumentalness β’ 81% Positiveness
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Lanark Artefax
Touch Absence
125 bpm β’ C# Maj β’ 05:51 β’ -7db
24% Popularity β’ 77% Danceability β’ 99% Energy β’ 27% Liveness
81% Instrumentalness β’ 63% Positiveness
24% Popularity β’ 77% Danceability β’ 99% Energy β’ 27% Liveness
81% Instrumentalness β’ 63% Positiveness
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Radiohead
Bloom - Blawan Rmx
124 bpm β’ G Maj β’ 07:29 β’ -8db
28% Popularity β’ 59% Danceability β’ 95% Energy β’ 9% Liveness
61% Instrumentalness β’ 3% Positiveness
28% Popularity β’ 59% Danceability β’ 95% Energy β’ 9% Liveness
61% Instrumentalness β’ 3% Positiveness
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LFO
Simon From Sydney
125 bpm β’ E min β’ 05:05 β’ -17db
24% Popularity β’ 75% Danceability β’ 56% Energy β’ 7% Liveness
88% Instrumentalness β’ 56% Positiveness
24% Popularity β’ 75% Danceability β’ 56% Energy β’ 7% Liveness
88% Instrumentalness β’ 56% Positiveness
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Overmono
O-Coast
125 bpm β’ F# min β’ 05:20 β’ -11.36db
18% Popularity β’ 58% Danceability β’ 84% Energy β’ 10% Liveness
95% Instrumentalness β’ 36% Positiveness
18% Popularity β’ 58% Danceability β’ 84% Energy β’ 10% Liveness
95% Instrumentalness β’ 36% Positiveness
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Franz Ferdinand
Ulysses - Zomby 92 Remix
125 bpm β’ E Maj β’ 02:20 β’ -2.05db
3% Popularity β’ 66% Danceability β’ 100% Energy β’ 28% Liveness
1% Instrumentalness β’ 66% Positiveness
3% Popularity β’ 66% Danceability β’ 100% Energy β’ 28% Liveness
1% Instrumentalness β’ 66% Positiveness
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Zomby
Alothea
125 bpm β’ F min β’ 02:49 β’ -11db
14% Popularity β’ 80% Danceability β’ 84% Energy β’ 8% Liveness
53% Instrumentalness β’ 39% Positiveness
14% Popularity β’ 80% Danceability β’ 84% Energy β’ 8% Liveness
53% Instrumentalness β’ 39% Positiveness
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Randomer
Freak Dub
125 bpm β’ A Maj β’ 04:36 β’ -6.4db
12% Popularity β’ 80% Danceability β’ 94% Energy β’ 5% Liveness
89% Instrumentalness β’ 40% Positiveness
12% Popularity β’ 80% Danceability β’ 94% Energy β’ 5% Liveness
89% Instrumentalness β’ 40% Positiveness
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Ikonika
Where Is Your Wife?
125 bpm β’ B min β’ 02:16 β’ -10.19db
24% Popularity β’ 80% Danceability β’ 25% Energy β’ 12% Liveness
89% Instrumentalness β’ 54% Positiveness
24% Popularity β’ 80% Danceability β’ 25% Energy β’ 12% Liveness
89% Instrumentalness β’ 54% Positiveness
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Lone
Explorers
125 bpm β’ G Maj β’ 05:22 β’ -5.84db
15% Popularity β’ 57% Danceability β’ 97% Energy β’ 6% Liveness
0% Instrumentalness β’ 50% Positiveness
15% Popularity β’ 57% Danceability β’ 97% Energy β’ 6% Liveness
0% Instrumentalness β’ 50% Positiveness
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Untold
Motion the Dance
125 bpm β’ B min β’ 06:59 β’ -9.99db
9% Popularity β’ 69% Danceability β’ 61% Energy β’ 10% Liveness
89% Instrumentalness β’ 10% Positiveness
9% Popularity β’ 69% Danceability β’ 61% Energy β’ 10% Liveness
89% Instrumentalness β’ 10% Positiveness
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Redshape
Man Out Of Time
115 bpm β’ A min β’ 04:40 β’ -7.85db
12% Popularity β’ 66% Danceability β’ 90% Energy β’ 9% Liveness
88% Instrumentalness β’ 8% Positiveness
12% Popularity β’ 66% Danceability β’ 90% Energy β’ 9% Liveness
88% Instrumentalness β’ 8% Positiveness
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Zomby
Riding with Death
125 bpm β’ C Maj β’ 02:02 β’ -10.73db
10% Popularity β’ 80% Danceability β’ 51% Energy β’ 11% Liveness
86% Instrumentalness β’ 66% Positiveness
10% Popularity β’ 80% Danceability β’ 51% Energy β’ 11% Liveness
86% Instrumentalness β’ 66% Positiveness
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FaltyDL
Freak Acid - Mixed
125 bpm β’ A# min β’ 04:25 β’ -9.42db
20% Popularity β’ 80% Danceability β’ 88% Energy β’ 15% Liveness
90% Instrumentalness β’ 32% Positiveness
20% Popularity β’ 80% Danceability β’ 88% Energy β’ 15% Liveness
90% Instrumentalness β’ 32% Positiveness
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Lee Gamble
Mimas Skank
115 bpm β’ B min β’ 06:01 β’ -10.34db
7% Popularity β’ 92% Danceability β’ 61% Energy β’ 7% Liveness
89% Instrumentalness β’ 30% Positiveness
7% Popularity β’ 92% Danceability β’ 61% Energy β’ 7% Liveness
89% Instrumentalness β’ 30% Positiveness
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Ramadanman
Tempest - Mixed
126 bpm β’ D Maj β’ 04:29 β’ -9db
13% Popularity β’ 72% Danceability β’ 79% Energy β’ 12% Liveness
84% Instrumentalness β’ 4% Positiveness
13% Popularity β’ 72% Danceability β’ 79% Energy β’ 12% Liveness
84% Instrumentalness β’ 4% Positiveness
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Lanark Artefax
Touch Absence - Intimidating Stillness M...
126 bpm β’ C# Maj β’ 05:19 β’ -7db
19% Popularity β’ 34% Danceability β’ 99% Energy β’ 20% Liveness
76% Instrumentalness β’ 10% Positiveness
19% Popularity β’ 34% Danceability β’ 99% Energy β’ 20% Liveness
76% Instrumentalness β’ 10% Positiveness
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Sepalcure
Breezin
126 bpm β’ G min β’ 06:37 β’ -7db
8% Popularity β’ 60% Danceability β’ 61% Energy β’ 16% Liveness
9% Instrumentalness β’ 53% Positiveness
8% Popularity β’ 60% Danceability β’ 61% Energy β’ 16% Liveness
9% Instrumentalness β’ 53% Positiveness
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Zomby
SURF I
126 bpm β’ C# min β’ 05:44 β’ -8.43db
9% Popularity β’ 80% Danceability β’ 68% Energy β’ 16% Liveness
28% Instrumentalness β’ 43% Positiveness
9% Popularity β’ 80% Danceability β’ 68% Energy β’ 16% Liveness
28% Instrumentalness β’ 43% Positiveness
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Ikonika
Self
126 bpm β’ C# Maj β’ 02:02 β’ -7db
8% Popularity β’ 76% Danceability β’ 43% Energy β’ 8% Liveness
67% Instrumentalness β’ 9% Positiveness
8% Popularity β’ 76% Danceability β’ 43% Energy β’ 8% Liveness
67% Instrumentalness β’ 9% Positiveness
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Peverelist
Under Clearing Skies
126 bpm β’ G Maj β’ 05:40 β’ -15.76db
8% Popularity β’ 61% Danceability β’ 39% Energy β’ 8% Liveness
88% Instrumentalness β’ 68% Positiveness
8% Popularity β’ 61% Danceability β’ 39% Energy β’ 8% Liveness
88% Instrumentalness β’ 68% Positiveness
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Mount Kimbie
You Took Your Time - Lee Gamble Remix
114 bpm β’ D# min β’ 05:56 β’ -16.33db
14% Popularity β’ 62% Danceability β’ 46% Energy β’ 15% Liveness
92% Instrumentalness β’ 7% Positiveness
14% Popularity β’ 62% Danceability β’ 46% Energy β’ 15% Liveness
92% Instrumentalness β’ 7% Positiveness
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Eomac
No Name
126 bpm β’ F min β’ 04:28 β’ -11.52db
9% Popularity β’ 68% Danceability β’ 58% Energy β’ 13% Liveness
81% Instrumentalness β’ 30% Positiveness
9% Popularity β’ 68% Danceability β’ 58% Energy β’ 13% Liveness
81% Instrumentalness β’ 30% Positiveness
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WEN
BLIPS
127 bpm β’ A min β’ 03:25 β’ -11.37db
9% Popularity β’ 36% Danceability β’ 53% Energy β’ 13% Liveness
24% Instrumentalness β’ 32% Positiveness
9% Popularity β’ 36% Danceability β’ 53% Energy β’ 13% Liveness
24% Instrumentalness β’ 32% Positiveness
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DjRUM
Creature, Pt. 2
127 bpm β’ C# Maj β’ 05:38 β’ -13db
28% Popularity β’ 64% Danceability β’ 64% Energy β’ 46% Liveness
74% Instrumentalness β’ 4% Positiveness
28% Popularity β’ 64% Danceability β’ 64% Energy β’ 46% Liveness
74% Instrumentalness β’ 4% Positiveness
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Ikonika
Your Body
126 bpm β’ G min β’ 06:06 β’ -6.57db
20% Popularity β’ 76% Danceability β’ 69% Energy β’ 6% Liveness
90% Instrumentalness β’ 19% Positiveness
20% Popularity β’ 76% Danceability β’ 69% Energy β’ 6% Liveness
90% Instrumentalness β’ 19% Positiveness
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Zomby
Need Ur Lovin'
127 bpm β’ C# Maj β’ 02:24 β’ -13.27db
12% Popularity β’ 72% Danceability β’ 63% Energy β’ 35% Liveness
59% Instrumentalness β’ 59% Positiveness
12% Popularity β’ 72% Danceability β’ 63% Energy β’ 35% Liveness
59% Instrumentalness β’ 59% Positiveness
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Mount Kimbie
Serged
113 bpm β’ B Maj β’ 03:30 β’ -8.92db
15% Popularity β’ 51% Danceability β’ 34% Energy β’ 12% Liveness
85% Instrumentalness β’ 28% Positiveness
15% Popularity β’ 51% Danceability β’ 34% Energy β’ 12% Liveness
85% Instrumentalness β’ 28% Positiveness
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Moderat
Rusty Nails - Shackleton Remix
128 bpm β’ C# Maj β’ 09:38 β’ -14db
25% Popularity β’ 50% Danceability β’ 66% Energy β’ 16% Liveness
40% Instrumentalness β’ 3% Positiveness
25% Popularity β’ 50% Danceability β’ 66% Energy β’ 16% Liveness
40% Instrumentalness β’ 3% Positiveness
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Sepalcure
Dub Of
128 bpm β’ C Maj β’ 03:00 β’ -9db
14% Popularity β’ 72% Danceability β’ 58% Energy β’ 28% Liveness
54% Instrumentalness β’ 56% Positiveness
14% Popularity β’ 72% Danceability β’ 58% Energy β’ 28% Liveness
54% Instrumentalness β’ 56% Positiveness
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LFO
Freeze
128 bpm β’ C min β’ 03:56 β’ -13db
18% Popularity β’ 85% Danceability β’ 61% Energy β’ 11% Liveness
7% Instrumentalness β’ 39% Positiveness
18% Popularity β’ 85% Danceability β’ 61% Energy β’ 11% Liveness
7% Instrumentalness β’ 39% Positiveness
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Ikonika
Bodied - OG Mix
128 bpm β’ D Maj β’ 04:38 β’ -7.59db
16% Popularity β’ 82% Danceability β’ 68% Energy β’ 7% Liveness
74% Instrumentalness β’ 56% Positiveness
16% Popularity β’ 82% Danceability β’ 68% Energy β’ 7% Liveness
74% Instrumentalness β’ 56% Positiveness
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Kode9
Love Is The Drug
128 bpm β’ G Maj β’ 02:59 β’ -10.59db
23% Popularity β’ 66% Danceability β’ 65% Energy β’ 10% Liveness
89% Instrumentalness β’ 50% Positiveness
23% Popularity β’ 66% Danceability β’ 65% Energy β’ 10% Liveness
89% Instrumentalness β’ 50% Positiveness
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Zomby
Digital Rain
127 bpm β’ F min β’ 03:29 β’ -6.15db
7% Popularity β’ 68% Danceability β’ 96% Energy β’ 4% Liveness
80% Instrumentalness β’ 90% Positiveness
7% Popularity β’ 68% Danceability β’ 96% Energy β’ 4% Liveness
80% Instrumentalness β’ 90% Positiveness
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Tessela
Gateway
128 bpm β’ C# Maj β’ 04:30 β’ -7.81db
11% Popularity β’ 60% Danceability β’ 99% Energy β’ 39% Liveness
88% Instrumentalness β’ 4% Positiveness
11% Popularity β’ 60% Danceability β’ 99% Energy β’ 39% Liveness
88% Instrumentalness β’ 4% Positiveness
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Radioactive Man
The Mezz
128 bpm β’ D min β’ 08:08 β’ -12.58db
15% Popularity β’ 67% Danceability β’ 52% Energy β’ 12% Liveness
89% Instrumentalness β’ 17% Positiveness
15% Popularity β’ 67% Danceability β’ 52% Energy β’ 12% Liveness
89% Instrumentalness β’ 17% Positiveness
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Shed
Keep Time
112 bpm β’ D Maj β’ 03:01 β’ -11db
23% Popularity β’ 70% Danceability β’ 59% Energy β’ 26% Liveness
87% Instrumentalness β’ 12% Positiveness
23% Popularity β’ 70% Danceability β’ 59% Energy β’ 26% Liveness
87% Instrumentalness β’ 12% Positiveness
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Kahn
Like We Used To
128 bpm β’ C min β’ 04:26 β’ -8.54db
19% Popularity β’ 43% Danceability β’ 64% Energy β’ 20% Liveness
0% Instrumentalness β’ 36% Positiveness
19% Popularity β’ 43% Danceability β’ 64% Energy β’ 20% Liveness
0% Instrumentalness β’ 36% Positiveness
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Blawan
Close the Cycle
112 bpm β’ G Maj β’ 04:05 β’ -4.24db
17% Popularity β’ 81% Danceability β’ 90% Energy β’ 27% Liveness
83% Instrumentalness β’ 26% Positiveness
17% Popularity β’ 81% Danceability β’ 90% Energy β’ 27% Liveness
83% Instrumentalness β’ 26% Positiveness
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Pearson Sound
Robin Chasing Butterflies
129 bpm β’ E min β’ 07:50 β’ -8.59db
14% Popularity β’ 73% Danceability β’ 74% Energy β’ 9% Liveness
88% Instrumentalness β’ 9% Positiveness
14% Popularity β’ 73% Danceability β’ 74% Energy β’ 9% Liveness
88% Instrumentalness β’ 9% Positiveness
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Nmesh
εΏηγεγε
₯γγΎγ (Zomby Versi...
112 bpm β’ A min β’ 04:57 β’ -8.59db
15% Popularity β’ 34% Danceability β’ 76% Energy β’ 9% Liveness
39% Instrumentalness β’ 27% Positiveness
15% Popularity β’ 34% Danceability β’ 76% Energy β’ 9% Liveness
39% Instrumentalness β’ 27% Positiveness
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Objekt
Needle and Thread
129 bpm β’ C# Maj β’ 09:25 β’ -10.71db
15% Popularity β’ 69% Danceability β’ 51% Energy β’ 9% Liveness
85% Instrumentalness β’ 19% Positiveness
15% Popularity β’ 69% Danceability β’ 51% Energy β’ 9% Liveness
85% Instrumentalness β’ 19% Positiveness
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The Field
Everyday
129 bpm β’ A Maj β’ 06:59 β’ -11.07db
31% Popularity β’ 66% Danceability β’ 81% Energy β’ 5% Liveness
93% Instrumentalness β’ 36% Positiveness
31% Popularity β’ 66% Danceability β’ 81% Energy β’ 5% Liveness
93% Instrumentalness β’ 36% Positiveness
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Peverelist
Still Early
129 bpm β’ F# Maj β’ 07:00 β’ -11.58db
9% Popularity β’ 63% Danceability β’ 72% Energy β’ 8% Liveness
93% Instrumentalness β’ 56% Positiveness
9% Popularity β’ 63% Danceability β’ 72% Energy β’ 8% Liveness
93% Instrumentalness β’ 56% Positiveness
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Muslimgauze
Uzi Mahmood 8 - Mixed
129 bpm β’ D Maj β’ 03:26 β’ -8.18db
12% Popularity β’ 58% Danceability β’ 62% Energy β’ 7% Liveness
64% Instrumentalness β’ 76% Positiveness
12% Popularity β’ 58% Danceability β’ 62% Energy β’ 7% Liveness
64% Instrumentalness β’ 76% Positiveness
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Horsepower Productions
HDN
130 bpm β’ F# min β’ 05:46 β’ -4.8db
8% Popularity β’ 91% Danceability β’ 96% Energy β’ 10% Liveness
18% Instrumentalness β’ 66% Positiveness
8% Popularity β’ 91% Danceability β’ 96% Energy β’ 10% Liveness
18% Instrumentalness β’ 66% Positiveness
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Floating Points
Realise
130 bpm β’ F min β’ 05:26 β’ -17.91db
22% Popularity β’ 57% Danceability β’ 30% Energy β’ 15% Liveness
86% Instrumentalness β’ 10% Positiveness
22% Popularity β’ 57% Danceability β’ 30% Energy β’ 15% Liveness
86% Instrumentalness β’ 10% Positiveness
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Objekt
Unglued
129 bpm β’ B min β’ 07:46 β’ -9.03db
10% Popularity β’ 70% Danceability β’ 74% Energy β’ 10% Liveness
86% Instrumentalness β’ 41% Positiveness
10% Popularity β’ 70% Danceability β’ 74% Energy β’ 10% Liveness
86% Instrumentalness β’ 41% Positiveness
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Pariah
Railroad
130 bpm β’ F min β’ 03:35 β’ -8.31db
22% Popularity β’ 64% Danceability β’ 80% Energy β’ 70% Liveness
72% Instrumentalness β’ 55% Positiveness
22% Popularity β’ 64% Danceability β’ 80% Energy β’ 70% Liveness
72% Instrumentalness β’ 55% Positiveness
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Mssingno
Dead
130 bpm β’ G# min β’ 03:48 β’ -4db
15% Popularity β’ 70% Danceability β’ 95% Energy β’ 38% Liveness
47% Instrumentalness β’ 50% Positiveness
15% Popularity β’ 70% Danceability β’ 95% Energy β’ 38% Liveness
47% Instrumentalness β’ 50% Positiveness
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Bok Bok
Charisma Theme - Mixed
130 bpm β’ B min β’ 01:21 β’ -6.2db
11% Popularity β’ 80% Danceability β’ 96% Energy β’ 9% Liveness
90% Instrumentalness β’ 44% Positiveness
11% Popularity β’ 80% Danceability β’ 96% Energy β’ 9% Liveness
90% Instrumentalness β’ 44% Positiveness
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Tessela
Nancy's Pantry
130 bpm β’ F# min β’ 05:07 β’ -5.21db
14% Popularity β’ 50% Danceability β’ 97% Energy β’ 34% Liveness
91% Instrumentalness β’ 4% Positiveness
14% Popularity β’ 50% Danceability β’ 97% Energy β’ 34% Liveness
91% Instrumentalness β’ 4% Positiveness
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Ikonika
Bodied (OG Mix) - Mixed
130 bpm β’ D Maj β’ 02:12 β’ -8.62db
15% Popularity β’ 75% Danceability β’ 73% Energy β’ 51% Liveness
8% Instrumentalness β’ 85% Positiveness
15% Popularity β’ 75% Danceability β’ 73% Energy β’ 51% Liveness
8% Instrumentalness β’ 85% Positiveness
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Overmono
Yell0w_Tail
130 bpm β’ D Maj β’ 04:45 β’ -13db
29% Popularity β’ 76% Danceability β’ 69% Energy β’ 6% Liveness
83% Instrumentalness β’ 47% Positiveness
29% Popularity β’ 76% Danceability β’ 69% Energy β’ 6% Liveness
83% Instrumentalness β’ 47% Positiveness
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Lone
Vapour Trail
130 bpm β’ F min β’ 04:30 β’ -11.72db
23% Popularity β’ 68% Danceability β’ 79% Energy β’ 9% Liveness
84% Instrumentalness β’ 48% Positiveness
23% Popularity β’ 68% Danceability β’ 79% Energy β’ 9% Liveness
84% Instrumentalness β’ 48% Positiveness
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Millie & Andrea
Stay Ugly
130 bpm β’ C# Maj β’ 06:21 β’ -7.77db
14% Popularity β’ 78% Danceability β’ 80% Energy β’ 10% Liveness
70% Instrumentalness β’ 24% Positiveness
14% Popularity β’ 78% Danceability β’ 80% Energy β’ 10% Liveness
70% Instrumentalness β’ 24% Positiveness
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Gwilym Gold
Flex - Zomby Rework
130 bpm β’ C# Maj β’ 04:20 β’ -10.16db
5% Popularity β’ 63% Danceability β’ 56% Energy β’ 12% Liveness
92% Instrumentalness β’ 42% Positiveness
5% Popularity β’ 63% Danceability β’ 56% Energy β’ 12% Liveness
92% Instrumentalness β’ 42% Positiveness
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Tessela
Helter Skelter
130 bpm β’ A# min β’ 04:01 β’ -5.87db
10% Popularity β’ 81% Danceability β’ 92% Energy β’ 3% Liveness
95% Instrumentalness β’ 64% Positiveness
10% Popularity β’ 81% Danceability β’ 92% Energy β’ 3% Liveness
95% Instrumentalness β’ 64% Positiveness
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Franz Ferdinand
Ulysses - Zomby Gloop Remix
130 bpm β’ B min β’ 04:13 β’ -7.11db
2% Popularity β’ 55% Danceability β’ 45% Energy β’ 51% Liveness
78% Instrumentalness β’ 66% Positiveness
2% Popularity β’ 55% Danceability β’ 45% Energy β’ 51% Liveness
78% Instrumentalness β’ 66% Positiveness
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Pangaea
Mutual Exchange
130 bpm β’ A min β’ 02:37 β’ -11.18db
12% Popularity β’ 81% Danceability β’ 89% Energy β’ 10% Liveness
91% Instrumentalness β’ 81% Positiveness
12% Popularity β’ 81% Danceability β’ 89% Energy β’ 10% Liveness
91% Instrumentalness β’ 81% Positiveness
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Floating Points
Obfuse
130 bpm β’ F# Maj β’ 04:11 β’ -13.77db
20% Popularity β’ 76% Danceability β’ 66% Energy β’ 9% Liveness
78% Instrumentalness β’ 16% Positiveness
20% Popularity β’ 76% Danceability β’ 66% Energy β’ 9% Liveness
78% Instrumentalness β’ 16% Positiveness
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Joy Orbison
The Shrew Would Have Cushioned The Blow ...
130 bpm β’ F# min β’ 04:49 β’ -7.98db
16% Popularity β’ 40% Danceability β’ 81% Energy β’ 12% Liveness
92% Instrumentalness β’ 35% Positiveness
16% Popularity β’ 40% Danceability β’ 81% Energy β’ 12% Liveness
92% Instrumentalness β’ 35% Positiveness
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Zomby
Mozaik
130 bpm β’ B min β’ 03:12 β’ -3.73db
8% Popularity β’ 79% Danceability β’ 100% Energy β’ 19% Liveness
92% Instrumentalness β’ 20% Positiveness
8% Popularity β’ 79% Danceability β’ 100% Energy β’ 19% Liveness
92% Instrumentalness β’ 20% Positiveness
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DjRUM
Untitled 9
130 bpm β’ F min β’ 10:12 β’ -8.29db
13% Popularity β’ 50% Danceability β’ 70% Energy β’ 21% Liveness
89% Instrumentalness β’ 10% Positiveness
13% Popularity β’ 50% Danceability β’ 70% Energy β’ 21% Liveness
89% Instrumentalness β’ 10% Positiveness
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Breakage
Vial
130 bpm β’ C# Maj β’ 03:54 β’ -8.95db
23% Popularity β’ 61% Danceability β’ 63% Energy β’ 9% Liveness
92% Instrumentalness β’ 3% Positiveness
23% Popularity β’ 61% Danceability β’ 63% Energy β’ 9% Liveness
92% Instrumentalness β’ 3% Positiveness
