Songs like Nationalhymne der DDR by Hanns Eisler
Based on a tempo of (+/- 10%) and a similar genre
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Richard Wagner
Die Walküre, WWV 86B: Ritt der Walküre...
88 bpm • G Maj • 05:33 • -16.07db
25% Popularity • 20% Danceability • 24% Energy • 8% Liveness
92% Instrumentalness • 9% Positiveness
25% Popularity • 20% Danceability • 24% Energy • 8% Liveness
92% Instrumentalness • 9% Positiveness
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Hanns Eisler
Deutsche Sinfonie, Op. 50: No. 4, Erinne...
89 bpm • C# Maj • 03:33 • -19.19db
0% Popularity • 33% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
0% Popularity • 33% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
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Vienna State Opera Orchestra
East Germany
88 bpm • F Maj • 01:16 • -10.44db
13% Popularity • 18% Danceability • 30% Energy • 6% Liveness
90% Instrumentalness • 22% Positiveness
13% Popularity • 18% Danceability • 30% Energy • 6% Liveness
90% Instrumentalness • 22% Positiveness
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Herbert Brust
Land der dunklen Walder
88 bpm • F Maj • 01:59 • -11.14db
10% Popularity • 21% Danceability • 29% Energy • 13% Liveness
14% Instrumentalness • 25% Positiveness
10% Popularity • 21% Danceability • 29% Energy • 13% Liveness
14% Instrumentalness • 25% Positiveness
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Alexandrov Red Army Choir
My Country
88 bpm • C Maj • 03:37 • -9db
22% Popularity • 21% Danceability • 54% Energy • 6% Liveness
58% Instrumentalness • 19% Positiveness
22% Popularity • 21% Danceability • 54% Energy • 6% Liveness
58% Instrumentalness • 19% Positiveness
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Negatiator
When we were at War Russian Folk Song co...
91 bpm • F# Maj • 02:36 • -11.6db
41% Popularity • 46% Danceability • 76% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
41% Popularity • 46% Danceability • 76% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
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Freusburger Soldantenchor
Ich hatt' einen Kameraden
87 bpm • F# Maj • 01:49 • -9.04db
24% Popularity • 31% Danceability • 54% Energy • 33% Liveness
0% Instrumentalness • 71% Positiveness
24% Popularity • 31% Danceability • 54% Energy • 33% Liveness
0% Instrumentalness • 71% Positiveness
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Hanns Eisler
Sklave, wer wird dich befreien: Sklave, ...
90 bpm • C# Maj • 02:57 • -11.89db
12% Popularity • 50% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
12% Popularity • 50% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Zentrales Orchester der NVA
Präsentiermarsch der NVA
87 bpm • A# Maj • 01:21 • -15.96db
23% Popularity • 58% Danceability • 55% Energy • 8% Liveness
89% Instrumentalness • 78% Positiveness
23% Popularity • 58% Danceability • 55% Energy • 8% Liveness
89% Instrumentalness • 78% Positiveness
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Zentraler Pionier- und Jugendchor "Edgar André" Berlin
Lenin, unser Freund (1969)
87 bpm • F Maj • 01:52 • -10.46db
7% Popularity • 48% Danceability • 18% Energy • 17% Liveness
0% Instrumentalness • 41% Positiveness
7% Popularity • 48% Danceability • 18% Energy • 17% Liveness
0% Instrumentalness • 41% Positiveness
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MTA Fürth
Gehe nicht, o Gregor
87 bpm • D min • 05:31 • -20.93db
10% Popularity • 25% Danceability • 11% Energy • 6% Liveness
0% Instrumentalness • 15% Positiveness
10% Popularity • 25% Danceability • 11% Energy • 6% Liveness
0% Instrumentalness • 15% Positiveness
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Claire Waldoff
Wer schmeisst denn da mit Lehm
87 bpm • F Maj • 03:14 • -10db
19% Popularity • 64% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
19% Popularity • 64% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
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Pierre Degeyter
Das kommunistische Manifest 08
91 bpm • A Maj • 05:26 • -17.4db
0% Popularity • 70% Danceability • 40% Energy • 60% Liveness
0% Instrumentalness • 72% Positiveness
0% Popularity • 70% Danceability • 40% Energy • 60% Liveness
0% Instrumentalness • 72% Positiveness
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Hanns Eisler
Die Mutter, Op. 25: VIII. Im Gefängnis ...
90 bpm • F# Maj • 03:46 • -25.18db
0% Popularity • 35% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
0% Popularity • 35% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Chor und Orchester Harry Pleva
Prinz Eugen, der edle Ritter
92 bpm • G# Maj • 03:38 • -15.97db
15% Popularity • 66% Danceability • 20% Energy • 13% Liveness
3% Instrumentalness • 55% Positiveness
15% Popularity • 66% Danceability • 20% Energy • 13% Liveness
3% Instrumentalness • 55% Positiveness
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Georg Kreisler
Der General
86 bpm • G# Maj • 04:07 • -11.81db
16% Popularity • 59% Danceability • 64% Energy • 26% Liveness
0% Instrumentalness • 79% Positiveness
16% Popularity • 59% Danceability • 64% Energy • 26% Liveness
0% Instrumentalness • 79% Positiveness
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The People's Liberation Army Orchestra
The Internationale
86 bpm • A# Maj • 01:49 • -11.79db
23% Popularity • 34% Danceability • 34% Energy • 33% Liveness
95% Instrumentalness • 39% Positiveness
23% Popularity • 34% Danceability • 34% Energy • 33% Liveness
95% Instrumentalness • 39% Positiveness
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Wolf Biermann
Warte nicht auf beßre Zeiten
92 bpm • A min • 03:09 • -10.56db
16% Popularity • 65% Danceability • 16% Energy • 15% Liveness
0% Instrumentalness • 58% Positiveness
16% Popularity • 65% Danceability • 16% Energy • 15% Liveness
0% Instrumentalness • 58% Positiveness
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Gruppe Jahrgang '49
Fahnenlied
86 bpm • D Maj • 02:59 • -8.34db
6% Popularity • 57% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
6% Popularity • 57% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
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Hanns Eisler
Die Mutter, Op. 25: II. Das Lied von der...
90 bpm • A# Maj • 01:54 • -27.01db
0% Popularity • 50% Danceability • 6% Energy • 20% Liveness
0% Instrumentalness • 23% Positiveness
0% Popularity • 50% Danceability • 6% Energy • 20% Liveness
0% Instrumentalness • 23% Positiveness
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Clausthaler Studentenchor
Burschen heraus!
93 bpm • C# Maj • 01:13 • -19.1db
12% Popularity • 54% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 85% Positiveness
12% Popularity • 54% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 85% Positiveness
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Aegukka
Patriotic Song of Republic Korean People...
93 bpm • A Maj • 02:37 • -11db
27% Popularity • 22% Danceability • 46% Energy • 10% Liveness
32% Instrumentalness • 38% Positiveness
27% Popularity • 22% Danceability • 46% Energy • 10% Liveness
32% Instrumentalness • 38% Positiveness
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Rundfunkchor- und Sinfonieorchester Leipzig
Thälmannlied (1951)
85 bpm • C Maj • 03:26 • -12db
17% Popularity • 40% Danceability • 26% Energy • 17% Liveness
0% Instrumentalness • 36% Positiveness
17% Popularity • 40% Danceability • 26% Energy • 17% Liveness
0% Instrumentalness • 36% Positiveness
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Wolfgang Amadeus Mozart
Leck mich im Arsch, K.231
85 bpm • A Maj • 02:17 • -23db
23% Popularity • 40% Danceability • 14% Energy • 16% Liveness
0% Instrumentalness • 22% Positiveness
23% Popularity • 40% Danceability • 14% Energy • 16% Liveness
0% Instrumentalness • 22% Positiveness
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Alexandrov Red Army Choir
Partisan's Song
93 bpm • B min • 02:51 • -11.18db
30% Popularity • 50% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
30% Popularity • 50% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
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Hanns Eisler
Stempellied
90 bpm • C# Maj • 04:24 • -12.43db
4% Popularity • 51% Danceability • 18% Energy • 54% Liveness
0% Instrumentalness • 31% Positiveness
4% Popularity • 51% Danceability • 18% Energy • 54% Liveness
0% Instrumentalness • 31% Positiveness
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Pierre Degeyter
Das kommunistische Manifest 14
93 bpm • G# Maj • 07:07 • -17.19db
0% Popularity • 66% Danceability • 40% Energy • 33% Liveness
0% Instrumentalness • 75% Positiveness
0% Popularity • 66% Danceability • 40% Energy • 33% Liveness
0% Instrumentalness • 75% Positiveness
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The Red Military
Old Anthem Union of Soviet Socialist Rep...
93 bpm • C# Maj • 00:59 • -7db
23% Popularity • 33% Danceability • 72% Energy • 43% Liveness
63% Instrumentalness • 48% Positiveness
23% Popularity • 33% Danceability • 72% Energy • 43% Liveness
63% Instrumentalness • 48% Positiveness
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Georg Kreisler
Bidlah Buh
93 bpm • A# Maj • 03:30 • -12.31db
19% Popularity • 64% Danceability • 53% Energy • 21% Liveness
0% Instrumentalness • 85% Positiveness
19% Popularity • 64% Danceability • 53% Energy • 21% Liveness
0% Instrumentalness • 85% Positiveness
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Heike Harfmann
Automobil
85 bpm • F Maj • 01:59 • -14db
14% Popularity • 71% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
14% Popularity • 71% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
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First Exemplary Orchestra of the USSR Defense Ministry
Military March "Preobrazhensky Regiment ...
93 bpm • A# Maj • 02:07 • -10.39db
19% Popularity • 62% Danceability • 46% Energy • 20% Liveness
90% Instrumentalness • 92% Positiveness
19% Popularity • 62% Danceability • 46% Energy • 20% Liveness
90% Instrumentalness • 92% Positiveness
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Hanns Eisler
Deutschland
90 bpm • G Maj • 01:21 • -16.68db
4% Popularity • 58% Danceability • 4% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
4% Popularity • 58% Danceability • 4% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
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Hannes Wader
Lied vom Knüppelchen
94 bpm • D min • 04:21 • -14.79db
22% Popularity • 41% Danceability • 53% Energy • 82% Liveness
0% Instrumentalness • 69% Positiveness
22% Popularity • 41% Danceability • 53% Energy • 82% Liveness
0% Instrumentalness • 69% Positiveness
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Pierre Degeyter
Das kommunistische Manifest 13
84 bpm • A Maj • 03:10 • -17.18db
0% Popularity • 63% Danceability • 38% Energy • 52% Liveness
0% Instrumentalness • 86% Positiveness
0% Popularity • 63% Danceability • 38% Energy • 52% Liveness
0% Instrumentalness • 86% Positiveness
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Государственный Московский хор
Наш паровоз
94 bpm • E Maj • 02:06 • -15.5db
7% Popularity • 45% Danceability • 28% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
7% Popularity • 45% Danceability • 28% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
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Georg Kreisler
Barbara
84 bpm • A# Maj • 03:03 • -15.56db
15% Popularity • 57% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
15% Popularity • 57% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
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Gotteshorn
Die Grenzwacht hielt im Osten
94 bpm • A min • 03:26 • -13.76db
28% Popularity • 36% Danceability • 31% Energy • 26% Liveness
0% Instrumentalness • 17% Positiveness
28% Popularity • 36% Danceability • 31% Energy • 26% Liveness
0% Instrumentalness • 17% Positiveness
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Hanns Eisler
Die Mutter, Op. 25: IV. Bericht vom 1 Ma...
90 bpm • A min • 01:37 • -23.41db
0% Popularity • 30% Danceability • 7% Energy • 11% Liveness
1% Instrumentalness • 18% Positiveness
0% Popularity • 30% Danceability • 7% Energy • 11% Liveness
1% Instrumentalness • 18% Positiveness
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Paul Dessau
Die Thälmann-Kolonne
93 bpm • G Maj • 03:26 • -9.7db
12% Popularity • 59% Danceability • 35% Energy • 71% Liveness
0% Instrumentalness • 42% Positiveness
12% Popularity • 59% Danceability • 35% Energy • 71% Liveness
0% Instrumentalness • 42% Positiveness
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Rolando Alarcon
No Pasaran
95 bpm • E min • 02:34 • -13db
24% Popularity • 68% Danceability • 19% Energy • 11% Liveness
2% Instrumentalness • 36% Positiveness
24% Popularity • 68% Danceability • 19% Energy • 11% Liveness
2% Instrumentalness • 36% Positiveness
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Pierre Degeyter
Das kommunistische Manifest 03
83 bpm • C# Maj • 04:59 • -15.44db
1% Popularity • 63% Danceability • 43% Energy • 77% Liveness
0% Instrumentalness • 74% Positiveness
1% Popularity • 63% Danceability • 43% Energy • 77% Liveness
0% Instrumentalness • 74% Positiveness
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La Musique Des Armées
Le pas redoublé de la garde impériale
95 bpm • A# Maj • 01:01 • -5db
38% Popularity • 70% Danceability • 83% Energy • 29% Liveness
0% Instrumentalness • 46% Positiveness
38% Popularity • 70% Danceability • 83% Energy • 29% Liveness
0% Instrumentalness • 46% Positiveness
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Großer Chor Des Berliner Rundfunks
Nationalhymne der DDR (1949)
95 bpm • F Maj • 02:54 • -12.96db
24% Popularity • 38% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
24% Popularity • 38% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Hanns Eisler
Palmstrom, Op. 5: No. 3. L'art pour l'ar...
87 bpm • A# Maj • 00:53 • -21.28db
1% Popularity • 60% Danceability • 9% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
1% Popularity • 60% Danceability • 9% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
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Lilian Harvey
Das gibt's nur einmal (Christels Lied)
95 bpm • D# Maj • 03:07 • -12.15db
12% Popularity • 39% Danceability • 25% Energy • 15% Liveness
11% Instrumentalness • 47% Positiveness
12% Popularity • 39% Danceability • 25% Energy • 15% Liveness
11% Instrumentalness • 47% Positiveness
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Bruderschaft Orchester
DDR - Auferstanden aus Ruinen - National...
95 bpm • F Maj • 02:52 • -11.7db
20% Popularity • 37% Danceability • 36% Energy • 21% Liveness
0% Instrumentalness • 47% Positiveness
20% Popularity • 37% Danceability • 36% Energy • 21% Liveness
0% Instrumentalness • 47% Positiveness
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Pierre Degeyter
Das kommunistische Manifest 10
83 bpm • B min • 04:35 • -17.21db
0% Popularity • 69% Danceability • 38% Energy • 54% Liveness
0% Instrumentalness • 77% Positiveness
0% Popularity • 69% Danceability • 38% Energy • 54% Liveness
0% Instrumentalness • 77% Positiveness
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Stars Of St. Petersburg
Vladimirskii Rojok
96 bpm • D min • 01:09 • -10db
36% Popularity • 65% Danceability • 34% Energy • 12% Liveness
79% Instrumentalness • 64% Positiveness
36% Popularity • 65% Danceability • 34% Energy • 12% Liveness
79% Instrumentalness • 64% Positiveness
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Wolf Biermann
Trotz alledem!
83 bpm • D min • 04:30 • -16.49db
7% Popularity • 63% Danceability • 18% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
7% Popularity • 63% Danceability • 18% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
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Hanns Eisler
Die Mutter, Op. 25: VI. Lob des Lernens
90 bpm • A min • 01:20 • -24.36db
0% Popularity • 62% Danceability • 11% Energy • 21% Liveness
0% Instrumentalness • 53% Positiveness
0% Popularity • 62% Danceability • 11% Energy • 21% Liveness
0% Instrumentalness • 53% Positiveness
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Erich-Weinert-Ensemble
Auferstanden aus Ruinen
96 bpm • F Maj • 02:54 • -9db
40% Popularity • 36% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
40% Popularity • 36% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
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Kurt Weill
Die Dreigroschenoper: Kanonen-Song
96 bpm • C# min • 02:43 • -19.08db
4% Popularity • 73% Danceability • 25% Energy • 52% Liveness
0% Instrumentalness • 62% Positiveness
4% Popularity • 73% Danceability • 25% Energy • 52% Liveness
0% Instrumentalness • 62% Positiveness
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Bettina Wegner
Soldaten
96 bpm • F Maj • 02:49 • -6db
28% Popularity • 65% Danceability • 52% Energy • 69% Liveness
0% Instrumentalness • 55% Positiveness
28% Popularity • 65% Danceability • 52% Energy • 69% Liveness
0% Instrumentalness • 55% Positiveness
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Rans & Flagel
Der Tod in Flandern
82 bpm • B min • 04:15 • -12.9db
18% Popularity • 51% Danceability • 11% Energy • 23% Liveness
0% Instrumentalness • 20% Positiveness
18% Popularity • 51% Danceability • 11% Energy • 23% Liveness
0% Instrumentalness • 20% Positiveness
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Des Geyers schwarzer Haufen
Unsre liebe Fraue
96 bpm • F Maj • 03:45 • -16.92db
17% Popularity • 49% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
17% Popularity • 49% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
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Hanns Eisler
Rosen auf den Weg gestreut
91 bpm • F min • 02:31 • -15.6db
10% Popularity • 54% Danceability • 28% Energy • 66% Liveness
0% Instrumentalness • 51% Positiveness
10% Popularity • 54% Danceability • 28% Energy • 66% Liveness
0% Instrumentalness • 51% Positiveness
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Motettenchor Tegernsee
Bayernhymne
82 bpm • G# Maj • 02:30 • -13.59db
17% Popularity • 23% Danceability • 34% Energy • 20% Liveness
0% Instrumentalness • 24% Positiveness
17% Popularity • 23% Danceability • 34% Energy • 20% Liveness
0% Instrumentalness • 24% Positiveness
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Kurt Weill
Die Dreigroschenoper: Akt I, Die Moritat...
82 bpm • G Maj • 03:10 • -18db
19% Popularity • 36% Danceability • 15% Energy • 89% Liveness
0% Instrumentalness • 52% Positiveness
19% Popularity • 36% Danceability • 15% Energy • 89% Liveness
0% Instrumentalness • 52% Positiveness
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Georg Kreisler
Wir sind alle Terroristen
97 bpm • C min • 03:17 • -15db
16% Popularity • 67% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
16% Popularity • 67% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
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Alexandrov Song And Dance Ensemble
Warszawianka
82 bpm • A# Maj • 03:34 • -14.52db
15% Popularity • 60% Danceability • 32% Energy • 48% Liveness
0% Instrumentalness • 9% Positiveness
15% Popularity • 60% Danceability • 32% Energy • 48% Liveness
0% Instrumentalness • 9% Positiveness
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Pierre Degeyter
Das kommunistische Manifest 09
82 bpm • C# Maj • 05:32 • -16.89db
0% Popularity • 63% Danceability • 38% Energy • 47% Liveness
0% Instrumentalness • 76% Positiveness
0% Popularity • 63% Danceability • 38% Energy • 47% Liveness
0% Instrumentalness • 76% Positiveness
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Hanns Eisler
Peace on Earth: Dictator's Song
92 bpm • C# Maj • 02:34 • -15.41db
1% Popularity • 37% Danceability • 10% Energy • 10% Liveness
28% Instrumentalness • 21% Positiveness
1% Popularity • 37% Danceability • 10% Energy • 10% Liveness
28% Instrumentalness • 21% Positiveness
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Usa Singer
Communist Party Soviet Anthem in English
81 bpm • F Maj • 02:59 • -15db
16% Popularity • 40% Danceability • 12% Energy • 12% Liveness
76% Instrumentalness • 44% Positiveness
16% Popularity • 40% Danceability • 12% Energy • 12% Liveness
76% Instrumentalness • 44% Positiveness
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Kurt Weill
Die Dreigroschenoper: Akt I, Liebeslied ...
97 bpm • G min • 01:54 • -29db
14% Popularity • 33% Danceability • 1% Energy • 34% Liveness
0% Instrumentalness • 6% Positiveness
14% Popularity • 33% Danceability • 1% Energy • 34% Liveness
0% Instrumentalness • 6% Positiveness
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Ural Cossacks Choir
The Song of the Ural Cossacks
81 bpm • E min • 02:39 • -16db
27% Popularity • 35% Danceability • 44% Energy • 10% Liveness
36% Instrumentalness • 47% Positiveness
27% Popularity • 35% Danceability • 44% Energy • 10% Liveness
36% Instrumentalness • 47% Positiveness
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Free Willy
Jalava
98 bpm • D Maj • 04:22 • -6.26db
19% Popularity • 48% Danceability • 64% Energy • 21% Liveness
0% Instrumentalness • 82% Positiveness
19% Popularity • 48% Danceability • 64% Energy • 21% Liveness
0% Instrumentalness • 82% Positiveness
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Georg Kreisler
Meine Freiheit, deine Freiheit
98 bpm • F Maj • 01:54 • -20.11db
29% Popularity • 76% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 90% Positiveness
29% Popularity • 76% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 90% Positiveness
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Hanns Eisler
Die Mutter, Op. 25: Ouvertüre
92 bpm • A min • 01:23 • -26.68db
1% Popularity • 56% Danceability • 26% Energy • 15% Liveness
83% Instrumentalness • 95% Positiveness
1% Popularity • 56% Danceability • 26% Energy • 15% Liveness
83% Instrumentalness • 95% Positiveness
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Хор Сретенского монастыря
Когда мы были на войне
80 bpm • G min • 02:48 • -12.81db
35% Popularity • 30% Danceability • 35% Energy • 20% Liveness
0% Instrumentalness • 55% Positiveness
35% Popularity • 30% Danceability • 35% Energy • 20% Liveness
0% Instrumentalness • 55% Positiveness
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Pierre Degeyter
Internacionale
80 bpm • A# Maj • 01:43 • -13.26db
15% Popularity • 22% Danceability • 17% Energy • 10% Liveness
94% Instrumentalness • 73% Positiveness
15% Popularity • 22% Danceability • 17% Energy • 10% Liveness
94% Instrumentalness • 73% Positiveness
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Des Geyers schwarzer Haufen
Freier Bauersknecht
99 bpm • E min • 04:00 • -16.41db
11% Popularity • 56% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
11% Popularity • 56% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Kurt Weill
Die Dreigroschenoper: Akt II, Ballade ü...
80 bpm • E min • 03:56 • -17.91db
13% Popularity • 52% Danceability • 15% Energy • 65% Liveness
0% Instrumentalness • 40% Positiveness
13% Popularity • 52% Danceability • 15% Energy • 65% Liveness
0% Instrumentalness • 40% Positiveness
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Soldier Chorus
Hymn of Bolshevik Party of the Urss
80 bpm • E Maj • 02:21 • -7.02db
16% Popularity • 12% Danceability • 82% Energy • 95% Liveness
0% Instrumentalness • 14% Positiveness
16% Popularity • 12% Danceability • 82% Energy • 95% Liveness
0% Instrumentalness • 14% Positiveness
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Hanns Eisler
Deutsche Sinfonie, Op. 50: No. 8a, Bauer...
92 bpm • C# Maj • 01:18 • -21.52db
0% Popularity • 47% Danceability • 12% Energy • 34% Liveness
0% Instrumentalness • 38% Positiveness
0% Popularity • 47% Danceability • 12% Energy • 34% Liveness
0% Instrumentalness • 38% Positiveness
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Schmetterlinge
Jelka - Drei Rote Pfiffe In Wald
80 bpm • D# Maj • 03:58 • -17.3db
11% Popularity • 49% Danceability • 18% Energy • 49% Liveness
0% Instrumentalness • 40% Positiveness
11% Popularity • 49% Danceability • 18% Energy • 49% Liveness
0% Instrumentalness • 40% Positiveness
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Der Michel
O Deutschland
80 bpm • C Maj • 03:09 • -10.23db
23% Popularity • 54% Danceability • 37% Energy • 30% Liveness
0% Instrumentalness • 61% Positiveness
23% Popularity • 54% Danceability • 37% Energy • 30% Liveness
0% Instrumentalness • 61% Positiveness
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Marinemusikkorps Ostsee
Marine Präsentiermarsch
80 bpm • C# Maj • 01:14 • -14db
25% Popularity • 71% Danceability • 63% Energy • 6% Liveness
86% Instrumentalness • 74% Positiveness
25% Popularity • 71% Danceability • 63% Energy • 6% Liveness
86% Instrumentalness • 74% Positiveness
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Theodore Bikel
Talyanochka (The Concertina)
100 bpm • E min • 02:38 • -15.19db
15% Popularity • 76% Danceability • 27% Energy • 69% Liveness
0% Instrumentalness • 62% Positiveness
15% Popularity • 76% Danceability • 27% Energy • 69% Liveness
0% Instrumentalness • 62% Positiveness
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Kurt Weill
Die Dreigroschenoper: Anstatt-daß-Song
100 bpm • D min • 01:59 • -21.1db
4% Popularity • 68% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
4% Popularity • 68% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Hanns Eisler
Rückkehr zur Natur
92 bpm • E Maj • 03:06 • -10.09db
5% Popularity • 51% Danceability • 34% Energy • 54% Liveness
0% Instrumentalness • 46% Positiveness
5% Popularity • 51% Danceability • 34% Energy • 54% Liveness
0% Instrumentalness • 46% Positiveness
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Urss Soviet Chorus
The Internationale - Russian Version
100 bpm • A# Maj • 03:59 • -14.98db
21% Popularity • 52% Danceability • 19% Energy • 23% Liveness
0% Instrumentalness • 50% Positiveness
21% Popularity • 52% Danceability • 19% Energy • 23% Liveness
0% Instrumentalness • 50% Positiveness
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Der Michel
Die Grenzwacht Hielt Im Osten
100 bpm • B min • 02:31 • -10.46db
12% Popularity • 70% Danceability • 24% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
12% Popularity • 70% Danceability • 24% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
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Großes Rundfunkorchester Leipzig
Der kleine Trompeter - Live
100 bpm • G Maj • 03:01 • -16.54db
10% Popularity • 47% Danceability • 18% Energy • 96% Liveness
0% Instrumentalness • 23% Positiveness
10% Popularity • 47% Danceability • 18% Energy • 96% Liveness
0% Instrumentalness • 23% Positiveness
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Zarah Leander
Davon geht die Welt nicht unter
100 bpm • D Maj • 02:32 • -9db
27% Popularity • 52% Danceability • 28% Energy • 17% Liveness
0% Instrumentalness • 38% Positiveness
27% Popularity • 52% Danceability • 28% Energy • 17% Liveness
0% Instrumentalness • 38% Positiveness
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Академический большой хор Всесоюзного радио и Центрального телевидения
Интернационал
100 bpm • A# Maj • 03:57 • -11.38db
17% Popularity • 49% Danceability • 26% Energy • 35% Liveness
0% Instrumentalness • 81% Positiveness
17% Popularity • 49% Danceability • 26% Energy • 35% Liveness
0% Instrumentalness • 81% Positiveness
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Hanns Eisler
An die Nachgeborenen
85 bpm • A min • 03:35 • -13.14db
6% Popularity • 54% Danceability • 24% Energy • 32% Liveness
0% Instrumentalness • 51% Positiveness
6% Popularity • 54% Danceability • 24% Energy • 32% Liveness
0% Instrumentalness • 51% Positiveness
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Bertolt Brecht
Kanonensong (1.Akt) (In der Erinnerung a...
100 bpm • C# min • 02:20 • -16db
11% Popularity • 62% Danceability • 34% Energy • 63% Liveness
0% Instrumentalness • 65% Positiveness
11% Popularity • 62% Danceability • 34% Energy • 63% Liveness
0% Instrumentalness • 65% Positiveness
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Die Marschmusikanten
Der Hohenfriedberger
100 bpm • A# Maj • 04:01 • -12db
25% Popularity • 56% Danceability • 38% Energy • 9% Liveness
22% Instrumentalness • 61% Positiveness
25% Popularity • 56% Danceability • 38% Energy • 9% Liveness
22% Instrumentalness • 61% Positiveness
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Kurt Weill
Die Dreigroschenoper: 2. Dreigroschenfin...
79 bpm • G min • 04:17 • -14.46db
3% Popularity • 48% Danceability • 23% Energy • 16% Liveness
0% Instrumentalness • 31% Positiveness
3% Popularity • 48% Danceability • 23% Energy • 16% Liveness
0% Instrumentalness • 31% Positiveness
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Commandantes
Des Geyers schwarzer Haufen
78 bpm • E Maj • 03:45 • -5.39db
16% Popularity • 42% Danceability • 89% Energy • 36% Liveness
0% Instrumentalness • 65% Positiveness
16% Popularity • 42% Danceability • 89% Energy • 36% Liveness
0% Instrumentalness • 65% Positiveness
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Das grosse Berliner Blasorkester mit chor
Königgratzer Marsch
101 bpm • G# Maj • 02:31 • -8db
29% Popularity • 46% Danceability • 71% Energy • 23% Liveness
76% Instrumentalness • 66% Positiveness
29% Popularity • 46% Danceability • 71% Energy • 23% Liveness
76% Instrumentalness • 66% Positiveness
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Hanns Eisler
Zuckerbrot und Peitsche
84 bpm • C# Maj • 02:54 • -13.95db
3% Popularity • 57% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
3% Popularity • 57% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Gotteshorn
Die letzte Kompanie
101 bpm • D min • 02:42 • -11.35db
21% Popularity • 54% Danceability • 43% Energy • 30% Liveness
0% Instrumentalness • 68% Positiveness
21% Popularity • 54% Danceability • 43% Energy • 30% Liveness
0% Instrumentalness • 68% Positiveness
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Ernst Busch
Die Thälmann-Kolonne (The Thaelmann Col...
102 bpm • G Maj • 03:00 • -11.8db
8% Popularity • 62% Danceability • 23% Energy • 24% Liveness
0% Instrumentalness • 60% Positiveness
8% Popularity • 62% Danceability • 23% Energy • 24% Liveness
0% Instrumentalness • 60% Positiveness
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Ernst Busch and Chorus
Die Thaelmann-Kolonne (The Thaelmann Col...
102 bpm • G Maj • 03:00 • -15.04db
9% Popularity • 60% Danceability • 14% Energy • 39% Liveness
6% Instrumentalness • 57% Positiveness
9% Popularity • 60% Danceability • 14% Energy • 39% Liveness
6% Instrumentalness • 57% Positiveness
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Lilian Harvey
Das gibt's nur einmal
102 bpm • D# Maj • 03:05 • -9db
19% Popularity • 40% Danceability • 42% Energy • 10% Liveness
14% Instrumentalness • 60% Positiveness
19% Popularity • 40% Danceability • 42% Energy • 10% Liveness
14% Instrumentalness • 60% Positiveness
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Alexandrov Red Army Choir
On the Road (A Soldier's Song)
102 bpm • E min • 03:03 • -10.88db
29% Popularity • 54% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
29% Popularity • 54% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Hanns Eisler
Hymne der DDR
95 bpm • F Maj • 02:53 • -14db
22% Popularity • 39% Danceability • 26% Energy • 10% Liveness
19% Instrumentalness • 39% Positiveness
22% Popularity • 39% Danceability • 26% Energy • 10% Liveness
19% Instrumentalness • 39% Positiveness
