Songs like Nature Boy by Manuel Rocheman
Based on a tempo of (+/- 10%) and a similar genre
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Rachel Z
Forgive Me
119 bpm • F min • 04:10 • -13.79db
26% Popularity • 45% Danceability • 32% Energy • 14% Liveness
88% Instrumentalness • 12% Positiveness
26% Popularity • 45% Danceability • 32% Energy • 14% Liveness
88% Instrumentalness • 12% Positiveness
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Alex Siegers
Spirit Song
119 bpm • G# min • 07:10 • -12.87db
8% Popularity • 62% Danceability • 31% Energy • 24% Liveness
0% Instrumentalness • 23% Positiveness
8% Popularity • 62% Danceability • 31% Energy • 24% Liveness
0% Instrumentalness • 23% Positiveness
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Victor Goines
One for Hawk
119 bpm • C Maj • 04:53 • -9.38db
8% Popularity • 43% Danceability • 27% Energy • 37% Liveness
44% Instrumentalness • 18% Positiveness
8% Popularity • 43% Danceability • 27% Energy • 37% Liveness
44% Instrumentalness • 18% Positiveness
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Jaazy Jazz
Key of Harmony
119 bpm • B min • 01:14 • -13.19db
28% Popularity • 77% Danceability • 14% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
28% Popularity • 77% Danceability • 14% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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Bruce Forman Trio
On the Street Where You Live
119 bpm • A Maj • 05:40 • -17.9db
8% Popularity • 62% Danceability • 17% Energy • 10% Liveness
65% Instrumentalness • 16% Positiveness
8% Popularity • 62% Danceability • 17% Energy • 10% Liveness
65% Instrumentalness • 16% Positiveness
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McCoy Mrubata
Lullaby For Khayoyo
119 bpm • D# Maj • 07:02 • -12.16db
7% Popularity • 51% Danceability • 29% Energy • 13% Liveness
82% Instrumentalness • 31% Positiveness
7% Popularity • 51% Danceability • 29% Energy • 13% Liveness
82% Instrumentalness • 31% Positiveness
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Petter Wettre
L'appel du Vide
119 bpm • G min • 06:44 • -8.81db
7% Popularity • 49% Danceability • 43% Energy • 9% Liveness
9% Instrumentalness • 45% Positiveness
7% Popularity • 49% Danceability • 43% Energy • 9% Liveness
9% Instrumentalness • 45% Positiveness
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Susanne Alt
Bel Air Bop
119 bpm • D min • 05:34 • -8db
10% Popularity • 51% Danceability • 70% Energy • 23% Liveness
34% Instrumentalness • 42% Positiveness
10% Popularity • 51% Danceability • 70% Energy • 23% Liveness
34% Instrumentalness • 42% Positiveness
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Manuel Rocheman
Nature Boy
119 bpm • B min • 03:46 • -13.52db
0% Popularity • 53% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
0% Popularity • 53% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Keller-Lammen Quintet
Foggy
119 bpm • F min • 05:30 • -12.82db
12% Popularity • 48% Danceability • 26% Energy • 15% Liveness
3% Instrumentalness • 16% Positiveness
12% Popularity • 48% Danceability • 26% Energy • 15% Liveness
3% Instrumentalness • 16% Positiveness
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Joe Locascio
Salience
120 bpm • F min • 04:42 • -15.03db
17% Popularity • 45% Danceability • 33% Energy • 7% Liveness
80% Instrumentalness • 22% Positiveness
17% Popularity • 45% Danceability • 33% Energy • 7% Liveness
80% Instrumentalness • 22% Positiveness
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Pierre Boussaguet
Portrait de famille
119 bpm • G Maj • 03:38 • -16.95db
22% Popularity • 42% Danceability • 33% Energy • 12% Liveness
93% Instrumentalness • 34% Positiveness
22% Popularity • 42% Danceability • 33% Energy • 12% Liveness
93% Instrumentalness • 34% Positiveness
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Niclas Knudsen Trio
Tenderly
118 bpm • F# min • 03:35 • -17.07db
24% Popularity • 66% Danceability • 18% Energy • 16% Liveness
82% Instrumentalness • 34% Positiveness
24% Popularity • 66% Danceability • 18% Energy • 16% Liveness
82% Instrumentalness • 34% Positiveness
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Coffee Shop Jazz
Roasted Jazz Jams
118 bpm • F min • 01:47 • -19.89db
12% Popularity • 48% Danceability • 10% Energy • 10% Liveness
2% Instrumentalness • 11% Positiveness
12% Popularity • 48% Danceability • 10% Energy • 10% Liveness
2% Instrumentalness • 11% Positiveness
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Manuel Rocheman
Pupi's Lullaby
120 bpm • C Maj • 05:08 • -17.4db
0% Popularity • 55% Danceability • 9% Energy • 10% Liveness
32% Instrumentalness • 9% Positiveness
0% Popularity • 55% Danceability • 9% Energy • 10% Liveness
32% Instrumentalness • 9% Positiveness
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Juraj Stanik Trio
Chasin' Joe
118 bpm • C Maj • 03:36 • -15.29db
9% Popularity • 43% Danceability • 50% Energy • 19% Liveness
74% Instrumentalness • 51% Positiveness
9% Popularity • 43% Danceability • 50% Energy • 19% Liveness
74% Instrumentalness • 51% Positiveness
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Adrián Oropeza Trío
La Cigarra
118 bpm • G min • 06:33 • -13.11db
13% Popularity • 50% Danceability • 49% Energy • 10% Liveness
84% Instrumentalness • 32% Positiveness
13% Popularity • 50% Danceability • 49% Energy • 10% Liveness
84% Instrumentalness • 32% Positiveness
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Marco Vezzoso
A Me Me Piace O Blues
120 bpm • D min • 03:57 • -11.18db
26% Popularity • 70% Danceability • 23% Energy • 6% Liveness
86% Instrumentalness • 31% Positiveness
26% Popularity • 70% Danceability • 23% Energy • 6% Liveness
86% Instrumentalness • 31% Positiveness
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Klas Lindquist Nonet
Swells
118 bpm • C Maj • 03:49 • -15.34db
8% Popularity • 43% Danceability • 19% Energy • 18% Liveness
90% Instrumentalness • 19% Positiveness
8% Popularity • 43% Danceability • 19% Energy • 18% Liveness
90% Instrumentalness • 19% Positiveness
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The Jim Kelly Quartet
Feel No Paine
118 bpm • G# Maj • 07:02 • -21.1db
9% Popularity • 61% Danceability • 8% Energy • 10% Liveness
77% Instrumentalness • 13% Positiveness
9% Popularity • 61% Danceability • 8% Energy • 10% Liveness
77% Instrumentalness • 13% Positiveness
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Sundown Serenaders
Mellow Sunrise
120 bpm • F min • 01:48 • -19.51db
19% Popularity • 75% Danceability • 13% Energy • 25% Liveness
93% Instrumentalness • 34% Positiveness
19% Popularity • 75% Danceability • 13% Energy • 25% Liveness
93% Instrumentalness • 34% Positiveness
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Lluis Capdevila
Everything Has an End
120 bpm • G min • 04:48 • -16.01db
17% Popularity • 57% Danceability • 27% Energy • 12% Liveness
81% Instrumentalness • 31% Positiveness
17% Popularity • 57% Danceability • 27% Energy • 12% Liveness
81% Instrumentalness • 31% Positiveness
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Ova Wunsch
Tempus
120 bpm • G# Maj • 05:29 • -9.6db
27% Popularity • 65% Danceability • 39% Energy • 8% Liveness
88% Instrumentalness • 64% Positiveness
27% Popularity • 65% Danceability • 39% Energy • 8% Liveness
88% Instrumentalness • 64% Positiveness
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Thierry Caens
Send in the Clowns
120 bpm • A# Maj • 05:10 • -11.13db
0% Popularity • 34% Danceability • 22% Energy • 11% Liveness
82% Instrumentalness • 22% Positiveness
0% Popularity • 34% Danceability • 22% Energy • 11% Liveness
82% Instrumentalness • 22% Positiveness
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Elena Jazz
Harmonies in Freedom
120 bpm • C min • 01:30 • -10.1db
17% Popularity • 63% Danceability • 47% Energy • 8% Liveness
22% Instrumentalness • 59% Positiveness
17% Popularity • 63% Danceability • 47% Energy • 8% Liveness
22% Instrumentalness • 59% Positiveness
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Ernesto Amstein
Pretos
121 bpm • G# Maj • 05:24 • -22.5db
8% Popularity • 53% Danceability • 8% Energy • 10% Liveness
95% Instrumentalness • 30% Positiveness
8% Popularity • 53% Danceability • 8% Energy • 10% Liveness
95% Instrumentalness • 30% Positiveness
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Peter Beets
Etude No 12
118 bpm • F# Maj • 03:45 • -13.6db
12% Popularity • 52% Danceability • 50% Energy • 20% Liveness
40% Instrumentalness • 59% Positiveness
12% Popularity • 52% Danceability • 50% Energy • 20% Liveness
40% Instrumentalness • 59% Positiveness
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6th Street Jazz
Bom Fim
121 bpm • C min • 03:11 • -16.24db
12% Popularity • 56% Danceability • 27% Energy • 10% Liveness
52% Instrumentalness • 21% Positiveness
12% Popularity • 56% Danceability • 27% Energy • 10% Liveness
52% Instrumentalness • 21% Positiveness
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Henrik Hallberg
The First and the Last Tango
117 bpm • A Maj • 07:48 • -21.53db
19% Popularity • 60% Danceability • 10% Energy • 11% Liveness
86% Instrumentalness • 29% Positiveness
19% Popularity • 60% Danceability • 10% Energy • 11% Liveness
86% Instrumentalness • 29% Positiveness
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Gianmarco Ferri
So Close
117 bpm • C# Maj • 06:07 • -15.8db
9% Popularity • 57% Danceability • 12% Energy • 10% Liveness
53% Instrumentalness • 13% Positiveness
9% Popularity • 57% Danceability • 12% Energy • 10% Liveness
53% Instrumentalness • 13% Positiveness
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Freddy Cole
My First Impression of You
117 bpm • G min • 03:43 • -8.98db
19% Popularity • 61% Danceability • 35% Energy • 5% Liveness
0% Instrumentalness • 64% Positiveness
19% Popularity • 61% Danceability • 35% Energy • 5% Liveness
0% Instrumentalness • 64% Positiveness
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Triogram
Esau
117 bpm • C# Maj • 06:44 • -13.42db
17% Popularity • 48% Danceability • 38% Energy • 11% Liveness
91% Instrumentalness • 32% Positiveness
17% Popularity • 48% Danceability • 38% Energy • 11% Liveness
91% Instrumentalness • 32% Positiveness
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Carl Bagge
Di Tre Re - 1st Movement
121 bpm • C Maj • 05:55 • -18.46db
14% Popularity • 46% Danceability • 22% Energy • 11% Liveness
78% Instrumentalness • 6% Positiveness
14% Popularity • 46% Danceability • 22% Energy • 11% Liveness
78% Instrumentalness • 6% Positiveness
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Sadao Watanabe
ホワイル・ユーアー・アウェ�...
117 bpm • A# min • 04:40 • -10.63db
15% Popularity • 45% Danceability • 43% Energy • 12% Liveness
19% Instrumentalness • 46% Positiveness
15% Popularity • 45% Danceability • 43% Energy • 12% Liveness
19% Instrumentalness • 46% Positiveness
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Diego Rivera
Lovely
121 bpm • F Maj • 03:56 • -7.75db
9% Popularity • 61% Danceability • 53% Energy • 8% Liveness
78% Instrumentalness • 82% Positiveness
9% Popularity • 61% Danceability • 53% Energy • 8% Liveness
78% Instrumentalness • 82% Positiveness
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Kevin Sargent
Acrilan Fantasy
121 bpm • G Maj • 03:21 • -28.87db
8% Popularity • 39% Danceability • 3% Energy • 12% Liveness
93% Instrumentalness • 20% Positiveness
8% Popularity • 39% Danceability • 3% Energy • 12% Liveness
93% Instrumentalness • 20% Positiveness
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Fulsome X
Second Heaven
117 bpm • G Maj • 07:22 • -18.04db
8% Popularity • 61% Danceability • 4% Energy • 70% Liveness
73% Instrumentalness • 22% Positiveness
8% Popularity • 61% Danceability • 4% Energy • 70% Liveness
73% Instrumentalness • 22% Positiveness
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Jan Harbeck Quartet
The Enchanter
116 bpm • G min • 04:47 • -15.79db
11% Popularity • 68% Danceability • 33% Energy • 11% Liveness
93% Instrumentalness • 46% Positiveness
11% Popularity • 68% Danceability • 33% Energy • 11% Liveness
93% Instrumentalness • 46% Positiveness
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Henning Ullén
Dragging
122 bpm • G Maj • 04:58 • -12.13db
12% Popularity • 47% Danceability • 39% Energy • 24% Liveness
18% Instrumentalness • 26% Positiveness
12% Popularity • 47% Danceability • 39% Energy • 24% Liveness
18% Instrumentalness • 26% Positiveness
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Cory Weeds
Blossoms In May
116 bpm • A min • 06:02 • -11.92db
9% Popularity • 38% Danceability • 21% Energy • 31% Liveness
82% Instrumentalness • 15% Positiveness
9% Popularity • 38% Danceability • 21% Energy • 31% Liveness
82% Instrumentalness • 15% Positiveness
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John Ellis Quartet
Toreador
116 bpm • F Maj • 06:34 • -11.76db
8% Popularity • 60% Danceability • 35% Energy • 12% Liveness
36% Instrumentalness • 62% Positiveness
8% Popularity • 60% Danceability • 35% Energy • 12% Liveness
36% Instrumentalness • 62% Positiveness
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Jazz At Lincoln Center Orchestra
Quasimodo
116 bpm • D# Maj • 02:16 • -9.4db
20% Popularity • 71% Danceability • 38% Energy • 11% Liveness
75% Instrumentalness • 77% Positiveness
20% Popularity • 71% Danceability • 38% Energy • 11% Liveness
75% Instrumentalness • 77% Positiveness
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Daniela Mastrandrea
Them
116 bpm • F Maj • 03:37 • -26.13db
16% Popularity • 65% Danceability • 7% Energy • 12% Liveness
90% Instrumentalness • 14% Positiveness
16% Popularity • 65% Danceability • 7% Energy • 12% Liveness
90% Instrumentalness • 14% Positiveness
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Benny Golson
Killer Joe - Snapshot - tenor sax solo
122 bpm • C Maj • 01:05 • -13.27db
28% Popularity • 63% Danceability • 34% Energy • 12% Liveness
2% Instrumentalness • 60% Positiveness
28% Popularity • 63% Danceability • 34% Energy • 12% Liveness
2% Instrumentalness • 60% Positiveness
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George Cables
A Valentine for You
116 bpm • C# Maj • 01:43 • -16.65db
20% Popularity • 42% Danceability • 22% Energy • 7% Liveness
88% Instrumentalness • 26% Positiveness
20% Popularity • 42% Danceability • 22% Energy • 7% Liveness
88% Instrumentalness • 26% Positiveness
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Manuel Rocheman
Toninho
116 bpm • A Maj • 04:17 • -12.08db
0% Popularity • 42% Danceability • 62% Energy • 19% Liveness
76% Instrumentalness • 38% Positiveness
0% Popularity • 42% Danceability • 62% Energy • 19% Liveness
76% Instrumentalness • 38% Positiveness
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Lunaria
Do You Know?
122 bpm • G# Maj • 03:29 • -13.96db
15% Popularity • 44% Danceability • 16% Energy • 26% Liveness
0% Instrumentalness • 18% Positiveness
15% Popularity • 44% Danceability • 16% Energy • 26% Liveness
0% Instrumentalness • 18% Positiveness
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Peter Beets
Second Piano Concerto: Part 1
116 bpm • C min • 06:18 • -14.87db
9% Popularity • 46% Danceability • 31% Energy • 12% Liveness
73% Instrumentalness • 16% Positiveness
9% Popularity • 46% Danceability • 31% Energy • 12% Liveness
73% Instrumentalness • 16% Positiveness
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Douglas Brown
The Last Thing I Heard Was a Bb
116 bpm • F min • 05:06 • -14.42db
12% Popularity • 46% Danceability • 40% Energy • 9% Liveness
88% Instrumentalness • 64% Positiveness
12% Popularity • 46% Danceability • 40% Energy • 9% Liveness
88% Instrumentalness • 64% Positiveness
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Adrián Oropeza Trío
Miradas al Oriente
123 bpm • F# min • 03:50 • -17.27db
0% Popularity • 44% Danceability • 31% Energy • 10% Liveness
92% Instrumentalness • 45% Positiveness
0% Popularity • 44% Danceability • 31% Energy • 10% Liveness
92% Instrumentalness • 45% Positiveness
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Jeff Hamilton
Catch Me If You Can
115 bpm • G Maj • 05:39 • -18db
13% Popularity • 50% Danceability • 26% Energy • 7% Liveness
93% Instrumentalness • 68% Positiveness
13% Popularity • 50% Danceability • 26% Energy • 7% Liveness
93% Instrumentalness • 68% Positiveness
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Dayna Stephens
A New Spring
115 bpm • A Maj • 04:06 • -14.28db
12% Popularity • 34% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
12% Popularity • 34% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
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Sadao Watanabe
バタフライ
115 bpm • F Maj • 06:37 • -11.49db
16% Popularity • 48% Danceability • 50% Energy • 71% Liveness
23% Instrumentalness • 51% Positiveness
16% Popularity • 48% Danceability • 50% Energy • 71% Liveness
23% Instrumentalness • 51% Positiveness
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Lynne Arriale Trio
Joy
123 bpm • A# Maj • 04:13 • -15.8db
20% Popularity • 51% Danceability • 41% Energy • 11% Liveness
90% Instrumentalness • 66% Positiveness
20% Popularity • 51% Danceability • 41% Energy • 11% Liveness
90% Instrumentalness • 66% Positiveness
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Carl Bagge
Stockholm Nights
115 bpm • D# Maj • 07:47 • -14.47db
17% Popularity • 52% Danceability • 36% Energy • 21% Liveness
4% Instrumentalness • 45% Positiveness
17% Popularity • 52% Danceability • 36% Energy • 21% Liveness
4% Instrumentalness • 45% Positiveness
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Adrián Oropeza Trío
Quietud
115 bpm • B Maj • 06:28 • -20.11db
0% Popularity • 47% Danceability • 15% Energy • 11% Liveness
90% Instrumentalness • 7% Positiveness
0% Popularity • 47% Danceability • 15% Energy • 11% Liveness
90% Instrumentalness • 7% Positiveness
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Mélanie Dahan
Poor Butterfly
123 bpm • A Maj • 06:05 • -13.96db
0% Popularity • 44% Danceability • 16% Energy • 14% Liveness
0% Instrumentalness • 12% Positiveness
0% Popularity • 44% Danceability • 16% Energy • 14% Liveness
0% Instrumentalness • 12% Positiveness
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Charles Cook Jr.
Fly Me to the Moon
115 bpm • C Maj • 03:37 • -13.73db
10% Popularity • 53% Danceability • 32% Energy • 25% Liveness
85% Instrumentalness • 42% Positiveness
10% Popularity • 53% Danceability • 32% Energy • 25% Liveness
85% Instrumentalness • 42% Positiveness
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Ricardo Pinheiro
When You Wish Upon a Star
123 bpm • C Maj • 04:44 • -13.55db
17% Popularity • 52% Danceability • 26% Energy • 10% Liveness
68% Instrumentalness • 29% Positiveness
17% Popularity • 52% Danceability • 26% Energy • 10% Liveness
68% Instrumentalness • 29% Positiveness
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Connie Lansberg
Everything I've Got Belongs to You
115 bpm • C Maj • 03:16 • -9.84db
12% Popularity • 55% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
12% Popularity • 55% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Joel Haynes
There And Back
124 bpm • A Maj • 06:35 • -13.37db
8% Popularity • 49% Danceability • 39% Energy • 11% Liveness
87% Instrumentalness • 32% Positiveness
8% Popularity • 49% Danceability • 39% Energy • 11% Liveness
87% Instrumentalness • 32% Positiveness
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George Gershwin
Improvisations sur des thèmes de George...
114 bpm • D# Maj • 03:01 • -32.49db
2% Popularity • 42% Danceability • 5% Energy • 16% Liveness
88% Instrumentalness • 39% Positiveness
2% Popularity • 42% Danceability • 5% Energy • 16% Liveness
88% Instrumentalness • 39% Positiveness
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Pancho Molina
Bedstuy Facilities
124 bpm • A min • 05:28 • -15.28db
10% Popularity • 66% Danceability • 23% Energy • 11% Liveness
88% Instrumentalness • 33% Positiveness
10% Popularity • 66% Danceability • 23% Energy • 11% Liveness
88% Instrumentalness • 33% Positiveness
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Piero Gaddi quartet
Rigel
114 bpm • F Maj • 09:49 • -16.63db
13% Popularity • 57% Danceability • 21% Energy • 8% Liveness
74% Instrumentalness • 15% Positiveness
13% Popularity • 57% Danceability • 21% Energy • 8% Liveness
74% Instrumentalness • 15% Positiveness
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Street Cats Jazz Band
Come Sunday
115 bpm • A# Maj • 04:38 • -12.96db
10% Popularity • 45% Danceability • 22% Energy • 15% Liveness
77% Instrumentalness • 14% Positiveness
10% Popularity • 45% Danceability • 22% Energy • 15% Liveness
77% Instrumentalness • 14% Positiveness
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Malo Mazurié
Creole Rhapsody
114 bpm • G# Maj • 04:45 • -11.63db
14% Popularity • 64% Danceability • 30% Energy • 11% Liveness
85% Instrumentalness • 52% Positiveness
14% Popularity • 64% Danceability • 30% Energy • 11% Liveness
85% Instrumentalness • 52% Positiveness
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Clare Foster
Early Autumn
114 bpm • A Maj • 04:41 • -12.08db
15% Popularity • 52% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
15% Popularity • 52% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
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Henry Darragh
Against the Rules
124 bpm • C# Maj • 08:03 • -18.94db
8% Popularity • 47% Danceability • 18% Energy • 7% Liveness
72% Instrumentalness • 14% Positiveness
8% Popularity • 47% Danceability • 18% Energy • 7% Liveness
72% Instrumentalness • 14% Positiveness
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Indigo Orchestra
Warm Sway
114 bpm • F min • 02:21 • -11.95db
18% Popularity • 72% Danceability • 41% Energy • 16% Liveness
82% Instrumentalness • 62% Positiveness
18% Popularity • 72% Danceability • 41% Energy • 16% Liveness
82% Instrumentalness • 62% Positiveness
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Erlend Skomsvoll Trio
Ambivertilismer
124 bpm • F min • 06:19 • -19.1db
10% Popularity • 75% Danceability • 22% Energy • 11% Liveness
91% Instrumentalness • 73% Positiveness
10% Popularity • 75% Danceability • 22% Energy • 11% Liveness
91% Instrumentalness • 73% Positiveness
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Benny Golson
Blues March - Snapshot - trumpet solo
125 bpm • A# min • 01:08 • -12.44db
8% Popularity • 62% Danceability • 52% Energy • 10% Liveness
84% Instrumentalness • 67% Positiveness
8% Popularity • 62% Danceability • 52% Energy • 10% Liveness
84% Instrumentalness • 67% Positiveness
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ELGNZA
BE WITH ME MY LOVE
114 bpm • A# Maj • 03:14 • -14.05db
16% Popularity • 66% Danceability • 24% Energy • 14% Liveness
39% Instrumentalness • 19% Positiveness
16% Popularity • 66% Danceability • 24% Energy • 14% Liveness
39% Instrumentalness • 19% Positiveness
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Triód
Maremma Amara
114 bpm • A# Maj • 04:35 • -16db
8% Popularity • 44% Danceability • 7% Energy • 12% Liveness
89% Instrumentalness • 26% Positiveness
8% Popularity • 44% Danceability • 7% Energy • 12% Liveness
89% Instrumentalness • 26% Positiveness
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Coffee Shop Jazz
Morning Jazz
125 bpm • A min • 01:41 • -18.21db
14% Popularity • 59% Danceability • 18% Energy • 16% Liveness
75% Instrumentalness • 19% Positiveness
14% Popularity • 59% Danceability • 18% Energy • 16% Liveness
75% Instrumentalness • 19% Positiveness
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Michael Valeanu
Bohemian Dreams
113 bpm • C min • 04:58 • -16.14db
7% Popularity • 64% Danceability • 18% Energy • 11% Liveness
93% Instrumentalness • 31% Positiveness
7% Popularity • 64% Danceability • 18% Energy • 11% Liveness
93% Instrumentalness • 31% Positiveness
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David Ecker
Respite (Despite)
113 bpm • F min • 06:45 • -12.88db
1% Popularity • 34% Danceability • 46% Energy • 12% Liveness
69% Instrumentalness • 40% Positiveness
1% Popularity • 34% Danceability • 46% Energy • 12% Liveness
69% Instrumentalness • 40% Positiveness
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Albert Sanz
Soberana Rosa
125 bpm • C Maj • 04:50 • -15.89db
12% Popularity • 54% Danceability • 32% Energy • 10% Liveness
93% Instrumentalness • 22% Positiveness
12% Popularity • 54% Danceability • 32% Energy • 10% Liveness
93% Instrumentalness • 22% Positiveness
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Manuel Rocheman
Rhythm Changes
125 bpm • C Maj • 03:09 • -13.91db
0% Popularity • 50% Danceability • 46% Energy • 17% Liveness
65% Instrumentalness • 59% Positiveness
0% Popularity • 50% Danceability • 46% Energy • 17% Liveness
65% Instrumentalness • 59% Positiveness
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Bill Mobley
Black Elk's Dream, Pt. 2
125 bpm • C# Maj • 07:49 • -11.68db
0% Popularity • 40% Danceability • 51% Energy • 69% Liveness
18% Instrumentalness • 26% Positiveness
0% Popularity • 40% Danceability • 51% Energy • 69% Liveness
18% Instrumentalness • 26% Positiveness
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Christian Tamburr
Embracing Peace
113 bpm • F Maj • 03:51 • -24.37db
13% Popularity • 57% Danceability • 7% Energy • 12% Liveness
88% Instrumentalness • 14% Positiveness
13% Popularity • 57% Danceability • 7% Energy • 12% Liveness
88% Instrumentalness • 14% Positiveness
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Adrián Oropeza Trío
Peregrina
126 bpm • D Maj • 06:29 • -16.9db
0% Popularity • 45% Danceability • 32% Energy • 10% Liveness
92% Instrumentalness • 14% Positiveness
0% Popularity • 45% Danceability • 32% Energy • 10% Liveness
92% Instrumentalness • 14% Positiveness
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Mandevilla
Pat Martino
126 bpm • F min • 04:12 • -12.63db
19% Popularity • 67% Danceability • 19% Energy • 19% Liveness
89% Instrumentalness • 57% Positiveness
19% Popularity • 67% Danceability • 19% Energy • 19% Liveness
89% Instrumentalness • 57% Positiveness
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Maurizio Caldura
Agnese
113 bpm • C Maj • 05:45 • -13.15db
8% Popularity • 51% Danceability • 18% Energy • 67% Liveness
86% Instrumentalness • 16% Positiveness
8% Popularity • 51% Danceability • 18% Energy • 67% Liveness
86% Instrumentalness • 16% Positiveness
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Manuel Rocheman
Send in the Clowns
125 bpm • E Maj • 05:27 • -16.67db
0% Popularity • 55% Danceability • 22% Energy • 11% Liveness
87% Instrumentalness • 23% Positiveness
0% Popularity • 55% Danceability • 22% Energy • 11% Liveness
87% Instrumentalness • 23% Positiveness
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Ova Wunsch
Crazy He Called Me
113 bpm • B Maj • 06:33 • -15.02db
26% Popularity • 52% Danceability • 14% Energy • 10% Liveness
21% Instrumentalness • 33% Positiveness
26% Popularity • 52% Danceability • 14% Energy • 10% Liveness
21% Instrumentalness • 33% Positiveness
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WDR Big Band
Variation 3
112 bpm • F Maj • 02:48 • -22.29db
9% Popularity • 45% Danceability • 14% Energy • 10% Liveness
93% Instrumentalness • 40% Positiveness
9% Popularity • 45% Danceability • 14% Energy • 10% Liveness
93% Instrumentalness • 40% Positiveness
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Travis Wesley
Slip Slidin' Away
112 bpm • G# Maj • 05:14 • -13.29db
8% Popularity • 38% Danceability • 45% Energy • 9% Liveness
80% Instrumentalness • 30% Positiveness
8% Popularity • 38% Danceability • 45% Energy • 9% Liveness
80% Instrumentalness • 30% Positiveness
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Henning Ullén
Vallmo
112 bpm • E min • 04:13 • -14.11db
16% Popularity • 44% Danceability • 40% Energy • 22% Liveness
76% Instrumentalness • 45% Positiveness
16% Popularity • 44% Danceability • 40% Energy • 22% Liveness
76% Instrumentalness • 45% Positiveness
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Bob Salmieri Bastarduna Quintet
Tabarin Olimpo (Instr. Vers)
126 bpm • D min • 03:15 • -10.28db
17% Popularity • 62% Danceability • 41% Energy • 33% Liveness
2% Instrumentalness • 41% Positiveness
17% Popularity • 62% Danceability • 41% Energy • 33% Liveness
2% Instrumentalness • 41% Positiveness
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Manuel Rocheman
Meu Canario Vizinho Azul
126 bpm • F Maj • 04:24 • -11.62db
0% Popularity • 56% Danceability • 51% Energy • 10% Liveness
13% Instrumentalness • 36% Positiveness
0% Popularity • 56% Danceability • 51% Energy • 10% Liveness
13% Instrumentalness • 36% Positiveness
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Lunaria
Sheer Despair (Interlude)
126 bpm • A# Maj • 01:06 • -17.26db
27% Popularity • 47% Danceability • 26% Energy • 13% Liveness
92% Instrumentalness • 28% Positiveness
27% Popularity • 47% Danceability • 26% Energy • 13% Liveness
92% Instrumentalness • 28% Positiveness
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Rob Van Bavel
The Left Side
126 bpm • C# Maj • 06:40 • -27db
10% Popularity • 46% Danceability • 7% Energy • 12% Liveness
92% Instrumentalness • 7% Positiveness
10% Popularity • 46% Danceability • 7% Energy • 12% Liveness
92% Instrumentalness • 7% Positiveness
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Martin Sasse
Lover Man
112 bpm • D min • 09:53 • -13.86db
17% Popularity • 51% Danceability • 24% Energy • 11% Liveness
91% Instrumentalness • 26% Positiveness
17% Popularity • 51% Danceability • 24% Energy • 11% Liveness
91% Instrumentalness • 26% Positiveness
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Ellister van der Molen
Funky Burger
126 bpm • C# Maj • 03:50 • -7.84db
18% Popularity • 54% Danceability • 49% Energy • 6% Liveness
60% Instrumentalness • 47% Positiveness
18% Popularity • 54% Danceability • 49% Energy • 6% Liveness
60% Instrumentalness • 47% Positiveness
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Barry Velleman
Mr. Sandman
127 bpm • G Maj • 03:31 • -22.32db
9% Popularity • 64% Danceability • 13% Energy • 13% Liveness
92% Instrumentalness • 43% Positiveness
9% Popularity • 64% Danceability • 13% Energy • 13% Liveness
92% Instrumentalness • 43% Positiveness
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Manuel Rocheman
Liebesleid
126 bpm • C Maj • 03:02 • -17.02db
0% Popularity • 39% Danceability • 19% Energy • 10% Liveness
90% Instrumentalness • 19% Positiveness
0% Popularity • 39% Danceability • 19% Energy • 10% Liveness
90% Instrumentalness • 19% Positiveness
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Rodrigo Recabarren
Ritual
112 bpm • C Maj • 04:33 • -22.8db
13% Popularity • 64% Danceability • 14% Energy • 12% Liveness
82% Instrumentalness • 29% Positiveness
13% Popularity • 64% Danceability • 14% Energy • 12% Liveness
82% Instrumentalness • 29% Positiveness
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Sweet Jazz Trio
Soultrane
112 bpm • F min • 04:57 • -21.71db
12% Popularity • 49% Danceability • 2% Energy • 11% Liveness
95% Instrumentalness • 16% Positiveness
12% Popularity • 49% Danceability • 2% Energy • 11% Liveness
95% Instrumentalness • 16% Positiveness
