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Naughty Marietta: Italian Street Song
Songs like
Naughty Marietta: Italian Street Song
by
Victor Herbert
Based on a tempo of (+/- 10%) and a similar genre
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Drew Stone
Black Eyed Rene
72 bpm • C Maj • 00:53 • -27.23db
8% Popularity • 39% Danceability • 16% Energy • 12% Liveness
90% Instrumentalness • 53% Positiveness
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Nikolai Rimsky-Korsakov
Capriccio espagnol, Op. 34: V. Fandango ...
72 bpm • A Maj • 03:25 • -14.54db
22% Popularity • 25% Danceability • 37% Energy • 24% Liveness
64% Instrumentalness • 25% Positiveness
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AntonÃn Dvořák
Serenade for Strings in E Major, B.52: I...
72 bpm • A Maj • 05:52 • -25db
10% Popularity • 13% Danceability • 3% Energy • 15% Liveness
90% Instrumentalness • 4% Positiveness
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Dmitri Shostakovich
Novorossisk Chimes (The Fires of Eternal...
72 bpm • D# Maj • 02:43 • -16.34db
12% Popularity • 12% Danceability • 18% Energy • 12% Liveness
56% Instrumentalness • 10% Positiveness
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Rida Johnson Young
Naughty Marietta: Italian Street Song
72 bpm • F Maj • 02:13 • -18.12db
0% Popularity • 36% Danceability • 20% Energy • 24% Liveness
0% Instrumentalness • 38% Positiveness
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Pyotr Ilyich Tchaikovsky
Tchaikovsky: Swan Lake Suite, Op. 20a: I...
72 bpm • G min • 06:35 • -28.09db
15% Popularity • 12% Danceability • 4% Energy • 8% Liveness
94% Instrumentalness • 5% Positiveness
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Victor Herbert
Six Piano Pieces: IV. La Coquette
72 bpm • G# Maj • 03:24 • -23.03db
0% Popularity • 29% Danceability • 17% Energy • 11% Liveness
88% Instrumentalness • 20% Positiveness
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Slovak Philharmonic Chorus
Die Entfuhrung Aus Dem Serail (Abduction...
72 bpm • D min • 01:26 • -17db
44% Popularity • 48% Danceability • 41% Energy • 33% Liveness
0% Instrumentalness • 48% Positiveness
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Alexander Glazunov
Scènes de ballet, Op. 52: Valse
71 bpm • C Maj • 05:22 • -28.92db
13% Popularity • 11% Danceability • 3% Energy • 12% Liveness
64% Instrumentalness • 7% Positiveness
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Felix Mendelssohn
Songs Without Words: Frühlingslied, Op....
73 bpm • A Maj • 02:05 • -17db
23% Popularity • 20% Danceability • 12% Energy • 7% Liveness
93% Instrumentalness • 10% Positiveness
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Alexander Borodin
Prince Igor (Knyaz Igor): Overture
71 bpm • G min • 10:20 • -18db
24% Popularity • 19% Danceability • 15% Energy • 11% Liveness
92% Instrumentalness • 7% Positiveness
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Pyotr Ilyich Tchaikovsky
Symphony No. 6 in B Minor, Op. 74 "Path�...
72 bpm • B min • 09:41 • -22.56db
11% Popularity • 11% Danceability • 5% Energy • 20% Liveness
92% Instrumentalness • 3% Positiveness
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Victor Herbert
3 Pieces for String Orchestra: No. 1. Ai...
73 bpm • D Maj • 02:18 • -22.28db
6% Popularity • 46% Danceability • 17% Energy • 10% Liveness
32% Instrumentalness • 16% Positiveness
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Kurt Weill
Lady in the Dark - Symphonic Nocturne (a...
73 bpm • C Maj • 02:39 • -22.76db
10% Popularity • 17% Danceability • 4% Energy • 57% Liveness
89% Instrumentalness • 4% Positiveness
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Maurice Ravel
Ma mère l'Oye, M. 60 (Version for Orche...
71 bpm • C Maj • 01:36 • -34db
11% Popularity • 24% Danceability • 1% Energy • 7% Liveness
54% Instrumentalness • 10% Positiveness
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Cecil Armstrong Gibbs
Miniature Dance Suite, Op. 124: Jig
71 bpm • G Maj • 01:39 • -24.28db
20% Popularity • 40% Danceability • 6% Energy • 23% Liveness
90% Instrumentalness • 40% Positiveness
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Léo Delibes
Sylvia: Intermezzo and Slow Waltz
73 bpm • C# Maj • 03:39 • -38db
15% Popularity • 22% Danceability • 0% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
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Pyotr Ilyich Tchaikovsky
Tchaikovsky: Swan Lake Suite, Op. 20a: I...
71 bpm • B min • 06:10 • -16db
10% Popularity • 25% Danceability • 30% Energy • 3% Liveness
86% Instrumentalness • 12% Positiveness
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Victor Herbert
Al Fresco (Intermezzo) - Duo-Art 73378
71 bpm • C Maj • 02:49 • -21.87db
6% Popularity • 36% Danceability • 11% Energy • 24% Liveness
93% Instrumentalness • 33% Positiveness
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Sir Adrian Boult
Second Movement Lento Moderato
71 bpm • C Maj • 08:14 • -26.31db
9% Popularity • 7% Danceability • 8% Energy • 19% Liveness
96% Instrumentalness • 7% Positiveness
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Samuel Coleridge-Taylor
Othello, Op. 79: III. Willow Song
73 bpm • G# Maj • 02:35 • -27.58db
10% Popularity • 15% Danceability • 3% Energy • 10% Liveness
61% Instrumentalness • 4% Positiveness
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Ottorino Respighi
Gli uccelli (The Birds), P. 154: I. Prel...
74 bpm • A Maj • 03:01 • -15.78db
22% Popularity • 30% Danceability • 12% Energy • 12% Liveness
93% Instrumentalness • 15% Positiveness
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Erik Satie
Relâche, Pt. 1: No. 6, Danse de la port...
70 bpm • D Maj • 01:01 • -31.56db
6% Popularity • 22% Danceability • 2% Energy • 22% Liveness
82% Instrumentalness • 26% Positiveness
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Alexander Borodin
Borodin - String Quartet No.2 in D major...
74 bpm • A Maj • 08:37 • -19.03db
36% Popularity • 16% Danceability • 15% Energy • 4% Liveness
62% Instrumentalness • 9% Positiveness
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Victor Herbert
Naughty Marietta: Act Two: Finale: Ah, S...
74 bpm • D Maj • 02:59 • -18.67db
1% Popularity • 32% Danceability • 19% Energy • 72% Liveness
0% Instrumentalness • 14% Positiveness
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Sir Adrian Boult
First Movement Molto Moderato
74 bpm • D Maj • 09:41 • -19.09db
11% Popularity • 7% Danceability • 18% Energy • 10% Liveness
83% Instrumentalness • 4% Positiveness
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Georges Bizet
Carmen Suite No. 1: 3. Intermezzo
74 bpm • A# Maj • 02:33 • -30db
32% Popularity • 7% Danceability • 2% Energy • 12% Liveness
95% Instrumentalness • 7% Positiveness
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Max Reger
Variation 6: Sostenuto (quasi adagietto)
74 bpm • D Maj • 02:07 • -26db
16% Popularity • 13% Danceability • 6% Energy • 8% Liveness
81% Instrumentalness • 17% Positiveness
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Erik Satie
Gymnopédie No. 1
70 bpm • A min • 02:34 • -32.56db
11% Popularity • 9% Danceability • 5% Energy • 9% Liveness
80% Instrumentalness • 8% Positiveness
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Alexander Borodin
Prince Igor, Act II: Polovtsian Dances, ...
74 bpm • F Maj • 01:15 • -18db
21% Popularity • 34% Danceability • 10% Energy • 18% Liveness
93% Instrumentalness • 27% Positiveness
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Charles Koechlin
Pelleas et Melisande, Op. 80 (arr. C. Ko...
74 bpm • G Maj • 04:17 • -26.56db
14% Popularity • 7% Danceability • 3% Energy • 8% Liveness
84% Instrumentalness • 3% Positiveness
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Joseph D. Price
Irish Tune from County Derry "Danny Boy"
70 bpm • E Maj • 06:18 • -31db
7% Popularity • 6% Danceability • 1% Energy • 9% Liveness
71% Instrumentalness • 4% Positiveness
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Victor Herbert
Cello Concerto No. 1 in D Major, Op. 8: ...
74 bpm • A Maj • 06:17 • -31.87db
1% Popularity • 10% Danceability • 2% Energy • 9% Liveness
60% Instrumentalness • 4% Positiveness
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Jean Sibelius
The Oceanides, Op. 73
70 bpm • G Maj • 09:57 • -25.05db
16% Popularity • 7% Danceability • 4% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
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Erik Satie
Gymnopédie No. 1 (Orch. Debussy)
70 bpm • G Maj • 03:36 • -38.36db
8% Popularity • 20% Danceability • 1% Energy • 11% Liveness
87% Instrumentalness • 5% Positiveness
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George Lloyd
Symphony No. 3 in F Major: II. Lento
70 bpm • C Maj • 07:19 • -21.6db
11% Popularity • 6% Danceability • 4% Energy • 9% Liveness
94% Instrumentalness • 3% Positiveness
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Max Reger
Variation 3: Con moto
70 bpm • A min • 01:22 • -29.94db
26% Popularity • 15% Danceability • 2% Energy • 8% Liveness
77% Instrumentalness • 9% Positiveness
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Henri Rabaud
Dolly Suite, Op. 56 (arr. H. Rabaud): I....
70 bpm • E Maj • 02:36 • -31.95db
26% Popularity • 18% Danceability • 2% Energy • 8% Liveness
93% Instrumentalness • 7% Positiveness
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Richard Addinsell
Warsaw Concerto
74 bpm • B Maj • 09:00 • -19db
32% Popularity • 15% Danceability • 14% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
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Edvard Grieg
Holberg Suite, Op. 40: II. Sarabande (An...
75 bpm • G Maj • 03:15 • -24.73db
34% Popularity • 16% Danceability • 3% Energy • 13% Liveness
69% Instrumentalness • 4% Positiveness
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Sergei Prokofiev
Romeo and Juliet, Op. 64: No. 12 Masks
75 bpm • F Maj • 02:56 • -29.54db
7% Popularity • 36% Danceability • 2% Energy • 15% Liveness
0% Instrumentalness • 6% Positiveness
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Franz Lehár
The Merry Widow (Die lustige Witwe) / Ac...
69 bpm • G Maj • 02:17 • -30db
16% Popularity • 18% Danceability • 4% Energy • 21% Liveness
89% Instrumentalness • 9% Positiveness
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Paul Reade
Suite from The Victorian Kitchen Garden:...
75 bpm • A# Maj • 01:23 • -30.62db
22% Popularity • 36% Danceability • 1% Energy • 8% Liveness
65% Instrumentalness • 27% Positiveness
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David Lyon
Short Suite: Aria
75 bpm • G Maj • 02:30 • -30.49db
11% Popularity • 9% Danceability • 2% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
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Alexander Borodin
In the Steppes of Central Asia
69 bpm • A Maj • 07:04 • -30.05db
38% Popularity • 7% Danceability • 2% Energy • 17% Liveness
69% Instrumentalness • 4% Positiveness
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Maurice Ravel
Valses nobles et sentimentales, M. 61 (1...
75 bpm • E Maj • 01:25 • -27db
16% Popularity • 21% Danceability • 6% Energy • 16% Liveness
92% Instrumentalness • 4% Positiveness
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Erik Satie
Gymnopédie No. 2 (Orch. Corp)
69 bpm • F Maj • 02:45 • -35.28db
10% Popularity • 8% Danceability • 2% Energy • 14% Liveness
92% Instrumentalness • 4% Positiveness
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Ottorino Respighi
La pentola magica, P. 129: Preludio
69 bpm • E Maj • 01:31 • -31db
35% Popularity • 12% Danceability • 3% Energy • 10% Liveness
95% Instrumentalness • 10% Positiveness
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Victor Herbert
Fleurette - Duo-Art 73448
69 bpm • G Maj • 02:52 • -22.35db
2% Popularity • 29% Danceability • 8% Energy • 28% Liveness
94% Instrumentalness • 16% Positiveness
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Alexander Glazunov
Scènes de ballet, Op. 52: II. Marionnet...
69 bpm • D Maj • 02:13 • -34.93db
33% Popularity • 12% Danceability • 2% Energy • 20% Liveness
92% Instrumentalness • 22% Positiveness
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Johannes Brahms
Variations on a Theme by Haydn, Op. 56a,...
76 bpm • A# Maj • 02:08 • -25.03db
38% Popularity • 31% Danceability • 2% Energy • 11% Liveness
85% Instrumentalness • 16% Positiveness
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Edward Elgar
The Wand of Youth, Suite No. 1, Op. 1a: ...
76 bpm • F Maj • 02:44 • -23.33db
10% Popularity • 24% Danceability • 11% Energy • 10% Liveness
92% Instrumentalness • 7% Positiveness
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True LUFS Project
Ninety-Seven
76 bpm • A min • 02:37 • -18.49db
11% Popularity • 18% Danceability • 19% Energy • 13% Liveness
96% Instrumentalness • 19% Positiveness
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Mikhail Glinka
Glinka: Overture from Ruslan and Ludmill...
76 bpm • D Maj • 05:50 • -18.41db
27% Popularity • 32% Danceability • 28% Energy • 70% Liveness
92% Instrumentalness • 38% Positiveness
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Victor Herbert
The Red Mill: Moonbeams
69 bpm • A# min • 03:27 • -19.68db
11% Popularity • 27% Danceability • 12% Energy • 14% Liveness
2% Instrumentalness • 5% Positiveness
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Jean Sibelius
Finlandia, Op. 26, No. 7
67 bpm • G# Maj • 09:25 • -15.77db
34% Popularity • 16% Danceability • 27% Energy • 11% Liveness
84% Instrumentalness • 8% Positiveness
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Viljar Puu Weimann
Short Stories for Strings or 12 Miniatur...
67 bpm • F Maj • 01:55 • -33.66db
8% Popularity • 19% Danceability • 1% Energy • 23% Liveness
76% Instrumentalness • 14% Positiveness
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Edward Elgar
Chanson de matin, Op. 15, No. 2
67 bpm • G Maj • 03:47 • -19.02db
7% Popularity • 22% Danceability • 14% Energy • 22% Liveness
87% Instrumentalness • 6% Positiveness
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Sir Adrian Boult
Fourth Movement Moderato Maestoso
77 bpm • D Maj • 06:20 • -22db
10% Popularity • 7% Danceability • 9% Energy • 10% Liveness
64% Instrumentalness • 4% Positiveness
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George Frideric Handel
Pifa (Pastoral Symphony)
77 bpm • C Maj • 03:02 • -29.98db
18% Popularity • 14% Danceability • 4% Energy • 11% Liveness
97% Instrumentalness • 5% Positiveness
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Victor Herbert
Pirouette: Naughty Marietta Waltz 3/4
76 bpm • G# Maj • 02:02 • -15.86db
6% Popularity • 38% Danceability • 25% Energy • 14% Liveness
81% Instrumentalness • 50% Positiveness
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Alexander Borodin
Polovtsian Dances from Prince Igor: II. ...
77 bpm • A Maj • 02:20 • -27.01db
11% Popularity • 9% Danceability • 5% Energy • 9% Liveness
92% Instrumentalness • 3% Positiveness
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Johann Strauss II
Unter Donner und Blitz, Polka, Op. 324
78 bpm • G Maj • 03:12 • -20.45db
33% Popularity • 51% Danceability • 39% Energy • 47% Liveness
56% Instrumentalness • 54% Positiveness
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Marc Ezenge
No One Higher
78 bpm • C# Maj • 02:13 • -21.45db
15% Popularity • 35% Danceability • 5% Energy • 20% Liveness
92% Instrumentalness • 20% Positiveness
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Benjamin Britten
Simple Symphony, Op. 4: IV. Frolicsome F...
78 bpm • G Maj • 03:00 • -14.48db
21% Popularity • 43% Danceability • 36% Energy • 10% Liveness
87% Instrumentalness • 20% Positiveness
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Jean Sibelius
Karelia Suite, Op. 11: III. Alla marcia:...
78 bpm • A Maj • 04:55 • -18db
15% Popularity • 46% Danceability • 20% Energy • 15% Liveness
88% Instrumentalness • 10% Positiveness
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Victor Herbert
Herbert: Naughty Marietta, Act I: Song o...
68 bpm • C# Maj • 02:16 • -12.89db
0% Popularity • 33% Danceability • 21% Energy • 8% Liveness
2% Instrumentalness • 4% Positiveness
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Frank Bridge
The Sea: No. 3 Moonlight
78 bpm • E min • 06:11 • -28.69db
10% Popularity • 7% Danceability • 2% Energy • 11% Liveness
91% Instrumentalness • 3% Positiveness
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Paul Reade
Suite from The Victorian Kitchen Garden:...
66 bpm • G min • 02:15 • -38db
12% Popularity • 21% Danceability • 0% Energy • 8% Liveness
85% Instrumentalness • 6% Positiveness
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The Gerst Ensemble
Piano Music for Big and Small, Op. 53: N...
79 bpm • G Maj • 01:43 • -29.78db
15% Popularity • 21% Danceability • 4% Energy • 5% Liveness
90% Instrumentalness • 15% Positiveness
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Francis Poulenc
Les biches Suite, FP 36b: I. Rondeau
79 bpm • C Maj • 03:19 • -20db
30% Popularity • 46% Danceability • 11% Energy • 4% Liveness
85% Instrumentalness • 28% Positiveness
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Reynaldo Hahn
L'Heure exquise
79 bpm • C# Maj • 02:28 • -33.12db
26% Popularity • 24% Danceability • 2% Energy • 10% Liveness
1% Instrumentalness • 5% Positiveness
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Victor Herbert
Min längtan är du
68 bpm • D Maj • 02:54 • -18.53db
0% Popularity • 22% Danceability • 13% Energy • 11% Liveness
3% Instrumentalness • 19% Positiveness
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Jules Massenet
Werther / Act 3: "Pourquoi me réveiller...
79 bpm • F# min • 03:17 • -15.56db
30% Popularity • 13% Danceability • 14% Energy • 20% Liveness
14% Instrumentalness • 8% Positiveness
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Leó Weiner
Magyar gyermek- és népdalok: No. 3, Ta...
66 bpm • C Maj • 01:00 • -31.6db
22% Popularity • 24% Danceability • 2% Energy • 14% Liveness
98% Instrumentalness • 9% Positiveness
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Sir Adrian Boult
Third Movement Moderate Pesante
79 bpm • G min • 10:53 • -20.85db
8% Popularity • 11% Danceability • 7% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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Peter Deunov
How pleased we are
79 bpm • G Maj • 01:22 • -14.58db
15% Popularity • 14% Danceability • 23% Energy • 13% Liveness
82% Instrumentalness • 61% Positiveness
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Dame Ethel Smyth
The Wreckers: Overture
79 bpm • D Maj • 09:21 • -18.79db
16% Popularity • 19% Danceability • 17% Energy • 28% Liveness
63% Instrumentalness • 8% Positiveness
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Victor Herbert
Serenade, Op. 12: IV. Canzonetta
77 bpm • A# Maj • 02:12 • -27.95db
4% Popularity • 38% Danceability • 5% Energy • 13% Liveness
58% Instrumentalness • 27% Positiveness
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Benjamin Britten
Soirees musicales, Op. 9: IV. Bolero
79 bpm • D# Maj • 01:58 • -19.99db
21% Popularity • 33% Danceability • 10% Energy • 13% Liveness
84% Instrumentalness • 15% Positiveness
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John Rutter
Suite: I Have a Bonnet Trimmed with Blue
79 bpm • F Maj • 02:41 • -36.42db
15% Popularity • 15% Danceability • 2% Energy • 11% Liveness
11% Instrumentalness • 24% Positiveness
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Rodion Shchedrin
Carmen Suite: VIII. Bolero (after G. Biz...
79 bpm • D Maj • 05:28 • -19.67db
11% Popularity • 13% Danceability • 23% Energy • 22% Liveness
89% Instrumentalness • 7% Positiveness
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Georges Bizet
L'Arlésienne Suite No. 1: Carillon
65 bpm • E Maj • 04:31 • -20.94db
25% Popularity • 12% Danceability • 3% Energy • 48% Liveness
80% Instrumentalness • 9% Positiveness
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Franz Lehár
The Merry Widow, Act II: Vilja-Lied
80 bpm • G Maj • 04:55 • -19db
18% Popularity • 22% Danceability • 18% Energy • 17% Liveness
0% Instrumentalness • 10% Positiveness
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Victor Herbert
Naughty Marietta: Ah! Sweet Mystery of L...
79 bpm • A Maj • 03:21 • -11.98db
2% Popularity • 28% Danceability • 20% Energy • 8% Liveness
80% Instrumentalness • 14% Positiveness
► Preview
Edward Elgar
The Wand of Youth (Music to a Child's Pl...
65 bpm • F Maj • 02:26 • -33.36db
9% Popularity • 11% Danceability • 1% Energy • 9% Liveness
63% Instrumentalness • 6% Positiveness
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Helsingborg Symphony Orchestra
En vintersaga (The Winter's Tale), Op. 1...
80 bpm • F Maj • 03:24 • -27db
20% Popularity • 9% Danceability • 3% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
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Franz von Suppé
Morning, Noon and Night in Vienna
80 bpm • F Maj • 08:08 • -14.05db
23% Popularity • 18% Danceability • 19% Energy • 27% Liveness
88% Instrumentalness • 10% Positiveness
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Theobald Boehm
Fantasia dall'Italia: "Nel cor più non ...
80 bpm • G Maj • 01:06 • -9.45db
13% Popularity • 57% Danceability • 52% Energy • 11% Liveness
87% Instrumentalness • 28% Positiveness
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Dmitri Shostakovich
Festive Overture Op.96
80 bpm • A Maj • 05:48 • -14.49db
13% Popularity • 33% Danceability • 39% Energy • 14% Liveness
90% Instrumentalness • 33% Positiveness
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Victor Herbert
Liv du är ej längre en Mystär
79 bpm • D Maj • 02:40 • -17.19db
0% Popularity • 19% Danceability • 20% Energy • 34% Liveness
1% Instrumentalness • 21% Positiveness
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Edward Elgar
Chanson de nuit, Op.15 No.1
80 bpm • G Maj • 04:32 • -28db
29% Popularity • 13% Danceability • 2% Energy • 11% Liveness
82% Instrumentalness • 3% Positiveness
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Ferde Grofé
Grand Canyon Suite: 3. On the Trail
80 bpm • A Maj • 08:00 • -22db
18% Popularity • 22% Danceability • 10% Energy • 24% Liveness
43% Instrumentalness • 6% Positiveness
► Preview
Mikhail Glinka
Ruslan and Ludmila: Overture
81 bpm • F Maj • 05:05 • -16.6db
21% Popularity • 29% Danceability • 30% Energy • 11% Liveness
92% Instrumentalness • 39% Positiveness
► Preview
John Dowland
Lachrimae Coactae Pavan
81 bpm • A min • 03:36 • -21.27db
9% Popularity • 16% Danceability • 9% Energy • 13% Liveness
72% Instrumentalness • 15% Positiveness
► Preview
Kurt Weill
Lady in the Dark - Symphonic Nocturne (a...
64 bpm • B min • 03:45 • -20.51db
9% Popularity • 6% Danceability • 4% Energy • 64% Liveness
78% Instrumentalness • 4% Positiveness
► Preview
Victor Herbert
Ah, Sweet Mystery Of Life
79 bpm • D min • 02:15 • -12.65db
0% Popularity • 9% Danceability • 35% Energy • 29% Liveness
87% Instrumentalness • 11% Positiveness
► Preview
AntonÃn Dvořák
Rusalka, Op. 114 / Act 1: Overture
64 bpm • D# Maj • 04:21 • -24db
26% Popularity • 15% Danceability • 2% Energy • 10% Liveness
89% Instrumentalness • 3% Positiveness
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Eric Coates
Springtime Suite: Noonday Song
64 bpm • C min • 04:31 • -27.74db
0% Popularity • 6% Danceability • 5% Energy • 10% Liveness
85% Instrumentalness • 4% Positiveness
► Preview
Edward Elgar
Serenade for strings in E Minor, Op. 20
81 bpm • E min • 03:27 • -18.56db
27% Popularity • 22% Danceability • 9% Energy • 10% Liveness
88% Instrumentalness • 10% Positiveness
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Naughty Marietta: Italian Street Song