Songs like Ne me quitte pas by Toots Thielemans
Based on a tempo of (+/- 10%) and a similar genre
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Miles Davis
Time After Time (2022 Remaster)
126 bpm • C Maj • 03:37 • -18.24db
33% Popularity • 65% Danceability • 22% Energy • 7% Liveness
31% Instrumentalness • 38% Positiveness
33% Popularity • 65% Danceability • 22% Energy • 7% Liveness
31% Instrumentalness • 38% Positiveness
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Laura Fygi
Good Morning Heartache
126 bpm • D# min • 04:06 • -12.17db
25% Popularity • 39% Danceability • 28% Energy • 7% Liveness
0% Instrumentalness • 14% Positiveness
25% Popularity • 39% Danceability • 28% Energy • 7% Liveness
0% Instrumentalness • 14% Positiveness
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Mongo Santamaria
Virtue - live
126 bpm • D Maj • 07:28 • -13.9db
4% Popularity • 62% Danceability • 46% Energy • 68% Liveness
83% Instrumentalness • 85% Positiveness
4% Popularity • 62% Danceability • 46% Energy • 68% Liveness
83% Instrumentalness • 85% Positiveness
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Bobby McFerrin
Song for Amadeus (Improvisation on Mozar...
126 bpm • F min • 02:28 • -30.42db
24% Popularity • 51% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
24% Popularity • 51% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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Tierney Sutton
Beija Flor
126 bpm • A min • 05:53 • -18.38db
20% Popularity • 53% Danceability • 13% Energy • 9% Liveness
53% Instrumentalness • 36% Positiveness
20% Popularity • 53% Danceability • 13% Energy • 9% Liveness
53% Instrumentalness • 36% Positiveness
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Esbjörn Svensson Trio
I Mean You
126 bpm • A# Maj • 06:47 • -20db
29% Popularity • 75% Danceability • 28% Energy • 3% Liveness
90% Instrumentalness • 76% Positiveness
29% Popularity • 75% Danceability • 28% Energy • 3% Liveness
90% Instrumentalness • 76% Positiveness
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Mary Lou Williams
It Ain’t Necessarily So
126 bpm • E min • 04:45 • -22db
41% Popularity • 59% Danceability • 14% Energy • 10% Liveness
93% Instrumentalness • 20% Positiveness
41% Popularity • 59% Danceability • 14% Energy • 10% Liveness
93% Instrumentalness • 20% Positiveness
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Toots Thielemans
Ne me quitte pas
126 bpm • E min • 03:32 • -17.96db
20% Popularity • 58% Danceability • 2% Energy • 6% Liveness
60% Instrumentalness • 10% Positiveness
20% Popularity • 58% Danceability • 2% Energy • 6% Liveness
60% Instrumentalness • 10% Positiveness
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Don Byron
Charley's Prelude
126 bpm • F min • 02:48 • -16db
33% Popularity • 54% Danceability • 16% Energy • 11% Liveness
94% Instrumentalness • 56% Positiveness
33% Popularity • 54% Danceability • 16% Energy • 11% Liveness
94% Instrumentalness • 56% Positiveness
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Dave Brubeck
Besame Mucho
127 bpm • A# min • 05:58 • -18db
41% Popularity • 64% Danceability • 26% Energy • 98% Liveness
71% Instrumentalness • 30% Positiveness
41% Popularity • 64% Danceability • 26% Energy • 98% Liveness
71% Instrumentalness • 30% Positiveness
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Peter Beets
Blues for Oscar
127 bpm • C Maj • 05:34 • -13.12db
10% Popularity • 64% Danceability • 38% Energy • 11% Liveness
94% Instrumentalness • 41% Positiveness
10% Popularity • 64% Danceability • 38% Energy • 11% Liveness
94% Instrumentalness • 41% Positiveness
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Marc Hemmeler
Bryan's Song / Watch What Happens
127 bpm • G Maj • 03:30 • -23.94db
18% Popularity • 44% Danceability • 6% Energy • 13% Liveness
94% Instrumentalness • 33% Positiveness
18% Popularity • 44% Danceability • 6% Energy • 13% Liveness
94% Instrumentalness • 33% Positiveness
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Markus Stockhausen
Mondtraum
125 bpm • E min • 05:10 • -25db
15% Popularity • 37% Danceability • 2% Energy • 5% Liveness
90% Instrumentalness • 29% Positiveness
15% Popularity • 37% Danceability • 2% Energy • 5% Liveness
90% Instrumentalness • 29% Positiveness
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Bobo Stenson Trio
Canción Contra La Indecisión
125 bpm • C Maj • 04:12 • -23.6db
39% Popularity • 59% Danceability • 14% Energy • 8% Liveness
87% Instrumentalness • 39% Positiveness
39% Popularity • 59% Danceability • 14% Energy • 8% Liveness
87% Instrumentalness • 39% Positiveness
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Misha Alperin
Her First Dance
124 bpm • F min • 05:16 • -23.5db
13% Popularity • 36% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 13% Positiveness
13% Popularity • 36% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 13% Positiveness
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Bill Evans
Jesus' Last Ballad
127 bpm • A min • 05:59 • -18.97db
17% Popularity • 37% Danceability • 5% Energy • 9% Liveness
22% Instrumentalness • 4% Positiveness
17% Popularity • 37% Danceability • 5% Energy • 9% Liveness
22% Instrumentalness • 4% Positiveness
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Coleman Hawkins Quartet
Love Song From "Apache"
124 bpm • A min • 04:12 • -15.17db
51% Popularity • 47% Danceability • 4% Energy • 11% Liveness
1% Instrumentalness • 28% Positiveness
51% Popularity • 47% Danceability • 4% Energy • 11% Liveness
1% Instrumentalness • 28% Positiveness
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Jacques Loussier
Cantate N 147 BWV 147 Herz Und Mund Und ...
128 bpm • G Maj • 04:08 • -21.16db
13% Popularity • 51% Danceability • 14% Energy • 11% Liveness
88% Instrumentalness • 62% Positiveness
13% Popularity • 51% Danceability • 14% Energy • 11% Liveness
88% Instrumentalness • 62% Positiveness
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Antonio Vivaldi
Le quattro stagioni, Concerto No. 1 in E...
124 bpm • C# min • 02:52 • -21.91db
17% Popularity • 56% Danceability • 26% Energy • 10% Liveness
90% Instrumentalness • 32% Positiveness
17% Popularity • 56% Danceability • 26% Energy • 10% Liveness
90% Instrumentalness • 32% Positiveness
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Yuri Honing Acoustic Quartet
Desire
124 bpm • D min • 04:44 • -18.57db
20% Popularity • 48% Danceability • 14% Energy • 9% Liveness
88% Instrumentalness • 19% Positiveness
20% Popularity • 48% Danceability • 14% Energy • 9% Liveness
88% Instrumentalness • 19% Positiveness
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Eugene Maslov
Groove Merchant
124 bpm • D# Maj • 05:42 • -10.74db
5% Popularity • 47% Danceability • 54% Energy • 7% Liveness
92% Instrumentalness • 50% Positiveness
5% Popularity • 47% Danceability • 54% Energy • 7% Liveness
92% Instrumentalness • 50% Positiveness
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Louis Van Dijk
Cent mille chansons
124 bpm • A# Maj • 05:53 • -12.58db
14% Popularity • 37% Danceability • 41% Energy • 11% Liveness
95% Instrumentalness • 34% Positiveness
14% Popularity • 37% Danceability • 41% Energy • 11% Liveness
95% Instrumentalness • 34% Positiveness
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marcus schinkel trio
Swingin' Patetique
124 bpm • G# Maj • 04:53 • -11db
20% Popularity • 64% Danceability • 50% Energy • 12% Liveness
82% Instrumentalness • 54% Positiveness
20% Popularity • 64% Danceability • 50% Energy • 12% Liveness
82% Instrumentalness • 54% Positiveness
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Bill Charlap Trio
Uptown, Downtown
128 bpm • B min • 06:00 • -16db
26% Popularity • 54% Danceability • 23% Energy • 10% Liveness
90% Instrumentalness • 39% Positiveness
26% Popularity • 54% Danceability • 23% Energy • 10% Liveness
90% Instrumentalness • 39% Positiveness
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Ruben Gonzalez
Como Siento Yo
124 bpm • E min • 02:41 • -20.28db
31% Popularity • 44% Danceability • 12% Energy • 15% Liveness
92% Instrumentalness • 15% Positiveness
31% Popularity • 44% Danceability • 12% Energy • 15% Liveness
92% Instrumentalness • 15% Positiveness
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Toots Thielemans
Un jour tu verras
129 bpm • C Maj • 03:56 • -15.46db
10% Popularity • 50% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
10% Popularity • 50% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Art Farmer
Autumn Leaves - Remastered 2007
129 bpm • G min • 05:10 • -13.65db
26% Popularity • 46% Danceability • 26% Energy • 7% Liveness
3% Instrumentalness • 27% Positiveness
26% Popularity • 46% Danceability • 26% Energy • 7% Liveness
3% Instrumentalness • 27% Positiveness
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David Helbock
Beethoven #7, 2nd Movement
129 bpm • A min • 02:43 • -23db
38% Popularity • 48% Danceability • 4% Energy • 9% Liveness
97% Instrumentalness • 10% Positiveness
38% Popularity • 48% Danceability • 4% Energy • 9% Liveness
97% Instrumentalness • 10% Positiveness
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Abdullah Ibrahim
Someday Soon Sweet Samba
123 bpm • D Maj • 04:45 • -17.35db
24% Popularity • 46% Danceability • 59% Energy • 41% Liveness
88% Instrumentalness • 70% Positiveness
24% Popularity • 46% Danceability • 59% Energy • 41% Liveness
88% Instrumentalness • 70% Positiveness
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Jacques Loussier
Air on a G String
129 bpm • C Maj • 03:35 • -28.12db
29% Popularity • 49% Danceability • 3% Energy • 8% Liveness
90% Instrumentalness • 15% Positiveness
29% Popularity • 49% Danceability • 3% Energy • 8% Liveness
90% Instrumentalness • 15% Positiveness
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Rogier Van Otterloo
Two of a Kind
123 bpm • A min • 04:07 • -12.23db
10% Popularity • 31% Danceability • 28% Energy • 16% Liveness
79% Instrumentalness • 6% Positiveness
10% Popularity • 31% Danceability • 28% Energy • 16% Liveness
79% Instrumentalness • 6% Positiveness
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Toots Thielemans
For My Lady
123 bpm • C Maj • 03:48 • -16.69db
8% Popularity • 50% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
8% Popularity • 50% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Paolo Conte
Sirat Al Bunduqiyyah
123 bpm • A min • 04:07 • -12.71db
31% Popularity • 29% Danceability • 18% Energy • 8% Liveness
84% Instrumentalness • 7% Positiveness
31% Popularity • 29% Danceability • 18% Energy • 8% Liveness
84% Instrumentalness • 7% Positiveness
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Paul "Hono" Winterstein
Hommage aux anciens - Bande originale du...
130 bpm • A min • 02:40 • -12.54db
7% Popularity • 41% Danceability • 36% Energy • 19% Liveness
11% Instrumentalness • 30% Positiveness
7% Popularity • 41% Danceability • 36% Energy • 19% Liveness
11% Instrumentalness • 30% Positiveness
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Enrico Pieranunzi
Un'alba dipinta sui muri
122 bpm • D min • 04:16 • -18.89db
12% Popularity • 36% Danceability • 5% Energy • 11% Liveness
90% Instrumentalness • 8% Positiveness
12% Popularity • 36% Danceability • 5% Energy • 11% Liveness
90% Instrumentalness • 8% Positiveness
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Joey DeFrancesco
O Solo Mio
122 bpm • F Maj • 05:12 • -17.28db
12% Popularity • 64% Danceability • 30% Energy • 13% Liveness
79% Instrumentalness • 50% Positiveness
12% Popularity • 64% Danceability • 30% Energy • 13% Liveness
79% Instrumentalness • 50% Positiveness
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Thilo Wolf Big Band
Just 4
130 bpm • F Maj • 04:00 • -18.52db
16% Popularity • 54% Danceability • 42% Energy • 97% Liveness
28% Instrumentalness • 28% Positiveness
16% Popularity • 54% Danceability • 42% Energy • 97% Liveness
28% Instrumentalness • 28% Positiveness
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Toots Thielemans
Smile - Live
130 bpm • A min • 04:34 • -13.83db
11% Popularity • 40% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
11% Popularity • 40% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
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Vladimir Cosma
Valse sifflotante
122 bpm • C Maj • 02:09 • -9.91db
4% Popularity • 66% Danceability • 39% Energy • 8% Liveness
5% Instrumentalness • 35% Positiveness
4% Popularity • 66% Danceability • 39% Energy • 8% Liveness
5% Instrumentalness • 35% Positiveness
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Rogier Van Otterloo
Rosa Turbinata
122 bpm • D min • 03:48 • -11.01db
14% Popularity • 32% Danceability • 24% Energy • 17% Liveness
25% Instrumentalness • 10% Positiveness
14% Popularity • 32% Danceability • 24% Energy • 17% Liveness
25% Instrumentalness • 10% Positiveness
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Paolo Conte
Amazing Game
121 bpm • C Maj • 04:38 • -18.05db
8% Popularity • 48% Danceability • 11% Energy • 9% Liveness
91% Instrumentalness • 7% Positiveness
8% Popularity • 48% Danceability • 11% Energy • 9% Liveness
91% Instrumentalness • 7% Positiveness
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Joey DeFrancesco
Speak Softly Love
122 bpm • F min • 05:29 • -18db
28% Popularity • 62% Danceability • 22% Energy • 15% Liveness
71% Instrumentalness • 22% Positiveness
28% Popularity • 62% Danceability • 22% Energy • 15% Liveness
71% Instrumentalness • 22% Positiveness
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Jacques Loussier
Suite Pour Orchestre N 3 En Ré Majeur B...
131 bpm • C Maj • 03:24 • -22.02db
24% Popularity • 49% Danceability • 7% Energy • 10% Liveness
88% Instrumentalness • 25% Positiveness
24% Popularity • 49% Danceability • 7% Energy • 10% Liveness
88% Instrumentalness • 25% Positiveness
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Toots Thielemans
Samba de Uma Nota Só
130 bpm • G Maj • 03:18 • -18.83db
21% Popularity • 56% Danceability • 14% Energy • 8% Liveness
34% Instrumentalness • 8% Positiveness
21% Popularity • 56% Danceability • 14% Energy • 8% Liveness
34% Instrumentalness • 8% Positiveness
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Bengt Hallberg
Prélude in C Minor
131 bpm • G# Maj • 03:57 • -20.11db
18% Popularity • 59% Danceability • 23% Energy • 10% Liveness
90% Instrumentalness • 25% Positiveness
18% Popularity • 59% Danceability • 23% Energy • 10% Liveness
90% Instrumentalness • 25% Positiveness
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Adam Baldych
June
132 bpm • A min • 04:39 • -18db
14% Popularity • 59% Danceability • 18% Energy • 12% Liveness
88% Instrumentalness • 29% Positiveness
14% Popularity • 59% Danceability • 18% Energy • 12% Liveness
88% Instrumentalness • 29% Positiveness
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Enrico Pieranunzi
1ère gymnopédie
132 bpm • D Maj • 03:42 • -17.73db
41% Popularity • 47% Danceability • 32% Energy • 11% Liveness
91% Instrumentalness • 30% Positiveness
41% Popularity • 47% Danceability • 32% Energy • 11% Liveness
91% Instrumentalness • 30% Positiveness
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Custódio Castelo
In agradecimento Miss Morna
132 bpm • F# min • 03:37 • -8.9db
34% Popularity • 70% Danceability • 54% Energy • 16% Liveness
71% Instrumentalness • 65% Positiveness
34% Popularity • 70% Danceability • 54% Energy • 16% Liveness
71% Instrumentalness • 65% Positiveness
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Jacques Loussier
Toccata And Fugue In C Major: Adagio
121 bpm • A min • 03:38 • -19.12db
14% Popularity • 48% Danceability • 11% Energy • 10% Liveness
92% Instrumentalness • 7% Positiveness
14% Popularity • 48% Danceability • 11% Energy • 10% Liveness
92% Instrumentalness • 7% Positiveness
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Kika Sprangers
And the Sea Said to the Mountain
120 bpm • A# min • 03:50 • -16.71db
12% Popularity • 47% Danceability • 14% Energy • 14% Liveness
84% Instrumentalness • 17% Positiveness
12% Popularity • 47% Danceability • 14% Energy • 14% Liveness
84% Instrumentalness • 17% Positiveness
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Toots Thielemans
Killer Joe
122 bpm • F Maj • 05:46 • -14.41db
9% Popularity • 57% Danceability • 34% Energy • 7% Liveness
21% Instrumentalness • 34% Positiveness
9% Popularity • 57% Danceability • 34% Energy • 7% Liveness
21% Instrumentalness • 34% Positiveness
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Eric Legnini Trio
Portrait in Black and White "Zingaro"
132 bpm • D# Maj • 02:38 • -19.09db
47% Popularity • 67% Danceability • 33% Energy • 16% Liveness
86% Instrumentalness • 74% Positiveness
47% Popularity • 67% Danceability • 33% Energy • 16% Liveness
86% Instrumentalness • 74% Positiveness
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Zazou
Hall/Hugh's Noir
120 bpm • G Maj • 05:10 • -13.74db
23% Popularity • 88% Danceability • 41% Energy • 8% Liveness
76% Instrumentalness • 77% Positiveness
23% Popularity • 88% Danceability • 41% Energy • 8% Liveness
76% Instrumentalness • 77% Positiveness
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George Frideric Handel
Rinaldo, HWV 7a: Lascia ch'io piangia (A...
120 bpm • D Maj • 03:18 • -31.06db
15% Popularity • 45% Danceability • 6% Energy • 68% Liveness
77% Instrumentalness • 20% Positiveness
15% Popularity • 45% Danceability • 6% Energy • 68% Liveness
77% Instrumentalness • 20% Positiveness
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The Great Belgian Songbook
Amsterdam
133 bpm • G min • 03:53 • -15.26db
9% Popularity • 38% Danceability • 27% Energy • 15% Liveness
94% Instrumentalness • 14% Positiveness
9% Popularity • 38% Danceability • 27% Energy • 15% Liveness
94% Instrumentalness • 14% Positiveness
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Oscar Peterson Trio
All Of Me
133 bpm • G# Maj • 03:22 • -14.43db
50% Popularity • 63% Danceability • 27% Energy • 11% Liveness
67% Instrumentalness • 52% Positiveness
50% Popularity • 63% Danceability • 27% Energy • 11% Liveness
67% Instrumentalness • 52% Positiveness
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Toots Thielemans
Dance for Victor (Dedicated to Victor Fe...
131 bpm • A Maj • 04:14 • -16.77db
11% Popularity • 51% Danceability • 22% Energy • 12% Liveness
44% Instrumentalness • 33% Positiveness
11% Popularity • 51% Danceability • 22% Energy • 12% Liveness
44% Instrumentalness • 33% Positiveness
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Charlie Parker
Ornithology (Arr. Horsting for Recorder ...
120 bpm • A min • 02:50 • -15.36db
25% Popularity • 61% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
25% Popularity • 61% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
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Bill Evans
Sno' Peas
133 bpm • A# min • 05:56 • -12.09db
20% Popularity • 50% Danceability • 42% Energy • 11% Liveness
28% Instrumentalness • 40% Positiveness
20% Popularity • 50% Danceability • 42% Energy • 11% Liveness
28% Instrumentalness • 40% Positiveness
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Bob Brookmeyer
Manha De Carnival
119 bpm • D min • 04:33 • -20.04db
19% Popularity • 66% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
19% Popularity • 66% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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Melanie De Biasio
Never Gonna Make It
133 bpm • A Maj • 03:49 • -14.99db
32% Popularity • 55% Danceability • 23% Energy • 36% Liveness
2% Instrumentalness • 23% Positiveness
32% Popularity • 55% Danceability • 23% Energy • 36% Liveness
2% Instrumentalness • 23% Positiveness
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Jacques Loussier
Prélude No.5 en ré majeur, BWV 850
133 bpm • G Maj • 01:51 • -18.27db
27% Popularity • 40% Danceability • 20% Energy • 8% Liveness
80% Instrumentalness • 74% Positiveness
27% Popularity • 40% Danceability • 20% Energy • 8% Liveness
80% Instrumentalness • 74% Positiveness
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Paolo Fresu
Non ti scordar di me
133 bpm • F Maj • 06:40 • -11.1db
11% Popularity • 54% Danceability • 22% Energy • 96% Liveness
0% Instrumentalness • 36% Positiveness
11% Popularity • 54% Danceability • 22% Energy • 96% Liveness
0% Instrumentalness • 36% Positiveness
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Nils Wülker
Munich Afternoon
119 bpm • C Maj • 04:58 • -16.25db
22% Popularity • 46% Danceability • 7% Energy • 10% Liveness
87% Instrumentalness • 17% Positiveness
22% Popularity • 46% Danceability • 7% Energy • 10% Liveness
87% Instrumentalness • 17% Positiveness
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Christoph Willibald Gluck
Orphée & Eurydice: Mélodie - Arranged ...
133 bpm • D min • 03:43 • -26.96db
33% Popularity • 39% Danceability • 12% Energy • 68% Liveness
81% Instrumentalness • 4% Positiveness
33% Popularity • 39% Danceability • 12% Energy • 68% Liveness
81% Instrumentalness • 4% Positiveness
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Mark Orton
Matthias & Chloe
134 bpm • G Maj • 01:36 • -15db
36% Popularity • 30% Danceability • 17% Energy • 16% Liveness
9% Instrumentalness • 32% Positiveness
36% Popularity • 30% Danceability • 17% Energy • 16% Liveness
9% Instrumentalness • 32% Positiveness
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Oscar Peterson Trio
Volare
119 bpm • A# min • 02:46 • -18db
50% Popularity • 81% Danceability • 14% Energy • 12% Liveness
37% Instrumentalness • 43% Positiveness
50% Popularity • 81% Danceability • 14% Energy • 12% Liveness
37% Instrumentalness • 43% Positiveness
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Beltran Luiz
Quien sera
118 bpm • A# Maj • 03:48 • -18.17db
10% Popularity • 47% Danceability • 22% Energy • 8% Liveness
56% Instrumentalness • 61% Positiveness
10% Popularity • 47% Danceability • 22% Energy • 8% Liveness
56% Instrumentalness • 61% Positiveness
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Jacques Loussier
Aria
134 bpm • C Maj • 03:27 • -20.8db
15% Popularity • 52% Danceability • 12% Energy • 8% Liveness
82% Instrumentalness • 26% Positiveness
15% Popularity • 52% Danceability • 12% Energy • 8% Liveness
82% Instrumentalness • 26% Positiveness
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Romane
Gypsy Fire
118 bpm • A min • 03:26 • -11db
35% Popularity • 72% Danceability • 40% Energy • 22% Liveness
17% Instrumentalness • 64% Positiveness
35% Popularity • 72% Danceability • 40% Energy • 22% Liveness
17% Instrumentalness • 64% Positiveness
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Enrico Pieranunzi
Hommage à Fauré (D’après Improvisat...
118 bpm • C# Maj • 04:39 • -16.01db
14% Popularity • 35% Danceability • 48% Energy • 8% Liveness
90% Instrumentalness • 6% Positiveness
14% Popularity • 35% Danceability • 48% Energy • 8% Liveness
90% Instrumentalness • 6% Positiveness
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Phil Woods
Blue Ballad
118 bpm • D Maj • 06:34 • -17db
40% Popularity • 47% Danceability • 16% Energy • 10% Liveness
19% Instrumentalness • 6% Positiveness
40% Popularity • 47% Danceability • 16% Energy • 10% Liveness
19% Instrumentalness • 6% Positiveness
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Lalo Schifrin
The Blues For Johann Sebastian
135 bpm • D min • 03:37 • -14.83db
7% Popularity • 46% Danceability • 21% Energy • 11% Liveness
87% Instrumentalness • 25% Positiveness
7% Popularity • 46% Danceability • 21% Energy • 11% Liveness
87% Instrumentalness • 25% Positiveness
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Kommil Foo
Liefde Zonder Meer
135 bpm • F# min • 04:22 • -13.85db
22% Popularity • 44% Danceability • 17% Energy • 9% Liveness
1% Instrumentalness • 15% Positiveness
22% Popularity • 44% Danceability • 17% Energy • 9% Liveness
1% Instrumentalness • 15% Positiveness
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Kaoma
Lambada
118 bpm • E min • 03:49 • -16.27db
8% Popularity • 50% Danceability • 33% Energy • 8% Liveness
70% Instrumentalness • 69% Positiveness
8% Popularity • 50% Danceability • 33% Energy • 8% Liveness
70% Instrumentalness • 69% Positiveness
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Adrien Moignard
La valse d'Augustine
118 bpm • A min • 03:43 • -13.02db
16% Popularity • 73% Danceability • 18% Energy • 11% Liveness
82% Instrumentalness • 32% Positiveness
16% Popularity • 73% Danceability • 18% Energy • 11% Liveness
82% Instrumentalness • 32% Positiveness
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Les pommes de ma douche
Trompettes de la renommée
118 bpm • A min • 03:53 • -8db
29% Popularity • 84% Danceability • 50% Energy • 15% Liveness
62% Instrumentalness • 62% Positiveness
29% Popularity • 84% Danceability • 50% Energy • 15% Liveness
62% Instrumentalness • 62% Positiveness
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Benny Andersson
I Let the Music Speak
135 bpm • D min • 03:33 • -24db
33% Popularity • 46% Danceability • 5% Energy • 11% Liveness
90% Instrumentalness • 12% Positiveness
33% Popularity • 46% Danceability • 5% Energy • 11% Liveness
90% Instrumentalness • 12% Positiveness
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The Modern Jazz Quartet
Bachianas Brasileiras
118 bpm • A min • 05:46 • -24.9db
27% Popularity • 50% Danceability • 6% Energy • 8% Liveness
75% Instrumentalness • 19% Positiveness
27% Popularity • 50% Danceability • 6% Energy • 8% Liveness
75% Instrumentalness • 19% Positiveness
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Anouar Brahem
Le voyage de sahar
117 bpm • C Maj • 06:55 • -23db
32% Popularity • 53% Danceability • 2% Energy • 8% Liveness
84% Instrumentalness • 6% Positiveness
32% Popularity • 53% Danceability • 2% Energy • 8% Liveness
84% Instrumentalness • 6% Positiveness
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Larry Goldings
All I Want
135 bpm • G# Maj • 04:24 • -17.55db
9% Popularity • 34% Danceability • 11% Energy • 12% Liveness
93% Instrumentalness • 18% Positiveness
9% Popularity • 34% Danceability • 11% Energy • 12% Liveness
93% Instrumentalness • 18% Positiveness
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Rita Marcotulli
Cosa sono le nuvole
136 bpm • A min • 02:38 • -15db
26% Popularity • 45% Danceability • 14% Energy • 8% Liveness
87% Instrumentalness • 14% Positiveness
26% Popularity • 45% Danceability • 14% Energy • 8% Liveness
87% Instrumentalness • 14% Positiveness
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Jacques Loussier
Passacaille En Ut Mineur BWV 582 - Theme
117 bpm • C min • 02:39 • -35.81db
13% Popularity • 64% Danceability • 0% Energy • 10% Liveness
95% Instrumentalness • 16% Positiveness
13% Popularity • 64% Danceability • 0% Energy • 10% Liveness
95% Instrumentalness • 16% Positiveness
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Klazz Brothers
Paganini Variationen: Swing Variation
137 bpm • D min • 01:27 • -19.78db
17% Popularity • 65% Danceability • 18% Energy • 12% Liveness
90% Instrumentalness • 40% Positiveness
17% Popularity • 65% Danceability • 18% Energy • 12% Liveness
90% Instrumentalness • 40% Positiveness
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The Modern Jazz Quartet
J.B. Blues
116 bpm • D# Maj • 05:11 • -16.65db
20% Popularity • 68% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
20% Popularity • 68% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Barbara
Barbara / Arr Tharaud: Ma plus belle his...
137 bpm • G# Maj • 01:49 • -27.28db
15% Popularity • 26% Danceability • 0% Energy • 10% Liveness
91% Instrumentalness • 33% Positiveness
15% Popularity • 26% Danceability • 0% Energy • 10% Liveness
91% Instrumentalness • 33% Positiveness
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Douwe Eisenga
For Mattia
116 bpm • F# min • 07:43 • -23.85db
20% Popularity • 28% Danceability • 20% Energy • 10% Liveness
88% Instrumentalness • 10% Positiveness
20% Popularity • 28% Danceability • 20% Energy • 10% Liveness
88% Instrumentalness • 10% Positiveness
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Gerry Mulligan & Johnny Hodges
Bunny
115 bpm • C Maj • 05:47 • -15db
33% Popularity • 83% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
33% Popularity • 83% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Jacques Loussier
Prélude No.2 en ut mineur, BWV 847
137 bpm • C min • 04:18 • -18.5db
22% Popularity • 40% Danceability • 12% Energy • 9% Liveness
69% Instrumentalness • 52% Positiveness
22% Popularity • 40% Danceability • 12% Energy • 9% Liveness
69% Instrumentalness • 52% Positiveness
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Anouar Brahem
Opening Day
115 bpm • G min • 07:01 • -23.52db
35% Popularity • 45% Danceability • 15% Energy • 26% Liveness
93% Instrumentalness • 30% Positiveness
35% Popularity • 45% Danceability • 15% Energy • 26% Liveness
93% Instrumentalness • 30% Positiveness
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Philippe Sarde
Contre-jour
138 bpm • C Maj • 04:09 • -10.92db
3% Popularity • 46% Danceability • 50% Energy • 7% Liveness
1% Instrumentalness • 48% Positiveness
3% Popularity • 46% Danceability • 50% Energy • 7% Liveness
1% Instrumentalness • 48% Positiveness
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Jorge Augusto Dias Cardoso
Milonga
115 bpm • D min • 04:29 • -31.72db
8% Popularity • 39% Danceability • 1% Energy • 11% Liveness
94% Instrumentalness • 19% Positiveness
8% Popularity • 39% Danceability • 1% Energy • 11% Liveness
94% Instrumentalness • 19% Positiveness
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Biel Ballester Trio
Per Na Cola
114 bpm • G Maj • 03:37 • -8db
24% Popularity • 66% Danceability • 62% Energy • 11% Liveness
86% Instrumentalness • 65% Positiveness
24% Popularity • 66% Danceability • 62% Energy • 11% Liveness
86% Instrumentalness • 65% Positiveness
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Dexter Gordon
Don't Explain - Remastered
114 bpm • F Maj • 06:06 • -13db
30% Popularity • 49% Danceability • 15% Energy • 10% Liveness
3% Instrumentalness • 15% Positiveness
30% Popularity • 49% Danceability • 15% Energy • 10% Liveness
3% Instrumentalness • 15% Positiveness
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Jacques Loussier
Prélude No.1 en ut majeur, BWV 846
138 bpm • C Maj • 05:23 • -17.64db
29% Popularity • 33% Danceability • 19% Energy • 14% Liveness
94% Instrumentalness • 72% Positiveness
29% Popularity • 33% Danceability • 19% Energy • 14% Liveness
94% Instrumentalness • 72% Positiveness
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Jack Sels
Rain On The Grand'Place
114 bpm • F min • 02:30 • -12db
27% Popularity • 55% Danceability • 11% Energy • 11% Liveness
96% Instrumentalness • 47% Positiveness
27% Popularity • 55% Danceability • 11% Energy • 11% Liveness
96% Instrumentalness • 47% Positiveness
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Anders Widmark
Song For A Toreador
114 bpm • A min • 04:11 • -20db
18% Popularity • 65% Danceability • 11% Energy • 10% Liveness
89% Instrumentalness • 9% Positiveness
18% Popularity • 65% Danceability • 11% Energy • 10% Liveness
89% Instrumentalness • 9% Positiveness
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Gerardo Matos RodrÃguez
La Cumparsita
139 bpm • G min • 01:32 • -20db
24% Popularity • 54% Danceability • 8% Energy • 12% Liveness
96% Instrumentalness • 35% Positiveness
24% Popularity • 54% Danceability • 8% Energy • 12% Liveness
96% Instrumentalness • 35% Positiveness
